{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints\u0026f%5Bdate_range%5D%5B%5D=1951\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographic+prints\u0026f%5Bdate_range%5D%5B%5D=1951\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":6,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_92","type":"collection","attributes":{"title":"Alexander Haight family collection, 1764/1976","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92#creator","type":"document_value","attributes":{"value":"Haight, Alexander Levi, 1891-1981","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92#abstract_or_scope","type":"document_value","attributes":{"value":"The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_92","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_92.xml","title_filing_ssi":"Alexander Haight family collection","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["circa 1764-1976"],"unitdate_inclusive_ssm":["circa 1764-1976"],"normalized_date_ssm":["1764/1976"],"normalized_title_ssm":["Alexander Haight family collection, 1764/1976"],"text":["Alexander Haight family collection, 1764/1976","C0159","/repositories/2/resources/92","United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America","Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers","There are no access restrictions.","Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS).","The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera","Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership.","Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.","The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop.","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2","George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","English"],"collection_title_tesim":["Alexander Haight family collection, 1764/1976"],"collection_ssim":["Alexander Haight family collection, 1764/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159","/repositories/2/resources/92"],"unitid_tesim":["C0159","/repositories/2/resources/92"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"creator_ssm":["Haight, Alexander Levi, 1891-1981"],"creator_ssim":["Haight, Alexander Levi, 1891-1981"],"creator_persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"access_subjects_ssm":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 7 boxes, 1 map case"],"extent_tesim":["7 Linear Feet 7 boxes, 1 map case"],"genreform_ssim":["Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized selections from this collection appear in the \u003ca href=\"http://mars.gmu.edu/handle/1920/6210\"\u003e Sesquicentennial Civil War Documents Project \u003c/a\u003e hosted on Mason Archival Repository Service (MARS).\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Form Available"],"altformavail_tesim":["Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Legal and financial documents\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs and ephemera\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera"],"bibliography_html_tesm":["\u003cp\u003eFairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026amp;oldid=1301635745#Chain_of_ownership.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership."],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.\u003c/p\u003e","\u003cp\u003eDespite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.\u003c/p\u003e","\u003cp\u003eIn 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Alexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e","\u003cp\u003eCollection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to the history of \u003ca href=\"https://aspace.gmu.edu/subjects/n79043615\"\u003eFairfax County\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/1619\"\u003eNorthern Virginia\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0311\"\u003eRandolph H. Lytton historical Virginia collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Special Collections Research Center also holds other collections related to the \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0239\"\u003eWilliam Darke Briscoe Civil War diaries collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0393\"\u003eDiary of World War I Red Cross Canteen worker Florence Bishop\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop."],"scopecontent_html_tesm":["\u003cp\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.\u003c/p\u003e","\u003cp\u003eSeries 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1a9c21db7465505ff5fd6fb4dd32382c\"\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cca8c73795be2609e42bfc24f7715bf9\"\u003eR 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_coll_ssim":["Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_92","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_92.xml","title_filing_ssi":"Alexander Haight family collection","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["circa 1764-1976"],"unitdate_inclusive_ssm":["circa 1764-1976"],"normalized_date_ssm":["1764/1976"],"normalized_title_ssm":["Alexander Haight family collection, 1764/1976"],"text":["Alexander Haight family collection, 1764/1976","C0159","/repositories/2/resources/92","United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America","Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers","There are no access