{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts.\u0026f%5Blevel%5D%5B%5D=Collection","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts.\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts.\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":11,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_rice","type":"collection","attributes":{"title":"Adams T. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_rice#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_rice","ead_ssi":"vifgm_rice","_root_":"vifgm_rice","_nest_parent_":"vifgm_rice","ead_source_url_ssi":"data/gmu/rice.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/rice.html","title_ssm":["Adams T. Rice papers"],"title_tesim":["Adams T. Rice papers"],"unitdate_ssm":["1922-1960"],"unitdate_other_ssim":["1922-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0238"],"text":["C0238","Adams T. Rice papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-","English\n\t\t"],"unitid_tesim":["C0238"],"normalized_title_ssm":["Adams T. Rice papers"],"collection_title_tesim":["Adams T. 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He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. 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Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eThe Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Adams T. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Adams T. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-"],"corpname_ssim":["George Mason University. Libraries. 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Rice papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-","English\n\t\t"],"unitid_tesim":["C0238"],"normalized_title_ssm":["Adams T. Rice papers"],"collection_title_tesim":["Adams T. 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Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.\u003c/p\u003e","\u003cp\u003eIn the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. 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Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eThe Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/p\u003e","\u003cp\u003eMaterial related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:41.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_rice"}},{"id":"vifgm_federmanperformingarts","type":"collection","attributes":{"title":"Amy Federman performing arts collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_federmanperformingarts#creator","type":"document_value","attributes":{"value":"Federman, Amy","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_federmanperformingarts#abstract_or_scope","type":"document_value","attributes":{"value":"Collection largely consists of ephemera that documents performing arts and theater in Washington, D.C.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_federmanperformingarts#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_federmanperformingarts","ead_ssi":"vifgm_federmanperformingarts","_root_":"vifgm_federmanperformingarts","_nest_parent_":"vifgm_federmanperformingarts","ead_source_url_ssi":"data/gmu/federmanperformingarts.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/federmanperformingarts.html","title_ssm":["Amy Federman performing arts collection"],"title_tesim":["Amy Federman performing arts collection"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0169"],"text":["C0169","Amy Federman performing arts collection","Performing arts.","There are no access restrictions.","Arranged by subject.","Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area.","Processing completed by Amy Blake in September 2018. EAD markup completed by Amy Blake in September 2018.","Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  .","Collection largely consists of ephemera that documents performing arts and theater in Washington, D.C. Items include programs, flyers, and ticket stubs. Some of the items are signed.","There are no restrictions on personal use. Permission to publish material from the Amy Federman performing arts collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","Collection largely consists of ephemera that documents performing arts and theater in Washington, D.C.","George Mason University.  Libraries.  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EAD markup completed by Amy Blake in September 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other performing arts collections which include the \u003cextptr type=\"simple\" title=\"Virginia Nelson playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/nelson.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Charles Rodrigues playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/rodriguesplaybills.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Broadway souvenir theatre programs collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/broadwayprograms.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Larry Schecker playbills and pamphlets collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/schecker.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eCollection largely consists of ephemera that documents performing arts and theater in Washington, D.C. 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Permission to publish material from the Amy Federman performing arts collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eCollection largely consists of ephemera that documents performing arts and theater in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["Collection largely consists of ephemera that documents performing arts and theater in Washington, D.C."],"names_ssim":["George Mason University.  Libraries.  Special Collections Research Center.","Federman, Amy"],"corpname_ssim":["George Mason University.  Libraries.  Special Collections Research Center."],"persname_ssim":["Federman, Amy"],"language_ssim":["English\n\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:49:04.653Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_federmanperformingarts","ead_ssi":"vifgm_federmanperformingarts","_root_":"vifgm_federmanperformingarts","_nest_parent_":"vifgm_federmanperformingarts","ead_source_url_ssi":"data/gmu/federmanperformingarts.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/federmanperformingarts.html","title_ssm":["Amy Federman performing arts collection"],"title_tesim":["Amy Federman performing arts collection"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0169"],"text":["C0169","Amy Federman performing arts collection","Performing arts.","There are no access restrictions.","Arranged by subject.","Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. 