{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Personal+narratives","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Personal+narratives\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Personal+narratives\u0026page=3"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":3,"limit_value":10,"offset_value":0,"total_count":23,"first_page?":true,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_9226_c23","type":"Series","attributes":{"title":"Alexandra Johnson Art Journal Zines, 2020","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9226_c23#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9226_c23#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9226_c23","ref_ssm":["viw_repositories_2_resources_9226_c23"],"id":"viw_repositories_2_resources_9226_c23","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","parent_ssi":"viw_repositories_2_resources_9226","parent_ssim":["Documenting Life During COVID-19 collection, 2020"],"parent_ids_ssim":["viw_repositories_2_resources_9226"],"title_filing_ssi":"Alexandra Johnson Art Journal Zines","title_ssm":["Alexandra Johnson Art Journal Zines"],"title_tesim":["Alexandra Johnson Art Journal Zines"],"normalized_title_ssm":["Alexandra Johnson Art Journal Zines, 2020"],"text":["Alexandra Johnson Art Journal Zines, 2020","Documenting Life During COVID-19 collection, 2020","Zines","Personal narratives","English","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\"","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\""],"parent_unittitles_ssm":["Documenting Life During COVID-19 collection, 2020"],"parent_unittitles_tesim":["Documenting Life During COVID-19 collection, 2020"],"normalized_date_ssm":["2020"],"unitdate_inclusive_ssm":["2020 May 9 - 22"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":106,"repository_ssim":["College of William and Mary"],"collection_ssim":["Documenting Life During COVID-19 collection, 2020"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"access_subjects_ssim":["Zines","Personal narratives"],"access_subjects_ssm":["Zines","Personal narratives"],"language_ssim":["English"],"date_range_isim":[2020],"scopecontent_html_tesm":["\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\"","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\""],"_nest_path_":"/components#22","timestamp":"2026-06-23T07:48:32.028Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9226","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9226.xml","title_filing_ssi":"Documenting Life During COVID-19 collection","title_ssm":["Documenting Life During COVID-19 collection"],"title_tesim":["Documenting Life During COVID-19 collection"],"unitdate_ssm":["2020 March - ongoing"],"unitdate_inclusive_ssm":["2020 March - ongoing"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Documenting Life During COVID-19 collection, 2020"],"text":["Documenting Life During COVID-19 collection, 2020","MS 00326","/repositories/2/resources/9226","Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals expected.","Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.","Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic.","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to:","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.","Most materials are born-digital. Some materials require contacting the SCRC for access.","Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter.","Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps.","Series also includes Buck's headshot, included with submission.","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic.","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording.","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\"","Series includes a photograph of Dunn that was attached with the submission.","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\"","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\"","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\"","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th.","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member.","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\"","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\"","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement","English"],"collection_title_tesim":["Documenting Life During COVID-19 collection, 2020"],"collection_ssim":["Documenting Life During COVID-19 collection, 2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00326","/repositories/2/resources/9226"],"unitid_tesim":["MS 00326","/repositories/2/resources/9226"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"creators_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Digital materials submitted by individuals to William \u0026 Mary Libraries website. Each submitter was required to complete the following Submission Agreement:","\"I hereby certify that I created, and own the copyright in, the submitted material. While I will continue to retain my copyright, I hereby grant the William \u0026 Mary Libraries a license to add the material to its archival collections and preserve it for future generations of students, scholars, and researchers. I give the Libraries permission:","to organize the materials according to accepted archival principles;\nto create metadata, finding aids, and full-text search interfaces required for the preservation and discovery of the materials;\nto make the materials accessible to researchers and staff;\nand to use the materials in exhibits and displays, both physical and online.\nI agree that William \u0026 Mary Libraries may make this material available online under a Creative Commons Attribution 4.0 license (https://creativecommons.org/licenses/by/4.0/), which will allow others to share and adapt the material, as long as I am given appropriate credit.","I accept the above submission agreement.\"","Physical materials donated separately with Deed of Gift filed under donor name."],"access_subjects_ssim":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"access_subjects_ssm":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"extent_tesim":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"physfacet_tesim":["Extent as of 2020 May 29"],"genreform_ssim":["Photographs","Poetry","Video recordings","Sound Recordings"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials."],"bioghist_html_tesm":["\u003cp\u003eCollection includes materials collected from members of the William \u0026amp; Mary and the greater Williamsburg community during the COVID-19 pandemic. \u003c/p\u003e","\u003cp\u003eFrom the William \u0026amp; Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026amp; Mary Libraries invite all members of the William \u0026amp; Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: \u003c/p\u003e","\u003cp\u003eProse\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life\u003c/p\u003e","\u003cp\u003eYour memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic.","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to:","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\""],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eBefore submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContact SCRC staff for access to these materials.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eDonor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContent creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access."],"phystech_html_tesm":["\u003cp\u003eMost materials are born-digital. Some materials require contacting the SCRC for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most materials are born-digital. Some materials require contacting the SCRC for access."],"prefercite_html_tesm":["\u003cp\u003eDocumenting Life During COVID-19 collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Documenting Life During COVID-19 collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eMaterials were processed and described using the submitter's original language from the William \u0026amp; Mary Libraries submission site.\u003c/p\u003e  ","\u003cp\u003eAccessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.\u003c/p\u003e  ","\u003cp\u003eSome personal information was removed from the heading of this letter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e  ","\u003cp\u003eA poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"\u003c/p\u003e","\u003cp\u003eOne photo montage video created and uploaded by Marna Ashburn, William \u0026amp; Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e","\u003cp\u003eIndividual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.\u003c/p\u003e","\u003cp\u003eOne photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026amp; Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e","\u003cp\u003ePlease contact SCRC staff to access the video at this time.\u003c/p\u003e","\u003cp\u003eOne digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eOne digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"\u003c/p\u003e","\u003cp\u003ePersonal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eSix digital photographs submitted by Jason Betzner '19, William \u0026amp; Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"\u003c/p\u003e","\u003cp\u003eTen digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"\u003c/p\u003e","\u003cp\u003ePoem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. \u003c/p\u003e","\u003cp\u003eSeries also includes Buck's headshot, included with submission. \u003c/p\u003e","\u003cp\u003eScreenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026amp; Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs of Suzanne Cole, William \u0026amp; Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.\u003c/p\u003e","\u003cp\u003eOne digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"\u003c/p\u003e","\u003cp\u003e6 items, distributed by William \u0026amp; Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.\u003c/p\u003e","\u003cp\u003eSeven digital photographs of the Colonial Williamsburg Historic Area and William \u0026amp; Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"\u003c/p\u003e","\u003cp\u003eA personal photograph of Descher, attached with the submission, is also included in this series.\u003c/p\u003e","\u003cp\u003eDigital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"\u003c/p\u003e","\u003cp\u003eTwo video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993, and one recorded Zoom conversation hosted by William \u0026amp; Mary Libraries with DoubleTake members discussing their experiences during the pandemic. \u003c/p\u003e","\u003cp\u003eColin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. \u003c/p\u003e","\u003cp\u003e\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003e\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eThe Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e","\u003cp\u003e\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e","\u003cp\u003eCarmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eA recording of a Zoom conversation conducted by William \u0026amp; Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026amp; Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eSix digital photographs taken by Carlee Dunn, William \u0026amp; Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.\u003c/p\u003e","\u003cp\u003eDunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" \u003c/p\u003e","\u003cp\u003eSeries includes a photograph of Dunn that was attached with the submission. \u003c/p\u003e","\u003cp\u003e19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eFairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026amp;M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Fairlie, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"\u003c/p\u003e","\u003cp\u003eArtifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026amp; Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026amp; Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.\u003c/p\u003e","\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e","\u003cp\u003eCopy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026amp; Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.\u003c/p\u003e","\u003cp\u003e1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"\u003c/p\u003e","\u003cp\u003eA personal reflection written by Diane Huebner (Arnold), a William \u0026amp; Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eClass of 2023 William \u0026amp; Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" \u003c/p\u003e","\u003cp\u003eIncluded in this series is a personal photograph of Incer, along with the submission.\u003c/p\u003e","\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eSenior recital recordings for Ayush Joshi, William \u0026amp; Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. \u003c/p\u003e","\u003cp\u003eFull Program:\u003c/p\u003e","\u003cp\u003eClassical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)\u003c/p\u003e","\u003cp\u003eJazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)\u003c/p\u003e","\u003cp\u003eAlso, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"\u003c/p\u003e","\u003cp\u003eThis performance is in three different audio files, one for each piece in the collection.\u003c/p\u003e","\u003cp\u003eFour hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. \u003c/p\u003e","\u003cp\u003eKehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Kehlenbach that was attached to the submission.\u003c/p\u003e","\u003cp\u003ePersonal headshot included by Dan Kehlenbach with the submission.\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. \u003c/p\u003e","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"\u003c/p\u003e","\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e","\u003cp\u003eDigital photographs and video from Likhitha Kolla, member of William \u0026amp; Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Kolla, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.\u003c/p\u003e","\u003cp\u003eOne image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"\u003c/p\u003e","\u003cp\u003eOne screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026amp; Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"\u003c/p\u003e","\u003cp\u003eA collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026amp; Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"\u003c/p\u003e","\u003cp\u003eDigital photograph take by Ivy Li, William \u0026amp; Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"\u003c/p\u003e","\u003cp\u003eSelf-portrait by Katherine McSweeney, daughter of William \u0026amp; Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"\u003c/p\u003e","\u003cp\u003eEight digital photographs taken by Miso Park, William \u0026amp; Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.\u003c/p\u003e","\u003cp\u003ePhotographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.\u003c/p\u003e","\u003cp\u003eFour digital photographs taken by Susan Riggs, William \u0026amp; Mary M.A. class of 1972 and William \u0026amp; Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"\u003c/p\u003e","\u003cp\u003eFive digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026amp; Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"\u003c/p\u003e","\u003cp\u003eDigital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science\u003c/p\u003e","\u003cp\u003eDigital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.\u003c/p\u003e","\u003cp\u003eDigital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.\u003c/p\u003e","\u003cp\u003eDigital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.\u003c/p\u003e","\u003cp\u003eA personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"\u003c/p\u003e","\u003cp\u003eScanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"\u003c/p\u003e","\u003cp\u003eA social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026amp; Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eOne photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"\u003c/p\u003e","\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","\u003cp\u003eZoom recording from Kenneth Tieu, William \u0026amp; Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"\u003c/p\u003e","\u003cp\u003ePodcast series, digital video, and poem written by Tara Vasanth, William \u0026amp; Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" \u003c/p\u003e","\u003cp\u003ePodcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"\u003c/p\u003e","\u003cp\u003eAlso included in this series is a personal photograph of Vasanth, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.\u003c/p\u003e","\u003cp\u003ePhotographs by William \u0026amp; Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs submitted by Kate Weis, a William \u0026amp; Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" \u003c/p\u003e","\u003cp\u003eSeries also includes a personal photograph of Weis, included with the submission.\u003c/p\u003e","\u003cp\u003eOriginal music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"\u003c/p\u003e","\u003cp\u003eA Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps.","Series also includes Buck's headshot, included with submission.","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic.","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording.","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\"","Series includes a photograph of Dunn that was attached with the submission.","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\"","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\"","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\"","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th.","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member.","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\"","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\"","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"names_coll_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:32.028Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9226_c23"}},{"id":"viw_repositories_2_resources_9860","type":"collection","attributes":{"title":"Antonia Ford letters, 1855/1859","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9860#creator","type":"document_value","attributes":{"value":"Ford, Antonia","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9860#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFour letters written by future Confederate Spy Antonia Ford. The letters were written to Ford's school friend Frances \"Frankie\" Carper. Two were written during Ford's terms at the Buckingham Female Collegiate Institute and two were written from her home in Fairfax, VA. The letters include details of her social life as well as her view on her boarding school experiences.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9860#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9860","ead_ssi":"viw_repositories_2_resources_9860","_root_":"viw_repositories_2_resources_9860","_nest_parent_":"viw_repositories_2_resources_9860","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9860.xml","title_filing_ssi":"Antonia Ford letters","title_ssm":["Antonia Ford letters"],"title_tesim":["Antonia Ford letters"],"unitdate_ssm":["1855 May 24-1859 February 20"],"unitdate_inclusive_ssm":["1855 May 24-1859 February 20"],"normalized_date_ssm":["1855/1859"],"normalized_title_ssm":["Antonia Ford letters, 1855/1859"],"text":["Antonia Ford letters, 1855/1859","SC 01907","/repositories/2/resources/9860","Virginia--History--19th century","Personal narratives","United States--Women--History","Women--Southern States--History","Women--History--Virginia","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Antonia Ford (1838-1871) was born in Fairfax, Virginia. She attended the Buckingham Female Collegiate Institue as a young woman. During the Civil War, she became a spy for the Confederacy. Her espionage work contributed to the Confederate victory at the first Battle of Bull Run in 1861 and she is also credited with helping John Singleton Mosby capture Union General Edwin H. Stoughton from his headquarters in 1863. Her work as a spy was soon after discovered and she was arrested and jailed by the Union for six months. However, Major Joseph Willard, who Antonia had met some time previously and fallen in love with, gained her release and she gave an Oath of Allegiance to the United States. They married soon after. Only one of their three children survived infancy and Antonia died in 1871 as a result of health complications of being in jail.","Four letters written by future Confederate Spy Antonia Ford. The letters were written to Ford's school friend Frances \"Frankie\" Carper. Two were written during Ford's terms at the Buckingham Female Collegiate Institute and two were written from her home in Fairfax, VA. The letters include details of her social life as well as her view on her boarding school experiences.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Ford, Antonia","English"],"collection_title_tesim":["Antonia Ford letters, 1855/1859"],"collection_ssim":["Antonia Ford letters, 1855/1859"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01907","/repositories/2/resources/9860"],"unitid_tesim":["SC 01907","/repositories/2/resources/9860"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--19th century"],"geogname_ssim":["Virginia--History--19th century"],"places_ssim":["Virginia--History--19th century"],"creator_ssm":["Ford, Antonia"],"creator_ssim":["Ford, Antonia"],"creator_persname_ssim":["Ford, Antonia"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Ford, Antonia","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The Antonia Ford Letters were purchased with the assistance of the Presson fund."],"access_subjects_ssim":["Personal narratives","United States--Women--History","Women--Southern States--History","Women--History--Virginia"],"access_subjects_ssm":["Personal narratives","United States--Women--History","Women--Southern States--History","Women--History--Virginia"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet One legal size folder"],"extent_tesim":[".01 Linear Feet One legal size folder"],"date_range_isim":[1855,1856,1857,1858,1859],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eAntonia Ford (1838-1871) was born in Fairfax, Virginia. She attended the Buckingham Female Collegiate Institue as a young woman. During the Civil War, she became a spy for the Confederacy. Her espionage work contributed to the Confederate victory at the first Battle of Bull Run in 1861 and she is also credited with helping John Singleton Mosby capture Union General Edwin H. Stoughton from his headquarters in 1863. Her work as a spy was soon after discovered and she was arrested and jailed by the Union for six months. However, Major Joseph Willard, who Antonia had met some time previously and fallen in love with, gained her release and she gave an Oath of Allegiance to the United States. They married soon after. Only one of their three children survived infancy and Antonia died in 1871 as a result of health complications of being in jail.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Antonia Ford (1838-1871) was born in Fairfax, Virginia. She attended the Buckingham Female Collegiate Institue as a young woman. During the Civil War, she became a spy for the Confederacy. Her espionage work contributed to the Confederate victory at the first Battle of Bull Run in 1861 and she is also credited with helping John Singleton Mosby capture Union General Edwin H. Stoughton from his headquarters in 1863. Her work as a spy was soon after discovered and she was arrested and jailed by the Union for six months. However, Major Joseph Willard, who Antonia had met some time previously and fallen in love with, gained her release and she gave an Oath of Allegiance to the United States. They married soon after. Only one of their three children survived infancy and Antonia died in 1871 as a result of health complications of being in jail."],"prefercite_html_tesm":["\u003cp\u003eAntonia Ford Letters, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Antonia Ford Letters, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eFour letters written by future Confederate Spy Antonia Ford. The letters were written to Ford's school friend Frances \"Frankie\" Carper. Two were written during Ford's terms at the Buckingham Female Collegiate Institute and two were written from her home in Fairfax, VA. The letters include details of her social life as well as her view on her boarding school experiences.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Four letters written by future Confederate Spy Antonia Ford. The letters were written to Ford's school friend Frances \"Frankie\" Carper. Two were written during Ford's terms at the Buckingham Female Collegiate Institute and two were written from her home in Fairfax, VA. The letters include details of her social life as well as her view on her boarding school experiences."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Ford, Antonia"],"names_ssim":["Special Collections Research Center","Ford, Antonia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9860","ead_ssi":"viw_repositories_2_resources_9860","_root_":"viw_repositories_2_resources_9860","_nest_parent_":"viw_repositories_2_resources_9860","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9860.xml","title_filing_ssi":"Antonia Ford letters","title_ssm":["Antonia Ford letters"],"title_tesim":["Antonia Ford letters"],"unitdate_ssm":["1855 May 24-1859 February 20"],"unitdate_inclusive_ssm":["1855 May 24-1859 February 20"],"normalized_date_ssm":["1855/1859"],"normalized_title_ssm":["Antonia Ford letters, 1855/1859"],"text":["Antonia Ford letters, 1855/1859","SC 01907","/repositories/2/resources/9860","Virginia--History--19th century","Personal narratives","United States--Women--History","Women--Southern States--History","Women--History--Virginia","Collection is open to all researchers. 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Her espionage work contributed to the Confederate victory at the first Battle of Bull Run in 1861 and she is also credited with helping John Singleton Mosby capture Union General Edwin H. Stoughton from his headquarters in 1863. Her work as a spy was soon after discovered and she was arrested and jailed by the Union for six months. However, Major Joseph Willard, who Antonia had met some time previously and fallen in love with, gained her release and she gave an Oath of Allegiance to the United States. They married soon after. Only one of their three children survived infancy and Antonia died in 1871 as a result of health complications of being in jail.","Four letters written by future Confederate Spy Antonia Ford. The letters were written to Ford's school friend Frances \"Frankie\" Carper. Two were written during Ford's terms at the Buckingham Female Collegiate Institute and two were written from her home in Fairfax, VA. The letters include details of her social life as well as her view on her boarding school experiences.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Ford, Antonia","English"],"collection_title_tesim":["Antonia Ford letters, 1855/1859"],"collection_ssim":["Antonia Ford letters, 1855/1859"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01907","/repositories/2/resources/9860"],"unitid_tesim":["SC 01907","/repositories/2/resources/9860"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--19th century"],"geogname_ssim":["Virginia--History--19th century"],"places_ssim":["Virginia--History--19th century"],"creator_ssm":["Ford, Antonia"],"creator_ssim":["Ford, Antonia"],"creator_persname_ssim":["Ford, Antonia"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Ford, Antonia","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The Antonia Ford Letters were purchased with the assistance of the Presson fund."],"access_subjects_ssim":["Personal narratives","United States--Women--History","Women--Southern States--History","Women--History--Virginia"],"access_subjects_ssm":["Personal narratives","United States--Women--History","Women--Southern States--History","Women--History--Virginia"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet One legal size folder"],"extent_tesim":[".01 Linear Feet One legal size folder"],"date_range_isim":[1855,1856,1857,1858,1859],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Her espionage work contributed to the Confederate victory at the first Battle of Bull Run in 1861 and she is also credited with helping John Singleton Mosby capture Union General Edwin H. Stoughton from his headquarters in 1863. Her work as a spy was soon after discovered and she was arrested and jailed by the Union for six months. However, Major Joseph Willard, who Antonia had met some time previously and fallen in love with, gained her release and she gave an Oath of Allegiance to the United States. They married soon after. Only one of their three children survived infancy and Antonia died in 1871 as a result of health complications of being in jail.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Antonia Ford (1838-1871) was born in Fairfax, Virginia. She attended the Buckingham Female Collegiate Institue as a young woman. During the Civil War, she became a spy for the Confederacy. Her espionage work contributed to the Confederate victory at the first Battle of Bull Run in 1861 and she is also credited with helping John Singleton Mosby capture Union General Edwin H. Stoughton from his headquarters in 1863. Her work as a spy was soon after discovered and she was arrested and jailed by the Union for six months. However, Major Joseph Willard, who Antonia had met some time previously and fallen in love with, gained her release and she gave an Oath of Allegiance to the United States. They married soon after. 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The letters were written to Ford's school friend Frances \"Frankie\" Carper. Two were written during Ford's terms at the Buckingham Female Collegiate Institute and two were written from her home in Fairfax, VA. The letters include details of her social life as well as her view on her boarding school experiences."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Ford, Antonia"],"names_ssim":["Special Collections Research Center","Ford, Antonia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9860"}},{"id":"viw_repositories_2_resources_2557","type":"collection","attributes":{"title":"Augustus C. Golding Papers, 1859/1934, bulk 1862/1864","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2557#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the papers, dated 1859-1934, but mainly 1862-1864, of Augustus C. Golding (also spelled as Goldin and , Golden). It includes letters, a letterbook, diaries, documents, pension papers, printed materials, and photographs. All items relate to Golding's service in the Union Army, 1861-1864, in Northern Virginia, on the Virginia peninsula, and in Maryland. Golding's letters to family and friends describe troop movements, battles, camp conditions, his health, a hospital, and the weather. Golding describes his participation in the following battles or their aftermath: Gaines Mill, Malvern Hill, Mechanicsville, 2nd Bull Run or Manassas, South Mountain, Antietam, Fredericksburg, and Chancellorsville. He occasionally presents his views on war, politics, and the destruction of Virginia's cities and countryside. He also gives financial and practical advice. The collection contains genealogical data on Golding's immediate family.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2557#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_2557","ead_ssi":"viw_repositories_2_resources_2557","_root_":"viw_repositories_2_resources_2557","_nest_parent_":"viw_repositories_2_resources_2557","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2557.xml","title_filing_ssi":"Golding, Augustus C. Papers","title_ssm":["Augustus C. Golding Papers"],"title_tesim":["Augustus C. Golding Papers"],"unitdate_ssm":["1859-1934","1862-1864"],"unitdate_inclusive_ssm":["1859-1934"],"unitdate_bulk_ssim":["1862-1864"],"normalized_date_ssm":["1859/1934, bulk 1862/1864"],"normalized_title_ssm":["Augustus C. Golding Papers, 1859/1934, bulk 1862/1864"],"text":["Augustus C. Golding Papers, 1859/1934, bulk 1862/1864","Mss. 94 G56","/repositories/2/resources/2557","Antietam, Battle of, Md., 1862","Bull Run, 2nd Battle of, Va.,1862","Campaigns","Chancellorsville (Va.), Battle of, 1863","Destruction and pillage","Equipment and supplies","Fredericksburg (Va.), Battle of, 1862","Hospitals","Malvern Hill (Va.), Battle of, 1862","Peninsular Campaign, 1862","Personal narratives","Regimental histories","Seven Day's Battles, Va., 1862","South Mountain, Battle of, Md., 1862.","United States--History--Civil War, 1861-1865","White Oak Swamp (Va.), Battle of, 1862","Correspondence","Diaries","Financial records","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Augustus C. Golding was born in Greenwich, Connecticut on November 20, 1833. He moved to New York and enlisted as a carpenter. Golding enlisted in the Union Army on November 23, 1861 at Fort Hamilton, New York, and served as a sergeant in Co. G., 1st Battalion, 12th U.S. Infanty, 1861-1864. He fought mostly in Virginia and Maryland, returning to Maryland three times between 1863-1864 to defend it. After two months hospitalization in Pennsylvania and a furlough in New York, Golding returns to Virginia in November 1864 to fight until his discharge on November 22, 1864 at Elmira, New York.","After the war Golding resided in Fordham, New York, until his move to Norwalk, Connecticut, on March 5, 1866. On August 6, 1886, Golding was appointed postmaster at Norwalk, Connecticut. He died on April 8, 1915.","Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00028.frame","Processed by Laura Odendahl in 1995.","A book, Official Army Register for 1863, in this collection has been transferred to the Rare Books Department of Swem Library. Item contains a listing of Union officers in the following departments: Adjunct General, Quartermaster, Subsistence, Medical, Pay, Corps of Engineers, and Ordinance.","This collection contains the papers, dated 1859-1934, but mainly 1862-1864, of Augustus C. Golding (also spelled as Goldin and , Golden). It includes letters, a letterbook, diaries, documents, pension papers, printed materials, and photographs. All items relate to Golding's service in the Union Army, 1861-1864, in Northern Virginia, on the Virginia peninsula, and in Maryland. Golding's letters to family and friends describe troop movements, battles, camp conditions, his health, a hospital, and the weather. Golding describes his participation in the following battles or their aftermath: Gaines Mill, Malvern Hill, Mechanicsville, 2nd Bull Run or Manassas, South Mountain, Antietam, Fredericksburg, and Chancellorsville. He occasionally presents his views on war, politics, and the destruction of Virginia's cities and countryside. He also gives financial and practical advice. The collection contains genealogical data on Golding's immediate family.","Golding acknowledges receipt of his father's letter; relates campaigns since Union army enlistment on November 23, 1861 under H.B. Clitz; immediate promotion to sergeant; spends months at Fort Hamilton; departs for Virginia with a stop in Washington D.C.; camps near Fairfax Court House, Virginia, and Alexandria, Virginia; rides a steamer to Fortress Monroe, Virginia; camps near Hampton, Virginia, Big Bethel, camp Winfield Scott; in charge of supply wagons left between Yorktown, Virginia, and Williamsburg, Virginia; joins regiment in Cumberland one week later; marched to White House, Cold Harbor, Camp Lovell near New Bridge, Virginia; builds roads during Battle of Gaines Mill, Virginia; at site of battle of Hanover Court House, but does not fight; pickets the bridges over the Chickahominy River; describes tents; marches toward Mechanicsville, Virginia; charges three times in battle at Mechanicsville; falls back when flanked at Savage's Station, Virginia; marches through White Oak Swamp; attack by Confederates; resumes march toward the James River; sees Gen. McClellan; Confederate attack; repels attack and remains as the last brigade on the field; then falls back to a location that is not healthy; receives letters from Caroline and Sarah; acts as Commissary Sergeant; will write to NY for a commission; Major wounded.","Golding relates campaigns from July 3, 1862 to October 31, 1862; describes duties as acting and full commissary sergeant; President Lincoln reviews division; receives six months pay long due; orders to reduce officers' baggage; pillage of the Charles City Court House records; views remains of slave shot for attempting an escape to Confederate lines; Camps at Williamsburg, Big Bethel, Newport News, Fortress Monroe, and Fredericksburg on the way to Manassas Junction; fights at second Bull Run; retreats to Centerville, Virginia; marches to Frederick [sic] City, Maryland; hears the battle on South Mountain and Antietam, Maryland; describes dead on battlefield; President Lincoln reviews division; marches to White Plains.","Golding describes route taken from Fort Hamilton, New York to Fortress Monroe, Virginia with stops at Baltimore, Maryland and Washington D.C.; regiment under Gen. Sykes' brigade; camps near Hampton, Virginia; drills often, and out of money; moves camp to Big Bethel, Virginia, and then to Camp Marion, Virginia; describes vigilant atmosphere in camps; marches to Camp Winfield Scott, Virginia; strict orders for silence; feels slighted when regiment did not receive four months pay; Confederate shell almost hit him; marches toward Richmond; in charge of guarding wagons; joins regiment a week later at Cumberland Landing; takes over Hanover Courthouse; engages Confederates in battle on road to Mechanicsville; retreats three miles; attests to Zouaves' skill; retreats to Savages Station; marches through White Oak Swamp, Virginia; needs water and sleep; marches across Malvern Hills; retreats from battle; next day advances in battle; writes letter home but can not send it until he arrives at Harrison's Landing.","Golding acknowledges receipt of father's letter; describes route taken from Harrison Landing to Sharpsburg; arrives a few days after Battle of Antietam; describes dead strewn in streets and heaped on battlefield; rides Manassas railroad from Harpers Ferry to Warrenton, Virginia; marches to Stafford Court House, Virginia - eight miles from Aquia Creek; Gen. Butterfield in command of his corps, replacing Gen. Porter; Gen. Hooker commanding divisions; expects an attack on Fredericksburg; claims his health is good, and current weight is 180 lbs.","Golding is at Warrenton, Virginia. Gen. Butterfield replaces Gen. Fitz John Porter as commander of the 5th corps; the 5th corps is a part of the centre grand division under Major General Joseph Hooker; camps at Warrenton Junction and Hartwood Church, Virginia, en route to Fredericksburg; Hooker passes in an ambulance; camps at Gen. Hooker's headquarters at the Henry House [near Potomac Creek]; marches past Falmouth, Virginia; on front line in attempt to capture Confederate batteries South of Fredericksburg; evacuates the city; investigation ensues over heavy losses; critical of Union commanders and outcome of investigation; chats with Connecticut friends; returns to Hartwood Church, Virginia; Gen Hooker takes over Gen. Burnside's command; describes furlough and desertion rates; takes a furlough to New York; President Lincoln reviews the troops near Falmouth, Virginia; another review for Maj. Gen. Fogliardi; local artists produce ambrotypes; Lt. Col. Paul takes command of brigade for a week before his promotion to Brig. General; Gen. R. B. Ayres takes command; crosses Kelly's Ford and the Rapidan River to reach U.S. Ford; enemy shells U.S. Ford but fell upon Confederate prisoners; corps covers retreat across river; heavy losses; term of service expires for 20-30 thousand men; camps at Banks Ford where finishes this letter.","Golding begins the letter when furlough in Fairfield, Connecticut expires; leaves Fairfield, Connecticut, and rests in convalescent camp; joins regiment near Fairfax, Culpepper County, Virginia; camps in Brandy Station, Bealton, and Fairfax Courthouse; describes wagon trains and supplies; marches to battlefield of 2nd Bull Run; describes remains from earlier battle; marches to Gainesville, Virginia, New Baltimore, Virginia, Catlett's Station, Virginia; then camps two miles from Warrenton Junction and one mile from Three Mile Station at time of the letter; describes expeditions prior to his furlough in Fairfield [Connecticut], but after his last letter written in June 1863, marches 31 miles from Bank's Ford to Manassas Junction with stops at Hartwood Church and Brentville; continues march to Gum Springs, Centerville, Aldie, Leesburgh, Edwards Ferry and White Oak Springs; Gen. Meade takes command of Army; marches into Union territory through Frederick City, Maryland, Hanover, Pennsylvania, and Gettysburg, Pennsylvania; enters hospital; reports good weather lately.","Marches from Three Mile Station, Virginia, along the Orange and Alexandria railroad toward the Rappahannock River; Confederates open fire to prevent crossing; marches through woods to join right flank after Confederates driven across the Rappahannock River; crosses river at Kelly's Ford, Virginia; dispatch from Gen. Grant announces capture of Lookout Mt., Tenn.; crosses the Rapidan River at Culpepper Mine Ford; Confederates capture ammunition and ambulance train during march to Gordonsville, Virginia; fighting ensues and powder in wagons explodes; retreats to Roberson's Tavern, Virginia; crosses back over the Rapidan River at Germania Ford, Virginia; also crosses back over the Rappahannock River; camps at Bealton, Virginia and then at Kettle Run, Virginia]; expresses concern over possible capture by the Confederates; receives pay.","Golding is at present camps west of the Weldon Rail Road after a month near the Weldon Rail Road; and three weeks on the east side of the Weldon Rail Road; relates adventures from last May to the present date; crosses the Rapidan River under fire; presents statistics on losses, discharges and new recruits; does not want to winter at this camp; claims only a minority of the army supports Lincoln as a candidate; gives opinions on new regiments; time in the army will expire in one month.","He is gGlad to hear good news about Golden through mutual friends; would like to meet him in New York; asks if he may read Golden's diary of the 12th Regiment during the Civil War.","He aAcknowledges receipt of Golding's last letter; will write to Capt. Robinson; will tell his brother Harry about Golding's letter; relates news on mutual acquaintances including John Faub, Mr. Bolton, Capt. Stanhope; would like to get in touch with Gen. Hayes, if still alive; intends to obtain from Gen. Hayes in writing what he said to him on the battlefield the day before Hayes was captured; hopes to receive more letters from Golding, and maybe even a visit.","He acknowledges receipt of Golding's letter from February 21; sorry to learn of Golding's illness; describes his own poor health; worries about losing his memories of the Civil War; angry at the pension office; will send off pension affadavit for Golding soon; also angry at the system of promotions; apologizes for long overdue letter; wife and family send their regards to Mr. and Mrs. Golding.","The document describes Augustus C. Golding's injury; army wagon ran over his foot en route to Gettysburg, Pennsylvania; at hospital from July 2, 1863 to September 26, 1863; took over Golding's duties as Commissary Sergeant in addition to his own as Quartermaster Sergeant.","The document promises $75 payment plus interest to Daniel Golden; in accordance with Chap. 176 of the Laws of 1859; sSigned by Frederick Townsend, Adjunct General and George F. Sherman, Inspector General.","The document rRequests reimbursement for $75 worth of clothing confiscated during War of 1812. The late Daniel Golden received a certificate from the state of New York that promises redemption in accordance with the laws of 1859.","He rReplies to addressee's letter; claims the certificate from New York holds no value unless Congress appropriates the requisite funds to pay the claims; unlikely this will happen; certificate functions as a basis to apply to Congress.","He aAlready receives a pension; details vital statistics; place of residence at Fordham, New York until March 5, 1866, since then at Norwalk, Connecticut; form filled in and signed by Augustus C. Goldin. [Document was not sent in; possibly a draft or copy.]","The document details vital statistics; pension certificate number; places of residence; written on behalf of Augustus C. Goldin, age 78. [The document was not sent in; possibly a draft or copy.]","Payment to commence on May 6, 1915; rate of $12 per month; continue length of widowhood. Issued by the Secretary of the Interior, Franklin Knight Lane, and Commissioner of Pensions, E. C. Tieman.","Increase is in accordance with section 1 of the Act of Congress approved by the President Wilson] on September 8, 1916; commences on same date. Issued by Franklin Knight Lane, Secretary of the Interior, and E. C. Tieman, Commissioner of the Pensions.","Increase in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; issued by G. M. Saltzgaber[?], Commissioner of Pensions.","Increase in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; approved by Congress on May 1, 1920. Issued by G. M. Saltzgaber[?]), Commissioner of Pensions, and John Barton Payne, Secretary of the Interior.","Newspaper clipping.