{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts\u0026facet.sort=count\u0026page=6","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts\u0026facet.sort=count\u0026page=5","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts\u0026facet.sort=count\u0026page=6"},"meta":{"pages":{"current_page":6,"next_page":null,"prev_page":5,"total_pages":6,"limit_value":10,"offset_value":50,"total_count":59,"first_page?":false,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_703","type":"collection","attributes":{"title":"The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_703#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_703#abstract_or_scope","type":"document_value","attributes":{"value":"Souvenir programs for \u003cspan\u003eThe Green Pastures\u003c/span\u003e, \u003cspan\u003e3 Is A Family\u003c/span\u003e, and \u003cspan\u003eTobacco Road\u003c/span\u003e.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_703#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_703","ead_ssi":"vifgm_repositories_2_resources_703","_root_":"vifgm_repositories_2_resources_703","_nest_parent_":"vifgm_repositories_2_resources_703","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_703.xml","title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"unitdate_ssm":["circa 1934-1944"],"unitdate_inclusive_ssm":["circa 1934-1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0427","/repositories/2/resources/703"],"text":["C0427","/repositories/2/resources/703","The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs","Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia","There are no access restrictions.","This is a single folder collection.","Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\"  BlackPast  (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\"  American Vaudeville  (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251.","The Green Pastures  was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories  Ol' Man Adam an' His Chillun . The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family  (also spelled  Three Is A Family  and  Three's A Family ) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road  was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in  Tobacco Road , his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.","Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.","The Special Collections Research Center holds other souvenir and theatrical program collections, such as the  Charles Rodrigues playbill collection , and the  Mary Lavigne programs collection , as well other performing arts collections, including the  Federal Theatre Project collection .","The New York Public Library Archives and Manuscripts holds both the  James Barton papers  and the  American Negro Theatre records .","Souvenir programs for  The Green Pastures  from circa 1932, American Negro Theatre Broadway transfer production of  3 Is A Family  from April 17, 1944, and  Tobacco Road  from circa 1938. The  Tobacco Road  program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Souvenir programs for  The Green Pastures ,  3 Is A Family , and  Tobacco Road .","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969","English \n.    "],"unitid_tesim":["C0427","/repositories/2/resources/703"],"normalized_title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"collection_title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"collection_ssim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Citation Books in 2019."],"access_subjects_ssim":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"access_subjects_ssm":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Memorabilia"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" \u003ctitle\u003eBlackPast\u003c/title\u003e (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.\u003c/p\u003e\n","\u003cp\u003eMoses, Victoria. n.d. \"James Barton: The Complete Performer.\" \u003ctitle\u003eAmerican Vaudeville\u003c/title\u003e (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.\u003c/p\u003e\n","\u003cp\u003e\"The Green Pastures.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026amp;oldid=1206517456.\u003c/p\u003e\n","\u003cp\u003e\"Three Is a Family.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026amp;oldid=1198948702.\u003c/p\u003e\n","\u003cp\u003e\"Tobacco Road (Play).\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026amp;oldid=1198255251.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\"  BlackPast  (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\"  American Vaudeville  (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories \u003ctitle\u003eOl' Man Adam an' His Chillun\u003c/title\u003e. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003e3 Is A Family\u003c/title\u003e (also spelled \u003ctitle\u003eThree Is A Family\u003c/title\u003e and \u003ctitle\u003eThree's A Family\u003c/title\u003e) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eTobacco Road\u003c/title\u003e was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.\u003c/p\u003e\n","\u003cp\u003eJames Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in \u003ctitle\u003eTobacco Road\u003c/title\u003e, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["The Green Pastures  was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories  Ol' Man Adam an' His Chillun . The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family  (also spelled  Three Is A Family  and  Three's A Family ) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road  was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in  Tobacco Road , his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The Green Pastures ,  3 Is A Family , and  Tobacco Road  souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other souvenir and theatrical program collections, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0417\"\u003eMary Lavigne programs collection\u003c/a\u003e, as well other performing arts collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library Archives and Manuscripts holds both the \u003ca href=\"https://archives.nypl.org/the/18829\"\u003eJames Barton papers\u003c/a\u003e and the \u003ca href=\"https://archives.nypl.org/scm/20535\"\u003eAmerican Negro Theatre records\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other souvenir and theatrical program collections, such as the  Charles Rodrigues playbill collection , and the  Mary Lavigne programs collection , as well other performing arts collections, including the  Federal Theatre Project collection .","The New York Public Library Archives and Manuscripts holds both the  James Barton papers  and the  American Negro Theatre records ."],"scopecontent_html_tesm":["\u003cp\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e from circa 1932, American Negro Theatre Broadway transfer production of \u003ctitle\u003e3 Is A Family\u003c/title\u003e from April 17, 1944, and \u003ctitle\u003eTobacco Road\u003c/title\u003e from circa 1938. The \u003ctitle\u003eTobacco Road\u003c/title\u003e program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Souvenir programs for  The Green Pastures  from circa 1932, American Negro Theatre Broadway transfer production of  3 Is A Family  from April 17, 1944, and  Tobacco Road  from circa 1938. The  Tobacco Road  program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fd5ca83a69f76292f497de29a40d13e3\"\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["Souvenir programs for  The Green Pastures ,  3 Is A Family , and  Tobacco Road ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_63bd1d4adb6f817fb4c3c9ed6a666bfe\"\u003eR 71, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 6"],"names_coll_ssim":["American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre"],"persname_ssim":["Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_703","ead_ssi":"vifgm_repositories_2_resources_703","_root_":"vifgm_repositories_2_resources_703","_nest_parent_":"vifgm_repositories_2_resources_703","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_703.xml","title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"unitdate_ssm":["circa 1934-1944"],"unitdate_inclusive_ssm":["circa 1934-1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0427","/repositories/2/resources/703"],"text":["C0427","/repositories/2/resources/703","The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs","Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia","There are no access restrictions.","This is a single folder collection.","Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\"  BlackPast  (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\"  American Vaudeville  (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251.","The Green Pastures  was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories  Ol' Man Adam an' His Chillun . The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family  (also spelled  Three Is A Family  and  Three's A Family ) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road  was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in  Tobacco Road , his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.","Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.","The Special Collections Research Center holds other souvenir and theatrical program collections, such as the  Charles Rodrigues playbill collection , and the  Mary Lavigne programs collection , as well other performing arts collections, including the  Federal Theatre Project collection .","The New York Public Library Archives and Manuscripts holds both the  James Barton papers  and the  American Negro Theatre records .","Souvenir programs for  The Green Pastures  from circa 1932, American Negro Theatre Broadway transfer production of  3 Is A Family  from April 17, 1944, and  Tobacco Road  from circa 1938. The  Tobacco Road  program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Souvenir programs for  The Green Pastures ,  3 Is A Family , and  Tobacco Road .","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969","English \n.    "],"unitid_tesim":["C0427","/repositories/2/resources/703"],"normalized_title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"collection_title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"collection_ssim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Citation Books in 2019."],"access_subjects_ssim":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"access_subjects_ssm":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Memorabilia"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" \u003ctitle\u003eBlackPast\u003c/title\u003e (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.\u003c/p\u003e\n","\u003cp\u003eMoses, Victoria. n.d. \"James Barton: The Complete Performer.\" \u003ctitle\u003eAmerican Vaudeville\u003c/title\u003e (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.\u003c/p\u003e\n","\u003cp\u003e\"The Green Pastures.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026amp;oldid=1206517456.\u003c/p\u003e\n","\u003cp\u003e\"Three Is a Family.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026amp;oldid=1198948702.\u003c/p\u003e\n","\u003cp\u003e\"Tobacco Road (Play).\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026amp;oldid=1198255251.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\"  BlackPast  (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\"  American Vaudeville  (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories \u003ctitle\u003eOl' Man Adam an' His Chillun\u003c/title\u003e. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003e3 Is A Family\u003c/title\u003e (also spelled \u003ctitle\u003eThree Is A Family\u003c/title\u003e and \u003ctitle\u003eThree's A Family\u003c/title\u003e) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eTobacco Road\u003c/title\u003e was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.\u003c/p\u003e\n","\u003cp\u003eJames Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in \u003ctitle\u003eTobacco Road\u003c/title\u003e, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["The Green Pastures  was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories  Ol' Man Adam an' His Chillun . The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family  (also spelled  Three Is A Family  and  Three's A Family ) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road  was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in  Tobacco Road , his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The Green Pastures ,  3 Is A Family , and  Tobacco Road  souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other souvenir and theatrical program collections, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0417\"\u003eMary Lavigne programs collection\u003c/a\u003e, as well other performing arts collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library Archives and Manuscripts holds both the \u003ca href=\"https://archives.nypl.org/the/18829\"\u003eJames Barton papers\u003c/a\u003e and the \u003ca href=\"https://archives.nypl.org/scm/20535\"\u003eAmerican Negro Theatre records\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other souvenir and theatrical program collections, such as the  Charles Rodrigues playbill collection , and the  Mary Lavigne programs collection , as well other performing arts collections, including the  Federal Theatre Project collection .","The New York Public Library Archives and Manuscripts holds both the  James Barton papers  and the  American Negro Theatre records ."],"scopecontent_html_tesm":["\u003cp\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e from circa 1932, American Negro Theatre Broadway transfer production of \u003ctitle\u003e3 Is A Family\u003c/title\u003e from April 17, 1944, and \u003ctitle\u003eTobacco Road\u003c/title\u003e from circa 1938. The \u003ctitle\u003eTobacco Road\u003c/title\u003e program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Souvenir programs for  The Green Pastures  from circa 1932, American Negro Theatre Broadway transfer production of  3 Is A Family  from April 17, 1944, and  Tobacco Road  from circa 1938. The  Tobacco Road  program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fd5ca83a69f76292f497de29a40d13e3\"\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["Souvenir programs for  The Green Pastures ,  3 Is A Family , and  Tobacco Road ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_63bd1d4adb6f817fb4c3c9ed6a666bfe\"\u003eR 71, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 6"],"names_coll_ssim":["American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre"],"persname_ssim":["Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_703"}},{"id":"vifgm_repositories_2_resources_746","type":"collection","attributes":{"title":"\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_746#creator","type":"document_value","attributes":{"value":"Bluefield State College","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_746#abstract_or_scope","type":"document_value","attributes":{"value":"Edition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_746#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_746","ead_ssi":"vifgm_repositories_2_resources_746","_root_":"vifgm_repositories_2_resources_746","_nest_parent_":"vifgm_repositories_2_resources_746","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_746.xml","title_filing_ssi":"\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia","title_ssm":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"title_tesim":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"unitdate_ssm":["1946"],"unitdate_other_ssim":["1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0446","/repositories/2/resources/746"],"text":["C0446","/repositories/2/resources/746","\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia","African American college students","African Americans","Historically Black colleges and universities","Women -- Societies and clubs","African American women","African Americans -- Civil rights -- History -- 20th century","Performing arts","There are no access restrictions.","This is a single item collection.","McGehee, C. Stuart. 2025. \"Bluefield State University.\" E-WV: The West Virginia Encyclopedia Online. February 20, 2025. https://www.wvencyclopedia.org/entries/536.","\"Orthello Maria Jefferson.\" n.d. City of Bluefield, West Virginia. Accessed April 16, 2025. https://www.bluefieldwv.gov/community/page/orthello-maria-jefferson.","\"Othello Jefferson (1905-1988).\" n.d. Find a Grave. Accessed April 16, 2025. https://www.findagrave.com/memorial/255596831/othello-jefferson.","Peeks, Edward. 1964. \"Smoldering Spark in Bluefield.\"  Sunday Gazette-Mail , February 16, 1964. https://www.newspapers.com/article/sunday-gazette-mail-smoldering-spark-in/118313542/.","Bluefield State University, a recognized Historically Black College and University (HBCU), is located in Bluefield, West Virginia. Created as Bluefield Colored Institute in 1895, the school officially opened with 40 students in January 1897. The school's name was changed to Bluefield Institute in 1929 and then again two years later in 1931, becoming Bluefield State Teachers College following curriculum changes. The school went through two more name changes, first becoming Bluefield State College in 1943 and finally in 2022, following the introduction of master's degree programs the previous year, being granted university status.","Othello Maria Jefferson was born on February 23, 1905 in Brenham, Texas. After earning her bachelor's degree in education from then Bluefield Colored Institute, Jefferson joined the teaching staff of the school circa 1929. During her time working at the school, which spanned approximately 30-40 years, Jefferson founded the school's Aesthetic Club. Initially aimed at students interested in theatre, over time the club would take on more political interests, including civil rights activism, eventually merging with the local NAACP chapter. Jefferson herself was locally known as an active fighter for civil rights in Bluefield, West Virginia, including aiding in the desegregation of lunch counters and earning recognition from the local NAACP in 1965. She passed away on September 25, 1988 at the age of 83 and is buried in Bluefield's Woodlawn Memorial Park cemetery. In 2000, Bluefield State named the Othello Harris Jefferson Student Center in her honor.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center holds other materials related to African American performing arts and history, such as the  Mildred Davenport dance ephemera collection  and  African American women real photo postcards .","The University Archives holds a collection of  George Mason University student publications .","Edition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College in 1946 and edited by club organizer Othello Maria Harris Jefferson and associate editor Shirley Painter. Jefferson and Painter are pictured and credited on the inside back cover of the publication. The Annual consists of 16 pages of black and white text, images, and photographs inside of a light-green cover with a hand-drawn pencil illustration on the front. Contents include a series of portraits of members arranged to form a tree, a page devoted to the children of former club members (titled \"small fry\"), a page of drawings and portraits accompanied by congratulatory notes from community members, two pages of portraits of college Greek society members, a one page program for a club play titled \"The Strange Case of Blondie White,\" and several pages of ads for local African American businesses. The back cover includes a stamp for Philips' Printing Company in Charleston, West Virginia and two partially legible names signed in pen.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Edition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Bluefield State College","Harris-Jefferson, Othello Maria, 1905-1988","English \n.    "],"unitid_tesim":["C0446","/repositories/2/resources/746"],"normalized_title_ssm":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"collection_title_tesim":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"collection_ssim":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Bluefield State College"],"creator_ssim":["Bluefield State College"],"creator_corpname_ssim":["Bluefield State College"],"creators_ssim":["Bluefield State College"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Caroliniana Rare Books in September 2024."],"access_subjects_ssim":["African American college students","African Americans","Historically Black colleges and universities","Women -- Societies and clubs","African American women","African Americans -- Civil rights -- History -- 20th century","Performing arts"],"access_subjects_ssm":["African American college students","African Americans","Historically Black colleges and universities","Women -- Societies and clubs","African American women","African Americans -- Civil rights -- History -- 20th century","Performing arts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1946],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eMcGehee, C. Stuart. 