{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=4","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=3","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=5","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=6"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":6,"limit_value":10,"offset_value":30,"total_count":58,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_767","type":"collection","attributes":{"title":"Lithograph of The Germania Musical Society","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#creator","type":"document_value","attributes":{"value":"Sarony \u0026 Major","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#abstract_or_scope","type":"document_value","attributes":{"value":"Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_767","ead_ssi":"vifgm_repositories_2_resources_767","_root_":"vifgm_repositories_2_resources_767","_nest_parent_":"vifgm_repositories_2_resources_767","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_767.xml","title_filing_ssi":"Lithograph of The Germania Musical Society","title_ssm":["Lithograph of The Germania Musical Society"],"title_tesim":["Lithograph of The Germania Musical Society"],"unitdate_ssm":["circa 1848-1850"],"unitdate_inclusive_ssm":["circa 1848-1850"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0542","/repositories/2/resources/767"],"text":["C0542","/repositories/2/resources/767","Lithograph of The Germania Musical Society","Lithography","Art","Music","Performing arts","There are no access restrictions.","This is a single item collection.","Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.","Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. 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Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.\u003c/p\u003e\n","\u003cp\u003e\"Sarony, Major \u0026amp; Knapp.\" n.d. \u003ctitle\u003eAmerican Historical Print Collectors Society (AHPCS)\u003c/title\u003e. Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. 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Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e"],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 27.2"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"corpname_ssim":["George Mason University. Libraries. 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The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.","Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.","Processing and finding aid completed by Meghan Glasbrenner in December 2025.","The Special Collections Research Center holds other pieces of lithography, such as the  \"La Navarraise\" opera scene and costume lithographs , and other  music  and  performing arts  collections.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.","Public Domain. There are no known restrictions.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","Map Case 27.2","George Mason University. Libraries. 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Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.\u003c/p\u003e\n","\u003cp\u003e\"Sarony, Major \u0026amp; Knapp.\" n.d. \u003ctitle\u003eAmerican Historical Print Collectors Society (AHPCS)\u003c/title\u003e. Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. 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The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026amp; Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.\u003c/p\u003e\n","\u003cp\u003eDating for the lithograph is based on the use of Sarony \u0026amp; Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e"],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 27.2"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"corpname_ssim":["George Mason University. Libraries. 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Editors of Encyclopaedia. \"Loie Fuller.\" Encyclopedia Britannica, accessed March 1, 2021. https://www.britannica.com/biography/Loie-Fuller.","Garelick, Rhonda K. \"Loie Fuller and the Serpentine,\" November 5, 2019. The Public Domain Review. Accessed March 1, 2021. https://publicdomainreview.org/essay/loie-fuller-and-the-serpentine.","Jones, Josh. \"Watch the Serpentine Dance, Created by the Pioneering Dancer Loie Fuller, Performed in an 1897 Film by the Lumière Brothers,\" November 12, 2019. Open Culture. Accessed March 1, 2021. https://www.openculture.com/2019/11/watch-the-serpentine-dance-created-by-the-pioneering-dancer-loie-fuller-performed-in-an-1897-film-by-the-lumiere-brothers.html.","Loie Fuller (sometimes spelled Loïe), born Marie Louise Fuller in 1862, was an American dancer and theatrical lighting innovator. Fuller's dance career began during toddlerhood with vaudeville performances, burlesque shows, and many other kinds of entertainment. As an adult Fuller was best known for her \"Serpentine Dance,\" her popular interpretation of vaudevillian \"skirt dances\" of the 1890s. With the \"Serpentine Dance\" Fuller utilized silk fabric and colored lighting to create evocative billows around herself as she danced, creating mesmerizing shapes. In addition to her choreography, Fuller patented numerous theatrical lighting techniques in order to achieve the look she desired for her performances, and some of her innovations persist to this day. Fuller was one of the most popular dancers of  the Fin de Siècle era and is often considered the personification of the Art Nouveau movement. She spent the majority of her career in Paris, France, first performing to great acclaim at the Folies-Bergère and eventually creating her own dance company. Fuller was also an out lesbian - something practically unheard of during the time - and her romantic partner of three decades Gab Sorère also served as her professional partner, inheriting Fuller's dance company when she passed away in 1928.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215","The Special Collections Research Center also holds other materials related to modern dance and the performing arts.","The New York Public Library, Archives \u0026 Manuscripts Division holds the   and the  .","A cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s in Glasgow, Scotland. The photograph features Loie seated from the waist up, dressed finely for the time, smiling and staring straight into camera. The photograph was taken by Langfier, Louis, \u0026 Co. of 202 Hope St., Glasgow, Scotland. The studio information is on the bottom of the card. There are two inscriptions on the card. The first on the front of the card reads \"LA=Loie=Fuller.\" The second, on the verso, reads \"3/16 Loie Fuller / bailarina[.]\" \"Bailarina\" means \"dancer\" in Spanish.","Also included in the collection is a one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924. The program, written in French, gives information on the performance, including musical pieces and who will be dancing to them. The performance is titled \"Danses d'Ombres et de Lumières,\" which translates to \"Dances of Shadows and Lights.\" ","Public Domain. There are no known restrictions.","Cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s, and one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924, written in French.","R 72, C 3, S 5","George Mason University. 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There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music in October 2009."],"access_subjects_ssim":["Art nouveau","Dance","Modern dance","Performing arts"],"access_subjects_ssm":["Art nouveau","Dance","Modern dance","Performing arts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 2 items"],"extent_tesim":[".01 Linear Feet 2 items"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. 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Editors of Encyclopaedia. \"Loie Fuller.\" Encyclopedia Britannica, accessed March 1, 2021. https://www.britannica.com/biography/Loie-Fuller.","Garelick, Rhonda K. \"Loie Fuller and the Serpentine,\" November 5, 2019. The Public Domain Review. Accessed March 1, 2021. https://publicdomainreview.org/essay/loie-fuller-and-the-serpentine.","Jones, Josh. \"Watch the Serpentine Dance, Created by the Pioneering Dancer Loie Fuller, Performed in an 1897 Film by the Lumière Brothers,\" November 12, 2019. Open Culture. Accessed March 1, 2021. https://www.openculture.com/2019/11/watch-the-serpentine-dance-created-by-the-pioneering-dancer-loie-fuller-performed-in-an-1897-film-by-the-lumiere-brothers.html."],"bioghist_html_tesm":["\u003cp\u003eLoie Fuller (sometimes spelled Loïe), born Marie Louise Fuller in 1862, was an American dancer and theatrical lighting innovator. Fuller's dance career began during toddlerhood with vaudeville performances, burlesque shows, and many other kinds of entertainment. As an adult Fuller was best known for her \"Serpentine Dance,\" her popular interpretation of vaudevillian \"skirt dances\" of the 1890s. With the \"Serpentine Dance\" Fuller utilized silk fabric and colored lighting to create evocative billows around herself as she danced, creating mesmerizing shapes. In addition to her choreography, Fuller patented numerous theatrical lighting techniques in order to achieve the look she desired for her performances, and some of her innovations persist to this day. Fuller was one of the most popular dancers of  the Fin de Siècle era and is often considered the personification of the Art Nouveau movement. She spent the majority of her career in Paris, France, first performing to great acclaim at the Folies-Bergère and eventually creating her own dance company. Fuller was also an out lesbian - something practically unheard of during the time - and her romantic partner of three decades Gab Sorère also served as her professional partner, inheriting Fuller's dance company when she passed away in 1928.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Loie Fuller (sometimes spelled Loïe), born Marie Louise Fuller in 1862, was an American dancer and theatrical lighting innovator. Fuller's dance career began during toddlerhood with vaudeville performances, burlesque shows, and many other kinds of entertainment. As an adult Fuller was best known for her \"Serpentine Dance,\" her popular interpretation of vaudevillian \"skirt dances\" of the 1890s. With the \"Serpentine Dance\" Fuller utilized silk fabric and colored lighting to create evocative billows around herself as she danced, creating mesmerizing shapes. In addition to her choreography, Fuller patented numerous theatrical lighting techniques in order to achieve the look she desired for her performances, and some of her innovations persist to this day. Fuller was one of the most popular dancers of  the Fin de Siècle era and is often considered the personification of the Art Nouveau movement. She spent the majority of her career in Paris, France, first performing to great acclaim at the Folies-Bergère and eventually creating her own dance company. Fuller was also an out lesbian - something practically unheard of during the time - and her romantic partner of three decades Gab Sorère also served as her professional partner, inheriting Fuller's dance company when she passed away in 1928."],"prefercite_html_tesm":["\u003cp\u003eLoie Fuller cabinet card photograph and dance program, C0469, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Loie Fuller cabinet card photograph and dance program, C0469, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other materials related to modern dance and the performing arts.