\tBy order of H. Raymond, Brigadier General, I. M. Phyfe, Adjunct, and A. B. M. Dally, Colonel.","Begins at Fort Hamilton, New York on March 5, 1862; ends December 27, 1863. not the end of his actual service]. no place.","He grants appointment of postmaster at Norwalk, Connecticut, to Golding; appointment lasts four years from August 2, 1886; emphasizes requirement of postmaster to attend personally to their duties.","Deposition by Ada Hanford Sherwood and Ruth Golding, [daughters of Augustus C. Golding, d. April 8, 1915, and Jeannette Hanford Golding, d. July 25, 1923]; details births and deaths of their paternal grandparents, parents, uncles, aunts, and siblings; Augustus C. Golding died intestate. Drawn up by a notary public for the state of Connecticut, County of Fairfield.","Copy of diary from June 25, 1862 to July 27, 1862; describes an armed reconnaissance to ascertain whether Gen. Jackson's army was approaching.","Photostat of a printed dDocument.","Newspaper clipping.\tState of Maine dedicated a statue of Maj. General Oliver Otis Howard to mark his headquarters during the Battle of Gettysburg, Pennsylvania].","Diary entries span November 22, 1861 through January 26, 1863 and discuss his engagement in the Civil War.","The diary entries span June 7, 1864 through 1907 and discuss his involvement in the Civil war and the aftermath.","Box 2 contains spiral bound volumes of typed transcripts. The typescripts are of the diaries, the letter copybook, and specific letters to Golding's father and his \"Friend Sturgess\".","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Golden family","English"],"collection_title_tesim":["Augustus C. Golding Papers, 1859/1934, bulk 1862/1864"],"collection_ssim":["Augustus C. Golding Papers, 1859/1934, bulk 1862/1864"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 94 G56","/repositories/2/resources/2557"],"unitid_tesim":["Mss. 94 G56","/repositories/2/resources/2557"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creator_famname_ssim":["Golden family"],"creators_ssim":["Special Collections Research Center","Golden family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchased: 38 items, 07/18/1994."],"access_subjects_ssim":["Antietam, Battle of, Md., 1862","Bull Run, 2nd Battle of, Va.,1862","Campaigns","Chancellorsville (Va.), Battle of, 1863","Destruction and pillage","Equipment and supplies","Fredericksburg (Va.), Battle of, 1862","Hospitals","Malvern Hill (Va.), Battle of, 1862","Peninsular Campaign, 1862","Personal narratives","Regimental histories","Seven Day's Battles, Va., 1862","South Mountain, Battle of, Md., 1862.","United States--History--Civil War, 1861-1865","White Oak Swamp (Va.), Battle of, 1862","Correspondence","Diaries","Financial records","Photographs"],"access_subjects_ssm":["Antietam, Battle of, Md., 1862","Bull Run, 2nd Battle of, Va.,1862","Campaigns","Chancellorsville (Va.), Battle of, 1863","Destruction and pillage","Equipment and supplies","Fredericksburg (Va.), Battle of, 1862","Hospitals","Malvern Hill (Va.), Battle of, 1862","Peninsular Campaign, 1862","Personal narratives","Regimental histories","Seven Day's Battles, Va., 1862","South Mountain, Battle of, Md., 1862.","United States--History--Civil War, 1861-1865","White Oak Swamp (Va.), Battle of, 1862","Correspondence","Diaries","Financial records","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"genreform_ssim":["Correspondence","Diaries","Financial records","Photographs"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eAugustus C. Golding was born in Greenwich, Connecticut on November 20, 1833. He moved to New York and enlisted as a carpenter. Golding enlisted in the Union Army on November 23, 1861 at Fort Hamilton, New York, and served as a sergeant in Co. G., 1st Battalion, 12th U.S. Infanty, 1861-1864. He fought mostly in Virginia and Maryland, returning to Maryland three times between 1863-1864 to defend it. After two months hospitalization in Pennsylvania and a furlough in New York, Golding returns to Virginia in November 1864 to fight until his discharge on November 22, 1864 at Elmira, New York.\u003c/p\u003e","\u003cp\u003eAfter the war Golding resided in Fordham, New York, until his move to Norwalk, Connecticut, on March 5, 1866. On August 6, 1886, Golding was appointed postmaster at Norwalk, Connecticut. He died on April 8, 1915.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Augustus C. Golding was born in Greenwich, Connecticut on November 20, 1833. He moved to New York and enlisted as a carpenter. Golding enlisted in the Union Army on November 23, 1861 at Fort Hamilton, New York, and served as a sergeant in Co. G., 1st Battalion, 12th U.S. Infanty, 1861-1864. He fought mostly in Virginia and Maryland, returning to Maryland three times between 1863-1864 to defend it. After two months hospitalization in Pennsylvania and a furlough in New York, Golding returns to Virginia in November 1864 to fight until his discharge on November 22, 1864 at Elmira, New York.","After the war Golding resided in Fordham, New York, until his move to Norwalk, Connecticut, on March 5, 1866. On August 6, 1886, Golding was appointed postmaster at Norwalk, Connecticut. He died on April 8, 1915."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e","\u003cp\u003e Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00028.frame\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00028.frame"],"prefercite_html_tesm":["\u003cp\u003eAugustus C. Golding Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Augustus C. Golding Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Laura Odendahl in 1995.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Laura Odendahl in 1995."],"relatedmaterial_html_tesm":["\u003cp\u003eA book, Official Army Register for 1863, in this collection has been transferred to the Rare Books Department of Swem Library. Item contains a listing of Union officers in the following departments: Adjunct General, Quartermaster, Subsistence, Medical, Pay, Corps of Engineers, and Ordinance.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["A book, Official Army Register for 1863, in this collection has been transferred to the Rare Books Department of Swem Library. Item contains a listing of Union officers in the following departments: Adjunct General, Quartermaster, Subsistence, Medical, Pay, Corps of Engineers, and Ordinance."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers, dated 1859-1934, but mainly 1862-1864, of Augustus C. Golding (also spelled as Goldin and , Golden). It includes letters, a letterbook, diaries, documents, pension papers, printed materials, and photographs. All items relate to Golding's service in the Union Army, 1861-1864, in Northern Virginia, on the Virginia peninsula, and in Maryland. Golding's letters to family and friends describe troop movements, battles, camp conditions, his health, a hospital, and the weather. Golding describes his participation in the following battles or their aftermath: Gaines Mill, Malvern Hill, Mechanicsville, 2nd Bull Run or Manassas, South Mountain, Antietam, Fredericksburg, and Chancellorsville. He occasionally presents his views on war, politics, and the destruction of Virginia's cities and countryside. He also gives financial and practical advice. The collection contains genealogical data on Golding's immediate family.\u003c/p\u003e  ","\u003cp\u003eGolding acknowledges receipt of his father's letter; relates campaigns since Union army enlistment on November 23, 1861 under H.B. Clitz; immediate promotion to sergeant; spends months at Fort Hamilton; departs for Virginia with a stop in Washington D.C.; camps near Fairfax Court House, Virginia, and Alexandria, Virginia; rides a steamer to Fortress Monroe, Virginia; camps near Hampton, Virginia, Big Bethel, camp Winfield Scott; in charge of supply wagons left between Yorktown, Virginia, and Williamsburg, Virginia; joins regiment in Cumberland one week later; marched to White House, Cold Harbor, Camp Lovell near New Bridge, Virginia; builds roads during Battle of Gaines Mill, Virginia; at site of battle of Hanover Court House, but does not fight; pickets the bridges over the Chickahominy River; describes tents; marches toward Mechanicsville, Virginia; charges three times in battle at Mechanicsville; falls back when flanked at Savage's Station, Virginia; marches through White Oak Swamp; attack by Confederates; resumes march toward the James River; sees Gen. McClellan; Confederate attack; repels attack and remains as the last brigade on the field; then falls back to a location that is not healthy; receives letters from Caroline and Sarah; acts as Commissary Sergeant; will write to NY for a commission; Major wounded.\u003c/p\u003e","\u003cp\u003eGolding relates campaigns from July 3, 1862 to October 31, 1862; describes duties as acting and full commissary sergeant; President Lincoln reviews division; receives six months pay long due; orders to reduce officers' baggage; pillage of the Charles City Court House records; views remains of slave shot for attempting an escape to Confederate lines; Camps at Williamsburg, Big Bethel, Newport News, Fortress Monroe, and Fredericksburg on the way to Manassas Junction; fights at second Bull Run; retreats to Centerville, Virginia; marches to Frederick [sic] City, Maryland; hears the battle on South Mountain and Antietam, Maryland; describes dead on battlefield; President Lincoln reviews division; marches to White Plains.\u003c/p\u003e","\u003cp\u003eGolding describes route taken from Fort Hamilton, New York to Fortress Monroe, Virginia with stops at Baltimore, Maryland and Washington D.C.; regiment under Gen. Sykes' brigade; camps near Hampton, Virginia; drills often, and out of money; moves camp to Big Bethel, Virginia, and then to Camp Marion, Virginia; describes vigilant atmosphere in camps; marches to Camp Winfield Scott, Virginia; strict orders for silence; feels slighted when regiment did not receive four months pay; Confederate shell almost hit him; marches toward Richmond; in charge of guarding wagons; joins regiment a week later at Cumberland Landing; takes over Hanover Courthouse; engages Confederates in battle on road to Mechanicsville; retreats three miles; attests to Zouaves' skill; retreats to Savages Station; marches through White Oak Swamp, Virginia; needs water and sleep; marches across Malvern Hills; retreats from battle; next day advances in battle; writes letter home but can not send it until he arrives at Harrison's Landing.\u003c/p\u003e","\u003cp\u003eGolding acknowledges receipt of father's letter; describes route taken from Harrison Landing to Sharpsburg; arrives a few days after Battle of Antietam; describes dead strewn in streets and heaped on battlefield; rides Manassas railroad from Harpers Ferry to Warrenton, Virginia; marches to Stafford Court House, Virginia - eight miles from Aquia Creek; Gen. Butterfield in command of his corps, replacing Gen. Porter; Gen. Hooker commanding divisions; expects an attack on Fredericksburg; claims his health is good, and current weight is 180 lbs.\u003c/p\u003e","\u003cp\u003eGolding is at Warrenton, Virginia. Gen. Butterfield replaces Gen. Fitz John Porter as commander of the 5th corps; the 5th corps is a part of the centre grand division under Major General Joseph Hooker; camps at Warrenton Junction and Hartwood Church, Virginia, en route to Fredericksburg; Hooker passes in an ambulance; camps at Gen. Hooker's headquarters at the Henry House [near Potomac Creek]; marches past Falmouth, Virginia; on front line in attempt to capture Confederate batteries South of Fredericksburg; evacuates the city; investigation ensues over heavy losses; critical of Union commanders and outcome of investigation; chats with Connecticut friends; returns to Hartwood Church, Virginia; Gen Hooker takes over Gen. Burnside's command; describes furlough and desertion rates; takes a furlough to New York; President Lincoln reviews the troops near Falmouth, Virginia; another review for Maj. Gen. Fogliardi; local artists produce ambrotypes; Lt. Col. Paul takes command of brigade for a week before his promotion to Brig. General; Gen. R. B. Ayres takes command; crosses Kelly's Ford and the Rapidan River to reach U.S. Ford; enemy shells U.S. Ford but fell upon Confederate prisoners; corps covers retreat across river; heavy losses; term of service expires for 20-30 thousand men; camps at Banks Ford where finishes this letter.\u003c/p\u003e","\u003cp\u003eGolding begins the letter when furlough in Fairfield, Connecticut expires; leaves Fairfield, Connecticut, and rests in convalescent camp; joins regiment near Fairfax, Culpepper County, Virginia; camps in Brandy Station, Bealton, and Fairfax Courthouse; describes wagon trains and supplies; marches to battlefield of 2nd Bull Run; describes remains from earlier battle; marches to Gainesville, Virginia, New Baltimore, Virginia, Catlett's Station, Virginia; then camps two miles from Warrenton Junction and one mile from Three Mile Station at time of the letter; describes expeditions prior to his furlough in Fairfield [Connecticut], but after his last letter written in June 1863, marches 31 miles from Bank's Ford to Manassas Junction with stops at Hartwood Church and Brentville; continues march to Gum Springs, Centerville, Aldie, Leesburgh, Edwards Ferry and White Oak Springs; Gen. Meade takes command of Army; marches into Union territory through Frederick City, Maryland, Hanover, Pennsylvania, and Gettysburg, Pennsylvania; enters hospital; reports good weather lately.\u003c/p\u003e","\u003cp\u003eMarches from Three Mile Station, Virginia, along the Orange and Alexandria railroad toward the Rappahannock River; Confederates open fire to prevent crossing; marches through woods to join right flank after Confederates driven across the Rappahannock River; crosses river at Kelly's Ford, Virginia; dispatch from Gen. Grant announces capture of Lookout Mt., Tenn.; crosses the Rapidan River at Culpepper Mine Ford; Confederates capture ammunition and ambulance train during march to Gordonsville, Virginia; fighting ensues and powder in wagons explodes; retreats to Roberson's Tavern, Virginia; crosses back over the Rapidan River at Germania Ford, Virginia; also crosses back over the Rappahannock River; camps at Bealton, Virginia and then at Kettle Run, Virginia]; expresses concern over possible capture by the Confederates; receives pay.\u003c/p\u003e","\u003cp\u003eGolding is at present camps west of the Weldon Rail Road after a month near the Weldon Rail Road; and three weeks on the east side of the Weldon Rail Road; relates adventures from last May to the present date; crosses the Rapidan River under fire; presents statistics on losses, discharges and new recruits; does not want to winter at this camp; claims only a minority of the army supports Lincoln as a candidate; gives opinions on new regiments; time in the army will expire in one month.\u003c/p\u003e","\u003cp\u003eHe is gGlad to hear good news about Golden through mutual friends; would like to meet him in New York; asks if he may read Golden's diary of the 12th Regiment during the Civil War.\u003c/p\u003e","\u003cp\u003eHe aAcknowledges receipt of Golding's last letter; will write to Capt. Robinson; will tell his brother Harry about Golding's letter; relates news on mutual acquaintances including John Faub, Mr. Bolton, Capt. Stanhope; would like to get in touch with Gen. Hayes, if still alive; intends to obtain from Gen. Hayes in writing what he said to him on the battlefield the day before Hayes was captured; hopes to receive more letters from Golding, and maybe even a visit.\u003c/p\u003e","\u003cp\u003eHe acknowledges receipt of Golding's letter from February 21; sorry to learn of Golding's illness; describes his own poor health; worries about losing his memories of the Civil War; angry at the pension office; will send off pension affadavit for Golding soon; also angry at the system of promotions; apologizes for long overdue letter; wife and family send their regards to Mr. and Mrs. Golding.\u003c/p\u003e","\u003cp\u003eThe document describes Augustus C. Golding's injury; army wagon ran over his foot en route to Gettysburg, Pennsylvania; at hospital from July 2, 1863 to September 26, 1863; took over Golding's duties as Commissary Sergeant in addition to his own as Quartermaster Sergeant.\u003c/p\u003e","\u003cp\u003eThe document promises $75 payment plus interest to Daniel Golden; in accordance with Chap. 176 of the Laws of 1859; sSigned by Frederick Townsend, Adjunct General and George F. Sherman, Inspector General.\u003c/p\u003e","\u003cp\u003eThe document rRequests reimbursement for $75 worth of clothing confiscated during War of 1812. The late Daniel Golden received a certificate from the state of New York that promises redemption in accordance with the laws of 1859.\u003c/p\u003e","\u003cp\u003eHe rReplies to addressee's letter; claims the certificate from New York holds no value unless Congress appropriates the requisite funds to pay the claims; unlikely this will happen; certificate functions as a basis to apply to Congress.\u003c/p\u003e","\u003cp\u003eHe aAlready receives a pension; details vital statistics; place of residence at Fordham, New York until March 5, 1866, since then at Norwalk, Connecticut; form filled in and signed by Augustus C. Goldin. [Document was not sent in; possibly a draft or copy.]\u003c/p\u003e","\u003cp\u003eThe document details vital statistics; pension certificate number; places of residence; written on behalf of Augustus C. Goldin, age 78. [The document was not sent in; possibly a draft or copy.]\u003c/p\u003e","\u003cp\u003ePayment to commence on May 6, 1915; rate of $12 per month; continue length of widowhood. Issued by the Secretary of the Interior, Franklin Knight Lane, and Commissioner of Pensions, E. C. Tieman.\u003c/p\u003e","\u003cp\u003eIncrease is in accordance with section 1 of the Act of Congress approved by the President Wilson] on September 8, 1916; commences on same date. Issued by Franklin Knight Lane, Secretary of the Interior, and E. C. Tieman, Commissioner of the Pensions.\u003c/p\u003e","\u003cp\u003eIncrease in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; issued by G. M. Saltzgaber[?], Commissioner of Pensions.\u003c/p\u003e","\u003cp\u003eIncrease in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; approved by Congress on May 1, 1920. Issued by G. M. Saltzgaber[?]), Commissioner of Pensions, and John Barton Payne, Secretary of the Interior.\u003c/p\u003e","\u003cp\u003eNewspaper clipping.\tBy order of H. Raymond, Brigadier General, I. M. Phyfe, Adjunct, and A. B. M. Dally, Colonel.\u003c/p\u003e","\u003cp\u003eBegins at Fort Hamilton, New York on March 5, 1862; ends December 27, 1863. not the end of his actual service]. no place.\u003c/p\u003e","\u003cp\u003eHe grants appointment of postmaster at Norwalk, Connecticut, to Golding; appointment lasts four years from August 2, 1886; emphasizes requirement of postmaster to attend personally to their duties.\u003c/p\u003e","\u003cp\u003eDeposition by Ada Hanford Sherwood and Ruth Golding, [daughters of Augustus C. Golding, d. April 8, 1915, and Jeannette Hanford Golding, d. July 25, 1923]; details births and deaths of their paternal grandparents, parents, uncles, aunts, and siblings; Augustus C. Golding died intestate. Drawn up by a notary public for the state of Connecticut, County of Fairfield.\u003c/p\u003e","\u003cp\u003eCopy of diary from June 25, 1862 to July 27, 1862; describes an armed reconnaissance to ascertain whether Gen. Jackson's army was approaching.\u003c/p\u003e","\u003cp\u003ePhotostat of a printed dDocument.\u003c/p\u003e","\u003cp\u003eNewspaper clipping.\tState of Maine dedicated a statue of Maj. General Oliver Otis Howard to mark his headquarters during the Battle of Gettysburg, Pennsylvania].\u003c/p\u003e","\u003cp\u003eDiary entries span November 22, 1861 through January 26, 1863 and discuss his engagement in the Civil War.\u003c/p\u003e","\u003cp\u003eThe diary entries span June 7, 1864 through 1907 and discuss his involvement in the Civil war and the aftermath.\u003c/p\u003e","\u003cp\u003eBox 2 contains spiral bound volumes of typed transcripts. The typescripts are of the diaries, the letter copybook, and specific letters to Golding's father and his \"Friend Sturgess\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains the papers, dated 1859-1934, but mainly 1862-1864, of Augustus C. Golding (also spelled as Goldin and , Golden). It includes letters, a letterbook, diaries, documents, pension papers, printed materials, and photographs. All items relate to Golding's service in the Union Army, 1861-1864, in Northern Virginia, on the Virginia peninsula, and in Maryland. Golding's letters to family and friends describe troop movements, battles, camp conditions, his health, a hospital, and the weather. Golding describes his participation in the following battles or their aftermath: Gaines Mill, Malvern Hill, Mechanicsville, 2nd Bull Run or Manassas, South Mountain, Antietam, Fredericksburg, and Chancellorsville. He occasionally presents his views on war, politics, and the destruction of Virginia's cities and countryside. He also gives financial and practical advice. The collection contains genealogical data on Golding's immediate family.","Golding acknowledges receipt of his father's letter; relates campaigns since Union army enlistment on November 23, 1861 under H.B. Clitz; immediate promotion to sergeant; spends months at Fort Hamilton; departs for Virginia with a stop in Washington D.C.; camps near Fairfax Court House, Virginia, and Alexandria, Virginia; rides a steamer to Fortress Monroe, Virginia; camps near Hampton, Virginia, Big Bethel, camp Winfield Scott; in charge of supply wagons left between Yorktown, Virginia, and Williamsburg, Virginia; joins regiment in Cumberland one week later; marched to White House, Cold Harbor, Camp Lovell near New Bridge, Virginia; builds roads during Battle of Gaines Mill, Virginia; at site of battle of Hanover Court House, but does not fight; pickets the bridges over the Chickahominy River; describes tents; marches toward Mechanicsville, Virginia; charges three times in battle at Mechanicsville; falls back when flanked at Savage's Station, Virginia; marches through White Oak Swamp; attack by Confederates; resumes march toward the James River; sees Gen. McClellan; Confederate attack; repels attack and remains as the last brigade on the field; then falls back to a location that is not healthy; receives letters from Caroline and Sarah; acts as Commissary Sergeant; will write to NY for a commission; Major wounded.","Golding relates campaigns from July 3, 1862 to October 31, 1862; describes duties as acting and full commissary sergeant; President Lincoln reviews division; receives six months pay long due; orders to reduce officers' baggage; pillage of the Charles City Court House records; views remains of slave shot for attempting an escape to Confederate lines; Camps at Williamsburg, Big Bethel, Newport News, Fortress Monroe, and Fredericksburg on the way to Manassas Junction; fights at second Bull Run; retreats to Centerville, Virginia; marches to Frederick [sic] City, Maryland; hears the battle on South Mountain and Antietam, Maryland; describes dead on battlefield; President Lincoln reviews division; marches to White Plains.","Golding describes route taken from Fort Hamilton, New York to Fortress Monroe, Virginia with stops at Baltimore, Maryland and Washington D.C.; regiment under Gen. Sykes' brigade; camps near Hampton, Virginia; drills often, and out of money; moves camp to Big Bethel, Virginia, and then to Camp Marion, Virginia; describes vigilant atmosphere in camps; marches to Camp Winfield Scott, Virginia; strict orders for silence; feels slighted when regiment did not receive four months pay; Confederate shell almost hit him; marches toward Richmond; in charge of guarding wagons; joins regiment a week later at Cumberland Landing; takes over Hanover Courthouse; engages Confederates in battle on road to Mechanicsville; retreats three miles; attests to Zouaves' skill; retreats to Savages Station; marches through White Oak Swamp, Virginia; needs water and sleep; marches across Malvern Hills; retreats from battle; next day advances in battle; writes letter home but can not send it until he arrives at Harrison's Landing.","Golding acknowledges receipt of father's letter; describes route taken from Harrison Landing to Sharpsburg; arrives a few days after Battle of Antietam; describes dead strewn in streets and heaped on battlefield; rides Manassas railroad from Harpers Ferry to Warrenton, Virginia; marches to Stafford Court House, Virginia - eight miles from Aquia Creek; Gen. Butterfield in command of his corps, replacing Gen. Porter; Gen. Hooker commanding divisions; expects an attack on Fredericksburg; claims his health is good, and current weight is 180 lbs.","Golding is at Warrenton, Virginia. Gen. Butterfield replaces Gen. Fitz John Porter as commander of the 5th corps; the 5th corps is a part of the centre grand division under Major General Joseph Hooker; camps at Warrenton Junction and Hartwood Church, Virginia, en route to Fredericksburg; Hooker passes in an ambulance; camps at Gen. Hooker's headquarters at the Henry House [near Potomac Creek]; marches past Falmouth, Virginia; on front line in attempt to capture Confederate batteries South of Fredericksburg; evacuates the city; investigation ensues over heavy losses; critical of Union commanders and outcome of investigation; chats with Connecticut friends; returns to Hartwood Church, Virginia; Gen Hooker takes over Gen. Burnside's command; describes furlough and desertion rates; takes a furlough to New York; President Lincoln reviews the troops near Falmouth, Virginia; another review for Maj. Gen. Fogliardi; local artists produce ambrotypes; Lt. Col. Paul takes command of brigade for a week before his promotion to Brig. General; Gen. R. B. Ayres takes command; crosses Kelly's Ford and the Rapidan River to reach U.S. Ford; enemy shells U.S. Ford but fell upon Confederate prisoners; corps covers retreat across river; heavy losses; term of service expires for 20-30 thousand men; camps at Banks Ford where finishes this letter.","Golding begins the letter when furlough in Fairfield, Connecticut expires; leaves Fairfield, Connecticut, and rests in convalescent camp; joins regiment near Fairfax, Culpepper County, Virginia; camps in Brandy Station, Bealton, and Fairfax Courthouse; describes wagon trains and supplies; marches to battlefield of 2nd Bull Run; describes remains from earlier battle; marches to Gainesville, Virginia, New Baltimore, Virginia, Catlett's Station, Virginia; then camps two miles from Warrenton Junction and one mile from Three Mile Station at time of the letter; describes expeditions prior to his furlough in Fairfield [Connecticut], but after his last letter written in June 1863, marches 31 miles from Bank's Ford to Manassas Junction with stops at Hartwood Church and Brentville; continues march to Gum Springs, Centerville, Aldie, Leesburgh, Edwards Ferry and White Oak Springs; Gen. Meade takes command of Army; marches into Union territory through Frederick City, Maryland, Hanover, Pennsylvania, and Gettysburg, Pennsylvania; enters hospital; reports good weather lately.","Marches from Three Mile Station, Virginia, along the Orange and Alexandria railroad toward the Rappahannock River; Confederates open fire to prevent crossing; marches through woods to join right flank after Confederates driven across the Rappahannock River; crosses river at Kelly's Ford, Virginia; dispatch from Gen. Grant announces capture of Lookout Mt., Tenn.; crosses the Rapidan River at Culpepper Mine Ford; Confederates capture ammunition and ambulance train during march to Gordonsville, Virginia; fighting ensues and powder in wagons explodes; retreats to Roberson's Tavern, Virginia; crosses back over the Rapidan River at Germania Ford, Virginia; also crosses back over the Rappahannock River; camps at Bealton, Virginia and then at Kettle Run, Virginia]; expresses concern over possible capture by the Confederates; receives pay.","Golding is at present camps west of the Weldon Rail Road after a month near the Weldon Rail Road; and three weeks on the east side of the Weldon Rail Road; relates adventures from last May to the present date; crosses the Rapidan River under fire; presents statistics on losses, discharges and new recruits; does not want to winter at this camp; claims only a minority of the army supports Lincoln as a candidate; gives opinions on new regiments; time in the army will expire in one month.","He is gGlad to hear good news about Golden through mutual friends; would like to meet him in New York; asks if he may read Golden's diary of the 12th Regiment during the Civil War.","He aAcknowledges receipt of Golding's last letter; will write to Capt. Robinson; will tell his brother Harry about Golding's letter; relates news on mutual acquaintances including John Faub, Mr. Bolton, Capt. Stanhope; would like to get in touch with Gen. Hayes, if still alive; intends to obtain from Gen. Hayes in writing what he said to him on the battlefield the day before Hayes was captured; hopes to receive more letters from Golding, and maybe even a visit.","He acknowledges receipt of Golding's letter from February 21; sorry to learn of Golding's illness; describes his own poor health; worries about losing his memories of the Civil War; angry at the pension office; will send off pension affadavit for Golding soon; also angry at the system of promotions; apologizes for long overdue letter; wife and family send their regards to Mr. and Mrs. Golding.","The document describes Augustus C. Golding's injury; army wagon ran over his foot en route to Gettysburg, Pennsylvania; at hospital from July 2, 1863 to September 26, 1863; took over Golding's duties as Commissary Sergeant in addition to his own as Quartermaster Sergeant.","The document promises $75 payment plus interest to Daniel Golden; in accordance with Chap. 176 of the Laws of 1859; sSigned by Frederick Townsend, Adjunct General and George F. Sherman, Inspector General.","The document rRequests reimbursement for $75 worth of clothing confiscated during War of 1812. The late Daniel Golden received a certificate from the state of New York that promises redemption in accordance with the laws of 1859.","He rReplies to addressee's letter; claims the certificate from New York holds no value unless Congress appropriates the requisite funds to pay the claims; unlikely this will happen; certificate functions as a basis to apply to Congress.","He aAlready receives a pension; details vital statistics; place of residence at Fordham, New York until March 5, 1866, since then at Norwalk, Connecticut; form filled in and signed by Augustus C. Goldin. [Document was not sent in; possibly a draft or copy.]","The document details vital statistics; pension certificate number; places of residence; written on behalf of Augustus C. Goldin, age 78. [The document was not sent in; possibly a draft or copy.]","Payment to commence on May 6, 1915; rate of $12 per month; continue length of widowhood. Issued by the Secretary of the Interior, Franklin Knight Lane, and Commissioner of Pensions, E. C. Tieman.","Increase is in accordance with section 1 of the Act of Congress approved by the President Wilson] on September 8, 1916; commences on same date. Issued by Franklin Knight Lane, Secretary of the Interior, and E. C. Tieman, Commissioner of the Pensions.","Increase in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; issued by G. M. Saltzgaber[?], Commissioner of Pensions.","Increase in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; approved by Congress on May 1, 1920. Issued by G. M. Saltzgaber[?]), Commissioner of Pensions, and John Barton Payne, Secretary of the Interior.","Newspaper clipping.\tBy order of H. Raymond, Brigadier General, I. M. Phyfe, Adjunct, and A. B. M. Dally, Colonel.","Begins at Fort Hamilton, New York on March 5, 1862; ends December 27, 1863. not the end of his actual service]. no place.","He grants appointment of postmaster at Norwalk, Connecticut, to Golding; appointment lasts four years from August 2, 1886; emphasizes requirement of postmaster to attend personally to their duties.","Deposition by Ada Hanford Sherwood and Ruth Golding, [daughters of Augustus C. Golding, d. April 8, 1915, and Jeannette Hanford Golding, d. July 25, 1923]; details births and deaths of their paternal grandparents, parents, uncles, aunts, and siblings; Augustus C. Golding died intestate. Drawn up by a notary public for the state of Connecticut, County of Fairfield.","Copy of diary from June 25, 1862 to July 27, 1862; describes an armed reconnaissance to ascertain whether Gen. Jackson's army was approaching.","Photostat of a printed dDocument.","Newspaper clipping.\tState of Maine dedicated a statue of Maj. General Oliver Otis Howard to mark his headquarters during the Battle of Gettysburg, Pennsylvania].","Diary entries span November 22, 1861 through January 26, 1863 and discuss his engagement in the Civil War.","The diary entries span June 7, 1864 through 1907 and discuss his involvement in the Civil war and the aftermath.","Box 2 contains spiral bound volumes of typed transcripts. The typescripts are of the diaries, the letter copybook, and specific letters to Golding's father and his \"Friend Sturgess\"."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"famname_ssim":["Golden family"],"names_coll_ssim":["Golden family"],"names_ssim":["Special Collections Research Center","Golden family"],"language_ssim":["English"],"total_component_count_is":40,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:54.762Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2557","ead_ssi":"viw_repositories_2_resources_2557","_root_":"viw_repositories_2_resources_2557","_nest_parent_":"viw_repositories_2_resources_2557","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2557.xml","title_filing_ssi":"Golding, Augustus C. Papers","title_ssm":["Augustus C. Golding Papers"],"title_tesim":["Augustus C. Golding Papers"],"unitdate_ssm":["1859-1934","1862-1864"],"unitdate_inclusive_ssm":["1859-1934"],"unitdate_bulk_ssim":["1862-1864"],"normalized_date_ssm":["1859/1934, bulk 1862/1864"],"normalized_title_ssm":["Augustus C. Golding Papers, 1859/1934, bulk 1862/1864"],"text":["Augustus C. Golding Papers, 1859/1934, bulk 1862/1864","Mss. 94 G56","/repositories/2/resources/2557","Antietam, Battle of, Md., 1862","Bull Run, 2nd Battle of, Va.,1862","Campaigns","Chancellorsville (Va.), Battle of, 1863","Destruction and pillage","Equipment and supplies","Fredericksburg (Va.), Battle of, 1862","Hospitals","Malvern Hill (Va.), Battle of, 1862","Peninsular Campaign, 1862","Personal narratives","Regimental histories","Seven Day's Battles, Va., 1862","South Mountain, Battle of, Md., 1862.","United States--History--Civil War, 1861-1865","White Oak Swamp (Va.), Battle of, 1862","Correspondence","Diaries","Financial records","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Augustus C. Golding was born in Greenwich, Connecticut on November 20, 1833. He moved to New York and enlisted as a carpenter. Golding enlisted in the Union Army on November 23, 1861 at Fort Hamilton, New York, and served as a sergeant in Co. G., 1st Battalion, 12th U.S. Infanty, 1861-1864. He fought mostly in Virginia and Maryland, returning to Maryland three times between 1863-1864 to defend it. After two months hospitalization in Pennsylvania and a furlough in New York, Golding returns to Virginia in November 1864 to fight until his discharge on November 22, 1864 at Elmira, New York.","After the war Golding resided in Fordham, New York, until his move to Norwalk, Connecticut, on March 5, 1866. On August 6, 1886, Golding was appointed postmaster at Norwalk, Connecticut. He died on April 8, 1915.","Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00028.frame","Processed by Laura Odendahl in 1995.","A book, Official Army Register for 1863, in this collection has been transferred to the Rare Books Department of Swem Library. Item contains a listing of Union officers in the following departments: Adjunct General, Quartermaster, Subsistence, Medical, Pay, Corps of Engineers, and Ordinance.","This collection contains the papers, dated 1859-1934, but mainly 1862-1864, of Augustus C. Golding (also spelled as Goldin and , Golden). It includes letters, a letterbook, diaries, documents, pension papers, printed materials, and photographs. All items relate to Golding's service in the Union Army, 1861-1864, in Northern Virginia, on the Virginia peninsula, and in Maryland. Golding's letters to family and friends describe troop movements, battles, camp conditions, his health, a hospital, and the weather. Golding describes his participation in the following battles or their aftermath: Gaines Mill, Malvern Hill, Mechanicsville, 2nd Bull Run or Manassas, South Mountain, Antietam, Fredericksburg, and Chancellorsville. He occasionally presents his views on war, politics, and the destruction of Virginia's cities and countryside. He also gives financial and practical advice. The collection contains genealogical data on Golding's immediate family.","Golding acknowledges receipt of his father's letter; relates campaigns since Union army enlistment on November 23, 1861 under H.B. Clitz; immediate promotion to sergeant; spends months at Fort Hamilton; departs for Virginia with a stop in Washington D.C.; camps near Fairfax Court House, Virginia, and Alexandria, Virginia; rides a steamer to Fortress Monroe, Virginia; camps near Hampton, Virginia, Big Bethel, camp Winfield Scott; in charge of supply wagons left between Yorktown, Virginia, and Williamsburg, Virginia; joins regiment in Cumberland one week later; marched to White House, Cold Harbor, Camp Lovell near New Bridge, Virginia; builds roads during Battle of Gaines Mill, Virginia; at site of battle of Hanover Court House, but does not fight; pickets the bridges over the Chickahominy River; describes tents; marches toward Mechanicsville, Virginia; charges three times in battle at Mechanicsville; falls back when flanked at Savage's Station, Virginia; marches through White Oak Swamp; attack by Confederates; resumes march toward the James River; sees Gen. McClellan; Confederate attack; repels attack and remains as the last brigade on the field; then falls back to a location that is not healthy; receives letters from Caroline and Sarah; acts as Commissary Sergeant; will write to NY for a commission; Major wounded.","Golding relates campaigns from July 3, 1862 to October 31, 1862; describes duties as acting and full commissary sergeant; President Lincoln reviews division; receives six months pay long due; orders to reduce officers' baggage; pillage of the Charles City Court House records; views remains of slave shot for attempting an escape to Confederate lines; Camps at Williamsburg, Big Bethel, Newport News, Fortress Monroe, and Fredericksburg on the way to Manassas Junction; fights at second Bull Run; retreats to Centerville, Virginia; marches to Frederick [sic] City, Maryland; hears the battle on South Mountain and Antietam, Maryland; describes dead on battlefield; President Lincoln reviews division; marches to White Plains.","Golding describes route taken from Fort Hamilton, New York to Fortress Monroe, Virginia with stops at Baltimore, Maryland and Washington D.C.; regiment under Gen. Sykes' brigade; camps near Hampton, Virginia; drills often, and out of money; moves camp to Big Bethel, Virginia, and then to Camp Marion, Virginia; describes vigilant atmosphere in camps; marches to Camp Winfield Scott, Virginia; strict orders for silence; feels slighted when regiment did not receive four months pay; Confederate shell almost hit him; marches toward Richmond; in charge of guarding wagons; joins regiment a week later at Cumberland Landing; takes over Hanover Courthouse; engages Confederates in battle on road to Mechanicsville; retreats three miles; attests to Zouaves' skill; retreats to Savages Station; marches through White Oak Swamp, Virginia; needs water and sleep; marches across Malvern Hills; retreats from battle; next day advances in battle; writes letter home but can not send it until he arrives at Harrison's Landing.","Golding acknowledges receipt of father's letter; describes route taken from Harrison Landing to Sharpsburg; arrives a few days after Battle of Antietam; describes dead strewn in streets and heaped on battlefield; rides Manassas railroad from Harpers Ferry to Warrenton, Virginia; marches to Stafford Court House, Virginia - eight miles from Aquia Creek; Gen. Butterfield in command of his corps, replacing Gen. Porter; Gen. Hooker commanding divisions; expects an attack on Fredericksburg; claims his health is good, and current weight is 180 lbs.","Golding is at Warrenton, Virginia. Gen. Butterfield replaces Gen. Fitz John Porter as commander of the 5th corps; the 5th corps is a part of the centre grand division under Major General Joseph Hooker; camps at Warrenton Junction and Hartwood Church, Virginia, en route to Fredericksburg; Hooker passes in an ambulance; camps at Gen. Hooker's headquarters at the Henry House [near Potomac Creek]; marches past Falmouth, Virginia; on front line in attempt to capture Confederate batteries South of Fredericksburg; evacuates the city; investigation ensues over heavy losses; critical of Union commanders and outcome of investigation; chats with Connecticut friends; returns to Hartwood Church, Virginia; Gen Hooker takes over Gen. Burnside's command; describes furlough and desertion rates; takes a furlough to New York; President Lincoln reviews the troops near Falmouth, Virginia; another review for Maj. Gen. Fogliardi; local artists produce ambrotypes; Lt. Col. Paul takes command of brigade for a week before his promotion to Brig. General; Gen. R. B. Ayres takes command; crosses Kelly's Ford and the Rapidan River to reach U.S. Ford; enemy shells U.S. Ford but fell upon Confederate prisoners; corps covers retreat across river; heavy losses; term of service expires for 20-30 thousand men; camps at Banks Ford where finishes this letter.","Golding begins the letter when furlough in Fairfield, Connecticut expires; leaves Fairfield, Connecticut, and rests in convalescent camp; joins regiment near Fairfax, Culpepper County, Virginia; camps in Brandy Station, Bealton, and Fairfax Courthouse; describes wagon trains and supplies; marches to battlefield of 2nd Bull Run; describes remains from earlier battle; marches to Gainesville, Virginia, New Baltimore, Virginia, Catlett's Station, Virginia; then camps two miles from Warrenton Junction and one mile from Three Mile Station at time of the letter; describes expeditions prior to his furlough in Fairfield [Connecticut], but after his last letter written in June 1863, marches 31 miles from Bank's Ford to Manassas Junction with stops at Hartwood Church and Brentville; continues march to Gum Springs, Centerville, Aldie, Leesburgh, Edwards Ferry and White Oak Springs; Gen. Meade takes command of Army; marches into Union territory through Frederick City, Maryland, Hanover, Pennsylvania, and Gettysburg, Pennsylvania; enters hospital; reports good weather lately.","Marches from Three Mile Station, Virginia, along the Orange and Alexandria railroad toward the Rappahannock River; Confederates open fire to prevent crossing; marches through woods to join right flank after Confederates driven across the Rappahannock River; crosses river at Kelly's Ford, Virginia; dispatch from Gen. Grant announces capture of Lookout Mt., Tenn.; crosses the Rapidan River at Culpepper Mine Ford; Confederates capture ammunition and ambulance train during march to Gordonsville, Virginia; fighting ensues and powder in wagons explodes; retreats to Roberson's Tavern, Virginia; crosses back over the Rapidan River at Germania Ford, Virginia; also crosses back over the Rappahannock River; camps at Bealton, Virginia and then at Kettle Run, Virginia]; expresses concern over possible capture by the Confederates; receives pay.","Golding is at present camps west of the Weldon Rail Road after a month near the Weldon Rail Road; and three weeks on the east side of the Weldon Rail Road; relates adventures from last May to the present date; crosses the Rapidan River under fire; presents statistics on losses, discharges and new recruits; does not want to winter at this camp; claims only a minority of the army supports Lincoln as a candidate; gives opinions on new regiments; time in the army will expire in one month.","He is gGlad to hear good news about Golden through mutual friends; would like to meet him in New York; asks if he may read Golden's diary of the 12th Regiment during the Civil War.","He aAcknowledges receipt of Golding's last letter; will write to Capt. Robinson; will tell his brother Harry about Golding's letter; relates news on mutual acquaintances including John Faub, Mr. Bolton, Capt. Stanhope; would like to get in touch with Gen. Hayes, if still alive; intends to obtain from Gen. Hayes in writing what he said to him on the battlefield the day before Hayes was captured; hopes to receive more letters from Golding, and maybe even a visit.","He acknowledges receipt of Golding's letter from February 21; sorry to learn of Golding's illness; describes his own poor health; worries about losing his memories of the Civil War; angry at the pension office; will send off pension affadavit for Golding soon; also angry at the system of promotions; apologizes for long overdue letter; wife and family send their regards to Mr. and Mrs. Golding.","The document describes Augustus C. Golding's injury; army wagon ran over his foot en route to Gettysburg, Pennsylvania; at hospital from July 2, 1863 to September 26, 1863; took over Golding's duties as Commissary Sergeant in addition to his own as Quartermaster Sergeant.","The document promises $75 payment plus interest to Daniel Golden; in accordance with Chap. 176 of the Laws of 1859; sSigned by Frederick Townsend, Adjunct General and George F. Sherman, Inspector General.","The document rRequests reimbursement for $75 worth of clothing confiscated during War of 1812. The late Daniel Golden received a certificate from the state of New York that promises redemption in accordance with the laws of 1859.","He rReplies to addressee's letter; claims the certificate from New York holds no value unless Congress appropriates the requisite funds to pay the claims; unlikely this will happen; certificate functions as a basis to apply to Congress.","He aAlready receives a pension; details vital statistics; place of residence at Fordham, New York until March 5, 1866, since then at Norwalk, Connecticut; form filled in and signed by Augustus C. Goldin. [Document was not sent in; possibly a draft or copy.]","The document details vital statistics; pension certificate number; places of residence; written on behalf of Augustus C. Goldin, age 78. [The document was not sent in; possibly a draft or copy.]","Payment to commence on May 6, 1915; rate of $12 per month; continue length of widowhood. Issued by the Secretary of the Interior, Franklin Knight Lane, and Commissioner of Pensions, E. C. Tieman.","Increase is in accordance with section 1 of the Act of Congress approved by the President Wilson] on September 8, 1916; commences on same date. Issued by Franklin Knight Lane, Secretary of the Interior, and E. C. Tieman, Commissioner of the Pensions.","Increase in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; issued by G. M. Saltzgaber[?], Commissioner of Pensions.","Increase in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; approved by Congress on May 1, 1920. Issued by G. M. Saltzgaber[?]), Commissioner of Pensions, and John Barton Payne, Secretary of the Interior.","Newspaper clipping.