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In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. 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EAD markup completed by Amy Blake in September 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other performing arts collections which include the \u003cextptr type=\"simple\" title=\"Virginia Nelson playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/nelson.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Charles Rodrigues playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/rodriguesplaybills.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Broadway souvenir theatre programs collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/broadwayprograms.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Larry Schecker playbills and pamphlets collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/schecker.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eCollection largely consists of ephemera that documents performing arts and theater in Washington, D.C. Items include programs, flyers, and ticket stubs. Some of the items are signed.\u003c/p\u003e"],"scopecontent_tesim":["Collection largely consists of ephemera that documents performing arts and theater in Washington, D.C. Items include programs, flyers, and ticket stubs. Some of the items are signed."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Amy Federman performing arts collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Amy Federman performing arts collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eCollection largely consists of ephemera that documents performing arts and theater in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["Collection largely consists of ephemera that documents performing arts and theater in Washington, D.C."],"names_ssim":["George Mason University.  Libraries.  Special Collections Research Center.","Federman, Amy"],"corpname_ssim":["George Mason University.  Libraries.  Special Collections Research Center."],"persname_ssim":["Federman, Amy"],"language_ssim":["English\n\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:49:04.653Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_federmanperformingarts"}},{"id":"vifgm_sundgaard","type":"collection","attributes":{"title":"Arnold Sundgaard papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard#creator","type":"document_value","attributes":{"value":"Sundgaard, Arnold, 1909-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard#abstract_or_scope","type":"document_value","attributes":{"value":"The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"text":["C0226","Arnold Sundgaard papers","New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English\n\t\t"],"unitid_tesim":["C0226"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting. 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"],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. "],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:47:27.786Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"text":["C0226","Arnold Sundgaard papers","New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English\n\t\t"],"unitid_tesim":["C0226"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["19.0 linear feet (46 boxes)"],"extent_tesim":["19.0 linear feet (46 boxes)"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. "],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:47:27.786Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_sundgaard"}},{"id":"vifgm_bergerchicagoplaybills","type":"collection","attributes":{"title":"Carol Berger Chicago performing arts playbills collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_bergerchicagoplaybills#creator","type":"document_value","attributes":{"value":"Berger, Carol","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_bergerchicagoplaybills#abstract_or_scope","type":"document_value","attributes":{"value":"This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_bergerchicagoplaybills#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_bergerchicagoplaybills","ead_ssi":"vifgm_bergerchicagoplaybills","_root_":"vifgm_bergerchicagoplaybills","_nest_parent_":"vifgm_bergerchicagoplaybills","ead_source_url_ssi":"data/gmu/bergerchicagoplaybills.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/carolberger.html","title_filing_ssi":"Carol Berger Chicago performing arts playbills collections","title_ssm":["Carol Berger Chicago performing arts playbills collection"],"title_tesim":["Carol Berger Chicago performing arts playbills collection"],"unitdate_ssm":["1988-2015"],"unitdate_inclusive_ssm":["1988-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0263"],"text":["C0263","Carol Berger Chicago performing arts playbills collection","Performing arts.","Theater--United States.","Theater.","Theater programs.","There are no access restrictions.","This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.","","The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.","Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018.","Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  .","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","There are no restrictions on personal use. Permission to publish material from the Carol Berger Chicago performing arts playbills collection must be obtained from Special Collections Research Center, George Mason University Libraries.","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","George Mason University. Libraries. Special Collections Research Center","Berger, Carol","English\n            \t"],"unitid_tesim":["C0263"],"normalized_title_ssm":["Carol Berger Chicago performing arts playbills collection"],"collection_title_tesim":["Carol Berger Chicago performing arts playbills collection"],"collection_ssim":["Carol Berger Chicago performing arts playbills collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Berger, Carol"],"creator_ssim":["Berger, Carol"],"creator_persname_ssim":["Berger, Carol"],"creators_ssim":["Berger, Carol"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Carol Berger Chicago performing arts playbills collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Carol Berger in 2015."],"access_subjects_ssim":["Performing arts.","Theater--United States.","Theater.","Theater programs."],"access_subjects_ssm":["Performing arts.","Theater--United States.","Theater.","Theater programs."],"has_online_content_ssim":["false"],"extent_ssm":["1.0 linear feet (4 boxes)"],"extent_tesim":["1.0 linear feet (4 boxes)"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season."],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"History of Lyric Opera of Chicago.