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Archives \u0026amp; Manuscripts Division holds the \u003cextptr show=\"new\" title=\"Loie Fuller collection\" href=\"https://archives.nypl.org/dan/19645\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Loie Fuller papers\" href=\"https://archives.nypl.org/dan/19638\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other materials related to modern dance and the performing arts.","The New York Public Library, Archives \u0026 Manuscripts Division holds the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eA cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s in Glasgow, Scotland. The photograph features Loie seated from the waist up, dressed finely for the time, smiling and staring straight into camera. The photograph was taken by Langfier, Louis, \u0026amp; Co. of 202 Hope St., Glasgow, Scotland. The studio information is on the bottom of the card. There are two inscriptions on the card. The first on the front of the card reads \"LA=Loie=Fuller.\" The second, on the verso, reads \"3/16 Loie Fuller / bailarina[.]\" \"Bailarina\" means \"dancer\" in Spanish.\u003c/p\u003e\n","\u003cp\u003eAlso included in the collection is a one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924. The program, written in French, gives information on the performance, including musical pieces and who will be dancing to them. The performance is titled \"Danses d'Ombres et de Lumières,\" which translates to \"Dances of Shadows and Lights.\" \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s in Glasgow, Scotland. The photograph features Loie seated from the waist up, dressed finely for the time, smiling and staring straight into camera. The photograph was taken by Langfier, Louis, \u0026 Co. of 202 Hope St., Glasgow, Scotland. The studio information is on the bottom of the card. There are two inscriptions on the card. The first on the front of the card reads \"LA=Loie=Fuller.\" The second, on the verso, reads \"3/16 Loie Fuller / bailarina[.]\" \"Bailarina\" means \"dancer\" in Spanish.","Also included in the collection is a one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924. The program, written in French, gives information on the performance, including musical pieces and who will be dancing to them. The performance is titled \"Danses d'Ombres et de Lumières,\" which translates to \"Dances of Shadows and Lights.\" "],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_029444acfe56314772e665ef7f14e5b1\" label=\"Abstract\"\u003eCabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s, and one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924, written in French.\u003c/abstract\u003e"],"abstract_tesim":["Cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s, and one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924, written in French."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e38f93371531d8f88581de8b3e45b724\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Fuller, Loie, 1862-1928"],"corpname_ssim":["George Mason University. Libraries. 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Editors of Encyclopaedia. \"Loie Fuller.\" Encyclopedia Britannica, accessed March 1, 2021. https://www.britannica.com/biography/Loie-Fuller.","Garelick, Rhonda K. \"Loie Fuller and the Serpentine,\" November 5, 2019. The Public Domain Review. Accessed March 1, 2021. https://publicdomainreview.org/essay/loie-fuller-and-the-serpentine.","Jones, Josh. \"Watch the Serpentine Dance, Created by the Pioneering Dancer Loie Fuller, Performed in an 1897 Film by the Lumière Brothers,\" November 12, 2019. Open Culture. Accessed March 1, 2021. https://www.openculture.com/2019/11/watch-the-serpentine-dance-created-by-the-pioneering-dancer-loie-fuller-performed-in-an-1897-film-by-the-lumiere-brothers.html.","Loie Fuller (sometimes spelled Loïe), born Marie Louise Fuller in 1862, was an American dancer and theatrical lighting innovator. Fuller's dance career began during toddlerhood with vaudeville performances, burlesque shows, and many other kinds of entertainment. As an adult Fuller was best known for her \"Serpentine Dance,\" her popular interpretation of vaudevillian \"skirt dances\" of the 1890s. With the \"Serpentine Dance\" Fuller utilized silk fabric and colored lighting to create evocative billows around herself as she danced, creating mesmerizing shapes. In addition to her choreography, Fuller patented numerous theatrical lighting techniques in order to achieve the look she desired for her performances, and some of her innovations persist to this day. Fuller was one of the most popular dancers of  the Fin de Siècle era and is often considered the personification of the Art Nouveau movement. She spent the majority of her career in Paris, France, first performing to great acclaim at the Folies-Bergère and eventually creating her own dance company. Fuller was also an out lesbian - something practically unheard of during the time - and her romantic partner of three decades Gab Sorère also served as her professional partner, inheriting Fuller's dance company when she passed away in 1928.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215","The Special Collections Research Center also holds other materials related to modern dance and the performing arts.","The New York Public Library, Archives \u0026 Manuscripts Division holds the   and the  .","A cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s in Glasgow, Scotland. The photograph features Loie seated from the waist up, dressed finely for the time, smiling and staring straight into camera. The photograph was taken by Langfier, Louis, \u0026 Co. of 202 Hope St., Glasgow, Scotland. The studio information is on the bottom of the card. There are two inscriptions on the card. The first on the front of the card reads \"LA=Loie=Fuller.\" The second, on the verso, reads \"3/16 Loie Fuller / bailarina[.]\" \"Bailarina\" means \"dancer\" in Spanish.","Also included in the collection is a one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924. The program, written in French, gives information on the performance, including musical pieces and who will be dancing to them. The performance is titled \"Danses d'Ombres et de Lumières,\" which translates to \"Dances of Shadows and Lights.\" ","Public Domain. There are no known restrictions.","Cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s, and one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924, written in French.","R 72, C 3, S 5","George Mason University. 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Editors of Encyclopaedia. \"Loie Fuller.\" Encyclopedia Britannica, accessed March 1, 2021. https://www.britannica.com/biography/Loie-Fuller.","Garelick, Rhonda K. \"Loie Fuller and the Serpentine,\" November 5, 2019. The Public Domain Review. Accessed March 1, 2021. https://publicdomainreview.org/essay/loie-fuller-and-the-serpentine.","Jones, Josh. \"Watch the Serpentine Dance, Created by the Pioneering Dancer Loie Fuller, Performed in an 1897 Film by the Lumière Brothers,\" November 12, 2019. Open Culture. Accessed March 1, 2021. https://www.openculture.com/2019/11/watch-the-serpentine-dance-created-by-the-pioneering-dancer-loie-fuller-performed-in-an-1897-film-by-the-lumiere-brothers.html."],"bioghist_html_tesm":["\u003cp\u003eLoie Fuller (sometimes spelled Loïe), born Marie Louise Fuller in 1862, was an American dancer and theatrical lighting innovator. Fuller's dance career began during toddlerhood with vaudeville performances, burlesque shows, and many other kinds of entertainment. As an adult Fuller was best known for her \"Serpentine Dance,\" her popular interpretation of vaudevillian \"skirt dances\" of the 1890s. With the \"Serpentine Dance\" Fuller utilized silk fabric and colored lighting to create evocative billows around herself as she danced, creating mesmerizing shapes. In addition to her choreography, Fuller patented numerous theatrical lighting techniques in order to achieve the look she desired for her performances, and some of her innovations persist to this day. Fuller was one of the most popular dancers of  the Fin de Siècle era and is often considered the personification of the Art Nouveau movement. She spent the majority of her career in Paris, France, first performing to great acclaim at the Folies-Bergère and eventually creating her own dance company. Fuller was also an out lesbian - something practically unheard of during the time - and her romantic partner of three decades Gab Sorère also served as her professional partner, inheriting Fuller's dance company when she passed away in 1928.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Loie Fuller (sometimes spelled Loïe), born Marie Louise Fuller in 1862, was an American dancer and theatrical lighting innovator. Fuller's dance career began during toddlerhood with vaudeville performances, burlesque shows, and many other kinds of entertainment. As an adult Fuller was best known for her \"Serpentine Dance,\" her popular interpretation of vaudevillian \"skirt dances\" of the 1890s. With the \"Serpentine Dance\" Fuller utilized silk fabric and colored lighting to create evocative billows around herself as she danced, creating mesmerizing shapes. In addition to her choreography, Fuller patented numerous theatrical lighting techniques in order to achieve the look she desired for her performances, and some of her innovations persist to this day. Fuller was one of the most popular dancers of  the Fin de Siècle era and is often considered the personification of the Art Nouveau movement. She spent the majority of her career in Paris, France, first performing to great acclaim at the Folies-Bergère and eventually creating her own dance company. Fuller was also an out lesbian - something practically unheard of during the time - and her romantic partner of three decades Gab Sorère also served as her professional partner, inheriting Fuller's dance company when she passed away in 1928."],"prefercite_html_tesm":["\u003cp\u003eLoie Fuller cabinet card photograph and dance program, C0469, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Loie Fuller cabinet card photograph and dance program, C0469, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other materials related to modern dance and the performing arts.