\tBy order of H. Raymond, Brigadier General, I. M. Phyfe, Adjunct, and A. B. M. Dally, Colonel.","Begins at Fort Hamilton, New York on March 5, 1862; ends December 27, 1863. not the end of his actual service]. no place.","He grants appointment of postmaster at Norwalk, Connecticut, to Golding; appointment lasts four years from August 2, 1886; emphasizes requirement of postmaster to attend personally to their duties.","Deposition by Ada Hanford Sherwood and Ruth Golding, [daughters of Augustus C. Golding, d. April 8, 1915, and Jeannette Hanford Golding, d. July 25, 1923]; details births and deaths of their paternal grandparents, parents, uncles, aunts, and siblings; Augustus C. Golding died intestate. Drawn up by a notary public for the state of Connecticut, County of Fairfield.","Copy of diary from June 25, 1862 to July 27, 1862; describes an armed reconnaissance to ascertain whether Gen. Jackson's army was approaching.","Photostat of a printed dDocument.","Newspaper clipping.\tState of Maine dedicated a statue of Maj. General Oliver Otis Howard to mark his headquarters during the Battle of Gettysburg, Pennsylvania].","Diary entries span November 22, 1861 through January 26, 1863 and discuss his engagement in the Civil War.","The diary entries span June 7, 1864 through 1907 and discuss his involvement in the Civil war and the aftermath.","Box 2 contains spiral bound volumes of typed transcripts. The typescripts are of the diaries, the letter copybook, and specific letters to Golding's father and his \"Friend Sturgess\".","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Golden family","English"],"collection_title_tesim":["Augustus C. Golding Papers, 1859/1934, bulk 1862/1864"],"collection_ssim":["Augustus C. Golding Papers, 1859/1934, bulk 1862/1864"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 94 G56","/repositories/2/resources/2557"],"unitid_tesim":["Mss. 94 G56","/repositories/2/resources/2557"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creator_famname_ssim":["Golden family"],"creators_ssim":["Special Collections Research Center","Golden family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchased: 38 items, 07/18/1994."],"access_subjects_ssim":["Antietam, Battle of, Md., 1862","Bull Run, 2nd Battle of, Va.,1862","Campaigns","Chancellorsville (Va.), Battle of, 1863","Destruction and pillage","Equipment and supplies","Fredericksburg (Va.), Battle of, 1862","Hospitals","Malvern Hill (Va.), Battle of, 1862","Peninsular Campaign, 1862","Personal narratives","Regimental histories","Seven Day's Battles, Va., 1862","South Mountain, Battle of, Md., 1862.","United States--History--Civil War, 1861-1865","White Oak Swamp (Va.), Battle of, 1862","Correspondence","Diaries","Financial records","Photographs"],"access_subjects_ssm":["Antietam, Battle of, Md., 1862","Bull Run, 2nd Battle of, Va.,1862","Campaigns","Chancellorsville (Va.), Battle of, 1863","Destruction and pillage","Equipment and supplies","Fredericksburg (Va.), Battle of, 1862","Hospitals","Malvern Hill (Va.), Battle of, 1862","Peninsular Campaign, 1862","Personal narratives","Regimental histories","Seven Day's Battles, Va., 1862","South Mountain, Battle of, Md., 1862.","United States--History--Civil War, 1861-1865","White Oak Swamp (Va.), Battle of, 1862","Correspondence","Diaries","Financial records","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"genreform_ssim":["Correspondence","Diaries","Financial records","Photographs"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eAugustus C. Golding was born in Greenwich, Connecticut on November 20, 1833. He moved to New York and enlisted as a carpenter. Golding enlisted in the Union Army on November 23, 1861 at Fort Hamilton, New York, and served as a sergeant in Co. G., 1st Battalion, 12th U.S. Infanty, 1861-1864. He fought mostly in Virginia and Maryland, returning to Maryland three times between 1863-1864 to defend it. After two months hospitalization in Pennsylvania and a furlough in New York, Golding returns to Virginia in November 1864 to fight until his discharge on November 22, 1864 at Elmira, New York.\u003c/p\u003e","\u003cp\u003eAfter the war Golding resided in Fordham, New York, until his move to Norwalk, Connecticut, on March 5, 1866. On August 6, 1886, Golding was appointed postmaster at Norwalk, Connecticut. He died on April 8, 1915.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Augustus C. Golding was born in Greenwich, Connecticut on November 20, 1833. He moved to New York and enlisted as a carpenter. Golding enlisted in the Union Army on November 23, 1861 at Fort Hamilton, New York, and served as a sergeant in Co. G., 1st Battalion, 12th U.S. Infanty, 1861-1864. He fought mostly in Virginia and Maryland, returning to Maryland three times between 1863-1864 to defend it. After two months hospitalization in Pennsylvania and a furlough in New York, Golding returns to Virginia in November 1864 to fight until his discharge on November 22, 1864 at Elmira, New York.","After the war Golding resided in Fordham, New York, until his move to Norwalk, Connecticut, on March 5, 1866. On August 6, 1886, Golding was appointed postmaster at Norwalk, Connecticut. He died on April 8, 1915."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e","\u003cp\u003e Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00028.frame\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00028.frame"],"prefercite_html_tesm":["\u003cp\u003eAugustus C. Golding Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Augustus C. Golding Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Laura Odendahl in 1995.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Laura Odendahl in 1995."],"relatedmaterial_html_tesm":["\u003cp\u003eA book, Official Army Register for 1863, in this collection has been transferred to the Rare Books Department of Swem Library. Item contains a listing of Union officers in the following departments: Adjunct General, Quartermaster, Subsistence, Medical, Pay, Corps of Engineers, and Ordinance.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["A book, Official Army Register for 1863, in this collection has been transferred to the Rare Books Department of Swem Library. Item contains a listing of Union officers in the following departments: Adjunct General, Quartermaster, Subsistence, Medical, Pay, Corps of Engineers, and Ordinance."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers, dated 1859-1934, but mainly 1862-1864, of Augustus C. Golding (also spelled as Goldin and , Golden). It includes letters, a letterbook, diaries, documents, pension papers, printed materials, and photographs. All items relate to Golding's service in the Union Army, 1861-1864, in Northern Virginia, on the Virginia peninsula, and in Maryland. Golding's letters to family and friends describe troop movements, battles, camp conditions, his health, a hospital, and the weather. Golding describes his participation in the following battles or their aftermath: Gaines Mill, Malvern Hill, Mechanicsville, 2nd Bull Run or Manassas, South Mountain, Antietam, Fredericksburg, and Chancellorsville. He occasionally presents his views on war, politics, and the destruction of Virginia's cities and countryside. He also gives financial and practical advice. The collection contains genealogical data on Golding's immediate family.\u003c/p\u003e  ","\u003cp\u003eGolding acknowledges receipt of his father's letter; relates campaigns since Union army enlistment on November 23, 1861 under H.B. Clitz; immediate promotion to sergeant; spends months at Fort Hamilton; departs for Virginia with a stop in Washington D.C.; camps near Fairfax Court House, Virginia, and Alexandria, Virginia; rides a steamer to Fortress Monroe, Virginia; camps near Hampton, Virginia, Big Bethel, camp Winfield Scott; in charge of supply wagons left between Yorktown, Virginia, and Williamsburg, Virginia; joins regiment in Cumberland one week later; marched to White House, Cold Harbor, Camp Lovell near New Bridge, Virginia; builds roads during Battle of Gaines Mill, Virginia; at site of battle of Hanover Court House, but does not fight; pickets the bridges over the Chickahominy River; describes tents; marches toward Mechanicsville, Virginia; charges three times in battle at Mechanicsville; falls back when flanked at Savage's Station, Virginia; marches through White Oak Swamp; attack by Confederates; resumes march toward the James River; sees Gen. McClellan; Confederate attack; repels attack and remains as the last brigade on the field; then falls back to a location that is not healthy; receives letters from Caroline and Sarah; acts as Commissary Sergeant; will write to NY for a commission; Major wounded.\u003c/p\u003e","\u003cp\u003eGolding relates campaigns from July 3, 1862 to October 31, 1862; describes duties as acting and full commissary sergeant; President Lincoln reviews division; receives six months pay long due; orders to reduce officers' baggage; pillage of the Charles City Court House records; views remains of slave shot for attempting an escape to Confederate lines; Camps at Williamsburg, Big Bethel, Newport News, Fortress Monroe, and Fredericksburg on the way to Manassas Junction; fights at second Bull Run; retreats to Centerville, Virginia; marches to Frederick [sic] City, Maryland; hears the battle on South Mountain and Antietam, Maryland; describes dead on battlefield; President Lincoln reviews division; marches to White Plains.\u003c/p\u003e","\u003cp\u003eGolding describes route taken from Fort Hamilton, New York to Fortress Monroe, Virginia with stops at Baltimore, Maryland and Washington D.C.; regiment under Gen. Sykes' brigade; camps near Hampton, Virginia; drills often, and out of money; moves camp to Big Bethel, Virginia, and then to Camp Marion, Virginia; describes vigilant atmosphere in camps; marches to Camp Winfield Scott, Virginia; strict orders for silence; feels slighted when regiment did not receive four months pay; Confederate shell almost hit him; marches toward Richmond; in charge of guarding wagons; joins regiment a week later at Cumberland Landing; takes over Hanover Courthouse; engages Confederates in battle on road to Mechanicsville; retreats three miles; attests to Zouaves' skill; retreats to Savages Station; marches through White Oak Swamp, Virginia; needs water and sleep; marches across Malvern Hills; retreats from battle; next day advances in battle; writes letter home but can not send it until he arrives at Harrison's Landing.\u003c/p\u003e","\u003cp\u003eGolding acknowledges receipt of father's letter; describes route taken from Harrison Landing to Sharpsburg; arrives a few days after Battle of Antietam; describes dead strewn in streets and heaped on battlefield; rides Manassas railroad from Harpers Ferry to Warrenton, Virginia; marches to Stafford Court House, Virginia - eight miles from Aquia Creek; Gen. Butterfield in command of his corps, replacing Gen. Porter; Gen. Hooker commanding divisions; expects an attack on Fredericksburg; claims his health is good, and current weight is 180 lbs.\u003c/p\u003e","\u003cp\u003eGolding is at Warrenton, Virginia. Gen. Butterfield replaces Gen. Fitz John Porter as commander of the 5th corps; the 5th corps is a part of the centre grand division under Major General Joseph Hooker; camps at Warrenton Junction and Hartwood Church, Virginia, en route to Fredericksburg; Hooker passes in an ambulance; camps at Gen. Hooker's headquarters at the Henry House [near Potomac Creek]; marches past Falmouth, Virginia; on front line in attempt to capture Confederate batteries South of Fredericksburg; evacuates the city; investigation ensues over heavy losses; critical of Union commanders and outcome of investigation; chats with Connecticut friends; returns to Hartwood Church, Virginia; Gen Hooker takes over Gen. Burnside's command; describes furlough and desertion rates; takes a furlough to New York; President Lincoln reviews the troops near Falmouth, Virginia; another review for Maj. Gen. Fogliardi; local artists produce ambrotypes; Lt. Col. Paul takes command of brigade for a week before his promotion to Brig. General; Gen. R. B. Ayres takes command; crosses Kelly's Ford and the Rapidan River to reach U.S. Ford; enemy shells U.S. Ford but fell upon Confederate prisoners; corps covers retreat across river; heavy losses; term of service expires for 20-30 thousand men; camps at Banks Ford where finishes this letter.\u003c/p\u003e","\u003cp\u003eGolding begins the letter when furlough in Fairfield, Connecticut expires; leaves Fairfield, Connecticut, and rests in convalescent camp; joins regiment near Fairfax, Culpepper County, Virginia; camps in Brandy Station, Bealton, and Fairfax Courthouse; describes wagon trains and supplies; marches to battlefield of 2nd Bull Run; describes remains from earlier battle; marches to Gainesville, Virginia, New Baltimore, Virginia, Catlett's Station, Virginia; then camps two miles from Warrenton Junction and one mile from Three Mile Station at time of the letter; describes expeditions prior to his furlough in Fairfield [Connecticut], but after his last letter written in June 1863, marches 31 miles from Bank's Ford to Manassas Junction with stops at Hartwood Church and Brentville; continues march to Gum Springs, Centerville, Aldie, Leesburgh, Edwards Ferry and White Oak Springs; Gen. Meade takes command of Army; marches into Union territory through Frederick City, Maryland, Hanover, Pennsylvania, and Gettysburg, Pennsylvania; enters hospital; reports good weather lately.\u003c/p\u003e","\u003cp\u003eMarches from Three Mile Station, Virginia, along the Orange and Alexandria railroad toward the Rappahannock River; Confederates open fire to prevent crossing; marches through woods to join right flank after Confederates driven across the Rappahannock River; crosses river at Kelly's Ford, Virginia; dispatch from Gen. Grant announces capture of Lookout Mt., Tenn.; crosses the Rapidan River at Culpepper Mine Ford; Confederates capture ammunition and ambulance train during march to Gordonsville, Virginia; fighting ensues and powder in wagons explodes; retreats to Roberson's Tavern, Virginia; crosses back over the Rapidan River at Germania Ford, Virginia; also crosses back over the Rappahannock River; camps at Bealton, Virginia and then at Kettle Run, Virginia]; expresses concern over possible capture by the Confederates; receives pay.\u003c/p\u003e","\u003cp\u003eGolding is at present camps west of the Weldon Rail Road after a month near the Weldon Rail Road; and three weeks on the east side of the Weldon Rail Road; relates adventures from last May to the present date; crosses the Rapidan River under fire; presents statistics on losses, discharges and new recruits; does not want to winter at this camp; claims only a minority of the army supports Lincoln as a candidate; gives opinions on new regiments; time in the army will expire in one month.\u003c/p\u003e","\u003cp\u003eHe is gGlad to hear good news about Golden through mutual friends; would like to meet him in New York; asks if he may read Golden's diary of the 12th Regiment during the Civil War.\u003c/p\u003e","\u003cp\u003eHe aAcknowledges receipt of Golding's last letter; will write to Capt. Robinson; will tell his brother Harry about Golding's letter; relates news on mutual acquaintances including John Faub, Mr. Bolton, Capt. Stanhope; would like to get in touch with Gen. Hayes, if still alive; intends to obtain from Gen. Hayes in writing what he said to him on the battlefield the day before Hayes was captured; hopes to receive more letters from Golding, and maybe even a visit.\u003c/p\u003e","\u003cp\u003eHe acknowledges receipt of Golding's letter from February 21; sorry to learn of Golding's illness; describes his own poor health; worries about losing his memories of the Civil War; angry at the pension office; will send off pension affadavit for Golding soon; also angry at the system of promotions; apologizes for long overdue letter; wife and family send their regards to Mr. and Mrs. Golding.\u003c/p\u003e","\u003cp\u003eThe document describes Augustus C. Golding's injury; army wagon ran over his foot en route to Gettysburg, Pennsylvania; at hospital from July 2, 1863 to September 26, 1863; took over Golding's duties as Commissary Sergeant in addition to his own as Quartermaster Sergeant.\u003c/p\u003e","\u003cp\u003eThe document promises $75 payment plus interest to Daniel Golden; in accordance with Chap. 176 of the Laws of 1859; sSigned by Frederick Townsend, Adjunct General and George F. Sherman, Inspector General.\u003c/p\u003e","\u003cp\u003eThe document rRequests reimbursement for $75 worth of clothing confiscated during War of 1812. The late Daniel Golden received a certificate from the state of New York that promises redemption in accordance with the laws of 1859.\u003c/p\u003e","\u003cp\u003eHe rReplies to addressee's letter; claims the certificate from New York holds no value unless Congress appropriates the requisite funds to pay the claims; unlikely this will happen; certificate functions as a basis to apply to Congress.\u003c/p\u003e","\u003cp\u003eHe aAlready receives a pension; details vital statistics; place of residence at Fordham, New York until March 5, 1866, since then at Norwalk, Connecticut; form filled in and signed by Augustus C. Goldin. [Document was not sent in; possibly a draft or copy.]\u003c/p\u003e","\u003cp\u003eThe document details vital statistics; pension certificate number; places of residence; written on behalf of Augustus C. Goldin, age 78. [The document was not sent in; possibly a draft or copy.]\u003c/p\u003e","\u003cp\u003ePayment to commence on May 6, 1915; rate of $12 per month; continue length of widowhood. Issued by the Secretary of the Interior, Franklin Knight Lane, and Commissioner of Pensions, E. C. Tieman.\u003c/p\u003e","\u003cp\u003eIncrease is in accordance with section 1 of the Act of Congress approved by the President Wilson] on September 8, 1916; commences on same date. Issued by Franklin Knight Lane, Secretary of the Interior, and E. C. Tieman, Commissioner of the Pensions.\u003c/p\u003e","\u003cp\u003eIncrease in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; issued by G. M. Saltzgaber[?], Commissioner of Pensions.\u003c/p\u003e","\u003cp\u003eIncrease in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; approved by Congress on May 1, 1920. Issued by G. M. Saltzgaber[?]), Commissioner of Pensions, and John Barton Payne, Secretary of the Interior.\u003c/p\u003e","\u003cp\u003eNewspaper clipping.\tBy order of H. Raymond, Brigadier General, I. M. Phyfe, Adjunct, and A. B. M. Dally, Colonel.\u003c/p\u003e","\u003cp\u003eBegins at Fort Hamilton, New York on March 5, 1862; ends December 27, 1863. not the end of his actual service]. no place.\u003c/p\u003e","\u003cp\u003eHe grants appointment of postmaster at Norwalk, Connecticut, to Golding; appointment lasts four years from August 2, 1886; emphasizes requirement of postmaster to attend personally to their duties.\u003c/p\u003e","\u003cp\u003eDeposition by Ada Hanford Sherwood and Ruth Golding, [daughters of Augustus C. Golding, d. April 8, 1915, and Jeannette Hanford Golding, d. July 25, 1923]; details births and deaths of their paternal grandparents, parents, uncles, aunts, and siblings; Augustus C. Golding died intestate. Drawn up by a notary public for the state of Connecticut, County of Fairfield.\u003c/p\u003e","\u003cp\u003eCopy of diary from June 25, 1862 to July 27, 1862; describes an armed reconnaissance to ascertain whether Gen. Jackson's army was approaching.\u003c/p\u003e","\u003cp\u003ePhotostat of a printed dDocument.\u003c/p\u003e","\u003cp\u003eNewspaper clipping.\tState of Maine dedicated a statue of Maj. General Oliver Otis Howard to mark his headquarters during the Battle of Gettysburg, Pennsylvania].\u003c/p\u003e","\u003cp\u003eDiary entries span November 22, 1861 through January 26, 1863 and discuss his engagement in the Civil War.\u003c/p\u003e","\u003cp\u003eThe diary entries span June 7, 1864 through 1907 and discuss his involvement in the Civil war and the aftermath.\u003c/p\u003e","\u003cp\u003eBox 2 contains spiral bound volumes of typed transcripts. The typescripts are of the diaries, the letter copybook, and specific letters to Golding's father and his \"Friend Sturgess\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains the papers, dated 1859-1934, but mainly 1862-1864, of Augustus C. Golding (also spelled as Goldin and , Golden). It includes letters, a letterbook, diaries, documents, pension papers, printed materials, and photographs. All items relate to Golding's service in the Union Army, 1861-1864, in Northern Virginia, on the Virginia peninsula, and in Maryland. Golding's letters to family and friends describe troop movements, battles, camp conditions, his health, a hospital, and the weather. Golding describes his participation in the following battles or their aftermath: Gaines Mill, Malvern Hill, Mechanicsville, 2nd Bull Run or Manassas, South Mountain, Antietam, Fredericksburg, and Chancellorsville. He occasionally presents his views on war, politics, and the destruction of Virginia's cities and countryside. He also gives financial and practical advice. The collection contains genealogical data on Golding's immediate family.","Golding acknowledges receipt of his father's letter; relates campaigns since Union army enlistment on November 23, 1861 under H.B. Clitz; immediate promotion to sergeant; spends months at Fort Hamilton; departs for Virginia with a stop in Washington D.C.; camps near Fairfax Court House, Virginia, and Alexandria, Virginia; rides a steamer to Fortress Monroe, Virginia; camps near Hampton, Virginia, Big Bethel, camp Winfield Scott; in charge of supply wagons left between Yorktown, Virginia, and Williamsburg, Virginia; joins regiment in Cumberland one week later; marched to White House, Cold Harbor, Camp Lovell near New Bridge, Virginia; builds roads during Battle of Gaines Mill, Virginia; at site of battle of Hanover Court House, but does not fight; pickets the bridges over the Chickahominy River; describes tents; marches toward Mechanicsville, Virginia; charges three times in battle at Mechanicsville; falls back when flanked at Savage's Station, Virginia; marches through White Oak Swamp; attack by Confederates; resumes march toward the James River; sees Gen. McClellan; Confederate attack; repels attack and remains as the last brigade on the field; then falls back to a location that is not healthy; receives letters from Caroline and Sarah; acts as Commissary Sergeant; will write to NY for a commission; Major wounded.","Golding relates campaigns from July 3, 1862 to October 31, 1862; describes duties as acting and full commissary sergeant; President Lincoln reviews division; receives six months pay long due; orders to reduce officers' baggage; pillage of the Charles City Court House records; views remains of slave shot for attempting an escape to Confederate lines; Camps at Williamsburg, Big Bethel, Newport News, Fortress Monroe, and Fredericksburg on the way to Manassas Junction; fights at second Bull Run; retreats to Centerville, Virginia; marches to Frederick [sic] City, Maryland; hears the battle on South Mountain and Antietam, Maryland; describes dead on battlefield; President Lincoln reviews division; marches to White Plains.","Golding describes route taken from Fort Hamilton, New York to Fortress Monroe, Virginia with stops at Baltimore, Maryland and Washington D.C.; regiment under Gen. Sykes' brigade; camps near Hampton, Virginia; drills often, and out of money; moves camp to Big Bethel, Virginia, and then to Camp Marion, Virginia; describes vigilant atmosphere in camps; marches to Camp Winfield Scott, Virginia; strict orders for silence; feels slighted when regiment did not receive four months pay; Confederate shell almost hit him; marches toward Richmond; in charge of guarding wagons; joins regiment a week later at Cumberland Landing; takes over Hanover Courthouse; engages Confederates in battle on road to Mechanicsville; retreats three miles; attests to Zouaves' skill; retreats to Savages Station; marches through White Oak Swamp, Virginia; needs water and sleep; marches across Malvern Hills; retreats from battle; next day advances in battle; writes letter home but can not send it until he arrives at Harrison's Landing.","Golding acknowledges receipt of father's letter; describes route taken from Harrison Landing to Sharpsburg; arrives a few days after Battle of Antietam; describes dead strewn in streets and heaped on battlefield; rides Manassas railroad from Harpers Ferry to Warrenton, Virginia; marches to Stafford Court House, Virginia - eight miles from Aquia Creek; Gen. Butterfield in command of his corps, replacing Gen. Porter; Gen. Hooker commanding divisions; expects an attack on Fredericksburg; claims his health is good, and current weight is 180 lbs.","Golding is at Warrenton, Virginia. Gen. Butterfield replaces Gen. Fitz John Porter as commander of the 5th corps; the 5th corps is a part of the centre grand division under Major General Joseph Hooker; camps at Warrenton Junction and Hartwood Church, Virginia, en route to Fredericksburg; Hooker passes in an ambulance; camps at Gen. Hooker's headquarters at the Henry House [near Potomac Creek]; marches past Falmouth, Virginia; on front line in attempt to capture Confederate batteries South of Fredericksburg; evacuates the city; investigation ensues over heavy losses; critical of Union commanders and outcome of investigation; chats with Connecticut friends; returns to Hartwood Church, Virginia; Gen Hooker takes over Gen. Burnside's command; describes furlough and desertion rates; takes a furlough to New York; President Lincoln reviews the troops near Falmouth, Virginia; another review for Maj. Gen. Fogliardi; local artists produce ambrotypes; Lt. Col. Paul takes command of brigade for a week before his promotion to Brig. General; Gen. R. B. Ayres takes command; crosses Kelly's Ford and the Rapidan River to reach U.S. Ford; enemy shells U.S. Ford but fell upon Confederate prisoners; corps covers retreat across river; heavy losses; term of service expires for 20-30 thousand men; camps at Banks Ford where finishes this letter.","Golding begins the letter when furlough in Fairfield, Connecticut expires; leaves Fairfield, Connecticut, and rests in convalescent camp; joins regiment near Fairfax, Culpepper County, Virginia; camps in Brandy Station, Bealton, and Fairfax Courthouse; describes wagon trains and supplies; marches to battlefield of 2nd Bull Run; describes remains from earlier battle; marches to Gainesville, Virginia, New Baltimore, Virginia, Catlett's Station, Virginia; then camps two miles from Warrenton Junction and one mile from Three Mile Station at time of the letter; describes expeditions prior to his furlough in Fairfield [Connecticut], but after his last letter written in June 1863, marches 31 miles from Bank's Ford to Manassas Junction with stops at Hartwood Church and Brentville; continues march to Gum Springs, Centerville, Aldie, Leesburgh, Edwards Ferry and White Oak Springs; Gen. Meade takes command of Army; marches into Union territory through Frederick City, Maryland, Hanover, Pennsylvania, and Gettysburg, Pennsylvania; enters hospital; reports good weather lately.","Marches from Three Mile Station, Virginia, along the Orange and Alexandria railroad toward the Rappahannock River; Confederates open fire to prevent crossing; marches through woods to join right flank after Confederates driven across the Rappahannock River; crosses river at Kelly's Ford, Virginia; dispatch from Gen. Grant announces capture of Lookout Mt., Tenn.; crosses the Rapidan River at Culpepper Mine Ford; Confederates capture ammunition and ambulance train during march to Gordonsville, Virginia; fighting ensues and powder in wagons explodes; retreats to Roberson's Tavern, Virginia; crosses back over the Rapidan River at Germania Ford, Virginia; also crosses back over the Rappahannock River; camps at Bealton, Virginia and then at Kettle Run, Virginia]; expresses concern over possible capture by the Confederates; receives pay.","Golding is at present camps west of the Weldon Rail Road after a month near the Weldon Rail Road; and three weeks on the east side of the Weldon Rail Road; relates adventures from last May to the present date; crosses the Rapidan River under fire; presents statistics on losses, discharges and new recruits; does not want to winter at this camp; claims only a minority of the army supports Lincoln as a candidate; gives opinions on new regiments; time in the army will expire in one month.","He is gGlad to hear good news about Golden through mutual friends; would like to meet him in New York; asks if he may read Golden's diary of the 12th Regiment during the Civil War.","He aAcknowledges receipt of Golding's last letter; will write to Capt. Robinson; will tell his brother Harry about Golding's letter; relates news on mutual acquaintances including John Faub, Mr. Bolton, Capt. Stanhope; would like to get in touch with Gen. Hayes, if still alive; intends to obtain from Gen. Hayes in writing what he said to him on the battlefield the day before Hayes was captured; hopes to receive more letters from Golding, and maybe even a visit.","He acknowledges receipt of Golding's letter from February 21; sorry to learn of Golding's illness; describes his own poor health; worries about losing his memories of the Civil War; angry at the pension office; will send off pension affadavit for Golding soon; also angry at the system of promotions; apologizes for long overdue letter; wife and family send their regards to Mr. and Mrs. Golding.","The document describes Augustus C. Golding's injury; army wagon ran over his foot en route to Gettysburg, Pennsylvania; at hospital from July 2, 1863 to September 26, 1863; took over Golding's duties as Commissary Sergeant in addition to his own as Quartermaster Sergeant.","The document promises $75 payment plus interest to Daniel Golden; in accordance with Chap. 176 of the Laws of 1859; sSigned by Frederick Townsend, Adjunct General and George F. Sherman, Inspector General.","The document rRequests reimbursement for $75 worth of clothing confiscated during War of 1812. The late Daniel Golden received a certificate from the state of New York that promises redemption in accordance with the laws of 1859.","He rReplies to addressee's letter; claims the certificate from New York holds no value unless Congress appropriates the requisite funds to pay the claims; unlikely this will happen; certificate functions as a basis to apply to Congress.","He aAlready receives a pension; details vital statistics; place of residence at Fordham, New York until March 5, 1866, since then at Norwalk, Connecticut; form filled in and signed by Augustus C. Goldin. [Document was not sent in; possibly a draft or copy.]","The document details vital statistics; pension certificate number; places of residence; written on behalf of Augustus C. Goldin, age 78. [The document was not sent in; possibly a draft or copy.]","Payment to commence on May 6, 1915; rate of $12 per month; continue length of widowhood. Issued by the Secretary of the Interior, Franklin Knight Lane, and Commissioner of Pensions, E. C. Tieman.","Increase is in accordance with section 1 of the Act of Congress approved by the President Wilson] on September 8, 1916; commences on same date. Issued by Franklin Knight Lane, Secretary of the Interior, and E. C. Tieman, Commissioner of the Pensions.","Increase in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; issued by G. M. Saltzgaber[?], Commissioner of Pensions.","Increase in widow's pension for Jeannette H. Golding, widow of Civil War Veteran, Augustus C. Golding; approved by Congress on May 1, 1920. Issued by G. M. Saltzgaber[?]), Commissioner of Pensions, and John Barton Payne, Secretary of the Interior.","Newspaper clipping.\tBy order of H. Raymond, Brigadier General, I. M. Phyfe, Adjunct, and A. B. M. Dally, Colonel.","Begins at Fort Hamilton, New York on March 5, 1862; ends December 27, 1863. not the end of his actual service]. no place.","He grants appointment of postmaster at Norwalk, Connecticut, to Golding; appointment lasts four years from August 2, 1886; emphasizes requirement of postmaster to attend personally to their duties.","Deposition by Ada Hanford Sherwood and Ruth Golding, [daughters of Augustus C. Golding, d. April 8, 1915, and Jeannette Hanford Golding, d. July 25, 1923]; details births and deaths of their paternal grandparents, parents, uncles, aunts, and siblings; Augustus C. Golding died intestate. Drawn up by a notary public for the state of Connecticut, County of Fairfield.","Copy of diary from June 25, 1862 to July 27, 1862; describes an armed reconnaissance to ascertain whether Gen. Jackson's army was approaching.","Photostat of a printed dDocument.","Newspaper clipping.\tState of Maine dedicated a statue of Maj. General Oliver Otis Howard to mark his headquarters during the Battle of Gettysburg, Pennsylvania].","Diary entries span November 22, 1861 through January 26, 1863 and discuss his engagement in the Civil War.","The diary entries span June 7, 1864 through 1907 and discuss his involvement in the Civil war and the aftermath.","Box 2 contains spiral bound volumes of typed transcripts. The typescripts are of the diaries, the letter copybook, and specific letters to Golding's father and his \"Friend Sturgess\"."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"famname_ssim":["Golden family"],"names_coll_ssim":["Golden family"],"names_ssim":["Special Collections Research Center","Golden family"],"language_ssim":["English"],"total_component_count_is":40,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:54.762Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2557"}},{"id":"viw_repositories_2_resources_9226","type":"collection","attributes":{"title":"Documenting Life During COVID-19 collection, 2020","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9226#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9226#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9226","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9226.xml","title_filing_ssi":"Documenting Life During COVID-19 collection","title_ssm":["Documenting Life During COVID-19 collection"],"title_tesim":["Documenting Life During COVID-19 collection"],"unitdate_ssm":["2020 March - ongoing"],"unitdate_inclusive_ssm":["2020 March - ongoing"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Documenting Life During COVID-19 collection, 2020"],"text":["Documenting Life During COVID-19 collection, 2020","MS 00326","/repositories/2/resources/9226","Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals expected.","Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.","Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic.","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to:","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.","Most materials are born-digital. Some materials require contacting the SCRC for access.","Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter.","Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps.","Series also includes Buck's headshot, included with submission.","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic.","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording.","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\"","Series includes a photograph of Dunn that was attached with the submission.","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\"","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\"","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\"","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th.","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member.","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\"","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\"","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement","English"],"collection_title_tesim":["Documenting Life During COVID-19 collection, 2020"],"collection_ssim":["Documenting Life During COVID-19 collection, 2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00326","/repositories/2/resources/9226"],"unitid_tesim":["MS 00326","/repositories/2/resources/9226"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"creators_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Digital materials submitted by individuals to William \u0026 Mary Libraries website. Each submitter was required to complete the following Submission Agreement:","\"I hereby certify that I created, and own the copyright in, the submitted material. While I will continue to retain my copyright, I hereby grant the William \u0026 Mary Libraries a license to add the material to its archival collections and preserve it for future generations of students, scholars, and researchers. I give the Libraries permission:","to organize the materials according to accepted archival principles;\nto create metadata, finding aids, and full-text search interfaces required for the preservation and discovery of the materials;\nto make the materials accessible to researchers and staff;\nand to use the materials in exhibits and displays, both physical and online.\nI agree that William \u0026 Mary Libraries may make this material available online under a Creative Commons Attribution 4.0 license (https://creativecommons.org/licenses/by/4.0/), which will allow others to share and adapt the material, as long as I am given appropriate credit.","I accept the above submission agreement.\"","Physical materials donated separately with Deed of Gift filed under donor name."],"access_subjects_ssim":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"access_subjects_ssm":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"extent_tesim":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"physfacet_tesim":["Extent as of 2020 May 29"],"genreform_ssim":["Photographs","Poetry","Video recordings","Sound Recordings"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials."],"bioghist_html_tesm":["\u003cp\u003eCollection includes materials collected from members of the William \u0026amp; Mary and the greater Williamsburg community during the COVID-19 pandemic. \u003c/p\u003e","\u003cp\u003eFrom the William \u0026amp; Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026amp; Mary Libraries invite all members of the William \u0026amp; Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: \u003c/p\u003e","\u003cp\u003eProse\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life\u003c/p\u003e","\u003cp\u003eYour memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic.","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to:","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\""],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eBefore submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContact SCRC staff for access to these materials.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eDonor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContent creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access."],"phystech_html_tesm":["\u003cp\u003eMost materials are born-digital. Some materials require contacting the SCRC for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most materials are born-digital. Some materials require contacting the SCRC for access."],"prefercite_html_tesm":["\u003cp\u003eDocumenting Life During COVID-19 collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Documenting Life During COVID-19 collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eMaterials were processed and described using the submitter's original language from the William \u0026amp; Mary Libraries submission site.\u003c/p\u003e  ","\u003cp\u003eAccessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.\u003c/p\u003e  ","\u003cp\u003eSome personal information was removed from the heading of this letter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e  ","\u003cp\u003eA poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"\u003c/p\u003e","\u003cp\u003eOne photo montage video created and uploaded by Marna Ashburn, William \u0026amp; Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e","\u003cp\u003eIndividual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.\u003c/p\u003e","\u003cp\u003eOne photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026amp; Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e","\u003cp\u003ePlease contact SCRC staff to access the video at this time.\u003c/p\u003e","\u003cp\u003eOne digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eOne digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"\u003c/p\u003e","\u003cp\u003ePersonal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eSix digital photographs submitted by Jason Betzner '19, William \u0026amp; Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"\u003c/p\u003e","\u003cp\u003eTen digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"\u003c/p\u003e","\u003cp\u003ePoem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. \u003c/p\u003e","\u003cp\u003eSeries also includes Buck's headshot, included with submission. \u003c/p\u003e","\u003cp\u003eScreenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026amp; Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs of Suzanne Cole, William \u0026amp; Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.\u003c/p\u003e","\u003cp\u003eOne digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"\u003c/p\u003e","\u003cp\u003e6 items, distributed by William \u0026amp; Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.\u003c/p\u003e","\u003cp\u003eSeven digital photographs of the Colonial Williamsburg Historic Area and William \u0026amp; Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"\u003c/p\u003e","\u003cp\u003eA personal photograph of Descher, attached with the submission, is also included in this series.\u003c/p\u003e","\u003cp\u003eDigital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"\u003c/p\u003e","\u003cp\u003eTwo video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993, and one recorded Zoom conversation hosted by William \u0026amp; Mary Libraries with DoubleTake members discussing their experiences during the pandemic. \u003c/p\u003e","\u003cp\u003eColin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. \u003c/p\u003e","\u003cp\u003e\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003e\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eThe Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e","\u003cp\u003e\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e","\u003cp\u003eCarmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eA recording of a Zoom conversation conducted by William \u0026amp; Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026amp; Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eSix digital photographs taken by Carlee Dunn, William \u0026amp; Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.\u003c/p\u003e","\u003cp\u003eDunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" \u003c/p\u003e","\u003cp\u003eSeries includes a photograph of Dunn that was attached with the submission. \u003c/p\u003e","\u003cp\u003e19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eFairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026amp;M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Fairlie, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"\u003c/p\u003e","\u003cp\u003eArtifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026amp; Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026amp; Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.