restrictions.","Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS).","The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera","Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership.","Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.","The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop.","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2","George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","English"],"collection_title_tesim":["Alexander Haight family collection, 1764/1976"],"collection_ssim":["Alexander Haight family collection, 1764/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159","/repositories/2/resources/92"],"unitid_tesim":["C0159","/repositories/2/resources/92"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"creator_ssm":["Haight, Alexander Levi, 1891-1981"],"creator_ssim":["Haight, Alexander Levi, 1891-1981"],"creator_persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"access_subjects_ssm":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 7 boxes, 1 map case"],"extent_tesim":["7 Linear Feet 7 boxes, 1 map case"],"genreform_ssim":["Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized selections from this collection appear in the \u003ca href=\"http://mars.gmu.edu/handle/1920/6210\"\u003e Sesquicentennial Civil War Documents Project \u003c/a\u003e hosted on Mason Archival Repository Service (MARS).\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Form Available"],"altformavail_tesim":["Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Legal and financial documents\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs and ephemera\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera"],"bibliography_html_tesm":["\u003cp\u003eFairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026amp;oldid=1301635745#Chain_of_ownership.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership."],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.\u003c/p\u003e","\u003cp\u003eDespite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.\u003c/p\u003e","\u003cp\u003eIn 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Alexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e","\u003cp\u003eCollection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to the history of \u003ca href=\"https://aspace.gmu.edu/subjects/n79043615\"\u003eFairfax County\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/1619\"\u003eNorthern Virginia\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0311\"\u003eRandolph H. Lytton historical Virginia collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Special Collections Research Center also holds other collections related to the \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0239\"\u003eWilliam Darke Briscoe Civil War diaries collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0393\"\u003eDiary of World War I Red Cross Canteen worker Florence Bishop\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop."],"scopecontent_html_tesm":["\u003cp\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.\u003c/p\u003e","\u003cp\u003eSeries 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1a9c21db7465505ff5fd6fb4dd32382c\"\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cca8c73795be2609e42bfc24f7715bf9\"\u003eR 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_coll_ssim":["Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92"}},{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records, 1949/2010","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:46.877Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:46.877Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416"}},{"id":"viw_repositories_2_resources_9799","type":"collection","attributes":{"title":"Heinz and Gertrud Siegel Elber papers, 1918/2018","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9799#creator","type":"document_value","attributes":{"value":"Elber, Gertude Siegel","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9799#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9799#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9799","ead_ssi":"viw_repositories_2_resources_9799","_root_":"viw_repositories_2_resources_9799","_nest_parent_":"viw_repositories_2_resources_9799","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9799.xml","title_filing_ssi":"Elber, Heinz and Gertrud Siegel, papers","title_ssm":["Heinz and Gertrud Siegel Elber papers"],"title_tesim":["Heinz and Gertrud Siegel Elber papers"],"unitdate_ssm":["1918-2012"],"unitdate_inclusive_ssm":["1918-2012"],"normalized_date_ssm":["1918/2018"],"normalized_title_ssm":["Heinz and Gertrud Siegel Elber papers, 1918/2018"],"text":["Heinz and Gertrud Siegel Elber papers, 1918/2018","MS 00391","/repositories/2/resources/9799","Germany--Social conditions","Dresden (Germany) -- History","World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information","The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Elber, Gertude Siegel","German\n      English"],"collection_title_tesim":["Heinz and Gertrud Siegel Elber papers, 1918/2018"],"collection_ssim":["Heinz and Gertrud Siegel Elber papers, 1918/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00391","/repositories/2/resources/9799"],"unitid_tesim":["MS 00391","/repositories/2/resources/9799"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Germany--Social conditions","Dresden (Germany) -- History"],"geogname_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"places_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"creator_ssm":["Elber, Gertude Siegel"],"creator_ssim":["Elber, Gertude Siegel"],"creator_persname_ssim":["Elber, Gertude Siegel"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Elber, Gertude Siegel","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"access_subjects_ssm":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":[".42 Linear Feet 1 hollinger box"],"extent_tesim":[".42 Linear Feet 1 hollinger box"],"genreform_ssim":["Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eHeinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information"],"prefercite_html_tesm":["\u003cp\u003eHeinz and Gertrude Siegel Elber papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Heinz and Gertrude Siegel Elber papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. 