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Archives \u0026amp; Manuscripts Division holds the \u003cextptr show=\"new\" title=\"Loie Fuller collection\" href=\"https://archives.nypl.org/dan/19645\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Loie Fuller papers\" href=\"https://archives.nypl.org/dan/19638\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other materials related to modern dance and the performing arts.","The New York Public Library, Archives \u0026 Manuscripts Division holds the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eA cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s in Glasgow, Scotland. The photograph features Loie seated from the waist up, dressed finely for the time, smiling and staring straight into camera. The photograph was taken by Langfier, Louis, \u0026amp; Co. of 202 Hope St., Glasgow, Scotland. The studio information is on the bottom of the card. There are two inscriptions on the card. The first on the front of the card reads \"LA=Loie=Fuller.\" The second, on the verso, reads \"3/16 Loie Fuller / bailarina[.]\" \"Bailarina\" means \"dancer\" in Spanish.\u003c/p\u003e\n","\u003cp\u003eAlso included in the collection is a one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924. The program, written in French, gives information on the performance, including musical pieces and who will be dancing to them. The performance is titled \"Danses d'Ombres et de Lumières,\" which translates to \"Dances of Shadows and Lights.\" \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s in Glasgow, Scotland. The photograph features Loie seated from the waist up, dressed finely for the time, smiling and staring straight into camera. The photograph was taken by Langfier, Louis, \u0026 Co. of 202 Hope St., Glasgow, Scotland. The studio information is on the bottom of the card. There are two inscriptions on the card. The first on the front of the card reads \"LA=Loie=Fuller.\" The second, on the verso, reads \"3/16 Loie Fuller / bailarina[.]\" \"Bailarina\" means \"dancer\" in Spanish.","Also included in the collection is a one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924. The program, written in French, gives information on the performance, including musical pieces and who will be dancing to them. The performance is titled \"Danses d'Ombres et de Lumières,\" which translates to \"Dances of Shadows and Lights.\" "],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_029444acfe56314772e665ef7f14e5b1\" label=\"Abstract\"\u003eCabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s, and one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924, written in French.\u003c/abstract\u003e"],"abstract_tesim":["Cabinet card photograph of the dancer Loie Fuller, taken circa mid-1890s, and one-sided program from a dance performance by Fuller's dance troupe at the Union Interalliée club in Paris on July 8, 1924, written in French."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e38f93371531d8f88581de8b3e45b724\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Fuller, Loie, 1862-1928"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Fuller, Loie, 1862-1928"],"persname_ssim":["Fuller, Loie, 1862-1928"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_538"}},{"id":"vifgm_repositories_2_resources_691","type":"collection","attributes":{"title":"Mary Lavigne programs collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#creator","type":"document_value","attributes":{"value":"Lavigne, Mary","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691"}},{"id":"vifgm_repositories_2_resources_616","type":"collection","attributes":{"title":"Mecca  by Oscar Asche musical program","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_616#abstract_or_scope","type":"document_value","attributes":{"value":"Content warning: orientalism and racist content. A program for the musical \u003cspan\u003eMecca\u003c/span\u003e (also known as \u003cspan\u003eCairo\u003c/span\u003e) by Oscar Asche, 1920.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_616#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_616","ead_ssi":"vifgm_repositories_2_resources_616","_root_":"vifgm_repositories_2_resources_616","_nest_parent_":"vifgm_repositories_2_resources_616","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_616.xml","title_ssm":["Mecca  by Oscar Asche musical program"],"title_tesim":["Mecca  by Oscar Asche musical program"],"unitdate_ssm":["1920"],"unitdate_other_ssim":["1920"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0392"],"text":["C0392","Mecca  by Oscar Asche musical program","Performing arts","Musical Theater","Orientalism","There are no access restrictions.","This is a single item collection.","\"Cables: SENSATIONAL RUN OF \"CHU\" ENDING.\" Variety (Archive: 1905-2000), Jul 22, 1921, 2, http://mutex.gmu.edu/login?url=https://www.proquest.com/magazines/cables-sensational-run-chu-ending/docview/1475658753/se-2?accountid=14541.","Mecca  - known as  Cairo  in England - was a 1920 Broadway musical written by Oscar Asche. Asche was an American actor, mainly known for brown and yellow face roles in plays such as the titular character in  Othello  and Hajj in  Kismet , which was written for Asche. Eventually Asche turned to theatre managing in addition to acting, which led to his huge theatrical hit  Chu Chin Chow , which broke theatrical records and held over 2,200 performances over five years in London, England. Following the success of  Chu Chin Chow , Asche wrote  Mecca , which premiered at the Century Theatre in New York City, but was met with much less acclaim.","Processing and finding aid completed by Amanda Brent in June 2022.","The Special Collections Research Center holds many other collections and materials on American musical theatre, including the  , the  , and the  .","Content warning: orientalism and racist content.","A program for the 1920 musical  Mecca  (also known as  Cairo ) by Oscar Asche. The cover of the program is embossed with the title, \"Century Theatre New York\" and an image of men riding camels in the desert. The program contains a short novelization of the musical's plot by William A. Page and illustrated color plates of scenes by Carl Link. Both story and illustrations are highly orientalist in subject and tone.","Public Domain. There are no known restrictions.","Content warning: orientalism and racist content.\n\nA program for the musical  Mecca  (also known as  Cairo ) by Oscar Asche, 1920.","R 72, C 3, S 4","George Mason University. Libraries. Special Collections Research Center","English \n.    "],"unitid_tesim":["C0392"],"normalized_title_ssm":["Mecca  by Oscar Asche musical program"],"collection_title_tesim":["Mecca  by Oscar Asche musical program"],"collection_ssim":["Mecca  by Oscar Asche musical program"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Performing arts","Musical Theater","Orientalism"],"access_subjects_ssm":["Performing arts","Musical Theater","Orientalism"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1920],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Cables: SENSATIONAL RUN OF \"CHU\" ENDING.\" Variety (Archive: 1905-2000), Jul 22, 1921, 2, http://mutex.gmu.edu/login?url=https://www.proquest.com/magazines/cables-sensational-run-chu-ending/docview/1475658753/se-2?accountid=14541.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Cables: SENSATIONAL RUN OF \"CHU\" ENDING.\" Variety (Archive: 1905-2000), Jul 22, 1921, 2, http://mutex.gmu.edu/login?url=https://www.proquest.com/magazines/cables-sensational-run-chu-ending/docview/1475658753/se-2?accountid=14541."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eMecca\u003c/title\u003e - known as \u003ctitle\u003eCairo\u003c/title\u003e in England - was a 1920 Broadway musical written by Oscar Asche. Asche was an American actor, mainly known for brown and yellow face roles in plays such as the titular character in \u003ctitle\u003eOthello\u003c/title\u003e and Hajj in \u003ctitle\u003eKismet\u003c/title\u003e, which was written for Asche. Eventually Asche turned to theatre managing in addition to acting, which led to his huge theatrical hit \u003ctitle\u003eChu Chin Chow\u003c/title\u003e, which broke theatrical records and held over 2,200 performances over five years in London, England. Following the success of \u003ctitle\u003eChu Chin Chow\u003c/title\u003e, Asche wrote \u003ctitle\u003eMecca\u003c/title\u003e, which premiered at the Century Theatre in New York City, but was met with much less acclaim.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Mecca  - known as  Cairo  in England - was a 1920 Broadway musical written by Oscar Asche. Asche was an American actor, mainly known for brown and yellow face roles in plays such as the titular character in  Othello  and Hajj in  Kismet , which was written for Asche. Eventually Asche turned to theatre managing in addition to acting, which led to his huge theatrical hit  Chu Chin Chow , which broke theatrical records and held over 2,200 performances over five years in London, England. Following the success of  Chu Chin Chow , Asche wrote  Mecca , which premiered at the Century Theatre in New York City, but was met with much less acclaim."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eMecca\u003c/title\u003e by Oscar Asche musical program, C0392, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mecca  by Oscar Asche musical program, C0392, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Brent in June 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Brent in June 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on American musical theatre, including the \u003cextptr show=\"new\" title=\"'My Maryland' operetta stage guide and score manuscripts\" href=\"https://aspace.gmu.edu/resources/c0487\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Broadway souvenir theatre programs\" href=\"https://aspace.gmu.edu/resources/c0182\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/resources/c0184\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on American musical theatre, including the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: orientalism and racist content.