\u003c/p\u003e","\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e","\u003cp\u003eCopy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026amp; Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.\u003c/p\u003e","\u003cp\u003e1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"\u003c/p\u003e","\u003cp\u003eA personal reflection written by Diane Huebner (Arnold), a William \u0026amp; Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eClass of 2023 William \u0026amp; Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" \u003c/p\u003e","\u003cp\u003eIncluded in this series is a personal photograph of Incer, along with the submission.\u003c/p\u003e","\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eSenior recital recordings for Ayush Joshi, William \u0026amp; Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. \u003c/p\u003e","\u003cp\u003eFull Program:\u003c/p\u003e","\u003cp\u003eClassical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)\u003c/p\u003e","\u003cp\u003eJazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)\u003c/p\u003e","\u003cp\u003eAlso, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"\u003c/p\u003e","\u003cp\u003eThis performance is in three different audio files, one for each piece in the collection.\u003c/p\u003e","\u003cp\u003eFour hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. \u003c/p\u003e","\u003cp\u003eKehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Kehlenbach that was attached to the submission.\u003c/p\u003e","\u003cp\u003ePersonal headshot included by Dan Kehlenbach with the submission.\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. \u003c/p\u003e","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"\u003c/p\u003e","\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e","\u003cp\u003eDigital photographs and video from Likhitha Kolla, member of William \u0026amp; Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Kolla, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.\u003c/p\u003e","\u003cp\u003eOne image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"\u003c/p\u003e","\u003cp\u003eOne screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026amp; Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"\u003c/p\u003e","\u003cp\u003eA collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026amp; Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"\u003c/p\u003e","\u003cp\u003eDigital photograph take by Ivy Li, William \u0026amp; Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"\u003c/p\u003e","\u003cp\u003eSelf-portrait by Katherine McSweeney, daughter of William \u0026amp; Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"\u003c/p\u003e","\u003cp\u003eEight digital photographs taken by Miso Park, William \u0026amp; Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.\u003c/p\u003e","\u003cp\u003ePhotographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.\u003c/p\u003e","\u003cp\u003eFour digital photographs taken by Susan Riggs, William \u0026amp; Mary M.A. class of 1972 and William \u0026amp; Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"\u003c/p\u003e","\u003cp\u003eFive digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026amp; Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"\u003c/p\u003e","\u003cp\u003eDigital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science\u003c/p\u003e","\u003cp\u003eDigital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.\u003c/p\u003e","\u003cp\u003eDigital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.\u003c/p\u003e","\u003cp\u003eDigital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.\u003c/p\u003e","\u003cp\u003eA personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"\u003c/p\u003e","\u003cp\u003eScanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"\u003c/p\u003e","\u003cp\u003eA social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026amp; Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eOne photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"\u003c/p\u003e","\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","\u003cp\u003eZoom recording from Kenneth Tieu, William \u0026amp; Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"\u003c/p\u003e","\u003cp\u003ePodcast series, digital video, and poem written by Tara Vasanth, William \u0026amp; Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" \u003c/p\u003e","\u003cp\u003ePodcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"\u003c/p\u003e","\u003cp\u003eAlso included in this series is a personal photograph of Vasanth, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.\u003c/p\u003e","\u003cp\u003ePhotographs by William \u0026amp; Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs submitted by Kate Weis, a William \u0026amp; Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" \u003c/p\u003e","\u003cp\u003eSeries also includes a personal photograph of Weis, included with the submission.\u003c/p\u003e","\u003cp\u003eOriginal music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"\u003c/p\u003e","\u003cp\u003eA Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps.","Series also includes Buck's headshot, included with submission.","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic.","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording.","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\"","Series includes a photograph of Dunn that was attached with the submission.","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\"","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\"","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\"","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th.","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member.","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\"","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\"","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"names_coll_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:32.028Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9226","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9226.xml","title_filing_ssi":"Documenting Life During COVID-19 collection","title_ssm":["Documenting Life During COVID-19 collection"],"title_tesim":["Documenting Life During COVID-19 collection"],"unitdate_ssm":["2020 March - ongoing"],"unitdate_inclusive_ssm":["2020 March - ongoing"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Documenting Life During COVID-19 collection, 2020"],"text":["Documenting Life During COVID-19 collection, 2020","MS 00326","/repositories/2/resources/9226","Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals expected.","Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.","Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic.","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to:","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.","Most materials are born-digital. Some materials require contacting the SCRC for access.","Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter.","Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps.","Series also includes Buck's headshot, included with submission.","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic.","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording.","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\"","Series includes a photograph of Dunn that was attached with the submission.","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\"","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\"","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\"","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th.","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member.","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\"","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\"","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement","English"],"collection_title_tesim":["Documenting Life During COVID-19 collection, 2020"],"collection_ssim":["Documenting Life During COVID-19 collection, 2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00326","/repositories/2/resources/9226"],"unitid_tesim":["MS 00326","/repositories/2/resources/9226"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"creators_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Digital materials submitted by individuals to William \u0026 Mary Libraries website. Each submitter was required to complete the following Submission Agreement:","\"I hereby certify that I created, and own the copyright in, the submitted material. While I will continue to retain my copyright, I hereby grant the William \u0026 Mary Libraries a license to add the material to its archival collections and preserve it for future generations of students, scholars, and researchers. I give the Libraries permission:","to organize the materials according to accepted archival principles;\nto create metadata, finding aids, and full-text search interfaces required for the preservation and discovery of the materials;\nto make the materials accessible to researchers and staff;\nand to use the materials in exhibits and displays, both physical and online.\nI agree that William \u0026 Mary Libraries may make this material available online under a Creative Commons Attribution 4.0 license (https://creativecommons.org/licenses/by/4.0/), which will allow others to share and adapt the material, as long as I am given appropriate credit.","I accept the above submission agreement.\"","Physical materials donated separately with Deed of Gift filed under donor name."],"access_subjects_ssim":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"access_subjects_ssm":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"extent_tesim":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"physfacet_tesim":["Extent as of 2020 May 29"],"genreform_ssim":["Photographs","Poetry","Video recordings","Sound Recordings"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials."],"bioghist_html_tesm":["\u003cp\u003eCollection includes materials collected from members of the William \u0026amp; Mary and the greater Williamsburg community during the COVID-19 pandemic. \u003c/p\u003e","\u003cp\u003eFrom the William \u0026amp; Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026amp; Mary Libraries invite all members of the William \u0026amp; Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: \u003c/p\u003e","\u003cp\u003eProse\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life\u003c/p\u003e","\u003cp\u003eYour memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic.","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to:","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\""],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eBefore submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContact SCRC staff for access to these materials.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eDonor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContent creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access."],"phystech_html_tesm":["\u003cp\u003eMost materials are born-digital. Some materials require contacting the SCRC for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most materials are born-digital. Some materials require contacting the SCRC for access."],"prefercite_html_tesm":["\u003cp\u003eDocumenting Life During COVID-19 collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Documenting Life During COVID-19 collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eMaterials were processed and described using the submitter's original language from the William \u0026amp; Mary Libraries submission site.\u003c/p\u003e  ","\u003cp\u003eAccessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.\u003c/p\u003e  ","\u003cp\u003eSome personal information was removed from the heading of this letter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e  ","\u003cp\u003eA poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"\u003c/p\u003e","\u003cp\u003eOne photo montage video created and uploaded by Marna Ashburn, William \u0026amp; Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e","\u003cp\u003eIndividual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.\u003c/p\u003e","\u003cp\u003eOne photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026amp; Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e","\u003cp\u003ePlease contact SCRC staff to access the video at this time.\u003c/p\u003e","\u003cp\u003eOne digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eOne digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"\u003c/p\u003e","\u003cp\u003ePersonal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eSix digital photographs submitted by Jason Betzner '19, William \u0026amp; Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"\u003c/p\u003e","\u003cp\u003eTen digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"\u003c/p\u003e","\u003cp\u003ePoem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. \u003c/p\u003e","\u003cp\u003eSeries also includes Buck's headshot, included with submission. \u003c/p\u003e","\u003cp\u003eScreenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026amp; Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs of Suzanne Cole, William \u0026amp; Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.\u003c/p\u003e","\u003cp\u003eOne digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"\u003c/p\u003e","\u003cp\u003e6 items, distributed by William \u0026amp; Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.\u003c/p\u003e","\u003cp\u003eSeven digital photographs of the Colonial Williamsburg Historic Area and William \u0026amp; Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"\u003c/p\u003e","\u003cp\u003eA personal photograph of Descher, attached with the submission, is also included in this series.\u003c/p\u003e","\u003cp\u003eDigital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"\u003c/p\u003e","\u003cp\u003eTwo video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993, and one recorded Zoom conversation hosted by William \u0026amp; Mary Libraries with DoubleTake members discussing their experiences during the pandemic. \u003c/p\u003e","\u003cp\u003eColin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. \u003c/p\u003e","\u003cp\u003e\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003e\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eThe Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e","\u003cp\u003e\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e","\u003cp\u003eCarmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eA recording of a Zoom conversation conducted by William \u0026amp; Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026amp; Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eSix digital photographs taken by Carlee Dunn, William \u0026amp; Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.\u003c/p\u003e","\u003cp\u003eDunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" \u003c/p\u003e","\u003cp\u003eSeries includes a photograph of Dunn that was attached with the submission. \u003c/p\u003e","\u003cp\u003e19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eFairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026amp;M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Fairlie, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"\u003c/p\u003e","\u003cp\u003eArtifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026amp; Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026amp; Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.\u003c/p\u003e","\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e","\u003cp\u003eCopy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026amp; Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.\u003c/p\u003e","\u003cp\u003e1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"\u003c/p\u003e","\u003cp\u003eA personal reflection written by Diane Huebner (Arnold), a William \u0026amp; Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eClass of 2023 William \u0026amp; Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" \u003c/p\u003e","\u003cp\u003eIncluded in this series is a personal photograph of Incer, along with the submission.\u003c/p\u003e","\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eSenior recital recordings for Ayush Joshi, William \u0026amp; Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. \u003c/p\u003e","\u003cp\u003eFull Program:\u003c/p\u003e","\u003cp\u003eClassical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)\u003c/p\u003e","\u003cp\u003eJazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)\u003c/p\u003e","\u003cp\u003eAlso, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"\u003c/p\u003e","\u003cp\u003eThis performance is in three different audio files, one for each piece in the collection.\u003c/p\u003e","\u003cp\u003eFour hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. \u003c/p\u003e","\u003cp\u003eKehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Kehlenbach that was attached to the submission.\u003c/p\u003e","\u003cp\u003ePersonal headshot included by Dan Kehlenbach with the submission.\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. \u003c/p\u003e","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"\u003c/p\u003e","\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e","\u003cp\u003eDigital photographs and video from Likhitha Kolla, member of William \u0026amp; Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"\u003c/p\u003e","\u003cp\u003eSeries also includes a photograph of Kolla, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.\u003c/p\u003e","\u003cp\u003eOne image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"\u003c/p\u003e","\u003cp\u003eOne screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026amp; Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"\u003c/p\u003e","\u003cp\u003eA collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026amp; Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"\u003c/p\u003e","\u003cp\u003eDigital photograph take by Ivy Li, William \u0026amp; Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"\u003c/p\u003e","\u003cp\u003eSelf-portrait by Katherine McSweeney, daughter of William \u0026amp; Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"\u003c/p\u003e","\u003cp\u003eEight digital photographs taken by Miso Park, William \u0026amp; Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.\u003c/p\u003e","\u003cp\u003ePhotographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.\u003c/p\u003e","\u003cp\u003eFour digital photographs taken by Susan Riggs, William \u0026amp; Mary M.A. class of 1972 and William \u0026amp; Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"\u003c/p\u003e","\u003cp\u003eFive digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026amp; Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"\u003c/p\u003e","\u003cp\u003eDigital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science\u003c/p\u003e","\u003cp\u003eDigital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.\u003c/p\u003e","\u003cp\u003eDigital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.\u003c/p\u003e","\u003cp\u003eDigital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.\u003c/p\u003e","\u003cp\u003eA personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"\u003c/p\u003e","\u003cp\u003eScanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"\u003c/p\u003e","\u003cp\u003eA social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026amp; Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eOne photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"\u003c/p\u003e","\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","\u003cp\u003eZoom recording from Kenneth Tieu, William \u0026amp; Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"\u003c/p\u003e","\u003cp\u003ePodcast series, digital video, and poem written by Tara Vasanth, William \u0026amp; Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" \u003c/p\u003e","\u003cp\u003ePodcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"\u003c/p\u003e","\u003cp\u003eAlso included in this series is a personal photograph of Vasanth, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.\u003c/p\u003e","\u003cp\u003ePhotographs by William \u0026amp; Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs submitted by Kate Weis, a William \u0026amp; Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" \u003c/p\u003e","\u003cp\u003eSeries also includes a personal photograph of Weis, included with the submission.\u003c/p\u003e","\u003cp\u003eOriginal music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"\u003c/p\u003e","\u003cp\u003eA Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps.","Series also includes Buck's headshot, included with submission.","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic.","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording.","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\"","Series includes a photograph of Dunn that was attached with the submission.","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\"","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\"","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\"","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th.","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member.","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\"","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\"","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"names_coll_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:32.028Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9226"}},{"id":"viw_repositories_2_resources_9856","type":"collection","attributes":{"title":"Fanny Kean Leake Patton diary, 1891","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9856#creator","type":"document_value","attributes":{"value":"Patton, Fanny Kean Leake","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9856#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection contains a single diary of American woman Fanny Kean Leake Pattaon (1867-1939) during her time with the American Episcopal Mission in Kyoto, Japan. She and her husband Rev. J. Lindsay Patton (1866-1915), worked in Japan as missionaries for fifteen years starting in the late 1880s. By the time the diary was written, they had been overseas for several years and had five children, some of whom were born in Japan. The diary includes documentation about Fanny and her husband's religious activity and travel, as well as details about her every day life doing missionary work and teaching. It also has information about the Otsu Incident (an unsuccessful assassination attempt on Czar Nicholas Alexandrovich during his visit to Japan in 1891), and Russia and Japan's falling out afterwards. Fanny in fact visited the Czar the day after the Otsu Incident.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9856#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9856","ead_ssi":"viw_repositories_2_resources_9856","_root_":"viw_repositories_2_resources_9856","_nest_parent_":"viw_repositories_2_resources_9856","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9856.xml","title_filing_ssi":"Fanny Kean Leake Patton diary","title_ssm":["Fanny Kean Leake Patton diary"],"title_tesim":["Fanny Kean Leake Patton diary"],"unitdate_ssm":["1891 February 26-1891 June 27"],"unitdate_inclusive_ssm":["1891 February 26-1891 June 27"],"normalized_date_ssm":["1891"],"normalized_title_ssm":["Fanny Kean Leake Patton diary, 1891"],"text":["Fanny Kean Leake Patton diary, 1891","SC 01903","/repositories/2/resources/9856","Russia--History","Personal narratives","Diaries","American diaries","Teachers--Diaries","Women--Diaries","Women travelers--Diaries","Episcopal Church--Missions","Episcopal Church--Missions--Japan","Married people in missionary work","Missionaries","Missionaries--United States--19th century","Missions -- Japan","Women missionaries--United States","Japan--History--1868-","Teachers","Women teachers","Women teachers--United States--History--19th century","Episcopal Church--History--19th century","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Born in Prince George County, Fanny Kean Leake Patton (1867-1939) married fellow Virginian Rev. J. Lindsay Latton (1866-1915), and in the late 1880s the couple joined the American Episcopal Mission in Kyoto, Japan, where they would work for fifteen years. Fanny taught bible class and gave music lessons under Miss Leita Bull, who ran the Ladies Institue in Osaka and St. John's Orphanage. Active as a member of the Woman's Auxiliary of the Episcopal Church, Fanny appears to ahve also worked at the St. Agnes School for Girls in Kyoto.","Collection contains a single diary of American woman Fanny Kean Leake Pattaon (1867-1939) during her time with the American Episcopal Mission in Kyoto, Japan. She and her husband Rev. J. Lindsay Patton (1866-1915), worked in Japan as missionaries for fifteen years starting in the late 1880s. By the time the diary was written, they had been overseas for several years and had five children, some of whom were born in Japan. The diary includes documentation about Fanny and her husband's religious activity and travel, as well as details about her every day life doing missionary work and teaching. It also has information about the Otsu Incident (an unsuccessful assassination attempt on Czar Nicholas Alexandrovich during his visit to Japan in 1891), and Russia and Japan's falling out afterwards. Fanny in fact visited the Czar the day after the Otsu Incident.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Patton, Fanny Kean Leake","English"],"collection_title_tesim":["Fanny Kean Leake Patton diary, 1891"],"collection_ssim":["Fanny Kean Leake Patton diary, 1891"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01903","/repositories/2/resources/9856"],"unitid_tesim":["SC 01903","/repositories/2/resources/9856"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Russia--History"],"geogname_ssim":["Russia--History"],"places_ssim":["Russia--History"],"creator_ssm":["Patton, Fanny Kean Leake"],"creator_ssim":["Patton, Fanny Kean Leake"],"creator_persname_ssim":["Patton, Fanny Kean Leake"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Patton, Fanny Kean Leake","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Personal narratives","Diaries","American diaries","Teachers--Diaries","Women--Diaries","Women travelers--Diaries","Episcopal Church--Missions","Episcopal Church--Missions--Japan","Married people in missionary work","Missionaries","Missionaries--United States--19th century","Missions -- Japan","Women missionaries--United States","Japan--History--1868-","Teachers","Women teachers","Women teachers--United States--History--19th century","Episcopal Church--History--19th century"],"access_subjects_ssm":["Personal narratives","Diaries","American diaries","Teachers--Diaries","Women--Diaries","Women travelers--Diaries","Episcopal Church--Missions","Episcopal Church--Missions--Japan","Married people in missionary work","Missionaries","Missionaries--United States--19th century","Missions -- Japan","Women missionaries--United States","Japan--History--1868-","Teachers","Women teachers","Women teachers--United States--History--19th century","Episcopal Church--History--19th century"],"has_online_content_ssim":["false"],"extent_ssm":[".1 Linear Feet One legal size folder"],"extent_tesim":[".1 Linear Feet One legal size folder"],"date_range_isim":[1891],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eBorn in Prince George County, Fanny Kean Leake Patton (1867-1939) married fellow Virginian Rev. J. Lindsay Latton (1866-1915), and in the late 1880s the couple joined the American Episcopal Mission in Kyoto, Japan, where they would work for fifteen years. Fanny taught bible class and gave music lessons under Miss Leita Bull, who ran the Ladies Institue in Osaka and St. John's Orphanage. Active as a member of the Woman's Auxiliary of the Episcopal Church, Fanny appears to ahve also worked at the St. Agnes School for Girls in Kyoto.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in Prince George County, Fanny Kean Leake Patton (1867-1939) married fellow Virginian Rev. J. Lindsay Latton (1866-1915), and in the late 1880s the couple joined the American Episcopal Mission in Kyoto, Japan, where they would work for fifteen years. Fanny taught bible class and gave music lessons under Miss Leita Bull, who ran the Ladies Institue in Osaka and St. John's Orphanage. Active as a member of the Woman's Auxiliary of the Episcopal Church, Fanny appears to ahve also worked at the St. Agnes School for Girls in Kyoto."],"prefercite_html_tesm":["\u003cp\u003eFanny Kean Leake Patton Diary, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Fanny Kean Leake Patton Diary, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains a single diary of American woman Fanny Kean Leake Pattaon (1867-1939) during her time with the American Episcopal Mission in Kyoto, Japan. She and her husband Rev. J. Lindsay Patton (1866-1915), worked in Japan as missionaries for fifteen years starting in the late 1880s. By the time the diary was written, they had been overseas for several years and had five children, some of whom were born in Japan. The diary includes documentation about Fanny and her husband's religious activity and travel, as well as details about her every day life doing missionary work and teaching. It also has information about the Otsu Incident (an unsuccessful assassination attempt on Czar Nicholas Alexandrovich during his visit to Japan in 1891), and Russia and Japan's falling out afterwards. Fanny in fact visited the Czar the day after the Otsu Incident.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection contains a single diary of American woman Fanny Kean Leake Pattaon (1867-1939) during her time with the American Episcopal Mission in Kyoto, Japan. She and her husband Rev. J. Lindsay Patton (1866-1915), worked in Japan as missionaries for fifteen years starting in the late 1880s. By the time the diary was written, they had been overseas for several years and had five children, some of whom were born in Japan. The diary includes documentation about Fanny and her husband's religious activity and travel, as well as details about her every day life doing missionary work and teaching. It also has information about the Otsu Incident (an unsuccessful assassination attempt on Czar Nicholas Alexandrovich during his visit to Japan in 1891), and Russia and Japan's falling out afterwards. Fanny in fact visited the Czar the day after the Otsu Incident."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Patton, Fanny Kean Leake"],"names_ssim":["Special Collections Research Center","Patton, Fanny Kean Leake"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9856","ead_ssi":"viw_repositories_2_resources_9856","_root_":"viw_repositories_2_resources_9856","_nest_parent_":"viw_repositories_2_resources_9856","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9856.xml","title_filing_ssi":"Fanny Kean Leake Patton diary","title_ssm":["Fanny Kean Leake Patton diary"],"title_tesim":["Fanny Kean Leake Patton diary"],"unitdate_ssm":["1891 February 26-1891 June 27"],"unitdate_inclusive_ssm":["1891 February 26-1891 June 27"],"normalized_date_ssm":["1891"],"normalized_title_ssm":["Fanny Kean Leake Patton diary, 1891"],"text":["Fanny Kean Leake Patton diary, 1891","SC 01903","/repositories/2/resources/9856","Russia--History","Personal narratives","Diaries","American diaries","Teachers--Diaries","Women--Diaries","Women travelers--Diaries","Episcopal Church--Missions","Episcopal Church--Missions--Japan","Married people in missionary work","Missionaries","Missionaries--United States--19th century","Missions -- Japan","Women missionaries--United States","Japan--History--1868-","Teachers","Women teachers","Women teachers--United States--History--19th century","Episcopal Church--History--19th century","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Born in Prince George County, Fanny Kean Leake Patton (1867-1939) married fellow Virginian Rev. J. Lindsay Latton (1866-1915), and in the late 1880s the couple joined the American Episcopal Mission in Kyoto, Japan, where they would work for fifteen years. Fanny taught bible class and gave music lessons under Miss Leita Bull, who ran the Ladies Institue in Osaka and St. John's Orphanage. Active as a member of the Woman's Auxiliary of the Episcopal Church, Fanny appears to ahve also worked at the St. Agnes School for Girls in Kyoto.","Collection contains a single diary of American woman Fanny Kean Leake Pattaon (1867-1939) during her time with the American Episcopal Mission in Kyoto, Japan. She and her husband Rev. J. Lindsay Patton (1866-1915), worked in Japan as missionaries for fifteen years starting in the late 1880s. By the time the diary was written, they had been overseas for several years and had five children, some of whom were born in Japan. The diary includes documentation about Fanny and her husband's religious activity and travel, as well as details about her every day life doing missionary work and teaching. It also has information about the Otsu Incident (an unsuccessful assassination attempt on Czar Nicholas Alexandrovich during his visit to Japan in 1891), and Russia and Japan's falling out afterwards. Fanny in fact visited the Czar the day after the Otsu Incident.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Patton, Fanny Kean Leake","English"],"collection_title_tesim":["Fanny Kean Leake Patton diary, 1891"],"collection_ssim":["Fanny Kean Leake Patton diary, 1891"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01903","/repositories/2/resources/9856"],"unitid_tesim":["SC 01903","/repositories/2/resources/9856"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Russia--History"],"geogname_ssim":["Russia--History"],"places_ssim":["Russia--History"],"creator_ssm":["Patton, Fanny Kean Leake"],"creator_ssim":["Patton, Fanny Kean Leake"],"creator_persname_ssim":["Patton, Fanny Kean Leake"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Patton, Fanny Kean Leake","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Personal narratives","Diaries","American diaries","Teachers--Diaries","Women--Diaries","Women travelers--Diaries","Episcopal Church--Missions","Episcopal Church--Missions--Japan","Married people in missionary work","Missionaries","Missionaries--United States--19th century","Missions -- Japan","Women missionaries--United States","Japan--History--1868-","Teachers","Women teachers","Women teachers--United States--History--19th century","Episcopal Church--History--19th century"],"access_subjects_ssm":["Personal narratives","Diaries","American diaries","Teachers--Diaries","Women--Diaries","Women travelers--Diaries","Episcopal Church--Missions","Episcopal Church--Missions--Japan","Married people in missionary work","Missionaries","Missionaries--United States--19th century","Missions -- Japan","Women missionaries--United States","Japan--History--1868-","Teachers","Women teachers","Women teachers--United States--History--19th century","Episcopal Church--History--19th century"],"has_online_content_ssim":["false"],"extent_ssm":[".1 Linear Feet One legal size folder"],"extent_tesim":[".1 Linear Feet One legal size folder"],"date_range_isim":[1891],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eBorn in Prince George County, Fanny Kean Leake Patton (1867-1939) married fellow Virginian Rev. J. Lindsay Latton (1866-1915), and in the late 1880s the couple joined the American Episcopal Mission in Kyoto, Japan, where they would work for fifteen years. Fanny taught bible class and gave music lessons under Miss Leita Bull, who ran the Ladies Institue in Osaka and St. John's Orphanage. Active as a member of the Woman's Auxiliary of the Episcopal Church, Fanny appears to ahve also worked at the St. Agnes School for Girls in Kyoto.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in Prince George County, Fanny Kean Leake Patton (1867-1939) married fellow Virginian Rev. J. Lindsay Latton (1866-1915), and in the late 1880s the couple joined the American Episcopal Mission in Kyoto, Japan, where they would work for fifteen years. Fanny taught bible class and gave music lessons under Miss Leita Bull, who ran the Ladies Institue in Osaka and St. John's Orphanage. Active as a member of the Woman's Auxiliary of the Episcopal Church, Fanny appears to ahve also worked at the St. Agnes School for Girls in Kyoto."],"prefercite_html_tesm":["\u003cp\u003eFanny Kean Leake Patton Diary, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Fanny Kean Leake Patton Diary, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains a single diary of American woman Fanny Kean Leake Pattaon (1867-1939) during her time with the American Episcopal Mission in Kyoto, Japan. She and her husband Rev. J. Lindsay Patton (1866-1915), worked in Japan as missionaries for fifteen years starting in the late 1880s. By the time the diary was written, they had been overseas for several years and had five children, some of whom were born in Japan. The diary includes documentation about Fanny and her husband's religious activity and travel, as well as details about her every day life doing missionary work and teaching. It also has information about the Otsu Incident (an unsuccessful assassination attempt on Czar Nicholas Alexandrovich during his visit to Japan in 1891), and Russia and Japan's falling out afterwards. Fanny in fact visited the Czar the day after the Otsu Incident.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection contains a single diary of American woman Fanny Kean Leake Pattaon (1867-1939) during her time with the American Episcopal Mission in Kyoto, Japan. She and her husband Rev. J. Lindsay Patton (1866-1915), worked in Japan as missionaries for fifteen years starting in the late 1880s. By the time the diary was written, they had been overseas for several years and had five children, some of whom were born in Japan. The diary includes documentation about Fanny and her husband's religious activity and travel, as well as details about her every day life doing missionary work and teaching. It also has information about the Otsu Incident (an unsuccessful assassination attempt on Czar Nicholas Alexandrovich during his visit to Japan in 1891), and Russia and Japan's falling out afterwards. Fanny in fact visited the Czar the day after the Otsu Incident."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Patton, Fanny Kean Leake"],"names_ssim":["Special Collections Research Center","Patton, Fanny Kean Leake"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9856"}},{"id":"viw_repositories_2_resources_9862","type":"collection","attributes":{"title":"Frankie E. Carper diary, 1853/1855","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9862#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection contains a manuscript diary kept by a teenage girl studying at Coombe Cottage School, documenting the academic and social life of the last generation of girls to come of age in the antebellum South. It also includes recipes and newspaper clippings.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9862#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9862","ead_ssi":"viw_repositories_2_resources_9862","_root_":"viw_repositories_2_resources_9862","_nest_parent_":"viw_repositories_2_resources_9862","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9862.xml","title_filing_ssi":"Frankie E. Carper diary","title_ssm":["Frankie E. Carper diary"],"title_tesim":["Frankie E. Carper diary"],"unitdate_ssm":["1853 October 20-1855 May 29"],"unitdate_inclusive_ssm":["1853 October 20-1855 May 29"],"normalized_date_ssm":["1853/1855"],"normalized_title_ssm":["Frankie E. Carper diary, 1853/1855"],"text":["Frankie E. Carper diary, 1853/1855","SC 01904","/repositories/2/resources/9862","United States--Antebellum South--History","Personal narratives","American diaries","Women--Diaries","Teenage girls--Diaries","Young women--Diaries","Diaries","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection contains a manuscript diary kept by a teenage girl studying at Coombe Cottage School, documenting the academic and social life of the last generation of girls to come of age in the antebellum South. It also includes recipes and newspaper clippings.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Frankie E. Carper diary, 1853/1855"],"collection_ssim":["Frankie E. Carper diary, 1853/1855"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01904","/repositories/2/resources/9862"],"unitid_tesim":["SC 01904","/repositories/2/resources/9862"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The Frankie E. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eFrankie E. Carper diary, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Frankie E. Carper diary, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains a manuscript diary kept by a teenage girl studying at Coombe Cottage School, documenting the academic and social life of the last generation of girls to come of age in the antebellum South. It also includes recipes and newspaper clippings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection contains a manuscript diary kept by a teenage girl studying at Coombe Cottage School, documenting the academic and social life of the last generation of girls to come of age in the antebellum South. It also includes recipes and newspaper clippings."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9862","ead_ssi":"viw_repositories_2_resources_9862","_root_":"viw_repositories_2_resources_9862","_nest_parent_":"viw_repositories_2_resources_9862","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9862.xml","title_filing_ssi":"Frankie E. Carper diary","title_ssm":["Frankie E. Carper diary"],"title_tesim":["Frankie E. Carper diary"],"unitdate_ssm":["1853 October 20-1855 May 29"],"unitdate_inclusive_ssm":["1853 October 20-1855 May 29"],"normalized_date_ssm":["1853/1855"],"normalized_title_ssm":["Frankie E. Carper diary, 1853/1855"],"text":["Frankie E. Carper diary, 1853/1855","SC 01904","/repositories/2/resources/9862","United States--Antebellum South--History","Personal narratives","American diaries","Women--Diaries","Teenage girls--Diaries","Young women--Diaries","Diaries","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection contains a manuscript diary kept by a teenage girl studying at Coombe Cottage School, documenting the academic and social life of the last generation of girls to come of age in the antebellum South. It also includes recipes and newspaper clippings.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Frankie E. Carper diary, 1853/1855"],"collection_ssim":["Frankie E. Carper diary, 1853/1855"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01904","/repositories/2/resources/9862"],"unitid_tesim":["SC 01904","/repositories/2/resources/9862"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The Frankie E. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eFrankie E. Carper diary, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Frankie E. Carper diary, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains a manuscript diary kept by a teenage girl studying at Coombe Cottage School, documenting the academic and social life of the last generation of girls to come of age in the antebellum South. It also includes recipes and newspaper clippings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection contains a manuscript diary kept by a teenage girl studying at Coombe Cottage School, documenting the academic and social life of the last generation of girls to come of age in the antebellum South. It also includes recipes and newspaper clippings."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9862"}},{"id":"viw_repositories_2_resources_9058","type":"collection","attributes":{"title":"Goodwin Family Papers, 1826/1959","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9058#creator","type":"document_value","attributes":{"value":"Ballard, James William, 1875-1920","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9058#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetters, memoirs, journals, sermons, monographs, genealogical material concerning the Goodwin, Archer, Silvester, Ballard and Smith families.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9058#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9058","ead_ssi":"viw_repositories_2_resources_9058","_root_":"viw_repositories_2_resources_9058","_nest_parent_":"viw_repositories_2_resources_9058","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9058.xml","title_filing_ssi":"Goodwin Family Papers","title_ssm":["Goodwin Family Papers"],"title_tesim":["Goodwin Family Papers"],"unitdate_ssm":["1826-1959"],"unitdate_inclusive_ssm":["1826-1959"],"normalized_date_ssm":["1826/1959"],"normalized_title_ssm":["Goodwin Family Papers, 1826/1959"],"text":["Goodwin Family Papers, 1826/1959","Mss. 78 G63","/repositories/2/resources/9058","France--Description and travel--20th century","Virginia--History--Civil War, 1861-1865","Virginia--Religious history","Wytheville (Va.)