\" show=\"new\" href=\"https://www.lyricopera.org/about/history/lyricoperahistory\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""],"bioghist_html_tesm":["\u003cp\u003eThe Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills."],"prefercite_html_tesm":["\u003cp\u003eCarol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other performing arts collections which include the \u003cextptr type=\"simple\" title=\"Virginia Nelson playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/nelson.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Charles Rodrigues playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/rodriguesplaybills.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Broadway souvenir theatre programs collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/broadwayprograms.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Larry Schecker playbills and pamphlets collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/schecker.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content note"],"scopecontent_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Carol Berger Chicago performing arts playbills collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Carol Berger Chicago performing arts playbills collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Berger, Carol"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Berger, Carol"],"language_ssim":["English\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:46:57.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_bergerchicagoplaybills","ead_ssi":"vifgm_bergerchicagoplaybills","_root_":"vifgm_bergerchicagoplaybills","_nest_parent_":"vifgm_bergerchicagoplaybills","ead_source_url_ssi":"data/gmu/bergerchicagoplaybills.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/carolberger.html","title_filing_ssi":"Carol Berger Chicago performing arts playbills collections","title_ssm":["Carol Berger Chicago performing arts playbills collection"],"title_tesim":["Carol Berger Chicago performing arts playbills collection"],"unitdate_ssm":["1988-2015"],"unitdate_inclusive_ssm":["1988-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0263"],"text":["C0263","Carol Berger Chicago performing arts playbills collection","Performing arts.","Theater--United States.","Theater.","Theater programs.","There are no access restrictions.","This collection is arranged by venue, followed by format. 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EAD markup completed by Amy Blake in August 2018.","Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  .","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","There are no restrictions on personal use. Permission to publish material from the Carol Berger Chicago performing arts playbills collection must be obtained from Special Collections Research Center, George Mason University Libraries.","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","George Mason University. Libraries. 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The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills."],"prefercite_html_tesm":["\u003cp\u003eCarol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other performing arts collections which include the \u003cextptr type=\"simple\" title=\"Virginia Nelson playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/nelson.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Charles Rodrigues playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/rodriguesplaybills.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Broadway souvenir theatre programs collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/broadwayprograms.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Larry Schecker playbills and pamphlets collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/schecker.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content note"],"scopecontent_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Carol Berger Chicago performing arts playbills collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Carol Berger Chicago performing arts playbills collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Berger, Carol"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Berger, Carol"],"language_ssim":["English\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:46:57.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_bergerchicagoplaybills"}},{"id":"vifgm_lynchd","type":"collection","attributes":{"title":"Dorothea Thomas Lynch papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_lynchd#creator","type":"document_value","attributes":{"value":"Lynch, Dorothea Thomas\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_lynchd#abstract_or_scope","type":"document_value","attributes":{"value":"The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_lynchd#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_lynchd","ead_ssi":"vifgm_lynchd","_root_":"vifgm_lynchd","_nest_parent_":"vifgm_lynchd","ead_source_url_ssi":"data/gmu/lynchd.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/lynchd.html","title_ssm":["Dorothea Thomas Lynch papers"],"title_tesim":["Dorothea Thomas Lynch papers"],"unitdate_ssm":["Bulk, 1936-1940","1936-1979"],"unitdate_bulk_ssim":["Bulk, 1936-1940"],"unitdate_inclusive_ssm":["1936-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0242"],"text":["C0242","Dorothea Thomas Lynch papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically with oversize materials at the end.","Dorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","There are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas.","English\n\t\t"],"unitid_tesim":["C0242"],"normalized_title_ssm":["Dorothea Thomas Lynch papers"],"collection_title_tesim":["Dorothea Thomas Lynch papers"],"collection_ssim":["Dorothea Thomas Lynch papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lynch, Dorothea Thomas\n"],"creator_ssim":["Lynch, Dorothea Thomas\n"],"creator_persname_ssim":["Lynch, Dorothea Thomas\n"],"creators_ssim":["Lynch, Dorothea Thomas\n"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Dorothea Thomas Lynch on March 14, 1977."],"access_subjects_ssim":["Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks."],"access_subjects_ssm":["Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["2.0 linear feet (3 boxes)"],"extent_tesim":["2.0 linear feet (3 boxes)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically with oversize materials at the end.