2025. \"Bluefield State University.\" E-WV: The West Virginia Encyclopedia Online. February 20, 2025. https://www.wvencyclopedia.org/entries/536.\u003c/p\u003e\n","\u003cp\u003e\"Orthello Maria Jefferson.\" n.d. City of Bluefield, West Virginia. Accessed April 16, 2025. https://www.bluefieldwv.gov/community/page/orthello-maria-jefferson.\u003c/p\u003e\n","\u003cp\u003e\"Othello Jefferson (1905-1988).\" n.d. Find a Grave. Accessed April 16, 2025. https://www.findagrave.com/memorial/255596831/othello-jefferson.\u003c/p\u003e\n","\u003cp\u003ePeeks, Edward. 1964. \"Smoldering Spark in Bluefield.\" \u003ctitle\u003eSunday Gazette-Mail\u003c/title\u003e, February 16, 1964. https://www.newspapers.com/article/sunday-gazette-mail-smoldering-spark-in/118313542/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["McGehee, C. Stuart. 2025. \"Bluefield State University.\" E-WV: The West Virginia Encyclopedia Online. February 20, 2025. https://www.wvencyclopedia.org/entries/536.","\"Orthello Maria Jefferson.\" n.d. City of Bluefield, West Virginia. Accessed April 16, 2025. https://www.bluefieldwv.gov/community/page/orthello-maria-jefferson.","\"Othello Jefferson (1905-1988).\" n.d. Find a Grave. Accessed April 16, 2025. https://www.findagrave.com/memorial/255596831/othello-jefferson.","Peeks, Edward. 1964. \"Smoldering Spark in Bluefield.\"  Sunday Gazette-Mail , February 16, 1964. https://www.newspapers.com/article/sunday-gazette-mail-smoldering-spark-in/118313542/."],"bioghist_html_tesm":["\u003cp\u003eBluefield State University, a recognized Historically Black College and University (HBCU), is located in Bluefield, West Virginia. Created as Bluefield Colored Institute in 1895, the school officially opened with 40 students in January 1897. The school's name was changed to Bluefield Institute in 1929 and then again two years later in 1931, becoming Bluefield State Teachers College following curriculum changes. The school went through two more name changes, first becoming Bluefield State College in 1943 and finally in 2022, following the introduction of master's degree programs the previous year, being granted university status.\u003c/p\u003e\n","\u003cp\u003eOthello Maria Jefferson was born on February 23, 1905 in Brenham, Texas. After earning her bachelor's degree in education from then Bluefield Colored Institute, Jefferson joined the teaching staff of the school circa 1929. During her time working at the school, which spanned approximately 30-40 years, Jefferson founded the school's Aesthetic Club. Initially aimed at students interested in theatre, over time the club would take on more political interests, including civil rights activism, eventually merging with the local NAACP chapter. Jefferson herself was locally known as an active fighter for civil rights in Bluefield, West Virginia, including aiding in the desegregation of lunch counters and earning recognition from the local NAACP in 1965. She passed away on September 25, 1988 at the age of 83 and is buried in Bluefield's Woodlawn Memorial Park cemetery. In 2000, Bluefield State named the Othello Harris Jefferson Student Center in her honor.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Bluefield State University, a recognized Historically Black College and University (HBCU), is located in Bluefield, West Virginia. Created as Bluefield Colored Institute in 1895, the school officially opened with 40 students in January 1897. The school's name was changed to Bluefield Institute in 1929 and then again two years later in 1931, becoming Bluefield State Teachers College following curriculum changes. The school went through two more name changes, first becoming Bluefield State College in 1943 and finally in 2022, following the introduction of master's degree programs the previous year, being granted university status.","Othello Maria Jefferson was born on February 23, 1905 in Brenham, Texas. After earning her bachelor's degree in education from then Bluefield Colored Institute, Jefferson joined the teaching staff of the school circa 1929. During her time working at the school, which spanned approximately 30-40 years, Jefferson founded the school's Aesthetic Club. Initially aimed at students interested in theatre, over time the club would take on more political interests, including civil rights activism, eventually merging with the local NAACP chapter. Jefferson herself was locally known as an active fighter for civil rights in Bluefield, West Virginia, including aiding in the desegregation of lunch counters and earning recognition from the local NAACP in 1965. She passed away on September 25, 1988 at the age of 83 and is buried in Bluefield's Woodlawn Memorial Park cemetery. In 2000, Bluefield State named the Othello Harris Jefferson Student Center in her honor."],"prefercite_html_tesm":["\u003cp\u003e\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia, C0446, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia, C0446, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in April 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other materials related to African American performing arts and history, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0189\"\u003eMildred Davenport dance ephemera collection\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0396\"\u003eAfrican American women real photo postcards\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe University Archives holds a collection of \u003ca href=\"https://aspace.gmu.edu/resources/r0154\"\u003eGeorge Mason University student publications\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other materials related to African American performing arts and history, such as the  Mildred Davenport dance ephemera collection  and  African American women real photo postcards .","The University Archives holds a collection of  George Mason University student publications ."],"scopecontent_html_tesm":["\u003cp\u003eEdition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College in 1946 and edited by club organizer Othello Maria Harris Jefferson and associate editor Shirley Painter. Jefferson and Painter are pictured and credited on the inside back cover of the publication. The Annual consists of 16 pages of black and white text, images, and photographs inside of a light-green cover with a hand-drawn pencil illustration on the front. Contents include a series of portraits of members arranged to form a tree, a page devoted to the children of former club members (titled \"small fry\"), a page of drawings and portraits accompanied by congratulatory notes from community members, two pages of portraits of college Greek society members, a one page program for a club play titled \"The Strange Case of Blondie White,\" and several pages of ads for local African American businesses. The back cover includes a stamp for Philips' Printing Company in Charleston, West Virginia and two partially legible names signed in pen.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Edition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College in 1946 and edited by club organizer Othello Maria Harris Jefferson and associate editor Shirley Painter. Jefferson and Painter are pictured and credited on the inside back cover of the publication. The Annual consists of 16 pages of black and white text, images, and photographs inside of a light-green cover with a hand-drawn pencil illustration on the front. Contents include a series of portraits of members arranged to form a tree, a page devoted to the children of former club members (titled \"small fry\"), a page of drawings and portraits accompanied by congratulatory notes from community members, two pages of portraits of college Greek society members, a one page program for a club play titled \"The Strange Case of Blondie White,\" and several pages of ads for local African American businesses. The back cover includes a stamp for Philips' Printing Company in Charleston, West Virginia and two partially legible names signed in pen."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c76536b6e828adde19d2c800007f257d\"\u003eEdition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College.\u003c/abstract\u003e"],"abstract_tesim":["Edition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7bf68b9918bafaf41f30abde19d4e00b\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Bluefield State College","Harris-Jefferson, Othello Maria, 1905-1988"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bluefield State College","Harris-Jefferson, Othello Maria, 1905-1988"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Bluefield State College"],"persname_ssim":["Harris-Jefferson, Othello Maria, 1905-1988"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_746","ead_ssi":"vifgm_repositories_2_resources_746","_root_":"vifgm_repositories_2_resources_746","_nest_parent_":"vifgm_repositories_2_resources_746","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_746.xml","title_filing_ssi":"\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia","title_ssm":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"title_tesim":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"unitdate_ssm":["1946"],"unitdate_other_ssim":["1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0446","/repositories/2/resources/746"],"text":["C0446","/repositories/2/resources/746","\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia","African American college students","African Americans","Historically Black colleges and universities","Women -- Societies and clubs","African American women","African Americans -- Civil rights -- History -- 20th century","Performing arts","There are no access restrictions.","This is a single item collection.","McGehee, C. Stuart. 2025. \"Bluefield State University.\" E-WV: The West Virginia Encyclopedia Online. February 20, 2025. https://www.wvencyclopedia.org/entries/536.","\"Orthello Maria Jefferson.\" n.d. City of Bluefield, West Virginia. Accessed April 16, 2025. https://www.bluefieldwv.gov/community/page/orthello-maria-jefferson.","\"Othello Jefferson (1905-1988).\" n.d. Find a Grave. Accessed April 16, 2025. https://www.findagrave.com/memorial/255596831/othello-jefferson.","Peeks, Edward. 1964. \"Smoldering Spark in Bluefield.\"  Sunday Gazette-Mail , February 16, 1964. https://www.newspapers.com/article/sunday-gazette-mail-smoldering-spark-in/118313542/.","Bluefield State University, a recognized Historically Black College and University (HBCU), is located in Bluefield, West Virginia. Created as Bluefield Colored Institute in 1895, the school officially opened with 40 students in January 1897. The school's name was changed to Bluefield Institute in 1929 and then again two years later in 1931, becoming Bluefield State Teachers College following curriculum changes. The school went through two more name changes, first becoming Bluefield State College in 1943 and finally in 2022, following the introduction of master's degree programs the previous year, being granted university status.","Othello Maria Jefferson was born on February 23, 1905 in Brenham, Texas. After earning her bachelor's degree in education from then Bluefield Colored Institute, Jefferson joined the teaching staff of the school circa 1929. During her time working at the school, which spanned approximately 30-40 years, Jefferson founded the school's Aesthetic Club. Initially aimed at students interested in theatre, over time the club would take on more political interests, including civil rights activism, eventually merging with the local NAACP chapter. Jefferson herself was locally known as an active fighter for civil rights in Bluefield, West Virginia, including aiding in the desegregation of lunch counters and earning recognition from the local NAACP in 1965. She passed away on September 25, 1988 at the age of 83 and is buried in Bluefield's Woodlawn Memorial Park cemetery. In 2000, Bluefield State named the Othello Harris Jefferson Student Center in her honor.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center holds other materials related to African American performing arts and history, such as the  Mildred Davenport dance ephemera collection  and  African American women real photo postcards .","The University Archives holds a collection of  George Mason University student publications .","Edition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College in 1946 and edited by club organizer Othello Maria Harris Jefferson and associate editor Shirley Painter. Jefferson and Painter are pictured and credited on the inside back cover of the publication. The Annual consists of 16 pages of black and white text, images, and photographs inside of a light-green cover with a hand-drawn pencil illustration on the front. Contents include a series of portraits of members arranged to form a tree, a page devoted to the children of former club members (titled \"small fry\"), a page of drawings and portraits accompanied by congratulatory notes from community members, two pages of portraits of college Greek society members, a one page program for a club play titled \"The Strange Case of Blondie White,\" and several pages of ads for local African American businesses. The back cover includes a stamp for Philips' Printing Company in Charleston, West Virginia and two partially legible names signed in pen.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Edition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Bluefield State College","Harris-Jefferson, Othello Maria, 1905-1988","English \n.    "],"unitid_tesim":["C0446","/repositories/2/resources/746"],"normalized_title_ssm":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"collection_title_tesim":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"collection_ssim":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Bluefield State College"],"creator_ssim":["Bluefield State College"],"creator_corpname_ssim":["Bluefield State College"],"creators_ssim":["Bluefield State College"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Caroliniana Rare Books in September 2024."],"access_subjects_ssim":["African American college students","African Americans","Historically Black colleges and universities","Women -- Societies and clubs","African American women","African Americans -- Civil rights -- History -- 20th century","Performing arts"],"access_subjects_ssm":["African American college students","African Americans","Historically Black colleges and universities","Women -- Societies and clubs","African American women","African Americans -- Civil rights -- History -- 20th century","Performing arts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1946],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eMcGehee, C. Stuart. 2025. \"Bluefield State University.\" E-WV: The West Virginia Encyclopedia Online. February 20, 2025. https://www.wvencyclopedia.org/entries/536.\u003c/p\u003e\n","\u003cp\u003e\"Orthello Maria Jefferson.\" n.d. City of Bluefield, West Virginia. Accessed April 16, 2025. https://www.bluefieldwv.gov/community/page/orthello-maria-jefferson.\u003c/p\u003e\n","\u003cp\u003e\"Othello Jefferson (1905-1988).\" n.d. Find a Grave. Accessed April 16, 2025. https://www.findagrave.com/memorial/255596831/othello-jefferson.\u003c/p\u003e\n","\u003cp\u003ePeeks, Edward. 1964. \"Smoldering Spark in Bluefield.\" \u003ctitle\u003eSunday Gazette-Mail\u003c/title\u003e, February 16, 1964. https://www.newspapers.com/article/sunday-gazette-mail-smoldering-spark-in/118313542/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["McGehee, C. Stuart. 2025. \"Bluefield State University.\" E-WV: The West Virginia Encyclopedia Online. February 20, 2025. https://www.wvencyclopedia.org/entries/536.","\"Orthello Maria Jefferson.\" n.d. City of Bluefield, West Virginia. Accessed April 16, 2025. https://www.bluefieldwv.gov/community/page/orthello-maria-jefferson.","\"Othello Jefferson (1905-1988).\" n.d. Find a Grave. Accessed April 16, 2025. https://www.findagrave.com/memorial/255596831/othello-jefferson.","Peeks, Edward. 1964. \"Smoldering Spark in Bluefield.\"  Sunday Gazette-Mail , February 16, 1964. https://www.newspapers.com/article/sunday-gazette-mail-smoldering-spark-in/118313542/."],"bioghist_html_tesm":["\u003cp\u003eBluefield State University, a recognized Historically Black College and University (HBCU), is located in Bluefield, West Virginia. Created as Bluefield Colored Institute in 1895, the school officially opened with 40 students in January 1897. The school's name was changed to Bluefield Institute in 1929 and then again two years later in 1931, becoming Bluefield State Teachers College following curriculum changes. The school went through two more name changes, first becoming Bluefield State College in 1943 and finally in 2022, following the introduction of master's degree programs the previous year, being granted university status.\u003c/p\u003e\n","\u003cp\u003eOthello Maria Jefferson was born on February 23, 1905 in Brenham, Texas. After earning her bachelor's degree in education from then Bluefield Colored Institute, Jefferson joined the teaching staff of the school circa 1929. During her time working at the school, which spanned approximately 30-40 years, Jefferson founded the school's Aesthetic Club. Initially aimed at students interested in theatre, over time the club would take on more political interests, including civil rights activism, eventually merging with the local NAACP chapter. Jefferson herself was locally known as an active fighter for civil rights in Bluefield, West Virginia, including aiding in the desegregation of lunch counters and earning recognition from the local NAACP in 1965. She passed away on September 25, 1988 at the age of 83 and is buried in Bluefield's Woodlawn Memorial Park cemetery. In 2000, Bluefield State named the Othello Harris Jefferson Student Center in her honor.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Bluefield State University, a recognized Historically Black College and University (HBCU), is located in Bluefield, West Virginia. Created as Bluefield Colored Institute in 1895, the school officially opened with 40 students in January 1897. The school's name was changed to Bluefield Institute in 1929 and then again two years later in 1931, becoming Bluefield State Teachers College following curriculum changes. The school went through two more name changes, first becoming Bluefield State College in 1943 and finally in 2022, following the introduction of master's degree programs the previous year, being granted university status.","Othello Maria Jefferson was born on February 23, 1905 in Brenham, Texas. After earning her bachelor's degree in education from then Bluefield Colored Institute, Jefferson joined the teaching staff of the school circa 1929. During her time working at the school, which spanned approximately 30-40 years, Jefferson founded the school's Aesthetic Club. Initially aimed at students interested in theatre, over time the club would take on more political interests, including civil rights activism, eventually merging with the local NAACP chapter. Jefferson herself was locally known as an active fighter for civil rights in Bluefield, West Virginia, including aiding in the desegregation of lunch counters and earning recognition from the local NAACP in 1965. She passed away on September 25, 1988 at the age of 83 and is buried in Bluefield's Woodlawn Memorial Park cemetery. In 2000, Bluefield State named the Othello Harris Jefferson Student Center in her honor."],"prefercite_html_tesm":["\u003cp\u003e\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia, C0446, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["\"The Key\" Aesthetic Club Annual, Bluefield State College, West Virginia, C0446, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in April 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other materials related to African American performing arts and history, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0189\"\u003eMildred Davenport dance ephemera collection\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0396\"\u003eAfrican American women real photo postcards\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe University Archives holds a collection of \u003ca href=\"https://aspace.gmu.edu/resources/r0154\"\u003eGeorge Mason University student publications\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other materials related to African American performing arts and history, such as the  Mildred Davenport dance ephemera collection  and  African American women real photo postcards .","The University Archives holds a collection of  George Mason University student publications ."],"scopecontent_html_tesm":["\u003cp\u003eEdition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College in 1946 and edited by club organizer Othello Maria Harris Jefferson and associate editor Shirley Painter. Jefferson and Painter are pictured and credited on the inside back cover of the publication. The Annual consists of 16 pages of black and white text, images, and photographs inside of a light-green cover with a hand-drawn pencil illustration on the front. Contents include a series of portraits of members arranged to form a tree, a page devoted to the children of former club members (titled \"small fry\"), a page of drawings and portraits accompanied by congratulatory notes from community members, two pages of portraits of college Greek society members, a one page program for a club play titled \"The Strange Case of Blondie White,\" and several pages of ads for local African American businesses. The back cover includes a stamp for Philips' Printing Company in Charleston, West Virginia and two partially legible names signed in pen.