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Additional EAD markup completed by Jesse Gastelle in 2010.","The Special Collections Research Center holds many other .","This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life.","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. 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The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.","George Mason University. Libraries. 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Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Damian Kulash in 2009."],"access_subjects_ssim":["Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"access_subjects_ssm":["Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 10 boxes"],"extent_tesim":["7.5 Linear Feet 10 boxes"],"genreform_ssim":["Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Subject Files, 1958-1993 (Box 1-7)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs, 1919-2000 (Box 8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbooks, 1930s-1960s (Box 9-10)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series.","Series\n      Series 1: Subject Files, 1958-1993 (Box 1-7)\n      Series 2: Photographs, 1919-2000 (Box 8)\n      Series 3: Scrapbooks, 1930s-1960s (Box 9-10)"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. 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He died in 2009 at his home in Fairfax City, Virginia."],"prefercite_html_tesm":["\u003cp\u003eMartin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Martin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"transportation-related collections\" href=\"https://aspace.gmu.edu/subjects/sh85137027\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. 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The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life.","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9d2f398d1bc34e60fd2023489b6f5579\" label=\"Abstract\"\u003eConsists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\u003c/abstract\u003e\n    "],"abstract_tesim":["Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Wohl, Martin"],"names_coll_ssim":["Wohl, Martin"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Wohl, Martin"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_104","ead_ssi":"vifgm_repositories_2_resources_104","_root_":"vifgm_repositories_2_resources_104","_nest_parent_":"vifgm_repositories_2_resources_104","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_104.xml","title_filing_ssi":"Martin Wohl papers","title_ssm":["Martin Wohl papers"],"title_tesim":["Martin Wohl papers"],"unitdate_ssm":["1919-2000s"],"unitdate_inclusive_ssm":["1919-2000s"],"normalized_date_ssm":["1919/2000"],"normalized_title_ssm":["Martin Wohl papers, 1919/2000"],"text":["Martin Wohl papers, 1919/2000","C0174","/repositories/2/resources/104","Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs","There are no access restrictions.","Arranged into three series.","Series\n      Series 1: Subject Files, 1958-1993 (Box 1-7)\n      Series 2: Photographs, 1919-2000 (Box 8)\n      Series 3: Scrapbooks, 1930s-1960s (Box 9-10)","Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.","Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.","The Special Collections Research Center holds many other .","This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life.","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.","George Mason University. Libraries. Special Collections Research Center","Wohl, Martin","English"],"collection_title_tesim":["Martin Wohl papers, 1919/2000"],"collection_ssim":["Martin Wohl papers, 1919/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0174","/repositories/2/resources/104"],"unitid_tesim":["C0174","/repositories/2/resources/104"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Wohl, Martin"],"creator_ssim":["Wohl, Martin"],"creator_persname_ssim":["Wohl, Martin"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Wohl, Martin","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Damian Kulash in 2009."],"access_subjects_ssim":["Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"access_subjects_ssm":["Transportation -- United States -- Planning","Transportation engineering","Local transit -- United States","Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 10 boxes"],"extent_tesim":["7.5 Linear Feet 10 boxes"],"genreform_ssim":["Photographic prints","Scrapbooks","Correspondence","Newspapers","Photographs"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Subject Files, 1958-1993 (Box 1-7)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs, 1919-2000 (Box 8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbooks, 1930s-1960s (Box 9-10)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series.","Series\n      Series 1: Subject Files, 1958-1993 (Box 1-7)\n      Series 2: Photographs, 1919-2000 (Box 8)\n      Series 3: Scrapbooks, 1930s-1960s (Box 9-10)"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1930 