{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints.\u0026f%5Bdate_range%5D%5B%5D=1977","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints.\u0026f%5Bdate_range%5D%5B%5D=1977\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints.\u0026f%5Bdate_range%5D%5B%5D=1977\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":17,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_haight","type":"collection","attributes":{"title":"Alexander Haight family collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#creator","type":"document_value","attributes":{"value":"Alexander Haight\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_haight","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","ead_source_url_ssi":"data/gmu/haight.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haight.html","title_ssm":["Alexander Haight family collection\n"],"title_tesim":["Alexander Haight family collection\n"],"unitdate_ssm":["1764-1977\n"],"unitdate_inclusive_ssm":["1764-1977\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159\n"],"text":["C0159\n","Alexander Haight family collection","Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes.","Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n","Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","George Mason University.  Special Collections and Archives.\n","Alexander Haight\n","English\n"],"unitid_tesim":["C0159\n"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Alexander Haight\n"],"creator_ssim":["Alexander Haight\n"],"creator_persname_ssim":["Alexander Haight\n"],"creators_ssim":["Alexander Haight\n"],"acqinfo_ssim":["Collection donated by Alexander Levi Haight in 1978.\n"],"access_subjects_ssim":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet (19 boxes and 12 unboxed objects)"],"extent_tesim":["13 linear feet (19 boxes and 12 unboxed objects)"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series by subject with each series organized alphabetically by title.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1863-1920 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printed Material, 1884-1900 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Oversize, 1863-1966 (Box 9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n"],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.\u003c/p\u003e","\u003cp\u003eThe effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.\u003c/p\u003e","\u003cp\u003eMany of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n\u003c/p\u003e","\u003cp\u003eAlexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e","\u003cp\u003eSeries 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e","\u003cp\u003eSeries 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e","\u003cp\u003eSeries 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e","\u003cp\u003eSeries 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e","\u003cp\u003eSeries 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e","\u003cp\u003eSeries 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e","\u003cp\u003eSeries 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Alexander Haight\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Alexander Haight\n"],"language_ssim":["English\n"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_haight","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","ead_source_url_ssi":"data/gmu/haight.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haight.html","title_ssm":["Alexander Haight family collection\n"],"title_tesim":["Alexander Haight family collection\n"],"unitdate_ssm":["1764-1977\n"],"unitdate_inclusive_ssm":["1764-1977\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159\n"],"text":["C0159\n","Alexander Haight family collection","Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes.","Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n","Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","George Mason University.  Special Collections and Archives.\n","Alexander Haight\n","English\n"],"unitid_tesim":["C0159\n"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Alexander Haight\n"],"creator_ssim":["Alexander Haight\n"],"creator_persname_ssim":["Alexander Haight\n"],"creators_ssim":["Alexander Haight\n"],"acqinfo_ssim":["Collection donated by Alexander Levi Haight in 1978.\n"],"access_subjects_ssim":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet (19 boxes and 12 unboxed objects)"],"extent_tesim":["13 linear feet (19 boxes and 12 unboxed objects)"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series by subject with each series organized alphabetically by title.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1863-1920 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printed Material, 1884-1900 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Oversize, 1863-1966 (Box 9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n"],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.\u003c/p\u003e","\u003cp\u003eThe effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.\u003c/p\u003e","\u003cp\u003eMany of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n\u003c/p\u003e","\u003cp\u003eAlexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e","\u003cp\u003eSeries 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e","\u003cp\u003eSeries 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e","\u003cp\u003eSeries 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e","\u003cp\u003eSeries 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e","\u003cp\u003eSeries 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e","\u003cp\u003eSeries 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e","\u003cp\u003eSeries 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Alexander Haight\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Alexander Haight\n"],"language_ssim":["English\n"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_haight"}},{"id":"vifgm_arenastage","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage#creator","type":"document_value","attributes":{"value":"Arena Stage","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  "],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English\n            "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:52:17.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  "],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English\n            "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:52:17.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_arenastage"}},{"id":"vifgm_vifgm00049","type":"collection","attributes":{"title":"Charles A. Veatch papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00049#creator","type":"document_value","attributes":{"value":"Veatch, Charles A., 1942-\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00049#abstract_or_scope","type":"document_value","attributes":{"value":"Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00049#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00049","ead_ssi":"vifgm_vifgm00049","_root_":"vifgm_vifgm00049","_nest_parent_":"vifgm_vifgm00049","ead_source_url_ssi":"data/gmu/vifgm00049.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Charles A. Veatch papers\n"],"title_tesim":["Charles A. Veatch papers\n"],"unitdate_ssm":["1970-2004\n"],"unitdate_inclusive_ssm":["1970-2004\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0138\n"],"text":["C0138\n","Charles A. Veatch papers","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings.","This collection is arranged according to subject.\n","Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n","\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n","\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n","George Mason University.  Special Collections and Archives.\n","Reston Land Corporation.","Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-","English\n"],"unitid_tesim":["C0138\n"],"normalized_title_ssm":["Charles A. Veatch papers"],"collection_title_tesim":["Charles A. Veatch papers"],"collection_ssim":["Charles A. Veatch papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Veatch, Charles A., 1942-\n"],"creator_ssim":["Veatch, Charles A., 1942-\n"],"creator_persname_ssim":["Veatch, Charles A., 1942-\n"],"creators_ssim":["Veatch, Charles A., 1942-\n"],"acqinfo_ssim":["Collection donated by Charles Veatch in 1999-2004.\n"],"access_subjects_ssim":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"access_subjects_ssm":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["6.9 linear feet (14 boxes)"],"extent_tesim":["6.9 linear feet (14 boxes)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject.\n\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged according to subject.\n"],"bioghist_html_tesm":["\u003cp\u003eCharles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n\u003c/p\u003e","\u003cp\u003e\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n\u003c/p\u003e","\u003cp\u003e\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n","\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n","\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/abstract\u003e"],"abstract_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Land Corporation.","Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Land Corporation."],"persname_ssim":["Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-"],"language_ssim":["English\n"],"total_component_count_is":295,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:56:56.171Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00049","ead_ssi":"vifgm_vifgm00049","_root_":"vifgm_vifgm00049","_nest_parent_":"vifgm_vifgm00049","ead_source_url_ssi":"data/gmu/vifgm00049.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Charles A. Veatch papers\n"],"title_tesim":["Charles A. Veatch papers\n"],"unitdate_ssm":["1970-2004\n"],"unitdate_inclusive_ssm":["1970-2004\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0138\n"],"text":["C0138\n","Charles A. Veatch papers","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings.","This collection is arranged according to subject.\n","Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n","\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n","\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n","George Mason University.  Special Collections and Archives.\n","Reston Land Corporation.","Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-","English\n"],"unitid_tesim":["C0138\n"],"normalized_title_ssm":["Charles A. Veatch papers"],"collection_title_tesim":["Charles A. Veatch papers"],"collection_ssim":["Charles A. Veatch papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Veatch, Charles A., 1942-\n"],"creator_ssim":["Veatch, Charles A., 1942-\n"],"creator_persname_ssim":["Veatch, Charles A., 1942-\n"],"creators_ssim":["Veatch, Charles A., 1942-\n"],"acqinfo_ssim":["Collection donated by Charles Veatch in 1999-2004.\n"],"access_subjects_ssim":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"access_subjects_ssm":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["6.9 linear feet (14 boxes)"],"extent_tesim":["6.9 linear feet (14 boxes)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject.\n\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged according to subject.