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Edition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College in 1946 and edited by club organizer Othello Maria Harris Jefferson and associate editor Shirley Painter. Jefferson and Painter are pictured and credited on the inside back cover of the publication. The Annual consists of 16 pages of black and white text, images, and photographs inside of a light-green cover with a hand-drawn pencil illustration on the front. Contents include a series of portraits of members arranged to form a tree, a page devoted to the children of former club members (titled \"small fry\"), a page of drawings and portraits accompanied by congratulatory notes from community members, two pages of portraits of college Greek society members, a one page program for a club play titled \"The Strange Case of Blondie White,\" and several pages of ads for local African American businesses. The back cover includes a stamp for Philips' Printing Company in Charleston, West Virginia and two partially legible names signed in pen."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c76536b6e828adde19d2c800007f257d\"\u003eEdition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College.\u003c/abstract\u003e"],"abstract_tesim":["Edition of \"The Key\" Annual created by members of the Aesthetic Club at West Virginia's Bluefield State College."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7bf68b9918bafaf41f30abde19d4e00b\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Bluefield State College","Harris-Jefferson, Othello Maria, 1905-1988"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bluefield State College","Harris-Jefferson, Othello Maria, 1905-1988"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Bluefield State College"],"persname_ssim":["Harris-Jefferson, Othello Maria, 1905-1988"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_746"}},{"id":"vifgm_repositories_2_resources_690","type":"collection","attributes":{"title":"The New Baby theatrical posters","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_690#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_690#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy The New Baby.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_690#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_690","ead_ssi":"vifgm_repositories_2_resources_690","_root_":"vifgm_repositories_2_resources_690","_nest_parent_":"vifgm_repositories_2_resources_690","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_690.xml","title_ssm":["The New Baby theatrical posters"],"title_tesim":["The New Baby theatrical posters"],"unitdate_ssm":["circa 1899-1907"],"unitdate_inclusive_ssm":["circa 1899-1907"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0416","/repositories/2/resources/690"],"text":["C0416","/repositories/2/resources/690","The New Baby theatrical posters","Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters","There are no access restrictions.","Posters are arranged by size in a single map case.","\"Arthur Bourchier.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026oldid=1158442689.","\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d.  Radio-Guy: Antique Objects and Furniture  (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.","The Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.","\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.","\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp.","The New Baby  is an English farcical comedy adapted by Arthur Bourchier from the German play  Der Rabenvatter  by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.","Arthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including  The New Baby  and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.","The U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026 Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026 Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026 Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters.","Processing and finding aid completed by Meghan Glasbrenner from November - December 2023.","The Special Collections Research Center holds other lithographs and theatrical posters including the  Porgy and Bess poster collection , and the  East German poster collection performing arts series .","The Library of Congress holds the  Theatrical poster collection  and other posters and printed items produced by the U.S. Printing/Lithograph Company.","A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby . The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.","Two of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp.","Public Domain. There are no known restrictions.","A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby .","Map case 18.1","George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co","Bourchier, Arthur, 1863-1927","English \n.    "],"unitid_tesim":["C0416","/repositories/2/resources/690"],"normalized_title_ssm":["The New Baby theatrical posters"],"collection_title_tesim":["The New Baby theatrical posters"],"collection_ssim":["The New Baby theatrical posters"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Sent by James Olinkiewicz, an Antiques Dealer on Shelter Island in New York, in September 2017."],"access_subjects_ssim":["Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters"],"access_subjects_ssm":["Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 10 posters"],"extent_tesim":["2 Linear Feet 10 posters"],"physfacet_tesim":["1 poster divided into 3 large pieces"],"genreform_ssim":["Performing arts posters","Theatrical posters"],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003ePosters are arranged by size in a single map case.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Posters are arranged by size in a single map case."],"bibliography_html_tesm":["\u003cp\u003e\"Arthur Bourchier.\" 2023. In \u003cemph\u003eWikipedia\u003c/emph\u003e. https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026amp;oldid=1158442689.\u003c/p\u003e\n","\u003cp\u003e\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d. \u003cemph\u003eRadio-Guy: Antique Objects and Furniture\u003c/emph\u003e (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.\u003c/p\u003e\n","\u003cp\u003eThe Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.\u003c/p\u003e\n","\u003cp\u003e\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.\u003c/p\u003e\n","\u003cp\u003e\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Arthur Bourchier.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026oldid=1158442689.","\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d.  Radio-Guy: Antique Objects and Furniture  (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.","The Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.","\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.","\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp."],"bioghist_html_tesm":["\u003cp\u003e\u003citalic\u003eThe New Baby\u003c/italic\u003e is an English farcical comedy adapted by Arthur Bourchier from the German play \u003citalic\u003eDer Rabenvatter\u003c/italic\u003e by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.\u003c/p\u003e\n","\u003cp\u003eArthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including \u003citalic\u003eThe New Baby\u003c/italic\u003e and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.\u003c/p\u003e\n","\u003cp\u003eThe U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026amp; Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026amp; Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026amp; Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical and Biographical Information"],"bioghist_tesim":["The New Baby  is an English farcical comedy adapted by Arthur Bourchier from the German play  Der Rabenvatter  by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.","Arthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including  The New Baby  and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.","The U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026 Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026 Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026 Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters."],"prefercite_html_tesm":["\u003cp\u003eThe New Baby theatrical posters, C0416, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The New Baby theatrical posters, C0416, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November - December 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November - December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other lithographs and theatrical posters including the \u003ca href=\"https://aspace.gmu.edu/resources/c0145\"\u003ePorgy and Bess poster collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0209\"\u003eEast German poster collection performing arts series\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003ca href=\"https://www.loc.gov/pictures/item/95861315/\"\u003eTheatrical poster collection\u003c/a\u003e and other posters and printed items produced by the U.S. Printing/Lithograph Company.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other lithographs and theatrical posters including the  Porgy and Bess poster collection , and the  East German poster collection performing arts series .","The Library of Congress holds the  Theatrical poster collection  and other posters and printed items produced by the U.S. Printing/Lithograph Company."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy \u003citalic\u003eThe New Baby\u003c/italic\u003e. The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.\u003c/p\u003e\n","\u003cp\u003eTwo of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby . The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.","Two of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0655e8b25c04583f2aa194ce07a42430\"\u003eA collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy \u003citalic\u003eThe New Baby\u003c/italic\u003e.\u003c/abstract\u003e"],"abstract_tesim":["A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e54d0e8b0c8bd5f5df94a5a75a986880\"\u003eMap case 18.1\u003c/physloc\u003e"],"physloc_tesim":["Map case 18.1"],"names_coll_ssim":["U.S. Lithograph Co","Bourchier, Arthur, 1863-1927"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co","Bourchier, Arthur, 1863-1927"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"persname_ssim":["Bourchier, Arthur, 1863-1927"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:54:03.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_690","ead_ssi":"vifgm_repositories_2_resources_690","_root_":"vifgm_repositories_2_resources_690","_nest_parent_":"vifgm_repositories_2_resources_690","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_690.xml","title_ssm":["The New Baby theatrical posters"],"title_tesim":["The New Baby theatrical posters"],"unitdate_ssm":["circa 1899-1907"],"unitdate_inclusive_ssm":["circa 1899-1907"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0416","/repositories/2/resources/690"],"text":["C0416","/repositories/2/resources/690","The New Baby theatrical posters","Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters","There are no access restrictions.","Posters are arranged by size in a single map case.","\"Arthur Bourchier.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026oldid=1158442689.","\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d.  Radio-Guy: Antique Objects and Furniture  (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.","The Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.","\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.","\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp.","The New Baby  is an English farcical comedy adapted by Arthur Bourchier from the German play  Der Rabenvatter  by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.","Arthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including  The New Baby  and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.","The U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026 Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026 Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026 Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters.","Processing and finding aid completed by Meghan Glasbrenner from November - December 2023.","The Special Collections Research Center holds other lithographs and theatrical posters including the  Porgy and Bess poster collection , and the  East German poster collection performing arts series .","The Library of Congress holds the  Theatrical poster collection  and other posters and printed items produced by the U.S. Printing/Lithograph Company.","A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby . The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.","Two of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp.","Public Domain. There are no known restrictions.","A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby .","Map case 18.1","George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co","Bourchier, Arthur, 1863-1927","English \n.    "],"unitid_tesim":["C0416","/repositories/2/resources/690"],"normalized_title_ssm":["The New Baby theatrical posters"],"collection_title_tesim":["The New Baby theatrical posters"],"collection_ssim":["The New Baby theatrical posters"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Sent by James Olinkiewicz, an Antiques Dealer on Shelter Island in New York, in September 2017."],"access_subjects_ssim":["Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters"],"access_subjects_ssm":["Performing arts","Theater -- United States","Theater","Lithography","Performing arts posters","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 10 posters"],"extent_tesim":["2 Linear Feet 10 posters"],"physfacet_tesim":["1 poster divided into 3 large pieces"],"genreform_ssim":["Performing arts posters","Theatrical posters"],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003ePosters are arranged by size in a single map case.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Posters are arranged by size in a single map case."],"bibliography_html_tesm":["\u003cp\u003e\"Arthur Bourchier.\" 2023. In \u003cemph\u003eWikipedia\u003c/emph\u003e. https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026amp;oldid=1158442689.\u003c/p\u003e\n","\u003cp\u003e\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d. \u003cemph\u003eRadio-Guy: Antique Objects and Furniture\u003c/emph\u003e (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.\u003c/p\u003e\n","\u003cp\u003eThe Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.\u003c/p\u003e\n","\u003cp\u003e\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.\u003c/p\u003e\n","\u003cp\u003e\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Arthur Bourchier.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Arthur_Bourchier\u0026oldid=1158442689.","\"Original 1902 American Playhouse Poster – 4 Different Posters.\" n.d.  Radio-Guy: Antique Objects and Furniture  (blog). Accessed December 4, 2023. https://radio-guy.com/product/original-1902-american-playhouse-poster-3/.","The Era. 1896. \"The New Baby.,\" April 11, 1896. https://britishnewspaperarchive.co.uk/viewer/bl/0000053/18960411/023/0013.","\"The Royalty Theatre, 73 Dean Street, Soho.\" n.d. Arthur Lloyd.Co.Uk. Accessed December 4, 2023. http://www.arthurlloyd.co.uk/Royalty.htm.","\"U.S. Lithographers - Russell Morgan Co.\" n.d. Learn About Movie Posters. Accessed December 4, 2023. http://www.learnaboutmovieposters.com/newsite/index/countries/US/HISTORY/LITHOS/RussellMorgan/RussellMorgan.asp."],"bioghist_html_tesm":["\u003cp\u003e\u003citalic\u003eThe New Baby\u003c/italic\u003e is an English farcical comedy adapted by Arthur Bourchier from the German play \u003citalic\u003eDer Rabenvatter\u003c/italic\u003e by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.\u003c/p\u003e\n","\u003cp\u003eArthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including \u003citalic\u003eThe New Baby\u003c/italic\u003e and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.\u003c/p\u003e\n","\u003cp\u003eThe U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026amp; Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026amp; Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026amp; Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical and Biographical Information"],"bioghist_tesim":["The New Baby  is an English farcical comedy adapted by Arthur Bourchier from the German play  Der Rabenvatter  by Herren H.J. Fischer and J. Jarno. The plot centers around two retired husbands, Colonel Wilberforce Walker and Commodore Van Gütt, both of whom enjoy frequent leisure visits to London. While the Commodore's wife provides him with very little money for these excursions, the Colonel reveals that he is always able to receive ample funds because of an elaborate lie he told his wife 26 years ago: that he needs to support a child he fathered out of wedlock prior to their marriage. However, this comfortable arrangement soon becomes much more complicated when the Colonel's wife demands to meet the \"baby\" she has been supporting, which just so happens to overlap with a surprise visit by a 26-year old suitor who wishes to marry the couple's actual daughter. The play had its initial premiere on Easter Monday, April 6, 1896 at the Gaiety Theatre in Hastings, before opening at London's Royalty Theatre later that month. Sometime circa 1899 the play was produced in the United States by David de Wolf (listed on the posters as the play's \"chaperone\") who may have been the leader of a traveling theatre company.","Arthur Bourchier was born in Speen, Berkshire England on June 22, 1863 and educated at Eton and Oxford University. While at Oxford he began acting in an amateur theatre group and soon after founded the Oxford University Dramatic Society (OUDS). Bourchier continued acting professionally across both England and the United States and in 1893 performed opposite actress Violet Vanbrugh who he would go on to marry the following year. In 1895, Bourchier became lessee of London's newly reconstructed Royalty Theatre where he staged numerous productions, including several adaptations of his own including  The New Baby  and the highly successful The Chili Widow which reopened the theatre and ran for over 300 performances. Bourchier passed away on September 14, 1927 at the age of 64 after falling ill while on tour in South Africa.","The U.S. Lithographic Company was founded in January 1867 as Russell, Morgan \u0026 Company [Co.] by printers A.O. Russell and Robert J. Morgan and financial backers James M. Armstrong and John F. Robinson, Jr. following purchase of The Cincinnati Enquirer's printing section. The company initially printed posters for theatrical and circus productions, as well as placards and labels. In 1880, Russell proposed expanding their manufacturing to include playing cards, with the company's first deck completed the following year on June 28, and by 1894 the playing card portion of the business had grown large enough that it separated into The United States Playing Card Company, which is still in operation today. In 1891, Russell, Morgan \u0026 Company changed their name to The United States Printing Company [Co.], but continued to include \"Russell Morgan Print\" in large letters along with the formal company name on all printed items. In 1901, the company changed their name to United States [U.S.] Lithograph Company [Co.] and sometime between 1912-1914 changed their name once again to United States Printing \u0026 Lithograph Company [Co.] and began expanding their entertainment industry printing to include film posters."],"prefercite_html_tesm":["\u003cp\u003eThe New Baby theatrical posters, C0416, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The New Baby theatrical posters, C0416, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November - December 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November - December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other lithographs and theatrical posters including the \u003ca href=\"https://aspace.gmu.edu/resources/c0145\"\u003ePorgy and Bess poster collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0209\"\u003eEast German poster collection performing arts series\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003ca href=\"https://www.loc.gov/pictures/item/95861315/\"\u003eTheatrical poster collection\u003c/a\u003e and other posters and printed items produced by the U.S. Printing/Lithograph Company.