in Greensboro, North Carolina, Martin Wohl studied and wrote about transportation economics for more than 30 years. He received a master's degree in engineering from MIT in 1960 and a doctorate in engineering from the University of California at Berkeley in 1966. He worked in the Department of Commerce during the Kennedy Administration and taught at Harvard University for two years following that. He later returned to Washington, D.C., to head the transportation studies department at the Urban Institute in 1969, and in 1972, he accepted a faculty position at Carnegie Mellon University. He is most recognized for \"The Transportation Problem\" (1965), the book he co-authored with John R. Meyer and John F. Kain. He died in 2009 at his home in Fairfax City, Virginia."],"prefercite_html_tesm":["\u003cp\u003eMartin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Martin Wohl Papers, C0174, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jesse Gastelle in 2010. EAD markup completed by Jordan Patty in 2009. Additional EAD markup completed by Jesse Gastelle in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"transportation-related collections\" href=\"https://aspace.gmu.edu/subjects/sh85137027\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life. \u003c/p\u003e","\u003cp\u003eThe first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collections contains writings, records, photos, and scrapbooks of one of the founders of transportation economics, Dr. Martin Wohl. The majority of the collection focuses on Wohl's work as a transportation economist, but the records and photographs depict Wohl and his family and friends throughout his life.","The first series contains essays, newspaper articles, journal articles, books, and reviews surrounding Wohl's work in urban transportation and traffic engineering (written both by and about Wohl). Also in this series are his records, including degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors. Much of the professional correspondence contains information on the publication of his books (including copyrights), and there are also files with copies of reviews of his books The Urban Transportation Problem and Traffics Systems Analysis. Cities analyzed in the collection include Washington, D.C., San Francisco, Boston, Pittsburgh, and Los Angeles. The Second series consists of photographs, mostly black and white snapshots. The subjects include family, military service, West Point, and Cambridge, and Wohl himself. The third collection contains two unbound scrapbooks that contain photographs and emphemra from Wohl's life mostly from the 1930s through the 1960s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9d2f398d1bc34e60fd2023489b6f5579\" label=\"Abstract\"\u003eConsists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.\u003c/abstract\u003e\n    "],"abstract_tesim":["Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Wohl, Martin"],"names_coll_ssim":["Wohl, Martin"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Wohl, Martin"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_104"}},{"id":"viw_repositories_2_resources_9064","type":"collection","attributes":{"title":"Mary Eleanor Davis Ries Papers, 1870-1967, 1870/1967","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9064#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers, 1870-1967, of Mary Eleanor (Davis) Ries. Includes correspondence of Ries with her parents, Donald Walton Davis [1882-1950] and Katherine (Bressler) Davis and other family members including her brother Donald Walton Davis, Jr. and sister Virginia Davis Faulconer as well as research notes, research papers, photographs, postcards, and memorabilia from her years at Smith College. The collection also includes papers of Donald Timmerman Ries and photographs of Williamsburg, Virginia and pets; and greeting cards.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9064#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9064","ead_ssi":"viw_repositories_2_resources_9064","_root_":"viw_repositories_2_resources_9064","_nest_parent_":"viw_repositories_2_resources_9064","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9064.xml","title_filing_ssi":"Ries, Mary Eleanor Davis, Papers","title_ssm":["Mary Eleanor Davis Ries Papers, 1870-1967"],"title_tesim":["Mary Eleanor Davis Ries Papers, 1870-1967"],"unitdate_ssm":["1870-1967"],"unitdate_inclusive_ssm":["1870-1967"],"normalized_date_ssm":["1870/1967"],"normalized_title_ssm":["Mary Eleanor Davis Ries Papers, 1870-1967, 1870/1967"],"text":["Mary Eleanor Davis Ries Papers, 1870-1967, 1870/1967","Mss. 91 D29","/repositories/2/resources/9064","Williamsburg (Va.)--History","Letters (correspondence)","Photographic prints","Diplomas","Reports","The course work material in this collection contains grade reports which were restricted until May 2014. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Mary Eleanor Davis Ries was the daughter of Donald Walton Davis and Katherine Bressler Davis. She was born on 14 March 1910 in Cambridge, Mass. and died on 16 December 1968 in Normal, Ill. She graduated from Williamsburg High School, the Castilleja School, Palo Alto, Ca., Smith College and attended graduate school at Cornell University. She married Donald Timmerman Ries in 1935 and worked as a biological researcher.","Papers, 1870-1967, of Mary Eleanor (Davis) Ries. Includes correspondence of Ries with her parents, Donald Walton Davis [1882-1950] and Katherine (Bressler) Davis and other family members including her brother Donald Walton Davis, Jr. and sister Virginia Davis Faulconer as well as research notes, research papers, photographs, postcards, and memorabilia from her years at Smith College. The collection also includes papers of Donald Timmerman Ries and photographs of Williamsburg, Virginia and pets; and greeting cards.","Acc. 2010.676 contains diplomas of Mary Eleanor Ries: one from Smith College dated 1931 and one from Cornell University dated 1938.  