{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints\u0026f%5Bdate_range%5D%5B%5D=1977\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints\u0026f%5Bdate_range%5D%5B%5D=1977\u0026page=2\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints\u0026f%5Bdate_range%5D%5B%5D=1977\u0026page=2\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":12,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416"}},{"id":"vifgm_repositories_2_resources_82","type":"collection","attributes":{"title":"Charles A. 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Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston. ","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year. ","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published  The Nature of Reston  in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in January 2023.","The Special Collections Research Center holds many other personal and organizational collections on the history and development of ","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection contains materials pertaining to the history and development of Reston, Virginia. 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Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston. \u003c/p\u003e\n","\u003cp\u003eFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year. \u003c/p\u003e\n","\u003cp\u003eAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published \u003ctitle\u003eThe Nature of Reston\u003c/title\u003e in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston. ","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year. ","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published  The Nature of Reston  in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company."],"prefercite_html_tesm":["\u003cp\u003eCharles A. Veatch papers, C0138, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles A. Veatch papers, C0138, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in January 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. 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Veatch papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Reston (Va.) -- History","Reston Town Center (Va.)"],"geogname_ssim":["Reston (Va.)","Reston (Va.) -- History","Reston Town Center (Va.)"],"creator_ssm":["Veatch, Charles A., 1942-"],"creator_ssim":["Veatch, Charles A., 1942-"],"creator_persname_ssim":["Veatch, Charles A., 1942-"],"creators_ssim":["Veatch, Charles A., 1942-"],"places_ssim":["Reston (Va.)","Reston (Va.) -- History","Reston Town Center (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Charles Veatch from 1999 - 2004."],"access_subjects_ssim":["Housing","Planned communities -- Virginia -- Reston","Photography -- Negatives","Planned communities","Photographic prints","Video recordings","Newspapers","Negatives","Photographs"],"access_subjects_ssm":["Housing","Planned communities -- Virginia -- Reston","Photography -- Negatives","Planned communities","Photographic prints","Video recordings","Newspapers","Negatives","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["6.9 Linear Feet 21 boxes"],"extent_tesim":["6.9 Linear Feet 21 boxes"],"genreform_ssim":["Photographic prints","Video recordings","Newspapers","Negatives","Photographs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to subject."],"bioghist_html_tesm":["\u003cp\u003eCharles A. Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston. \u003c/p\u003e\n","\u003cp\u003eFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year. \u003c/p\u003e\n","\u003cp\u003eAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published \u003ctitle\u003eThe Nature of Reston\u003c/title\u003e in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, D.C. He obtained his B.S. in Finance from the University of Virginia (UVA) in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston. ","For decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year. ","As a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Veatch published  The Nature of Reston  in 1999, a book of his photography of natural areas of Reston. Profits from this book went towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company."],"prefercite_html_tesm":["\u003cp\u003eCharles A. Veatch papers, C0138, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles A. Veatch papers, C0138, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in January 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in January 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other personal and organizational collections on the history and development of \u003cextptr show=\"new\" title=\"Reston, Virginia.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=reston\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other personal and organizational collections on the history and development of "],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ff9e42668536e61587f2db3e6d18cb0c\" label=\"Abstract\"\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials.\u003c/abstract\u003e"],"abstract_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_50266885e8753c36fd4505fa8bd89f34\"\u003e\nBoxes 1 - 11, 13 - 21: R 41, C 1, S 1 - S 4\n\nOS R5, C4, S5\u003c/physloc\u003e"],"physloc_tesim":["\nBoxes 1 - 11, 13 - 21: R 41, C 1, S 1 - S 4\n\nOS R5, C4, S5"],"names_coll_ssim":["Reston Land Corporation","Veatch, Charles A., 1942-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Land Corporation","Veatch, Charles A., 1942-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Land Corporation"],"persname_ssim":["Veatch, Charles A., 1942-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":295,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_82"}},{"id":"vifgm_repositories_2_resources_353","type":"collection","attributes":{"title":"George Mason University Broadside photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353#creator","type":"document_value","attributes":{"value":"George Mason University","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353#abstract_or_scope","type":"document_value","attributes":{"value":"The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"text":["R0135","/repositories/2/resources/353","George Mason University Broadside photograph collection","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit ","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"normalized_title_ssm":["George Mason University Broadside photograph collection"],"collection_title_tesim":["George Mason University Broadside photograph collection"],"collection_ssim":["George Mason University Broadside photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"places_ssim":["Fairfax (Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e\n","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e\n","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e\n","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e\n","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e\n","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit "],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_40527b8694c4bad584f02a2a832141da\" label=\"Abstract\"\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"text":["R0135","/repositories/2/resources/353","George Mason University Broadside photograph collection","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit ","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"normalized_title_ssm":["George Mason University Broadside photograph collection"],"collection_title_tesim":["George Mason University Broadside photograph collection"],"collection_ssim":["George Mason University Broadside photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"places_ssim":["Fairfax (Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e\n","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e\n","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e\n","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e\n","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e\n","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit "],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_40527b8694c4bad584f02a2a832141da\" label=\"Abstract\"\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353"}},{"id":"viw_repositories_2_resources_9799","type":"collection","attributes":{"title":"Heinz and Gertrud Siegel Elber papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9799#creator","type":"document_value","attributes":{"value":"Elber, Gertude Siegel","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9799#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9799#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9799","ead_ssi":"viw_repositories_2_resources_9799","_root_":"viw_repositories_2_resources_9799","_nest_parent_":"viw_repositories_2_resources_9799","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9799.xml","title_filing_ssi":"Elber, Heinz and Gertrud Siegel, papers","title_ssm":["Heinz and Gertrud Siegel Elber papers"],"title_tesim":["Heinz and Gertrud Siegel Elber papers"],"unitdate_ssm":["1918-2012"],"unitdate_inclusive_ssm":["1918-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00391","/repositories/2/resources/9799"],"text":["MS 00391","/repositories/2/resources/9799","Heinz and Gertrud Siegel Elber papers","Germany--Social conditions","Dresden (Germany) -- History","World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information","The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Elber, Gertude Siegel","German English"],"unitid_tesim":["MS 00391","/repositories/2/resources/9799"],"normalized_title_ssm":["Heinz and Gertrud Siegel Elber papers"],"collection_title_tesim":["Heinz and Gertrud Siegel Elber papers"],"collection_ssim":["Heinz and Gertrud Siegel Elber papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Germany--Social conditions","Dresden (Germany) -- History"],"geogname_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"creator_ssm":["Elber, Gertude Siegel"],"creator_ssim":["Elber, Gertude Siegel"],"creator_persname_ssim":["Elber, Gertude Siegel"],"creators_ssim":["Elber, Gertude Siegel"],"places_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"access_subjects_ssm":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":[".42 Linear Feet 1 hollinger box"],"extent_tesim":[".42 Linear Feet 1 hollinger box"],"genreform_ssim":["Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eHeinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information"],"prefercite_html_tesm":["\u003cp\u003eHeinz and Gertrude Siegel Elber papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Heinz and Gertrude Siegel Elber papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e\n","\u003cp\u003eAlso included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Elber, Gertude Siegel"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Elber, Gertude Siegel"],"language_ssim":["German