--History--19th century","Colonial Williamsburg Foundation--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Genealogy","Personal narratives","Philippines--History--Philippine American War, 1899-1902","United States--Slavery","World War, 1914-1918--France--Paris","World War, 1914-1918--War work--Young Men's Christian Association","World War, 1914-1918--War work--Young Women's Christian Associations","Correspondence","Diaries","Photographs","Speeches","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is divided into Series, mainly by individual family names but also a few topical headings.","The Goodwin family moved from Massachusetts and members settled in Virginia and Maryland. Three generations of Goodwin men served as Episcopal ministers. Frederick Deane Goodwin served parishes in Virginia. Edwin Lewis Goodwin was born in Nelson County, Va. and studied at the University of Virginia and at the Virginia Theological Seminary. He served parishes in Virginia and South Carolina, was historiographer of the Diocese of Virginia and author of The Colonial Church in Virginia. His son, Frederick D. Goodwin was Bishop of Virginia, 1944-1961. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Acc. 2013.114 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013.   Acc. 2013.114 was interfiled with the original accession and the series were rearranged in August 2014 by Anne Johnson.","Letters, memoirs, journals, sermons, monographs, genealogical material concerning the Goodwin, Archer, Silvester, Ballard and Smith families.","The bulk of the collection is comprised of the papers of Frederick Deane Goodwin, an Episcopal minister.  Bishop William Meade is a correspondent.  Correspondence between Frederick Deane Goodwin's immediate family is included and papers of his son, Edward Lewis Goodwin, an Episcopal minister and his granddaughter, Mary Frances Goodwin, a researcher for Colonial Williamsburg.","Much of the correspondence, journals and recollections concern the Goodwin Family and/or the Episcopal Church in Virginia and elsewhere. Mary Frances Goodwin's letters are from her time in France at the end of World War I and her discovery of the Bodleian Plate in 1930.","Volumes include diaries, journals and registers of Edward Lewis Goodwin, correspondence between family members and letters to and from Mary Frances Goodwin during World War I while she was working with the YMCA in France as part of the American Expeditionary Force. The Episcopal Church of Virginia is mentioned often in the correspondence by all family members.","Included is a memoir by Mary F. Goodwin on her discovery of the Bodleian Plate, a copper printing plate with buildings of 18th century Williamsburg, and a memoir of Wytheville, Virginia during the Civil War.","Family histories written by members of the Goodwin and Archer families, genealogical charts and family trees, including those of the Smith and Ballard families, and copies of entries in the Goodwin Family Bible.","Copy of a typed manuscript entitled \"Goodwin Ancestry \u0026 History.\" Notation on document, \"written evidently be the Rev. Edward Lewis Goodwin up to p. 21. Thence, evidently, continued by Miss Mary Frances Goodwin, his daughter. RSB.\" 34 pp.","Copies of Bible entries from the Goodwin Family Bible for marriages, births and deaths.  6 pp. 1 item.","Manuscript of the book \"The Archer and Silvester Families\" written and signed by Robert Archer, April 1870. One printed version, with signature of Edward Goodwin Ballard. Printed in April 1937 by William Byrd Press, Inc. 28 pp.","Copies of 2 genealogical charts with some handwritten notes.","Handwritten genealogical chart entitled \"Genealogy of Edward Louis (sic) Goodwin and Maria Love Smith. Married 11 January 1881.\" Includes the families of Goodwin, LeBaron, Briggs, Archer, Smith, Hawkins-Lee, Marshall and Ambler.","Copy of handwritten genealogical chart of the Goodwin Family, \"last four generations, continued from Page 14.\"  Copy of handwritten narrative about the Goodwin Family with cover sheet noting \"Please leave each section exactly in order - Written (sic) by his son, Edward Lewis Goodwin, 1886, E.G. B.  68 pages.","Typed copies of memoirs, manuscript journals and records of the ministry of Episcopal Minister Edward Lewis Goodwin, 1874-1897; manuscript and printed sermons, 1899-1905 and personal and ecclesiastical correspondence, 1868-1908. Also includes notes for a biography of Edward Lewis Goodwin's wife, Maria Love Smith and other Smith Family material. Edward Lewis Goodwin is the son of Frederick Deane Goodwin.","Copy of a typed manuscript \"A Small Boy's Recollections of the War,\" by Edward L. Goodwin. 29 pp. 1 item.","Copy of a typed manuscript \"Recollections of My First Parish, 1880-1885,\" by E[dward] L[ewis] Goodwin. 17 pp. Photo included. 1 item.","Manuscript Christmas sermon by Edward L. Goodwin.","Letter about family news, dated September 26, 1868.  1 item.","Letter from Maria L. Smith Goodwin to Edward L. Goodwin, dated August 28, 1893.","Friends and fellow ministers about family and friends, scholarship, ministry and the Episcopal Church. Some correspondents are Rev. Robert White, E.A. Penick, Charles Mayo, J.R. Winchester, C.C. Penick, Charles F. Taylor, Francis M. Whittle (Bishop of the Diocese of Virginia) and others. 15 items.","Letters mostly from friends about his ministry. Correspondents include Charles F. Taylor, George Greer, Peter Saunders, Thomas Packard, J. J. Gravatt, James Wheeler Warden, W.M. Clark and others. 14 items.","Letter from M. C. Pelton acknowledging Edward L. Goodwin's resignation as minister of a church in Christiansburg, Va. Other letters concern the death of his wife, Maria Love (Smith) Goodwin. 5 items.","Letters about the Episcopal Church, \"The History of Truro Parish,\" Custis/Washington family history and Virginia History. Correspondents include C.M. Beckwith, Lawrence Washington of the Library of Congress, N. B. Nevitt, P. C. Bagby, Gen. G. W. C. Lee about the Washington Family, C. C. Penick and others. 9 items.","Typed manuscript, \"Monographs of the Colonial Church in Virginia, and other Historical Papers,\" [by Edward L. Goodwin?] 18 pp. 1 item.","Private Journal of Edward Lewis Goodwin. Front cover states \"Theological Seminary, Virginia, Sept. 1874 - Oct. 1877.\" Some pages have been removed, probably by Edward Goodwin. Manuscript volume 1. 1 item.","Private Journal of Edward Lewis Goodwin from October 1877 to January 1, 1881. He notes in a postscript at the end of the journal that since his last entry, he has married \"my darling Maria\" and he's not sure if he will continue recording his life and \"I know not what disposition I shall make of my journals....\" Some pages have been removed. Manuscript volume 2. 1 item.","Private Journal of Edward Lewis Goodwin. Newclippings have been pasted into the journal. The clipping on page 7 is about the \"Late Rev. Mr. Goodwin [Frederick Deane Goodwin].\" Manuscript volume 3. 1 item.","\"Private Register of Ministerial Acts\" by Edward Lewis Goodwin. Rev. Goodwin notes each activity he has performed as a minister. Some days have the time noted. June 1880-June 1890. Manuscript Volume 4. 1 item.","Private Record of Ministry by Edward Lewis Goodwin. As the journal progresses, Dr. Goodwin begins to expand his daily entries to include the weather, personal reflections and other events. July 1, 1890 - September 30, 1893. Manuscript volume 5. 1 item.","Private Journal and Records of Ministry by Edward Lewis Goodwin. Journal entries are more personal. Goodwin notes his daily schedule with personal reflections on the events of the day and his personal life. October 1, 1893 - July 31, 1897. Manuscript Volume 6. 1 item.","Scope and Contents Three printed sermons and addresses by Rev. Edward L. Goodwin. Baccalaureate Sermon for the Gunston Institute on June 10, 1900, \"The Sower of the Seed\" given at the Piedmont Convocation, April 26, 1905 and \"Historical Address on the Thirtieth Anniversary of the Consecration of St. Mark's Church in Richmond, Virginia,\" undated.","Scope and Contents Letter from Robert Smith to his sister, Maria L. Smith Goodwin, about her marriage and family news. January 29, 1881.1 item.","Title of handwritten notes, \"On the Life of Maria Love Smith\" (1848-1892), written probably by Edward Lewis Goodwin (EGB). 6 pp. 1 item.","Copy of a typed transcription of a letter written by Henry Lee Smith to his descendants telling about his life. Baltimore, Md, November 1947.","February 16, 1924 issue of \"The Southern Churchman\" with picture of \"The Late Rev. Edward L. Goodwin, D.D.\" on the cover and article on page 13.","Mary (Polly) Briggs and Daniel Goodwin were parents of at least 11 children. This series is mostly the papers of their son, Frederick Deane Goodwin, but also letters between the siblings and to their mother. Henry Bradford Goodwin is sometimes called Henry Briggs Goodwin.","Papers of Frederick Deane Goodwin, Episcopal minister. Manuscript sermons, circa 1831-1865, and journal entries, 1838 and October 19, 1853; personal and ecclesiastical correspondence, 1827-1869; reports made to the Diocesan Missionary Society, 1859-1861, 1863; and \"Memorials of Our Father (Selections from the journals of the Rev. Goodwin, D. D.).\" Papers of Frederick Deane Goodwin's wife, Mary Frances Archer (1817-?), including her reminiscences of her early life, and an account of Wytheville, Va. during the Civil War by their oldest daughter, Fanny Archer Goodwin Ribble.","Carbon copy of a typed manuscript, \"Memorials of Our Father.\"","A copy of \"Memorials of Our Father\" with a subtitle \"(Selections from the journals of the Rev. Frederick Deane Goodwin with commentary by the Rev. Edward Lewis Goodwin, D. D.)\" Includes a photograph of The Rev. Frederick Deane Goodwin (1804-1881).","A one page biography of Frederick Deane Goodwin by Mary Frances Goodwin. She mentions the number of Episcopal ministers in the Goodwin Family.","Copy of typed transcription of Frederick D. Goodwin's Diary. 1 item.","Original journal of Frederick D. Goodwin. January - December 1838 and October 19, 1853.","Manuscript sermons and a prayer by Frederick D. Goodwin. Circa 1831-1865. 4 items.","Letter from Kanawha County court giving civil authority to Frederick D. Goodwin to perform marriages in Kanawha County. October 20, 1831. 1 item.","Letters from Frederick Deane Goodwin (1804-1881) to his mother Polly (Briggs) Goodwin (1775-1861) in Norton, Massachusetts. The two 1841 letters are about the death of his sister, Mary, at his home and details of her days before she died.  The remaining letters are about family news.  6 items.","Letters to Mary Frances (Archer) Goodwin from her husband, Frederick D. Goodwin.  In 1843, he mentions his resignation from the church (in Staunton, Virignia?)","Copies of typed transcripts of letters from Frederick D. Goodwin to his sister Abigail P[atten] Goodwin and his brother Henry B. Goodwin, with extracts from Frederick D. Goodwin's journal. May 13, 1828 and June 17, 1826. One journal entry is about the conflicted feelings that Dr. Goodwin has when punishing a student with the rod and another entry about race after seeing three negro girls in the street, crying, possibly because they are leaving their home. 2 items.","Letters from Frederick D. Goodwin to his sister, Hannah LeBaron Goodwin (1814-1904), about his ministry and family news. 14 items.","Letter to his brother, Daniel LeBaron Goodwin about family news and his appointment as interim Rector of St. Paul's Church in Richmond, Virginia.  Incomplete. 1 item.","Two letters and 1 possible draft to Bishop William Meade about the Episcopal Church, both personal and general. 3 items.","Six letters from Mary Frances Archer Goodwin to her husband, Frederick D. Goodwin with news of family, friends and the Episcopal Church.  She also expresses her feelings about his activities.  A handwritten note on the Oct. 23, 1837 letter says, \"Mother's only love letter.\"","Letters from Henry Bradford Goodwin to his brother, Frederick D. Goodwin. In the December 8, 1842 letter, Henry Goodwin gives genealogical information on the Goodwin Family and his immediate family. In the March 27, 1845 letter and later letters, he gives his reasons for the defense of slavery in the North. Other letters include family news, finances and his thoughts and feelings on a variety of subjects. 9 items.","Letters from Daniel LeBaron Goodwin to his brother, Frederick D. Goodwin. Gives advice on farming while being a minister and news of his ministry and family. January 1, 1856 and August 13, 1866. 2 items.","Two letters from James Bradford Goodwin to his brother, Frederick D. Goodwin about his ministry and family news. March 6, 1849 and August 5, 1852. 2 items.","Letter from Edward Bryam Goodwin to his brother, Frederick D. Goodwin about news of the New England Goodwin family. news. 1 item.","2 items.","5 items.","Also notes from daughters Abigail Patten Goodwin (1798-1886) and Hannah LeBaron Goodwin (1814-?). 8 items.","5 items.","7 items.","Letters to Frederick D. Goodwin from friends and peers. 15 items.","Letters to Frederick D. Goodwin from friends and peers, mostly about ministry. Invitations to various Episcopal Church vestries. 17 items.","Reports by Frederick G. Goodwin to the Diocesan Missionary Society, Virginia.  4 items.","Letter from Frederick LeBaron Goodwin to his father, Frederick D. Goodwin, while at the University of Virginia.  October 19, 1857.  1 item.","Scope and Contents Rich. H. Wilmer to Mrs. Frederick D. Goodwin telling her that the reports of  her son Frederick's death are false.  February 8, 1865.  1 item.","Copy of typed transcript of \"Some Recollections of My Early Life\" by Mary Frances (Archer) Goodwin,  T 37 pp. 1 item.","Manuscript of \"Some Recollections of My Early Life,\" by Mary Frances (Archer) Goodwin. Signed. 123 pp. Includes typed extract, 1 p. 1 item.","Copy of typed transcription of letter from Mary Baldwin Goodwin, daughter of Frederick Deane Goodwin and Mary Frances (Archer) Goodwin about the Golden Wedding Anniversary of their Grandparents, Robert and Frances Archer. March 29, 1866. 1 item.","A note with the comments made by Mr. Boyden of Staunton about Frederick Deane Goodwin.","Original recollection of the Civil War by Fanny Archer Goodwin Ribble, daughter of Frederick Deane Goodwin, entitled \"An Account of the Civil War in Wytheville.\" 10 pp. February 3, 1904. 1 item.","Two copies of an article \"The Church's Debt to the Goodwin Family, A Century of Fairthful Service\" by J. W. Ware from \"Southern Churchmen\" November 28, 1831. February 7, 1948 issue of \"The Southern Churchman\" with cover showing Dr. Rev. Frederick D. Goodwin, D.D. breaking ground for the first new dormitory at the Virginia Theological Seminary.","Copy of an autobiography by Mary Frances (Archer) Goodwin, \"Some Recollections of my Early Life.\" The recollections also include a family sketch by her Father with genealogical data back to his \"Great-Great-Grandfather Archer\" who emigrated from England in 1665. 71 pp. Original and copy of [1837] letter from M. C. Lee to Mary Frances Archer Goodwin about her surprise in seeing in the paper her marriage to Frederick Deane Goodwin. A later handwritten note on the letter says \"Mrs. R.E. Lee.\"","Personal corespondence between the brothers and sisters of Frederick Deane Goodwin, all of them children of Mary (Polly) Briggs and Daniel Goodiwn. Letters of Henry Bradford Goodwin (Henry Briggs Goodwin) refer to his life as a minister and planter in Maryland and to his views on slavery. The correspondence of brothers Daniel LeBaron Goodwin and James Briggs Goodwin refer to their own activities in the Episcopal ministry. Other correspondents include their mother, Polly (Briggs) Goodwin and Hannah LeBaron Goodwin.","Letter to Daniel LeBaron Goodwin from Jas. Mulchahey about a deathbed conversion. March 3, 1846. 1 item.","Letter from Hannah LeBaron Goodwin to her mother Polly (Briggs) Goodwin about Mary De Wolf Goodwin's death and family news.  November 25, 1841. 1 item.","Letter from Hannah LeBaron Goodwin to Mary De Wolfe Goodwin with personal news. June 21, 1841","Letters to Hannah LeBaron Goodwin from her family, but mostly from her sister Mary D.W. Goodwin. 16 items.","Letters from Henry Bradford Goodwin to Polly Briggs Goodwin with family news. 9 items.","Letters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin,  to Henry's Mother, Polly (Briggs) Goodwin concerning family news.  3 letters.","Letters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin to Hannah LeBaron Goodwin and Lewis B. [Benjamin Lewis] Goodwin (1819-1852).  24 items.","Letter from Bishop Alexander Griswold to Henry Bradford Goodwin and Aaron B. Hard in which Bishop Griswold certifies Henry Bradford Goodwin and Aaron B. Hard as candidates for the Holy Order of the Eastern Diocese and their transfer to the Diocese of Virginia. Copied to Bishop Richard Channing Moore (1762-1841). March 26, 1829. 1 item.","Typed transcriptions of the letters of The Rev. Henry Briggs Goodwin entitled \"Life and Letters of The Rev. Henry Briggs Goodwin, Port Tobacco, Maryland, 1804-1859, With a brief account of his family in Massachusetts and Maryland.\" 188 pages plus Appendix 1 and Appendix 2. Note: Henry Briggs Goodwin is sometimes called \"Henry Bradford Goodwin\" in other references.","Letter from James Briggs Goodwin to Polly (Briggs) Goodwin with news of the death of Mary D.W. Goodwin and comments about his ministry. November 3, 1841.  1 item.","September 9, 1841 letter from James Briggs Goodwin and Frederick Deane Goodwin and an October 20, 1841 letter from Hannah LeBaron Goodwin and Henry B. Goodwina to their Mother, Polly (Briggs) Goodwin with consolation on the death of her daughter (their sister), Mary Goodwin.    2 letters.","Two letters from Lewis [Benjamin Lewis] Goodwin (1819-1852) to his wife, Abby (Whiting) Goodwin during a trip to California. February 12, 1853 letter from Joseph G. Wilson, Salem, Oregon, to Mrs. Lewis Goodwin about the circumstances of the death of her husband.  3 items.","Letters from Mary De Wolf Goodwin to her Mother, Polly (Briggs) Goodwin about family news, her travels and teaching.   3 items.","Scope and Contents Papers of Mary Frances Goodwin, daughter of Rev. Edward Lewis Goodwin and researcher for Colonial Williamsburg. Includes letters to and from her family and friends while working as part of the American Expeditionary Forces for the YMCA in France at the end of World War I.  She worked in canteens in internment camps and later as a bookkeeper for the 82nd Division.  A few later letters deal mostly with family matters. Transcripts of correspondence between Dr. W. A. R. Goodwin's Office and Mary F. Goodwin during the discovery of the Bodleian Plate in England.  Typed rough draft \"Researching in England, 1929-1930\" describing the history of the Bodleian Plate and the search to find it.","Letters written by Mary F. Goodwin to various family members during World War I. She writes from New York City, England and France. As part of the American Expeditionary Forces under the auspices of the YMCA, she trains in New York City at \"conferences\" then travels to France to work in different capacities with the American troops and internment camps. She is connected to the 82nd Division. She tells about her trip on a transport ship to England and her experiences in New York, England and France. She describes the places she visits, the countryside, people she meets, her work, the dances and parades, friends she sees and the local people. In her November 24 [1918] letter she notes, \"Mr. Bev Tucker is near here and there is to be a U.VA Alumni dinner or meeting here this week.\" She comments on many of the clergy in her area, particularly the Episcopal ministers and in her December 19, 1918 letter she includes a story \"Take This Holy Sacrament to Your Comfort\" about a service she attended in a hut. Some of her jobs include bookkeeping for the 82nd Division canteens and helping in the internment camps. She reflects on the emotional toll on the men and their future need for help. She talks of German propoganda and how they are trying to \"ingratiate themselves with the Army of Occupation.\" In later letters, where she gives more details of her experiences, she mentions that the earlier letters went through censors.","Letters written to Mary F. Goodwin by her family and friends when she was in France during World War I working with the YMCA as part of the American Expeditionary Forces.  Her Father's letters (Rev. Edward Lewis Goodwin) concern his ministry, his church and the \"Southern Churchman\" plus news of family, friends and church members.  Other correspondents mainly focus on news of friends and family.","Letter from the Treasurer of the Diocese of Virginia sending her Father's salary check for February, 1924 after her Father's death.  Request from G. MacLaren Brydon for information on her Father's \"List of the Colonial Clergy.\"  March 13, 1924 letter from Rev. W.A.R. Goodwin telling her that, per Dr. Chandler, there are no available jobs in the library.    1951 correspondence with Harnett T. Kane about Miss Goodwin's Grandmother's sketch of her girlhood at Fortress Monroe Sound.\"  1959 letter from Rev. Ferneyhough of Christ Church Parish, Lancaster County, Virginia about a memorial fund for her sister, Mrs. Conrad Goodwin  (Maria Lee Goodwin).  6 items.","Account of, and copies of, letters concerning the history and rediscovery of the Bodleian Plate. January 1, 1930 telegram from Dr. W.A.R. Goodwin to Mary Goodwin: \"Woods and Perry here join in congratulations considered greatest find in American Research Pictures Received Today Invaluable.\" Typed transcripts of January and February 1930 letters between Dr. W.A.R. Goodwin's Office and Mary F. Goodwin about the discovery of the Bodleian Plate. Typed draft of an account by Mary F. Goodwin entitled, \"Researching in England, 1929-1930\" where she relates the history of the Rawlinson Collection, the history of the beginning of Colonial Williamsburg and the trail of her research that led to the discovery of the Bodleian Plate.","Booklet entitled, \"Steps to be taken by A.E.F.-Y.M.C.A Secretaries returning to America.\"  Handwritten are Mary Goodwin's date and place of birth, date of arrival in France, issue date of June 16, 1919 and department, Canteen.","Formal photograph of Ethel Archer Lewis Lacy standing beside a rattan sofa.  She was the daughter of Mary Baldwin Goodwin and Thomas Hugo Lacy and granddaughter of Frederick Deane Goodwin.","Copy of a typed manuscript \"From our Younger Years\" by Margaret [Lewis] Goodwin Ballard.  Written in 2 parts.  37 pp.  Margaret Lewis Goodwin Ballard is the daughter of Maria Love Smith and Edward Lewis Goodwin.","Copy of typed transcript entitled \"Some Notes on the Ballard Family\" by Margaret Lewis (Goodwin) Ballard. 6 pp.","Copy of typed transcriptions of letters from James William Ballard (1875-1920) while in the U.S. Army in the Philippines, mostly to his mother, Mary Reid Thrift Ballard (circa 1852-1927). Selection of letters is by Margaret Lewis Goodwin Ballard (1881-1981) his daughter. 12 pp.","Includes the memoirs of Edward Lewis Goodwin's daughter, Margaret (Goodwin) Ballard (1881-?), and her notes on the Ballard family and Mary Frances Goodwin's (1883-1973) correspondence, 1924-1959, and an account of her research in England for Colonial Williamsburg, 1929-1930.","Copies of typed transcriptions of 2 letters from Agnes H. Marshall to John Marshall, 1825 and 1832 and 1 letter from Joseph Story to The Honorable John Marshall, 1833.","Clipping of a photograph of \"Incline Plane at Johnstown\" and a \"Historical Map of the Old Northwest Territory\" owned by J. F. Goodwin. 2 items.","2 letter fragments, one to \"Dear Brother\" dated March 18 and one from \"Your Grandfather\" with advice for farming. 2 items.","Empty folders that contained the letters in this collection, some with notations of importance, recipient, writer, dates and if copied for others. Empty envelopes.","1917 photograph of Barbara Elizabeth, Age 2 and Verner Goodwin, Jr., age 3.  A collage of photographs, some original, of Goodwin family ancestors.  Filed in oversize.","This series is a temporary series until it has been interfiled with the rest of the collection. The series contains genealogical material related to the Goodwin family as well as the Ribble family, and includes correspondence, dating back to the American Civil War, certificates, and other material.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","United States. Army. American Expeditionary Forces","Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family","Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-","English"],"collection_title_tesim":["Goodwin Family Papers, 1826/1959"],"collection_ssim":["Goodwin Family Papers, 1826/1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 78 G63","/repositories/2/resources/9058"],"unitid_tesim":["Mss. 78 G63","/repositories/2/resources/9058"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["France--Description and travel--20th century","Virginia--History--Civil War, 1861-1865","Virginia--Religious history","Wytheville (Va.)--History--19th century"],"geogname_ssim":["France--Description and travel--20th century","Virginia--History--Civil War, 1861-1865","Virginia--Religious history","Wytheville (Va.)--History--19th century"],"places_ssim":["France--Description and travel--20th century","Virginia--History--Civil War, 1861-1865","Virginia--Religious history","Wytheville (Va.)--History--19th century"],"creator_ssm":["Ballard, James William, 1875-1920","Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"creator_ssim":["Ballard, James William, 1875-1920","Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"creator_persname_ssim":["Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"creator_corpname_ssim":["Special Collections Research Center","United States. Army. American Expeditionary Forces"],"creator_famname_ssim":["Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family"],"creators_ssim":["Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-","Special Collections Research Center","United States. Army. American Expeditionary Forces","Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts; one box, 08/03/1978; one box, 10/10/1978; one box, 10/20/1978. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Colonial Williamsburg Foundation--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Genealogy","Personal narratives","Philippines--History--Philippine American War, 1899-1902","United States--Slavery","World War, 1914-1918--France--Paris","World War, 1914-1918--War work--Young Men's Christian Association","World War, 1914-1918--War work--Young Women's Christian Associations","Correspondence","Diaries","Photographs","Speeches"],"access_subjects_ssm":["Colonial Williamsburg Foundation--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Genealogy","Personal narratives","Philippines--History--Philippine American War, 1899-1902","United States--Slavery","World War, 1914-1918--France--Paris","World War, 1914-1918--War work--Young Men's Christian Association","World War, 1914-1918--War work--Young Women's Christian Associations","Correspondence","Diaries","Photographs","Speeches"],"has_online_content_ssim":["false"],"extent_ssm":["1.85 Linear Feet"],"extent_tesim":["1.85 Linear Feet"],"genreform_ssim":["Correspondence","Diaries","Photographs","Speeches"],"date_range_isim":[1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into Series, mainly by individual family names but also a few topical headings.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is divided into Series, mainly by individual family names but also a few topical headings."],"bioghist_html_tesm":["\u003cp\u003eThe Goodwin family moved from Massachusetts and members settled in Virginia and Maryland. Three generations of Goodwin men served as Episcopal ministers. Frederick Deane Goodwin served parishes in Virginia. Edwin Lewis Goodwin was born in Nelson County, Va. and studied at the University of Virginia and at the Virginia Theological Seminary. He served parishes in Virginia and South Carolina, was historiographer of the Diocese of Virginia and author of The Colonial Church in Virginia. His son, Frederick D. Goodwin was Bishop of Virginia, 1944-1961. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Goodwin_family\" title=\"Goodwin family\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Family History:"],"bioghist_tesim":["The Goodwin family moved from Massachusetts and members settled in Virginia and Maryland. Three generations of Goodwin men served as Episcopal ministers. Frederick Deane Goodwin served parishes in Virginia. Edwin Lewis Goodwin was born in Nelson County, Va. and studied at the University of Virginia and at the Virginia Theological Seminary. He served parishes in Virginia and South Carolina, was historiographer of the Diocese of Virginia and author of The Colonial Church in Virginia. His son, Frederick D. Goodwin was Bishop of Virginia, 1944-1961. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eGoodwin Family Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Goodwin Family Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2013.114 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013.   Acc. 2013.114 was interfiled with the original accession and the series were rearranged in August 2014 by Anne Johnson.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2013.114 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013.   Acc. 2013.114 was interfiled with the original accession and the series were rearranged in August 2014 by Anne Johnson."],"scopecontent_html_tesm":["\u003cp\u003eLetters, memoirs, journals, sermons, monographs, genealogical material concerning the Goodwin, Archer, Silvester, Ballard and Smith families.\u003c/p\u003e","\u003cp\u003eThe bulk of the collection is comprised of the papers of Frederick Deane Goodwin, an Episcopal minister.  Bishop William Meade is a correspondent.  Correspondence between Frederick Deane Goodwin's immediate family is included and papers of his son, Edward Lewis Goodwin, an Episcopal minister and his granddaughter, Mary Frances Goodwin, a researcher for Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eMuch of the correspondence, journals and recollections concern the Goodwin Family and/or the Episcopal Church in Virginia and elsewhere. Mary Frances Goodwin's letters are from her time in France at the end of World War I and her discovery of the Bodleian Plate in 1930.\u003c/p\u003e","\u003cp\u003eVolumes include diaries, journals and registers of Edward Lewis Goodwin, correspondence between family members and letters to and from Mary Frances Goodwin during World War I while she was working with the YMCA in France as part of the American Expeditionary Force. The Episcopal Church of Virginia is mentioned often in the correspondence by all family members.\u003c/p\u003e","\u003cp\u003eIncluded is a memoir by Mary F. Goodwin on her discovery of the Bodleian Plate, a copper printing plate with buildings of 18th century Williamsburg, and a memoir of Wytheville, Virginia during the Civil War.\u003c/p\u003e  ","\u003cp\u003eFamily histories written by members of the Goodwin and Archer families, genealogical charts and family trees, including those of the Smith and Ballard families, and copies of entries in the Goodwin Family Bible.\u003c/p\u003e","\u003cp\u003eCopy of a typed manuscript entitled \"Goodwin Ancestry \u0026amp; History.\" Notation on document, \"written evidently be the Rev. Edward Lewis Goodwin up to p. 21. Thence, evidently, continued by Miss Mary Frances Goodwin, his daughter. RSB.\" 34 pp.\u003c/p\u003e","\u003cp\u003eCopies of Bible entries from the Goodwin Family Bible for marriages, births and deaths.  6 pp. 1 item.\u003c/p\u003e","\u003cp\u003eManuscript of the book \"The Archer and Silvester Families\" written and signed by Robert Archer, April 1870. One printed version, with signature of Edward Goodwin Ballard. Printed in April 1937 by William Byrd Press, Inc. 28 pp.\u003c/p\u003e","\u003cp\u003eCopies of 2 genealogical charts with some handwritten notes.\u003c/p\u003e","\u003cp\u003eHandwritten genealogical chart entitled \"Genealogy of Edward Louis (sic) Goodwin and Maria Love Smith. Married 11 January 1881.\" Includes the families of Goodwin, LeBaron, Briggs, Archer, Smith, Hawkins-Lee, Marshall and Ambler.\u003c/p\u003e","\u003cp\u003eCopy of handwritten genealogical chart of the Goodwin Family, \"last four generations, continued from Page 14.\"  Copy of handwritten narrative about the Goodwin Family with cover sheet noting \"Please leave each section exactly in order - Written (sic) by his son, Edward Lewis Goodwin, 1886, E.G. B.  68 pages.\u003c/p\u003e","\u003cp\u003eTyped copies of memoirs, manuscript journals and records of the ministry of Episcopal Minister Edward Lewis Goodwin, 1874-1897; manuscript and printed sermons, 1899-1905 and personal and ecclesiastical correspondence, 1868-1908. Also includes notes for a biography of Edward Lewis Goodwin's wife, Maria Love Smith and other Smith Family material. Edward Lewis Goodwin is the son of Frederick Deane Goodwin.\u003c/p\u003e","\u003cp\u003eCopy of a typed manuscript \"A Small Boy's Recollections of the War,\" by Edward L. Goodwin. 29 pp. 1 item.\u003c/p\u003e","\u003cp\u003eCopy of a typed manuscript \"Recollections of My First Parish, 1880-1885,\" by E[dward] L[ewis] Goodwin. 17 pp. Photo included. 1 item.\u003c/p\u003e","\u003cp\u003eManuscript Christmas sermon by Edward L. Goodwin.\u003c/p\u003e","\u003cp\u003eLetter about family news, dated September 26, 1868.  1 item.\u003c/p\u003e","\u003cp\u003eLetter from Maria L. Smith Goodwin to Edward L. Goodwin, dated August 28, 1893.\u003c/p\u003e","\u003cp\u003eFriends and fellow ministers about family and friends, scholarship, ministry and the Episcopal Church. Some correspondents are Rev. Robert White, E.A. Penick, Charles Mayo, J.R. Winchester, C.C. Penick, Charles F. Taylor, Francis M. Whittle (Bishop of the Diocese of Virginia) and others. 15 items.\u003c/p\u003e","\u003cp\u003eLetters mostly from friends about his ministry. Correspondents include Charles F. Taylor, George Greer, Peter Saunders, Thomas Packard, J. J. Gravatt, James Wheeler Warden, W.M. Clark and others. 14 items.\u003c/p\u003e","\u003cp\u003eLetter from M. C. Pelton acknowledging Edward L. Goodwin's resignation as minister of a church in Christiansburg, Va. Other letters concern the death of his wife, Maria Love (Smith) Goodwin. 5 items.\u003c/p\u003e","\u003cp\u003eLetters about the Episcopal Church, \"The History of Truro Parish,\" Custis/Washington family history and Virginia History. Correspondents include C.M. Beckwith, Lawrence Washington of the Library of Congress, N. B. Nevitt, P. C. Bagby, Gen. G. W. C. Lee about the Washington Family, C. C. Penick and others. 9 items.\u003c/p\u003e","\u003cp\u003eTyped manuscript, \"Monographs of the Colonial Church in Virginia, and other Historical Papers,\" [by Edward L. Goodwin?] 18 pp. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Journal of Edward Lewis Goodwin. Front cover states \"Theological Seminary, Virginia, Sept. 1874 - Oct. 1877.\" Some pages have been removed, probably by Edward Goodwin. Manuscript volume 1. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Journal of Edward Lewis Goodwin from October 1877 to January 1, 1881. He notes in a postscript at the end of the journal that since his last entry, he has married \"my darling Maria\" and he's not sure if he will continue recording his life and \"I know not what disposition I shall make of my journals....\" Some pages have been removed. Manuscript volume 2. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Journal of Edward Lewis Goodwin. Newclippings have been pasted into the journal. The clipping on page 7 is about the \"Late Rev. Mr. Goodwin [Frederick Deane Goodwin].\" Manuscript volume 3. 1 item.\u003c/p\u003e","\u003cp\u003e\"Private Register of Ministerial Acts\" by Edward Lewis Goodwin. Rev. Goodwin notes each activity he has performed as a minister. Some days have the time noted. June 1880-June 1890. Manuscript Volume 4. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Record of Ministry by Edward Lewis Goodwin. As the journal progresses, Dr. Goodwin begins to expand his daily entries to include the weather, personal reflections and other events. July 1, 1890 - September 30, 1893. Manuscript volume 5. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Journal and Records of Ministry by Edward Lewis Goodwin. Journal entries are more personal. Goodwin notes his daily schedule with personal reflections on the events of the day and his personal life. October 1, 1893 - July 31, 1897. Manuscript Volume 6. 1 item.\u003c/p\u003e","\u003cp\u003eScope and Contents Three printed sermons and addresses by Rev. Edward L. Goodwin. Baccalaureate Sermon for the Gunston Institute on June 10, 1900, \"The Sower of the Seed\" given at the Piedmont Convocation, April 26, 1905 and \"Historical Address on the Thirtieth Anniversary of the Consecration of St. Mark's Church in Richmond, Virginia,\" undated.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Robert Smith to his sister, Maria L. Smith Goodwin, about her marriage and family news. January 29, 1881.1 item.\u003c/p\u003e","\u003cp\u003eTitle of handwritten notes, \"On the Life of Maria Love Smith\" (1848-1892), written probably by Edward Lewis Goodwin (EGB). 6 pp. 1 item.\u003c/p\u003e","\u003cp\u003eCopy of a typed transcription of a letter written by Henry Lee Smith to his descendants telling about his life. Baltimore, Md, November 1947.\u003c/p\u003e","\u003cp\u003eFebruary 16, 1924 issue of \"The Southern Churchman\" with picture of \"The Late Rev. Edward L. Goodwin, D.D.\" on the cover and article on page 13.\u003c/p\u003e","\u003cp\u003eMary (Polly) Briggs and Daniel Goodwin were parents of at least 11 children. This series is mostly the papers of their son, Frederick Deane Goodwin, but also letters between the siblings and to their mother. Henry Bradford Goodwin is sometimes called Henry Briggs Goodwin.\u003c/p\u003e","\u003cp\u003ePapers of Frederick Deane Goodwin, Episcopal minister. Manuscript sermons, circa 1831-1865, and journal entries, 1838 and October 19, 1853; personal and ecclesiastical correspondence, 1827-1869; reports made to the Diocesan Missionary Society, 1859-1861, 1863; and \"Memorials of Our Father (Selections from the journals of the Rev. Goodwin, D. D.).\" Papers of Frederick Deane Goodwin's wife, Mary Frances Archer (1817-?), including her reminiscences of her early life, and an account of Wytheville, Va. during the Civil War by their oldest daughter, Fanny Archer Goodwin Ribble.\u003c/p\u003e","\u003cp\u003eCarbon copy of a typed manuscript, \"Memorials of Our Father.\"\u003c/p\u003e","\u003cp\u003eA copy of \"Memorials of Our Father\" with a subtitle \"(Selections from the journals of the Rev. Frederick Deane Goodwin with commentary by the Rev. Edward Lewis Goodwin, D. D.)\" Includes a photograph of The Rev. Frederick Deane Goodwin (1804-1881).\u003c/p\u003e","\u003cp\u003eA one page biography of Frederick Deane Goodwin by Mary Frances Goodwin. She mentions the number of Episcopal ministers in the Goodwin Family.\u003c/p\u003e","\u003cp\u003eCopy of typed transcription of Frederick D. Goodwin's Diary. 1 item.\u003c/p\u003e","\u003cp\u003eOriginal journal of Frederick D. Goodwin. January - December 1838 and October 19, 1853.\u003c/p\u003e","\u003cp\u003eManuscript sermons and a prayer by Frederick D. Goodwin. Circa 1831-1865. 4 items.\u003c/p\u003e","\u003cp\u003eLetter from Kanawha County court giving civil authority to Frederick D. Goodwin to perform marriages in Kanawha County. October 20, 1831. 1 item.\u003c/p\u003e","\u003cp\u003eLetters from Frederick Deane Goodwin (1804-1881) to his mother Polly (Briggs) Goodwin (1775-1861) in Norton, Massachusetts. The two 1841 letters are about the death of his sister, Mary, at his home and details of her days before she died.  The remaining letters are about family news.  6 items.\u003c/p\u003e","\u003cp\u003eLetters to Mary Frances (Archer) Goodwin from her husband, Frederick D. Goodwin.  In 1843, he mentions his resignation from the church (in Staunton, Virignia?)\u003c/p\u003e","\u003cp\u003eCopies of typed transcripts of letters from Frederick D. Goodwin to his sister Abigail P[atten] Goodwin and his brother Henry B. Goodwin, with extracts from Frederick D. Goodwin's journal. May 13, 1828 and June 17, 1826. One journal entry is about the conflicted feelings that Dr. Goodwin has when punishing a student with the rod and another entry about race after seeing three negro girls in the street, crying, possibly because they are leaving their home. 2 items.\u003c/p\u003e","\u003cp\u003eLetters from Frederick D. Goodwin to his sister, Hannah LeBaron Goodwin (1814-1904), about his ministry and family news. 14 items.\u003c/p\u003e","\u003cp\u003eLetter to his brother, Daniel LeBaron Goodwin about family news and his appointment as interim Rector of St. Paul's Church in Richmond, Virginia.  Incomplete. 1 item.\u003c/p\u003e","\u003cp\u003eTwo letters and 1 possible draft to Bishop William Meade about the Episcopal Church, both personal and general. 3 items.\u003c/p\u003e","\u003cp\u003eSix letters from Mary Frances Archer Goodwin to her husband, Frederick D. Goodwin with news of family, friends and the Episcopal Church.  She also expresses her feelings about his activities.  A handwritten note on the Oct. 23, 1837 letter says, \"Mother's only love letter.\"\u003c/p\u003e","\u003cp\u003eLetters from Henry Bradford Goodwin to his brother, Frederick D. Goodwin. In the December 8, 1842 letter, Henry Goodwin gives genealogical information on the Goodwin Family and his immediate family. In the March 27, 1845 letter and later letters, he gives his reasons for the defense of slavery in the North. Other letters include family news, finances and his thoughts and feelings on a variety of subjects. 9 items.\u003c/p\u003e","\u003cp\u003eLetters from Daniel LeBaron Goodwin to his brother, Frederick D. Goodwin. Gives advice on farming while being a minister and news of his ministry and family. January 1, 1856 and August 13, 1866. 2 items.\u003c/p\u003e","\u003cp\u003eTwo letters from James Bradford Goodwin to his brother, Frederick D. Goodwin about his ministry and family news. March 6, 1849 and August 5, 1852. 2 items.\u003c/p\u003e","\u003cp\u003eLetter from Edward Bryam Goodwin to his brother, Frederick D. Goodwin about news of the New England Goodwin family. news. 1 item.\u003c/p\u003e","\u003cp\u003e2 items.\u003c/p\u003e","\u003cp\u003e5 items.\u003c/p\u003e","\u003cp\u003eAlso notes from daughters Abigail Patten Goodwin (1798-1886) and Hannah LeBaron Goodwin (1814-?). 8 items.\u003c/p\u003e","\u003cp\u003e5 items.\u003c/p\u003e","\u003cp\u003e7 items.\u003c/p\u003e","\u003cp\u003eLetters to Frederick D. Goodwin from friends and peers. 15 items.\u003c/p\u003e","\u003cp\u003eLetters to Frederick D. Goodwin from friends and peers, mostly about ministry. Invitations to various Episcopal Church vestries. 17 items.\u003c/p\u003e","\u003cp\u003eReports by Frederick G. Goodwin to the Diocesan Missionary Society, Virginia.  4 items.\u003c/p\u003e","\u003cp\u003eLetter from Frederick LeBaron Goodwin to his father, Frederick D. Goodwin, while at the University of Virginia.  October 19, 1857.  1 item.\u003c/p\u003e","\u003cp\u003eScope and Contents Rich. H. Wilmer to Mrs. Frederick D. Goodwin telling her that the reports of  her son Frederick's death are false.  February 8, 1865.  1 item.\u003c/p\u003e","\u003cp\u003eCopy of typed transcript of \"Some Recollections of My Early Life\" by Mary Frances (Archer) Goodwin,  T 37 pp. 1 item.\u003c/p\u003e","\u003cp\u003eManuscript of \"Some Recollections of My Early Life,\" by Mary Frances (Archer) Goodwin. Signed. 123 pp. Includes typed extract, 1 p. 1 item.\u003c/p\u003e","\u003cp\u003eCopy of typed transcription of letter from Mary Baldwin Goodwin, daughter of Frederick Deane Goodwin and Mary Frances (Archer) Goodwin about the Golden Wedding Anniversary of their Grandparents, Robert and Frances Archer. March 29, 1866. 1 item.\u003c/p\u003e","\u003cp\u003eA note with the comments made by Mr. Boyden of Staunton about Frederick Deane Goodwin.\u003c/p\u003e","\u003cp\u003eOriginal recollection of the Civil War by Fanny Archer Goodwin Ribble, daughter of Frederick Deane Goodwin, entitled \"An Account of the Civil War in Wytheville.\" 10 pp. February 3, 1904. 1 item.\u003c/p\u003e","\u003cp\u003eTwo copies of an article \"The Church's Debt to the Goodwin Family, A Century of Fairthful Service\" by J. W. Ware from \"Southern Churchmen\" November 28, 1831. February 7, 1948 issue of \"The Southern Churchman\" with cover showing Dr. Rev. Frederick D. Goodwin, D.D. breaking ground for the first new dormitory at the Virginia Theological Seminary.\u003c/p\u003e","\u003cp\u003eCopy of an autobiography by Mary Frances (Archer) Goodwin, \"Some Recollections of my Early Life.\" The recollections also include a family sketch by her Father with genealogical data back to his \"Great-Great-Grandfather Archer\" who emigrated from England in 1665. 71 pp. Original and copy of [1837] letter from M. C. Lee to Mary Frances Archer Goodwin about her surprise in seeing in the paper her marriage to Frederick Deane Goodwin. A later handwritten note on the letter says \"Mrs. R.E. Lee.