There is also a copy of a paper from the 1932 International Congress of Genetics, which she attended.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Mary Eleanor Davis Ries Papers, 1870-1967, 1870/1967"],"collection_ssim":["Mary Eleanor Davis Ries Papers, 1870-1967, 1870/1967"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 91 D29","/repositories/2/resources/9064"],"unitid_tesim":["Mss. 91 D29","/repositories/2/resources/9064"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History"],"geogname_ssim":["Williamsburg (Va.)--History"],"places_ssim":["Williamsburg (Va.)--History"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mr. and Mrs. Robert J. Faulconer. Gift during the mid-1970s. Mss. 2010.676 was a gift of Robert and Virginia Faulconer, October 2010"],"access_subjects_ssim":["Letters (correspondence)","Photographic prints","Diplomas","Reports"],"access_subjects_ssm":["Letters (correspondence)","Photographic prints","Diplomas","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 2 boxes."],"extent_tesim":["3 Linear Feet 2 boxes."],"genreform_ssim":["Letters (correspondence)","Photographic prints","Diplomas","Reports"],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"accessrestrict_html_tesm":["\u003cp\u003eThe course work material in this collection contains grade reports which were restricted until May 2014. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The course work material in this collection contains grade reports which were restricted until May 2014. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eMary Eleanor Davis Ries was the daughter of Donald Walton Davis and Katherine Bressler Davis. She was born on 14 March 1910 in Cambridge, Mass. and died on 16 December 1968 in Normal, Ill. She graduated from Williamsburg High School, the Castilleja School, Palo Alto, Ca., Smith College and attended graduate school at Cornell University. She married Donald Timmerman Ries in 1935 and worked as a biological researcher.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mary Eleanor Davis Ries was the daughter of Donald Walton Davis and Katherine Bressler Davis. She was born on 14 March 1910 in Cambridge, Mass. and died on 16 December 1968 in Normal, Ill. She graduated from Williamsburg High School, the Castilleja School, Palo Alto, Ca., Smith College and attended graduate school at Cornell University. She married Donald Timmerman Ries in 1935 and worked as a biological researcher."],"prefercite_html_tesm":["\u003cp\u003eMary Eleanor Davis Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Mary Eleanor Davis Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003ePapers, 1870-1967, of Mary Eleanor (Davis) Ries. Includes correspondence of Ries with her parents, Donald Walton Davis [1882-1950] and Katherine (Bressler) Davis and other family members including her brother Donald Walton Davis, Jr. and sister Virginia Davis Faulconer as well as research notes, research papers, photographs, postcards, and memorabilia from her years at Smith College. The collection also includes papers of Donald Timmerman Ries and photographs of Williamsburg, Virginia and pets; and greeting cards.\u003c/p\u003e","\u003cp\u003eAcc. 2010.676 contains diplomas of Mary Eleanor Ries: one from Smith College dated 1931 and one from Cornell University dated 1938.  There is also a copy of a paper from the 1932 International Congress of Genetics, which she attended.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers, 1870-1967, of Mary Eleanor (Davis) Ries. Includes correspondence of Ries with her parents, Donald Walton Davis [1882-1950] and Katherine (Bressler) Davis and other family members including her brother Donald Walton Davis, Jr. and sister Virginia Davis Faulconer as well as research notes, research papers, photographs, postcards, and memorabilia from her years at Smith College. The collection also includes papers of Donald Timmerman Ries and photographs of Williamsburg, Virginia and pets; and greeting cards.","Acc. 2010.676 contains diplomas of Mary Eleanor Ries: one from Smith College dated 1931 and one from Cornell University dated 1938.  There is also a copy of a paper from the 1932 International Congress of Genetics, which she attended."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:54.928Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9064","ead_ssi":"viw_repositories_2_resources_9064","_root_":"viw_repositories_2_resources_9064","_nest_parent_":"viw_repositories_2_resources_9064","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9064.xml","title_filing_ssi":"Ries, Mary Eleanor Davis, Papers","title_ssm":["Mary Eleanor Davis Ries Papers, 1870-1967"],"title_tesim":["Mary Eleanor Davis Ries Papers, 1870-1967"],"unitdate_ssm":["1870-1967"],"unitdate_inclusive_ssm":["1870-1967"],"normalized_date_ssm":["1870/1967"],"normalized_title_ssm":["Mary Eleanor Davis Ries Papers, 1870-1967, 1870/1967"],"text":["Mary Eleanor Davis Ries Papers, 1870-1967, 1870/1967","Mss. 91 D29","/repositories/2/resources/9064","Williamsburg (Va.)