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other lithographs and theatrical posters including the  Porgy and Bess poster collection , and the  East German poster collection performing arts series .","The Library of Congress holds the  Theatrical poster collection  and other posters and printed items produced by the U.S. Printing/Lithograph Company."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy \u003citalic\u003eThe New Baby\u003c/italic\u003e. The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.\u003c/p\u003e\n","\u003cp\u003eTwo of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby . The smallest poster measures approximately 26 x 21 inches. Seven of the posters measure approximately 28 x 21-23 inches. The largest single page poster measure approximately 42 x 28 inches. The final oversized poster is divided into three individual pieces, each measuring approximately 42 x 28 inches.","Two of the posters have stamps attributing printing to the U.S. Printing Co. and are dated 1899, while seven, including the largest single page and oversized three panel posters, have stamps attributing printing to the U.S. Lithograph Co., dating them after 1901, but several appear to be based on designs circa 1900. The smallest poster has no visible printing stamp."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0655e8b25c04583f2aa194ce07a42430\"\u003eA collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy \u003citalic\u003eThe New Baby\u003c/italic\u003e.\u003c/abstract\u003e"],"abstract_tesim":["A collection of 10 individual lithographic theatrical posters advertising David de Wolf's American production of Arthur Bourchier's farcical comedy  The New Baby ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e54d0e8b0c8bd5f5df94a5a75a986880\"\u003eMap case 18.1\u003c/physloc\u003e"],"physloc_tesim":["Map case 18.1"],"names_coll_ssim":["U.S. Lithograph Co","Bourchier, Arthur, 1863-1927"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co","Bourchier, Arthur, 1863-1927"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","U.S. Lithograph Co"],"persname_ssim":["Bourchier, Arthur, 1863-1927"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:54:03.973Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_690"}},{"id":"vifgm_repositories_2_resources_770","type":"collection","attributes":{"title":"The Old Vic Company North American tour program","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_770#creator","type":"document_value","attributes":{"value":"Old Vic Company","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_770#abstract_or_scope","type":"document_value","attributes":{"value":"The Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare: \u003cspan\u003eHamlet\u003c/span\u003e, \u003cspan\u003eTwelfth Night\u003c/span\u003e, and \u003cspan\u003eHenry V\u003c/span\u003e.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_770#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_770","ead_ssi":"vifgm_repositories_2_resources_770","_root_":"vifgm_repositories_2_resources_770","_nest_parent_":"vifgm_repositories_2_resources_770","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_770.xml","title_filing_ssi":"The Old Vic Company North American tour program","title_ssm":["The Old Vic Company North American tour program"],"title_tesim":["The Old Vic Company North American tour program"],"unitdate_ssm":["1958-1959"],"unitdate_inclusive_ssm":["1958-1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0545","/repositories/2/resources/770"],"text":["C0545","/repositories/2/resources/770","The Old Vic Company North American tour program","Performing arts","Theater","Theater programs","Theater -- Europe","Theater -- England -- London","There are no access restrictions.","This is a single item collection.","Britannica. 2024. \"Old Vic.\" September 27. https://www.britannica.com/topic/Old-Vic-London-theatrical-company.","Theatre Collection | University of Bristol. n.d. \"Old Vic (London) Archive.\" Accessed January 28, 2026. https://www.bristol.ac.uk/theatre-collection/explore/theatre/old-vic-london-archive/.","The Old Vic Theatre Company was founded in 1818 as the Royal Coburg Theatre and was originally known for producing primarily popular melodramas. The theatre was renamed the Royal Victoria following a remodel in 1833 and become known popularly as \"the Old Vic.\" In 1880 it came under the management of Emma Cons (1838-1912), a well-known social reformer, and the theatre transformed into the Royal Victoria Hall and Coffee Tavern, focusing on temperance amusements such as music concerts and scenes from Shakespeare and operas. In 1912, Cons' niece Lilian Baylis (1874-1937) took over management of the theatre and in 1914 introduced the company's first regular Shakespeare season. By 1918 the Old Vic was established as London's only permanent Shakespearean theatre and by 1923 had performed productions of all of Shakespeare's plays.","The Old Vic continued to grow throughout the 1920s and 1930s, but the physical building was damaged during German airs raids in 1940 causing the company to be temporarily relocated. Following World War II, the theatre building reopened in November 1950 and was granted Grade II listed building status in 1951. When Laurence Olivier was appointed as first director of the National Theatre in 1962, which had been established in 1946, the governors of the Old Vic offered their building as its temporary home and in 1963 the Old Vic company was disbanded.","Processing completed by Meghan Glasbrenner in January 2026. Finding aid completed by Meghan Glasbrenner in February 2026.","The Special Collections Research Center holds other  theatrical programs , such as the  Mary Lavigne programs collection  and  Broadway souvenir theatre programs collection .","The University of Bristol holds the  Old Vic (London) Archive .","The Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare:  Hamlet ,  Twelfth Night , and  Henry V . This is a full season program that contains full production credits for each show title, including cast and crew bios, notes from the director, and selected favorite scenes from the play with text from the script. The program also includes general historical information on the Old Vic and features credits for Judi Dench in one of her first professional seasons as a stage actress.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare:  Hamlet ,  Twelfth Night , and  Henry V .","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Old Vic Company","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["C0545","/repositories/2/resources/770"],"normalized_title_ssm":["The Old Vic Company North American tour program"],"collection_title_tesim":["The Old Vic Company North American tour program"],"collection_ssim":["The Old Vic Company North American tour program"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Old Vic Company"],"creator_ssim":["Old Vic Company"],"creator_corpname_ssim":["Old Vic Company"],"creators_ssim":["Old Vic Company"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donor is unknown."],"access_subjects_ssim":["Performing arts","Theater","Theater programs","Theater -- Europe","Theater -- England -- London"],"access_subjects_ssm":["Performing arts","Theater","Theater programs","Theater -- Europe","Theater -- England -- London"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica. 2024. \"Old Vic.\" September 27. https://www.britannica.com/topic/Old-Vic-London-theatrical-company.\u003c/p\u003e\n","\u003cp\u003eTheatre Collection | University of Bristol. n.d. \"Old Vic (London) Archive.\" Accessed January 28, 2026. https://www.bristol.ac.uk/theatre-collection/explore/theatre/old-vic-london-archive/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica. 2024. \"Old Vic.\" September 27. https://www.britannica.com/topic/Old-Vic-London-theatrical-company.","Theatre Collection | University of Bristol. n.d. \"Old Vic (London) Archive.\" Accessed January 28, 2026. https://www.bristol.ac.uk/theatre-collection/explore/theatre/old-vic-london-archive/."],"bioghist_html_tesm":["\u003cp\u003eThe Old Vic Theatre Company was founded in 1818 as the Royal Coburg Theatre and was originally known for producing primarily popular melodramas. The theatre was renamed the Royal Victoria following a remodel in 1833 and become known popularly as \"the Old Vic.\" In 1880 it came under the management of Emma Cons (1838-1912), a well-known social reformer, and the theatre transformed into the Royal Victoria Hall and Coffee Tavern, focusing on temperance amusements such as music concerts and scenes from Shakespeare and operas. In 1912, Cons' niece Lilian Baylis (1874-1937) took over management of the theatre and in 1914 introduced the company's first regular Shakespeare season. By 1918 the Old Vic was established as London's only permanent Shakespearean theatre and by 1923 had performed productions of all of Shakespeare's plays.\u003c/p\u003e\n","\u003cp\u003eThe Old Vic continued to grow throughout the 1920s and 1930s, but the physical building was damaged during German airs raids in 1940 causing the company to be temporarily relocated. Following World War II, the theatre building reopened in November 1950 and was granted Grade II listed building status in 1951. When Laurence Olivier was appointed as first director of the National Theatre in 1962, which had been established in 1946, the governors of the Old Vic offered their building as its temporary home and in 1963 the Old Vic company was disbanded.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Old Vic Theatre Company was founded in 1818 as the Royal Coburg Theatre and was originally known for producing primarily popular melodramas. The theatre was renamed the Royal Victoria following a remodel in 1833 and become known popularly as \"the Old Vic.\" In 1880 it came under the management of Emma Cons (1838-1912), a well-known social reformer, and the theatre transformed into the Royal Victoria Hall and Coffee Tavern, focusing on temperance amusements such as music concerts and scenes from Shakespeare and operas. In 1912, Cons' niece Lilian Baylis (1874-1937) took over management of the theatre and in 1914 introduced the company's first regular Shakespeare season. By 1918 the Old Vic was established as London's only permanent Shakespearean theatre and by 1923 had performed productions of all of Shakespeare's plays.","The Old Vic continued to grow throughout the 1920s and 1930s, but the physical building was damaged during German airs raids in 1940 causing the company to be temporarily relocated. Following World War II, the theatre building reopened in November 1950 and was granted Grade II listed building status in 1951. When Laurence Olivier was appointed as first director of the National Theatre in 1962, which had been established in 1946, the governors of the Old Vic offered their building as its temporary home and in 1963 the Old Vic company was disbanded."],"prefercite_html_tesm":["\u003cp\u003eThe Old Vic Company North American tour program, C0545, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The Old Vic Company North American tour program, C0545, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in January 2026. Finding aid completed by Meghan Glasbrenner in February 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in January 2026. Finding aid completed by Meghan Glasbrenner in February 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85134577\"\u003etheatrical programs\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0417\"\u003eMary Lavigne programs collection\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0182\"\u003eBroadway souvenir theatre programs collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe University of Bristol holds the \u003ca href=\"https://www.bristol.ac.uk/theatre-collection/explore/theatre/old-vic-london-archive/\"\u003eOld Vic (London) Archive\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  theatrical programs , such as the  Mary Lavigne programs collection  and  Broadway souvenir theatre programs collection .","The University of Bristol holds the  Old Vic (London) Archive ."],"scopecontent_html_tesm":["\u003cp\u003eThe Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare: \u003citalic\u003eHamlet\u003c/italic\u003e, \u003citalic\u003eTwelfth Night\u003c/italic\u003e, and \u003citalic\u003eHenry V\u003c/italic\u003e. This is a full season program that contains full production credits for each show title, including cast and crew bios, notes from the director, and selected favorite scenes from the play with text from the script. The program also includes general historical information on the Old Vic and features credits for Judi Dench in one of her first professional seasons as a stage actress.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare:  Hamlet ,  Twelfth Night , and  Henry V . This is a full season program that contains full production credits for each show title, including cast and crew bios, notes from the director, and selected favorite scenes from the play with text from the script. The program also includes general historical information on the Old Vic and features credits for Judi Dench in one of her first professional seasons as a stage actress."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_2da659c0396751b2e9ab703238b94e7f\"\u003eThe Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare: \u003ctitle\u003eHamlet\u003c/title\u003e, \u003ctitle\u003eTwelfth Night\u003c/title\u003e, and \u003ctitle\u003eHenry V\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare:  Hamlet ,  Twelfth Night , and  Henry V ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5cd8a3ee1596719b6b1968436256d567\"\u003eR 73, C 2, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 2, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Old Vic Company","Shakespeare, William, 1564-1616"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Old Vic Company"],"names_coll_ssim":["Shakespeare, William, 1564-1616"],"persname_ssim":["Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:34:09.511Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_770","ead_ssi":"vifgm_repositories_2_resources_770","_root_":"vifgm_repositories_2_resources_770","_nest_parent_":"vifgm_repositories_2_resources_770","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_770.xml","title_filing_ssi":"The Old Vic Company North American tour program","title_ssm":["The Old Vic Company North American tour program"],"title_tesim":["The Old Vic Company North American tour program"],"unitdate_ssm":["1958-1959"],"unitdate_inclusive_ssm":["1958-1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0545","/repositories/2/resources/770"],"text":["C0545","/repositories/2/resources/770","The Old Vic Company North American tour program","Performing arts","Theater","Theater programs","Theater -- Europe","Theater -- England -- London","There are no access restrictions.","This is a single item collection.","Britannica. 2024. \"Old Vic.\" September 27. https://www.britannica.com/topic/Old-Vic-London-theatrical-company.","Theatre Collection | University of Bristol. n.d. \"Old Vic (London) Archive.\" Accessed January 28, 2026. https://www.bristol.ac.uk/theatre-collection/explore/theatre/old-vic-london-archive/.","The Old Vic Theatre Company was founded in 1818 as the Royal Coburg Theatre and was originally known for producing primarily popular melodramas. The theatre was renamed the Royal Victoria following a remodel in 1833 and become known popularly as \"the Old Vic.\" In 1880 it came under the management of Emma Cons (1838-1912), a well-known social reformer, and the theatre transformed into the Royal Victoria Hall and Coffee Tavern, focusing on temperance amusements such as music concerts and scenes from Shakespeare and operas. In 1912, Cons' niece Lilian Baylis (1874-1937) took over management of the theatre and in 1914 introduced the company's first regular Shakespeare season. By 1918 the Old Vic was established as London's only permanent Shakespearean theatre and by 1923 had performed productions of all of Shakespeare's plays.","The Old Vic continued to grow throughout the 1920s and 1930s, but the physical building was damaged during German airs raids in 1940 causing the company to be temporarily relocated. Following World War II, the theatre building reopened in November 1950 and was granted Grade II listed building status in 1951. When Laurence Olivier was appointed as first director of the National Theatre in 1962, which had been established in 1946, the governors of the Old Vic offered their building as its temporary home and in 1963 the Old Vic company was disbanded.","Processing completed by Meghan Glasbrenner in January 2026. Finding aid completed by Meghan Glasbrenner in February 2026.","The Special Collections Research Center holds other  theatrical programs , such as the  Mary Lavigne programs collection  and  Broadway souvenir theatre programs collection .","The University of Bristol holds the  Old Vic (London) Archive .","The Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare:  Hamlet ,  Twelfth Night , and  Henry V . This is a full season program that contains full production credits for each show title, including cast and crew bios, notes from the director, and selected favorite scenes from the play with text from the script. The program also includes general historical information on the Old Vic and features credits for Judi Dench in one of her first professional seasons as a stage actress.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare:  Hamlet ,  Twelfth Night , and  Henry V .","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Old Vic Company","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["C0545","/repositories/2/resources/770"],"normalized_title_ssm":["The Old Vic Company North American tour program"],"collection_title_tesim":["The Old Vic Company North American tour program"],"collection_ssim":["The Old Vic Company North American tour program"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Old Vic Company"],"creator_ssim":["Old Vic Company"],"creator_corpname_ssim":["Old Vic Company"],"creators_ssim":["Old Vic Company"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donor is unknown."],"access_subjects_ssim":["Performing arts","Theater","Theater programs","Theater -- Europe","Theater -- England -- London"],"access_subjects_ssm":["Performing arts","Theater","Theater programs","Theater -- Europe","Theater -- England -- London"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica. 2024. \"Old Vic.\" September 27. https://www.britannica.com/topic/Old-Vic-London-theatrical-company.\u003c/p\u003e\n","\u003cp\u003eTheatre Collection | University of Bristol. n.d. \"Old Vic (London) Archive.\" Accessed January 28, 2026. https://www.bristol.ac.uk/theatre-collection/explore/theatre/old-vic-london-archive/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica. 2024. \"Old Vic.\" September 27. https://www.britannica.com/topic/Old-Vic-London-theatrical-company.","Theatre Collection | University of Bristol. n.d. \"Old Vic (London) Archive.