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically with oversize materials at the end."],"bioghist_html_tesm":["\u003cp\u003eDorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Dorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers, C0242, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Dorothea Thomas Lynch papers, C0242, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref26\" label=\"Abstract\"\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:55:14.989Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_lynchd","ead_ssi":"vifgm_lynchd","_root_":"vifgm_lynchd","_nest_parent_":"vifgm_lynchd","ead_source_url_ssi":"data/gmu/lynchd.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/lynchd.html","title_ssm":["Dorothea Thomas Lynch papers"],"title_tesim":["Dorothea Thomas Lynch papers"],"unitdate_ssm":["Bulk, 1936-1940","1936-1979"],"unitdate_bulk_ssim":["Bulk, 1936-1940"],"unitdate_inclusive_ssm":["1936-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0242"],"text":["C0242","Dorothea Thomas Lynch papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically with oversize materials at the end.","Dorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","There are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","George Mason University. Libraries. 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Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers, C0242, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Dorothea Thomas Lynch papers, C0242, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref26\" label=\"Abstract\"\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:55:14.989Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_lynchd"}},{"id":"vifgm_edson","type":"collection","attributes":{"title":"Eda Edson papers","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_edson#abstract_or_scope","type":"document_value","attributes":{"value":"The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_edson#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_edson","ead_ssi":"vifgm_edson","_root_":"vifgm_edson","_nest_parent_":"vifgm_edson","ead_source_url_ssi":"data/gmu/edson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/edson.html","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218"],"text":["C0218","Eda Edson papers","New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","Organized alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" ","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. 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","Organized alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" ","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. 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The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_ftppersonal#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_ftppersonal","ead_ssi":"vifgm_ftppersonal","_root_":"vifgm_ftppersonal","_nest_parent_":"vifgm_ftppersonal","ead_source_url_ssi":"data/gmu/ftppersonal.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/ftppersonal.html","title_ssm":["Federal Theatre Project personal papers"],"title_tesim":["Federal Theatre Project personal papers"],"unitdate_ssm":["1926-1993, bulk 1936-1939"],"unitdate_inclusive_ssm":["1926-1993, bulk 1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0227"],"text":["C0227","Federal Theatre Project personal papers","New Deal, 1933-1939.","Performing arts.","Puppet theater.","Radio and theater","Theater--United States.","Photographs.","Scrapbooks.","There are no access restrictions.","Arranged alphabetically by last name.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). 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The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.","There are no restrictions on personal use. Permission to publish material from the The Federal Theatre Project personal papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.","George Mason University. Libraries. 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The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. 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EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. 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For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall."],"prefercite_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/p\u003e","\u003cp\u003eThe collection is divided into two series.\u003c/p\u003e","\u003cp\u003eSeries one consists of documents and photographs and is organized alphabetically.\u003c/p\u003e","\u003cp\u003eSeries two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. 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Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/abstract\u003e"],"abstract_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Graham, Hedley Gordon\n","Graham, Hedley Gordon."],"corpname_ssim":["George Mason University. Libraries. 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For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically.","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.","There are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Graham, Hedley Gordon\n","Graham, Hedley Gordon.","English\n\t\t"],"unitid_tesim":["C0240"],"normalized_title_ssm":["Hedley Gordon Graham papers"],"collection_title_tesim":["Hedley Gordon Graham papers"],"collection_ssim":["Hedley Gordon Graham papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Graham, Hedley Gordon\n"],"creator_ssim":["Graham, Hedley Gordon\n"],"creator_persname_ssim":["Graham, Hedley Gordon\n"],"creators_ssim":["Graham, Hedley Gordon\n"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by W. H. Crain at the University of Texas in May 1988."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["3.0 linear feet (4 boxes)"],"extent_tesim":["3.0 linear feet (4 boxes)"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically by folder title.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Documents and Photographs, 1920s-1983 (Boxes 1-3)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Oversize, 1920s-1930s (Box 4)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by folder title.","Series 1: Documents and Photographs, 1920s-1983 (Boxes 1-3) Series 2: Oversize, 1920s-1930s (Box 4)"],"bioghist_html_tesm":["\u003cp\u003eGordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Reinhardt School of Drama in Salzburg, Austria.