--History","Letters (correspondence)","Photographic prints","Diplomas","Reports","The course work material in this collection contains grade reports which were restricted until May 2014. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Mary Eleanor Davis Ries was the daughter of Donald Walton Davis and Katherine Bressler Davis. She was born on 14 March 1910 in Cambridge, Mass. and died on 16 December 1968 in Normal, Ill. She graduated from Williamsburg High School, the Castilleja School, Palo Alto, Ca., Smith College and attended graduate school at Cornell University. She married Donald Timmerman Ries in 1935 and worked as a biological researcher.","Papers, 1870-1967, of Mary Eleanor (Davis) Ries. Includes correspondence of Ries with her parents, Donald Walton Davis [1882-1950] and Katherine (Bressler) Davis and other family members including her brother Donald Walton Davis, Jr. and sister Virginia Davis Faulconer as well as research notes, research papers, photographs, postcards, and memorabilia from her years at Smith College. The collection also includes papers of Donald Timmerman Ries and photographs of Williamsburg, Virginia and pets; and greeting cards.","Acc. 2010.676 contains diplomas of Mary Eleanor Ries: one from Smith College dated 1931 and one from Cornell University dated 1938.  There is also a copy of a paper from the 1932 International Congress of Genetics, which she attended.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Mary Eleanor Davis Ries Papers, 1870-1967, 1870/1967"],"collection_ssim":["Mary Eleanor Davis Ries Papers, 1870-1967, 1870/1967"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 91 D29","/repositories/2/resources/9064"],"unitid_tesim":["Mss. 91 D29","/repositories/2/resources/9064"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History"],"geogname_ssim":["Williamsburg (Va.)--History"],"places_ssim":["Williamsburg (Va.)--History"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mr. and Mrs. Robert J. Faulconer. Gift during the mid-1970s. Mss. 2010.676 was a gift of Robert and Virginia Faulconer, October 2010"],"access_subjects_ssim":["Letters (correspondence)","Photographic prints","Diplomas","Reports"],"access_subjects_ssm":["Letters (correspondence)","Photographic prints","Diplomas","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 2 boxes."],"extent_tesim":["3 Linear Feet 2 boxes."],"genreform_ssim":["Letters (correspondence)","Photographic prints","Diplomas","Reports"],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"accessrestrict_html_tesm":["\u003cp\u003eThe course work material in this collection contains grade reports which were restricted until May 2014. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The course work material in this collection contains grade reports which were restricted until May 2014. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eMary Eleanor Davis Ries was the daughter of Donald Walton Davis and Katherine Bressler Davis. She was born on 14 March 1910 in Cambridge, Mass. and died on 16 December 1968 in Normal, Ill. She graduated from Williamsburg High School, the Castilleja School, Palo Alto, Ca., Smith College and attended graduate school at Cornell University. She married Donald Timmerman Ries in 1935 and worked as a biological researcher.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mary Eleanor Davis Ries was the daughter of Donald Walton Davis and Katherine Bressler Davis. She was born on 14 March 1910 in Cambridge, Mass. and died on 16 December 1968 in Normal, Ill. She graduated from Williamsburg High School, the Castilleja School, Palo Alto, Ca., Smith College and attended graduate school at Cornell University. She married Donald Timmerman Ries in 1935 and worked as a biological researcher."],"prefercite_html_tesm":["\u003cp\u003eMary Eleanor Davis Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Mary Eleanor Davis Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003ePapers, 1870-1967, of Mary Eleanor (Davis) Ries. Includes correspondence of Ries with her parents, Donald Walton Davis [1882-1950] and Katherine (Bressler) Davis and other family members including her brother Donald Walton Davis, Jr. and sister Virginia Davis Faulconer as well as research notes, research papers, photographs, postcards, and memorabilia from her years at Smith College. The collection also includes papers of Donald Timmerman Ries and photographs of Williamsburg, Virginia and pets; and greeting cards.\u003c/p\u003e","\u003cp\u003eAcc. 2010.676 contains diplomas of Mary Eleanor Ries: one from Smith College dated 1931 and one from Cornell University dated 1938.  There is also a copy of a paper from the 1932 International Congress of Genetics, which she attended.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers, 1870-1967, of Mary Eleanor (Davis) Ries. Includes correspondence of Ries with her parents, Donald Walton Davis [1882-1950] and Katherine (Bressler) Davis and other family members including her brother Donald Walton Davis, Jr. and sister Virginia Davis Faulconer as well as research notes, research papers, photographs, postcards, and memorabilia from her years at Smith College. The collection also includes papers of Donald Timmerman Ries and photographs of Williamsburg, Virginia and pets; and greeting cards.","Acc. 2010.676 contains diplomas of Mary Eleanor Ries: one from Smith College dated 1931 and one from Cornell University dated 1938.  There is also a copy of a paper from the 1932 International Congress of Genetics, which she attended."