\u003c/p\u003e\n","\u003cp\u003eA program for the 1920 musical \u003ctitle\u003eMecca\u003c/title\u003e (also known as \u003ctitle\u003eCairo\u003c/title\u003e) by Oscar Asche. The cover of the program is embossed with the title, \"Century Theatre New York\" and an image of men riding camels in the desert. The program contains a short novelization of the musical's plot by William A. Page and illustrated color plates of scenes by Carl Link. Both story and illustrations are highly orientalist in subject and tone.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: orientalism and racist content.","A program for the 1920 musical  Mecca  (also known as  Cairo ) by Oscar Asche. The cover of the program is embossed with the title, \"Century Theatre New York\" and an image of men riding camels in the desert. The program contains a short novelization of the musical's plot by William A. Page and illustrated color plates of scenes by Carl Link. Both story and illustrations are highly orientalist in subject and tone."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b0298cb4eeddf97d87327b9c24e9f3c0\"\u003eContent warning: orientalism and racist content.\n\nA program for the musical \u003ctitle\u003eMecca\u003c/title\u003e (also known as \u003ctitle\u003eCairo\u003c/title\u003e) by Oscar Asche, 1920.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: orientalism and racist content.\n\nA program for the musical  Mecca  (also known as  Cairo ) by Oscar Asche, 1920."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b2a76b031be6048dd4e33b967316ee06\"\u003eR 72, C 3, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. 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Asche was an American actor, mainly known for brown and yellow face roles in plays such as the titular character in  Othello  and Hajj in  Kismet , which was written for Asche. Eventually Asche turned to theatre managing in addition to acting, which led to his huge theatrical hit  Chu Chin Chow , which broke theatrical records and held over 2,200 performances over five years in London, England. Following the success of  Chu Chin Chow , Asche wrote  Mecca , which premiered at the Century Theatre in New York City, but was met with much less acclaim.","Processing and finding aid completed by Amanda Brent in June 2022.","The Special Collections Research Center holds many other collections and materials on American musical theatre, including the  , the  , and the  .","Content warning: orientalism and racist content.","A program for the 1920 musical  Mecca  (also known as  Cairo ) by Oscar Asche. 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There are no known restrictions."],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Performing arts","Musical Theater","Orientalism"],"access_subjects_ssm":["Performing arts","Musical Theater","Orientalism"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1920],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Cables: SENSATIONAL RUN OF \"CHU\" ENDING.\" Variety (Archive: 1905-2000), Jul 22, 1921, 2, http://mutex.gmu.edu/login?url=https://www.proquest.com/magazines/cables-sensational-run-chu-ending/docview/1475658753/se-2?accountid=14541.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Cables: SENSATIONAL RUN OF \"CHU\" ENDING.\" Variety (Archive: 1905-2000), Jul 22, 1921, 2, http://mutex.gmu.edu/login?url=https://www.proquest.com/magazines/cables-sensational-run-chu-ending/docview/1475658753/se-2?accountid=14541."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eMecca\u003c/title\u003e - known as \u003ctitle\u003eCairo\u003c/title\u003e in England - was a 1920 Broadway musical written by Oscar Asche. Asche was an American actor, mainly known for brown and yellow face roles in plays such as the titular character in \u003ctitle\u003eOthello\u003c/title\u003e and Hajj in \u003ctitle\u003eKismet\u003c/title\u003e, which was written for Asche. Eventually Asche turned to theatre managing in addition to acting, which led to his huge theatrical hit \u003ctitle\u003eChu Chin Chow\u003c/title\u003e, which broke theatrical records and held over 2,200 performances over five years in London, England. Following the success of \u003ctitle\u003eChu Chin Chow\u003c/title\u003e, Asche wrote \u003ctitle\u003eMecca\u003c/title\u003e, which premiered at the Century Theatre in New York City, but was met with much less acclaim.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Mecca  - known as  Cairo  in England - was a 1920 Broadway musical written by Oscar Asche. Asche was an American actor, mainly known for brown and yellow face roles in plays such as the titular character in  Othello  and Hajj in  Kismet , which was written for Asche. Eventually Asche turned to theatre managing in addition to acting, which led to his huge theatrical hit  Chu Chin Chow , which broke theatrical records and held over 2,200 performances over five years in London, England. Following the success of  Chu Chin Chow , Asche wrote  Mecca , which premiered at the Century Theatre in New York City, but was met with much less acclaim."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eMecca\u003c/title\u003e by Oscar Asche musical program, C0392, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mecca  by Oscar Asche musical program, C0392, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Brent in June 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Brent in June 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on American musical theatre, including the \u003cextptr show=\"new\" title=\"'My Maryland' operetta stage guide and score manuscripts\" href=\"https://aspace.gmu.edu/resources/c0487\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Broadway souvenir theatre programs\" href=\"https://aspace.gmu.edu/resources/c0182\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/resources/c0184\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on American musical theatre, including the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: orientalism and racist content.\u003c/p\u003e\n","\u003cp\u003eA program for the 1920 musical \u003ctitle\u003eMecca\u003c/title\u003e (also known as \u003ctitle\u003eCairo\u003c/title\u003e) by Oscar Asche. The cover of the program is embossed with the title, \"Century Theatre New York\" and an image of men riding camels in the desert. The program contains a short novelization of the musical's plot by William A. Page and illustrated color plates of scenes by Carl Link. Both story and illustrations are highly orientalist in subject and tone.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: orientalism and racist content.","A program for the 1920 musical  Mecca  (also known as  Cairo ) by Oscar Asche. The cover of the program is embossed with the title, \"Century Theatre New York\" and an image of men riding camels in the desert. The program contains a short novelization of the musical's plot by William A. Page and illustrated color plates of scenes by Carl Link. Both story and illustrations are highly orientalist in subject and tone."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b0298cb4eeddf97d87327b9c24e9f3c0\"\u003eContent warning: orientalism and racist content.\n\nA program for the musical \u003ctitle\u003eMecca\u003c/title\u003e (also known as \u003ctitle\u003eCairo\u003c/title\u003e) by Oscar Asche, 1920.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: orientalism and racist content.\n\nA program for the musical  Mecca  (also known as  Cairo ) by Oscar Asche, 1920."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b2a76b031be6048dd4e33b967316ee06\"\u003eR 72, C 3, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:15.553Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_616"}},{"id":"vifgm_repositories_2_resources_180","type":"collection","attributes":{"title":"Mildred Davenport dance ephemera collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_180#creator","type":"document_value","attributes":{"value":"Davenport, Mildred, 1900-1990","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_180#abstract_or_scope","type":"document_value","attributes":{"value":"Content warning: outdated racial language to describe African Americans. Three programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport, 1936 - 1940.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_180#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_180","ead_ssi":"vifgm_repositories_2_resources_180","_root_":"vifgm_repositories_2_resources_180","_nest_parent_":"vifgm_repositories_2_resources_180","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_180.xml","title_ssm":["Mildred Davenport dance ephemera collection"],"title_tesim":["Mildred Davenport dance ephemera collection"],"unitdate_ssm":["1936 - 1940"],"unitdate_inclusive_ssm":["1936 - 1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0189","/repositories/2/resources/180"],"text":["C0189","/repositories/2/resources/180","Mildred Davenport dance ephemera collection","African Americans","Dance -- United States","Performing arts","Dance","African American women","Theater programs","There are no access restrictions.","This is a single folder collection.","Gilson, Grace. \"Mildred Davenport was a force on the stage and the war front,\" February 6, 2022. Boston Globe. Accessed January 5, 2022. https://www.bostonglobe.com/2022/02/06/metro/mildred-davenport-was-force-stage-war-front/.","Mildred Davenport was an African American dancer and instructor of dance. Born in 1900, the main portion of Davenport's career took place in Massachusetts, specifically the Boston area. Davenport danced in many shows and reviews throughout her career, including shows on Broadway, and eventually ran two studios, the Davenport School of Dance and Silver Box Studio. Her dance career ended when she enrolled in the Women's Auxiliary Army Corps during World War II, making her one of the first Black women in the Corps (Gilson). Davenport's later life was dedicated to civic service to the Black community of Boston. Davenport passed away in 1990.","Processing and finding aid completed by Amanda Menjivar in January 2023.","The Special Collections Research Center holds many other collections on ","\nSpecial Collections and Archives, University of California, Irvine holds the ","\nUniversity Archives and Special Collections at the University of Massachusetts Boston holds the ","Content warning: outdated racial language to describe African Americans.","Three programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport. ","The first program, dated circa May 29, 1936, is titled \"Annual May Pageant and Dance of Miss Mildred Davenport and Pupils in 'The Feast of Apollo' and Divertissements.