\n"],"bioghist_html_tesm":["\u003cp\u003eCharles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n\u003c/p\u003e","\u003cp\u003e\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n\u003c/p\u003e","\u003cp\u003e\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n","\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n","\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/abstract\u003e"],"abstract_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Land Corporation.","Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Land Corporation."],"persname_ssim":["Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-"],"language_ssim":["English\n"],"total_component_count_is":295,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:56:56.171Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00049"}},{"id":"vifgm_kincannon","type":"collection","attributes":{"title":"Claire Kincannon theatre collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_kincannon#creator","type":"document_value","attributes":{"value":"Lois Claire Kincannon","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_kincannon#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_kincannon#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_kincannon","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon","ead_source_url_ssi":"data/gmu/kincannon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/kincannon.html","title_ssm":["Claire Kincannon theatre collection"],"title_tesim":["Claire Kincannon theatre collection"],"unitdate_ssm":["1955-2011"],"unitdate_other_ssim":["1955-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018"],"text":["C0018","Claire Kincannon theatre collection","Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings.","There are no access restrictions.","All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.","Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)","Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Special Collections and Archives also holds many other \n                theatre collections.","The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire.","English\n\t\t"],"unitid_tesim":["C0018"],"normalized_title_ssm":["Claire Kincannon theatre collection"],"collection_title_tesim":["Claire Kincannon theatre collection"],"collection_ssim":["Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lois Claire Kincannon"],"creator_ssim":["Lois Claire Kincannon"],"creator_persname_ssim":["Lois Claire Kincannon"],"creators_ssim":["Lois Claire Kincannon"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Claire Kincannon in 2007-2008 and 2011."],"access_subjects_ssim":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear feet (40 boxes)"],"extent_tesim":["20.0 Linear feet (40 boxes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAll of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Film-related Materials, 1956-1992 (Box 29)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)"],"bioghist_html_tesm":["\u003cp\u003eClaire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork."],"prefercite_html_tesm":["\u003cp\u003eClaire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \n                theatre collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other \n                theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).\u003c/p\u003e","\u003cp\u003eThe collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.\u003c/p\u003e","\u003cp\u003eMany of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.\u003c/p\u003e","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary."],"names_ssim":["George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"language_ssim":["English\n\t\t"],"total_component_count_is":853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:54:47.290Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_kincannon","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon","ead_source_url_ssi":"data/gmu/kincannon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/kincannon.html","title_ssm":["Claire Kincannon theatre collection"],"title_tesim":["Claire Kincannon theatre collection"],"unitdate_ssm":["1955-2011"],"unitdate_other_ssim":["1955-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018"],"text":["C0018","Claire Kincannon theatre collection","Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings.","There are no access restrictions.","All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.","Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)","Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Special Collections and Archives also holds many other \n                theatre collections.","The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire.","English\n\t\t"],"unitid_tesim":["C0018"],"normalized_title_ssm":["Claire Kincannon theatre collection"],"collection_title_tesim":["Claire Kincannon theatre collection"],"collection_ssim":["Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lois Claire Kincannon"],"creator_ssim":["Lois Claire Kincannon"],"creator_persname_ssim":["Lois Claire Kincannon"],"creators_ssim":["Lois Claire Kincannon"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Claire Kincannon in 2007-2008 and 2011."],"access_subjects_ssim":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear feet (40 boxes)"],"extent_tesim":["20.0 Linear feet (40 boxes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAll of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Film-related Materials, 1956-1992 (Box 29)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)"],"bioghist_html_tesm":["\u003cp\u003eClaire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork."],"prefercite_html_tesm":["\u003cp\u003eClaire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \n                theatre collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other \n                theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).\u003c/p\u003e","\u003cp\u003eThe collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.\u003c/p\u003e","\u003cp\u003eMany of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.\u003c/p\u003e","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary."],"names_ssim":["George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"language_ssim":["English\n\t\t"],"total_component_count_is":853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:54:47.290Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_kincannon"}},{"id":"vifgm_orth","type":"collection","attributes":{"title":"Donald Orth geological survey photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_orth#creator","type":"document_value","attributes":{"value":"Orth, Donald J.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_orth#abstract_or_scope","type":"document_value","attributes":{"value":"49 black and white copy photographs that document the exploration of the American West in the late 19th century.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_orth#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_orth","ead_ssi":"vifgm_orth","_root_":"vifgm_orth","_nest_parent_":"vifgm_orth","ead_source_url_ssi":"data/gmu/orth.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/orth.html","title_ssm":["Donald Orth geological survey photograph collection"],"title_tesim":["Donald Orth geological survey photograph collection"],"unitdate_ssm":["1869-1876"],"unitdate_inclusive_ssm":["1869-1876"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0233"],"text":["C0233","Donald Orth geological survey photograph collection","Photographic prints.","There are no access restrictions.","The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown.","These photographs came from the United States Geological Society. A majority of the photographs were taken by William Henry Jackson and are of the West, especially of what would become Yellowstone National Park. There is a photograph of Ferdinand Vandiveer Hayden who hired William Henry Jackson to accompany him and others on Hayden's trips to document the West. Hayden was a geologist who was the head of the United States Geological and Geographic Survey of the Territories in the late 19th century. Hayden along with Jackson were integral in documenting the landscape of the West and helping establish Yellowstone National Park. There are also some photographs taken by John K. Hillers who was exploring the West, especially the Grand Canyon, with John Wesley Powell during the late 19th century. There are photographs of Fridtjof Nansen and his boat Fram which he used during his expedition to the Arctic during the late 19th century.","Processing and EAD markup completed in November 2013 by Kerry Mitchell.","Special Collections and Archives also holds many other photograph collections.","49 black and white copy photographs that document the exploration of the American West in the late 19th century. The photographs appear to be reprints of the originals made in 1869-1874 except for the photographs of Niagara Falls and Washington D.C. that appear to be original. The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown.","There are no restrictions on personal use. Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n","49 black and white copy photographs that document the exploration of the American West in the late 19th century.","George Mason University. Libraries. Special Collections \u0026 Archives","Orth, Donald J.","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","Jackson, William Henry, 1843-1942","English\n\t\t"],"unitid_tesim":["C0233"],"normalized_title_ssm":["Donald Orth geological survey photograph collection"],"collection_title_tesim":["Donald Orth geological survey photograph collection"],"collection_ssim":["Donald Orth geological survey photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Orth, Donald J."],"creator_ssim":["Orth, Donald J."],"creator_persname_ssim":["Orth, Donald J."],"creators_ssim":["Orth, Donald J."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n"],"acqinfo_ssim":["Donated by Donald Orth to Special Collections and Archives on June 10, 2013."],"access_subjects_ssim":["Photographic prints."],"access_subjects_ssm":["Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 linear feet (1 box)"],"extent_tesim":["0.25 linear feet (1 box)"],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown."],"bioghist_html_tesm":["\u003cp\u003eThese photographs came from the United States Geological Society. A majority of the photographs were taken by William Henry Jackson and are of the West, especially of what would become Yellowstone National Park. There is a photograph of Ferdinand Vandiveer Hayden who hired William Henry Jackson to accompany him and others on Hayden's trips to document the West. Hayden was a geologist who was the head of the United States Geological and Geographic Survey of the Territories in the late 19th century. Hayden along with Jackson were integral in documenting the landscape of the West and helping establish Yellowstone National Park. There are also some photographs taken by John K. Hillers who was exploring the West, especially the Grand Canyon, with John Wesley Powell during the late 19th century. There are photographs of Fridtjof Nansen and his boat Fram which he used during his expedition to the Arctic during the late 19th century.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note"],"bioghist_tesim":["These photographs came from the United States Geological Society. A majority of the photographs were taken by William Henry Jackson and are of the West, especially of what would become Yellowstone National Park. There is a photograph of Ferdinand Vandiveer Hayden who hired William Henry Jackson to accompany him and others on Hayden's trips to document the West. Hayden was a geologist who was the head of the United States Geological and Geographic Survey of the Territories in the late 19th century. Hayden along with Jackson were integral in documenting the landscape of the West and helping establish Yellowstone National Park. There are also some photographs taken by John K. Hillers who was exploring the West, especially the Grand Canyon, with John Wesley Powell during the late 19th century. There are photographs of Fridtjof Nansen and his boat Fram which he used during his expedition to the Arctic during the late 19th century."],"prefercite_html_tesm":["\u003cp\u003eDonald Orth Geological Survey Photograph Collection, C0233, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Donald Orth Geological Survey Photograph Collection, C0233, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2013 by Kerry Mitchell.