\" Accessed January 28, 2026. https://www.bristol.ac.uk/theatre-collection/explore/theatre/old-vic-london-archive/."],"bioghist_html_tesm":["\u003cp\u003eThe Old Vic Theatre Company was founded in 1818 as the Royal Coburg Theatre and was originally known for producing primarily popular melodramas. The theatre was renamed the Royal Victoria following a remodel in 1833 and become known popularly as \"the Old Vic.\" In 1880 it came under the management of Emma Cons (1838-1912), a well-known social reformer, and the theatre transformed into the Royal Victoria Hall and Coffee Tavern, focusing on temperance amusements such as music concerts and scenes from Shakespeare and operas. In 1912, Cons' niece Lilian Baylis (1874-1937) took over management of the theatre and in 1914 introduced the company's first regular Shakespeare season. By 1918 the Old Vic was established as London's only permanent Shakespearean theatre and by 1923 had performed productions of all of Shakespeare's plays.\u003c/p\u003e\n","\u003cp\u003eThe Old Vic continued to grow throughout the 1920s and 1930s, but the physical building was damaged during German airs raids in 1940 causing the company to be temporarily relocated. Following World War II, the theatre building reopened in November 1950 and was granted Grade II listed building status in 1951. When Laurence Olivier was appointed as first director of the National Theatre in 1962, which had been established in 1946, the governors of the Old Vic offered their building as its temporary home and in 1963 the Old Vic company was disbanded.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Old Vic Theatre Company was founded in 1818 as the Royal Coburg Theatre and was originally known for producing primarily popular melodramas. The theatre was renamed the Royal Victoria following a remodel in 1833 and become known popularly as \"the Old Vic.\" In 1880 it came under the management of Emma Cons (1838-1912), a well-known social reformer, and the theatre transformed into the Royal Victoria Hall and Coffee Tavern, focusing on temperance amusements such as music concerts and scenes from Shakespeare and operas. In 1912, Cons' niece Lilian Baylis (1874-1937) took over management of the theatre and in 1914 introduced the company's first regular Shakespeare season. By 1918 the Old Vic was established as London's only permanent Shakespearean theatre and by 1923 had performed productions of all of Shakespeare's plays.","The Old Vic continued to grow throughout the 1920s and 1930s, but the physical building was damaged during German airs raids in 1940 causing the company to be temporarily relocated. Following World War II, the theatre building reopened in November 1950 and was granted Grade II listed building status in 1951. When Laurence Olivier was appointed as first director of the National Theatre in 1962, which had been established in 1946, the governors of the Old Vic offered their building as its temporary home and in 1963 the Old Vic company was disbanded."],"prefercite_html_tesm":["\u003cp\u003eThe Old Vic Company North American tour program, C0545, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["The Old Vic Company North American tour program, C0545, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in January 2026. Finding aid completed by Meghan Glasbrenner in February 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in January 2026. Finding aid completed by Meghan Glasbrenner in February 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85134577\"\u003etheatrical programs\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0417\"\u003eMary Lavigne programs collection\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0182\"\u003eBroadway souvenir theatre programs collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe University of Bristol holds the \u003ca href=\"https://www.bristol.ac.uk/theatre-collection/explore/theatre/old-vic-london-archive/\"\u003eOld Vic (London) Archive\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  theatrical programs , such as the  Mary Lavigne programs collection  and  Broadway souvenir theatre programs collection .","The University of Bristol holds the  Old Vic (London) Archive ."],"scopecontent_html_tesm":["\u003cp\u003eThe Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare: \u003citalic\u003eHamlet\u003c/italic\u003e, \u003citalic\u003eTwelfth Night\u003c/italic\u003e, and \u003citalic\u003eHenry V\u003c/italic\u003e. This is a full season program that contains full production credits for each show title, including cast and crew bios, notes from the director, and selected favorite scenes from the play with text from the script. The program also includes general historical information on the Old Vic and features credits for Judi Dench in one of her first professional seasons as a stage actress.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare:  Hamlet ,  Twelfth Night , and  Henry V . This is a full season program that contains full production credits for each show title, including cast and crew bios, notes from the director, and selected favorite scenes from the play with text from the script. The program also includes general historical information on the Old Vic and features credits for Judi Dench in one of her first professional seasons as a stage actress."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_2da659c0396751b2e9ab703238b94e7f\"\u003eThe Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare: \u003ctitle\u003eHamlet\u003c/title\u003e, \u003ctitle\u003eTwelfth Night\u003c/title\u003e, and \u003ctitle\u003eHenry V\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The Old Vic Company program for the 1958-1959 North American tour featuring productions of three plays by William Shakespeare:  Hamlet ,  Twelfth Night , and  Henry V ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5cd8a3ee1596719b6b1968436256d567\"\u003eR 73, C 2, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 2, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Old Vic Company","Shakespeare, William, 1564-1616"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Old Vic Company"],"names_coll_ssim":["Shakespeare, William, 1564-1616"],"persname_ssim":["Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:34:09.511Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_770"}},{"id":"vifgm_repositories_2_resources_737","type":"collection","attributes":{"title":"Uday Shankar performance programs and ephemera","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_737#creator","type":"document_value","attributes":{"value":"Shankar, Uday, 1900-1977","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_737#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of performance programs and ephemera created and collected by Indian dancer and choreographer Uday Shankar.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_737#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_737","ead_ssi":"vifgm_repositories_2_resources_737","_root_":"vifgm_repositories_2_resources_737","_nest_parent_":"vifgm_repositories_2_resources_737","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_737.xml","title_filing_ssi":"Uday Shankar performance programs and ephemera","title_ssm":["Uday Shankar performance programs and ephemera"],"title_tesim":["Uday Shankar performance programs and ephemera"],"unitdate_ssm":["circa 1930s-1950s"],"unitdate_inclusive_ssm":["circa 1930s-1950s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0444","/repositories/2/resources/737"],"text":["C0444","/repositories/2/resources/737","Uday Shankar performance programs and ephemera","Dance","Ballet","Dance -- United States","Performing arts","Indian dance","There are no access restrictions.","This is a single folder collection.","Kisselgoff, Anna. 1977. \"Uday Shankar, Indian Dancer, Dies; Popularized Hindu Works in West.\"  The New York Times , September 27, 1977, sec. Archives. https://www.nytimes.com/1977/09/27/archives/uday-shankar-indian-dancer-dies-popularized-hindu-works-in-west.html.","\"Uday Shankar.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Uday_Shankar\u0026oldid=1252271858.","\"———.\" n.d. The Open University: Making Britain. Accessed February 19, 2025. https://www5.open.ac.uk/research-projects/making-britain/content/uday-shankar.","Uday Shankar Chowdhury (known professionally as Uday Shankar) was born in Udaipur, Rajasthan, India on December 8, 1900, the eldest of five sons, including brother Ravi Shankar, a sitarist and composer. Shankar is best known for his global popularization of classical Indian dance through his fusion of the elements with European dance and theatrical styles. His career as a dancer and choreographer began in London in 1923 as the partner of Russian ballerina Anna Pavlova, for whom he choreographed two ballets inspired by classical Indian dance, \"Hindu Wedding\" and \"Radha-Krishna\", the second of which was a duet performed by Pavlova and Shankar. After touring throughout Europe, Shankar returned to India in 1929 where he formed his own dance company known as \"Uday Shankar and his Hindu Ballet\" and in January 1933 played his first performance in the United States in New York City. Shankar and his troupe of dancers and musicians toured globally, including regular performances in cities throughout the United States, for the next 30 years. He passed away on September 26, 1977 at the age of 76.","Processing completed by Meghan Glasbrenner in February 2025. Finding aid completed by Meghan Glasbrenner in March 2025.","The Special Collections Research Center holds other dance collections, including the  Jacob's Pillow dance photograph collection .","A collection of performance programs, photographs, newspaper clippings, and ephemera created and collected by Indian dancer and choreographer Uday Shankar, most related to performances by \"Uday Shankar and His Hindu Ballet.\" Other items include newspaper clippings about Uday's brother, sitar player Ravi Shankar, an advertisement for  The Isle of Paradise , a 1932 documentary film about Bali, a poster advertisement for Ragini Devi, and promotional programs for Ruth St. Denis with Ted Shawn and the Denishawn Dancers.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of performance programs and ephemera created and collected by Indian dancer and choreographer Uday Shankar.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Shankar, Uday, 1900-1977","Shawn, Ted, 1891-1972","St. Denis, Ruth, 1880-1968","English \n.    "],"unitid_tesim":["C0444","/repositories/2/resources/737"],"normalized_title_ssm":["Uday Shankar performance programs and ephemera"],"collection_title_tesim":["Uday Shankar performance programs and ephemera"],"collection_ssim":["Uday Shankar performance programs and ephemera"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Shankar, Uday, 1900-1977"],"creator_ssim":["Shankar, Uday, 1900-1977"],"creator_persname_ssim":["Shankar, Uday, 1900-1977"],"creators_ssim":["Shankar, Uday, 1900-1977"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by William McFarlane."],"access_subjects_ssim":["Dance","Ballet","Dance -- United States","Performing arts","Indian dance"],"access_subjects_ssm":["Dance","Ballet","Dance -- United States","Performing arts","Indian dance"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eKisselgoff, Anna. 1977. \"Uday Shankar, Indian Dancer, Dies; Popularized Hindu Works in West.\" \u003ctitle\u003eThe New York Times\u003c/title\u003e, September 27, 1977, sec. Archives. https://www.nytimes.com/1977/09/27/archives/uday-shankar-indian-dancer-dies-popularized-hindu-works-in-west.html.\u003c/p\u003e\n","\u003cp\u003e\"Uday Shankar.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Uday_Shankar\u0026amp;oldid=1252271858.\u003c/p\u003e\n","\u003cp\u003e\"———.\" n.d. The Open University: Making Britain. Accessed February 19, 2025. https://www5.open.ac.uk/research-projects/making-britain/content/uday-shankar.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Kisselgoff, Anna. 1977. \"Uday Shankar, Indian Dancer, Dies; Popularized Hindu Works in West.\"  The New York Times , September 27, 1977, sec. Archives. https://www.nytimes.com/1977/09/27/archives/uday-shankar-indian-dancer-dies-popularized-hindu-works-in-west.html.","\"Uday Shankar.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Uday_Shankar\u0026oldid=1252271858.","\"———.\" n.d. The Open University: Making Britain. Accessed February 19, 2025. https://www5.open.ac.uk/research-projects/making-britain/content/uday-shankar."],"bioghist_html_tesm":["\u003cp\u003eUday Shankar Chowdhury (known professionally as Uday Shankar) was born in Udaipur, Rajasthan, India on December 8, 1900, the eldest of five sons, including brother Ravi Shankar, a sitarist and composer. Shankar is best known for his global popularization of classical Indian dance through his fusion of the elements with European dance and theatrical styles. His career as a dancer and choreographer began in London in 1923 as the partner of Russian ballerina Anna Pavlova, for whom he choreographed two ballets inspired by classical Indian dance, \"Hindu Wedding\" and \"Radha-Krishna\", the second of which was a duet performed by Pavlova and Shankar. After touring throughout Europe, Shankar returned to India in 1929 where he formed his own dance company known as \"Uday Shankar and his Hindu Ballet\" and in January 1933 played his first performance in the United States in New York City. Shankar and his troupe of dancers and musicians toured globally, including regular performances in cities throughout the United States, for the next 30 years. He passed away on September 26, 1977 at the age of 76.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Uday Shankar Chowdhury (known professionally as Uday Shankar) was born in Udaipur, Rajasthan, India on December 8, 1900, the eldest of five sons, including brother Ravi Shankar, a sitarist and composer. Shankar is best known for his global popularization of classical Indian dance through his fusion of the elements with European dance and theatrical styles. His career as a dancer and choreographer began in London in 1923 as the partner of Russian ballerina Anna Pavlova, for whom he choreographed two ballets inspired by classical Indian dance, \"Hindu Wedding\" and \"Radha-Krishna\", the second of which was a duet performed by Pavlova and Shankar. After touring throughout Europe, Shankar returned to India in 1929 where he formed his own dance company known as \"Uday Shankar and his Hindu Ballet\" and in January 1933 played his first performance in the United States in New York City. Shankar and his troupe of dancers and musicians toured globally, including regular performances in cities throughout the United States, for the next 30 years. He passed away on September 26, 1977 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003eUday Shankar performance programs and ephemera, C0444, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Uday Shankar performance programs and ephemera, C0444, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in February 2025. Finding aid completed by Meghan Glasbrenner in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in February 2025. Finding aid completed by Meghan Glasbrenner in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other dance collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0514\"\u003eJacob's Pillow dance photograph collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other dance collections, including the  Jacob's Pillow dance photograph collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of performance programs, photographs, newspaper clippings, and ephemera created and collected by Indian dancer and choreographer Uday Shankar, most related to performances by \"Uday Shankar and His Hindu Ballet.\" Other items include newspaper clippings about Uday's brother, sitar player Ravi Shankar, an advertisement for \u003ctitle\u003eThe Isle of Paradise\u003c/title\u003e, a 1932 documentary film about Bali, a poster advertisement for Ragini Devi, and promotional programs for Ruth St. Denis with Ted Shawn and the Denishawn Dancers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of performance programs, photographs, newspaper clippings, and ephemera created and collected by Indian dancer and choreographer Uday Shankar, most related to performances by \"Uday Shankar and His Hindu Ballet.\" Other items include newspaper clippings about Uday's brother, sitar player Ravi Shankar, an advertisement for  The Isle of Paradise , a 1932 documentary film about Bali, a poster advertisement for Ragini Devi, and promotional programs for Ruth St. Denis with Ted Shawn and the Denishawn Dancers."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d776d43578b7d3b1cacab64bb1b69dfd\"\u003eA collection of performance programs and ephemera created and collected by Indian dancer and choreographer Uday Shankar.\u003c/abstract\u003e"],"abstract_tesim":["A collection of performance programs and ephemera created and collected by Indian dancer and choreographer Uday Shankar."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_49c0b175ef337bca82c9367b48ea524a\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_ssim":["George Mason University. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_737","ead_ssi":"vifgm_repositories_2_resources_737","_root_":"vifgm_repositories_2_resources_737","_nest_parent_":"vifgm_repositories_2_resources_737","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_737.xml","title_filing_ssi":"Uday Shankar performance programs and ephemera","title_ssm":["Uday Shankar performance programs and ephemera"],"title_tesim":["Uday Shankar performance programs and ephemera"],"unitdate_ssm":["circa 1930s-1950s"],"unitdate_inclusive_ssm":["circa 1930s-1950s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0444","/repositories/2/resources/737"],"text":["C0444","/repositories/2/resources/737","Uday Shankar performance programs and ephemera","Dance","Ballet","Dance -- United States","Performing arts","Indian dance","There are no access restrictions.","This is a single folder collection.","Kisselgoff, Anna. 1977. \"Uday Shankar, Indian Dancer, Dies; Popularized Hindu Works in West.\"  The New York Times , September 27, 1977, sec. Archives. https://www.nytimes.com/1977/09/27/archives/uday-shankar-indian-dancer-dies-popularized-hindu-works-in-west.html.","\"Uday Shankar.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Uday_Shankar\u0026oldid=1252271858.","\"———.\" n.d. The Open University: Making Britain. Accessed February 19, 2025. https://www5.open.ac.uk/research-projects/making-britain/content/uday-shankar.","Uday Shankar Chowdhury (known professionally as Uday Shankar) was born in Udaipur, Rajasthan, India on December 8, 1900, the eldest of five sons, including brother Ravi Shankar, a sitarist and composer. Shankar is best known for his global popularization of classical Indian dance through his fusion of the elements with European dance and theatrical styles. His career as a dancer and choreographer began in London in 1923 as the partner of Russian ballerina Anna Pavlova, for whom he choreographed two ballets inspired by classical Indian dance, \"Hindu Wedding\" and \"Radha-Krishna\", the second of which was a duet performed by Pavlova and Shankar. After touring throughout Europe, Shankar returned to India in 1929 where he formed his own dance company known as \"Uday Shankar and his Hindu Ballet\" and in January 1933 played his first performance in the United States in New York City. Shankar and his troupe of dancers and musicians toured globally, including regular performances in cities throughout the United States, for the next 30 years. He passed away on September 26, 1977 at the age of 76.","Processing completed by Meghan Glasbrenner in February 2025. Finding aid completed by Meghan Glasbrenner in March 2025.","The Special Collections Research Center holds other dance collections, including the  Jacob's Pillow dance photograph collection .","A collection of performance programs, photographs, newspaper clippings, and ephemera created and collected by Indian dancer and choreographer Uday Shankar, most related to performances by \"Uday Shankar and His Hindu Ballet.\" Other items include newspaper clippings about Uday's brother, sitar player Ravi Shankar, an advertisement for  The Isle of Paradise , a 1932 documentary film about Bali, a poster advertisement for Ragini Devi, and promotional programs for Ruth St. Denis with Ted Shawn and the Denishawn Dancers.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of performance programs and ephemera created and collected by Indian dancer and choreographer Uday Shankar.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Shankar, Uday, 1900-1977","Shawn, Ted, 1891-1972","St. Denis, Ruth, 1880-1968","English \n.    "],"unitid_tesim":["C0444","/repositories/2/resources/737"],"normalized_title_ssm":["Uday Shankar performance programs and ephemera"],"collection_title_tesim":["Uday Shankar performance programs and ephemera"],"collection_ssim":["Uday Shankar performance programs and ephemera"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Shankar, Uday, 1900-1977"],"creator_ssim":["Shankar, Uday, 1900-1977"],"creator_persname_ssim":["Shankar, Uday, 1900-1977"],"creators_ssim":["Shankar, Uday, 1900-1977"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by William McFarlane."],"access_subjects_ssim":["Dance","Ballet","Dance -- United States","Performing arts","Indian dance"],"access_subjects_ssm":["Dance","Ballet","Dance -- United States","Performing arts","Indian dance"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eKisselgoff, Anna. 1977. \"Uday Shankar, Indian Dancer, Dies; Popularized Hindu Works in West.\" \u003ctitle\u003eThe New York Times\u003c/title\u003e, September 27, 1977, sec. Archives. https://www.nytimes.com/1977/09/27/archives/uday-shankar-indian-dancer-dies-popularized-hindu-works-in-west.html.\u003c/p\u003e\n","\u003cp\u003e\"Uday Shankar.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Uday_Shankar\u0026amp;oldid=1252271858.\u003c/p\u003e\n","\u003cp\u003e\"———.\" n.d. The Open University: Making Britain. Accessed February 19, 2025. https://www5.open.ac.uk/research-projects/making-britain/content/uday-shankar.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Kisselgoff, Anna. 1977. \"Uday Shankar, Indian Dancer, Dies; Popularized Hindu Works in West.\"  The New York Times , September 27, 1977, sec. Archives. https://www.nytimes.com/1977/09/27/archives/uday-shankar-indian-dancer-dies-popularized-hindu-works-in-west.html.","\"Uday Shankar.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Uday_Shankar\u0026oldid=1252271858.","\"———.\" n.d. The Open University: Making Britain. Accessed February 19, 2025. https://www5.open.ac.uk/research-projects/making-britain/content/uday-shankar."],"bioghist_html_tesm":["\u003cp\u003eUday Shankar Chowdhury (known professionally as Uday Shankar) was born in Udaipur, Rajasthan, India on December 8, 1900, the eldest of five sons, including brother Ravi Shankar, a sitarist and composer. Shankar is best known for his global popularization of classical Indian dance through his fusion of the elements with European dance and theatrical styles. His career as a dancer and choreographer began in London in 1923 as the partner of Russian ballerina Anna Pavlova, for whom he choreographed two ballets inspired by classical Indian dance, \"Hindu Wedding\" and \"Radha-Krishna\", the second of which was a duet performed by Pavlova and Shankar. After touring throughout Europe, Shankar returned to India in 1929 where he formed his own dance company known as \"Uday Shankar and his Hindu Ballet\" and in January 1933 played his first performance in the United States in New York City. Shankar and his troupe of dancers and musicians toured globally, including regular performances in cities throughout the United States, for the next 30 years. He passed away on September 26, 1977 at the age of 76.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Uday Shankar Chowdhury (known professionally as Uday Shankar) was born in Udaipur, Rajasthan, India on December 8, 1900, the eldest of five sons, including brother Ravi Shankar, a sitarist and composer. Shankar is best known for his global popularization of classical Indian dance through his fusion of the elements with European dance and theatrical styles. His career as a dancer and choreographer began in London in 1923 as the partner of Russian ballerina Anna Pavlova, for whom he choreographed two ballets inspired by classical Indian dance, \"Hindu Wedding\" and \"Radha-Krishna\", the second of which was a duet performed by Pavlova and Shankar. After touring throughout Europe, Shankar returned to India in 1929 where he formed his own dance company known as \"Uday Shankar and his Hindu Ballet\" and in January 1933 played his first performance in the United States in New York City. Shankar and his troupe of dancers and musicians toured globally, including regular performances in cities throughout the United States, for the next 30 years. He passed away on September 26, 1977 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003eUday Shankar performance programs and ephemera, C0444, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Uday Shankar performance programs and ephemera, C0444, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in February 2025. Finding aid completed by Meghan Glasbrenner in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in February 2025. Finding aid completed by Meghan Glasbrenner in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other dance collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0514\"\u003eJacob's Pillow dance photograph collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other dance collections, including the  Jacob's Pillow dance photograph collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of performance programs, photographs, newspaper clippings, and ephemera created and collected by Indian dancer and choreographer Uday Shankar, most related to performances by \"Uday Shankar and His Hindu Ballet.\" Other items include newspaper clippings about Uday's brother, sitar player Ravi Shankar, an advertisement for \u003ctitle\u003eThe Isle of Paradise\u003c/title\u003e, a 1932 documentary film about Bali, a poster advertisement for Ragini Devi, and promotional programs for Ruth St. Denis with Ted Shawn and the Denishawn Dancers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of performance programs, photographs, newspaper clippings, and ephemera created and collected by Indian dancer and choreographer Uday Shankar, most related to performances by \"Uday Shankar and His Hindu Ballet.\" Other items include newspaper clippings about Uday's brother, sitar player Ravi Shankar, an advertisement for  The Isle of Paradise , a 1932 documentary film about Bali, a poster advertisement for Ragini Devi, and promotional programs for Ruth St. Denis with Ted Shawn and the Denishawn Dancers."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d776d43578b7d3b1cacab64bb1b69dfd\"\u003eA collection of performance programs and ephemera created and collected by Indian dancer and choreographer Uday Shankar.\u003c/abstract\u003e"],"abstract_tesim":["A collection of performance programs and ephemera created and collected by Indian dancer and choreographer Uday Shankar."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_49c0b175ef337bca82c9367b48ea524a\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Shankar, Uday, 1900-1977","Shawn, Ted, 1891-1972","St. Denis, Ruth, 1880-1968"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Shawn, Ted, 1891-1972","St. Denis, Ruth, 1880-1968"],"persname_ssim":["Shankar, Uday, 1900-1977","Shawn, Ted, 1891-1972","St. Denis, Ruth, 1880-1968"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_737"}},{"id":"vifgm_repositories_2_resources_571","type":"collection","attributes":{"title":"Virginia Nelson playbills collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_571#creator","type":"document_value","attributes":{"value":"Nelson, Virginia","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_571#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_571#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_571","ead_ssi":"vifgm_repositories_2_resources_571","_root_":"vifgm_repositories_2_resources_571","_nest_parent_":"vifgm_repositories_2_resources_571","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_571.xml","title_ssm":["Virginia Nelson playbills collection"],"title_tesim":["Virginia Nelson playbills collection"],"unitdate_ssm":["1939-2007"],"unitdate_inclusive_ssm":["1939-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0015","/repositories/2/resources/571"],"text":["C0015","/repositories/2/resources/571","Virginia Nelson playbills collection","Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)","Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater","There are no access restrictions.","Arranged chronologically.","Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017.","The Special Collections Research Center also holds many other  .","The Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)","Nelson, Virginia","English \n.    "],"unitid_tesim":["C0015","/repositories/2/resources/571"],"normalized_title_ssm":["Virginia Nelson playbills collection"],"collection_title_tesim":["Virginia Nelson playbills collection"],"collection_ssim":["Virginia Nelson playbills collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"geogname_ssim":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"creator_ssm":["Nelson, Virginia"],"creator_ssim":["Nelson, Virginia"],"creator_persname_ssim":["Nelson, Virginia"],"creators_ssim":["Nelson, Virginia"],"places_ssim":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Virginia Nelson in 2007."],"access_subjects_ssim":["Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater"],"access_subjects_ssm":["Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 12 boxes"],"extent_tesim":["6 Linear Feet 12 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eFollowing World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area."],"prefercite_html_tesm":["\u003cp\u003eVirginia Nelson playbills collection, C0015, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Virginia Nelson playbills collection, C0015, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other \u003cextptr href=\"https://aspace.gmu.edu/subjects/sh85099818\" title=\"performing arts and theatre collections\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other  ."],"scopecontent_html_tesm":["\u003cp\u003eThe Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fabf031f1388c7a0a773ea5385cfd10\"\u003eThis collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally."],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)","Nelson, Virginia"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)"],"persname_ssim":["Nelson, Virginia"],"language_ssim":["English \n.    "],"total_component_count_is":632,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:15:57.299Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_571","ead_ssi":"vifgm_repositories_2_resources_571","_root_":"vifgm_repositories_2_resources_571","_nest_parent_":"vifgm_repositories_2_resources_571","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_571.xml","title_ssm":["Virginia Nelson playbills collection"],"title_tesim":["Virginia Nelson playbills collection"],"unitdate_ssm":["1939-2007"],"unitdate_inclusive_ssm":["1939-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0015","/repositories/2/resources/571"],"text":["C0015","/repositories/2/resources/571","Virginia Nelson playbills collection","Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)","Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater","There are no access restrictions.","Arranged chronologically.","Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017.","The Special Collections Research Center also holds many other  .","The Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)","Nelson, Virginia","English \n.    "],"unitid_tesim":["C0015","/repositories/2/resources/571"],"normalized_title_ssm":["Virginia Nelson playbills collection"],"collection_title_tesim":["Virginia Nelson playbills collection"],"collection_ssim":["Virginia Nelson playbills collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"geogname_ssim":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"creator_ssm":["Nelson, Virginia"],"creator_ssim":["Nelson, Virginia"],"creator_persname_ssim":["Nelson, Virginia"],"creators_ssim":["Nelson, Virginia"],"places_ssim":["Wolf Trap National Park for the Performing Arts (Va.)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Virginia Nelson in 2007."],"access_subjects_ssim":["Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater"],"access_subjects_ssm":["Ballet","Musical Theater","Opera","Performing arts","Plays","Theater programs","Theater -- United States","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 12 boxes"],"extent_tesim":["6 Linear Feet 12 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eFollowing World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. In particular the opening of John F. Kennedy Center for the Performing Arts in the early 1970s signaled the great importance of performing arts for the citizens of the Washington, D.C. metro area."],"prefercite_html_tesm":["\u003cp\u003eVirginia Nelson playbills collection, C0015, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Virginia Nelson playbills collection, C0015, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Contents list added and finding aid updated by Amanda Menjivar in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other \u003cextptr href=\"https://aspace.gmu.edu/subjects/sh85099818\" title=\"performing arts and theatre collections\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other  ."],"scopecontent_html_tesm":["\u003cp\u003eThe Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Virginia Nelson playbills collection represents the rise and expansion of theatre and the performing arts in the Metro D.C. area, including a variety of performances at a multitude of venues over the course of eight decades, beginning in the 1930s and ending in the early 2000s. From plays and musical theatre, to opera, ballet, and musical acts, the gamut of the performing arts is represented within the collection. This collection contains playbills for performances at a variety of D.C. area venues, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, Wolf Trap, Signature Theatre, and the John F. Kennedy Center for the Performing Arts, as well as other theatres across the nation and abroad, including those from Broadway in New York and the West End in London. Many of the playbills come from renowned \"classic\" performances of certain works, many starring famous actors. Also represented in the collection are smaller, local theatrical venues, companies, and performances. Note: Included in the collection were a number of Arena Stage Playbills, which were removed except for one that was not already included in the Arena Stage records. All other Arena Stage playbills (before the 2006/2007 season) are available in the "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fabf031f1388c7a0a773ea5385cfd10\"\u003eThis collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains playbills for performances at a variety of venues in the Washington D.C. metro area, including the National Theatre, Arena Stage, the New Gayety Theatre, the Warner Theatre, and the John F. Kennedy Center for the Performing Arts, as well as multiple smaller, local theatres and companies, and others across the United States and internationally."],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)","Nelson, Virginia"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","John F. Kennedy Center for the Performing Arts (U.S.)","National Theatre (Washington, D.C.)","New Gayety Theatre (Organization : Washington, D.C.)","Signature Theatre (Arlington, Va.)","Warner Theatre (Organization : Washington, D.C.)"],"persname_ssim":["Nelson, Virginia"],"language_ssim":["English \n.    "],"total_component_count_is":632,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:15:57.299Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_571"}},{"id":"vifgm_repositories_2_resources_709","type":"collection","attributes":{"title":"Wayside Theatre on Tour photographs","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_709#creator","type":"document_value","attributes":{"value":"Wayside Theatre","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_709#abstract_or_scope","type":"document_value","attributes":{"value":"Two black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's \u003cspan\u003eThe Marriage Proposal\u003c/span\u003e.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_709#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_709","ead_ssi":"vifgm_repositories_2_resources_709","_root_":"vifgm_repositories_2_resources_709","_nest_parent_":"vifgm_repositories_2_resources_709","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_709.xml","title_filing_ssi":"Wayside Theatre on Tour photographs","title_ssm":["Wayside Theatre on Tour photographs"],"title_tesim":["Wayside Theatre on Tour photographs"],"unitdate_ssm":["1972"],"unitdate_other_ssim":["1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0428","/repositories/2/resources/709"],"text":["C0428","/repositories/2/resources/709","Wayside Theatre on Tour photographs","Middletown (Va.)","Theater -- United States","Performing arts","Theater","Photographs","There are no access restrictions.","This is a single folder collection.","\"1968-1974: Slavet.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/19681974-slavet.","\"Wayside Theatre.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Wayside_Theatre\u0026oldid=1192795844#External_links.","\"Wayside Theatre on Tour.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/wayside-theatre-on-tour.","Wayside Theatre was founded in the early 1960s by Leo M. Bernstein following his purchase of a former movie theatre located on Main Street in Middletown, Virginia. The company staged their first performance in 1963. In 1968, Gerald (Gerry) Slavet took over as Artistic Director, bringing with him an interest in working with local teachers to bring theatre into the classroom, which led to the formation of Wayside Theatre on Tour (WTOT). One of the most successful outreach programs in Wayside Theatre's history, WTOT brought professional theatrical performances, completely separate from the mainstage productions, into the local community, particularly to elementary schools. To emphasize the educational aspect of the program, teachers were provided with study guides to be used in their classrooms to prepare students for the performances and post-performance question and answer sessions. These study guides were initially developed and produced largely by the newly hired Director of Public Relations and Publicity Barbara Swink. All WTOT productions were cast with professional actors, many who had appeared on Broadway or with other professional theatre groups throughout the country, including actress Kathy Bates (credited as Bobo Bates) who performed with WTOT during the 1973 season. ","Slavet formally announced his intention to step down from his role as Artistic Director in early 1974, but agreed to stay on and assist with planning the upcoming season before handing over the role to his successor Lou Furman in 1975. Both WTOT and Wayside Theatre continued to operate for the next 40 years, with WTOT shifting focus from touring venues in the community to inviting school groups to attend performances at the physical theatre itself sometime in the early 2000s. In total, Wayside Theatre operated for 50 years, becoming the oldest professional theatre in Virigina, before financial troubles led to its sudden closing in 2013.","Processing completed by Meghan Glasbrenner in April 2024. Finding aid completed by Meghan Glasbrenner from April-May 2024.","The Special Collections Research Center holds other performing arts collections, including the  Garrick Players photograph collection  and the  Reston Players collection .","Two black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's  The Marriage Proposal . One photograph is of Artistic Director Gerry Slavet speaking to an audience of children and one is of the play's three actors, Gary Filsinger, Penny Lynn White, and Bill Wiley, in costume on the stage with a child from the audience.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Two black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's  The Marriage Proposal .","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Wayside Theatre","Wayside Theatre on Tour","Slavet, Gerald","English \n.    "],"unitid_tesim":["C0428","/repositories/2/resources/709"],"normalized_title_ssm":["Wayside Theatre on Tour photographs"],"collection_title_tesim":["Wayside Theatre on Tour photographs"],"collection_ssim":["Wayside Theatre on Tour photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Middletown (Va.)"],"geogname_ssim":["Middletown (Va.)"],"creator_ssm":["Wayside Theatre"],"creator_ssim":["Wayside Theatre"],"creator_corpname_ssim":["Wayside Theatre"],"creators_ssim":["Wayside Theatre"],"places_ssim":["Middletown (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Dr. James H. Laster in February 2019."],"access_subjects_ssim":["Theater -- United States","Performing arts","Theater","Photographs"],"access_subjects_ssm":["Theater -- United States","Performing arts","Theater","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Photographs"],"date_range_isim":[1972],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\"1968-1974: Slavet.