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:54.928Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9064"}},{"id":"viw_repositories_2_resources_9385","type":"collection","attributes":{"title":"Renick Family Papers, 1900/2007","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9385#creator","type":"document_value","attributes":{"value":"Renick, Tim  (Tim Renick)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9385#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9385#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9385","ead_ssi":"viw_repositories_2_resources_9385","_root_":"viw_repositories_2_resources_9385","_nest_parent_":"viw_repositories_2_resources_9385","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9385.xml","title_filing_ssi":"Renick Family papers","title_ssm":["Renick Family Papers"],"title_tesim":["Renick Family Papers"],"unitdate_ssm":["Circa 1900-2007"],"unitdate_inclusive_ssm":["Circa 1900-2007"],"normalized_date_ssm":["1900/2007"],"normalized_title_ssm":["Renick Family Papers, 1900/2007"],"text":["Renick Family Papers, 1900/2007","UA 5.350","/repositories/2/resources/9385","Europe -- Description and travel","Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies","Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.","Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound.","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.","The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr.","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order.","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe","English"],"collection_title_tesim":["Renick Family Papers, 1900/2007"],"collection_ssim":["Renick Family Papers, 1900/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.350","/repositories/2/resources/9385"],"unitid_tesim":["UA 5.350","/repositories/2/resources/9385"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Europe -- Description and travel"],"geogname_ssim":["Europe -- Description and travel"],"places_ssim":["Europe -- Description and travel"],"creator_ssm":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_ssim":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"creator_corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"creator_famname_ssim":["Renick Family"],"creators_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe","Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"access_subjects_ssm":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"has_online_content_ssim":["false"],"extent_ssm":["14.36 Linear Feet 20 boxes"],"extent_tesim":["14.36 Linear Feet 20 boxes"],"genreform_ssim":["Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eManuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007."],"bioghist_html_tesm":["\u003cp\u003eDewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound. \u003c/p\u003e","\u003cp\u003eFern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.  \u003c/p\u003e","\u003cp\u003eAlong with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound.","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992."],"otherfindaid_html_tesm":["\u003cp\u003eFinding aid formerly identified as Mss. Acc. 2010.308.\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["Finding aid formerly identified as Mss. Acc. 2010.308."],"prefercite_html_tesm":["\u003cp\u003eRenick Family papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Renick Family papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. \u003c/p\u003e","\u003cp\u003eThe farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order. \u003c/p\u003e","\u003cp\u003eThe collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026amp; Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr.","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order.","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"names_coll_ssim":["Anheuser-Bush, Inc.","College of William and Mary","Renick, Tim  (Tim Renick)","Renick, Dewey C. , Jr., d. 1945"],"famname_ssim":["Renick Family"],"persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"names_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":64,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:19.732Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9385","ead_ssi":"viw_repositories_2_resources_9385","_root_":"viw_repositories_2_resources_9385","_nest_parent_":"viw_repositories_2_resources_9385","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9385.xml","title_filing_ssi":"Renick Family papers","title_ssm":["Renick Family Papers"],"title_tesim":["Renick Family Papers"],"unitdate_ssm":["Circa 1900-2007"],"unitdate_inclusive_ssm":["Circa 1900-2007"],"normalized_date_ssm":["1900/2007"],"normalized_title_ssm":["Renick Family Papers, 1900/2007"],"text":["Renick Family Papers, 1900/2007","UA 5.350","/repositories/2/resources/9385","Europe -- Description and travel","Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies","Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.","Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound.","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.","The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr.","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order.","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe","English"],"collection_title_tesim":["Renick Family Papers, 1900/2007"],"collection_ssim":["Renick Family Papers, 1900/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.350","/repositories/2/resources/9385"],"unitid_tesim":["UA 5.350","/repositories/2/resources/9385"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Europe -- Description and travel"],"geogname_ssim":["Europe -- Description and travel"],"places_ssim":["Europe -- Description and travel"],"creator_ssm":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_ssim":["Renick, Tim  (Tim Renick)","Renick Family","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18"],"creator_persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"creator_corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"creator_famname_ssim":["Renick Family"],"creators_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe","Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"access_subjects_ssm":["Farming","Diaries","Post World War II Europe--Description and travel","Purple Heart","Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"has_online_content_ssim":["false"],"extent_ssm":["14.36 Linear Feet 20 boxes"],"extent_tesim":["14.36 Linear Feet 20 boxes"],"genreform_ssim":["Account books","Photographic prints","Business records","Clippings (information artifacts)","Genealogies"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eManuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into six series including: Series I. Dewey Campbell Renick papers, 1923-1981,  Series II. Fern Amelia Cooley Renick papers, 1950-1992, Series III. Dewey C. Renick Jr. papers, Circa 1930-1945, Series IV. Jean Renick papers, 1933-1953, Series V. Personal papers, Circa 1900-2006 and Series VI. Printed materials, 1939-2007."],"bioghist_html_tesm":["\u003cp\u003eDewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound. \u003c/p\u003e","\u003cp\u003eFern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.  \u003c/p\u003e","\u003cp\u003eAlong with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dewey Campbell Renick was a farmer, lumberman, appraiser and developer from Calloway, Va. (Franklin County). He was born on February 17, 1898 and moved to Williamsburg, Virginia to attend the William and Mary Academy and work at the Williamsburg Female Institute. Renick was a member of the James City County Planning Commission from 1954-1971, a member of the James City County School Board for 25 years (chair for 15 years) and a member of the county school trustee electoral board. Renick was also a  rent control administrator in Williamsburg during World War II and was involved with establishing the Tidewater Mental Health Clinic and Williamsburg Memorial Park. He was a member of the board of Williamsburg Community Hospital and a director of the United Virginia Bank. He died 1 August 1976. The Renick farm was at the intersection of News Road and Ironbound.","Fern Amelia Cooley Renick was born in South Dakota on July 7, 1897 and came to Williamsburg with her family at the age of two. She attended Farmville State Teacher's College (now Longwood University). She and her husband were active in the Jamestown Presbyterian Church.","Along with George Tayloe Ross, she established the Dewey C. Renick Memorial Scholarship at the College of William and Mary. She died on June 18, 1992."],"otherfindaid_html_tesm":["\u003cp\u003eFinding aid formerly identified as Mss. Acc. 2010.308.\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["Finding aid formerly identified as Mss. Acc. 2010.308."],"prefercite_html_tesm":["\u003cp\u003eRenick Family papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Renick Family papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr. \u003c/p\u003e","\u003cp\u003eThe farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order. \u003c/p\u003e","\u003cp\u003eThe collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026amp; Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Renick Family papers include farm account books, newspaper clippings, obituaries, genealogical materials, photographs, correspondence, and artificats documenting the lives of the Renick Family. Family members documented include Dewey Campbell Renick, Fern Cooley Renick, Jean Renick, and Dewey C. Renick Jr.","The farm account book, circa 1942-1962, includes accounts of Kings Mill Farm (Thomas M. Brooks), Carter's Grove Farm, Evelynton Plantation, Kings Mill Dairy Farm (operated by David and E. E. Falk; later Anheuser-Busch's Kingsmill development), and P. M. Greisenauer. The entries are in alphabetical order.","The collection also includes papers concerning the organization of the Dewey C. Renick Endowment for scholarships at William \u0026 Mary. Clippings concern the Renick family including Dewey C. Renick's civic career as well as his involvement in negotiations to bring Anheuser-Busch to Williamsburg and the giving of a Clydesdale horse to the Renick farm."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary"],"names_coll_ssim":["Anheuser-Bush, Inc.","College of William and Mary","Renick, Tim  (Tim Renick)","Renick, Dewey C. , Jr., d. 1945"],"famname_ssim":["Renick Family"],"persname_ssim":["Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"names_ssim":["Special Collections Research Center","Anheuser-Bush, Inc.","College of William and Mary","Renick Family","Renick, Tim  (Tim Renick)","Renick, Dewey Campbell, 1898 February 7-1976 August 1","Renick, Fern Amelia Cooley , 1897 July 7-1992 June 18","Renick, Dewey C. , Jr., d. 1945","Ross, George Tayloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":64,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:19.732Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9385"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and 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