English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:26:39.691Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9799","ead_ssi":"viw_repositories_2_resources_9799","_root_":"viw_repositories_2_resources_9799","_nest_parent_":"viw_repositories_2_resources_9799","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9799.xml","title_filing_ssi":"Elber, Heinz and Gertrud Siegel, papers","title_ssm":["Heinz and Gertrud Siegel Elber papers"],"title_tesim":["Heinz and Gertrud Siegel Elber papers"],"unitdate_ssm":["1918-2012"],"unitdate_inclusive_ssm":["1918-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00391","/repositories/2/resources/9799"],"text":["MS 00391","/repositories/2/resources/9799","Heinz and Gertrud Siegel Elber papers","Germany--Social conditions","Dresden (Germany) -- History","World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information","The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Elber, Gertude Siegel","German English"],"unitid_tesim":["MS 00391","/repositories/2/resources/9799"],"normalized_title_ssm":["Heinz and Gertrud Siegel Elber papers"],"collection_title_tesim":["Heinz and Gertrud Siegel Elber papers"],"collection_ssim":["Heinz and Gertrud Siegel Elber papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Germany--Social conditions","Dresden (Germany) -- History"],"geogname_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"creator_ssm":["Elber, Gertude Siegel"],"creator_ssim":["Elber, Gertude Siegel"],"creator_persname_ssim":["Elber, Gertude Siegel"],"creators_ssim":["Elber, Gertude Siegel"],"places_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"access_subjects_ssm":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":[".42 Linear Feet 1 hollinger box"],"extent_tesim":[".42 Linear Feet 1 hollinger box"],"genreform_ssim":["Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eHeinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. 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Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e\n","\u003cp\u003eAlso included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Elber, Gertude Siegel"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Elber, Gertude Siegel"],"language_ssim":["German English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:26:39.691Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9799"}},{"id":"vifgm_repositories_2_resources_2","type":"collection","attributes":{"title":"Jack Rottier photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_2#creator","type":"document_value","attributes":{"value":"Rottier, John M. (Jack), 1910-1988","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_2#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier, as well as other National Park photographers. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, D.C. during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_2#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_2","ead_ssi":"vifgm_repositories_2_resources_2","_root_":"vifgm_repositories_2_resources_2","_nest_parent_":"vifgm_repositories_2_resources_2","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_2.xml","title_filing_ssi":"Jack Rottier photograph collection","title_ssm":["Jack Rottier photograph collection"],"title_tesim":["Jack Rottier photograph collection"],"unitdate_ssm":["1953-1983"],"unitdate_inclusive_ssm":["1953-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0003","/repositories/2/resources/2"],"text":["C0003","/repositories/2/resources/2","Jack Rottier photograph collection","Washington (D.C.)","Mall, The (Washington, D.C.)","Slides (Photography)","Aerial photographs","Urban beautification -- United States","Monuments -- Washington (D.C.)","Photography -- Negatives","Photographic prints","There are no access restrictions.","This collection was digitized by Kelsey Kim in May 2024 and is available to access upon request.","This collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.","Series Series 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3) Series 2: 55mm Slides, 1965-1976 (Boxes 4-5) Series 3: Color Negatives, 1957-1979 (Boxes 5) Series 4: Large Format Negatives, 1950s-1970s (Box 5) Series 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6) Series 6: Medium Format Negatives, circa 1966-1976 (Box 6) Series 7: Small Format Photographs, 1957-1983 (Box 7) Series 8: Large Format Photographs, 1960-1974 (Boxes 8-9) Series 9: Oversize Photographs, 1961-1974 (Box 10)","Jack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.","Processed by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman in April 2010. Finding aid updated by Amanda Menjivar in December 2022.","The Special Collections Research Center also holds other photograph collections of Washington, D.C. politics and culture, including the Oliver F. Atkins photograph collection, the Charles Baptie photograph collection, and the Arthur E. Scott photograph collection.","This collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks. The photographs were taken by Jack Rottier and other National Park photographers.","Series 1: 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. ","Series 2: 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration. ","Series 3: Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho. ","Series 4: Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA). ","Series 5: Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall. ","Series 6: Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony. ","Series 7: Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games. ","Series 8: Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. ","Series 9: Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier, as well as other National Park photographers. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, D.C. during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.","R2, C8, S4\nOS R7, C2, S2","George Mason University. Libraries. Special Collections Research Center","Rottier, John M. (Jack), 1910-1988","Carter, Jimmy, 1924-2024","Eisenhower, Dwight D. (Dwight David), 1890-1969","Ford, Gerald R., 1913-2006","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Onassis, Jacqueline Kennedy, 1929-1994","English"],"unitid_tesim":["C0003","/repositories/2/resources/2"],"normalized_title_ssm":["Jack Rottier photograph collection"],"collection_title_tesim":["Jack Rottier photograph collection"],"collection_ssim":["Jack Rottier photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)","Mall, The (Washington, D.C.)"],"geogname_ssim":["Washington (D.C.)","Mall, The (Washington, D.C.)"],"creator_ssm":["Rottier, John M. (Jack), 1910-1988"],"creator_ssim":["Rottier, John M. (Jack), 1910-1988"],"creator_persname_ssim":["Rottier, John M. (Jack), 1910-1988"],"creators_ssim":["Rottier, John M. (Jack), 1910-1988"],"places_ssim":["Washington (D.C.)","Mall, The (Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Robin Rottier on September 22, 2009."],"access_subjects_ssim":["Slides (Photography)","Aerial photographs","Urban beautification -- United States","Monuments -- Washington (D.C.)","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Slides (Photography)","Aerial photographs","Urban beautification -- United States","Monuments -- Washington (D.C.)","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 10 boxes"],"extent_tesim":["3.5 Linear Feet 10 boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collection was digitized by Kelsey Kim in May 2024 and is available to access upon request.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collection was digitized by Kelsey Kim in May 2024 and is available to access upon request."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 55mm Slides, 1965-1976 (Boxes 4-5)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Color Negatives, 1957-1979 (Boxes 5)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Large Format Negatives, 1950s-1970s (Box 5)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Medium Format Negatives, circa 1966-1976 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Small Format Photographs, 1957-1983 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Large Format Photographs, 1960-1974 (Boxes 8-9)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Oversize Photographs, 1961-1974 (Box 10)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.","Series Series 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3) Series 2: 55mm Slides, 1965-1976 (Boxes 4-5) Series 3: Color Negatives, 1957-1979 (Boxes 5) Series 4: Large Format Negatives, 1950s-1970s (Box 5) Series 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6) Series 6: Medium Format Negatives, circa 1966-1976 (Box 6) Series 7: Small Format Photographs, 1957-1983 (Box 7) Series 8: Large Format Photographs, 1960-1974 (Boxes 8-9) Series 9: Oversize Photographs, 1961-1974 (Box 10)"],"bioghist_html_tesm":["\u003cp\u003eJack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988."],"prefercite_html_tesm":["\u003cp\u003eJack Rottier photograph collection, C0003, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jack Rottier photograph collection, C0003, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman in April 2010. Finding aid updated by Amanda Menjivar in December 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman in April 2010. Finding aid updated by Amanda Menjivar in December 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other photograph collections of Washington, D.C. politics and culture, including the Oliver F. Atkins photograph collection, the Charles Baptie photograph collection, and the Arthur E. Scott photograph collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other photograph collections of Washington, D.C. politics and culture, including the Oliver F. Atkins photograph collection, the Charles Baptie photograph collection, and the Arthur E. Scott photograph collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks. The photographs were taken by Jack Rottier and other National Park photographers.\u003c/p\u003e\n","\u003cp\u003eSeries 1: 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. \u003c/p\u003e\n","\u003cp\u003eSeries 2: 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA). \u003c/p\u003e\n","\u003cp\u003eSeries 5: Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony. \u003c/p\u003e\n","\u003cp\u003eSeries 7: Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games. \u003c/p\u003e\n","\u003cp\u003eSeries 8: Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. \u003c/p\u003e\n","\u003cp\u003eSeries 9: Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks. The photographs were taken by Jack Rottier and other National Park photographers.","Series 1: 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. ","Series 2: 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration. ","Series 3: Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho. ","Series 4: Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA). ","Series 5: Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall. ","Series 6: Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony. ","Series 7: Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games. ","Series 8: Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. ","Series 9: Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_042410fb43aaa7198db1cd16437ca642\" label=\"Abstract\"\u003eThis collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier, as well as other National Park photographers. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, D.C. during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier, as well as other National Park photographers. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, D.C. during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_191469aac81bcd8ee24f04d91f70033d\"\u003eR2, C8, S4\nOS R7, C2, S2\u003c/physloc\u003e"],"physloc_tesim":["R2, C8, S4\nOS R7, C2, S2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rottier, John M. (Jack), 1910-1988","Carter, Jimmy, 1924-2024","Eisenhower, Dwight D. (Dwight David), 1890-1969","Ford, Gerald R., 1913-2006","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Onassis, Jacqueline Kennedy, 1929-1994"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Carter, Jimmy, 1924-2024","Eisenhower, Dwight D. (Dwight David), 1890-1969","Ford, Gerald R., 1913-2006","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Onassis, Jacqueline Kennedy, 1929-1994"],"persname_ssim":["Rottier, John M. (Jack), 1910-1988","Carter, Jimmy, 1924-2024","Eisenhower, Dwight D. (Dwight David), 1890-1969","Ford, Gerald R., 1913-2006","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Onassis, Jacqueline Kennedy, 1929-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-07T07:20:50.041Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_2","ead_ssi":"vifgm_repositories_2_resources_2","_root_":"vifgm_repositories_2_resources_2","_nest_parent_":"vifgm_repositories_2_resources_2","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_2.xml","title_filing_ssi":"Jack Rottier photograph collection","title_ssm":["Jack Rottier photograph collection"],"title_tesim":["Jack Rottier photograph collection"],"unitdate_ssm":["1953-1983"],"unitdate_inclusive_ssm":["1953-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0003","/repositories/2/resources/2"],"text":["C0003","/repositories/2/resources/2","Jack Rottier photograph collection","Washington (D.C.)","Mall, The (Washington, D.C.)","Slides (Photography)","Aerial photographs","Urban beautification -- United States","Monuments -- Washington (D.C.)","Photography -- Negatives","Photographic prints","There are no access restrictions.","This collection was digitized by Kelsey Kim in May 2024 and is available to access upon request.","This collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.","Series Series 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3) Series 2: 55mm Slides, 1965-1976 (Boxes 4-5) Series 3: Color Negatives, 1957-1979 (Boxes 5) Series 4: Large Format Negatives, 1950s-1970s (Box 5) Series 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6) Series 6: Medium Format Negatives, circa 1966-1976 (Box 6) Series 7: Small Format Photographs, 1957-1983 (Box 7) Series 8: Large Format Photographs, 1960-1974 (Boxes 8-9) Series 9: Oversize Photographs, 1961-1974 (Box 10)","Jack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.","Processed by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman in April 2010. Finding aid updated by Amanda Menjivar in December 2022.","The Special Collections Research Center also holds other photograph collections of Washington, D.C. politics and culture, including the Oliver F. Atkins photograph collection, the Charles Baptie photograph collection, and the Arthur E. Scott photograph collection.","This collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks. The photographs were taken by Jack Rottier and other National Park photographers.","Series 1: 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. ","Series 2: 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration. ","Series 3: Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho. ","Series 4: Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA). ","Series 5: Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall. ","Series 6: Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony. ","Series 7: Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games. ","Series 8: Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. ","Series 9: Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier, as well as other National Park photographers. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, D.C. during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.","R2, C8, S4\nOS R7, C2, S2","George Mason University. Libraries. Special Collections Research Center","Rottier, John M. (Jack), 1910-1988","Carter, Jimmy, 1924-2024","Eisenhower, Dwight D. (Dwight David), 1890-1969","Ford, Gerald R., 1913-2006","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Onassis, Jacqueline Kennedy, 1929-1994","English"],"unitid_tesim":["C0003","/repositories/2/resources/2"],"normalized_title_ssm":["Jack Rottier photograph collection"],"collection_title_tesim":["Jack Rottier photograph collection"],"collection_ssim":["Jack Rottier photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)","Mall, The (Washington, D.C.)"],"geogname_ssim":["Washington (D.C.)","Mall, The (Washington, D.C.)"],"creator_ssm":["Rottier, John M. (Jack), 1910-1988"],"creator_ssim":["Rottier, John M. (Jack), 1910-1988"],"creator_persname_ssim":["Rottier, John M. (Jack), 1910-1988"],"creators_ssim":["Rottier, John M. (Jack), 1910-1988"],"places_ssim":["Washington (D.C.)","Mall, The (Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Robin Rottier on September 22, 2009."],"access_subjects_ssim":["Slides (Photography)","Aerial photographs","Urban beautification -- United States","Monuments -- Washington (D.C.)","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Slides (Photography)","Aerial photographs","Urban beautification -- United States","Monuments -- Washington (D.C.)","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 10 boxes"],"extent_tesim":["3.5 Linear Feet 10 boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collection was digitized by Kelsey Kim in May 2024 and is available to access upon request.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collection was digitized by Kelsey Kim in May 2024 and is available to access upon request."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 55mm Slides, 1965-1976 (Boxes 4-5)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Color Negatives, 1957-1979 (Boxes 5)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Large Format Negatives, 1950s-1970s (Box 5)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Medium Format Negatives, circa 1966-1976 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Small Format Photographs, 1957-1983 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Large Format Photographs, 1960-1974 (Boxes 8-9)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Oversize Photographs, 1961-1974 (Box 10)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 9 series by media format. Each series is arranged alphabetically by subject. Wherever possible, item dates refer to the actual date the photograph was taken. Otherwise, dates indicate the month and year the photograph was developed.","Series Series 1: 35mm Slides, 1961-1982, bulk 1967-1977 (Boxes 1-3) Series 2: 55mm Slides, 1965-1976 (Boxes 4-5) Series 3: Color Negatives, 1957-1979 (Boxes 5) Series 4: Large Format Negatives, 1950s-1970s (Box 5) Series 5: Small Format Negatives, 1960s-1970s, bulk 1970-1976 (Box 6) Series 6: Medium Format Negatives, circa 1966-1976 (Box 6) Series 7: Small Format Photographs, 1957-1983 (Box 7) Series 8: Large Format Photographs, 1960-1974 (Boxes 8-9) Series 9: Oversize Photographs, 1961-1974 (Box 10)"],"bioghist_html_tesm":["\u003cp\u003eJack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jack Rottier was a photographer for the National Capital Region of the National Park Service from the early 1960s until he retired in 1975. Rottier was born in Bellaire, Michigan in 1910. He served in the Army in World War II and graduated from the Medill School of Journalism at Northwestern University. He moved to the Washington area about 1950 as a photographer for the American Forest Products Industries. He later joined the Commerce Department where he photographed trade fairs overseas, and then the Bureau of Land Management in the Interior Department, where he worked until transferring to the Park Service. Throughout his life he was an active member of the C and O Canal Association. In the course of his career with the Park Service, Rottier contributed to the photographic record of Lady Bird Johnson's beautification program and the development of the Kennedy Center for the Performing Arts in Washington and the Wolf Trap Farm Park for the Performing Arts in Vienna. He died in 1988."],"prefercite_html_tesm":["\u003cp\u003eJack Rottier photograph collection, C0003, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jack Rottier photograph collection, C0003, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman in April 2010. Finding aid updated by Amanda Menjivar in December 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Eron Ackerman in 2010. EAD markup completed by Eron Ackerman in April 2010. Finding aid updated by Amanda Menjivar in December 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other photograph collections of Washington, D.C. politics and culture, including the Oliver F. Atkins photograph collection, the Charles Baptie photograph collection, and the Arthur E. Scott photograph collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other photograph collections of Washington, D.C. politics and culture, including the Oliver F. Atkins photograph collection, the Charles Baptie photograph collection, and the Arthur E. Scott photograph collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks. The photographs were taken by Jack Rottier and other National Park photographers.\u003c/p\u003e\n","\u003cp\u003eSeries 1: 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. \u003c/p\u003e\n","\u003cp\u003eSeries 2: 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA). \u003c/p\u003e\n","\u003cp\u003eSeries 5: Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony. \u003c/p\u003e\n","\u003cp\u003eSeries 7: Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games. \u003c/p\u003e\n","\u003cp\u003eSeries 8: Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. \u003c/p\u003e\n","\u003cp\u003eSeries 9: Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains 10 boxes of slides, negatives, and photographic prints documenting politics, culture, and urban beautification in and around Washington, DC during the 1960s and 1970s. Slides are in color 35mm and 55mm formats, negatives are both color and black and white and range from 35mm strips to 4\" x 5\", and prints are color and black and white and range in size from 4\" x 5\" to 11\" x 14\". Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks. The photographs were taken by Jack Rottier and other National Park photographers.","Series 1: 35mm Slides, contains over 1,000 color slides documenting prominent parks, landmarks, and political figures in the Washington, DC area. Parks featured here include Glen Echo Park, Lady Bird Johnson Park, and the National Mall. Landmarks include the Capitol, Jefferson Memorial, Lincoln Memorial and Washington Monument pictured in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also contains slides of several politicians and former presidents, including around 150 slides of Gerald and Betty Ford and their family, 100 slides of Jimmy Carter, and 100 slides of Richard Nixon and his family. Also included are 1 slide of John F. Kennedy, 2 slides of Lyndon Johnson, several slides of Jackie Kennedy, Chuck Robb, Julie Nixon and David Eisenhower, and 14 slides of Lady Bird Johnson whom Rottier documented during her national beautification initiative. Other subjects in this series include the 1979 American Agriculture Movement Farm Strike in DC, a Cherry Blossom Festival from 1974, Frank Sinatra, Elizabeth Taylor, and two Washington Senators baseball games, including a 1969 game with Richard Nixon in the audience and the team's final game on September 30, 1971. ","Series 2: 55mm Slides, contains 131 large-format color slides documenting scenery and beautification in the Washington, DC area. Like Series 1, it includes slides of such landmarks as the Capitol, Jefferson Memorial, Lincoln Memorial, Washington Monument, and various parks in different seasons with tulips, daffodils, and cherry blossoms in the foreground. The series also includes slides of tourists at Oxon Hill Farm in Maryland, hikers on the Chesapeake and Ohio Canal, and marchers at a 1969 anti-war demonstration. ","Series 3: Color Negatives, consists of 65 color photographic negatives, ranging in size from 60mm to 5\" X 7\", which document various Washington, DC area landmarks and politicians. Subjects include the Capitol, a Cherry Blossom Festival from the early 1970s, and several Republican politicians, including senators Carl T. Curtis and Strom Thurmond and governors George Dewey Clyde of Utah, Goodwin Knight of California, and Robert Eben Smylie of Idaho. ","Series 4: Large Format Negatives, dates back further than any other series in this collection, containing 137 4\" x 5\" black-and-white negatives with dozens from the 1950s and 1960s. Subjects include former presidents Dwight D. Eisenhower, John F. Kennedy, Richard Nixon, and several former US congressmen. The series also contains negatives of Washington, DC monuments and of political events such as Eisenhower's inauguration and a 1953 congressional baseball game. Other subjects include the National Society Daughters of the American Revolution (NSDAR) and the Izaak Walton League of America (IWLA). ","Series 5: Small Format Negatives, contains 400 color and black-and-white 35mm negatives documenting Washington, DC area culture and politics. Subjects covered include Richard Nixon and Gerald Ford, various Washington, DC area landmarks, a 1971 Cherry Blossom Festival pageant, the Washington Senators' last baseball game in September 1971, and a Wolf Trap concert hall opening also in 1971. The series also contains negatives of Jack Rottier and his family, Julie Nixon and David Eisenhower, and Liz Taylor and John Warner at a fundraiser in Gunston Hall. ","Series 6: Medium Format Negatives, contains 475 black-and-white and color 120 film negatives depicting politics, culture, and beautification in Washington, DC. Subjects include Betty and Gerald Ford, John F. Kennedy and Jackie Kennedy, Lady Bird Johnson and National Capital Parks Director Nash Castro, Chuck Robb and Lynda Bird Johnson, Pat and Richard Nixon, Harry Truman, Spiro Agnew, and Mamie Eisenhower. Also included are negatives of Washington area landmarks, several US senators, a 1970 Washington Metro signing, and an Association of Federal Investigators award ceremony. ","Series 7: Small Format Photographs, contains 316 3.5\" x 3.5\" and 3.5\" x 5\" photographs, all in color except where specified. Subjects in this series include the beautification of Washington, DC, Lady Bird Johnson with National Capital Parks Director Nash Castro, National Capital Park rangers, and various Washington, DC area landmarks. Political figures in this series include Richard Nixon and Senators Carl T. Curtis, Leonard B. Jordan, and Strom Thurmond. Other subjects include a 1971 Cherry Blossom Festival pageant, a 1978 party of the National Geographic Society, and two of the last Washington Senators baseball games. ","Series 8: Large Format Photographs, contains 100 8\" x 10\" photographs of DC area political events and landmarks, all black and white except where specified. Political figures in this series include Dwight D. Eisenhower, Gerald and Betty Ford, and Lyndon and Lady Bird Johnson. This series also contains photographs of various political rallies and demonstrations, including an officially organized 1970 anti-litter rally and the Poor People's Campaign in the spring of 1968. ","Series 9: Oversize Photographs, contains 5 11\" x 14\" photographs, including a photograph of the Washington Monument at night, aerial shots of the Jefferson Memorial and White House, a portrait of John F. Kennedy in the Oval Office, and a photograph of Lady Bird Johnson planting flowers as part of her Washington, DC beautification initiative. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_042410fb43aaa7198db1cd16437ca642\" label=\"Abstract\"\u003eThis collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier, as well as other National Park photographers. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, D.C. during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains 10 boxes of slides, negatives, and prints of photographs taken by National Park Service photographer Jack Rottier, as well as other National Park photographers. Numbering around 2,500 total, the photographs in this collection document politics, culture, and urban beautification in and around Washington, D.C. during the 1960s and 1970s. Subjects include United States presidents from Eisenhower to Ford, Lady Bird Johnson, the Washington Senators baseball team, the National Mall, and various Potomac-region landmarks and parks."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_191469aac81bcd8ee24f04d91f70033d\"\u003eR2, C8, S4\nOS R7, C2, S2\u003c/physloc\u003e"],"physloc_tesim":["R2, C8, S4\nOS R7, C2, S2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rottier, John M. (Jack), 1910-1988","Carter, Jimmy, 1924-2024","Eisenhower, Dwight D. (Dwight David), 1890-1969","Ford, Gerald R., 1913-2006","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Onassis, Jacqueline Kennedy, 1929-1994"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Carter, Jimmy, 1924-2024","Eisenhower, Dwight D. (Dwight David), 1890-1969","Ford, Gerald R., 1913-2006","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Onassis, Jacqueline Kennedy, 1929-1994"],"persname_ssim":["Rottier, John M. (Jack), 1910-1988","Carter, Jimmy, 1924-2024","Eisenhower, Dwight D. (Dwight David), 1890-1969","Ford, Gerald R., 1913-2006","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Onassis, Jacqueline Kennedy, 1929-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-07T07:20:50.041Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_2"}},{"id":"vifgm_repositories_2_resources_104","type":"collection","attributes":{"title":"Martin Wohl papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_104#creator","type":"document_value","attributes":{"value":"Wohl, Martin","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_104#abstract_or_scope","type":"document_value","attributes":{"value":"Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_104#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_104","ead_ssi":"vifgm_repositories_2_resources_104","_root_":"vifgm_repositories_2_resources_104","_nest_parent_":"vifgm_repositories_2_resources_104","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_104.xml","title_filing_ssi":"Martin Wohl papers","title_ssm":["Martin Wohl papers"],"title_tesim":["Martin Wohl papers"],"unitdate_ssm":["1919-2000s"],"unitdate_inclusive_ssm":["1919-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0174","/repositories/2/resources/104"],"text":["C0174","/repositories/2/resources/104","Martin Wohl papers","Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs","There are no access restrictions.","Arranged into three series.","Series Series 1: Subject Files, 1958-1993 (Box 1-7) Series 2: Photographs, 1919-2000 (Box 8) Series 3: Scrapbooks, 1930s-1960s (Box 9-10)","Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.","Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.","The Special Collections Research Center holds many other  .","This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. ","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s. ","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.","George Mason University. Libraries. Special Collections Research Center","Wohl, Martin","English"],"unitid_tesim":["C0174","/repositories/2/resources/104"],"normalized_title_ssm":["Martin Wohl papers"],"collection_title_tesim":["Martin Wohl papers"],"collection_ssim":["Martin Wohl papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Wohl, Martin"],"creator_ssim":["Wohl, Martin"],"creator_persname_ssim":["Wohl, Martin"],"creators_ssim":["Wohl, Martin"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. 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These materials have no known restrictions.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9d2f398d1bc34e60fd2023489b6f5579\" label=\"Abstract\"\u003eConsists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\u003c/abstract\u003e"],"abstract_tesim":["Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors."],"names_ssim":["George Mason University. Libraries. 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Additional EAD markup completed by Jesse Gastelle in 2010.","The Special Collections Research Center holds many other  .","This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. ","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s. ","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.","George Mason University. Libraries. 