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2013 by Kerry Mitchell."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other photograph collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other photograph collections."],"scopecontent_html_tesm":["\u003cp\u003e49 black and white copy photographs that document the exploration of the American West in the late 19th century. The photographs appear to be reprints of the originals made in 1869-1874 except for the photographs of Niagara Falls and Washington D.C. that appear to be original. The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["49 black and white copy photographs that document the exploration of the American West in the late 19th century. The photographs appear to be reprints of the originals made in 1869-1874 except for the photographs of Niagara Falls and Washington D.C. that appear to be original. The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003e49 black and white copy photographs that document the exploration of the American West in the late 19th century.\u003c/abstract\u003e"],"abstract_tesim":["49 black and white copy photographs that document the exploration of the American West in the late 19th century."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Orth, Donald J.","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","Jackson, William Henry, 1843-1942"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Orth, Donald J.","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","Jackson, William Henry, 1843-1942"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_orth","ead_ssi":"vifgm_orth","_root_":"vifgm_orth","_nest_parent_":"vifgm_orth","ead_source_url_ssi":"data/gmu/orth.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/orth.html","title_ssm":["Donald Orth geological survey photograph collection"],"title_tesim":["Donald Orth geological survey photograph collection"],"unitdate_ssm":["1869-1876"],"unitdate_inclusive_ssm":["1869-1876"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0233"],"text":["C0233","Donald Orth geological survey photograph collection","Photographic prints.","There are no access restrictions.","The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown.","These photographs came from the United States Geological Society. A majority of the photographs were taken by William Henry Jackson and are of the West, especially of what would become Yellowstone National Park. There is a photograph of Ferdinand Vandiveer Hayden who hired William Henry Jackson to accompany him and others on Hayden's trips to document the West. Hayden was a geologist who was the head of the United States Geological and Geographic Survey of the Territories in the late 19th century. Hayden along with Jackson were integral in documenting the landscape of the West and helping establish Yellowstone National Park. There are also some photographs taken by John K. Hillers who was exploring the West, especially the Grand Canyon, with John Wesley Powell during the late 19th century. There are photographs of Fridtjof Nansen and his boat Fram which he used during his expedition to the Arctic during the late 19th century.","Processing and EAD markup completed in November 2013 by Kerry Mitchell.","Special Collections and Archives also holds many other photograph collections.","49 black and white copy photographs that document the exploration of the American West in the late 19th century. The photographs appear to be reprints of the originals made in 1869-1874 except for the photographs of Niagara Falls and Washington D.C. that appear to be original. The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown.","There are no restrictions on personal use. Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n","49 black and white copy photographs that document the exploration of the American West in the late 19th century.","George Mason University. Libraries. Special Collections \u0026 Archives","Orth, Donald J.","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","Jackson, William Henry, 1843-1942","English\n\t\t"],"unitid_tesim":["C0233"],"normalized_title_ssm":["Donald Orth geological survey photograph collection"],"collection_title_tesim":["Donald Orth geological survey photograph collection"],"collection_ssim":["Donald Orth geological survey photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Orth, Donald J."],"creator_ssim":["Orth, Donald J."],"creator_persname_ssim":["Orth, Donald J."],"creators_ssim":["Orth, Donald J."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n"],"acqinfo_ssim":["Donated by Donald Orth to Special Collections and Archives on June 10, 2013."],"access_subjects_ssim":["Photographic prints."],"access_subjects_ssm":["Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 linear feet (1 box)"],"extent_tesim":["0.25 linear feet (1 box)"],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown."],"bioghist_html_tesm":["\u003cp\u003eThese photographs came from the United States Geological Society. A majority of the photographs were taken by William Henry Jackson and are of the West, especially of what would become Yellowstone National Park. There is a photograph of Ferdinand Vandiveer Hayden who hired William Henry Jackson to accompany him and others on Hayden's trips to document the West. Hayden was a geologist who was the head of the United States Geological and Geographic Survey of the Territories in the late 19th century. Hayden along with Jackson were integral in documenting the landscape of the West and helping establish Yellowstone National Park. There are also some photographs taken by John K. Hillers who was exploring the West, especially the Grand Canyon, with John Wesley Powell during the late 19th century. There are photographs of Fridtjof Nansen and his boat Fram which he used during his expedition to the Arctic during the late 19th century.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note"],"bioghist_tesim":["These photographs came from the United States Geological Society. A majority of the photographs were taken by William Henry Jackson and are of the West, especially of what would become Yellowstone National Park. There is a photograph of Ferdinand Vandiveer Hayden who hired William Henry Jackson to accompany him and others on Hayden's trips to document the West. Hayden was a geologist who was the head of the United States Geological and Geographic Survey of the Territories in the late 19th century. Hayden along with Jackson were integral in documenting the landscape of the West and helping establish Yellowstone National Park. There are also some photographs taken by John K. Hillers who was exploring the West, especially the Grand Canyon, with John Wesley Powell during the late 19th century. There are photographs of Fridtjof Nansen and his boat Fram which he used during his expedition to the Arctic during the late 19th century."],"prefercite_html_tesm":["\u003cp\u003eDonald Orth Geological Survey Photograph Collection, C0233, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Donald Orth Geological Survey Photograph Collection, C0233, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2013 by Kerry Mitchell.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2013 by Kerry Mitchell."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other photograph collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other photograph collections."],"scopecontent_html_tesm":["\u003cp\u003e49 black and white copy photographs that document the exploration of the American West in the late 19th century. The photographs appear to be reprints of the originals made in 1869-1874 except for the photographs of Niagara Falls and Washington D.C. that appear to be original. The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["49 black and white copy photographs that document the exploration of the American West in the late 19th century. The photographs appear to be reprints of the originals made in 1869-1874 except for the photographs of Niagara Falls and Washington D.C. that appear to be original. The collection is organized alphabetically mainly by state with three exceptions: Niagara Falls, Portraits and Unknown."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Donald Orth Geological Survey Photograph Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003e49 black and white copy photographs that document the exploration of the American West in the late 19th century.\u003c/abstract\u003e"],"abstract_tesim":["49 black and white copy photographs that document the exploration of the American West in the late 19th century."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Orth, Donald J.","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","Jackson, William Henry, 1843-1942"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Orth, Donald J.","Hayden, F. V. (Ferdinand Vandeveer), 1829-1887","Jackson, William Henry, 1843-1942"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_orth"}},{"id":"vifgm_vifgm00033","type":"collection","attributes":{"title":"Jack Rottier photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00033#creator","type":"document_value","attributes":{"value":"John M. (Jack) Rottier, 1910-1988\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00033#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00033#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00033","ead_ssi":"vifgm_vifgm00033","_root_":"vifgm_vifgm00033","_nest_parent_":"vifgm_vifgm00033","ead_source_url_ssi":"data/gmu/vifgm00033.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Jack Rottier photograph collection\n"],"title_tesim":["Jack Rottier photograph collection\n"],"unitdate_ssm":["1953-1983\n"],"unitdate_inclusive_ssm":["1953-1983\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0003\n"],"text":["C0003\n","Jack Rottier photograph collection","Monuments and memorials--Washington (D.C.)--Photographs.","Urban beautification--Washington (D.C.)--Photographs.","Aerial photographs.","Photographic negatives.","Photographic prints.","Slides.","This collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.","Series 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3)\n Series 2: 55mm Slides, 1965-1976 (Boxes 4-5)\n Series 3: Color Negatives, 1957-1979 (Boxes 5)\n Series 4: Large Format Negatives, 1950s-1970s (Box 5)\n Series 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6)\n Series 6: Medium Format Negatives, circa 1966-1976 (Box 6)\n Series 7: Small Format Photographs, 1957-1983 (Box 7)\n Series 8: Large Format Photographs, 1960-1974 (Boxes 8-9)\n Series 9: Oversize Photographs, 1961-1974 (Box 10)\n","Jack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.\n","This collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n","Series 1, 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. \n","Series 2, 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration.\n","Series 3, Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho.\n","Series 4, Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA).\n","Series 5, Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall.  \n","Series 6, Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony.\n","Series 7, Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games.\n","Series 8, Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. \n","Series 9, Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative.\n","This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n","George Mason University.  Special Collections and Archives.\n","John M. (Jack) Rottier, 1910-1988\n","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","English\n"],"unitid_tesim":["C0003\n"],"normalized_title_ssm":["Jack Rottier photograph collection"],"collection_title_tesim":["Jack Rottier photograph collection"],"collection_ssim":["Jack Rottier photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["John M. (Jack) Rottier, 1910-1988\n"],"creator_ssim":["John M. (Jack) Rottier, 1910-1988\n"],"creator_persname_ssim":["John M. (Jack) Rottier, 1910-1988\n"],"creators_ssim":["John M. (Jack) Rottier, 1910-1988\n"],"acqinfo_ssim":["Donated by Robin Rottier, September 22, 2009.\n"],"access_subjects_ssim":["Monuments and memorials--Washington (D.C.)--Photographs.","Urban beautification--Washington (D.C.)--Photographs.","Aerial photographs.","Photographic negatives.","Photographic prints.","Slides."],"access_subjects_ssm":["Monuments and memorials--Washington (D.C.)--Photographs.","Urban beautification--Washington (D.C.)--Photographs.","Aerial photographs.","Photographic negatives.","Photographic prints.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["3.5 linear feet (10 boxes)"],"extent_tesim":["3.5 linear feet (10 boxes)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: 55mm Slides, 1965-1976 (Boxes 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Color Negatives, 1957-1979 (Boxes 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Large Format Negatives, 1950s-1970s (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Medium Format Negatives, circa 1966-1976 (Box 6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Small Format Photographs, 1957-1983 (Box 7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Large Format Photographs, 1960-1974 (Boxes 8-9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9: Oversize Photographs, 1961-1974 (Box 10)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.","Series 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3)\n Series 2: 55mm Slides, 1965-1976 (Boxes 4-5)\n Series 3: Color Negatives, 1957-1979 (Boxes 5)\n Series 4: Large Format Negatives, 1950s-1970s (Box 5)\n Series 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6)\n Series 6: Medium Format Negatives, circa 1966-1976 (Box 6)\n Series 7: Small Format Photographs, 1957-1983 (Box 7)\n Series 8: Large Format Photographs, 1960-1974 (Boxes 8-9)\n Series 9: Oversize Photographs, 1961-1974 (Box 10)\n"],"bioghist_html_tesm":["\u003cp\u003eJack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Jack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n\u003c/p\u003e","\u003cp\u003eSeries 1, 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. \n\u003c/p\u003e","\u003cp\u003eSeries 2, 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration.\n\u003c/p\u003e","\u003cp\u003eSeries 3, Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho.\n\u003c/p\u003e","\u003cp\u003eSeries 4, Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA).\n\u003c/p\u003e","\u003cp\u003eSeries 5, Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall.  \n\u003c/p\u003e","\u003cp\u003eSeries 6, Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony.\n\u003c/p\u003e","\u003cp\u003eSeries 7, Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games.\n\u003c/p\u003e","\u003cp\u003eSeries 8, Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. \n\u003c/p\u003e","\u003cp\u003eSeries 9, Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n","Series 1, 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. \n","Series 2, 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration.\n","Series 3, Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho.\n","Series 4, Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA).\n","Series 5, Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall.  \n","Series 6, Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony.\n","Series 7, Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games.\n","Series 8, Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. \n","Series 9, Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","John M. (Jack) Rottier, 1910-1988\n","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["John M. (Jack) Rottier, 1910-1988\n","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs."],"language_ssim":["English\n"],"total_component_count_is":183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:54:47.290Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00033","ead_ssi":"vifgm_vifgm00033","_root_":"vifgm_vifgm00033","_nest_parent_":"vifgm_vifgm00033","ead_source_url_ssi":"data/gmu/vifgm00033.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Jack Rottier photograph collection\n"],"title_tesim":["Jack Rottier photograph collection\n"],"unitdate_ssm":["1953-1983\n"],"unitdate_inclusive_ssm":["1953-1983\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0003\n"],"text":["C0003\n","Jack Rottier photograph collection","Monuments and memorials--Washington (D.C.)--Photographs.","Urban beautification--Washington (D.C.)--Photographs.","Aerial photographs.","Photographic negatives.","Photographic prints.","Slides.","This collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.","Series 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3)\n Series 2: 55mm Slides, 1965-1976 (Boxes 4-5)\n Series 3: Color Negatives, 1957-1979 (Boxes 5)\n Series 4: Large Format Negatives, 1950s-1970s (Box 5)\n Series 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6)\n Series 6: Medium Format Negatives, circa 1966-1976 (Box 6)\n Series 7: Small Format Photographs, 1957-1983 (Box 7)\n Series 8: Large Format Photographs, 1960-1974 (Boxes 8-9)\n Series 9: Oversize Photographs, 1961-1974 (Box 10)\n","Jack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.\n","This collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n","Series 1, 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. \n","Series 2, 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration.\n","Series 3, Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho.\n","Series 4, Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA).\n","Series 5, Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall.  \n","Series 6, Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony.\n","Series 7, Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games.\n","Series 8, Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. \n","Series 9, Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative.\n","This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n","George Mason University.  Special Collections and Archives.\n","John M. (Jack) Rottier, 1910-1988\n","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","English\n"],"unitid_tesim":["C0003\n"],"normalized_title_ssm":["Jack Rottier photograph collection"],"collection_title_tesim":["Jack Rottier photograph collection"],"collection_ssim":["Jack Rottier photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["John M. (Jack) Rottier, 1910-1988\n"],"creator_ssim":["John M. (Jack) Rottier, 1910-1988\n"],"creator_persname_ssim":["John M. (Jack) Rottier, 1910-1988\n"],"creators_ssim":["John M. (Jack) Rottier, 1910-1988\n"],"acqinfo_ssim":["Donated by Robin Rottier, September 22, 2009.\n"],"access_subjects_ssim":["Monuments and memorials--Washington (D.C.)--Photographs.","Urban beautification--Washington (D.C.)--Photographs.","Aerial photographs.","Photographic negatives.","Photographic prints.","Slides."],"access_subjects_ssm":["Monuments and memorials--Washington (D.C.)--Photographs.","Urban beautification--Washington (D.C.)--Photographs.","Aerial photographs.","Photographic negatives.","Photographic prints.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["3.5 linear feet (10 boxes)"],"extent_tesim":["3.5 linear feet (10 boxes)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: 55mm Slides, 1965-1976 (Boxes 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Color Negatives, 1957-1979 (Boxes 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Large Format Negatives, 1950s-1970s (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Medium Format Negatives, circa 1966-1976 (Box 6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Small Format Photographs, 1957-1983 (Box 7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Large Format Photographs, 1960-1974 (Boxes 8-9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9: Oversize Photographs, 1961-1974 (Box 10)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.","Series 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3)\n Series 2: 55mm Slides, 1965-1976 (Boxes 4-5)\n Series 3: Color Negatives, 1957-1979 (Boxes 5)\n Series 4: Large Format Negatives, 1950s-1970s (Box 5)\n Series 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6)\n Series 6: Medium Format Negatives, circa 1966-1976 (Box 6)\n Series 7: Small Format Photographs, 1957-1983 (Box 7)\n Series 8: Large Format Photographs, 1960-1974 (Boxes 8-9)\n Series 9: Oversize Photographs, 1961-1974 (Box 10)\n"],"bioghist_html_tesm":["\u003cp\u003eJack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Jack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n\u003c/p\u003e","\u003cp\u003eSeries 1, 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. \n\u003c/p\u003e","\u003cp\u003eSeries 2, 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration.\n\u003c/p\u003e","\u003cp\u003eSeries 3, Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho.\n\u003c/p\u003e","\u003cp\u003eSeries 4, Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA).\n\u003c/p\u003e","\u003cp\u003eSeries 5, Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall.  \n\u003c/p\u003e","\u003cp\u003eSeries 6, Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony.\n\u003c/p\u003e","\u003cp\u003eSeries 7, Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games.\n\u003c/p\u003e","\u003cp\u003eSeries 8, Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. \n\u003c/p\u003e","\u003cp\u003eSeries 9, Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n","Series 1, 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. \n","Series 2, 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration.\n","Series 3, Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho.\n","Series 4, Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA).\n","Series 5, Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall.  \n","Series 6, Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony.\n","Series 7, Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games.\n","Series 8, Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. \n","Series 9, Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","John M. (Jack) Rottier, 1910-1988\n","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["John M. (Jack) Rottier, 1910-1988\n","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs."],"language_ssim":["English\n"],"total_component_count_is":183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:54:47.290Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00033"}},{"id":"vifgm_laue","type":"collection","attributes":{"title":"James H. Laue papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_laue#creator","type":"document_value","attributes":{"value":"James H. Laue\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_laue#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_laue#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_laue","ead_ssi":"vifgm_laue","_root_":"vifgm_laue","_nest_parent_":"vifgm_laue","ead_source_url_ssi":"data/gmu/laue.