\" The performance was held at Brattle Hall in Cambridge, Massachusetts. The cover features a headshot of Davenport in 1930s dance costume.","The second program, dated May 26, 1939, is titled \"Twentieth Anniversary Souvenir Programme Booklet of Mildred Davenport and her Pupils - Bronze Rhapsody of 1939.\" The performance was held at Jordan Hall in Boston, Massachusetts, one of the premiere classical performance venues in the area. Inside the program are pictures of Davenport's students of varying ages, from elementary school age to young adult.","The third program, dated May 24, 1940, is titled \"Bronze Rhapsody of 1940.\" The performance was held at Jordan Hall in Boston, Massachusetts. Davenport and students from her dance studio, Davenport School of Dance, performed.","The pamphlet, titled \"Mildred Davenport Evangelist of the Dance,\" promotes Davenport's teaching at her dance studio. The cover features an Art Deco photograph/illustration collage of her mid-dance, and a short biography and credentials are provided inside. 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Her dance career ended when she enrolled in the Women's Auxiliary Army Corps during World War II, making her one of the first Black women in the Corps (Gilson). Davenport's later life was dedicated to civic service to the Black community of Boston. Davenport passed away in 1990.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Mildred Davenport was an African American dancer and instructor of dance. Born in 1900, the main portion of Davenport's career took place in Massachusetts, specifically the Boston area. Davenport danced in many shows and reviews throughout her career, including shows on Broadway, and eventually ran two studios, the Davenport School of Dance and Silver Box Studio. Her dance career ended when she enrolled in the Women's Auxiliary Army Corps during World War II, making her one of the first Black women in the Corps (Gilson). Davenport's later life was dedicated to civic service to the Black community of Boston. Davenport passed away in 1990."],"prefercite_html_tesm":["\u003cp\u003eMildred Davenport dance ephemera collection, C0189, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mildred Davenport dance ephemera collection, C0189, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Menjivar in January 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Menjivar in January 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on \u003cextptr show=\"new\" title=\"dance and the performing arts.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=dance\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nSpecial Collections and Archives, University of California, Irvine holds the \u003cextptr show=\"new\" title=\"Mildred Davenport dance programs and dance school materials.\" href=\"https://oac.cdlib.org/findaid/ark:/13030/tf4s200680/entire_text/%20\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nUniversity Archives and Special Collections at the University of Massachusetts Boston holds the \u003cextptr show=\"new\" title=\"Mildred Davenport papers.\" href=\"https://openarchives.umb.edu/digital/collection/p15774coll8/id/477/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on ","\nSpecial Collections and Archives, University of California, Irvine holds the ","\nUniversity Archives and Special Collections at the University of Massachusetts Boston holds the "],"scopecontent_html_tesm":["\u003cp\u003eContent warning: outdated racial language to describe African Americans.\u003c/p\u003e\n","\u003cp\u003eThree programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport. \u003c/p\u003e\n","\u003cp\u003eThe first program, dated circa May 29, 1936, is titled \"Annual May Pageant and Dance of Miss Mildred Davenport and Pupils in 'The Feast of Apollo' and Divertissements.\" The performance was held at Brattle Hall in Cambridge, Massachusetts. The cover features a headshot of Davenport in 1930s dance costume.\u003c/p\u003e\n","\u003cp\u003eThe second program, dated May 26, 1939, is titled \"Twentieth Anniversary Souvenir Programme Booklet of Mildred Davenport and her Pupils - Bronze Rhapsody of 1939.\" The performance was held at Jordan Hall in Boston, Massachusetts, one of the premiere classical performance venues in the area. Inside the program are pictures of Davenport's students of varying ages, from elementary school age to young adult.\u003c/p\u003e\n","\u003cp\u003eThe third program, dated May 24, 1940, is titled \"Bronze Rhapsody of 1940.\" The performance was held at Jordan Hall in Boston, Massachusetts. Davenport and students from her dance studio, Davenport School of Dance, performed.\u003c/p\u003e\n","\u003cp\u003eThe pamphlet, titled \"Mildred Davenport Evangelist of the Dance,\" promotes Davenport's teaching at her dance studio. The cover features an Art Deco photograph/illustration collage of her mid-dance, and a short biography and credentials are provided inside. Created circa late 1930s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Content warning: outdated racial language to describe African Americans.","Three programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport. ","The first program, dated circa May 29, 1936, is titled \"Annual May Pageant and Dance of Miss Mildred Davenport and Pupils in 'The Feast of Apollo' and Divertissements.\" The performance was held at Brattle Hall in Cambridge, Massachusetts. The cover features a headshot of Davenport in 1930s dance costume.","The second program, dated May 26, 1939, is titled \"Twentieth Anniversary Souvenir Programme Booklet of Mildred Davenport and her Pupils - Bronze Rhapsody of 1939.\" The performance was held at Jordan Hall in Boston, Massachusetts, one of the premiere classical performance venues in the area. Inside the program are pictures of Davenport's students of varying ages, from elementary school age to young adult.","The third program, dated May 24, 1940, is titled \"Bronze Rhapsody of 1940.\" The performance was held at Jordan Hall in Boston, Massachusetts. Davenport and students from her dance studio, Davenport School of Dance, performed.","The pamphlet, titled \"Mildred Davenport Evangelist of the Dance,\" promotes Davenport's teaching at her dance studio. The cover features an Art Deco photograph/illustration collage of her mid-dance, and a short biography and credentials are provided inside. Created circa late 1930s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_213fbc6f1d0644429d80ad9a9acd9282\"\u003eContent warning: outdated racial language to describe African Americans.\nThree programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport, 1936 - 1940.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: outdated racial language to describe African Americans.\nThree programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport, 1936 - 1940."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_579499b1c539d272d3c1baa4a6d06532\"\u003eR 44, C 1, S 2\u003c/physloc\u003e"],"physloc_tesim":["R 44, C 1, S 2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Davenport, Mildred, 1900-1990"],"corpname_ssim":["George Mason University. Libraries. 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Boston Globe. Accessed January 5, 2022. https://www.bostonglobe.com/2022/02/06/metro/mildred-davenport-was-force-stage-war-front/.","Mildred Davenport was an African American dancer and instructor of dance. Born in 1900, the main portion of Davenport's career took place in Massachusetts, specifically the Boston area. Davenport danced in many shows and reviews throughout her career, including shows on Broadway, and eventually ran two studios, the Davenport School of Dance and Silver Box Studio. Her dance career ended when she enrolled in the Women's Auxiliary Army Corps during World War II, making her one of the first Black women in the Corps (Gilson). Davenport's later life was dedicated to civic service to the Black community of Boston. Davenport passed away in 1990.","Processing and finding aid completed by Amanda Menjivar in January 2023.","The Special Collections Research Center holds many other collections on ","\nSpecial Collections and Archives, University of California, Irvine holds the ","\nUniversity Archives and Special Collections at the University of Massachusetts Boston holds the ","Content warning: outdated racial language to describe African Americans.","Three programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport. ","The first program, dated circa May 29, 1936, is titled \"Annual May Pageant and Dance of Miss Mildred Davenport and Pupils in 'The Feast of Apollo' and Divertissements.\" The performance was held at Brattle Hall in Cambridge, Massachusetts. The cover features a headshot of Davenport in 1930s dance costume.","The second program, dated May 26, 1939, is titled \"Twentieth Anniversary Souvenir Programme Booklet of Mildred Davenport and her Pupils - Bronze Rhapsody of 1939.\" The performance was held at Jordan Hall in Boston, Massachusetts, one of the premiere classical performance venues in the area. Inside the program are pictures of Davenport's students of varying ages, from elementary school age to young adult.","The third program, dated May 24, 1940, is titled \"Bronze Rhapsody of 1940.\" The performance was held at Jordan Hall in Boston, Massachusetts. Davenport and students from her dance studio, Davenport School of Dance, performed.","The pamphlet, titled \"Mildred Davenport Evangelist of the Dance,\" promotes Davenport's teaching at her dance studio. The cover features an Art Deco photograph/illustration collage of her mid-dance, and a short biography and credentials are provided inside. Created circa late 1930s.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Content warning: outdated racial language to describe African Americans.