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/19681974-slavet.\u003c/p\u003e\n","\u003cp\u003e\"Wayside Theatre.\" 2023. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Wayside_Theatre\u0026amp;oldid=1192795844#External_links.\u003c/p\u003e\n","\u003cp\u003e\"Wayside Theatre on Tour.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/wayside-theatre-on-tour.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"1968-1974: Slavet.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/19681974-slavet.","\"Wayside Theatre.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Wayside_Theatre\u0026oldid=1192795844#External_links.","\"Wayside Theatre on Tour.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/wayside-theatre-on-tour."],"bioghist_html_tesm":["\u003cp\u003eWayside Theatre was founded in the early 1960s by Leo M. Bernstein following his purchase of a former movie theatre located on Main Street in Middletown, Virginia. The company staged their first performance in 1963. In 1968, Gerald (Gerry) Slavet took over as Artistic Director, bringing with him an interest in working with local teachers to bring theatre into the classroom, which led to the formation of Wayside Theatre on Tour (WTOT). One of the most successful outreach programs in Wayside Theatre's history, WTOT brought professional theatrical performances, completely separate from the mainstage productions, into the local community, particularly to elementary schools. To emphasize the educational aspect of the program, teachers were provided with study guides to be used in their classrooms to prepare students for the performances and post-performance question and answer sessions. These study guides were initially developed and produced largely by the newly hired Director of Public Relations and Publicity Barbara Swink. All WTOT productions were cast with professional actors, many who had appeared on Broadway or with other professional theatre groups throughout the country, including actress Kathy Bates (credited as Bobo Bates) who performed with WTOT during the 1973 season. \u003c/p\u003e\n","\u003cp\u003eSlavet formally announced his intention to step down from his role as Artistic Director in early 1974, but agreed to stay on and assist with planning the upcoming season before handing over the role to his successor Lou Furman in 1975. Both WTOT and Wayside Theatre continued to operate for the next 40 years, with WTOT shifting focus from touring venues in the community to inviting school groups to attend performances at the physical theatre itself sometime in the early 2000s. In total, Wayside Theatre operated for 50 years, becoming the oldest professional theatre in Virigina, before financial troubles led to its sudden closing in 2013.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Wayside Theatre was founded in the early 1960s by Leo M. Bernstein following his purchase of a former movie theatre located on Main Street in Middletown, Virginia. The company staged their first performance in 1963. In 1968, Gerald (Gerry) Slavet took over as Artistic Director, bringing with him an interest in working with local teachers to bring theatre into the classroom, which led to the formation of Wayside Theatre on Tour (WTOT). One of the most successful outreach programs in Wayside Theatre's history, WTOT brought professional theatrical performances, completely separate from the mainstage productions, into the local community, particularly to elementary schools. To emphasize the educational aspect of the program, teachers were provided with study guides to be used in their classrooms to prepare students for the performances and post-performance question and answer sessions. These study guides were initially developed and produced largely by the newly hired Director of Public Relations and Publicity Barbara Swink. All WTOT productions were cast with professional actors, many who had appeared on Broadway or with other professional theatre groups throughout the country, including actress Kathy Bates (credited as Bobo Bates) who performed with WTOT during the 1973 season. ","Slavet formally announced his intention to step down from his role as Artistic Director in early 1974, but agreed to stay on and assist with planning the upcoming season before handing over the role to his successor Lou Furman in 1975. Both WTOT and Wayside Theatre continued to operate for the next 40 years, with WTOT shifting focus from touring venues in the community to inviting school groups to attend performances at the physical theatre itself sometime in the early 2000s. In total, Wayside Theatre operated for 50 years, becoming the oldest professional theatre in Virigina, before financial troubles led to its sudden closing in 2013."],"prefercite_html_tesm":["\u003cp\u003eWayside Theatre on Tour photographs, C0428, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Wayside Theatre on Tour photographs, C0428, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2024. Finding aid completed by Meghan Glasbrenner from April-May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2024. Finding aid completed by Meghan Glasbrenner from April-May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0243\"\u003eGarrick Players photograph collection\u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0135\"\u003eReston Players collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including the  Garrick Players photograph collection  and the  Reston Players collection ."],"scopecontent_html_tesm":["\u003cp\u003eTwo black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's \u003ctitle\u003eThe Marriage Proposal\u003c/title\u003e. One photograph is of Artistic Director Gerry Slavet speaking to an audience of children and one is of the play's three actors, Gary Filsinger, Penny Lynn White, and Bill Wiley, in costume on the stage with a child from the audience.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Two black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's  The Marriage Proposal . One photograph is of Artistic Director Gerry Slavet speaking to an audience of children and one is of the play's three actors, Gary Filsinger, Penny Lynn White, and Bill Wiley, in costume on the stage with a child from the audience."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_471ebd220de4774e0fb523737953746c\"\u003eTwo black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's \u003ctitle\u003eThe Marriage Proposal\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["Two black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's  The Marriage Proposal ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ec61f487fb8379309b90f1a79136c541\"\u003eR 71, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 6"],"names_coll_ssim":["Wayside Theatre on Tour","Slavet, Gerald"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Wayside Theatre","Wayside Theatre on Tour","Slavet, Gerald"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Wayside Theatre","Wayside Theatre on Tour"],"persname_ssim":["Slavet, Gerald"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:18:40.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_709","ead_ssi":"vifgm_repositories_2_resources_709","_root_":"vifgm_repositories_2_resources_709","_nest_parent_":"vifgm_repositories_2_resources_709","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_709.xml","title_filing_ssi":"Wayside Theatre on Tour photographs","title_ssm":["Wayside Theatre on Tour photographs"],"title_tesim":["Wayside Theatre on Tour photographs"],"unitdate_ssm":["1972"],"unitdate_other_ssim":["1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0428","/repositories/2/resources/709"],"text":["C0428","/repositories/2/resources/709","Wayside Theatre on Tour photographs","Middletown (Va.)","Theater -- United States","Performing arts","Theater","Photographs","There are no access restrictions.","This is a single folder collection.","\"1968-1974: Slavet.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/19681974-slavet.","\"Wayside Theatre.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Wayside_Theatre\u0026oldid=1192795844#External_links.","\"Wayside Theatre on Tour.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/wayside-theatre-on-tour.","Wayside Theatre was founded in the early 1960s by Leo M. Bernstein following his purchase of a former movie theatre located on Main Street in Middletown, Virginia. The company staged their first performance in 1963. In 1968, Gerald (Gerry) Slavet took over as Artistic Director, bringing with him an interest in working with local teachers to bring theatre into the classroom, which led to the formation of Wayside Theatre on Tour (WTOT). One of the most successful outreach programs in Wayside Theatre's history, WTOT brought professional theatrical performances, completely separate from the mainstage productions, into the local community, particularly to elementary schools. To emphasize the educational aspect of the program, teachers were provided with study guides to be used in their classrooms to prepare students for the performances and post-performance question and answer sessions. These study guides were initially developed and produced largely by the newly hired Director of Public Relations and Publicity Barbara Swink. All WTOT productions were cast with professional actors, many who had appeared on Broadway or with other professional theatre groups throughout the country, including actress Kathy Bates (credited as Bobo Bates) who performed with WTOT during the 1973 season. ","Slavet formally announced his intention to step down from his role as Artistic Director in early 1974, but agreed to stay on and assist with planning the upcoming season before handing over the role to his successor Lou Furman in 1975. Both WTOT and Wayside Theatre continued to operate for the next 40 years, with WTOT shifting focus from touring venues in the community to inviting school groups to attend performances at the physical theatre itself sometime in the early 2000s. In total, Wayside Theatre operated for 50 years, becoming the oldest professional theatre in Virigina, before financial troubles led to its sudden closing in 2013.","Processing completed by Meghan Glasbrenner in April 2024. Finding aid completed by Meghan Glasbrenner from April-May 2024.","The Special Collections Research Center holds other performing arts collections, including the  Garrick Players photograph collection  and the  Reston Players collection .","Two black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's  The Marriage Proposal . One photograph is of Artistic Director Gerry Slavet speaking to an audience of children and one is of the play's three actors, Gary Filsinger, Penny Lynn White, and Bill Wiley, in costume on the stage with a child from the audience.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Two black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's  The Marriage Proposal .","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Wayside Theatre","Wayside Theatre on Tour","Slavet, Gerald","English \n.    "],"unitid_tesim":["C0428","/repositories/2/resources/709"],"normalized_title_ssm":["Wayside Theatre on Tour photographs"],"collection_title_tesim":["Wayside Theatre on Tour photographs"],"collection_ssim":["Wayside Theatre on Tour photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Middletown (Va.)"],"geogname_ssim":["Middletown (Va.)"],"creator_ssm":["Wayside Theatre"],"creator_ssim":["Wayside Theatre"],"creator_corpname_ssim":["Wayside Theatre"],"creators_ssim":["Wayside Theatre"],"places_ssim":["Middletown (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Dr. James H. Laster in February 2019."],"access_subjects_ssim":["Theater -- United States","Performing arts","Theater","Photographs"],"access_subjects_ssm":["Theater -- United States","Performing arts","Theater","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Photographs"],"date_range_isim":[1972],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\"1968-1974: Slavet.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/19681974-slavet.\u003c/p\u003e\n","\u003cp\u003e\"Wayside Theatre.\" 2023. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Wayside_Theatre\u0026amp;oldid=1192795844#External_links.\u003c/p\u003e\n","\u003cp\u003e\"Wayside Theatre on Tour.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/wayside-theatre-on-tour.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"1968-1974: Slavet.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/19681974-slavet.","\"Wayside Theatre.\" 2023. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Wayside_Theatre\u0026oldid=1192795844#External_links.","\"Wayside Theatre on Tour.\" n.d. All About Wayside Theatre. Accessed May 1, 2024. https://www.allaboutwayside.com/wayside-theatre-on-tour."],"bioghist_html_tesm":["\u003cp\u003eWayside Theatre was founded in the early 1960s by Leo M. Bernstein following his purchase of a former movie theatre located on Main Street in Middletown, Virginia. The company staged their first performance in 1963. In 1968, Gerald (Gerry) Slavet took over as Artistic Director, bringing with him an interest in working with local teachers to bring theatre into the classroom, which led to the formation of Wayside Theatre on Tour (WTOT). One of the most successful outreach programs in Wayside Theatre's history, WTOT brought professional theatrical performances, completely separate from the mainstage productions, into the local community, particularly to elementary schools. To emphasize the educational aspect of the program, teachers were provided with study guides to be used in their classrooms to prepare students for the performances and post-performance question and answer sessions. These study guides were initially developed and produced largely by the newly hired Director of Public Relations and Publicity Barbara Swink. All WTOT productions were cast with professional actors, many who had appeared on Broadway or with other professional theatre groups throughout the country, including actress Kathy Bates (credited as Bobo Bates) who performed with WTOT during the 1973 season. \u003c/p\u003e\n","\u003cp\u003eSlavet formally announced his intention to step down from his role as Artistic Director in early 1974, but agreed to stay on and assist with planning the upcoming season before handing over the role to his successor Lou Furman in 1975. Both WTOT and Wayside Theatre continued to operate for the next 40 years, with WTOT shifting focus from touring venues in the community to inviting school groups to attend performances at the physical theatre itself sometime in the early 2000s. In total, Wayside Theatre operated for 50 years, becoming the oldest professional theatre in Virigina, before financial troubles led to its sudden closing in 2013.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Wayside Theatre was founded in the early 1960s by Leo M. Bernstein following his purchase of a former movie theatre located on Main Street in Middletown, Virginia. The company staged their first performance in 1963. In 1968, Gerald (Gerry) Slavet took over as Artistic Director, bringing with him an interest in working with local teachers to bring theatre into the classroom, which led to the formation of Wayside Theatre on Tour (WTOT). One of the most successful outreach programs in Wayside Theatre's history, WTOT brought professional theatrical performances, completely separate from the mainstage productions, into the local community, particularly to elementary schools. To emphasize the educational aspect of the program, teachers were provided with study guides to be used in their classrooms to prepare students for the performances and post-performance question and answer sessions. These study guides were initially developed and produced largely by the newly hired Director of Public Relations and Publicity Barbara Swink. All WTOT productions were cast with professional actors, many who had appeared on Broadway or with other professional theatre groups throughout the country, including actress Kathy Bates (credited as Bobo Bates) who performed with WTOT during the 1973 season. ","Slavet formally announced his intention to step down from his role as Artistic Director in early 1974, but agreed to stay on and assist with planning the upcoming season before handing over the role to his successor Lou Furman in 1975. Both WTOT and Wayside Theatre continued to operate for the next 40 years, with WTOT shifting focus from touring venues in the community to inviting school groups to attend performances at the physical theatre itself sometime in the early 2000s. In total, Wayside Theatre operated for 50 years, becoming the oldest professional theatre in Virigina, before financial troubles led to its sudden closing in 2013."],"prefercite_html_tesm":["\u003cp\u003eWayside Theatre on Tour photographs, C0428, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Wayside Theatre on Tour photographs, C0428, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2024. Finding aid completed by Meghan Glasbrenner from April-May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2024. Finding aid completed by Meghan Glasbrenner from April-May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0243\"\u003eGarrick Players photograph collection\u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0135\"\u003eReston Players collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including the  Garrick Players photograph collection  and the  Reston Players collection ."],"scopecontent_html_tesm":["\u003cp\u003eTwo black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's \u003ctitle\u003eThe Marriage Proposal\u003c/title\u003e. One photograph is of Artistic Director Gerry Slavet speaking to an audience of children and one is of the play's three actors, Gary Filsinger, Penny Lynn White, and Bill Wiley, in costume on the stage with a child from the audience.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Two black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's  The Marriage Proposal . One photograph is of Artistic Director Gerry Slavet speaking to an audience of children and one is of the play's three actors, Gary Filsinger, Penny Lynn White, and Bill Wiley, in costume on the stage with a child from the audience."