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/laue.html","title_ssm":["James H. Laue papers\n"],"title_tesim":["James H. Laue papers\n"],"unitdate_ssm":["1936-1999, bulk 1960-1993\n"],"unitdate_inclusive_ssm":["1936-1999, bulk 1960-1993\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0055\n"],"text":["C0055\n","James H. Laue papers","African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings.","This collection is arranged by subject.\n","Series 1:  Correspondence, 1960-1993 (Box 1-3)\n Series 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n Series 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n Series 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n Series 5:  Academic Papers, 1947-1999 (Box 69-87)\n Series 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n Series 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n Series 8:  Photographs, 1942-1992 (Box 97-98)\n Series 9:  Memorabilia, 1949-1993 (Box 98)\n Series 10:  Audio Cassettes, 1968-1991 (Box 99)\n Series 11:  Oversize, 1960-1980 (Box 100)\n","James H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman. \n","\nDuring his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\" \n","\nCombining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.\n","\nIn 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s. \n","\nThroughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.\n","This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia. \n","\nSeries 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.\n","\nSeries 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).\n","\nSeries 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).\n","\nSeries 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.\n","\nSeries 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.\n","\nSeries 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n","\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n","\nSeries 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.\n","\nSeries 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.\n","\nSeries 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.\n","\nSeries 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights. \n","This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace.","James H. Laue\n","Laue, James H.","English\n"],"unitid_tesim":["C0055\n"],"normalized_title_ssm":["James H. Laue papers"],"collection_title_tesim":["James H. Laue papers"],"collection_ssim":["James H. Laue papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James H. Laue\n"],"creator_ssim":["James H. Laue\n"],"creator_persname_ssim":["James H. Laue\n"],"creators_ssim":["James H. Laue\n"],"acqinfo_ssim":["Collection donated by Mariann Laue Baker in 1999.\n"],"access_subjects_ssim":["African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings."],"access_subjects_ssm":["African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["43 linear ft.; 100 boxes"],"extent_tesim":["43 linear ft.; 100 boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Correspondence, 1960-1993 (Box 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Academic Papers, 1947-1999 (Box 69-87)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Photographs, 1942-1992 (Box 97-98)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  Memorabilia, 1949-1993 (Box 98)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  Audio Cassettes, 1968-1991 (Box 99)\n\u003c/item\u003e\n        \u003citem\u003eSeries 11:  Oversize, 1960-1980 (Box 100)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged by subject.\n","Series 1:  Correspondence, 1960-1993 (Box 1-3)\n Series 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n Series 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n Series 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n Series 5:  Academic Papers, 1947-1999 (Box 69-87)\n Series 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n Series 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n Series 8:  Photographs, 1942-1992 (Box 97-98)\n Series 9:  Memorabilia, 1949-1993 (Box 98)\n Series 10:  Audio Cassettes, 1968-1991 (Box 99)\n Series 11:  Oversize, 1960-1980 (Box 100)\n"],"bioghist_html_tesm":["\u003cp\u003eJames H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman. \n\u003c/p\u003e","\u003cp\u003e\nDuring his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\" \n\u003c/p\u003e","\u003cp\u003e\nCombining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.\n\u003c/p\u003e","\u003cp\u003e\nIn 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s. \n\u003c/p\u003e","\u003cp\u003e\nThroughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["James H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman. \n","\nDuring his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\" \n","\nCombining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.\n","\nIn 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s. \n","\nThroughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia. \n\u003c/p\u003e","\u003cp\u003e\nSeries 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.\n\u003c/p\u003e","\u003cp\u003e\nSeries 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).\n\u003c/p\u003e","\u003cp\u003e\nSeries 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).\n\u003c/p\u003e","\u003cp\u003e\nSeries 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.\n\u003c/p\u003e","\u003cp\u003e\nSeries 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.\n\u003c/p\u003e","\u003cp\u003e\nSeries 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n\u003c/p\u003e","\u003cp\u003e\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n\u003c/p\u003e","\u003cp\u003e\nSeries 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.\n\u003c/p\u003e","\u003cp\u003e\nSeries 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.\n\u003c/p\u003e","\u003cp\u003e\nSeries 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.\n\u003c/p\u003e","\u003cp\u003e\nSeries 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights. \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia. \n","\nSeries 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.\n","\nSeries 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).\n","\nSeries 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).\n","\nSeries 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.\n","\nSeries 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.\n","\nSeries 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n","\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n","\nSeries 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.\n","\nSeries 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.\n","\nSeries 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.\n","\nSeries 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights. \n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace.","James H. Laue\n","Laue, James H."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace."],"persname_ssim":["James H. Laue\n","Laue, James H."],"language_ssim":["English\n"],"total_component_count_is":1365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:53:29.147Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_laue","ead_ssi":"vifgm_laue","_root_":"vifgm_laue","_nest_parent_":"vifgm_laue","ead_source_url_ssi":"data/gmu/laue.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/laue.html","title_ssm":["James H. Laue papers\n"],"title_tesim":["James H. Laue papers\n"],"unitdate_ssm":["1936-1999, bulk 1960-1993\n"],"unitdate_inclusive_ssm":["1936-1999, bulk 1960-1993\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0055\n"],"text":["C0055\n","James H. Laue papers","African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings.","This collection is arranged by subject.\n","Series 1:  Correspondence, 1960-1993 (Box 1-3)\n Series 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n Series 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n Series 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n Series 5:  Academic Papers, 1947-1999 (Box 69-87)\n Series 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n Series 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n Series 8:  Photographs, 1942-1992 (Box 97-98)\n Series 9:  Memorabilia, 1949-1993 (Box 98)\n Series 10:  Audio Cassettes, 1968-1991 (Box 99)\n Series 11:  Oversize, 1960-1980 (Box 100)\n","James H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman. \n","\nDuring his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\" \n","\nCombining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.\n","\nIn 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s. \n","\nThroughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.\n","This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia. \n","\nSeries 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.\n","\nSeries 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).\n","\nSeries 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).\n","\nSeries 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.\n","\nSeries 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.\n","\nSeries 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n","\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n","\nSeries 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.\n","\nSeries 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.\n","\nSeries 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.\n","\nSeries 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights. \n","This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace.","James H. Laue\n","Laue, James H.","English\n"],"unitid_tesim":["C0055\n"],"normalized_title_ssm":["James H. Laue papers"],"collection_title_tesim":["James H. Laue papers"],"collection_ssim":["James H. Laue papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James H. Laue\n"],"creator_ssim":["James H. Laue\n"],"creator_persname_ssim":["James H. Laue\n"],"creators_ssim":["James H. Laue\n"],"acqinfo_ssim":["Collection donated by Mariann Laue Baker in 1999.\n"],"access_subjects_ssim":["African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings."],"access_subjects_ssm":["African Americans--Civil rights--History--20th century.","Civil rights demonstrations--Southern States--History--20th century.","Conflict management.","Photographic prints.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["43 linear ft.; 100 boxes"],"extent_tesim":["43 linear ft.; 100 boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1:  Correspondence, 1960-1993 (Box 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5:  Academic Papers, 1947-1999 (Box 69-87)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8:  Photographs, 1942-1992 (Box 97-98)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9:  Memorabilia, 1949-1993 (Box 98)\n\u003c/item\u003e\n        \u003citem\u003eSeries 10:  Audio Cassettes, 1968-1991 (Box 99)\n\u003c/item\u003e\n        \u003citem\u003eSeries 11:  Oversize, 1960-1980 (Box 100)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged by subject.