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He died in 2009 at his home in Fairfax City, Virginia."],"prefercite_html_tesm":["\u003cp\u003eMartin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Martin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"transportation-related collections\" href=\"https://aspace.gmu.edu/subjects/sh85137027\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. \u003c/p\u003e\n","\u003cp\u003eThe first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. ","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s. "],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9d2f398d1bc34e60fd2023489b6f5579\" label=\"Abstract\"\u003eConsists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\u003c/abstract\u003e"],"abstract_tesim":["Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors."],"names_ssim":["George Mason University. Libraries. 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Photographs include both images of performances as well as publicity shots of the musicians.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_182#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_182","ead_ssi":"vifgm_repositories_2_resources_182","_root_":"vifgm_repositories_2_resources_182","_nest_parent_":"vifgm_repositories_2_resources_182","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_182.xml","title_ssm":["Northern Virginia Music Center at Reston collection"],"title_tesim":["Northern Virginia Music Center at Reston collection"],"unitdate_ssm":["1967-1979"],"unitdate_inclusive_ssm":["1967-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0191","/repositories/2/resources/182"],"text":["C0191","/repositories/2/resources/182","Northern Virginia Music Center at Reston collection","Reston (Va.)","Northern Virginia","Virginia, Northern","Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence","Only the digitized recordings are available for listening.","Series 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. ","Series 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.","This collection is arranged by subject.","Series Series 1: Music Center Papers 1967-1979 (Boxes 1-2) Series 2: Reston Recordings 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)","The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.","Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022.","The Special Collections Research Center also holds many other collections on Reston, Virginia.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians.","George Mason University. Libraries. Special Collections Research Center","Meir, Robert C.","English"],"unitid_tesim":["C0191","/repositories/2/resources/182"],"normalized_title_ssm":["Northern Virginia Music Center at Reston collection"],"collection_title_tesim":["Northern Virginia Music Center at Reston collection"],"collection_ssim":["Northern Virginia Music Center at Reston collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Northern Virginia","Virginia, Northern"],"geogname_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern"],"creator_ssm":["Meir, Robert C."],"creator_ssim":["Meir, Robert C."],"creator_persname_ssim":["Meir, Robert C."],"creators_ssim":["Meir, Robert C."],"places_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["This collection was donated by Loren Bruce (Reston Historical Trust)."],"access_subjects_ssim":["Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence"],"access_subjects_ssm":["Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 9 boxes"],"extent_tesim":["3.5 Linear Feet 9 boxes"],"genreform_ssim":["Photographic prints","Correspondence"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eOnly the digitized recordings are available for listening.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Only the digitized recordings are available for listening."],"arrangement_html_tesm":["\u003cp\u003eSeries 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. \u003c/p\u003e\n","\u003cp\u003eSeries 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.\u003c/p\u003e","\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Music Center Papers 1967-1979 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Reston Recordings 1969-1972 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digital Duplicates, 1969-1972 (Boxes 7-9)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Series 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. ","Series 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.","This collection is arranged by subject.","Series Series 1: Music Center Papers 1967-1979 (Boxes 1-2) Series 2: Reston Recordings 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)"],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Music Center at Reston collection, C0191, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Northern Virginia Music Center at Reston collection, C0191, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on Reston, Virginia."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_82489ea3918be862b0783d54e6be695a\"\u003eThe Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians.\u003c/abstract\u003e"],"abstract_tesim":["The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Meir, Robert C."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Meir, Robert C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_182","ead_ssi":"vifgm_repositories_2_resources_182","_root_":"vifgm_repositories_2_resources_182","_nest_parent_":"vifgm_repositories_2_resources_182","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_182.xml","title_ssm":["Northern Virginia Music Center at Reston collection"],"title_tesim":["Northern Virginia Music Center at Reston collection"],"unitdate_ssm":["1967-1979"],"unitdate_inclusive_ssm":["1967-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0191","/repositories/2/resources/182"],"text":["C0191","/repositories/2/resources/182","Northern Virginia Music Center at Reston collection","Reston (Va.)","Northern Virginia","Virginia, Northern","Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence","Only the digitized recordings are available for listening.","Series 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. ","Series 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.","This collection is arranged by subject.","Series Series 1: Music Center Papers 1967-1979 (Boxes 1-2) Series 2: Reston Recordings 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)","The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.","Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022.","The Special Collections Research Center also holds many other collections on Reston, Virginia.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians.","George Mason University. Libraries. Special Collections Research Center","Meir, Robert C.","English"],"unitid_tesim":["C0191","/repositories/2/resources/182"],"normalized_title_ssm":["Northern Virginia Music Center at Reston collection"],"collection_title_tesim":["Northern Virginia Music Center at Reston collection"],"collection_ssim":["Northern Virginia Music Center at Reston collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Northern Virginia","Virginia, Northern"],"geogname_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern"],"creator_ssm":["Meir, Robert C."],"creator_ssim":["Meir, Robert C."],"creator_persname_ssim":["Meir, Robert C."],"creators_ssim":["Meir, Robert C."],"places_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["This collection was donated by Loren Bruce (Reston Historical Trust)."],"access_subjects_ssim":["Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence"],"access_subjects_ssm":["Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 9 boxes"],"extent_tesim":["3.5 Linear Feet 9 boxes"],"genreform_ssim":["Photographic prints","Correspondence"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eOnly the digitized recordings are available for listening.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Only the digitized recordings are available for listening."],"arrangement_html_tesm":["\u003cp\u003eSeries 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. \u003c/p\u003e\n","\u003cp\u003eSeries 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.\u003c/p\u003e","\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Music Center Papers 1967-1979 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Reston Recordings 1969-1972 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digital Duplicates, 1969-1972 (Boxes 7-9)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Series 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. ","Series 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.","This collection is arranged by subject.","Series Series 1: Music Center Papers 1967-1979 (Boxes 1-2) Series 2: Reston Recordings 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)"],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Music Center at Reston collection, C0191, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Northern Virginia Music Center at Reston collection, C0191, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on Reston, Virginia."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_82489ea3918be862b0783d54e6be695a\"\u003eThe Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians.\u003c/abstract\u003e"],"abstract_tesim":["The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Meir, Robert C."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Meir, Robert C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_182"}},{"id":"vifgm_repositories_2_resources_409","type":"collection","attributes":{"title":"Prince William Symphony Orchestra records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_409#creator","type":"document_value","attributes":{"value":"Prince William Symphony Orchestra","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_409#abstract_or_scope","type":"document_value","attributes":{"value":"The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_409#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_409","ead_ssi":"vifgm_repositories_2_resources_409","_root_":"vifgm_repositories_2_resources_409","_nest_parent_":"vifgm_repositories_2_resources_409","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_409.xml","title_ssm":["Prince William Symphony Orchestra records"],"title_tesim":["Prince William Symphony Orchestra records"],"unitdate_ssm":["1974-2009"],"unitdate_inclusive_ssm":["1974-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0252"],"text":["C0252","Prince William Symphony Orchestra records","Symphony orchestras -- United States","Photographic prints","There are no access restrictions.","This collection is arranged into 5 series.","Series Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6) Series 2: Programs, 1974-2009 (Boxes 7-10) Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16) Series 4: Photographs, 1980s-1990s (Boxes 17-18) Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)","The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.","Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023.","The Special Collections Research Center holds many other collections and rare books on music and the performing arts.","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.","George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra","English \n.    "],"unitid_tesim":["C0252"],"normalized_title_ssm":["Prince William Symphony Orchestra records"],"collection_title_tesim":["Prince William Symphony Orchestra records"],"collection_ssim":["Prince William Symphony Orchestra records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prince William Symphony Orchestra"],"creator_ssim":["Prince William Symphony Orchestra"],"creator_corpname_ssim":["Prince William Symphony Orchestra"],"creators_ssim":["Prince William Symphony Orchestra"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Sarah Nucci on November 10, 2014."],"access_subjects_ssim":["Symphony orchestras -- United States","Photographic prints"],"access_subjects_ssm":["Symphony orchestras -- United States","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Linear Feet 19 boxes"],"extent_tesim":["10.5 Linear Feet 19 boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 5 series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Programs, 1974-2009 (Boxes 7-10)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1980s-1990s (Boxes 17-18)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Awards, certificates, and plaques, 2000-2004 (Box 19)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 5 series.","Series Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6) Series 2: Programs, 1974-2009 (Boxes 7-10) Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16) Series 4: Photographs, 1980s-1990s (Boxes 17-18) Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)"],"bioghist_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing."],"prefercite_html_tesm":["\u003cp\u003ePrince William Symphony Orchestra records, C0252, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Prince William Symphony Orchestra records, C0252, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and rare books on music and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and rare books on music and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.\u003c/p\u003e\n","\u003cp\u003eSeries 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ee0fe6ceeb72d0783a844aa85a6b928b\" label=\"Abstract\"\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.\u003c/abstract\u003e"],"abstract_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques."],"names_coll_ssim":["Prince William Symphony Orchestra"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":159,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:33.238Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_409","ead_ssi":"vifgm_repositories_2_resources_409","_root_":"vifgm_repositories_2_resources_409","_nest_parent_":"vifgm_repositories_2_resources_409","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_409.xml","title_ssm":["Prince William Symphony Orchestra records"],"title_tesim":["Prince William Symphony Orchestra records"],"unitdate_ssm":["1974-2009"],"unitdate_inclusive_ssm":["1974-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0252"],"text":["C0252","Prince William Symphony Orchestra records","Symphony orchestras -- United States","Photographic prints","There are no access restrictions.","This collection is arranged into 5 series.","Series Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6) Series 2: Programs, 1974-2009 (Boxes 7-10) Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16) Series 4: Photographs, 1980s-1990s (Boxes 17-18) Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)","The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.","Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023.","The Special Collections Research Center holds many other collections and rare books on music and the performing arts.","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.","George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra","English \n.    "],"unitid_tesim":["C0252"],"normalized_title_ssm":["Prince William Symphony Orchestra records"],"collection_title_tesim":["Prince William Symphony Orchestra records"],"collection_ssim":["Prince William Symphony Orchestra records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prince William Symphony Orchestra"],"creator_ssim":["Prince William Symphony Orchestra"],"creator_corpname_ssim":["Prince William Symphony Orchestra"],"creators_ssim":["Prince William Symphony Orchestra"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Sarah Nucci on November 10, 2014."],"access_subjects_ssim":["Symphony orchestras -- United States","Photographic prints"],"access_subjects_ssm":["Symphony orchestras -- United States","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Linear Feet 19 boxes"],"extent_tesim":["10.5 Linear Feet 19 boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 5 series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Programs, 1974-2009 (Boxes 7-10)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1980s-1990s (Boxes 17-18)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Awards, certificates, and plaques, 2000-2004 (Box 19)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 5 series.","Series Series 1: Correspondence, press releases, and organization records, 1981-2009 (Boxes 1-6) Series 2: Programs, 1974-2009 (Boxes 7-10) Series 3: Scrapbook pages and newspaper clippings, 1979-2008 (Boxes 11-16) Series 4: Photographs, 1980s-1990s (Boxes 17-18) Series 5: Awards, certificates, and plaques, 2000-2004 (Box 19)"],"bioghist_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Prince William Symphony Orchestra was founded in 1972. Each year, through fundraisers, donations, and tickets sales, the Prince William Symphony Orchestra performed numerous concerts and shows. The organization sent out fliers that listed the Symphony Orchestra's Spring and Fall concert schedule and encouraged people in the community to attend the performances and support the Symphony Orchestra. Although it began as a civic ensemble, it was a fully-paid ensemble by the mid-1990s. In 2010, the Prince William Symphony Orchestra began its residency in George Mason University's Hylton Performing Arts Center on the Manassas Campus. The orchestra is no longer performing."],"prefercite_html_tesm":["\u003cp\u003ePrince William Symphony Orchestra records, C0252, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Prince William Symphony Orchestra records, C0252, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Michael R. Hogan on May 12, 2015. EAD markup completed by Michael R. Hogan in May 2015. Finding aid updated by Amanda Menjivar in June 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and rare books on music and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and rare books on music and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.\u003c/p\u003e\n","\u003cp\u003eSeries 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques. The bulk of these records either pertain to the Prince William Symphony Orchestra or were produced by the Prince William Symphony Orchestra. The contents of this collection span from 1974-2009.","Series 1 is titled Correspondence, press releases, and organization records. These records span from 1981-2009 and include emails between member, donors, and supporters. Additionally, this series includes advertisements, meeting minutes, documents, and the organization's Article of Incorporation.","Series 2 is titled Programs. This series includes a collection of programs from concerts and performances by the Prince William Symphony Orchestra. The earliest programs detail the 1974-1975 Fall concerts. Each folder contains additional fliers and advertisements for each performance during the spring and fall performance cycles.","Series 3 is titled Scrapbook pages and newspaper clippings. The documents in this series are ordered chronologically and were created by the collection's donor. The series contains several photographs that were captured and ordered by members of the Prince William Symphony Orchestra. A variety of newspaper clippings that mention either the organization's members or operations are also included in this series.The series spans from 1979-2008.","Series 4 is titled Photographs. These photographs cover a range of organization fundraisers, sponsored events, silent auctions, and decorators' shows. In addition to these photographs, there are also many that pertain to performances, concerts, and practices. Lastly, the series contains musician and member headshots. The bulk of these photographs span the 1980s and 1990s.","Series 5 is titled Awards, certificates, and plaques. This series contains some of the awards and certificates that recognized the Prince William Symphony's excellent membership and community involvement. There are also framed office signs, adopt-a-musician advertisements, ribbons, and nametags included in this series."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ee0fe6ceeb72d0783a844aa85a6b928b\" label=\"Abstract\"\u003eThe Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques.\u003c/abstract\u003e"],"abstract_tesim":["The Prince William Symphony Orchestra collection contains correspondence, press releases, organization records, programs, scrapbook pages, newspaper clippings, photographs, awards, certificates, and plaques."],"names_coll_ssim":["Prince William Symphony Orchestra"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Prince William Symphony Orchestra"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":159,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:33.238Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_409"}},{"id":"viw_repositories_2_resources_9385","type":"collection","attributes":{"title":"Renick Family Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9385#creator","type":"document_value","attributes":{"value":"Renick, Tim  (Tim Renick)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9385#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9385#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9385","ead_ssi":"viw_repositories_2_resources_9385","_root_":"viw_repositories_2_resources_9385","_nest_parent_":"viw_repositories_2_resources_9385","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9385.xml","title_filing_ssi":"Renick Family papers","title_ssm":["Renick Family Papers"],"title_tesim":["Renick Family Papers"],"unitdate_ssm":["Circa 1900-2007"],"unitdate_inclusive_ssm":["Circa 1900-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.350","/repositories/2/resources/9385"],"text":["UA 5.350","/repositories/2/resources/9385","Renick Family Papers","Europe -- Description and travel","Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies","Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.","Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound. ","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.  ","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.","The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. ","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order. ","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe","English"],"unitid_tesim":["UA 5.350","/repositories/2/resources/9385"],"normalized_title_ssm":["Renick Family Papers"],"collection_title_tesim":["Renick Family Papers"],"collection_ssim":["Renick Family Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Europe -- Description and travel"],"geogname_ssim":["Europe -- Description and travel"],"creator_ssm":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_ssim":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_famname_ssim":["Renick Family"],"creators_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick Family"],"places_ssim":["Europe -- Description and travel"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"access_subjects_ssm":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"has_online_content_ssim":["false"],"extent_ssm":["14.36 Linear Feet 20 boxes"],"extent_tesim":["14.36 Linear Feet 20 boxes"],"genreform_ssim":["Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eManuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. 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Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007."],"bioghist_html_tesm":["\u003cp\u003eDewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. 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Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound. ","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.  ","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992."],"otherfindaid_html_tesm":["\u003cp\u003eFinding aid formerly identified as Mss. Acc. 2010.308.\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["Finding aid formerly identified as Mss. Acc. 2010.308."],"prefercite_html_tesm":["\u003cp\u003eRenick Family papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Renick Family papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. \u003c/p\u003e\n","\u003cp\u003eThe farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order. \u003c/p\u003e\n","\u003cp\u003eThe collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026amp; Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. ","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order. ","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Anheuser-Bush, Inc.","College of William and Mary","Renick, Tim  (Tim Renick)","Renick, Dewey C. , Jr., d. 1945"],"names_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"famname_ssim":["Renick Family"],"persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":64,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:09:55.097Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9385","ead_ssi":"viw_repositories_2_resources_9385","_root_":"viw_repositories_2_resources_9385","_nest_parent_":"viw_repositories_2_resources_9385","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9385.xml","title_filing_ssi":"Renick Family papers","title_ssm":["Renick Family Papers"],"title_tesim":["Renick Family Papers"],"unitdate_ssm":["Circa 1900-2007"],"unitdate_inclusive_ssm":["Circa 1900-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.350","/repositories/2/resources/9385"],"text":["UA 5.350","/repositories/2/resources/9385","Renick Family Papers","Europe -- Description and travel","Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies","Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.","Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound. ","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.  ","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.","The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. ","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order. ","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. 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Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. ","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order. ","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Anheuser-Bush, Inc.","College of William and Mary","Renick, Tim  (Tim Renick)","Renick, Dewey C. , Jr., d. 1945"],"names_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"famname_ssim":["Renick Family"],"persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":64,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:09:55.097Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9385"}},{"id":"vifgm_repositories_2_resources_83","type":"collection","attributes":{"title":"Reston Times photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_83#creator","type":"document_value","attributes":{"value":"Kirby, Jim (James F.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_83#abstract_or_scope","type":"document_value","attributes":{"value":"The collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_83#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_83","ead_ssi":"vifgm_repositories_2_resources_83","_root_":"vifgm_repositories_2_resources_83","_nest_parent_":"vifgm_repositories_2_resources_83","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_83.xml","title_filing_ssi":"Reston Times photograph collection","title_ssm":["Reston Times photograph collection"],"title_tesim":["Reston Times photograph collection"],"unitdate_ssm":["1970-1980"],"unitdate_inclusive_ssm":["1970-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0140","/repositories/2/resources/83"],"text":["C0140","/repositories/2/resources/83","Reston Times photograph collection","Reston (Va.)","Photography -- Negatives","Sports","Public schools -- United States","Community newspapers","Photographic prints","Negatives","Photographs","There are no access restrictions.","Arranged into one series.","Series Series 1: Negatives, 1970-1980 (Box 1-9)","The Reston Times is one of two local newspapers that are circulated in the Reston area. The newspaper is privately owned by the Fairfax Times a company that also owns several newspapers in the Northern Virginia area. Some of those newspapers include the Annandale Times, Burke Times, Chantilly Times, Fairfax Times, Gainesville Times, Loudoun Times-Mirror, Springfield Times and several others. ","The Fairfax Times was created in 1963, when the company founder, Arthur Arundel, purchased the 165-year-old Loudoun Times-Mirror in Leesburg, Virginia. The company is now run by his son, Peter Arundel, who worked in politics and CBS Newsradio before joining the family company. Since Peter Arundel has taken control the company has started or acquired newspapers in Fairfax, Culpeper and Prince William counties, launched the websites, founded the national advertising division and expanded print offerings to an annual calendar of over 50 niche publications. ","Jim Kirby worked as a photographer for the Reston Times and lives in Reston, Virginia. ","Processed in January 2009 by Emily Martin. The Reston Times Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. In 2009 the negatives from the Reston Times were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The collection was previously housed in boxes 165-170.","The Special Collections Research Center also holds the Planned Community Archives collection and other personal papers and organizational records that document Reston, Virginia and other planned communities.","The collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals. ","Series one Negatives is the only series in this collection. The series of negatives cover different community events. Some of the negatives are photographs of local people, other are of accidents that occurred in Reston. The final folder of box nine contains a few proofs. The proofs are of photographs of John Warner and Elizabeth Taylor. There is no information to explain the meeting other than it was in the collection and must have occurred in the Washington/Northern Virginia area. The folders are arranged chronologically. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals.","R41, C1, S7 - C2, S2","George Mason University. Libraries. Special Collections Research Center","Kirby, Jim (James F.)","English"],"unitid_tesim":["C0140","/repositories/2/resources/83"],"normalized_title_ssm":["Reston Times photograph collection"],"collection_title_tesim":["Reston Times photograph collection"],"collection_ssim":["Reston Times photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)"],"geogname_ssim":["Reston (Va.)"],"creator_ssm":["Kirby, Jim (James F.)"],"creator_ssim":["Kirby, Jim (James F.)"],"creator_persname_ssim":["Kirby, Jim (James F.)"],"creators_ssim":["Kirby, Jim (James F.)"],"places_ssim":["Reston (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The collection was donated by Jim Kirby on July 14, 1989."],"access_subjects_ssim":["Photography -- Negatives","Sports","Public schools -- United States","Community newspapers","Photographic prints","Negatives","Photographs"],"access_subjects_ssm":["Photography -- Negatives","Sports","Public schools -- United States","Community newspapers","Photographic prints","Negatives","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["4.25 Linear Feet 9 boxes"],"extent_tesim":["4.25 Linear Feet 9 boxes"],"genreform_ssim":["Photographic prints","Negatives","Photographs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into one series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Negatives, 1970-1980 (Box 1-9)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into one series.","Series Series 1: Negatives, 1970-1980 (Box 1-9)"],"bioghist_html_tesm":["\u003cp\u003eThe Reston Times is one of two local newspapers that are circulated in the Reston area. The newspaper is privately owned by the Fairfax Times a company that also owns several newspapers in the Northern Virginia area. Some of those newspapers include the Annandale Times, Burke Times, Chantilly Times, Fairfax Times, Gainesville Times, Loudoun Times-Mirror, Springfield Times and several others. \u003c/p\u003e\n","\u003cp\u003eThe Fairfax Times was created in 1963, when the company founder, Arthur Arundel, purchased the 165-year-old Loudoun Times-Mirror in Leesburg, Virginia. The company is now run by his son, Peter Arundel, who worked in politics and CBS Newsradio before joining the family company. Since Peter Arundel has taken control the company has started or acquired newspapers in Fairfax, Culpeper and Prince William counties, launched the websites, founded the national advertising division and expanded print offerings to an annual calendar of over 50 niche publications. \u003c/p\u003e\n","\u003cp\u003eJim Kirby worked as a photographer for the Reston Times and lives in Reston, Virginia. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Reston Times is one of two local newspapers that are circulated in the Reston area. The newspaper is privately owned by the Fairfax Times a company that also owns several newspapers in the Northern Virginia area. Some of those newspapers include the Annandale Times, Burke Times, Chantilly Times, Fairfax Times, Gainesville Times, Loudoun Times-Mirror, Springfield Times and several others. ","The Fairfax Times was created in 1963, when the company founder, Arthur Arundel, purchased the 165-year-old Loudoun Times-Mirror in Leesburg, Virginia. The company is now run by his son, Peter Arundel, who worked in politics and CBS Newsradio before joining the family company. Since Peter Arundel has taken control the company has started or acquired newspapers in Fairfax, Culpeper and Prince William counties, launched the websites, founded the national advertising division and expanded print offerings to an annual calendar of over 50 niche publications. ","Jim Kirby worked as a photographer for the Reston Times and lives in Reston, Virginia. "],"prefercite_html_tesm":["\u003cp\u003eReston Times Photograph collection, C0140, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Reston Times Photograph collection, C0140, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in January 2009 by Emily Martin. The Reston Times Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. In 2009 the negatives from the Reston Times were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The collection was previously housed in boxes 165-170.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in January 2009 by Emily Martin. The Reston Times Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. In 2009 the negatives from the Reston Times were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The collection was previously housed in boxes 165-170."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Planned Community Archives collection and other personal papers and organizational records that document Reston, Virginia and other planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Planned Community Archives collection and other personal papers and organizational records that document Reston, Virginia and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals. \u003c/p\u003e\n","\u003cp\u003eSeries one Negatives is the only series in this collection. The series of negatives cover different community events. Some of the negatives are photographs of local people, other are of accidents that occurred in Reston. The final folder of box nine contains a few proofs. The proofs are of photographs of John Warner and Elizabeth Taylor. There is no information to explain the meeting other than it was in the collection and must have occurred in the Washington/Northern Virginia area. The folders are arranged chronologically. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals. ","Series one Negatives is the only series in this collection. The series of negatives cover different community events. Some of the negatives are photographs of local people, other are of accidents that occurred in Reston. The final folder of box nine contains a few proofs. The proofs are of photographs of John Warner and Elizabeth Taylor. There is no information to explain the meeting other than it was in the collection and must have occurred in the Washington/Northern Virginia area. The folders are arranged chronologically. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7598b800c32d2d6bd32a1d1aedf7915f\" label=\"Abstract\"\u003eThe collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals.\u003c/abstract\u003e"],"abstract_tesim":["The collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_57c38940bac3cabb0f359f80fb071d98\"\u003eR41, C1, S7 - C2, S2\u003c/physloc\u003e"],"physloc_tesim":["R41, C1, S7 - C2, S2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Kirby, Jim (James F.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Kirby, Jim (James F.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_83","ead_ssi":"vifgm_repositories_2_resources_83","_root_":"vifgm_repositories_2_resources_83","_nest_parent_":"vifgm_repositories_2_resources_83","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_83.xml","title_filing_ssi":"Reston Times photograph collection","title_ssm":["Reston Times photograph collection"],"title_tesim":["Reston Times photograph collection"],"unitdate_ssm":["1970-1980"],"unitdate_inclusive_ssm":["1970-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0140","/repositories/2/resources/83"],"text":["C0140","/repositories/2/resources/83","Reston Times photograph collection","Reston (Va.)","Photography -- Negatives","Sports","Public schools -- United States","Community newspapers","Photographic prints","Negatives","Photographs","There are no access restrictions.","Arranged into one series.","Series Series 1: Negatives, 1970-1980 (Box 1-9)","The Reston Times is one of two local newspapers that are circulated in the Reston area. The newspaper is privately owned by the Fairfax Times a company that also owns several newspapers in the Northern Virginia area. Some of those newspapers include the Annandale Times, Burke Times, Chantilly Times, Fairfax Times, Gainesville Times, Loudoun Times-Mirror, Springfield Times and several others. ","The Fairfax Times was created in 1963, when the company founder, Arthur Arundel, purchased the 165-year-old Loudoun Times-Mirror in Leesburg, Virginia. The company is now run by his son, Peter Arundel, who worked in politics and CBS Newsradio before joining the family company. Since Peter Arundel has taken control the company has started or acquired newspapers in Fairfax, Culpeper and Prince William counties, launched the websites, founded the national advertising division and expanded print offerings to an annual calendar of over 50 niche publications. ","Jim Kirby worked as a photographer for the Reston Times and lives in Reston, Virginia. ","Processed in January 2009 by Emily Martin. The Reston Times Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. In 2009 the negatives from the Reston Times were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The collection was previously housed in boxes 165-170.","The Special Collections Research Center also holds the Planned Community Archives collection and other personal papers and organizational records that document Reston, Virginia and other planned communities.","The collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals. ","Series one Negatives is the only series in this collection. The series of negatives cover different community events. Some of the negatives are photographs of local people, other are of accidents that occurred in Reston. The final folder of box nine contains a few proofs. The proofs are of photographs of John Warner and Elizabeth Taylor. There is no information to explain the meeting other than it was in the collection and must have occurred in the Washington/Northern Virginia area. The folders are arranged chronologically. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals.","R41, C1, S7 - C2, S2","George Mason University. Libraries. 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The newspaper is privately owned by the Fairfax Times a company that also owns several newspapers in the Northern Virginia area. Some of those newspapers include the Annandale Times, Burke Times, Chantilly Times, Fairfax Times, Gainesville Times, Loudoun Times-Mirror, Springfield Times and several others. \u003c/p\u003e\n","\u003cp\u003eThe Fairfax Times was created in 1963, when the company founder, Arthur Arundel, purchased the 165-year-old Loudoun Times-Mirror in Leesburg, Virginia. The company is now run by his son, Peter Arundel, who worked in politics and CBS Newsradio before joining the family company. 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","The Fairfax Times was created in 1963, when the company founder, Arthur Arundel, purchased the 165-year-old Loudoun Times-Mirror in Leesburg, Virginia. The company is now run by his son, Peter Arundel, who worked in politics and CBS Newsradio before joining the family company. Since Peter Arundel has taken control the company has started or acquired newspapers in Fairfax, Culpeper and Prince William counties, launched the websites, founded the national advertising division and expanded print offerings to an annual calendar of over 50 niche publications. ","Jim Kirby worked as a photographer for the Reston Times and lives in Reston, Virginia. "],"prefercite_html_tesm":["\u003cp\u003eReston Times Photograph collection, C0140, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Reston Times Photograph collection, C0140, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in January 2009 by Emily Martin. The Reston Times Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. In 2009 the negatives from the Reston Times were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The collection was previously housed in boxes 165-170.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in January 2009 by Emily Martin. The Reston Times Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. In 2009 the negatives from the Reston Times were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries. The collection was previously housed in boxes 165-170."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Planned Community Archives collection and other personal papers and organizational records that document Reston, Virginia and other planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Planned Community Archives collection and other personal papers and organizational records that document Reston, Virginia and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. 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The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals. ","Series one Negatives is the only series in this collection. The series of negatives cover different community events. Some of the negatives are photographs of local people, other are of accidents that occurred in Reston. The final folder of box nine contains a few proofs. The proofs are of photographs of John Warner and Elizabeth Taylor. There is no information to explain the meeting other than it was in the collection and must have occurred in the Washington/Northern Virginia area. The folders are arranged chronologically. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7598b800c32d2d6bd32a1d1aedf7915f\" label=\"Abstract\"\u003eThe collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals.\u003c/abstract\u003e"],"abstract_tesim":["The collection is comprised of negatives for photographs taken by various photojournalists working for the Reston Times. The collection also includes published and unpublished photographs. The negatives are dated between 1970 and 1980. The negatives are from a variety of communities activities in Reston during that time, including school events, sporting games and community festivals."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_57c38940bac3cabb0f359f80fb071d98\"\u003eR41, C1, S7 - C2, S2\u003c/physloc\u003e"],"physloc_tesim":["R41, C1, S7 - C2, S2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Kirby, Jim (James F.)"],"corpname_ssim":["George Mason University. Libraries. 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