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_471ebd220de4774e0fb523737953746c\"\u003eTwo black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's \u003ctitle\u003eThe Marriage Proposal\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["Two black and white photographs of Wayside Theatre on Tour (WTOT) taken during the post-performance talk of Anton Chekhov's  The Marriage Proposal ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ec61f487fb8379309b90f1a79136c541\"\u003eR 71, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 6"],"names_coll_ssim":["Wayside Theatre on Tour","Slavet, Gerald"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Wayside Theatre","Wayside Theatre on Tour","Slavet, Gerald"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Wayside Theatre","Wayside Theatre on Tour"],"persname_ssim":["Slavet, Gerald"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:18:40.577Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_709"}},{"id":"vifgm_repositories_2_resources_190","type":"collection","attributes":{"title":"Works Progress Administration oral histories collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190#creator","type":"document_value","attributes":{"value":"George Mason University. Institute on the Federal Theatre Project and New Deal Culture","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190#abstract_or_scope","type":"document_value","attributes":{"value":"Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190"}},{"id":"vifgm_repositories_2_resources_758","type":"collection","attributes":{"title":"World War II Prisoner of War camp collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_758#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_758#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_758","ead_ssi":"vifgm_repositories_2_resources_758","_root_":"vifgm_repositories_2_resources_758","_nest_parent_":"vifgm_repositories_2_resources_758","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_758.xml","title_filing_ssi":"World War II Prisoner of War camp collection","title_ssm":["World War II Prisoner of War camp collection"],"title_tesim":["World War II Prisoner of War camp collection"],"unitdate_ssm":["1915, circa 1940s-1950s"],"unitdate_inclusive_ssm":["1915, circa 1940s-1950s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0557","/repositories/2/resources/758"],"text":["C0557","/repositories/2/resources/758","World War II Prisoner of War camp collection","Germany","Naples (Italy)","World War, 1939-1945","World War, 1939-1945 -- Theater and the war","Performing arts","Theater","Creative writing","Prisoner-of-war camps","World War, 1939-1945 -- Prisoners and prisons","Correspondence","Photographs","Poetry","There are no access restrictions.","The collection is arranged by material type or function.","Traugott Steffler was born in 1893 in Glatz (Lower Silesia; now Kłotzko, Poland). After serving in World War I in the German army, he completed his theological studies and served as a Lutheran pastor in Lower Silesia. During World War II, he took leave from his parish to serve as a Major in the German army; being deployed on the Eastern front and in Italy, where he was captured and transferred to an American-run Prisoner of War camp near Naples, Italy. By 1947 he was released from the camp and resumed his duties as a pastor, now in Bielefeld, North Rhine-Westphalia. Steffler passed away in 1968.","Processing completed by Meghan Glasbrenner from July - August 2025. Finding aid completed by Meghan Glasbrenner in August 2025.","The Special Collections Research Center holds other collections related to  World War II , including the  John C. Becher Soldier Show collection .","A collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II (WWII). All of the materials are written in German, with the exception of a single financial receipt which has text is both English and German. The collection's poems and other writings were written by multiple authors, with some listing no author, and the single pencil sketch portrait is signed and dated 1945 and likely depicts Major Steffler.","The two scrapbooks that were gifted to Major Steffler feature photographs from camp theatre productions, many of which feature male prisoners cross-dressing for the women's roles. Each of these also include dedications to the \"Battalion Commander,\" with one indicating on the first page it was given as a Christmas and New Year's present. The other includes a dedication written inside the front cover indicating it was given in celebration of his \"55th\" birthday on March 14, 1946 (based on his date of birth this is likely an error as Steffler would only have been 53 in 1946). The additional loose photographs include more images of prisoners in theatrical costumes, as well as documenting daily life in the camp, including images of the prisoners working in a vineyard, and images of the life of German military officers during WWII, including formal military portraits. The collection also includes a single professional portrait of Steffler in his German World War I military uniform taken in 1915.","1945 notebook issued by Ecumenical Commission for the Pastoral Care of Soldiers and Lutheran Churches of America, inscribed by Major T. Steffler and includes a portrait of Major Steffler in military uniform dated 1943.","1946 notebook issued by the YMCA/CVJM","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II.","R 73, C 2, S 3","George Mason University. Libraries. Special Collections Research Center","German"],"unitid_tesim":["C0557","/repositories/2/resources/758"],"normalized_title_ssm":["World War II Prisoner of War camp collection"],"collection_title_tesim":["World War II Prisoner of War camp collection"],"collection_ssim":["World War II Prisoner of War camp collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany","Naples (Italy)"],"geogname_ssim":["Germany","Naples (Italy)"],"places_ssim":["Germany","Naples (Italy)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Dorothee Schubel in May 2024."],"access_subjects_ssim":["World War, 1939-1945","World War, 1939-1945 -- Theater and the war","Performing arts","Theater","Creative writing","Prisoner-of-war camps","World War, 1939-1945 -- Prisoners and prisons","Correspondence","Photographs","Poetry"],"access_subjects_ssm":["World War, 1939-1945","World War, 1939-1945 -- Theater and the war","Performing arts","Theater","Creative writing","Prisoner-of-war camps","World War, 1939-1945 -- Prisoners and prisons","Correspondence","Photographs","Poetry"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"genreform_ssim":["Correspondence","Photographs","Poetry"],"date_range_isim":[1915],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type or function.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type or function."],"bioghist_html_tesm":["\u003cp\u003eTraugott Steffler was born in 1893 in Glatz (Lower Silesia; now Kłotzko, Poland). After serving in World War I in the German army, he completed his theological studies and served as a Lutheran pastor in Lower Silesia. During World War II, he took leave from his parish to serve as a Major in the German army; being deployed on the Eastern front and in Italy, where he was captured and transferred to an American-run Prisoner of War camp near Naples, Italy. By 1947 he was released from the camp and resumed his duties as a pastor, now in Bielefeld, North Rhine-Westphalia. Steffler passed away in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Traugott Steffler was born in 1893 in Glatz (Lower Silesia; now Kłotzko, Poland). After serving in World War I in the German army, he completed his theological studies and served as a Lutheran pastor in Lower Silesia. During World War II, he took leave from his parish to serve as a Major in the German army; being deployed on the Eastern front and in Italy, where he was captured and transferred to an American-run Prisoner of War camp near Naples, Italy. By 1947 he was released from the camp and resumed his duties as a pastor, now in Bielefeld, North Rhine-Westphalia. Steffler passed away in 1968."],"prefercite_html_tesm":["\u003cp\u003eWorld War II Prisoner of War camp collection, C0557, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["World War II Prisoner of War camp collection, C0557, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner from July - August 2025. Finding aid completed by Meghan Glasbrenner in August 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner from July - August 2025. Finding aid completed by Meghan Glasbrenner in August 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148273\"\u003eWorld War II\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0090\"\u003eJohn C. Becher Soldier Show collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to  World War II , including the  John C. Becher Soldier Show collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II (WWII). All of the materials are written in German, with the exception of a single financial receipt which has text is both English and German. The collection's poems and other writings were written by multiple authors, with some listing no author, and the single pencil sketch portrait is signed and dated 1945 and likely depicts Major Steffler.\u003c/p\u003e\n","\u003cp\u003eThe two scrapbooks that were gifted to Major Steffler feature photographs from camp theatre productions, many of which feature male prisoners cross-dressing for the women's roles. Each of these also include dedications to the \"Battalion Commander,\" with one indicating on the first page it was given as a Christmas and New Year's present. The other includes a dedication written inside the front cover indicating it was given in celebration of his \"55th\" birthday on March 14, 1946 (based on his date of birth this is likely an error as Steffler would only have been 53 in 1946). The additional loose photographs include more images of prisoners in theatrical costumes, as well as documenting daily life in the camp, including images of the prisoners working in a vineyard, and images of the life of German military officers during WWII, including formal military portraits. The collection also includes a single professional portrait of Steffler in his German World War I military uniform taken in 1915.\u003c/p\u003e","\u003cp\u003e1945 notebook issued by Ecumenical Commission for the Pastoral Care of Soldiers and Lutheran Churches of America, inscribed by Major T. Steffler and includes a portrait of Major Steffler in military uniform dated 1943.\u003c/p\u003e\n","\u003cp\u003e1946 notebook issued by the YMCA/CVJM\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["A collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II (WWII). All of the materials are written in German, with the exception of a single financial receipt which has text is both English and German. The collection's poems and other writings were written by multiple authors, with some listing no author, and the single pencil sketch portrait is signed and dated 1945 and likely depicts Major Steffler.","The two scrapbooks that were gifted to Major Steffler feature photographs from camp theatre productions, many of which feature male prisoners cross-dressing for the women's roles. Each of these also include dedications to the \"Battalion Commander,\" with one indicating on the first page it was given as a Christmas and New Year's present. The other includes a dedication written inside the front cover indicating it was given in celebration of his \"55th\" birthday on March 14, 1946 (based on his date of birth this is likely an error as Steffler would only have been 53 in 1946). The additional loose photographs include more images of prisoners in theatrical costumes, as well as documenting daily life in the camp, including images of the prisoners working in a vineyard, and images of the life of German military officers during WWII, including formal military portraits. The collection also includes a single professional portrait of Steffler in his German World War I military uniform taken in 1915.","1945 notebook issued by Ecumenical Commission for the Pastoral Care of Soldiers and Lutheran Churches of America, inscribed by Major T. Steffler and includes a portrait of Major Steffler in military uniform dated 1943.","1946 notebook issued by the YMCA/CVJM"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_258f64da4b6a6e4296d219e46f080d56\"\u003eA collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II.\u003c/abstract\u003e"],"abstract_tesim":["A collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cc55b2fc0ac0f7b9949eebc829adb4da\"\u003eR 73, C 2, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 2, S 3"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:26:10.110Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_758","ead_ssi":"vifgm_repositories_2_resources_758","_root_":"vifgm_repositories_2_resources_758","_nest_parent_":"vifgm_repositories_2_resources_758","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_758.xml","title_filing_ssi":"World War II Prisoner of War camp collection","title_ssm":["World War II Prisoner of War camp collection"],"title_tesim":["World War II Prisoner of War camp collection"],"unitdate_ssm":["1915, circa 1940s-1950s"],"unitdate_inclusive_ssm":["1915, circa 1940s-1950s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0557","/repositories/2/resources/758"],"text":["C0557","/repositories/2/resources/758","World War II Prisoner of War camp collection","Germany","Naples (Italy)","World War, 1939-1945","World War, 1939-1945 -- Theater and the war","Performing arts","Theater","Creative writing","Prisoner-of-war camps","World War, 1939-1945 -- Prisoners and prisons","Correspondence","Photographs","Poetry","There are no access restrictions.","The collection is arranged by material type or function.","Traugott Steffler was born in 1893 in Glatz (Lower Silesia; now Kłotzko, Poland). After serving in World War I in the German army, he completed his theological studies and served as a Lutheran pastor in Lower Silesia. During World War II, he took leave from his parish to serve as a Major in the German army; being deployed on the Eastern front and in Italy, where he was captured and transferred to an American-run Prisoner of War camp near Naples, Italy. By 1947 he was released from the camp and resumed his duties as a pastor, now in Bielefeld, North Rhine-Westphalia. Steffler passed away in 1968.","Processing completed by Meghan Glasbrenner from July - August 2025. Finding aid completed by Meghan Glasbrenner in August 2025.","The Special Collections Research Center holds other collections related to  World War II , including the  John C. Becher Soldier Show collection .","A collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II (WWII). All of the materials are written in German, with the exception of a single financial receipt which has text is both English and German. The collection's poems and other writings were written by multiple authors, with some listing no author, and the single pencil sketch portrait is signed and dated 1945 and likely depicts Major Steffler.","The two scrapbooks that were gifted to Major Steffler feature photographs from camp theatre productions, many of which feature male prisoners cross-dressing for the women's roles. Each of these also include dedications to the \"Battalion Commander,\" with one indicating on the first page it was given as a Christmas and New Year's present. The other includes a dedication written inside the front cover indicating it was given in celebration of his \"55th\" birthday on March 14, 1946 (based on his date of birth this is likely an error as Steffler would only have been 53 in 1946). The additional loose photographs include more images of prisoners in theatrical costumes, as well as documenting daily life in the camp, including images of the prisoners working in a vineyard, and images of the life of German military officers during WWII, including formal military portraits. The collection also includes a single professional portrait of Steffler in his German World War I military uniform taken in 1915.","1945 notebook issued by Ecumenical Commission for the Pastoral Care of Soldiers and Lutheran Churches of America, inscribed by Major T. Steffler and includes a portrait of Major Steffler in military uniform dated 1943.","1946 notebook issued by the YMCA/CVJM","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II.","R 73, C 2, S 3","George Mason University. Libraries. 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After serving in World War I in the German army, he completed his theological studies and served as a Lutheran pastor in Lower Silesia. During World War II, he took leave from his parish to serve as a Major in the German army; being deployed on the Eastern front and in Italy, where he was captured and transferred to an American-run Prisoner of War camp near Naples, Italy. By 1947 he was released from the camp and resumed his duties as a pastor, now in Bielefeld, North Rhine-Westphalia. Steffler passed away in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Traugott Steffler was born in 1893 in Glatz (Lower Silesia; now Kłotzko, Poland). After serving in World War I in the German army, he completed his theological studies and served as a Lutheran pastor in Lower Silesia. During World War II, he took leave from his parish to serve as a Major in the German army; being deployed on the Eastern front and in Italy, where he was captured and transferred to an American-run Prisoner of War camp near Naples, Italy. By 1947 he was released from the camp and resumed his duties as a pastor, now in Bielefeld, North Rhine-Westphalia. Steffler passed away in 1968."],"prefercite_html_tesm":["\u003cp\u003eWorld War II Prisoner of War camp collection, C0557, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["World War II Prisoner of War camp collection, C0557, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner from July - August 2025. Finding aid completed by Meghan Glasbrenner in August 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner from July - August 2025. Finding aid completed by Meghan Glasbrenner in August 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148273\"\u003eWorld War II\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0090\"\u003eJohn C. Becher Soldier Show collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to  World War II , including the  John C. Becher Soldier Show collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II (WWII). All of the materials are written in German, with the exception of a single financial receipt which has text is both English and German. The collection's poems and other writings were written by multiple authors, with some listing no author, and the single pencil sketch portrait is signed and dated 1945 and likely depicts Major Steffler.\u003c/p\u003e\n","\u003cp\u003eThe two scrapbooks that were gifted to Major Steffler feature photographs from camp theatre productions, many of which feature male prisoners cross-dressing for the women's roles. Each of these also include dedications to the \"Battalion Commander,\" with one indicating on the first page it was given as a Christmas and New Year's present. The other includes a dedication written inside the front cover indicating it was given in celebration of his \"55th\" birthday on March 14, 1946 (based on his date of birth this is likely an error as Steffler would only have been 53 in 1946). The additional loose photographs include more images of prisoners in theatrical costumes, as well as documenting daily life in the camp, including images of the prisoners working in a vineyard, and images of the life of German military officers during WWII, including formal military portraits. The collection also includes a single professional portrait of Steffler in his German World War I military uniform taken in 1915.\u003c/p\u003e","\u003cp\u003e1945 notebook issued by Ecumenical Commission for the Pastoral Care of Soldiers and Lutheran Churches of America, inscribed by Major T. Steffler and includes a portrait of Major Steffler in military uniform dated 1943.\u003c/p\u003e\n","\u003cp\u003e1946 notebook issued by the YMCA/CVJM\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["A collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II (WWII). All of the materials are written in German, with the exception of a single financial receipt which has text is both English and German. The collection's poems and other writings were written by multiple authors, with some listing no author, and the single pencil sketch portrait is signed and dated 1945 and likely depicts Major Steffler.","The two scrapbooks that were gifted to Major Steffler feature photographs from camp theatre productions, many of which feature male prisoners cross-dressing for the women's roles. Each of these also include dedications to the \"Battalion Commander,\" with one indicating on the first page it was given as a Christmas and New Year's present. The other includes a dedication written inside the front cover indicating it was given in celebration of his \"55th\" birthday on March 14, 1946 (based on his date of birth this is likely an error as Steffler would only have been 53 in 1946). The additional loose photographs include more images of prisoners in theatrical costumes, as well as documenting daily life in the camp, including images of the prisoners working in a vineyard, and images of the life of German military officers during WWII, including formal military portraits. The collection also includes a single professional portrait of Steffler in his German World War I military uniform taken in 1915.","1945 notebook issued by Ecumenical Commission for the Pastoral Care of Soldiers and Lutheran Churches of America, inscribed by Major T. Steffler and includes a portrait of Major Steffler in military uniform dated 1943.","1946 notebook issued by the YMCA/CVJM"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_258f64da4b6a6e4296d219e46f080d56\"\u003eA collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II.\u003c/abstract\u003e"],"abstract_tesim":["A collection of photographs, scrapbooks, correspondence, newsletters, and other ephemera collected by German soldier Major Traugott Steffler primarily during his time in an American-run Prisoner-of-War camp near Naples, Italy following World War II."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cc55b2fc0ac0f7b9949eebc829adb4da\"\u003eR 73, C 2, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 2, S 3"],"names_ssim":["George Mason University. 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