\n","Series 1:  Correspondence, 1960-1993 (Box 1-3)\n Series 2:  Conflict Resolution Papers, 1967-1993 (Box 3-31)\n Series 3:  Peace Academy Campaign Papers, 1947-1990, bulk 1976-1990 (Box 31-50)\n Series 4:  Civil Rights Papers, 1956-1988, bulk 1960-1970 (Box 50-68)\n Series 5:  Academic Papers, 1947-1999 (Box 69-87)\n Series 6:  Conferences and Workshops, 1962-1992 (Box 87-93)\n Series 7:  News Clippings and Articles, 1936-1992 (Box 93-97)\n Series 8:  Photographs, 1942-1992 (Box 97-98)\n Series 9:  Memorabilia, 1949-1993 (Box 98)\n Series 10:  Audio Cassettes, 1968-1991 (Box 99)\n Series 11:  Oversize, 1960-1980 (Box 100)\n"],"bioghist_html_tesm":["\u003cp\u003eJames H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman. \n\u003c/p\u003e","\u003cp\u003e\nDuring his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\" \n\u003c/p\u003e","\u003cp\u003e\nCombining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.\n\u003c/p\u003e","\u003cp\u003e\nIn 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s. \n\u003c/p\u003e","\u003cp\u003e\nThroughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["James H. Laue was born in River Falls, Wisconsin, in 1937. Laue graduated from high school in 1955 and went to college in his home town at the University of Wisconsin-River Falls, where he took a major in sociology. After earning his Bachelor's degree in 1959, Laue was admitted to the Harvard graduate program in sociology with a Danforth Fellowship, where he studied race relations and the sociology of religion under such distinguished sociologists as Talcott Parsons, Gordon Allport, and David Riesman. \n","\nDuring his graduate studies, Laue became involved in the Civil Rights movement, attending lunch counter sit-ins, church \"kneel-ins,\" and protests organized by the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. Laue's 1966 doctoral dissertation, \"Direct Action and Desegregation: Toward a Theory of the Rationalization of Protest,\" grew out of a combination of diligent sociological analysis and first-hand experience in the Civil Rights movement. These experiences, along with a pious adherence to the core tenets of Christianity, influenced Laue's approach to conflict analysis, which he described in his 1976 University of Missouri tenure application as \"a conscious and explicit linking of scholarship and action.\" \n","\nCombining social theory and practical problem-solving into a new practice of clinical sociology, Laue helped to establish the field of conflict resolution as a distinct academic discipline, and his career reflects both the academic and the activist sides of the field. From 1965-1969, Laue served on the US Department of Justice's Community Relations Service (CRS), an agency established under the 1964 Civil Rights Act to help resolve racial conflicts. After leaving the CRS, Laue held academic positions at the Laboratory of Community Psychiatry at Harvard Medical School (1969-1971), Washington University-St. Louis (1971-1974), the University of Missouri-St. Louis (1975-1986), and finally, George Mason University (1986-1993) where he became the first Lynch Professor of Conflict Resolution. Laue also served as President and Executive Director of the Conflict Clinic, Inc., a non-profit dispute-resolution organization, from 1984 - ca. 1989.\n","\nIn 1976 Laue co-founded and chaired the National Peace Academy Campaign (N-PAC), which sought to establish a national institute for peace research and education. Three years later, President Jimmy Carter appointed Laue Chair of the congressional Commission on Proposals for the National Academy of Peace and Conflict Resolution. The evidence gathered by the Commission at public hearings across the US, along with Laue's testimony before Congress in the early 1980s, was instrumental in establishing the US Institute of Peace and its funding counterpart, the National Peace Institute Foundation, which Laue also chaired during the 1980s. \n","\nThroughout his long and prodigious career, Laue participated in dozens of academic conferences, taught numerous classes and workshops on dispute resolution, published scores of academic papers, collaborated with Civil Rights activists and arms-control advocacy groups, delivered sermons at churches and speeches at graduate commencements, and remained active in the field of peacemaking and conflict resolution until his death in 1993.\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia. \n\u003c/p\u003e","\u003cp\u003e\nSeries 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.\n\u003c/p\u003e","\u003cp\u003e\nSeries 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).\n\u003c/p\u003e","\u003cp\u003e\nSeries 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).\n\u003c/p\u003e","\u003cp\u003e\nSeries 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.\n\u003c/p\u003e","\u003cp\u003e\nSeries 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.\n\u003c/p\u003e","\u003cp\u003e\nSeries 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n\u003c/p\u003e","\u003cp\u003e\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n\u003c/p\u003e","\u003cp\u003e\nSeries 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.\n\u003c/p\u003e","\u003cp\u003e\nSeries 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.\n\u003c/p\u003e","\u003cp\u003e\nSeries 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.\n\u003c/p\u003e","\u003cp\u003e\nSeries 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights. \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. The papers document Laue's development as a sociology student and Civil Rights activist in the early 1960s through his career as a mediator and professor of urban sociology and conflict resolution into the early 1990s. Materials in the collection include manuscripts, correspondence, workshop papers, notebooks, legal documents, photographs, audio cassettes, and memorabilia. \n","\nSeries 1, Correspondence, contains correspondence between Laue and his colleagues, including Civil Rights advocates during the 1960s and Peace Academy Commission members during the late 1970s and early 80s. The series is divided into two subseries of correspondence, the first arranged by date and the second arranged alphabetically by surname.\n","\nSeries 2, Conflict Resolution Papers, contains materials from various conflict resolution organizations, initiatives, and workshops in which Laue participated as a leader or active member. The series includes mediation workshop materials, manuscript drafts of books and essays on the practice of conflict resolution, and papers documenting Laue's role in mediating such conflicts as the farm debt crisis of the mid 1980s, the Fort Worth I-30 expansion dispute, and the public memory of the 1970 Kent State shootings. Figuring prominently in the series is Laue's work with the Community Crisis Intervention Center at Washington University-St. Louis in the 1970s and the Conflict Clinic, Inc. at the University of Missouri-St. Louis in the 1980s (and later at George Mason University).\n","\nSeries 3, Peace Academy Campaign Papers, documents Laue's leading role in the campaign to establish a U.S. Academy of Peace and Conflict Resolution. The series includes public hearings conducted by the Commission on Proposals for the National Academy of Peace, which Laue chaired in 1978-1980; Congressional records and hearings regarding the establishment of the U.S. Academy of Peace; newsletters, brochures, and meeting minutes of the National Peace Academy Campaign (N-PAC), which Laue co-founded in 1976; and various administrative, financial, and promotional materials from the National Peace Academy Foundation / National Peace Institute Foundation (NPAF/NPIF), and the U.S. Academy of Peace / U.S. Institute of Peace (USAP/USIP).\n","\nSeries 4, Civil Rights Papers, documents Laue's involvement in the Civil Rights movement during the 1960s. The series is divided into two subseries. Subseries 4.1, Direct Action and Desegregation, covers Laue's activism in the Civil Rights movement during the early 1960s and includes notes, interviews, and other materials used in his dissertation, Direct Action and Desegregation, 1960-1962 as well as later essays on Civil Rights by Laue and others. This subseries also contains memoranda, pamphlets, and newsletters from such prominent Sixties grass-roots organizations as the Southern Christian Leadership Conference (SCLC), Students for a Democratic Society (SDS), the Southern Regional Council (SRC), and the Student Nonviolent Coordinating Committee (SNCC). Subseries 4.2, Community Relations Service (CRS), documents Laue's work for the CRS under the U.S. Department of Justice in the mid to late 1960s, where he became the head of Program Evaluation and Development. Materials include reports, meeting minutes, correspondence, personnel files, and speeches.\n","\nSeries 5, Academic Papers, contains materials from Laue's work as a student, scholar, and teacher. The series is divided into two subseries. Subseries 5.1, Student Papers, covers Laue's academic career from childhood in River Falls, Wisconsin through college and graduate school at Harvard. The subseries contains sociology papers Laue wrote as a student, college notebooks, course materials, church sermons, and correspondence with professors. Subseries 5.2, Professional Papers, covers Laue's academic career as a researcher at the Harvard Medical School Laboratory of Community Psychiatry, as a professor of sociology and urban studies at Washington University-St. Louis and the University of Missouri-St. Louis in the 1970s and 80s, and as a professor of Conflict Resolution at George Mason University in the late 80s and early 90s. The subseries contains journal articles and commencement speeches written by Laue, course materials, academic exercises used in workshops on conflict mediation, and biographical materials prepared for annual reviews and tenure application.\n","\nSeries 6, Conferences and Workshops, contains programs, presentations, notes, and correspondence pertaining to various conferences and workshops Laue attended or administered. The folder dates in this series generally refer to the dates the conferences were held and may not encompass the date range of all materials in the folder. Ranging from small local workshops to large international meetings, the conferences cover a range of themes including desegregation, clinical sociology, community conflict intervention, international arbitration, and peace education.\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n","\nSeries 7, News Clippings and Articles, contains newspaper articles collected and assembled by Laue. Themes include desegregation and civil rights, international politics, biographical pieces and interviews with Laue, and the peace academy campaign. The series is divided into two subseries, the first arranged by date and the second arranged alphabetically by subject or newspaper title.\n","\nSeries 8, Photographs, contains mostly black-and-white photographs of Laue from youth through adulthood. The series contains several portraits as well as pictures of Laue with fellow students, family members, and colleagues.\n","\nSeries 9, Memorabilia, contains certificates, drawings, posters, and other memorabilia mostly from Laue's youth. Included are several items from Laue's participation in the Wisconsin American Legion Badger Boys civic activism program as a child.\n","\nSeries 10, Audio Cassettes, contains audio tape recordings of presentations, sermons, and speeches by James Laue, Jimmy Carter, and Martin Luther King, Jr.