\nThree programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport, 1936 - 1940.","R 44, C 1, S 2","George Mason University. Libraries. Special Collections Research Center","Davenport, Mildred, 1900-1990","English"],"unitid_tesim":["C0189","/repositories/2/resources/180"],"normalized_title_ssm":["Mildred Davenport dance ephemera collection"],"collection_title_tesim":["Mildred Davenport dance ephemera collection"],"collection_ssim":["Mildred Davenport dance ephemera collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Davenport, Mildred, 1900-1990"],"creator_ssim":["Davenport, Mildred, 1900-1990"],"creator_persname_ssim":["Davenport, Mildred, 1900-1990"],"creators_ssim":["Davenport, Mildred, 1900-1990"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Lorne Blair Rare Books, Manuscripts, \u0026 Ephemera in February 2011."],"access_subjects_ssim":["African Americans","Dance -- United States","Performing arts","Dance","African American women","Theater programs"],"access_subjects_ssm":["African Americans","Dance -- United States","Performing arts","Dance","African American women","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 4 items"],"extent_tesim":[".01 Linear Feet 4 items"],"date_range_isim":[1936,1937,1938,1939,1940],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eGilson, Grace. \"Mildred Davenport was a force on the stage and the war front,\" February 6, 2022. Boston Globe. Accessed January 5, 2022. https://www.bostonglobe.com/2022/02/06/metro/mildred-davenport-was-force-stage-war-front/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Gilson, Grace. \"Mildred Davenport was a force on the stage and the war front,\" February 6, 2022. Boston Globe. Accessed January 5, 2022. https://www.bostonglobe.com/2022/02/06/metro/mildred-davenport-was-force-stage-war-front/."],"bioghist_html_tesm":["\u003cp\u003eMildred Davenport was an African American dancer and instructor of dance. Born in 1900, the main portion of Davenport's career took place in Massachusetts, specifically the Boston area. Davenport danced in many shows and reviews throughout her career, including shows on Broadway, and eventually ran two studios, the Davenport School of Dance and Silver Box Studio. Her dance career ended when she enrolled in the Women's Auxiliary Army Corps during World War II, making her one of the first Black women in the Corps (Gilson). Davenport's later life was dedicated to civic service to the Black community of Boston. Davenport passed away in 1990.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Mildred Davenport was an African American dancer and instructor of dance. Born in 1900, the main portion of Davenport's career took place in Massachusetts, specifically the Boston area. Davenport danced in many shows and reviews throughout her career, including shows on Broadway, and eventually ran two studios, the Davenport School of Dance and Silver Box Studio. Her dance career ended when she enrolled in the Women's Auxiliary Army Corps during World War II, making her one of the first Black women in the Corps (Gilson). Davenport's later life was dedicated to civic service to the Black community of Boston. Davenport passed away in 1990."],"prefercite_html_tesm":["\u003cp\u003eMildred Davenport dance ephemera collection, C0189, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mildred Davenport dance ephemera collection, C0189, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Menjivar in January 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Menjivar in January 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on \u003cextptr show=\"new\" title=\"dance and the performing arts.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=dance\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nSpecial Collections and Archives, University of California, Irvine holds the \u003cextptr show=\"new\" title=\"Mildred Davenport dance programs and dance school materials.\" href=\"https://oac.cdlib.org/findaid/ark:/13030/tf4s200680/entire_text/%20\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nUniversity Archives and Special Collections at the University of Massachusetts Boston holds the \u003cextptr show=\"new\" title=\"Mildred Davenport papers.\" href=\"https://openarchives.umb.edu/digital/collection/p15774coll8/id/477/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on ","\nSpecial Collections and Archives, University of California, Irvine holds the ","\nUniversity Archives and Special Collections at the University of Massachusetts Boston holds the "],"scopecontent_html_tesm":["\u003cp\u003eContent warning: outdated racial language to describe African Americans.\u003c/p\u003e\n","\u003cp\u003eThree programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport. \u003c/p\u003e\n","\u003cp\u003eThe first program, dated circa May 29, 1936, is titled \"Annual May Pageant and Dance of Miss Mildred Davenport and Pupils in 'The Feast of Apollo' and Divertissements.\" The performance was held at Brattle Hall in Cambridge, Massachusetts. The cover features a headshot of Davenport in 1930s dance costume.\u003c/p\u003e\n","\u003cp\u003eThe second program, dated May 26, 1939, is titled \"Twentieth Anniversary Souvenir Programme Booklet of Mildred Davenport and her Pupils - Bronze Rhapsody of 1939.\" The performance was held at Jordan Hall in Boston, Massachusetts, one of the premiere classical performance venues in the area. Inside the program are pictures of Davenport's students of varying ages, from elementary school age to young adult.\u003c/p\u003e\n","\u003cp\u003eThe third program, dated May 24, 1940, is titled \"Bronze Rhapsody of 1940.\" The performance was held at Jordan Hall in Boston, Massachusetts. Davenport and students from her dance studio, Davenport School of Dance, performed.\u003c/p\u003e\n","\u003cp\u003eThe pamphlet, titled \"Mildred Davenport Evangelist of the Dance,\" promotes Davenport's teaching at her dance studio. The cover features an Art Deco photograph/illustration collage of her mid-dance, and a short biography and credentials are provided inside. Created circa late 1930s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Content warning: outdated racial language to describe African Americans.","Three programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport. ","The first program, dated circa May 29, 1936, is titled \"Annual May Pageant and Dance of Miss Mildred Davenport and Pupils in 'The Feast of Apollo' and Divertissements.\" The performance was held at Brattle Hall in Cambridge, Massachusetts. The cover features a headshot of Davenport in 1930s dance costume.","The second program, dated May 26, 1939, is titled \"Twentieth Anniversary Souvenir Programme Booklet of Mildred Davenport and her Pupils - Bronze Rhapsody of 1939.\" The performance was held at Jordan Hall in Boston, Massachusetts, one of the premiere classical performance venues in the area. Inside the program are pictures of Davenport's students of varying ages, from elementary school age to young adult.","The third program, dated May 24, 1940, is titled \"Bronze Rhapsody of 1940.\" The performance was held at Jordan Hall in Boston, Massachusetts. Davenport and students from her dance studio, Davenport School of Dance, performed.","The pamphlet, titled \"Mildred Davenport Evangelist of the Dance,\" promotes Davenport's teaching at her dance studio. The cover features an Art Deco photograph/illustration collage of her mid-dance, and a short biography and credentials are provided inside. Created circa late 1930s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_213fbc6f1d0644429d80ad9a9acd9282\"\u003eContent warning: outdated racial language to describe African Americans.\nThree programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport, 1936 - 1940.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: outdated racial language to describe African Americans.\nThree programs and one pamphlet documenting the dance career of African American dancer Mildred Davenport, 1936 - 1940."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_579499b1c539d272d3c1baa4a6d06532\"\u003eR 44, C 1, S 2\u003c/physloc\u003e"],"physloc_tesim":["R 44, C 1, S 2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Davenport, Mildred, 1900-1990"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Davenport, Mildred, 1900-1990"],"persname_ssim":["Davenport, Mildred, 1900-1990"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:17.368Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_180"}},{"id":"vifgm_repositories_2_resources_37","type":"collection","attributes":{"title":"North American 19th century theatre broadside collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"text":["C0081","/repositories/2/resources/37","North American 19th century theatre broadside collection","Boston (Mass.) ","New York (N.Y.) ","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)"," Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. "," Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. ","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other  .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. ","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. ","Public domain. There are no known restrictions.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"normalized_title_ssm":["North American 19th century theatre broadside collection"],"collection_title_tesim":["North American 19th century theatre broadside collection"],"collection_ssim":["North American 19th century theatre broadside collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.) ","New York (N.Y.) ","Canada"],"geogname_ssim":["Boston (Mass.) ","New York (N.Y.) ","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Boston (Mass.) ","New York (N.Y.) ","Canada"],"access_terms_ssm":["Public domain. There are no known restrictions."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e\n","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":[" Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. "," Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. "],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e\n","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. ","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. "],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e"],"physloc_tesim":["R29, C4, S1"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"text":["C0081","/repositories/2/resources/37","North American 19th century theatre broadside collection","Boston (Mass.) ","New York (N.Y.) ","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)"," Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. "," Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. ","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other  .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. ","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. ","Public domain. There are no known restrictions.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"normalized_title_ssm":["North American 19th century theatre broadside collection"],"collection_title_tesim":["North American 19th century theatre broadside collection"],"collection_ssim":["North American 19th century theatre broadside collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.) ","New York (N.Y.) ","Canada"],"geogname_ssim":["Boston (Mass.) ","New York (N.Y.) ","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. 