\"\u003c/p\u003e","\u003cp\u003ePersonal corespondence between the brothers and sisters of Frederick Deane Goodwin, all of them children of Mary (Polly) Briggs and Daniel Goodiwn. Letters of Henry Bradford Goodwin (Henry Briggs Goodwin) refer to his life as a minister and planter in Maryland and to his views on slavery. The correspondence of brothers Daniel LeBaron Goodwin and James Briggs Goodwin refer to their own activities in the Episcopal ministry. Other correspondents include their mother, Polly (Briggs) Goodwin and Hannah LeBaron Goodwin.\u003c/p\u003e","\u003cp\u003eLetter to Daniel LeBaron Goodwin from Jas. Mulchahey about a deathbed conversion. March 3, 1846. 1 item.\u003c/p\u003e","\u003cp\u003eLetter from Hannah LeBaron Goodwin to her mother Polly (Briggs) Goodwin about Mary De Wolf Goodwin's death and family news.  November 25, 1841. 1 item.\u003c/p\u003e","\u003cp\u003eLetter from Hannah LeBaron Goodwin to Mary De Wolfe Goodwin with personal news. June 21, 1841\u003c/p\u003e","\u003cp\u003eLetters to Hannah LeBaron Goodwin from her family, but mostly from her sister Mary D.W. Goodwin. 16 items.\u003c/p\u003e","\u003cp\u003eLetters from Henry Bradford Goodwin to Polly Briggs Goodwin with family news. 9 items.\u003c/p\u003e","\u003cp\u003eLetters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin,  to Henry's Mother, Polly (Briggs) Goodwin concerning family news.  3 letters.\u003c/p\u003e","\u003cp\u003eLetters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin to Hannah LeBaron Goodwin and Lewis B. [Benjamin Lewis] Goodwin (1819-1852).  24 items.\u003c/p\u003e","\u003cp\u003eLetter from Bishop Alexander Griswold to Henry Bradford Goodwin and Aaron B. Hard in which Bishop Griswold certifies Henry Bradford Goodwin and Aaron B. Hard as candidates for the Holy Order of the Eastern Diocese and their transfer to the Diocese of Virginia. Copied to Bishop Richard Channing Moore (1762-1841). March 26, 1829. 1 item.\u003c/p\u003e","\u003cp\u003eTyped transcriptions of the letters of The Rev. Henry Briggs Goodwin entitled \"Life and Letters of The Rev. Henry Briggs Goodwin, Port Tobacco, Maryland, 1804-1859, With a brief account of his family in Massachusetts and Maryland.\" 188 pages plus Appendix 1 and Appendix 2. Note: Henry Briggs Goodwin is sometimes called \"Henry Bradford Goodwin\" in other references.\u003c/p\u003e","\u003cp\u003eLetter from James Briggs Goodwin to Polly (Briggs) Goodwin with news of the death of Mary D.W. Goodwin and comments about his ministry. November 3, 1841.  1 item.\u003c/p\u003e","\u003cp\u003eSeptember 9, 1841 letter from James Briggs Goodwin and Frederick Deane Goodwin and an October 20, 1841 letter from Hannah LeBaron Goodwin and Henry B. Goodwina to their Mother, Polly (Briggs) Goodwin with consolation on the death of her daughter (their sister), Mary Goodwin.    2 letters.\u003c/p\u003e","\u003cp\u003eTwo letters from Lewis [Benjamin Lewis] Goodwin (1819-1852) to his wife, Abby (Whiting) Goodwin during a trip to California. February 12, 1853 letter from Joseph G. Wilson, Salem, Oregon, to Mrs. Lewis Goodwin about the circumstances of the death of her husband.  3 items.\u003c/p\u003e","\u003cp\u003eLetters from Mary De Wolf Goodwin to her Mother, Polly (Briggs) Goodwin about family news, her travels and teaching.   3 items.\u003c/p\u003e","\u003cp\u003eScope and Contents Papers of Mary Frances Goodwin, daughter of Rev. Edward Lewis Goodwin and researcher for Colonial Williamsburg. Includes letters to and from her family and friends while working as part of the American Expeditionary Forces for the YMCA in France at the end of World War I.  She worked in canteens in internment camps and later as a bookkeeper for the 82nd Division.  A few later letters deal mostly with family matters. Transcripts of correspondence between Dr. W. A. R. Goodwin's Office and Mary F. Goodwin during the discovery of the Bodleian Plate in England.  Typed rough draft \"Researching in England, 1929-1930\" describing the history of the Bodleian Plate and the search to find it.\u003c/p\u003e","\u003cp\u003eLetters written by Mary F. Goodwin to various family members during World War I. She writes from New York City, England and France. As part of the American Expeditionary Forces under the auspices of the YMCA, she trains in New York City at \"conferences\" then travels to France to work in different capacities with the American troops and internment camps. She is connected to the 82nd Division. She tells about her trip on a transport ship to England and her experiences in New York, England and France. She describes the places she visits, the countryside, people she meets, her work, the dances and parades, friends she sees and the local people. In her November 24 [1918] letter she notes, \"Mr. Bev Tucker is near here and there is to be a U.VA Alumni dinner or meeting here this week.\" She comments on many of the clergy in her area, particularly the Episcopal ministers and in her December 19, 1918 letter she includes a story \"Take This Holy Sacrament to Your Comfort\" about a service she attended in a hut. Some of her jobs include bookkeeping for the 82nd Division canteens and helping in the internment camps. She reflects on the emotional toll on the men and their future need for help. She talks of German propoganda and how they are trying to \"ingratiate themselves with the Army of Occupation.\" In later letters, where she gives more details of her experiences, she mentions that the earlier letters went through censors.\u003c/p\u003e","\u003cp\u003eLetters written to Mary F. Goodwin by her family and friends when she was in France during World War I working with the YMCA as part of the American Expeditionary Forces.  Her Father's letters (Rev. Edward Lewis Goodwin) concern his ministry, his church and the \"Southern Churchman\" plus news of family, friends and church members.  Other correspondents mainly focus on news of friends and family.\u003c/p\u003e","\u003cp\u003eLetter from the Treasurer of the Diocese of Virginia sending her Father's salary check for February, 1924 after her Father's death.  Request from G. MacLaren Brydon for information on her Father's \"List of the Colonial Clergy.\"  March 13, 1924 letter from Rev. W.A.R. Goodwin telling her that, per Dr. Chandler, there are no available jobs in the library.    1951 correspondence with Harnett T. Kane about Miss Goodwin's Grandmother's sketch of her girlhood at Fortress Monroe Sound.\"  1959 letter from Rev. Ferneyhough of Christ Church Parish, Lancaster County, Virginia about a memorial fund for her sister, Mrs. Conrad Goodwin  (Maria Lee Goodwin).  6 items.\u003c/p\u003e","\u003cp\u003eAccount of, and copies of, letters concerning the history and rediscovery of the Bodleian Plate. January 1, 1930 telegram from Dr. W.A.R. Goodwin to Mary Goodwin: \"Woods and Perry here join in congratulations considered greatest find in American Research Pictures Received Today Invaluable.\" Typed transcripts of January and February 1930 letters between Dr. W.A.R. Goodwin's Office and Mary F. Goodwin about the discovery of the Bodleian Plate. Typed draft of an account by Mary F. Goodwin entitled, \"Researching in England, 1929-1930\" where she relates the history of the Rawlinson Collection, the history of the beginning of Colonial Williamsburg and the trail of her research that led to the discovery of the Bodleian Plate.\u003c/p\u003e","\u003cp\u003eBooklet entitled, \"Steps to be taken by A.E.F.-Y.M.C.A Secretaries returning to America.\"  Handwritten are Mary Goodwin's date and place of birth, date of arrival in France, issue date of June 16, 1919 and department, Canteen.\u003c/p\u003e","\u003cp\u003eFormal photograph of Ethel Archer Lewis Lacy standing beside a rattan sofa.  She was the daughter of Mary Baldwin Goodwin and Thomas Hugo Lacy and granddaughter of Frederick Deane Goodwin.\u003c/p\u003e","\u003cp\u003eCopy of a typed manuscript \"From our Younger Years\" by Margaret [Lewis] Goodwin Ballard.  Written in 2 parts.  37 pp.  Margaret Lewis Goodwin Ballard is the daughter of Maria Love Smith and Edward Lewis Goodwin.\u003c/p\u003e","\u003cp\u003eCopy of typed transcript entitled \"Some Notes on the Ballard Family\" by Margaret Lewis (Goodwin) Ballard. 6 pp.\u003c/p\u003e","\u003cp\u003eCopy of typed transcriptions of letters from James William Ballard (1875-1920) while in the U.S. Army in the Philippines, mostly to his mother, Mary Reid Thrift Ballard (circa 1852-1927). Selection of letters is by Margaret Lewis Goodwin Ballard (1881-1981) his daughter. 12 pp.\u003c/p\u003e","\u003cp\u003eIncludes the memoirs of Edward Lewis Goodwin's daughter, Margaret (Goodwin) Ballard (1881-?), and her notes on the Ballard family and Mary Frances Goodwin's (1883-1973) correspondence, 1924-1959, and an account of her research in England for Colonial Williamsburg, 1929-1930.\u003c/p\u003e","\u003cp\u003eCopies of typed transcriptions of 2 letters from Agnes H. Marshall to John Marshall, 1825 and 1832 and 1 letter from Joseph Story to The Honorable John Marshall, 1833.\u003c/p\u003e","\u003cp\u003eClipping of a photograph of \"Incline Plane at Johnstown\" and a \"Historical Map of the Old Northwest Territory\" owned by J. F. Goodwin. 2 items.\u003c/p\u003e","\u003cp\u003e2 letter fragments, one to \"Dear Brother\" dated March 18 and one from \"Your Grandfather\" with advice for farming. 2 items.\u003c/p\u003e","\u003cp\u003eEmpty folders that contained the letters in this collection, some with notations of importance, recipient, writer, dates and if copied for others. Empty envelopes.\u003c/p\u003e","\u003cp\u003e1917 photograph of Barbara Elizabeth, Age 2 and Verner Goodwin, Jr., age 3.  A collage of photographs, some original, of Goodwin family ancestors.  Filed in oversize.\u003c/p\u003e","\u003cp\u003eThis series is a temporary series until it has been interfiled with the rest of the collection. The series contains genealogical material related to the Goodwin family as well as the Ribble family, and includes correspondence, dating back to the American Civil War, certificates, and other material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters, memoirs, journals, sermons, monographs, genealogical material concerning the Goodwin, Archer, Silvester, Ballard and Smith families.","The bulk of the collection is comprised of the papers of Frederick Deane Goodwin, an Episcopal minister.  Bishop William Meade is a correspondent.  Correspondence between Frederick Deane Goodwin's immediate family is included and papers of his son, Edward Lewis Goodwin, an Episcopal minister and his granddaughter, Mary Frances Goodwin, a researcher for Colonial Williamsburg.","Much of the correspondence, journals and recollections concern the Goodwin Family and/or the Episcopal Church in Virginia and elsewhere. Mary Frances Goodwin's letters are from her time in France at the end of World War I and her discovery of the Bodleian Plate in 1930.","Volumes include diaries, journals and registers of Edward Lewis Goodwin, correspondence between family members and letters to and from Mary Frances Goodwin during World War I while she was working with the YMCA in France as part of the American Expeditionary Force. The Episcopal Church of Virginia is mentioned often in the correspondence by all family members.","Included is a memoir by Mary F. Goodwin on her discovery of the Bodleian Plate, a copper printing plate with buildings of 18th century Williamsburg, and a memoir of Wytheville, Virginia during the Civil War.","Family histories written by members of the Goodwin and Archer families, genealogical charts and family trees, including those of the Smith and Ballard families, and copies of entries in the Goodwin Family Bible.","Copy of a typed manuscript entitled \"Goodwin Ancestry \u0026 History.\" Notation on document, \"written evidently be the Rev. Edward Lewis Goodwin up to p. 21. Thence, evidently, continued by Miss Mary Frances Goodwin, his daughter. RSB.\" 34 pp.","Copies of Bible entries from the Goodwin Family Bible for marriages, births and deaths.  6 pp. 1 item.","Manuscript of the book \"The Archer and Silvester Families\" written and signed by Robert Archer, April 1870. One printed version, with signature of Edward Goodwin Ballard. Printed in April 1937 by William Byrd Press, Inc. 28 pp.","Copies of 2 genealogical charts with some handwritten notes.","Handwritten genealogical chart entitled \"Genealogy of Edward Louis (sic) Goodwin and Maria Love Smith. Married 11 January 1881.\" Includes the families of Goodwin, LeBaron, Briggs, Archer, Smith, Hawkins-Lee, Marshall and Ambler.","Copy of handwritten genealogical chart of the Goodwin Family, \"last four generations, continued from Page 14.\"  Copy of handwritten narrative about the Goodwin Family with cover sheet noting \"Please leave each section exactly in order - Written (sic) by his son, Edward Lewis Goodwin, 1886, E.G. B.  68 pages.","Typed copies of memoirs, manuscript journals and records of the ministry of Episcopal Minister Edward Lewis Goodwin, 1874-1897; manuscript and printed sermons, 1899-1905 and personal and ecclesiastical correspondence, 1868-1908. Also includes notes for a biography of Edward Lewis Goodwin's wife, Maria Love Smith and other Smith Family material. Edward Lewis Goodwin is the son of Frederick Deane Goodwin.","Copy of a typed manuscript \"A Small Boy's Recollections of the War,\" by Edward L. Goodwin. 29 pp. 1 item.","Copy of a typed manuscript \"Recollections of My First Parish, 1880-1885,\" by E[dward] L[ewis] Goodwin. 17 pp. Photo included. 1 item.","Manuscript Christmas sermon by Edward L. Goodwin.","Letter about family news, dated September 26, 1868.  1 item.","Letter from Maria L. Smith Goodwin to Edward L. Goodwin, dated August 28, 1893.","Friends and fellow ministers about family and friends, scholarship, ministry and the Episcopal Church. Some correspondents are Rev. Robert White, E.A. Penick, Charles Mayo, J.R. Winchester, C.C. Penick, Charles F. Taylor, Francis M. Whittle (Bishop of the Diocese of Virginia) and others. 15 items.","Letters mostly from friends about his ministry. Correspondents include Charles F. Taylor, George Greer, Peter Saunders, Thomas Packard, J. J. Gravatt, James Wheeler Warden, W.M. Clark and others. 14 items.","Letter from M. C. Pelton acknowledging Edward L. Goodwin's resignation as minister of a church in Christiansburg, Va. Other letters concern the death of his wife, Maria Love (Smith) Goodwin. 5 items.","Letters about the Episcopal Church, \"The History of Truro Parish,\" Custis/Washington family history and Virginia History. Correspondents include C.M. Beckwith, Lawrence Washington of the Library of Congress, N. B. Nevitt, P. C. Bagby, Gen. G. W. C. Lee about the Washington Family, C. C. Penick and others. 9 items.","Typed manuscript, \"Monographs of the Colonial Church in Virginia, and other Historical Papers,\" [by Edward L. Goodwin?] 18 pp. 1 item.","Private Journal of Edward Lewis Goodwin. Front cover states \"Theological Seminary, Virginia, Sept. 1874 - Oct. 1877.\" Some pages have been removed, probably by Edward Goodwin. Manuscript volume 1. 1 item.","Private Journal of Edward Lewis Goodwin from October 1877 to January 1, 1881. He notes in a postscript at the end of the journal that since his last entry, he has married \"my darling Maria\" and he's not sure if he will continue recording his life and \"I know not what disposition I shall make of my journals....\" Some pages have been removed. Manuscript volume 2. 1 item.","Private Journal of Edward Lewis Goodwin. Newclippings have been pasted into the journal. The clipping on page 7 is about the \"Late Rev. Mr. Goodwin [Frederick Deane Goodwin].\" Manuscript volume 3. 1 item.","\"Private Register of Ministerial Acts\" by Edward Lewis Goodwin. Rev. Goodwin notes each activity he has performed as a minister. Some days have the time noted. June 1880-June 1890. Manuscript Volume 4. 1 item.","Private Record of Ministry by Edward Lewis Goodwin. As the journal progresses, Dr. Goodwin begins to expand his daily entries to include the weather, personal reflections and other events. July 1, 1890 - September 30, 1893. Manuscript volume 5. 1 item.","Private Journal and Records of Ministry by Edward Lewis Goodwin. Journal entries are more personal. Goodwin notes his daily schedule with personal reflections on the events of the day and his personal life. October 1, 1893 - July 31, 1897. Manuscript Volume 6. 1 item.","Scope and Contents Three printed sermons and addresses by Rev. Edward L. Goodwin. Baccalaureate Sermon for the Gunston Institute on June 10, 1900, \"The Sower of the Seed\" given at the Piedmont Convocation, April 26, 1905 and \"Historical Address on the Thirtieth Anniversary of the Consecration of St. Mark's Church in Richmond, Virginia,\" undated.","Scope and Contents Letter from Robert Smith to his sister, Maria L. Smith Goodwin, about her marriage and family news. January 29, 1881.1 item.","Title of handwritten notes, \"On the Life of Maria Love Smith\" (1848-1892), written probably by Edward Lewis Goodwin (EGB). 6 pp. 1 item.","Copy of a typed transcription of a letter written by Henry Lee Smith to his descendants telling about his life. Baltimore, Md, November 1947.","February 16, 1924 issue of \"The Southern Churchman\" with picture of \"The Late Rev. Edward L. Goodwin, D.D.\" on the cover and article on page 13.","Mary (Polly) Briggs and Daniel Goodwin were parents of at least 11 children. This series is mostly the papers of their son, Frederick Deane Goodwin, but also letters between the siblings and to their mother. Henry Bradford Goodwin is sometimes called Henry Briggs Goodwin.","Papers of Frederick Deane Goodwin, Episcopal minister. Manuscript sermons, circa 1831-1865, and journal entries, 1838 and October 19, 1853; personal and ecclesiastical correspondence, 1827-1869; reports made to the Diocesan Missionary Society, 1859-1861, 1863; and \"Memorials of Our Father (Selections from the journals of the Rev. Goodwin, D. D.).\" Papers of Frederick Deane Goodwin's wife, Mary Frances Archer (1817-?), including her reminiscences of her early life, and an account of Wytheville, Va. during the Civil War by their oldest daughter, Fanny Archer Goodwin Ribble.","Carbon copy of a typed manuscript, \"Memorials of Our Father.\"","A copy of \"Memorials of Our Father\" with a subtitle \"(Selections from the journals of the Rev. Frederick Deane Goodwin with commentary by the Rev. Edward Lewis Goodwin, D. D.)\" Includes a photograph of The Rev. Frederick Deane Goodwin (1804-1881).","A one page biography of Frederick Deane Goodwin by Mary Frances Goodwin. She mentions the number of Episcopal ministers in the Goodwin Family.","Copy of typed transcription of Frederick D. Goodwin's Diary. 1 item.","Original journal of Frederick D. Goodwin. January - December 1838 and October 19, 1853.","Manuscript sermons and a prayer by Frederick D. Goodwin. Circa 1831-1865. 4 items.","Letter from Kanawha County court giving civil authority to Frederick D. Goodwin to perform marriages in Kanawha County. October 20, 1831. 1 item.","Letters from Frederick Deane Goodwin (1804-1881) to his mother Polly (Briggs) Goodwin (1775-1861) in Norton, Massachusetts. The two 1841 letters are about the death of his sister, Mary, at his home and details of her days before she died.  The remaining letters are about family news.  6 items.","Letters to Mary Frances (Archer) Goodwin from her husband, Frederick D. Goodwin.  In 1843, he mentions his resignation from the church (in Staunton, Virignia?)","Copies of typed transcripts of letters from Frederick D. Goodwin to his sister Abigail P[atten] Goodwin and his brother Henry B. Goodwin, with extracts from Frederick D. Goodwin's journal. May 13, 1828 and June 17, 1826. One journal entry is about the conflicted feelings that Dr. Goodwin has when punishing a student with the rod and another entry about race after seeing three negro girls in the street, crying, possibly because they are leaving their home. 2 items.","Letters from Frederick D. Goodwin to his sister, Hannah LeBaron Goodwin (1814-1904), about his ministry and family news. 14 items.","Letter to his brother, Daniel LeBaron Goodwin about family news and his appointment as interim Rector of St. Paul's Church in Richmond, Virginia.  Incomplete. 1 item.","Two letters and 1 possible draft to Bishop William Meade about the Episcopal Church, both personal and general. 3 items.","Six letters from Mary Frances Archer Goodwin to her husband, Frederick D. Goodwin with news of family, friends and the Episcopal Church.  She also expresses her feelings about his activities.  A handwritten note on the Oct. 23, 1837 letter says, \"Mother's only love letter.\"","Letters from Henry Bradford Goodwin to his brother, Frederick D. Goodwin. In the December 8, 1842 letter, Henry Goodwin gives genealogical information on the Goodwin Family and his immediate family. In the March 27, 1845 letter and later letters, he gives his reasons for the defense of slavery in the North. Other letters include family news, finances and his thoughts and feelings on a variety of subjects. 9 items.","Letters from Daniel LeBaron Goodwin to his brother, Frederick D. Goodwin. Gives advice on farming while being a minister and news of his ministry and family. January 1, 1856 and August 13, 1866. 2 items.","Two letters from James Bradford Goodwin to his brother, Frederick D. Goodwin about his ministry and family news. March 6, 1849 and August 5, 1852. 2 items.","Letter from Edward Bryam Goodwin to his brother, Frederick D. Goodwin about news of the New England Goodwin family. news. 1 item.","2 items.","5 items.","Also notes from daughters Abigail Patten Goodwin (1798-1886) and Hannah LeBaron Goodwin (1814-?). 8 items.","5 items.","7 items.","Letters to Frederick D. Goodwin from friends and peers. 15 items.","Letters to Frederick D. Goodwin from friends and peers, mostly about ministry. Invitations to various Episcopal Church vestries. 17 items.","Reports by Frederick G. Goodwin to the Diocesan Missionary Society, Virginia.  4 items.","Letter from Frederick LeBaron Goodwin to his father, Frederick D. Goodwin, while at the University of Virginia.  October 19, 1857.  1 item.","Scope and Contents Rich. H. Wilmer to Mrs. Frederick D. Goodwin telling her that the reports of  her son Frederick's death are false.  February 8, 1865.  1 item.","Copy of typed transcript of \"Some Recollections of My Early Life\" by Mary Frances (Archer) Goodwin,  T 37 pp. 1 item.","Manuscript of \"Some Recollections of My Early Life,\" by Mary Frances (Archer) Goodwin. Signed. 123 pp. Includes typed extract, 1 p. 1 item.","Copy of typed transcription of letter from Mary Baldwin Goodwin, daughter of Frederick Deane Goodwin and Mary Frances (Archer) Goodwin about the Golden Wedding Anniversary of their Grandparents, Robert and Frances Archer. March 29, 1866. 1 item.","A note with the comments made by Mr. Boyden of Staunton about Frederick Deane Goodwin.","Original recollection of the Civil War by Fanny Archer Goodwin Ribble, daughter of Frederick Deane Goodwin, entitled \"An Account of the Civil War in Wytheville.\" 10 pp. February 3, 1904. 1 item.","Two copies of an article \"The Church's Debt to the Goodwin Family, A Century of Fairthful Service\" by J. W. Ware from \"Southern Churchmen\" November 28, 1831. February 7, 1948 issue of \"The Southern Churchman\" with cover showing Dr. Rev. Frederick D. Goodwin, D.D. breaking ground for the first new dormitory at the Virginia Theological Seminary.","Copy of an autobiography by Mary Frances (Archer) Goodwin, \"Some Recollections of my Early Life.\" The recollections also include a family sketch by her Father with genealogical data back to his \"Great-Great-Grandfather Archer\" who emigrated from England in 1665. 71 pp. Original and copy of [1837] letter from M. C. Lee to Mary Frances Archer Goodwin about her surprise in seeing in the paper her marriage to Frederick Deane Goodwin. A later handwritten note on the letter says \"Mrs. R.E. Lee.\"","Personal corespondence between the brothers and sisters of Frederick Deane Goodwin, all of them children of Mary (Polly) Briggs and Daniel Goodiwn. Letters of Henry Bradford Goodwin (Henry Briggs Goodwin) refer to his life as a minister and planter in Maryland and to his views on slavery. The correspondence of brothers Daniel LeBaron Goodwin and James Briggs Goodwin refer to their own activities in the Episcopal ministry. Other correspondents include their mother, Polly (Briggs) Goodwin and Hannah LeBaron Goodwin.","Letter to Daniel LeBaron Goodwin from Jas. Mulchahey about a deathbed conversion. March 3, 1846. 1 item.","Letter from Hannah LeBaron Goodwin to her mother Polly (Briggs) Goodwin about Mary De Wolf Goodwin's death and family news.  November 25, 1841. 1 item.","Letter from Hannah LeBaron Goodwin to Mary De Wolfe Goodwin with personal news. June 21, 1841","Letters to Hannah LeBaron Goodwin from her family, but mostly from her sister Mary D.W. Goodwin. 16 items.","Letters from Henry Bradford Goodwin to Polly Briggs Goodwin with family news. 9 items.","Letters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin,  to Henry's Mother, Polly (Briggs) Goodwin concerning family news.  3 letters.","Letters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin to Hannah LeBaron Goodwin and Lewis B. [Benjamin Lewis] Goodwin (1819-1852).  24 items.","Letter from Bishop Alexander Griswold to Henry Bradford Goodwin and Aaron B. Hard in which Bishop Griswold certifies Henry Bradford Goodwin and Aaron B. Hard as candidates for the Holy Order of the Eastern Diocese and their transfer to the Diocese of Virginia. Copied to Bishop Richard Channing Moore (1762-1841). March 26, 1829. 1 item.","Typed transcriptions of the letters of The Rev. Henry Briggs Goodwin entitled \"Life and Letters of The Rev. Henry Briggs Goodwin, Port Tobacco, Maryland, 1804-1859, With a brief account of his family in Massachusetts and Maryland.\" 188 pages plus Appendix 1 and Appendix 2. Note: Henry Briggs Goodwin is sometimes called \"Henry Bradford Goodwin\" in other references.","Letter from James Briggs Goodwin to Polly (Briggs) Goodwin with news of the death of Mary D.W. Goodwin and comments about his ministry. November 3, 1841.  1 item.","September 9, 1841 letter from James Briggs Goodwin and Frederick Deane Goodwin and an October 20, 1841 letter from Hannah LeBaron Goodwin and Henry B. Goodwina to their Mother, Polly (Briggs) Goodwin with consolation on the death of her daughter (their sister), Mary Goodwin.    2 letters.","Two letters from Lewis [Benjamin Lewis] Goodwin (1819-1852) to his wife, Abby (Whiting) Goodwin during a trip to California. February 12, 1853 letter from Joseph G. Wilson, Salem, Oregon, to Mrs. Lewis Goodwin about the circumstances of the death of her husband.  3 items.","Letters from Mary De Wolf Goodwin to her Mother, Polly (Briggs) Goodwin about family news, her travels and teaching.   3 items.","Scope and Contents Papers of Mary Frances Goodwin, daughter of Rev. Edward Lewis Goodwin and researcher for Colonial Williamsburg. Includes letters to and from her family and friends while working as part of the American Expeditionary Forces for the YMCA in France at the end of World War I.  She worked in canteens in internment camps and later as a bookkeeper for the 82nd Division.  A few later letters deal mostly with family matters. Transcripts of correspondence between Dr. W. A. R. Goodwin's Office and Mary F. Goodwin during the discovery of the Bodleian Plate in England.  Typed rough draft \"Researching in England, 1929-1930\" describing the history of the Bodleian Plate and the search to find it.","Letters written by Mary F. Goodwin to various family members during World War I. She writes from New York City, England and France. As part of the American Expeditionary Forces under the auspices of the YMCA, she trains in New York City at \"conferences\" then travels to France to work in different capacities with the American troops and internment camps. She is connected to the 82nd Division. She tells about her trip on a transport ship to England and her experiences in New York, England and France. She describes the places she visits, the countryside, people she meets, her work, the dances and parades, friends she sees and the local people. In her November 24 [1918] letter she notes, \"Mr. Bev Tucker is near here and there is to be a U.VA Alumni dinner or meeting here this week.\" She comments on many of the clergy in her area, particularly the Episcopal ministers and in her December 19, 1918 letter she includes a story \"Take This Holy Sacrament to Your Comfort\" about a service she attended in a hut. Some of her jobs include bookkeeping for the 82nd Division canteens and helping in the internment camps. She reflects on the emotional toll on the men and their future need for help. She talks of German propoganda and how they are trying to \"ingratiate themselves with the Army of Occupation.\" In later letters, where she gives more details of her experiences, she mentions that the earlier letters went through censors.","Letters written to Mary F. Goodwin by her family and friends when she was in France during World War I working with the YMCA as part of the American Expeditionary Forces.  Her Father's letters (Rev. Edward Lewis Goodwin) concern his ministry, his church and the \"Southern Churchman\" plus news of family, friends and church members.  Other correspondents mainly focus on news of friends and family.","Letter from the Treasurer of the Diocese of Virginia sending her Father's salary check for February, 1924 after her Father's death.  Request from G. MacLaren Brydon for information on her Father's \"List of the Colonial Clergy.\"  March 13, 1924 letter from Rev. W.A.R. Goodwin telling her that, per Dr. Chandler, there are no available jobs in the library.    1951 correspondence with Harnett T. Kane about Miss Goodwin's Grandmother's sketch of her girlhood at Fortress Monroe Sound.\"  1959 letter from Rev. Ferneyhough of Christ Church Parish, Lancaster County, Virginia about a memorial fund for her sister, Mrs. Conrad Goodwin  (Maria Lee Goodwin).  6 items.","Account of, and copies of, letters concerning the history and rediscovery of the Bodleian Plate. January 1, 1930 telegram from Dr. W.A.R. Goodwin to Mary Goodwin: \"Woods and Perry here join in congratulations considered greatest find in American Research Pictures Received Today Invaluable.\" Typed transcripts of January and February 1930 letters between Dr. W.A.R. Goodwin's Office and Mary F. Goodwin about the discovery of the Bodleian Plate. Typed draft of an account by Mary F. Goodwin entitled, \"Researching in England, 1929-1930\" where she relates the history of the Rawlinson Collection, the history of the beginning of Colonial Williamsburg and the trail of her research that led to the discovery of the Bodleian Plate.","Booklet entitled, \"Steps to be taken by A.E.F.-Y.M.C.A Secretaries returning to America.\"  Handwritten are Mary Goodwin's date and place of birth, date of arrival in France, issue date of June 16, 1919 and department, Canteen.","Formal photograph of Ethel Archer Lewis Lacy standing beside a rattan sofa.  She was the daughter of Mary Baldwin Goodwin and Thomas Hugo Lacy and granddaughter of Frederick Deane Goodwin.","Copy of a typed manuscript \"From our Younger Years\" by Margaret [Lewis] Goodwin Ballard.  Written in 2 parts.  37 pp.  Margaret Lewis Goodwin Ballard is the daughter of Maria Love Smith and Edward Lewis Goodwin.","Copy of typed transcript entitled \"Some Notes on the Ballard Family\" by Margaret Lewis (Goodwin) Ballard. 6 pp.","Copy of typed transcriptions of letters from James William Ballard (1875-1920) while in the U.S. Army in the Philippines, mostly to his mother, Mary Reid Thrift Ballard (circa 1852-1927). Selection of letters is by Margaret Lewis Goodwin Ballard (1881-1981) his daughter. 12 pp.","Includes the memoirs of Edward Lewis Goodwin's daughter, Margaret (Goodwin) Ballard (1881-?), and her notes on the Ballard family and Mary Frances Goodwin's (1883-1973) correspondence, 1924-1959, and an account of her research in England for Colonial Williamsburg, 1929-1930.","Copies of typed transcriptions of 2 letters from Agnes H. Marshall to John Marshall, 1825 and 1832 and 1 letter from Joseph Story to The Honorable John Marshall, 1833.","Clipping of a photograph of \"Incline Plane at Johnstown\" and a \"Historical Map of the Old Northwest Territory\" owned by J. F. Goodwin. 2 items.","2 letter fragments, one to \"Dear Brother\" dated March 18 and one from \"Your Grandfather\" with advice for farming. 2 items.","Empty folders that contained the letters in this collection, some with notations of importance, recipient, writer, dates and if copied for others. Empty envelopes.","1917 photograph of Barbara Elizabeth, Age 2 and Verner Goodwin, Jr., age 3.  A collage of photographs, some original, of Goodwin family ancestors.  Filed in oversize.","This series is a temporary series until it has been interfiled with the rest of the collection. The series contains genealogical material related to the Goodwin family as well as the Ribble family, and includes correspondence, dating back to the American Civil War, certificates, and other material."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","United States. Army. American Expeditionary Forces"],"names_coll_ssim":["United States. Army. American Expeditionary Forces","Ballard family","Goodwin family","Smith family"],"famname_ssim":["Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family"],"persname_ssim":["Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"names_ssim":["Special Collections Research Center","United States. Army. American Expeditionary Forces","Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family","Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":100,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:16.704Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9058","ead_ssi":"viw_repositories_2_resources_9058","_root_":"viw_repositories_2_resources_9058","_nest_parent_":"viw_repositories_2_resources_9058","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9058.xml","title_filing_ssi":"Goodwin Family Papers","title_ssm":["Goodwin Family Papers"],"title_tesim":["Goodwin Family Papers"],"unitdate_ssm":["1826-1959"],"unitdate_inclusive_ssm":["1826-1959"],"normalized_date_ssm":["1826/1959"],"normalized_title_ssm":["Goodwin Family Papers, 1826/1959"],"text":["Goodwin Family Papers, 1826/1959","Mss. 78 G63","/repositories/2/resources/9058","France--Description and travel--20th century","Virginia--History--Civil War, 1861-1865","Virginia--Religious history","Wytheville (Va.)--History--19th century","Colonial Williamsburg Foundation--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Genealogy","Personal narratives","Philippines--History--Philippine American War, 1899-1902","United States--Slavery","World War, 1914-1918--France--Paris","World War, 1914-1918--War work--Young Men's Christian Association","World War, 1914-1918--War work--Young Women's Christian Associations","Correspondence","Diaries","Photographs","Speeches","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is divided into Series, mainly by individual family names but also a few topical headings.","The Goodwin family moved from Massachusetts and members settled in Virginia and Maryland. Three generations of Goodwin men served as Episcopal ministers. Frederick Deane Goodwin served parishes in Virginia. Edwin Lewis Goodwin was born in Nelson County, Va. and studied at the University of Virginia and at the Virginia Theological Seminary. He served parishes in Virginia and South Carolina, was historiographer of the Diocese of Virginia and author of The Colonial Church in Virginia. His son, Frederick D. Goodwin was Bishop of Virginia, 1944-1961. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Acc. 2013.114 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013.   Acc. 2013.114 was interfiled with the original accession and the series were rearranged in August 2014 by Anne Johnson.","Letters, memoirs, journals, sermons, monographs, genealogical material concerning the Goodwin, Archer, Silvester, Ballard and Smith families.","The bulk of the collection is comprised of the papers of Frederick Deane Goodwin, an Episcopal minister.  Bishop William Meade is a correspondent.  Correspondence between Frederick Deane Goodwin's immediate family is included and papers of his son, Edward Lewis Goodwin, an Episcopal minister and his granddaughter, Mary Frances Goodwin, a researcher for Colonial Williamsburg.","Much of the correspondence, journals and recollections concern the Goodwin Family and/or the Episcopal Church in Virginia and elsewhere. Mary Frances Goodwin's letters are from her time in France at the end of World War I and her discovery of the Bodleian Plate in 1930.","Volumes include diaries, journals and registers of Edward Lewis Goodwin, correspondence between family members and letters to and from Mary Frances Goodwin during World War I while she was working with the YMCA in France as part of the American Expeditionary Force. The Episcopal Church of Virginia is mentioned often in the correspondence by all family members.","Included is a memoir by Mary F. Goodwin on her discovery of the Bodleian Plate, a copper printing plate with buildings of 18th century Williamsburg, and a memoir of Wytheville, Virginia during the Civil War.","Family histories written by members of the Goodwin and Archer families, genealogical charts and family trees, including those of the Smith and Ballard families, and copies of entries in the Goodwin Family Bible.","Copy of a typed manuscript entitled \"Goodwin Ancestry \u0026 History.\" Notation on document, \"written evidently be the Rev. Edward Lewis Goodwin up to p. 21. Thence, evidently, continued by Miss Mary Frances Goodwin, his daughter. RSB.\" 34 pp.","Copies of Bible entries from the Goodwin Family Bible for marriages, births and deaths.  6 pp. 1 item.","Manuscript of the book \"The Archer and Silvester Families\" written and signed by Robert Archer, April 1870. One printed version, with signature of Edward Goodwin Ballard. Printed in April 1937 by William Byrd Press, Inc. 28 pp.","Copies of 2 genealogical charts with some handwritten notes.","Handwritten genealogical chart entitled \"Genealogy of Edward Louis (sic) Goodwin and Maria Love Smith. Married 11 January 1881.\" Includes the families of Goodwin, LeBaron, Briggs, Archer, Smith, Hawkins-Lee, Marshall and Ambler.","Copy of handwritten genealogical chart of the Goodwin Family, \"last four generations, continued from Page 14.\"  Copy of handwritten narrative about the Goodwin Family with cover sheet noting \"Please leave each section exactly in order - Written (sic) by his son, Edward Lewis Goodwin, 1886, E.G. B.  68 pages.","Typed copies of memoirs, manuscript journals and records of the ministry of Episcopal Minister Edward Lewis Goodwin, 1874-1897; manuscript and printed sermons, 1899-1905 and personal and ecclesiastical correspondence, 1868-1908. Also includes notes for a biography of Edward Lewis Goodwin's wife, Maria Love Smith and other Smith Family material. Edward Lewis Goodwin is the son of Frederick Deane Goodwin.","Copy of a typed manuscript \"A Small Boy's Recollections of the War,\" by Edward L. Goodwin. 29 pp. 1 item.","Copy of a typed manuscript \"Recollections of My First Parish, 1880-1885,\" by E[dward] L[ewis] Goodwin. 17 pp. Photo included. 1 item.","Manuscript Christmas sermon by Edward L. Goodwin.","Letter about family news, dated September 26, 1868.  1 item.","Letter from Maria L. Smith Goodwin to Edward L. Goodwin, dated August 28, 1893.","Friends and fellow ministers about family and friends, scholarship, ministry and the Episcopal Church. Some correspondents are Rev. Robert White, E.A. Penick, Charles Mayo, J.R. Winchester, C.C. Penick, Charles F. Taylor, Francis M. Whittle (Bishop of the Diocese of Virginia) and others. 15 items.","Letters mostly from friends about his ministry. Correspondents include Charles F. Taylor, George Greer, Peter Saunders, Thomas Packard, J. J. Gravatt, James Wheeler Warden, W.M. Clark and others. 14 items.","Letter from M. C. Pelton acknowledging Edward L. Goodwin's resignation as minister of a church in Christiansburg, Va. Other letters concern the death of his wife, Maria Love (Smith) Goodwin. 5 items.","Letters about the Episcopal Church, \"The History of Truro Parish,\" Custis/Washington family history and Virginia History. Correspondents include C.M. Beckwith, Lawrence Washington of the Library of Congress, N. B. Nevitt, P. C. Bagby, Gen. G. W. C. Lee about the Washington Family, C. C. Penick and others. 9 items.","Typed manuscript, \"Monographs of the Colonial Church in Virginia, and other Historical Papers,\" [by Edward L. Goodwin?] 18 pp. 1 item.","Private Journal of Edward Lewis Goodwin. Front cover states \"Theological Seminary, Virginia, Sept. 1874 - Oct. 1877.\" Some pages have been removed, probably by Edward Goodwin. Manuscript volume 1. 1 item.","Private Journal of Edward Lewis Goodwin from October 1877 to January 1, 1881. He notes in a postscript at the end of the journal that since his last entry, he has married \"my darling Maria\" and he's not sure if he will continue recording his life and \"I know not what disposition I shall make of my journals....\" Some pages have been removed. Manuscript volume 2. 1 item.","Private Journal of Edward Lewis Goodwin. Newclippings have been pasted into the journal. The clipping on page 7 is about the \"Late Rev. Mr. Goodwin [Frederick Deane Goodwin].\" Manuscript volume 3. 1 item.","\"Private Register of Ministerial Acts\" by Edward Lewis Goodwin. Rev. Goodwin notes each activity he has performed as a minister. Some days have the time noted. June 1880-June 1890. Manuscript Volume 4. 1 item.","Private Record of Ministry by Edward Lewis Goodwin. As the journal progresses, Dr. Goodwin begins to expand his daily entries to include the weather, personal reflections and other events. July 1, 1890 - September 30, 1893. Manuscript volume 5. 1 item.","Private Journal and Records of Ministry by Edward Lewis Goodwin. Journal entries are more personal. Goodwin notes his daily schedule with personal reflections on the events of the day and his personal life. October 1, 1893 - July 31, 1897. Manuscript Volume 6. 1 item.","Scope and Contents Three printed sermons and addresses by Rev. Edward L. Goodwin. Baccalaureate Sermon for the Gunston Institute on June 10, 1900, \"The Sower of the Seed\" given at the Piedmont Convocation, April 26, 1905 and \"Historical Address on the Thirtieth Anniversary of the Consecration of St. Mark's Church in Richmond, Virginia,\" undated.","Scope and Contents Letter from Robert Smith to his sister, Maria L. Smith Goodwin, about her marriage and family news. January 29, 1881.1 item.","Title of handwritten notes, \"On the Life of Maria Love Smith\" (1848-1892), written probably by Edward Lewis Goodwin (EGB). 6 pp. 1 item.","Copy of a typed transcription of a letter written by Henry Lee Smith to his descendants telling about his life. Baltimore, Md, November 1947.","February 16, 1924 issue of \"The Southern Churchman\" with picture of \"The Late Rev. Edward L. Goodwin, D.D.\" on the cover and article on page 13.","Mary (Polly) Briggs and Daniel Goodwin were parents of at least 11 children. This series is mostly the papers of their son, Frederick Deane Goodwin, but also letters between the siblings and to their mother. Henry Bradford Goodwin is sometimes called Henry Briggs Goodwin.","Papers of Frederick Deane Goodwin, Episcopal minister. Manuscript sermons, circa 1831-1865, and journal entries, 1838 and October 19, 1853; personal and ecclesiastical correspondence, 1827-1869; reports made to the Diocesan Missionary Society, 1859-1861, 1863; and \"Memorials of Our Father (Selections from the journals of the Rev. Goodwin, D. D.).\" Papers of Frederick Deane Goodwin's wife, Mary Frances Archer (1817-?), including her reminiscences of her early life, and an account of Wytheville, Va. during the Civil War by their oldest daughter, Fanny Archer Goodwin Ribble.","Carbon copy of a typed manuscript, \"Memorials of Our Father.\"","A copy of \"Memorials of Our Father\" with a subtitle \"(Selections from the journals of the Rev. Frederick Deane Goodwin with commentary by the Rev. Edward Lewis Goodwin, D. D.)\" Includes a photograph of The Rev. Frederick Deane Goodwin (1804-1881).","A one page biography of Frederick Deane Goodwin by Mary Frances Goodwin. She mentions the number of Episcopal ministers in the Goodwin Family.","Copy of typed transcription of Frederick D. Goodwin's Diary. 1 item.","Original journal of Frederick D. Goodwin. January - December 1838 and October 19, 1853.","Manuscript sermons and a prayer by Frederick D. Goodwin. Circa 1831-1865. 4 items.","Letter from Kanawha County court giving civil authority to Frederick D. Goodwin to perform marriages in Kanawha County. October 20, 1831. 1 item.","Letters from Frederick Deane Goodwin (1804-1881) to his mother Polly (Briggs) Goodwin (1775-1861) in Norton, Massachusetts. The two 1841 letters are about the death of his sister, Mary, at his home and details of her days before she died.  The remaining letters are about family news.  6 items.","Letters to Mary Frances (Archer) Goodwin from her husband, Frederick D. Goodwin.  In 1843, he mentions his resignation from the church (in Staunton, Virignia?)","Copies of typed transcripts of letters from Frederick D. Goodwin to his sister Abigail P[atten] Goodwin and his brother Henry B. Goodwin, with extracts from Frederick D. Goodwin's journal. May 13, 1828 and June 17, 1826. One journal entry is about the conflicted feelings that Dr. Goodwin has when punishing a student with the rod and another entry about race after seeing three negro girls in the street, crying, possibly because they are leaving their home. 2 items.","Letters from Frederick D. Goodwin to his sister, Hannah LeBaron Goodwin (1814-1904), about his ministry and family news. 14 items.","Letter to his brother, Daniel LeBaron Goodwin about family news and his appointment as interim Rector of St. Paul's Church in Richmond, Virginia.  