\n","\nSeries 11, Oversize, contains newspapers and large format magazines mostly dealing with racial issues, protest, and civil rights. \n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the working papers of James H. Laue, former professor of conflict resolution at George Mason University. Materials include manuscripts, correspondence, diaries, legal documents, and memorabilia.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace.","James H. Laue\n","Laue, James H."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute for Conflict Analysis and Resolution.","Conflict Clinic, Inc.","United States Institute of Peace."],"persname_ssim":["James H. Laue\n","Laue, James H."],"language_ssim":["English\n"],"total_component_count_is":1365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:53:29.147Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_laue"}},{"id":"vifgm_mcdonnell","type":"collection","attributes":{"title":"James J. McDonnell transportation collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_mcdonnell#creator","type":"document_value","attributes":{"value":"James J. McDonnell\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_mcdonnell#abstract_or_scope","type":"document_value","attributes":{"value":"The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_mcdonnell#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_mcdonnell","ead_ssi":"vifgm_mcdonnell","_root_":"vifgm_mcdonnell","_nest_parent_":"vifgm_mcdonnell","ead_source_url_ssi":"data/gmu/mcdonnell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mcdonnell.html","title_ssm":["James J. McDonnell transportation collection\n\n"],"title_tesim":["James J. McDonnell transportation collection\n\n"],"unitdate_ssm":["1939-1995\n"],"unitdate_inclusive_ssm":["1939-1995\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0104\n"],"text":["C0104\n","James J. McDonnell transportation collection","Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints.","This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n","Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n","","George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n","English\n"],"unitid_tesim":["C0104\n"],"normalized_title_ssm":["James J. McDonnell transportation collection"],"collection_title_tesim":["James J. McDonnell transportation collection"],"collection_ssim":["James J. McDonnell transportation collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James J. McDonnell\n"],"creator_ssim":["James J. McDonnell\n"],"creator_persname_ssim":["James J. McDonnell\n"],"creators_ssim":["James J. McDonnell\n"],"acqinfo_ssim":["Collection donated by Laurie McDonnell through John Gifford in February 1996.\n"],"access_subjects_ssim":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"access_subjects_ssm":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["6 linear feet (9 boxes"],"extent_tesim":["6 linear feet (9 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into three series according to media format. Each series is arranged by subject.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Printed Materials, 1939-1995 (Boxes 1-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1949-1960 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Oversize, 1959-1967 (Boxes 8-9)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n\u003c/p\u003e","\u003cp\u003eSeries 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n\u003c/abstract\u003e"],"abstract_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration."],"persname_ssim":["James J. McDonnell\n"],"language_ssim":["English\n"],"total_component_count_is":107,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:49.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_mcdonnell","ead_ssi":"vifgm_mcdonnell","_root_":"vifgm_mcdonnell","_nest_parent_":"vifgm_mcdonnell","ead_source_url_ssi":"data/gmu/mcdonnell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mcdonnell.html","title_ssm":["James J. McDonnell transportation collection\n\n"],"title_tesim":["James J. McDonnell transportation collection\n\n"],"unitdate_ssm":["1939-1995\n"],"unitdate_inclusive_ssm":["1939-1995\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0104\n"],"text":["C0104\n","James J. McDonnell transportation collection","Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints.","This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n","Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n","","George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n","English\n"],"unitid_tesim":["C0104\n"],"normalized_title_ssm":["James J. McDonnell transportation collection"],"collection_title_tesim":["James J. McDonnell transportation collection"],"collection_ssim":["James J. McDonnell transportation collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James J. McDonnell\n"],"creator_ssim":["James J. McDonnell\n"],"creator_persname_ssim":["James J. McDonnell\n"],"creators_ssim":["James J. McDonnell\n"],"acqinfo_ssim":["Collection donated by Laurie McDonnell through John Gifford in February 1996.\n"],"access_subjects_ssim":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"access_subjects_ssm":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["6 linear feet (9 boxes"],"extent_tesim":["6 linear feet (9 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into three series according to media format. Each series is arranged by subject.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Printed Materials, 1939-1995 (Boxes 1-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1949-1960 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Oversize, 1959-1967 (Boxes 8-9)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n\u003c/p\u003e","\u003cp\u003eSeries 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n\u003c/abstract\u003e"],"abstract_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration."],"persname_ssim":["James J. McDonnell\n"],"language_ssim":["English\n"],"total_component_count_is":107,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:49.461Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_mcdonnell"}},{"id":"vifgm_barrault","type":"collection","attributes":{"title":"Jean-Louis Barrault photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_barrault#creator","type":"document_value","attributes":{"value":"Jenkins, Paul, 1923- \n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_barrault#abstract_or_scope","type":"document_value","attributes":{"value":"Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_barrault#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_barrault","ead_ssi":"vifgm_barrault","_root_":"vifgm_barrault","_nest_parent_":"vifgm_barrault","ead_source_url_ssi":"data/gmu/barrault.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/barrault.html","title_ssm":["Jean-Louis Barrault photograph collection\n"],"title_tesim":["Jean-Louis Barrault photograph collection\n"],"unitdate_ssm":["1947-1979\n"],"unitdate_inclusive_ssm":["1947-1979\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0019\n"],"text":["C0019\n","Jean-Louis Barrault photograph collection","Theater and society--France--Photographs.","Photographic prints.","The collection is arranged in two series:\n","Series 1: Production Photographs, 1947-1979 (Boxes 1-2)\n Series 2: Non-Production Photographs, 1947-1976 (Box 2)\n","Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n","The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n","Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n","George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand.","Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs.","French\n"],"unitid_tesim":["C0019\n"],"normalized_title_ssm":["Jean-Louis Barrault photograph collection"],"collection_title_tesim":["Jean-Louis Barrault photograph collection"],"collection_ssim":["Jean-Louis Barrault photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Jenkins, Paul, 1923- \n"],"creator_ssim":["Jenkins, Paul, 1923- \n"],"creator_persname_ssim":["Jenkins, Paul, 1923- \n"],"creators_ssim":["Jenkins, Paul, 1923- \n"],"acqinfo_ssim":["Gift of Suzanne Donnelly Jenkins and Paul Jenkins, 2007.\n"],"access_subjects_ssim":["Theater and society--France--Photographs.","Photographic prints."],"access_subjects_ssm":["Theater and society--France--Photographs.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["1 linear foot (2 boxes)"],"extent_tesim":["1 linear foot (2 boxes)"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series:\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Production Photographs, 1947-1979 (Boxes 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Non-Production Photographs, 1947-1976 (Box 2)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The collection is arranged in two series:\n","Series 1: Production Photographs, 1947-1979 (Boxes 1-2)\n Series 2: Non-Production Photographs, 1947-1976 (Box 2)\n"],"bioghist_html_tesm":["\u003cp\u003eBarrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eContains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n\u003c/abstract\u003e"],"abstract_tesim":["Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n"],"names_ssim":["George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand.","Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs."],"corpname_ssim":["George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand."],"persname_ssim":["Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs."],"language_ssim":["French\n"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:41.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_barrault","ead_ssi":"vifgm_barrault","_root_":"vifgm_barrault","_nest_parent_":"vifgm_barrault","ead_source_url_ssi":"data/gmu/barrault.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/barrault.html","title_ssm":["Jean-Louis Barrault photograph collection\n"],"title_tesim":["Jean-Louis Barrault photograph collection\n"],"unitdate_ssm":["1947-1979\n"],"unitdate_inclusive_ssm":["1947-1979\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0019\n"],"text":["C0019\n","Jean-Louis Barrault photograph collection","Theater and society--France--Photographs.","Photographic prints.","The collection is arranged in two series:\n","Series 1: Production Photographs, 1947-1979 (Boxes 1-2)\n Series 2: Non-Production Photographs, 1947-1976 (Box 2)\n","Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n","The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n","Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n","George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand.","Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs.","French\n"],"unitid_tesim":["C0019\n"],"normalized_title_ssm":["Jean-Louis Barrault photograph collection"],"collection_title_tesim":["Jean-Louis Barrault photograph collection"],"collection_ssim":["Jean-Louis Barrault photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Jenkins, Paul, 1923- \n"],"creator_ssim":["Jenkins, Paul, 1923- \n"],"creator_persname_ssim":["Jenkins, Paul, 1923- \n"],"creators_ssim":["Jenkins, Paul, 1923- \n"],"acqinfo_ssim":["Gift of Suzanne Donnelly Jenkins and Paul Jenkins, 2007.\n"],"access_subjects_ssim":["Theater and society--France--Photographs.","Photographic prints."],"access_subjects_ssm":["Theater and society--France--Photographs.