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There are no known restrictions."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. 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Some single broadsides grouped together.","Series Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e\n","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":[" Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. "," Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. "],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e\n","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. ","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. "],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e"],"physloc_tesim":["R29, C4, S1"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"corpname_ssim":["George Mason University. Libraries. 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Photographs include both images of performances as well as publicity shots of the musicians.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_182#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_182","ead_ssi":"vifgm_repositories_2_resources_182","_root_":"vifgm_repositories_2_resources_182","_nest_parent_":"vifgm_repositories_2_resources_182","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_182.xml","title_ssm":["Northern Virginia Music Center at Reston collection"],"title_tesim":["Northern Virginia Music Center at Reston collection"],"unitdate_ssm":["1967-1979"],"unitdate_inclusive_ssm":["1967-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0191","/repositories/2/resources/182"],"text":["C0191","/repositories/2/resources/182","Northern Virginia Music Center at Reston collection","Reston (Va.)","Northern Virginia","Virginia, Northern","Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence","Only the digitized recordings are available for listening.","Series 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. ","Series 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.","This collection is arranged by subject.","Series Series 1: Music Center Papers 1967-1979 (Boxes 1-2) Series 2: Reston Recordings 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)","The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.","Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022.","The Special Collections Research Center also holds many other collections on Reston, Virginia.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians.","George Mason University. Libraries. 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Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. \u003c/p\u003e\n","\u003cp\u003eSeries 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.\u003c/p\u003e","\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Music Center Papers 1967-1979 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Reston Recordings 1969-1972 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digital Duplicates, 1969-1972 (Boxes 7-9)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Series 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. ","Series 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.","This collection is arranged by subject.","Series Series 1: Music Center Papers 1967-1979 (Boxes 1-2) Series 2: Reston Recordings 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)"],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Music Center at Reston collection, C0191, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Northern Virginia Music Center at Reston collection, C0191, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on Reston, Virginia."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_82489ea3918be862b0783d54e6be695a\"\u003eThe Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians.\u003c/abstract\u003e"],"abstract_tesim":["The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Meir, Robert C."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Meir, Robert C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_182","ead_ssi":"vifgm_repositories_2_resources_182","_root_":"vifgm_repositories_2_resources_182","_nest_parent_":"vifgm_repositories_2_resources_182","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_182.xml","title_ssm":["Northern Virginia Music Center at Reston collection"],"title_tesim":["Northern Virginia Music Center at Reston collection"],"unitdate_ssm":["1967-1979"],"unitdate_inclusive_ssm":["1967-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0191","/repositories/2/resources/182"],"text":["C0191","/repositories/2/resources/182","Northern Virginia Music Center at Reston collection","Reston (Va.)","Northern Virginia","Virginia, Northern","Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence","Only the digitized recordings are available for listening.","Series 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. ","Series 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.","This collection is arranged by subject.","Series Series 1: Music Center Papers 1967-1979 (Boxes 1-2) Series 2: Reston Recordings 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)","The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.","Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022.","The Special Collections Research Center also holds many other collections on Reston, Virginia.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians.","George Mason University. Libraries. Special Collections Research Center","Meir, Robert C.","English"],"unitid_tesim":["C0191","/repositories/2/resources/182"],"normalized_title_ssm":["Northern Virginia Music Center at Reston collection"],"collection_title_tesim":["Northern Virginia Music Center at Reston collection"],"collection_ssim":["Northern Virginia Music Center at Reston collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Northern Virginia","Virginia, Northern"],"geogname_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern"],"creator_ssm":["Meir, Robert C."],"creator_ssim":["Meir, Robert C."],"creator_persname_ssim":["Meir, Robert C."],"creators_ssim":["Meir, Robert C."],"places_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["This collection was donated by Loren Bruce (Reston Historical Trust)."],"access_subjects_ssim":["Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence"],"access_subjects_ssm":["Live sound recordings","Music","Performing arts","Concert programs","Photographic prints","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 9 boxes"],"extent_tesim":["3.5 Linear Feet 9 boxes"],"genreform_ssim":["Photographic prints","Correspondence"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eOnly the digitized recordings are available for listening.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Only the digitized recordings are available for listening."],"arrangement_html_tesm":["\u003cp\u003eSeries 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. \u003c/p\u003e\n","\u003cp\u003eSeries 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.\u003c/p\u003e","\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Music Center Papers 1967-1979 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Reston Recordings 1969-1972 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digital Duplicates, 1969-1972 (Boxes 7-9)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Series 1: Music Center Papers, 1967-1979, consists of correspondence, programs, articles, and photographs documenting the Center and its performances. Funding, budget, board minutes, member mailings, photographs, and resumes of musicians visiting the Center constitute the bulk of the materials in series 1. The photographs include both images of performances as well as publicity shots of musicians. This series is arranged alphabetically by subject.","Series 2: Reston Recordings, is a collection of 56 audiotape reels containing Music Center performances by both faculty and students from 1969-1972. This series is arranged alphabetically by the name of the recorded performance. ","Series 3: consists of digitized duplicates of the recordings in Series 2.  There are audio discs of the recordings as well as digital files on an external drive.  The arrangement follows that of Series.","This collection is arranged by subject.","Series Series 1: Music Center Papers 1967-1979 (Boxes 1-2) Series 2: Reston Recordings 1969-1972 (Boxes 2-6) Series 3: Digital Duplicates, 1969-1972 (Boxes 7-9)"],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Music Center at Reston was established in 1967, and held its first summer camp for young musicians that same year. Initially, its founders aspired to develop the summer camp into a full-faculty, national summer music training program that would eventually become a year-round high school for the performing arts. Although it never developed into a high school, the Center did manage to draw 150 talented student enrollees who came not only from the Greater Washington area, but also from 30 states and a half dozen foreign countries. From 1969-1972, the Music Center faculty and students held regular concerts in Northern Virginia. In 1972, students and faculty traveled to Lausanne, Switzerland, to participate in a series of concerts. By the mid-1970s, the Music Center encountered budget problems, and many board members, including the president, Paul S. Frick, resigned and the Center gradually dissolved. The collection contains some materials from 1978 since some students and faculty from the Center later became associated with the Northern Virginia Youth Symphony Association."],"prefercite_html_tesm":["\u003cp\u003eNorthern Virginia Music Center at Reston collection, C0191, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Northern Virginia Music Center at Reston collection, C0191, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in November 2011 by Kate Grauvogel. EAD markup completed in January, 2012 by Kate Grauvogel and Jordan Patty. Finding aid updated by Amanda Menjivar in September 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on Reston, Virginia."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_82489ea3918be862b0783d54e6be695a\"\u003eThe Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians.\u003c/abstract\u003e"],"abstract_tesim":["The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center.  Photographs include both images of performances as well as publicity shots of the musicians."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Meir, Robert C."