\u003c/p\u003e","\u003cp\u003eProfessional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Gordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Reinhardt School of Drama in Salzburg, Austria.","Professional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall."],"prefercite_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/p\u003e","\u003cp\u003eThe collection is divided into two series.\u003c/p\u003e","\u003cp\u003eSeries one consists of documents and photographs and is organized alphabetically.\u003c/p\u003e","\u003cp\u003eSeries two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically.","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref1\" label=\"Abstract\"\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/abstract\u003e"],"abstract_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Graham, Hedley Gordon\n","Graham, Hedley Gordon."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Graham, Hedley Gordon\n","Graham, Hedley Gordon."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T01:00:28.285Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_graham"}},{"id":"vifgm_performingartsmanuscripts","type":"collection","attributes":{"title":"Performing arts manuscripts collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_performingartsmanuscripts#creator","type":"document_value","attributes":{"value":"Gerber, Steven K.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_performingartsmanuscripts#abstract_or_scope","type":"document_value","attributes":{"value":"Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_performingartsmanuscripts#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"text":["C0215","Performing arts manuscripts collection","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other ","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"unitid_tesim":["C0215"],"normalized_title_ssm":["Performing arts manuscripts collection"],"collection_title_tesim":["Performing arts manuscripts collection"],"collection_ssim":["Performing arts manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K."],"creators_ssim":["Gerber, Steven K."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"persname_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"language_ssim":["Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:49.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"text":["C0215","Performing arts manuscripts collection","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other ","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"unitid_tesim":["C0215"],"normalized_title_ssm":["Performing arts manuscripts collection"],"collection_title_tesim":["Performing arts manuscripts collection"],"collection_ssim":["Performing arts manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K."],"creators_ssim":["Gerber, Steven K."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"persname_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"language_ssim":["Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:49.461Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_performingartsmanuscripts"}},{"id":"vifgm_princewilliamCAF","type":"collection","attributes":{"title":"Prince William Cultural Arts Federation papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_princewilliamCAF#creator","type":"document_value","attributes":{"value":"Prince William Cultural Arts Federation.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_princewilliamCAF#abstract_or_scope","type":"document_value","attributes":{"value":"The Prince William Cultural Arts Federation records include correspondence, administrative documents, and event information.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_princewilliamCAF#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_princewilliamCAF","ead_ssi":"vifgm_princewilliamCAF","_root_":"vifgm_princewilliamCAF","_nest_parent_":"vifgm_princewilliamCAF","ead_source_url_ssi":"data/gmu/princewilliamCAF.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/PrinceWilliamCAF.html","title_ssm":["Prince William Cultural Arts Federation papers"],"title_tesim":["Prince William Cultural Arts Federation papers"],"unitdate_ssm":["1979-1990s"],"unitdate_inclusive_ssm":["1979-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0297"],"text":["C0297","Prince William Cultural Arts Federation papers","Nonprofit organizations--Virginia.","Performing arts.","There are no access restrictions.","Documents in this collection are arranged by subject.","The Prince William Cultural Arts Federation was a non-profit organization that ended in 1993 after thirteen years of promoting and funding arts groups in Prince William County. They provided support and raised awareness for other visual and performance arts organizations in the community by establishing cultural centers, advocating for arts in public education, sought sources of funding for the arts, and encouraging attendance at all arts events.","Processing completed by Brittney Falter in January 2017. EAD markup completed by Brittney Falter in January 2017.","Special Collections Research Center holds several other notable collections related to performing arts in Virginia such as the Prince William Symphony Orchestra records.","The Prince William Cultural Arts Federation records include correspondence, position descriptions and applications, memos, administrative documents, budget information and other documents dating from 1979 until the early 1990s when the CAF disbanded.","There are no restrictions on personal use. Permission to publish material from the Prince William Cultural Arts Federation records must be obtained from Special Collections Research Center, George Mason University Libraries.","The Prince William Cultural Arts Federation records include correspondence, administrative documents, and event information.","George Mason University. Libraries. Special Collections Research Center.","Prince William Cultural Arts Federation.","English\n\t"],"unitid_tesim":["C0297"],"normalized_title_ssm":["Prince William Cultural Arts Federation papers"],"collection_title_tesim":["Prince William Cultural Arts Federation papers"],"collection_ssim":["Prince William Cultural Arts Federation papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Prince William Cultural Arts Federation."],"creator_ssim":["Prince William Cultural Arts Federation."],"creator_corpname_ssim":["Prince William Cultural Arts Federation."],"creators_ssim":["Prince William Cultural Arts Federation."],"access_terms_ssm":["There are no restrictions on personal use. 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