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["1 linear foot (2 boxes)"],"extent_tesim":["1 linear foot (2 boxes)"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series:\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Production Photographs, 1947-1979 (Boxes 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Non-Production Photographs, 1947-1976 (Box 2)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The collection is arranged in two series:\n","Series 1: Production Photographs, 1947-1979 (Boxes 1-2)\n Series 2: Non-Production Photographs, 1947-1976 (Box 2)\n"],"bioghist_html_tesm":["\u003cp\u003eBarrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Barrault, born in France in 1910, was an esteemed and innovative fixture in French theatre and film for five decades from the 1930s to 1980s. He trained as a mime and an actor, and later directed both screen and stage productions. With Madeleine Renaud, his wife, he founded a theatrical company in Paris in 1947, after acting and directing with the Comedie Francaise. Barrault later directed the Theatre d'Orsay and the Theatre des Nations.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The collection contains photographs documenting Barrault and Renaud's career in the theatre in France between 1947 and 1979. Most images are production stills of performances at the Theatre d'Orsay, Theatre de France Odeon, and other venues, but the collection also includes images of Barrault and his contemporaries off-stage. Madeleine Renaud is, after himself, the most frequently photographed. Samuel Beckett, Eugene Ionesco, and Jean Genet are among the notable theatrical figures documented.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eContains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n\u003c/abstract\u003e"],"abstract_tesim":["Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.\n"],"names_ssim":["George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand.","Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs."],"corpname_ssim":["George Mason University.  Special Collections Research Center\n","Agence de Presse Bernand."],"persname_ssim":["Jenkins, Paul, 1923- \n","Barrault, Jean-Louis, 1910-1994--Photographs.","Renaud, Madeleine, 1900-1994--Photographs."],"language_ssim":["French\n"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:41.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_barrault"}},{"id":"vifgm_musiccenteratreston","type":"collection","attributes":{"title":"Northern Virginia Music Center at Reston collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_musiccenteratreston#creator","type":"document_value","attributes":{"value":"Meir, Robert C.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_musiccenteratreston#abstract_or_scope","type":"document_value","attributes":{"value":"The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_musiccenteratreston#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_musiccenteratreston","ead_ssi":"vifgm_musiccenteratreston","_root_":"vifgm_musiccenteratreston","_nest_parent_":"vifgm_musiccenteratreston","ead_source_url_ssi":"data/gmu/musiccenteratreston.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/musiccenteratreston.html","title_ssm":["Northern Virginia Music Center at Reston collection"],"title_tesim":["Northern Virginia Music Center at Reston collection"],"unitdate_ssm":["1967-1979"],"unitdate_inclusive_ssm":["1967-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0191"],"text":["C0191","Northern Virginia Music Center at Reston collection","Music.","Live sound recordings.","Photographic prints.","Only the digitized recordings are available for listening.","This collection is arranged by subject.","Series 1: Music Center Papers, 1967-1979 (Boxes 1-2) Series 2: Reston Recordings, 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)","The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.","Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty.","Special Collections and Archives also holds many other collections on Reston, Virginia.","The Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.","Series 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. The arrangement follows that of Series.","There may be restrictions on use of the sound recordings.","The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.","George Mason University. Libraries. Special Collections \u0026 Archives","Meir, Robert C.","English\n\t\t"],"unitid_tesim":["C0191"],"normalized_title_ssm":["Northern Virginia Music Center at Reston collection"],"collection_title_tesim":["Northern Virginia Music Center at Reston collection"],"collection_ssim":["Northern Virginia Music Center at Reston collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Meir, Robert C."],"creator_ssim":["Meir, Robert C."],"creator_persname_ssim":["Meir, Robert C."],"creators_ssim":["Meir, Robert C."],"access_terms_ssm":["There may be restrictions on use of the sound recordings."],"acqinfo_ssim":["This collection was donated by Loren Bruce of the Reston Historical Trust."],"access_subjects_ssim":["Music.","Live sound recordings.","Photographic prints."],"access_subjects_ssm":["Music.","Live sound recordings.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["3.5 linear feet (9 boxes)"],"extent_tesim":["3.5 linear feet (9 boxes)"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eOnly the digitized recordings are available for listening.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Only the digitized recordings are available for listening."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Music Center Papers, 1967-1979 (Boxes 1-2)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Reston Recordings, 1969-1972 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Digital Duplicates, 1969-1972 (Boxes 7-9)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject.","Series 1: Music Center Papers, 1967-1979 (Boxes 1-2) Series 2: Reston Recordings, 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)"],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Music Center at Reston collection, C0191, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Northern Virginia Music Center at Reston collection, C0191, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other collections on Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other collections on Reston, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.\u003c/p\u003e","\u003cp\u003eSeries 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003eSeries 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.\u003c/p\u003e","\u003cp\u003eSeries 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. 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Photographs include both images of performances as well as publicity shots of the musicians.\u003c/abstract\u003e"],"abstract_tesim":["The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Meir, Robert C."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Meir, Robert C."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:55:14.989Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_musiccenteratreston","ead_ssi":"vifgm_musiccenteratreston","_root_":"vifgm_musiccenteratreston","_nest_parent_":"vifgm_musiccenteratreston","ead_source_url_ssi":"data/gmu/musiccenteratreston.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/musiccenteratreston.html","title_ssm":["Northern Virginia Music Center at Reston collection"],"title_tesim":["Northern Virginia Music Center at Reston collection"],"unitdate_ssm":["1967-1979"],"unitdate_inclusive_ssm":["1967-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0191"],"text":["C0191","Northern Virginia Music Center at Reston collection","Music.","Live sound recordings.","Photographic prints.","Only the digitized recordings are available for listening.","This collection is arranged by subject.","Series 1: Music Center Papers, 1967-1979 (Boxes 1-2) Series 2: Reston Recordings, 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)","The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.","Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty.","Special Collections and Archives also holds many other collections on Reston, Virginia.","The Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.","Series 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.","Series 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. The arrangement follows that of Series.","There may be restrictions on use of the sound recordings.","The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.","George Mason University. Libraries. Special Collections \u0026 Archives","Meir, Robert C.","English\n\t\t"],"unitid_tesim":["C0191"],"normalized_title_ssm":["Northern Virginia Music Center at Reston collection"],"collection_title_tesim":["Northern Virginia Music Center at Reston collection"],"collection_ssim":["Northern Virginia Music Center at Reston collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Meir, Robert C."],"creator_ssim":["Meir, Robert C."],"creator_persname_ssim":["Meir, Robert C."],"creators_ssim":["Meir, Robert C."],"access_terms_ssm":["There may be restrictions on use of the sound recordings."],"acqinfo_ssim":["This collection was donated by Loren Bruce of the Reston Historical Trust."],"access_subjects_ssim":["Music.","Live sound recordings.","Photographic prints."],"access_subjects_ssm":["Music.","Live sound recordings.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["3.5 linear feet (9 boxes)"],"extent_tesim":["3.5 linear feet (9 boxes)"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eOnly the digitized recordings are available for listening.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Only the digitized recordings are available for listening."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Music Center Papers, 1967-1979 (Boxes 1-2)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Reston Recordings, 1969-1972 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Digital Duplicates, 1969-1972 (Boxes 7-9)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject.","Series 1: Music Center Papers, 1967-1979 (Boxes 1-2) Series 2: Reston Recordings, 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)"],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. 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The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Music Center at Reston collection, C0191, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Northern Virginia Music Center at Reston collection, C0191, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other collections on Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other collections on Reston, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston, established in 1967, saw its faculty and students conduct and participate in yearly summer camps and concert series until 1973, when the Center dissolved. This collection documents the Center, and is divided into two series.\u003c/p\u003e","\u003cp\u003eSeries 1, Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003eSeries 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.\u003c/p\u003e","\u003cp\u003eSeries 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. 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This series is arranged alphabetically by subject.","Series 2, Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance.","Series 3 consists of digitized duplicates of the recordings in Series 2. There are audio discs of the recordings as well as digital files on an external drive. The arrangement follows that of Series."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on use of the sound recordings.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on use of the sound recordings."],"abstract_html_tesm":["\u003cabstract id=\"ref89\" label=\"Abstract\"\u003eThe Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.\u003c/abstract\u003e"],"abstract_tesim":["The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Meir, Robert C."],"corpname_ssim":["George Mason University. Libraries. 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