Incomplete. 1 item.","Two letters and 1 possible draft to Bishop William Meade about the Episcopal Church, both personal and general. 3 items.","Six letters from Mary Frances Archer Goodwin to her husband, Frederick D. Goodwin with news of family, friends and the Episcopal Church.  She also expresses her feelings about his activities.  A handwritten note on the Oct. 23, 1837 letter says, \"Mother's only love letter.\"","Letters from Henry Bradford Goodwin to his brother, Frederick D. Goodwin. In the December 8, 1842 letter, Henry Goodwin gives genealogical information on the Goodwin Family and his immediate family. In the March 27, 1845 letter and later letters, he gives his reasons for the defense of slavery in the North. Other letters include family news, finances and his thoughts and feelings on a variety of subjects. 9 items.","Letters from Daniel LeBaron Goodwin to his brother, Frederick D. Goodwin. Gives advice on farming while being a minister and news of his ministry and family. January 1, 1856 and August 13, 1866. 2 items.","Two letters from James Bradford Goodwin to his brother, Frederick D. Goodwin about his ministry and family news. March 6, 1849 and August 5, 1852. 2 items.","Letter from Edward Bryam Goodwin to his brother, Frederick D. Goodwin about news of the New England Goodwin family. news. 1 item.","2 items.","5 items.","Also notes from daughters Abigail Patten Goodwin (1798-1886) and Hannah LeBaron Goodwin (1814-?). 8 items.","5 items.","7 items.","Letters to Frederick D. Goodwin from friends and peers. 15 items.","Letters to Frederick D. Goodwin from friends and peers, mostly about ministry. Invitations to various Episcopal Church vestries. 17 items.","Reports by Frederick G. Goodwin to the Diocesan Missionary Society, Virginia.  4 items.","Letter from Frederick LeBaron Goodwin to his father, Frederick D. Goodwin, while at the University of Virginia.  October 19, 1857.  1 item.","Scope and Contents Rich. H. Wilmer to Mrs. Frederick D. Goodwin telling her that the reports of  her son Frederick's death are false.  February 8, 1865.  1 item.","Copy of typed transcript of \"Some Recollections of My Early Life\" by Mary Frances (Archer) Goodwin,  T 37 pp. 1 item.","Manuscript of \"Some Recollections of My Early Life,\" by Mary Frances (Archer) Goodwin. Signed. 123 pp. Includes typed extract, 1 p. 1 item.","Copy of typed transcription of letter from Mary Baldwin Goodwin, daughter of Frederick Deane Goodwin and Mary Frances (Archer) Goodwin about the Golden Wedding Anniversary of their Grandparents, Robert and Frances Archer. March 29, 1866. 1 item.","A note with the comments made by Mr. Boyden of Staunton about Frederick Deane Goodwin.","Original recollection of the Civil War by Fanny Archer Goodwin Ribble, daughter of Frederick Deane Goodwin, entitled \"An Account of the Civil War in Wytheville.\" 10 pp. February 3, 1904. 1 item.","Two copies of an article \"The Church's Debt to the Goodwin Family, A Century of Fairthful Service\" by J. W. Ware from \"Southern Churchmen\" November 28, 1831. February 7, 1948 issue of \"The Southern Churchman\" with cover showing Dr. Rev. Frederick D. Goodwin, D.D. breaking ground for the first new dormitory at the Virginia Theological Seminary.","Copy of an autobiography by Mary Frances (Archer) Goodwin, \"Some Recollections of my Early Life.\" The recollections also include a family sketch by her Father with genealogical data back to his \"Great-Great-Grandfather Archer\" who emigrated from England in 1665. 71 pp. Original and copy of [1837] letter from M. C. Lee to Mary Frances Archer Goodwin about her surprise in seeing in the paper her marriage to Frederick Deane Goodwin. A later handwritten note on the letter says \"Mrs. R.E. Lee.\"","Personal corespondence between the brothers and sisters of Frederick Deane Goodwin, all of them children of Mary (Polly) Briggs and Daniel Goodiwn. Letters of Henry Bradford Goodwin (Henry Briggs Goodwin) refer to his life as a minister and planter in Maryland and to his views on slavery. The correspondence of brothers Daniel LeBaron Goodwin and James Briggs Goodwin refer to their own activities in the Episcopal ministry. Other correspondents include their mother, Polly (Briggs) Goodwin and Hannah LeBaron Goodwin.","Letter to Daniel LeBaron Goodwin from Jas. Mulchahey about a deathbed conversion. March 3, 1846. 1 item.","Letter from Hannah LeBaron Goodwin to her mother Polly (Briggs) Goodwin about Mary De Wolf Goodwin's death and family news.  November 25, 1841. 1 item.","Letter from Hannah LeBaron Goodwin to Mary De Wolfe Goodwin with personal news. June 21, 1841","Letters to Hannah LeBaron Goodwin from her family, but mostly from her sister Mary D.W. Goodwin. 16 items.","Letters from Henry Bradford Goodwin to Polly Briggs Goodwin with family news. 9 items.","Letters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin,  to Henry's Mother, Polly (Briggs) Goodwin concerning family news.  3 letters.","Letters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin to Hannah LeBaron Goodwin and Lewis B. [Benjamin Lewis] Goodwin (1819-1852).  24 items.","Letter from Bishop Alexander Griswold to Henry Bradford Goodwin and Aaron B. Hard in which Bishop Griswold certifies Henry Bradford Goodwin and Aaron B. Hard as candidates for the Holy Order of the Eastern Diocese and their transfer to the Diocese of Virginia. Copied to Bishop Richard Channing Moore (1762-1841). March 26, 1829. 1 item.","Typed transcriptions of the letters of The Rev. Henry Briggs Goodwin entitled \"Life and Letters of The Rev. Henry Briggs Goodwin, Port Tobacco, Maryland, 1804-1859, With a brief account of his family in Massachusetts and Maryland.\" 188 pages plus Appendix 1 and Appendix 2. Note: Henry Briggs Goodwin is sometimes called \"Henry Bradford Goodwin\" in other references.","Letter from James Briggs Goodwin to Polly (Briggs) Goodwin with news of the death of Mary D.W. Goodwin and comments about his ministry. November 3, 1841.  1 item.","September 9, 1841 letter from James Briggs Goodwin and Frederick Deane Goodwin and an October 20, 1841 letter from Hannah LeBaron Goodwin and Henry B. Goodwina to their Mother, Polly (Briggs) Goodwin with consolation on the death of her daughter (their sister), Mary Goodwin.    2 letters.","Two letters from Lewis [Benjamin Lewis] Goodwin (1819-1852) to his wife, Abby (Whiting) Goodwin during a trip to California. February 12, 1853 letter from Joseph G. Wilson, Salem, Oregon, to Mrs. Lewis Goodwin about the circumstances of the death of her husband.  3 items.","Letters from Mary De Wolf Goodwin to her Mother, Polly (Briggs) Goodwin about family news, her travels and teaching.   3 items.","Scope and Contents Papers of Mary Frances Goodwin, daughter of Rev. Edward Lewis Goodwin and researcher for Colonial Williamsburg. Includes letters to and from her family and friends while working as part of the American Expeditionary Forces for the YMCA in France at the end of World War I.  She worked in canteens in internment camps and later as a bookkeeper for the 82nd Division.  A few later letters deal mostly with family matters. Transcripts of correspondence between Dr. W. A. R. Goodwin's Office and Mary F. Goodwin during the discovery of the Bodleian Plate in England.  Typed rough draft \"Researching in England, 1929-1930\" describing the history of the Bodleian Plate and the search to find it.","Letters written by Mary F. Goodwin to various family members during World War I. She writes from New York City, England and France. As part of the American Expeditionary Forces under the auspices of the YMCA, she trains in New York City at \"conferences\" then travels to France to work in different capacities with the American troops and internment camps. She is connected to the 82nd Division. She tells about her trip on a transport ship to England and her experiences in New York, England and France. She describes the places she visits, the countryside, people she meets, her work, the dances and parades, friends she sees and the local people. In her November 24 [1918] letter she notes, \"Mr. Bev Tucker is near here and there is to be a U.VA Alumni dinner or meeting here this week.\" She comments on many of the clergy in her area, particularly the Episcopal ministers and in her December 19, 1918 letter she includes a story \"Take This Holy Sacrament to Your Comfort\" about a service she attended in a hut. Some of her jobs include bookkeeping for the 82nd Division canteens and helping in the internment camps. She reflects on the emotional toll on the men and their future need for help. She talks of German propoganda and how they are trying to \"ingratiate themselves with the Army of Occupation.\" In later letters, where she gives more details of her experiences, she mentions that the earlier letters went through censors.","Letters written to Mary F. Goodwin by her family and friends when she was in France during World War I working with the YMCA as part of the American Expeditionary Forces.  Her Father's letters (Rev. Edward Lewis Goodwin) concern his ministry, his church and the \"Southern Churchman\" plus news of family, friends and church members.  Other correspondents mainly focus on news of friends and family.","Letter from the Treasurer of the Diocese of Virginia sending her Father's salary check for February, 1924 after her Father's death.  Request from G. MacLaren Brydon for information on her Father's \"List of the Colonial Clergy.\"  March 13, 1924 letter from Rev. W.A.R. Goodwin telling her that, per Dr. Chandler, there are no available jobs in the library.    1951 correspondence with Harnett T. Kane about Miss Goodwin's Grandmother's sketch of her girlhood at Fortress Monroe Sound.\"  1959 letter from Rev. Ferneyhough of Christ Church Parish, Lancaster County, Virginia about a memorial fund for her sister, Mrs. Conrad Goodwin  (Maria Lee Goodwin).  6 items.","Account of, and copies of, letters concerning the history and rediscovery of the Bodleian Plate. January 1, 1930 telegram from Dr. W.A.R. Goodwin to Mary Goodwin: \"Woods and Perry here join in congratulations considered greatest find in American Research Pictures Received Today Invaluable.\" Typed transcripts of January and February 1930 letters between Dr. W.A.R. Goodwin's Office and Mary F. Goodwin about the discovery of the Bodleian Plate. Typed draft of an account by Mary F. Goodwin entitled, \"Researching in England, 1929-1930\" where she relates the history of the Rawlinson Collection, the history of the beginning of Colonial Williamsburg and the trail of her research that led to the discovery of the Bodleian Plate.","Booklet entitled, \"Steps to be taken by A.E.F.-Y.M.C.A Secretaries returning to America.\"  Handwritten are Mary Goodwin's date and place of birth, date of arrival in France, issue date of June 16, 1919 and department, Canteen.","Formal photograph of Ethel Archer Lewis Lacy standing beside a rattan sofa.  She was the daughter of Mary Baldwin Goodwin and Thomas Hugo Lacy and granddaughter of Frederick Deane Goodwin.","Copy of a typed manuscript \"From our Younger Years\" by Margaret [Lewis] Goodwin Ballard.  Written in 2 parts.  37 pp.  Margaret Lewis Goodwin Ballard is the daughter of Maria Love Smith and Edward Lewis Goodwin.","Copy of typed transcript entitled \"Some Notes on the Ballard Family\" by Margaret Lewis (Goodwin) Ballard. 6 pp.","Copy of typed transcriptions of letters from James William Ballard (1875-1920) while in the U.S. Army in the Philippines, mostly to his mother, Mary Reid Thrift Ballard (circa 1852-1927). Selection of letters is by Margaret Lewis Goodwin Ballard (1881-1981) his daughter. 12 pp.","Includes the memoirs of Edward Lewis Goodwin's daughter, Margaret (Goodwin) Ballard (1881-?), and her notes on the Ballard family and Mary Frances Goodwin's (1883-1973) correspondence, 1924-1959, and an account of her research in England for Colonial Williamsburg, 1929-1930.","Copies of typed transcriptions of 2 letters from Agnes H. Marshall to John Marshall, 1825 and 1832 and 1 letter from Joseph Story to The Honorable John Marshall, 1833.","Clipping of a photograph of \"Incline Plane at Johnstown\" and a \"Historical Map of the Old Northwest Territory\" owned by J. F. Goodwin. 2 items.","2 letter fragments, one to \"Dear Brother\" dated March 18 and one from \"Your Grandfather\" with advice for farming. 2 items.","Empty folders that contained the letters in this collection, some with notations of importance, recipient, writer, dates and if copied for others. Empty envelopes.","1917 photograph of Barbara Elizabeth, Age 2 and Verner Goodwin, Jr., age 3.  A collage of photographs, some original, of Goodwin family ancestors.  Filed in oversize.","This series is a temporary series until it has been interfiled with the rest of the collection. The series contains genealogical material related to the Goodwin family as well as the Ribble family, and includes correspondence, dating back to the American Civil War, certificates, and other material.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","United States. Army. American Expeditionary Forces","Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family","Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-","English"],"collection_title_tesim":["Goodwin Family Papers, 1826/1959"],"collection_ssim":["Goodwin Family Papers, 1826/1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 78 G63","/repositories/2/resources/9058"],"unitid_tesim":["Mss. 78 G63","/repositories/2/resources/9058"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["France--Description and travel--20th century","Virginia--History--Civil War, 1861-1865","Virginia--Religious history","Wytheville (Va.)--History--19th century"],"geogname_ssim":["France--Description and travel--20th century","Virginia--History--Civil War, 1861-1865","Virginia--Religious history","Wytheville (Va.)--History--19th century"],"places_ssim":["France--Description and travel--20th century","Virginia--History--Civil War, 1861-1865","Virginia--Religious history","Wytheville (Va.)--History--19th century"],"creator_ssm":["Ballard, James William, 1875-1920","Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"creator_ssim":["Ballard, James William, 1875-1920","Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"creator_persname_ssim":["Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"creator_corpname_ssim":["Special Collections Research Center","United States. Army. American Expeditionary Forces"],"creator_famname_ssim":["Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family"],"creators_ssim":["Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-","Special Collections Research Center","United States. Army. American Expeditionary Forces","Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts; one box, 08/03/1978; one box, 10/10/1978; one box, 10/20/1978. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Colonial Williamsburg Foundation--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Genealogy","Personal narratives","Philippines--History--Philippine American War, 1899-1902","United States--Slavery","World War, 1914-1918--France--Paris","World War, 1914-1918--War work--Young Men's Christian Association","World War, 1914-1918--War work--Young Women's Christian Associations","Correspondence","Diaries","Photographs","Speeches"],"access_subjects_ssm":["Colonial Williamsburg Foundation--History","Episcopal Church--Virginia--Clergy--19th century","Episcopal Church--Virginia--Clergy--20th century","Genealogy","Personal narratives","Philippines--History--Philippine American War, 1899-1902","United States--Slavery","World War, 1914-1918--France--Paris","World War, 1914-1918--War work--Young Men's Christian Association","World War, 1914-1918--War work--Young Women's Christian Associations","Correspondence","Diaries","Photographs","Speeches"],"has_online_content_ssim":["false"],"extent_ssm":["1.85 Linear Feet"],"extent_tesim":["1.85 Linear Feet"],"genreform_ssim":["Correspondence","Diaries","Photographs","Speeches"],"date_range_isim":[1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into Series, mainly by individual family names but also a few topical headings.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is divided into Series, mainly by individual family names but also a few topical headings."],"bioghist_html_tesm":["\u003cp\u003eThe Goodwin family moved from Massachusetts and members settled in Virginia and Maryland. Three generations of Goodwin men served as Episcopal ministers. Frederick Deane Goodwin served parishes in Virginia. Edwin Lewis Goodwin was born in Nelson County, Va. and studied at the University of Virginia and at the Virginia Theological Seminary. He served parishes in Virginia and South Carolina, was historiographer of the Diocese of Virginia and author of The Colonial Church in Virginia. His son, Frederick D. Goodwin was Bishop of Virginia, 1944-1961. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Goodwin_family\" title=\"Goodwin family\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Family History:"],"bioghist_tesim":["The Goodwin family moved from Massachusetts and members settled in Virginia and Maryland. Three generations of Goodwin men served as Episcopal ministers. Frederick Deane Goodwin served parishes in Virginia. Edwin Lewis Goodwin was born in Nelson County, Va. and studied at the University of Virginia and at the Virginia Theological Seminary. He served parishes in Virginia and South Carolina, was historiographer of the Diocese of Virginia and author of The Colonial Church in Virginia. His son, Frederick D. Goodwin was Bishop of Virginia, 1944-1961. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eGoodwin Family Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Goodwin Family Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2013.114 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013.   Acc. 2013.114 was interfiled with the original accession and the series were rearranged in August 2014 by Anne Johnson.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2013.114 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013.   Acc. 2013.114 was interfiled with the original accession and the series were rearranged in August 2014 by Anne Johnson."],"scopecontent_html_tesm":["\u003cp\u003eLetters, memoirs, journals, sermons, monographs, genealogical material concerning the Goodwin, Archer, Silvester, Ballard and Smith families.\u003c/p\u003e","\u003cp\u003eThe bulk of the collection is comprised of the papers of Frederick Deane Goodwin, an Episcopal minister.  Bishop William Meade is a correspondent.  Correspondence between Frederick Deane Goodwin's immediate family is included and papers of his son, Edward Lewis Goodwin, an Episcopal minister and his granddaughter, Mary Frances Goodwin, a researcher for Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eMuch of the correspondence, journals and recollections concern the Goodwin Family and/or the Episcopal Church in Virginia and elsewhere. Mary Frances Goodwin's letters are from her time in France at the end of World War I and her discovery of the Bodleian Plate in 1930.\u003c/p\u003e","\u003cp\u003eVolumes include diaries, journals and registers of Edward Lewis Goodwin, correspondence between family members and letters to and from Mary Frances Goodwin during World War I while she was working with the YMCA in France as part of the American Expeditionary Force. The Episcopal Church of Virginia is mentioned often in the correspondence by all family members.\u003c/p\u003e","\u003cp\u003eIncluded is a memoir by Mary F. Goodwin on her discovery of the Bodleian Plate, a copper printing plate with buildings of 18th century Williamsburg, and a memoir of Wytheville, Virginia during the Civil War.\u003c/p\u003e  ","\u003cp\u003eFamily histories written by members of the Goodwin and Archer families, genealogical charts and family trees, including those of the Smith and Ballard families, and copies of entries in the Goodwin Family Bible.\u003c/p\u003e","\u003cp\u003eCopy of a typed manuscript entitled \"Goodwin Ancestry \u0026amp; History.\" Notation on document, \"written evidently be the Rev. Edward Lewis Goodwin up to p. 21. Thence, evidently, continued by Miss Mary Frances Goodwin, his daughter. RSB.\" 34 pp.\u003c/p\u003e","\u003cp\u003eCopies of Bible entries from the Goodwin Family Bible for marriages, births and deaths.  6 pp. 1 item.\u003c/p\u003e","\u003cp\u003eManuscript of the book \"The Archer and Silvester Families\" written and signed by Robert Archer, April 1870. One printed version, with signature of Edward Goodwin Ballard. Printed in April 1937 by William Byrd Press, Inc. 28 pp.\u003c/p\u003e","\u003cp\u003eCopies of 2 genealogical charts with some handwritten notes.\u003c/p\u003e","\u003cp\u003eHandwritten genealogical chart entitled \"Genealogy of Edward Louis (sic) Goodwin and Maria Love Smith. Married 11 January 1881.\" Includes the families of Goodwin, LeBaron, Briggs, Archer, Smith, Hawkins-Lee, Marshall and Ambler.\u003c/p\u003e","\u003cp\u003eCopy of handwritten genealogical chart of the Goodwin Family, \"last four generations, continued from Page 14.\"  Copy of handwritten narrative about the Goodwin Family with cover sheet noting \"Please leave each section exactly in order - Written (sic) by his son, Edward Lewis Goodwin, 1886, E.G. B.  68 pages.\u003c/p\u003e","\u003cp\u003eTyped copies of memoirs, manuscript journals and records of the ministry of Episcopal Minister Edward Lewis Goodwin, 1874-1897; manuscript and printed sermons, 1899-1905 and personal and ecclesiastical correspondence, 1868-1908. Also includes notes for a biography of Edward Lewis Goodwin's wife, Maria Love Smith and other Smith Family material. Edward Lewis Goodwin is the son of Frederick Deane Goodwin.\u003c/p\u003e","\u003cp\u003eCopy of a typed manuscript \"A Small Boy's Recollections of the War,\" by Edward L. Goodwin. 29 pp. 1 item.\u003c/p\u003e","\u003cp\u003eCopy of a typed manuscript \"Recollections of My First Parish, 1880-1885,\" by E[dward] L[ewis] Goodwin. 17 pp. Photo included. 1 item.\u003c/p\u003e","\u003cp\u003eManuscript Christmas sermon by Edward L. Goodwin.\u003c/p\u003e","\u003cp\u003eLetter about family news, dated September 26, 1868.  1 item.\u003c/p\u003e","\u003cp\u003eLetter from Maria L. Smith Goodwin to Edward L. Goodwin, dated August 28, 1893.\u003c/p\u003e","\u003cp\u003eFriends and fellow ministers about family and friends, scholarship, ministry and the Episcopal Church. Some correspondents are Rev. Robert White, E.A. Penick, Charles Mayo, J.R. Winchester, C.C. Penick, Charles F. Taylor, Francis M. Whittle (Bishop of the Diocese of Virginia) and others. 15 items.\u003c/p\u003e","\u003cp\u003eLetters mostly from friends about his ministry. Correspondents include Charles F. Taylor, George Greer, Peter Saunders, Thomas Packard, J. J. Gravatt, James Wheeler Warden, W.M. Clark and others. 14 items.\u003c/p\u003e","\u003cp\u003eLetter from M. C. Pelton acknowledging Edward L. Goodwin's resignation as minister of a church in Christiansburg, Va. Other letters concern the death of his wife, Maria Love (Smith) Goodwin. 5 items.\u003c/p\u003e","\u003cp\u003eLetters about the Episcopal Church, \"The History of Truro Parish,\" Custis/Washington family history and Virginia History. Correspondents include C.M. Beckwith, Lawrence Washington of the Library of Congress, N. B. Nevitt, P. C. Bagby, Gen. G. W. C. Lee about the Washington Family, C. C. Penick and others. 9 items.\u003c/p\u003e","\u003cp\u003eTyped manuscript, \"Monographs of the Colonial Church in Virginia, and other Historical Papers,\" [by Edward L. Goodwin?] 18 pp. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Journal of Edward Lewis Goodwin. Front cover states \"Theological Seminary, Virginia, Sept. 1874 - Oct. 1877.\" Some pages have been removed, probably by Edward Goodwin. Manuscript volume 1. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Journal of Edward Lewis Goodwin from October 1877 to January 1, 1881. He notes in a postscript at the end of the journal that since his last entry, he has married \"my darling Maria\" and he's not sure if he will continue recording his life and \"I know not what disposition I shall make of my journals....\" Some pages have been removed. Manuscript volume 2. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Journal of Edward Lewis Goodwin. Newclippings have been pasted into the journal. The clipping on page 7 is about the \"Late Rev. Mr. Goodwin [Frederick Deane Goodwin].\" Manuscript volume 3. 1 item.\u003c/p\u003e","\u003cp\u003e\"Private Register of Ministerial Acts\" by Edward Lewis Goodwin. Rev. Goodwin notes each activity he has performed as a minister. Some days have the time noted. June 1880-June 1890. Manuscript Volume 4. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Record of Ministry by Edward Lewis Goodwin. As the journal progresses, Dr. Goodwin begins to expand his daily entries to include the weather, personal reflections and other events. July 1, 1890 - September 30, 1893. Manuscript volume 5. 1 item.\u003c/p\u003e","\u003cp\u003ePrivate Journal and Records of Ministry by Edward Lewis Goodwin. Journal entries are more personal. Goodwin notes his daily schedule with personal reflections on the events of the day and his personal life. October 1, 1893 - July 31, 1897. Manuscript Volume 6. 1 item.\u003c/p\u003e","\u003cp\u003eScope and Contents Three printed sermons and addresses by Rev. Edward L. Goodwin. Baccalaureate Sermon for the Gunston Institute on June 10, 1900, \"The Sower of the Seed\" given at the Piedmont Convocation, April 26, 1905 and \"Historical Address on the Thirtieth Anniversary of the Consecration of St. Mark's Church in Richmond, Virginia,\" undated.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Robert Smith to his sister, Maria L. Smith Goodwin, about her marriage and family news. January 29, 1881.1 item.\u003c/p\u003e","\u003cp\u003eTitle of handwritten notes, \"On the Life of Maria Love Smith\" (1848-1892), written probably by Edward Lewis Goodwin (EGB). 6 pp. 1 item.\u003c/p\u003e","\u003cp\u003eCopy of a typed transcription of a letter written by Henry Lee Smith to his descendants telling about his life. Baltimore, Md, November 1947.\u003c/p\u003e","\u003cp\u003eFebruary 16, 1924 issue of \"The Southern Churchman\" with picture of \"The Late Rev. Edward L. Goodwin, D.D.\" on the cover and article on page 13.\u003c/p\u003e","\u003cp\u003eMary (Polly) Briggs and Daniel Goodwin were parents of at least 11 children. This series is mostly the papers of their son, Frederick Deane Goodwin, but also letters between the siblings and to their mother. Henry Bradford Goodwin is sometimes called Henry Briggs Goodwin.\u003c/p\u003e","\u003cp\u003ePapers of Frederick Deane Goodwin, Episcopal minister. Manuscript sermons, circa 1831-1865, and journal entries, 1838 and October 19, 1853; personal and ecclesiastical correspondence, 1827-1869; reports made to the Diocesan Missionary Society, 1859-1861, 1863; and \"Memorials of Our Father (Selections from the journals of the Rev. Goodwin, D. D.).\" Papers of Frederick Deane Goodwin's wife, Mary Frances Archer (1817-?), including her reminiscences of her early life, and an account of Wytheville, Va. during the Civil War by their oldest daughter, Fanny Archer Goodwin Ribble.\u003c/p\u003e","\u003cp\u003eCarbon copy of a typed manuscript, \"Memorials of Our Father.\"\u003c/p\u003e","\u003cp\u003eA copy of \"Memorials of Our Father\" with a subtitle \"(Selections from the journals of the Rev. Frederick Deane Goodwin with commentary by the Rev. Edward Lewis Goodwin, D. D.)\" Includes a photograph of The Rev. Frederick Deane Goodwin (1804-1881).\u003c/p\u003e","\u003cp\u003eA one page biography of Frederick Deane Goodwin by Mary Frances Goodwin. She mentions the number of Episcopal ministers in the Goodwin Family.\u003c/p\u003e","\u003cp\u003eCopy of typed transcription of Frederick D. Goodwin's Diary. 1 item.\u003c/p\u003e","\u003cp\u003eOriginal journal of Frederick D. Goodwin. January - December 1838 and October 19, 1853.\u003c/p\u003e","\u003cp\u003eManuscript sermons and a prayer by Frederick D. Goodwin. Circa 1831-1865. 4 items.\u003c/p\u003e","\u003cp\u003eLetter from Kanawha County court giving civil authority to Frederick D. Goodwin to perform marriages in Kanawha County. October 20, 1831. 1 item.\u003c/p\u003e","\u003cp\u003eLetters from Frederick Deane Goodwin (1804-1881) to his mother Polly (Briggs) Goodwin (1775-1861) in Norton, Massachusetts. The two 1841 letters are about the death of his sister, Mary, at his home and details of her days before she died.  The remaining letters are about family news.  6 items.\u003c/p\u003e","\u003cp\u003eLetters to Mary Frances (Archer) Goodwin from her husband, Frederick D. Goodwin.  In 1843, he mentions his resignation from the church (in Staunton, Virignia?)\u003c/p\u003e","\u003cp\u003eCopies of typed transcripts of letters from Frederick D. Goodwin to his sister Abigail P[atten] Goodwin and his brother Henry B. Goodwin, with extracts from Frederick D. Goodwin's journal. May 13, 1828 and June 17, 1826. One journal entry is about the conflicted feelings that Dr. Goodwin has when punishing a student with the rod and another entry about race after seeing three negro girls in the street, crying, possibly because they are leaving their home. 2 items.\u003c/p\u003e","\u003cp\u003eLetters from Frederick D. Goodwin to his sister, Hannah LeBaron Goodwin (1814-1904), about his ministry and family news. 14 items.\u003c/p\u003e","\u003cp\u003eLetter to his brother, Daniel LeBaron Goodwin about family news and his appointment as interim Rector of St. Paul's Church in Richmond, Virginia.  Incomplete. 1 item.\u003c/p\u003e","\u003cp\u003eTwo letters and 1 possible draft to Bishop William Meade about the Episcopal Church, both personal and general. 3 items.\u003c/p\u003e","\u003cp\u003eSix letters from Mary Frances Archer Goodwin to her husband, Frederick D. Goodwin with news of family, friends and the Episcopal Church.  She also expresses her feelings about his activities.  A handwritten note on the Oct. 23, 1837 letter says, \"Mother's only love letter.\"\u003c/p\u003e","\u003cp\u003eLetters from Henry Bradford Goodwin to his brother, Frederick D. Goodwin. In the December 8, 1842 letter, Henry Goodwin gives genealogical information on the Goodwin Family and his immediate family. In the March 27, 1845 letter and later letters, he gives his reasons for the defense of slavery in the North. Other letters include family news, finances and his thoughts and feelings on a variety of subjects. 9 items.\u003c/p\u003e","\u003cp\u003eLetters from Daniel LeBaron Goodwin to his brother, Frederick D. Goodwin. Gives advice on farming while being a minister and news of his ministry and family. January 1, 1856 and August 13, 1866. 2 items.\u003c/p\u003e","\u003cp\u003eTwo letters from James Bradford Goodwin to his brother, Frederick D. Goodwin about his ministry and family news. March 6, 1849 and August 5, 1852. 2 items.\u003c/p\u003e","\u003cp\u003eLetter from Edward Bryam Goodwin to his brother, Frederick D. Goodwin about news of the New England Goodwin family. news. 1 item.\u003c/p\u003e","\u003cp\u003e2 items.\u003c/p\u003e","\u003cp\u003e5 items.\u003c/p\u003e","\u003cp\u003eAlso notes from daughters Abigail Patten Goodwin (1798-1886) and Hannah LeBaron Goodwin (1814-?). 8 items.\u003c/p\u003e","\u003cp\u003e5 items.\u003c/p\u003e","\u003cp\u003e7 items.\u003c/p\u003e","\u003cp\u003eLetters to Frederick D. Goodwin from friends and peers. 15 items.\u003c/p\u003e","\u003cp\u003eLetters to Frederick D. Goodwin from friends and peers, mostly about ministry. Invitations to various Episcopal Church vestries. 17 items.\u003c/p\u003e","\u003cp\u003eReports by Frederick G. Goodwin to the Diocesan Missionary Society, Virginia.  4 items.\u003c/p\u003e","\u003cp\u003eLetter from Frederick LeBaron Goodwin to his father, Frederick D. Goodwin, while at the University of Virginia.  October 19, 1857.  1 item.\u003c/p\u003e","\u003cp\u003eScope and Contents Rich. H. Wilmer to Mrs. Frederick D. Goodwin telling her that the reports of  her son Frederick's death are false.  February 8, 1865.  1 item.\u003c/p\u003e","\u003cp\u003eCopy of typed transcript of \"Some Recollections of My Early Life\" by Mary Frances (Archer) Goodwin,  T 37 pp. 1 item.\u003c/p\u003e","\u003cp\u003eManuscript of \"Some Recollections of My Early Life,\" by Mary Frances (Archer) Goodwin. Signed. 123 pp. Includes typed extract, 1 p. 1 item.\u003c/p\u003e","\u003cp\u003eCopy of typed transcription of letter from Mary Baldwin Goodwin, daughter of Frederick Deane Goodwin and Mary Frances (Archer) Goodwin about the Golden Wedding Anniversary of their Grandparents, Robert and Frances Archer. March 29, 1866. 1 item.\u003c/p\u003e","\u003cp\u003eA note with the comments made by Mr. Boyden of Staunton about Frederick Deane Goodwin.\u003c/p\u003e","\u003cp\u003eOriginal recollection of the Civil War by Fanny Archer Goodwin Ribble, daughter of Frederick Deane Goodwin, entitled \"An Account of the Civil War in Wytheville.\" 10 pp. February 3, 1904. 1 item.\u003c/p\u003e","\u003cp\u003eTwo copies of an article \"The Church's Debt to the Goodwin Family, A Century of Fairthful Service\" by J. W. Ware from \"Southern Churchmen\" November 28, 1831. February 7, 1948 issue of \"The Southern Churchman\" with cover showing Dr. Rev. Frederick D. Goodwin, D.D. breaking ground for the first new dormitory at the Virginia Theological Seminary.\u003c/p\u003e","\u003cp\u003eCopy of an autobiography by Mary Frances (Archer) Goodwin, \"Some Recollections of my Early Life.\" The recollections also include a family sketch by her Father with genealogical data back to his \"Great-Great-Grandfather Archer\" who emigrated from England in 1665. 71 pp. Original and copy of [1837] letter from M. C. Lee to Mary Frances Archer Goodwin about her surprise in seeing in the paper her marriage to Frederick Deane Goodwin. A later handwritten note on the letter says \"Mrs. R.E. Lee.\"\u003c/p\u003e","\u003cp\u003ePersonal corespondence between the brothers and sisters of Frederick Deane Goodwin, all of them children of Mary (Polly) Briggs and Daniel Goodiwn. Letters of Henry Bradford Goodwin (Henry Briggs Goodwin) refer to his life as a minister and planter in Maryland and to his views on slavery. The correspondence of brothers Daniel LeBaron Goodwin and James Briggs Goodwin refer to their own activities in the Episcopal ministry. Other correspondents include their mother, Polly (Briggs) Goodwin and Hannah LeBaron Goodwin.\u003c/p\u003e","\u003cp\u003eLetter to Daniel LeBaron Goodwin from Jas. Mulchahey about a deathbed conversion. March 3, 1846. 1 item.\u003c/p\u003e","\u003cp\u003eLetter from Hannah LeBaron Goodwin to her mother Polly (Briggs) Goodwin about Mary De Wolf Goodwin's death and family news.  November 25, 1841. 1 item.\u003c/p\u003e","\u003cp\u003eLetter from Hannah LeBaron Goodwin to Mary De Wolfe Goodwin with personal news. June 21, 1841\u003c/p\u003e","\u003cp\u003eLetters to Hannah LeBaron Goodwin from her family, but mostly from her sister Mary D.W. Goodwin. 16 items.\u003c/p\u003e","\u003cp\u003eLetters from Henry Bradford Goodwin to Polly Briggs Goodwin with family news. 9 items.\u003c/p\u003e","\u003cp\u003eLetters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin,  to Henry's Mother, Polly (Briggs) Goodwin concerning family news.  3 letters.\u003c/p\u003e","\u003cp\u003eLetters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin to Hannah LeBaron Goodwin and Lewis B. [Benjamin Lewis] Goodwin (1819-1852).  24 items.\u003c/p\u003e","\u003cp\u003eLetter from Bishop Alexander Griswold to Henry Bradford Goodwin and Aaron B. Hard in which Bishop Griswold certifies Henry Bradford Goodwin and Aaron B. Hard as candidates for the Holy Order of the Eastern Diocese and their transfer to the Diocese of Virginia. Copied to Bishop Richard Channing Moore (1762-1841). March 26, 1829. 1 item.\u003c/p\u003e","\u003cp\u003eTyped transcriptions of the letters of The Rev. Henry Briggs Goodwin entitled \"Life and Letters of The Rev. Henry Briggs Goodwin, Port Tobacco, Maryland, 1804-1859, With a brief account of his family in Massachusetts and Maryland.\" 188 pages plus Appendix 1 and Appendix 2. Note: Henry Briggs Goodwin is sometimes called \"Henry Bradford Goodwin\" in other references.\u003c/p\u003e","\u003cp\u003eLetter from James Briggs Goodwin to Polly (Briggs) Goodwin with news of the death of Mary D.W. Goodwin and comments about his ministry. November 3, 1841.  1 item.\u003c/p\u003e","\u003cp\u003eSeptember 9, 1841 letter from James Briggs Goodwin and Frederick Deane Goodwin and an October 20, 1841 letter from Hannah LeBaron Goodwin and Henry B. Goodwina to their Mother, Polly (Briggs) Goodwin with consolation on the death of her daughter (their sister), Mary Goodwin.    2 letters.\u003c/p\u003e","\u003cp\u003eTwo letters from Lewis [Benjamin Lewis] Goodwin (1819-1852) to his wife, Abby (Whiting) Goodwin during a trip to California. February 12, 1853 letter from Joseph G. Wilson, Salem, Oregon, to Mrs. Lewis Goodwin about the circumstances of the death of her husband.  3 items.\u003c/p\u003e","\u003cp\u003eLetters from Mary De Wolf Goodwin to her Mother, Polly (Briggs) Goodwin about family news, her travels and teaching.   3 items.\u003c/p\u003e","\u003cp\u003eScope and Contents Papers of Mary Frances Goodwin, daughter of Rev. Edward Lewis Goodwin and researcher for Colonial Williamsburg. Includes letters to and from her family and friends while working as part of the American Expeditionary Forces for the YMCA in France at the end of World War I.  She worked in canteens in internment camps and later as a bookkeeper for the 82nd Division.  A few later letters deal mostly with family matters. Transcripts of correspondence between Dr. W. A. R. Goodwin's Office and Mary F. Goodwin during the discovery of the Bodleian Plate in England.  Typed rough draft \"Researching in England, 1929-1930\" describing the history of the Bodleian Plate and the search to find it.\u003c/p\u003e","\u003cp\u003eLetters written by Mary F. Goodwin to various family members during World War I. She writes from New York City, England and France. As part of the American Expeditionary Forces under the auspices of the YMCA, she trains in New York City at \"conferences\" then travels to France to work in different capacities with the American troops and internment camps. She is connected to the 82nd Division. She tells about her trip on a transport ship to England and her experiences in New York, England and France. She describes the places she visits, the countryside, people she meets, her work, the dances and parades, friends she sees and the local people. In her November 24 [1918] letter she notes, \"Mr. Bev Tucker is near here and there is to be a U.VA Alumni dinner or meeting here this week.\" She comments on many of the clergy in her area, particularly the Episcopal ministers and in her December 19, 1918 letter she includes a story \"Take This Holy Sacrament to Your Comfort\" about a service she attended in a hut. Some of her jobs include bookkeeping for the 82nd Division canteens and helping in the internment camps. She reflects on the emotional toll on the men and their future need for help. She talks of German propoganda and how they are trying to \"ingratiate themselves with the Army of Occupation.\" In later letters, where she gives more details of her experiences, she mentions that the earlier letters went through censors.\u003c/p\u003e","\u003cp\u003eLetters written to Mary F. Goodwin by her family and friends when she was in France during World War I working with the YMCA as part of the American Expeditionary Forces.  Her Father's letters (Rev. Edward Lewis Goodwin) concern his ministry, his church and the \"Southern Churchman\" plus news of family, friends and church members.  Other correspondents mainly focus on news of friends and family.\u003c/p\u003e","\u003cp\u003eLetter from the Treasurer of the Diocese of Virginia sending her Father's salary check for February, 1924 after her Father's death.  Request from G. MacLaren Brydon for information on her Father's \"List of the Colonial Clergy.\"  March 13, 1924 letter from Rev. W.A.R. Goodwin telling her that, per Dr. Chandler, there are no available jobs in the library.    1951 correspondence with Harnett T. Kane about Miss Goodwin's Grandmother's sketch of her girlhood at Fortress Monroe Sound.\"  1959 letter from Rev. Ferneyhough of Christ Church Parish, Lancaster County, Virginia about a memorial fund for her sister, Mrs. Conrad Goodwin  (Maria Lee Goodwin).  6 items.\u003c/p\u003e","\u003cp\u003eAccount of, and copies of, letters concerning the history and rediscovery of the Bodleian Plate. January 1, 1930 telegram from Dr. W.A.R. Goodwin to Mary Goodwin: \"Woods and Perry here join in congratulations considered greatest find in American Research Pictures Received Today Invaluable.\" Typed transcripts of January and February 1930 letters between Dr. W.A.R. Goodwin's Office and Mary F. Goodwin about the discovery of the Bodleian Plate. Typed draft of an account by Mary F. Goodwin entitled, \"Researching in England, 1929-1930\" where she relates the history of the Rawlinson Collection, the history of the beginning of Colonial Williamsburg and the trail of her research that led to the discovery of the Bodleian Plate.\u003c/p\u003e","\u003cp\u003eBooklet entitled, \"Steps to be taken by A.E.F.-Y.M.C.A Secretaries returning to America.\"  Handwritten are Mary Goodwin's date and place of birth, date of arrival in France, issue date of June 16, 1919 and department, Canteen.\u003c/p\u003e","\u003cp\u003eFormal photograph of Ethel Archer Lewis Lacy standing beside a rattan sofa.  She was the daughter of Mary Baldwin Goodwin and Thomas Hugo Lacy and granddaughter of Frederick Deane Goodwin.\u003c/p\u003e","\u003cp\u003eCopy of a typed manuscript \"From our Younger Years\" by Margaret [Lewis] Goodwin Ballard.  Written in 2 parts.  37 pp.  Margaret Lewis Goodwin Ballard is the daughter of Maria Love Smith and Edward Lewis Goodwin.\u003c/p\u003e","\u003cp\u003eCopy of typed transcript entitled \"Some Notes on the Ballard Family\" by Margaret Lewis (Goodwin) Ballard. 6 pp.\u003c/p\u003e","\u003cp\u003eCopy of typed transcriptions of letters from James William Ballard (1875-1920) while in the U.S. Army in the Philippines, mostly to his mother, Mary Reid Thrift Ballard (circa 1852-1927). Selection of letters is by Margaret Lewis Goodwin Ballard (1881-1981) his daughter. 12 pp.\u003c/p\u003e","\u003cp\u003eIncludes the memoirs of Edward Lewis Goodwin's daughter, Margaret (Goodwin) Ballard (1881-?), and her notes on the Ballard family and Mary Frances Goodwin's (1883-1973) correspondence, 1924-1959, and an account of her research in England for Colonial Williamsburg, 1929-1930.\u003c/p\u003e","\u003cp\u003eCopies of typed transcriptions of 2 letters from Agnes H. Marshall to John Marshall, 1825 and 1832 and 1 letter from Joseph Story to The Honorable John Marshall, 1833.\u003c/p\u003e","\u003cp\u003eClipping of a photograph of \"Incline Plane at Johnstown\" and a \"Historical Map of the Old Northwest Territory\" owned by J. F. Goodwin. 2 items.\u003c/p\u003e","\u003cp\u003e2 letter fragments, one to \"Dear Brother\" dated March 18 and one from \"Your Grandfather\" with advice for farming. 2 items.\u003c/p\u003e","\u003cp\u003eEmpty folders that contained the letters in this collection, some with notations of importance, recipient, writer, dates and if copied for others. Empty envelopes.\u003c/p\u003e","\u003cp\u003e1917 photograph of Barbara Elizabeth, Age 2 and Verner Goodwin, Jr., age 3.  A collage of photographs, some original, of Goodwin family ancestors.  Filed in oversize.\u003c/p\u003e","\u003cp\u003eThis series is a temporary series until it has been interfiled with the rest of the collection. The series contains genealogical material related to the Goodwin family as well as the Ribble family, and includes correspondence, dating back to the American Civil War, certificates, and other material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters, memoirs, journals, sermons, monographs, genealogical material concerning the Goodwin, Archer, Silvester, Ballard and Smith families.","The bulk of the collection is comprised of the papers of Frederick Deane Goodwin, an Episcopal minister.  Bishop William Meade is a correspondent.  Correspondence between Frederick Deane Goodwin's immediate family is included and papers of his son, Edward Lewis Goodwin, an Episcopal minister and his granddaughter, Mary Frances Goodwin, a researcher for Colonial Williamsburg.","Much of the correspondence, journals and recollections concern the Goodwin Family and/or the Episcopal Church in Virginia and elsewhere. Mary Frances Goodwin's letters are from her time in France at the end of World War I and her discovery of the Bodleian Plate in 1930.","Volumes include diaries, journals and registers of Edward Lewis Goodwin, correspondence between family members and letters to and from Mary Frances Goodwin during World War I while she was working with the YMCA in France as part of the American Expeditionary Force. The Episcopal Church of Virginia is mentioned often in the correspondence by all family members.","Included is a memoir by Mary F. Goodwin on her discovery of the Bodleian Plate, a copper printing plate with buildings of 18th century Williamsburg, and a memoir of Wytheville, Virginia during the Civil War.","Family histories written by members of the Goodwin and Archer families, genealogical charts and family trees, including those of the Smith and Ballard families, and copies of entries in the Goodwin Family Bible.","Copy of a typed manuscript entitled \"Goodwin Ancestry \u0026 History.\" Notation on document, \"written evidently be the Rev. Edward Lewis Goodwin up to p. 21. Thence, evidently, continued by Miss Mary Frances Goodwin, his daughter. RSB.\" 34 pp.","Copies of Bible entries from the Goodwin Family Bible for marriages, births and deaths.  6 pp. 1 item.","Manuscript of the book \"The Archer and Silvester Families\" written and signed by Robert Archer, April 1870. One printed version, with signature of Edward Goodwin Ballard. Printed in April 1937 by William Byrd Press, Inc. 28 pp.","Copies of 2 genealogical charts with some handwritten notes.","Handwritten genealogical chart entitled \"Genealogy of Edward Louis (sic) Goodwin and Maria Love Smith. Married 11 January 1881.\" Includes the families of Goodwin, LeBaron, Briggs, Archer, Smith, Hawkins-Lee, Marshall and Ambler.","Copy of handwritten genealogical chart of the Goodwin Family, \"last four generations, continued from Page 14.\"  Copy of handwritten narrative about the Goodwin Family with cover sheet noting \"Please leave each section exactly in order - Written (sic) by his son, Edward Lewis Goodwin, 1886, E.G. B.  68 pages.","Typed copies of memoirs, manuscript journals and records of the ministry of Episcopal Minister Edward Lewis Goodwin, 1874-1897; manuscript and printed sermons, 1899-1905 and personal and ecclesiastical correspondence, 1868-1908. Also includes notes for a biography of Edward Lewis Goodwin's wife, Maria Love Smith and other Smith Family material. Edward Lewis Goodwin is the son of Frederick Deane Goodwin.","Copy of a typed manuscript \"A Small Boy's Recollections of the War,\" by Edward L. Goodwin. 29 pp. 1 item.","Copy of a typed manuscript \"Recollections of My First Parish, 1880-1885,\" by E[dward] L[ewis] Goodwin. 17 pp. Photo included. 1 item.","Manuscript Christmas sermon by Edward L. Goodwin.","Letter about family news, dated September 26, 1868.  1 item.","Letter from Maria L. Smith Goodwin to Edward L. Goodwin, dated August 28, 1893.","Friends and fellow ministers about family and friends, scholarship, ministry and the Episcopal Church. Some correspondents are Rev. Robert White, E.A. Penick, Charles Mayo, J.R. Winchester, C.C. Penick, Charles F. Taylor, Francis M. Whittle (Bishop of the Diocese of Virginia) and others. 15 items.","Letters mostly from friends about his ministry. Correspondents include Charles F. Taylor, George Greer, Peter Saunders, Thomas Packard, J. J. Gravatt, James Wheeler Warden, W.M. Clark and others. 14 items.","Letter from M. C. Pelton acknowledging Edward L. Goodwin's resignation as minister of a church in Christiansburg, Va. Other letters concern the death of his wife, Maria Love (Smith) Goodwin. 5 items.","Letters about the Episcopal Church, \"The History of Truro Parish,\" Custis/Washington family history and Virginia History. Correspondents include C.M. Beckwith, Lawrence Washington of the Library of Congress, N. B. Nevitt, P. C. Bagby, Gen. G. W. C. Lee about the Washington Family, C. C. Penick and others. 9 items.","Typed manuscript, \"Monographs of the Colonial Church in Virginia, and other Historical Papers,\" [by Edward L. Goodwin?] 18 pp. 1 item.","Private Journal of Edward Lewis Goodwin. Front cover states \"Theological Seminary, Virginia, Sept. 1874 - Oct. 1877.\" Some pages have been removed, probably by Edward Goodwin. Manuscript volume 1. 1 item.","Private Journal of Edward Lewis Goodwin from October 1877 to January 1, 1881. He notes in a postscript at the end of the journal that since his last entry, he has married \"my darling Maria\" and he's not sure if he will continue recording his life and \"I know not what disposition I shall make of my journals....\" Some pages have been removed. Manuscript volume 2. 1 item.","Private Journal of Edward Lewis Goodwin. Newclippings have been pasted into the journal. The clipping on page 7 is about the \"Late Rev. Mr. Goodwin [Frederick Deane Goodwin].\" Manuscript volume 3. 1 item.","\"Private Register of Ministerial Acts\" by Edward Lewis Goodwin. Rev. Goodwin notes each activity he has performed as a minister. Some days have the time noted. June 1880-June 1890. Manuscript Volume 4. 1 item.","Private Record of Ministry by Edward Lewis Goodwin. As the journal progresses, Dr. Goodwin begins to expand his daily entries to include the weather, personal reflections and other events. July 1, 1890 - September 30, 1893. Manuscript volume 5. 1 item.","Private Journal and Records of Ministry by Edward Lewis Goodwin. Journal entries are more personal. Goodwin notes his daily schedule with personal reflections on the events of the day and his personal life. October 1, 1893 - July 31, 1897. Manuscript Volume 6. 1 item.","Scope and Contents Three printed sermons and addresses by Rev. Edward L. Goodwin. Baccalaureate Sermon for the Gunston Institute on June 10, 1900, \"The Sower of the Seed\" given at the Piedmont Convocation, April 26, 1905 and \"Historical Address on the Thirtieth Anniversary of the Consecration of St. Mark's Church in Richmond, Virginia,\" undated.","Scope and Contents Letter from Robert Smith to his sister, Maria L. Smith Goodwin, about her marriage and family news. January 29, 1881.1 item.","Title of handwritten notes, \"On the Life of Maria Love Smith\" (1848-1892), written probably by Edward Lewis Goodwin (EGB). 6 pp. 1 item.","Copy of a typed transcription of a letter written by Henry Lee Smith to his descendants telling about his life. Baltimore, Md, November 1947.","February 16, 1924 issue of \"The Southern Churchman\" with picture of \"The Late Rev. Edward L. Goodwin, D.D.\" on the cover and article on page 13.","Mary (Polly) Briggs and Daniel Goodwin were parents of at least 11 children. This series is mostly the papers of their son, Frederick Deane Goodwin, but also letters between the siblings and to their mother. Henry Bradford Goodwin is sometimes called Henry Briggs Goodwin.","Papers of Frederick Deane Goodwin, Episcopal minister. Manuscript sermons, circa 1831-1865, and journal entries, 1838 and October 19, 1853; personal and ecclesiastical correspondence, 1827-1869; reports made to the Diocesan Missionary Society, 1859-1861, 1863; and \"Memorials of Our Father (Selections from the journals of the Rev. Goodwin, D. D.).\" Papers of Frederick Deane Goodwin's wife, Mary Frances Archer (1817-?), including her reminiscences of her early life, and an account of Wytheville, Va. during the Civil War by their oldest daughter, Fanny Archer Goodwin Ribble.","Carbon copy of a typed manuscript, \"Memorials of Our Father.\"","A copy of \"Memorials of Our Father\" with a subtitle \"(Selections from the journals of the Rev. Frederick Deane Goodwin with commentary by the Rev. Edward Lewis Goodwin, D. D.)\" Includes a photograph of The Rev. Frederick Deane Goodwin (1804-1881).","A one page biography of Frederick Deane Goodwin by Mary Frances Goodwin. She mentions the number of Episcopal ministers in the Goodwin Family.","Copy of typed transcription of Frederick D. Goodwin's Diary. 1 item.","Original journal of Frederick D. Goodwin. January - December 1838 and October 19, 1853.","Manuscript sermons and a prayer by Frederick D. Goodwin. Circa 1831-1865. 4 items.","Letter from Kanawha County court giving civil authority to Frederick D. Goodwin to perform marriages in Kanawha County. October 20, 1831. 1 item.","Letters from Frederick Deane Goodwin (1804-1881) to his mother Polly (Briggs) Goodwin (1775-1861) in Norton, Massachusetts. The two 1841 letters are about the death of his sister, Mary, at his home and details of her days before she died.  The remaining letters are about family news.  6 items.","Letters to Mary Frances (Archer) Goodwin from her husband, Frederick D. Goodwin.  In 1843, he mentions his resignation from the church (in Staunton, Virignia?)","Copies of typed transcripts of letters from Frederick D. Goodwin to his sister Abigail P[atten] Goodwin and his brother Henry B. Goodwin, with extracts from Frederick D. Goodwin's journal. May 13, 1828 and June 17, 1826. One journal entry is about the conflicted feelings that Dr. Goodwin has when punishing a student with the rod and another entry about race after seeing three negro girls in the street, crying, possibly because they are leaving their home. 2 items.","Letters from Frederick D. Goodwin to his sister, Hannah LeBaron Goodwin (1814-1904), about his ministry and family news. 14 items.","Letter to his brother, Daniel LeBaron Goodwin about family news and his appointment as interim Rector of St. Paul's Church in Richmond, Virginia.  Incomplete. 1 item.","Two letters and 1 possible draft to Bishop William Meade about the Episcopal Church, both personal and general. 3 items.","Six letters from Mary Frances Archer Goodwin to her husband, Frederick D. Goodwin with news of family, friends and the Episcopal Church.  She also expresses her feelings about his activities.  A handwritten note on the Oct. 23, 1837 letter says, \"Mother's only love letter.\"","Letters from Henry Bradford Goodwin to his brother, Frederick D. Goodwin. In the December 8, 1842 letter, Henry Goodwin gives genealogical information on the Goodwin Family and his immediate family. In the March 27, 1845 letter and later letters, he gives his reasons for the defense of slavery in the North. Other letters include family news, finances and his thoughts and feelings on a variety of subjects. 9 items.","Letters from Daniel LeBaron Goodwin to his brother, Frederick D. Goodwin. Gives advice on farming while being a minister and news of his ministry and family. January 1, 1856 and August 13, 1866. 2 items.","Two letters from James Bradford Goodwin to his brother, Frederick D. Goodwin about his ministry and family news. March 6, 1849 and August 5, 1852. 2 items.","Letter from Edward Bryam Goodwin to his brother, Frederick D. Goodwin about news of the New England Goodwin family. news. 1 item.","2 items.","5 items.","Also notes from daughters Abigail Patten Goodwin (1798-1886) and Hannah LeBaron Goodwin (1814-?). 8 items.","5 items.","7 items.","Letters to Frederick D. Goodwin from friends and peers. 15 items.","Letters to Frederick D. Goodwin from friends and peers, mostly about ministry. Invitations to various Episcopal Church vestries. 17 items.","Reports by Frederick G. Goodwin to the Diocesan Missionary Society, Virginia.  4 items.","Letter from Frederick LeBaron Goodwin to his father, Frederick D. Goodwin, while at the University of Virginia.  October 19, 1857.  1 item.","Scope and Contents Rich. H. Wilmer to Mrs. Frederick D. Goodwin telling her that the reports of  her son Frederick's death are false.  February 8, 1865.  1 item.","Copy of typed transcript of \"Some Recollections of My Early Life\" by Mary Frances (Archer) Goodwin,  T 37 pp. 1 item.","Manuscript of \"Some Recollections of My Early Life,\" by Mary Frances (Archer) Goodwin. Signed. 123 pp. Includes typed extract, 1 p. 1 item.","Copy of typed transcription of letter from Mary Baldwin Goodwin, daughter of Frederick Deane Goodwin and Mary Frances (Archer) Goodwin about the Golden Wedding Anniversary of their Grandparents, Robert and Frances Archer. March 29, 1866. 1 item.","A note with the comments made by Mr. Boyden of Staunton about Frederick Deane Goodwin.","Original recollection of the Civil War by Fanny Archer Goodwin Ribble, daughter of Frederick Deane Goodwin, entitled \"An Account of the Civil War in Wytheville.\" 10 pp. February 3, 1904. 1 item.","Two copies of an article \"The Church's Debt to the Goodwin Family, A Century of Fairthful Service\" by J. W. Ware from \"Southern Churchmen\" November 28, 1831. February 7, 1948 issue of \"The Southern Churchman\" with cover showing Dr. Rev. Frederick D. Goodwin, D.D. breaking ground for the first new dormitory at the Virginia Theological Seminary.","Copy of an autobiography by Mary Frances (Archer) Goodwin, \"Some Recollections of my Early Life.\" The recollections also include a family sketch by her Father with genealogical data back to his \"Great-Great-Grandfather Archer\" who emigrated from England in 1665. 71 pp. Original and copy of [1837] letter from M. C. Lee to Mary Frances Archer Goodwin about her surprise in seeing in the paper her marriage to Frederick Deane Goodwin. A later handwritten note on the letter says \"Mrs. R.E. Lee.\"","Personal corespondence between the brothers and sisters of Frederick Deane Goodwin, all of them children of Mary (Polly) Briggs and Daniel Goodiwn. Letters of Henry Bradford Goodwin (Henry Briggs Goodwin) refer to his life as a minister and planter in Maryland and to his views on slavery. The correspondence of brothers Daniel LeBaron Goodwin and James Briggs Goodwin refer to their own activities in the Episcopal ministry. Other correspondents include their mother, Polly (Briggs) Goodwin and Hannah LeBaron Goodwin.","Letter to Daniel LeBaron Goodwin from Jas. Mulchahey about a deathbed conversion. March 3, 1846. 1 item.","Letter from Hannah LeBaron Goodwin to her mother Polly (Briggs) Goodwin about Mary De Wolf Goodwin's death and family news.  November 25, 1841. 1 item.","Letter from Hannah LeBaron Goodwin to Mary De Wolfe Goodwin with personal news. June 21, 1841","Letters to Hannah LeBaron Goodwin from her family, but mostly from her sister Mary D.W. Goodwin. 16 items.","Letters from Henry Bradford Goodwin to Polly Briggs Goodwin with family news. 9 items.","Letters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin,  to Henry's Mother, Polly (Briggs) Goodwin concerning family news.  3 letters.","Letters from Henry Bradford Goodwin and his wife, Susan A. (Parnham) Goodwin to Hannah LeBaron Goodwin and Lewis B. [Benjamin Lewis] Goodwin (1819-1852).  24 items.","Letter from Bishop Alexander Griswold to Henry Bradford Goodwin and Aaron B. Hard in which Bishop Griswold certifies Henry Bradford Goodwin and Aaron B. Hard as candidates for the Holy Order of the Eastern Diocese and their transfer to the Diocese of Virginia. Copied to Bishop Richard Channing Moore (1762-1841). March 26, 1829. 1 item.","Typed transcriptions of the letters of The Rev. Henry Briggs Goodwin entitled \"Life and Letters of The Rev. Henry Briggs Goodwin, Port Tobacco, Maryland, 1804-1859, With a brief account of his family in Massachusetts and Maryland.\" 188 pages plus Appendix 1 and Appendix 2. Note: Henry Briggs Goodwin is sometimes called \"Henry Bradford Goodwin\" in other references.","Letter from James Briggs Goodwin to Polly (Briggs) Goodwin with news of the death of Mary D.W. Goodwin and comments about his ministry. November 3, 1841.  1 item.","September 9, 1841 letter from James Briggs Goodwin and Frederick Deane Goodwin and an October 20, 1841 letter from Hannah LeBaron Goodwin and Henry B. Goodwina to their Mother, Polly (Briggs) Goodwin with consolation on the death of her daughter (their sister), Mary Goodwin.    2 letters.","Two letters from Lewis [Benjamin Lewis] Goodwin (1819-1852) to his wife, Abby (Whiting) Goodwin during a trip to California. February 12, 1853 letter from Joseph G. Wilson, Salem, Oregon, to Mrs. Lewis Goodwin about the circumstances of the death of her husband.  3 items.","Letters from Mary De Wolf Goodwin to her Mother, Polly (Briggs) Goodwin about family news, her travels and teaching.   3 items.","Scope and Contents Papers of Mary Frances Goodwin, daughter of Rev. Edward Lewis Goodwin and researcher for Colonial Williamsburg. Includes letters to and from her family and friends while working as part of the American Expeditionary Forces for the YMCA in France at the end of World War I.  She worked in canteens in internment camps and later as a bookkeeper for the 82nd Division.  A few later letters deal mostly with family matters. Transcripts of correspondence between Dr. W. A. R. Goodwin's Office and Mary F. Goodwin during the discovery of the Bodleian Plate in England.  Typed rough draft \"Researching in England, 1929-1930\" describing the history of the Bodleian Plate and the search to find it.","Letters written by Mary F. Goodwin to various family members during World War I. She writes from New York City, England and France. As part of the American Expeditionary Forces under the auspices of the YMCA, she trains in New York City at \"conferences\" then travels to France to work in different capacities with the American troops and internment camps. She is connected to the 82nd Division. She tells about her trip on a transport ship to England and her experiences in New York, England and France. She describes the places she visits, the countryside, people she meets, her work, the dances and parades, friends she sees and the local people. In her November 24 [1918] letter she notes, \"Mr. Bev Tucker is near here and there is to be a U.VA Alumni dinner or meeting here this week.\" She comments on many of the clergy in her area, particularly the Episcopal ministers and in her December 19, 1918 letter she includes a story \"Take This Holy Sacrament to Your Comfort\" about a service she attended in a hut. Some of her jobs include bookkeeping for the 82nd Division canteens and helping in the internment camps. She reflects on the emotional toll on the men and their future need for help. She talks of German propoganda and how they are trying to \"ingratiate themselves with the Army of Occupation.\" In later letters, where she gives more details of her experiences, she mentions that the earlier letters went through censors.","Letters written to Mary F. Goodwin by her family and friends when she was in France during World War I working with the YMCA as part of the American Expeditionary Forces.  Her Father's letters (Rev. Edward Lewis Goodwin) concern his ministry, his church and the \"Southern Churchman\" plus news of family, friends and church members.  Other correspondents mainly focus on news of friends and family.","Letter from the Treasurer of the Diocese of Virginia sending her Father's salary check for February, 1924 after her Father's death.  Request from G. MacLaren Brydon for information on her Father's \"List of the Colonial Clergy.\"  March 13, 1924 letter from Rev. W.A.R. Goodwin telling her that, per Dr. Chandler, there are no available jobs in the library.    1951 correspondence with Harnett T. Kane about Miss Goodwin's Grandmother's sketch of her girlhood at Fortress Monroe Sound.\"  1959 letter from Rev. Ferneyhough of Christ Church Parish, Lancaster County, Virginia about a memorial fund for her sister, Mrs. Conrad Goodwin  (Maria Lee Goodwin).  6 items.","Account of, and copies of, letters concerning the history and rediscovery of the Bodleian Plate. January 1, 1930 telegram from Dr. W.A.R. Goodwin to Mary Goodwin: \"Woods and Perry here join in congratulations considered greatest find in American Research Pictures Received Today Invaluable.\" Typed transcripts of January and February 1930 letters between Dr. W.A.R. Goodwin's Office and Mary F. Goodwin about the discovery of the Bodleian Plate. Typed draft of an account by Mary F. Goodwin entitled, \"Researching in England, 1929-1930\" where she relates the history of the Rawlinson Collection, the history of the beginning of Colonial Williamsburg and the trail of her research that led to the discovery of the Bodleian Plate.","Booklet entitled, \"Steps to be taken by A.E.F.-Y.M.C.A Secretaries returning to America.\"  Handwritten are Mary Goodwin's date and place of birth, date of arrival in France, issue date of June 16, 1919 and department, Canteen.","Formal photograph of Ethel Archer Lewis Lacy standing beside a rattan sofa.  She was the daughter of Mary Baldwin Goodwin and Thomas Hugo Lacy and granddaughter of Frederick Deane Goodwin.","Copy of a typed manuscript \"From our Younger Years\" by Margaret [Lewis] Goodwin Ballard.  Written in 2 parts.  37 pp.  Margaret Lewis Goodwin Ballard is the daughter of Maria Love Smith and Edward Lewis Goodwin.","Copy of typed transcript entitled \"Some Notes on the Ballard Family\" by Margaret Lewis (Goodwin) Ballard. 6 pp.","Copy of typed transcriptions of letters from James William Ballard (1875-1920) while in the U.S. Army in the Philippines, mostly to his mother, Mary Reid Thrift Ballard (circa 1852-1927). Selection of letters is by Margaret Lewis Goodwin Ballard (1881-1981) his daughter. 12 pp.","Includes the memoirs of Edward Lewis Goodwin's daughter, Margaret (Goodwin) Ballard (1881-?), and her notes on the Ballard family and Mary Frances Goodwin's (1883-1973) correspondence, 1924-1959, and an account of her research in England for Colonial Williamsburg, 1929-1930.","Copies of typed transcriptions of 2 letters from Agnes H. Marshall to John Marshall, 1825 and 1832 and 1 letter from Joseph Story to The Honorable John Marshall, 1833.","Clipping of a photograph of \"Incline Plane at Johnstown\" and a \"Historical Map of the Old Northwest Territory\" owned by J. F. Goodwin. 2 items.","2 letter fragments, one to \"Dear Brother\" dated March 18 and one from \"Your Grandfather\" with advice for farming. 2 items.","Empty folders that contained the letters in this collection, some with notations of importance, recipient, writer, dates and if copied for others. Empty envelopes.","1917 photograph of Barbara Elizabeth, Age 2 and Verner Goodwin, Jr., age 3.  A collage of photographs, some original, of Goodwin family ancestors.  Filed in oversize.","This series is a temporary series until it has been interfiled with the rest of the collection. The series contains genealogical material related to the Goodwin family as well as the Ribble family, and includes correspondence, dating back to the American Civil War, certificates, and other material."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","United States. Army. American Expeditionary Forces"],"names_coll_ssim":["United States. Army. American Expeditionary Forces","Ballard family","Goodwin family","Smith family"],"famname_ssim":["Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family"],"persname_ssim":["Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"names_ssim":["Special Collections Research Center","United States. Army. American Expeditionary Forces","Ballard, James William, 1875-1920","Ballard family","Goodwin family","Smith family","Goodwin, Benjamin Lewis, 1819-1852","Goodwin, Daniel LeBaron, 1800-1867","Goodwin, Edward Bryam, 1810 -","Goodwin, Hannah LeBaron, 1814-1852","Goodwin, Henry Bradford, 1802-1859","Goodwin, James Briggs, 1806-1886","Goodwin, Mary De Wolf, 1812-1841","Goodwin, Mary Frances (Archer), 1817-1900","Ribble, Fanny Archer Goodwin, 1838-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":100,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:16.704Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9058"}},{"id":"viw_repositories_2_resources_9947","type":"collection","attributes":{"title":"Hardin Family letters, 1944/1948","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9947#creator","type":"document_value","attributes":{"value":"Barranger \u0026 Company, Inc.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9947#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollections contain letters to and from members of the Hardin family during World War II and post-war Louisiana.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9947#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9947","ead_ssi":"viw_repositories_2_resources_9947","_root_":"viw_repositories_2_resources_9947","_nest_parent_":"viw_repositories_2_resources_9947","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9947.xml","title_filing_ssi":"Hardin Family letters","title_ssm":["Hardin Family letters"],"title_tesim":["Hardin Family letters"],"unitdate_ssm":["1944-1948"],"unitdate_inclusive_ssm":["1944-1948"],"normalized_date_ssm":["1944/1948"],"normalized_title_ssm":["Hardin Family letters, 1944/1948"],"text":["Hardin Family letters, 1944/1948","SC 01953","/repositories/2/resources/9947","World War, 1939-1945","Personal narratives","World War, 1939-1945--Personal narratives","World War, 1939-1945--Women--United States","Women--Southern States--History","Correspondence","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection is arranged into one series: Series I. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection is arranged by file.","Collection contains papers documenting the family of Henry Waring Latane Lewis from Essex County, Virginia. Lewis was an episcopal minister in Essex County and often preached to African-Americans. 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The remaining letters are unidentified correspondence.","Series includes published almanacs, and religious books.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Henry Waring Latane Lewis family papers, 1826/1893"],"collection_ssim":["Henry Waring Latane Lewis family papers, 1826/1893"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01928","/repositories/2/resources/9910"],"unitid_tesim":["SC 01928","/repositories/2/resources/9910"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Church history--19th century","United States--History--Civil War, 1861-1865--Personal narratives."],"geogname_ssim":["Virginia--Church history--19th century","United States--History--Civil War, 1861-1865--Personal narratives."],"places_ssim":["Virginia--Church history--19th century","United States--History--Civil War, 1861-1865--Personal narratives."],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchased with the assistance of the Nelle Richardson Tonkin Fund."],"access_subjects_ssim":["American periodicals--Virginia--History","African American churches","Episcopal Church--Virginia--History","Episcopal Church--Virginia--History--19th century","Essex County (Va.)--History--19th century","Essex County (Va.)--History--Civil War, 1861-1865","Personal narratives","Legal documents","Sermons, American--19th century","African Americans--Religion","Missionaries","African Americans--Education","African Americans--Education--Virginia","Education","Correspondence","Letters (correspondence)","Receipts (financial records)","Sermons"],"access_subjects_ssm":["American periodicals--Virginia--History","African American churches","Episcopal Church--Virginia--History","Episcopal Church--Virginia--History--19th century","Essex County (Va.)--History--19th century","Essex County (Va.)--History--Civil War, 1861-1865","Personal narratives","Legal documents","Sermons, American--19th century","African Americans--Religion","Missionaries","African Americans--Education","African Americans--Education--Virginia","Education","Correspondence","Letters (correspondence)","Receipts (financial records)","Sermons"],"has_online_content_ssim":["false"],"extent_ssm":["1.42 Linear Feet 1 legal size Hollinger box, 1 oversize 11x17 folder."],"extent_tesim":["1.42 Linear Feet 1 legal size Hollinger box, 1 oversize 11x17 folder."],"genreform_ssim":["Correspondence","Letters (correspondence)","Receipts (financial records)","Sermons"],"date_range_isim":[1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by file.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by file."],"prefercite_html_tesm":["\u003cp\u003eHenry Waring Latane Lewis family papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Henry Waring Latane Lewis family papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains papers documenting the family of Henry Waring Latane Lewis from Essex County, Virginia. Lewis was an episcopal minister in Essex County and often preached to African-Americans. The Collection includes papers ranging from correspondence to legal documents. Also included is a small ambrotype photograph and a list of names, possibly of enslaved individuals.\u003c/p\u003e  ","\u003cp\u003eThis series includes various papers including correspondence, receipts, affidavits, and medical class notes. Writings are also contained in this series and includes original handwritten sermons,and other non religious writings.\u003c/p\u003e","\u003cp\u003eFile contains multiple oversize letters including a letter addressed to a Mrs. Garnett dated 1824, another addressed to \"sister\" from unidentified person dated 1863 and a letter to Reverened H.W. Temple from unidentified person dated 1866. The remaining letters are unidentified correspondence.\u003c/p\u003e","\u003cp\u003eSeries includes published almanacs, and religious books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection contains papers documenting the family of Henry Waring Latane Lewis from Essex County, Virginia. Lewis was an episcopal minister in Essex County and often preached to African-Americans. The Collection includes papers ranging from correspondence to legal documents. Also included is a small ambrotype photograph and a list of names, possibly of enslaved individuals.","This series includes various papers including correspondence, receipts, affidavits, and medical class notes. Writings are also contained in this series and includes original handwritten sermons,and other non religious writings.","File contains multiple oversize letters including a letter addressed to a Mrs. Garnett dated 1824, another addressed to \"sister\" from unidentified person dated 1863 and a letter to Reverened H.W. Temple from unidentified person dated 1866. The remaining letters are unidentified correspondence.","Series includes published almanacs, and religious books."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9910"}},{"id":"vifgm_repositories_2_resources_711","type":"collection","attributes":{"title":"International art publishing collection, 2009/2023","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_711#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_711#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_711","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_711.xml","title_filing_ssi":"International art publishing collection","title_ssm":["International art publishing collection"],"title_tesim":["International art publishing collection"],"unitdate_ssm":["2009-2023"],"unitdate_inclusive_ssm":["2009-2023"],"normalized_date_ssm":["2009/2023"],"normalized_title_ssm":["International art publishing collection, 2009/2023"],"text":["International art publishing collection, 2009/2023","C0517","/repositories/2/resources/711","Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)","There are no access restrictions.","Arranged by acquisition date.","\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.","The Special Collections Research Center also holds the  and the  It also holds an extensive","The  and the  hold zines collections. A list of Virginia institutions with zines collections can be found","The , the , and  hold minicomics collections.","This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.","Publisher: Gato Negro Ediciones, Mexico.","Publisher: Oficyna Peryferie, Poland.","Publisher: Gfeller + Hellsgård.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Water With Water and VCU Arts Qatar.","Publisher: nos:books, Taiwan.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: La Silueta, Colombia.","Publisher: Libros de Mano, Mexico.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Libros de Mano, Mexico.","Publisher: komikss magazine kuš!, Latvia.","Publisher: Paradise Systems, U.S.A.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: piedra ediciones, Mexico.","Publisher: Roma Publications, Netherlands.","Publisher:","Publisher: kolectivo_jajaja, Mexico.","Publisher: Sex Zine, Mexico.","Publisher: Polvoh Press, Oaxaca, Mexico.","Publisher: Gato Negro, Mexico.","Publisher:  Alacraña and Libros de Mano, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Uroboros Editorial press, Mexico","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: alacraña and lapis, Mexico.","Publisher: Latvian Centre for Contemporary Art, Latvia","Publisher: Ediciones Hungría, Mexico.","Publisher: piedra ediciones, Mexico. Editor: Alfonso Santiago.","Publisher: Discos Cuchillo, Mexico.","Publisher: La Silueta, Colombia.","Published in Mexico.","Publisher: Fibra Casa Editora, Argentina.","Publisher: Casa Fibra, Argentina.","Publisher: Fibra Casa Editora, Argentina.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Content Warning: Graphic sexual content.","Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Paradise Systems, China.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher:  Alacraña and Libros de Mano, Mexico.","Publisher: Asian_Food_Design, Japan.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","R 73, C 3, S 2","George Mason University. Libraries. Special Collections Research Center","English\n,       Spanish; Castilian\n,       Chinese\n,       Latvian\n."],"collection_title_tesim":["International art publishing collection, 2009/2023"],"collection_ssim":["International art publishing collection, 2009/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0517","/repositories/2/resources/711"],"unitid_tesim":["C0517","/repositories/2/resources/711"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["This collection was purchased and curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries."],"access_subjects_ssim":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"access_subjects_ssm":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 9 boxes"],"extent_tesim":["3.5 Linear Feet 9 boxes"],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bioghist_html_tesm":["\u003cp\u003e\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.\u003c/p\u003e","\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century."],"prefercite_html_tesm":["\u003cp\u003eInternational art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["International art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Mid-atlantic zines and minicomics collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and the  It also holds an extensive","The  and the  hold zines collections. A list of Virginia institutions with zines collections can be found","The , the , and  hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.\u003c/p\u003e","\u003cp\u003eMaterials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.\u003c/p\u003e  ","\u003cp\u003ePublisher: Gato Negro Ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Oficyna Peryferie, Poland.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Water With Water and VCU Arts Qatar.\u003c/p\u003e","\u003cp\u003ePublisher: nos:books, Taiwan.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: La Silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: komikss magazine kuš!, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003eContent Warning: Graphic sexual content.\u003c/p\u003e ","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Roma Publications, Netherlands.\u003c/p\u003e","\u003cp\u003ePublisher:\u003c/p\u003e","\u003cp\u003ePublisher: kolectivo_jajaja, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Sex Zine, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Polvoh Press, Oaxaca, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher:  Alacraña and Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: la silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: la silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Uroboros Editorial press, Mexico\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: la silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: alacraña and lapis, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Latvian Centre for Contemporary Art, Latvia\u003c/p\u003e","\u003cp\u003ePublisher: Ediciones Hungría, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico. Editor: Alfonso Santiago.\u003c/p\u003e","\u003cp\u003ePublisher: Discos Cuchillo, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: La Silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublished in Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Fibra Casa Editora, Argentina.\u003c/p\u003e","\u003cp\u003ePublisher: Casa Fibra, Argentina.\u003c/p\u003e","\u003cp\u003ePublisher: Fibra Casa Editora, Argentina.\u003c/p\u003e","\u003cp\u003eContent Warning: Graphic sexual content.\u003c/p\u003e ","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003eContent Warning: Graphic sexual content.\u003c/p\u003e ","\u003cp\u003eGrafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Huella, galería de arte \u0026amp; taller, Bolivia.\u003c/p\u003e","\u003cp\u003ePublisher: Huella, galería de arte \u0026amp; taller, 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U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: piedra ediciones, Mexico.","Publisher: Roma Publications, Netherlands.","Publisher:","Publisher: kolectivo_jajaja, Mexico.","Publisher: Sex Zine, Mexico.","Publisher: Polvoh Press, Oaxaca, Mexico.","Publisher: Gato Negro, Mexico.","Publisher:  Alacraña and Libros de Mano, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Uroboros Editorial press, Mexico","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: alacraña and lapis, 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Editor: Alfonso Santiago.","Publisher: Discos Cuchillo, Mexico.","Publisher: La Silueta, Colombia.","Published in Mexico.","Publisher: Fibra Casa Editora, Argentina.","Publisher: Casa Fibra, Argentina.","Publisher: Fibra Casa Editora, Argentina.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Content Warning: Graphic sexual content.","Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Paradise Systems, China.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher:  Alacraña and Libros de Mano, Mexico.","Publisher: Asian_Food_Design, Japan.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_11da03b378d2c9e5dcf2e1f2bb4e7780\"\u003eThis collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9357440505478d9d413d0788239bf684\"\u003eR 73, C 3, S 2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 3, S 2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English\n,       Spanish; Castilian\n,       Chinese\n,       Latvian\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:51.434Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_711","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_711.xml","title_filing_ssi":"International art publishing collection","title_ssm":["International art publishing collection"],"title_tesim":["International art publishing collection"],"unitdate_ssm":["2009-2023"],"unitdate_inclusive_ssm":["2009-2023"],"normalized_date_ssm":["2009/2023"],"normalized_title_ssm":["International art publishing collection, 2009/2023"],"text":["International art publishing collection, 2009/2023","C0517","/repositories/2/resources/711","Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)","There are no access restrictions.","Arranged by acquisition date.","\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.","The Special Collections Research Center also holds the  and the  It also holds an extensive","The  and the  hold zines collections. A list of Virginia institutions with zines collections can be found","The , the , and  hold minicomics collections.","This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.","Publisher: Gato Negro Ediciones, Mexico.","Publisher: Oficyna Peryferie, Poland.","Publisher: Gfeller + Hellsgård.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Water With Water and VCU Arts Qatar.","Publisher: nos:books, Taiwan.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, 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Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: La Silueta, Colombia.","Publisher: Libros de Mano, Mexico.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Libros de Mano, Mexico.","Publisher: komikss magazine kuš!, Latvia.","Publisher: Paradise Systems, U.S.A.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: piedra ediciones, Mexico.","Publisher: Roma Publications, Netherlands.","Publisher:","Publisher: kolectivo_jajaja, Mexico.","Publisher: Sex Zine, Mexico.","Publisher: Polvoh Press, Oaxaca, Mexico.","Publisher: Gato Negro, Mexico.","Publisher:  Alacraña and Libros de Mano, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Uroboros Editorial press, Mexico","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: alacraña and lapis, 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Editor: Alfonso Santiago.","Publisher: Discos Cuchillo, Mexico.","Publisher: La Silueta, Colombia.","Published in Mexico.","Publisher: Fibra Casa Editora, Argentina.","Publisher: Casa Fibra, Argentina.","Publisher: Fibra Casa Editora, Argentina.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Content Warning: Graphic sexual content.","Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Paradise Systems, China.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher:  Alacraña and Libros de Mano, Mexico.","Publisher: Asian_Food_Design, Japan.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","R 73, C 3, S 2","George Mason University. 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Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["This collection was purchased and curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries."],"access_subjects_ssim":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"access_subjects_ssm":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 9 boxes"],"extent_tesim":["3.5 Linear Feet 9 boxes"],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bioghist_html_tesm":["\u003cp\u003e\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.\u003c/p\u003e","\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century."],"prefercite_html_tesm":["\u003cp\u003eInternational art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["International art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Mid-atlantic zines and minicomics collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and the  It also holds an extensive","The  and the  hold zines collections. A list of Virginia institutions with zines collections can be found","The , the , and  hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.\u003c/p\u003e","\u003cp\u003eMaterials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.\u003c/p\u003e  ","\u003cp\u003ePublisher: Gato Negro Ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Oficyna Peryferie, Poland.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Water With Water and VCU Arts Qatar.\u003c/p\u003e","\u003cp\u003ePublisher: nos:books, Taiwan.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: La Silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: komikss magazine kuš!, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003eContent Warning: Graphic sexual content.\u003c/p\u003e ","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Roma Publications, Netherlands.\u003c/p\u003e","\u003cp\u003ePublisher:\u003c/p\u003e","\u003cp\u003ePublisher: kolectivo_jajaja, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Sex Zine, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Polvoh Press, Oaxaca, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher:  Alacraña and Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: la silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: la silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Uroboros Editorial press, Mexico\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: la silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: alacraña and lapis, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Latvian Centre for Contemporary Art, Latvia\u003c/p\u003e","\u003cp\u003ePublisher: Ediciones Hungría, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico. Editor: Alfonso Santiago.\u003c/p\u003e","\u003cp\u003ePublisher: Discos Cuchillo, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: La Silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublished in Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Fibra Casa Editora, Argentina.\u003c/p\u003e","\u003cp\u003ePublisher: Casa Fibra, Argentina.\u003c/p\u003e","\u003cp\u003ePublisher: Fibra Casa Editora, Argentina.\u003c/p\u003e","\u003cp\u003eContent Warning: Graphic sexual content.\u003c/p\u003e ","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003eContent Warning: Graphic sexual content.\u003c/p\u003e ","\u003cp\u003eGrafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Huella, galería de arte \u0026amp; taller, Bolivia.\u003c/p\u003e","\u003cp\u003ePublisher: Huella, galería de arte \u0026amp; taller, 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Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher:  Alacraña and Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Asian_Food_Design, Japan.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.","Publisher: Gato Negro Ediciones, Mexico.","Publisher: Oficyna Peryferie, Poland.","Publisher: Gfeller + Hellsgård.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Water With Water and VCU Arts Qatar.","Publisher: nos:books, Taiwan.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: La Silueta, Colombia.","Publisher: Libros de Mano, Mexico.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Libros de Mano, Mexico.","Publisher: komikss magazine kuš!, Latvia.","Publisher: Paradise Systems, U.S.A.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, 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