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Meir, Robert C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_182"}},{"id":"vifgm_repositories_2_resources_734","type":"collection","attributes":{"title":"Performing arts promotional ephemera and photographs","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_734#creator","type":"document_value","attributes":{"value":"Di Bonaventura, Sam","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_734#abstract_or_scope","type":"document_value","attributes":{"value":"Promotional ephemera and photographs for opera, ballet, and musical performances.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_734#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_734","ead_ssi":"vifgm_repositories_2_resources_734","_root_":"vifgm_repositories_2_resources_734","_nest_parent_":"vifgm_repositories_2_resources_734","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_734.xml","title_filing_ssi":"Performing arts promotional ephemera and photographs","title_ssm":["Performing arts promotional ephemera and photographs"],"title_tesim":["Performing arts promotional ephemera and photographs"],"unitdate_ssm":["1941, 1977, circa 1980s"],"unitdate_inclusive_ssm":["1941, 1977, circa 1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0442","/repositories/2/resources/734"],"text":["C0442","/repositories/2/resources/734","Performing arts promotional ephemera and photographs","New York (N.Y.) ","Philadelphia (Pa.)","Seattle (Wash.)","Miami (Fla.)","Ballet","Music","Opera","Performing arts","Photographs","Therea are no access restrictions.","The collection is arranged by location, material type, and function.","\"About PBS: Mission \u0026 Values.\" n.d. PBS. Accessed January 29, 2025. https://www.pbs.org/about/about-pbs/mission-values/.","\"Lincoln Center.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Lincoln_Center\u0026oldid=1270427585.","\"Live from Lincoln Center.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Live_from_Lincoln_Center\u0026oldid=1258522508.","\"PBS.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=PBS\u0026oldid=1272484814.","Founded in 1969, the Public Broadcasting Service, more commonly known as PBS, is a private, nonprofit corporation and a provider of educational and non-commercial programs to public television stations across the United States. Programming includes news programs, documentaries, international and original scripted television, children's programs, and broadcasts of music, theatre, and dance performances. \"Live from Lincoln Center,\" which began airing in 1976, broadcast performances from the Lincoln Center for the Performing Arts complex in New York City. Consisting of thirty indoor and outdoor facilities, Lincoln Center is home to several internationally recognized performing arts organizations such as the New York Philharmonic, the Metropolitan Opera, and the New York City Ballet.","Processing completed by Meghan Glasbrenner in December 2024. Finding aid completed by Meghan Glasbrenner in January 2025.","The Special Collections Research Center holds other  performing arts  collections, such as the  Mary Lavigne programs collection  and  Barbara Lustbader New York City playbills collection . It also holds the  Sam di Bonaventura papers.","Promotional ephemera and photographs for opera, ballet, and musical performances. Photographs are primarily promotional images for PBS broadcasts of \"Live from Lincoln Center\" and \"A Lincoln Center Special\" performances, \"A Celebration for Handel and Bach\" PBS/Philadelphia Singers, productions at the Seattle Opera and the Greater Miami Opera, and general promotional headshots. Ephemera primarily includes promotional materials, such as flyers and press releases, for opera and concert performances including PBS broadcasts of \"Live from Lincoln Center\" and performances at the John F. Kennedy Center for the Performing Arts and Carnegie Hall. Additional materials include general periodical clippings and promotional materials for individual artists and companies.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Promotional ephemera and photographs for opera, ballet, and musical performances.","R 73, C 3, S 3","George Mason University. Libraries. Special Collections Research Center","John F. Kennedy Center for the Performing Arts (U.S.)","Lincoln Center for the Performing Arts","Di Bonaventura, Sam","English \n.    "],"unitid_tesim":["C0442","/repositories/2/resources/734"],"normalized_title_ssm":["Performing arts promotional ephemera and photographs"],"collection_title_tesim":["Performing arts promotional ephemera and photographs"],"collection_ssim":["Performing arts promotional ephemera and photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["New York (N.Y.) ","Philadelphia (Pa.)","Seattle (Wash.)","Miami (Fla.)"],"geogname_ssim":["New York (N.Y.) ","Philadelphia (Pa.)","Seattle (Wash.)","Miami (Fla.)"],"creator_ssm":["Di Bonaventura, Sam"],"creator_ssim":["Di Bonaventura, Sam"],"creator_persname_ssim":["Di Bonaventura, Sam"],"creators_ssim":["Di Bonaventura, Sam"],"places_ssim":["New York (N.Y.) ","Philadelphia (Pa.)","Seattle (Wash.)","Miami (Fla.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Sam di Bonaventura."],"access_subjects_ssim":["Ballet","Music","Opera","Performing arts","Photographs"],"access_subjects_ssm":["Ballet","Music","Opera","Performing arts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Photographs"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eTherea are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Therea are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by location, material type, and function.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by location, material type, and function."],"bibliography_html_tesm":["\u003cp\u003e\"About PBS: Mission \u0026amp; Values.\" n.d. PBS. Accessed January 29, 2025. https://www.pbs.org/about/about-pbs/mission-values/.\u003c/p\u003e\n","\u003cp\u003e\"Lincoln Center.\" 2025. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Lincoln_Center\u0026amp;oldid=1270427585.\u003c/p\u003e\n","\u003cp\u003e\"Live from Lincoln Center.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Live_from_Lincoln_Center\u0026amp;oldid=1258522508.\u003c/p\u003e\n","\u003cp\u003e\"PBS.\" 2025. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=PBS\u0026amp;oldid=1272484814.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"About PBS: Mission \u0026 Values.\" n.d. PBS. Accessed January 29, 2025. https://www.pbs.org/about/about-pbs/mission-values/.","\"Lincoln Center.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Lincoln_Center\u0026oldid=1270427585.","\"Live from Lincoln Center.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Live_from_Lincoln_Center\u0026oldid=1258522508.","\"PBS.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=PBS\u0026oldid=1272484814."],"bioghist_html_tesm":["\u003cp\u003eFounded in 1969, the Public Broadcasting Service, more commonly known as PBS, is a private, nonprofit corporation and a provider of educational and non-commercial programs to public television stations across the United States. Programming includes news programs, documentaries, international and original scripted television, children's programs, and broadcasts of music, theatre, and dance performances. \"Live from Lincoln Center,\" which began airing in 1976, broadcast performances from the Lincoln Center for the Performing Arts complex in New York City. Consisting of thirty indoor and outdoor facilities, Lincoln Center is home to several internationally recognized performing arts organizations such as the New York Philharmonic, the Metropolitan Opera, and the New York City Ballet.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Founded in 1969, the Public Broadcasting Service, more commonly known as PBS, is a private, nonprofit corporation and a provider of educational and non-commercial programs to public television stations across the United States. Programming includes news programs, documentaries, international and original scripted television, children's programs, and broadcasts of music, theatre, and dance performances. \"Live from Lincoln Center,\" which began airing in 1976, broadcast performances from the Lincoln Center for the Performing Arts complex in New York City. Consisting of thirty indoor and outdoor facilities, Lincoln Center is home to several internationally recognized performing arts organizations such as the New York Philharmonic, the Metropolitan Opera, and the New York City Ballet."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts promotional ephemera and photographs, C0442, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Performing arts promotional ephemera and photographs, C0442, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in December 2024. Finding aid completed by Meghan Glasbrenner in January 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in December 2024. Finding aid completed by Meghan Glasbrenner in January 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/1285?\u0026amp;page=1\"\u003eperforming arts\u003c/a\u003e collections, such as the \u003ca href=\"https://aspace.gmu.edu/repositories/2/resources/691\"\u003eMary Lavigne programs collection\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/repositories/2/resources/664\"\u003eBarbara Lustbader New York City playbills collection\u003c/a\u003e. It also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0070\"\u003eSam di Bonaventura papers.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts  collections, such as the  Mary Lavigne programs collection  and  Barbara Lustbader New York City playbills collection . It also holds the  Sam di Bonaventura papers."],"scopecontent_html_tesm":["\u003cp\u003ePromotional ephemera and photographs for opera, ballet, and musical performances. Photographs are primarily promotional images for PBS broadcasts of \"Live from Lincoln Center\" and \"A Lincoln Center Special\" performances, \"A Celebration for Handel and Bach\" PBS/Philadelphia Singers, productions at the Seattle Opera and the Greater Miami Opera, and general promotional headshots. Ephemera primarily includes promotional materials, such as flyers and press releases, for opera and concert performances including PBS broadcasts of \"Live from Lincoln Center\" and performances at the John F. Kennedy Center for the Performing Arts and Carnegie Hall. Additional materials include general periodical clippings and promotional materials for individual artists and companies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Promotional ephemera and photographs for opera, ballet, and musical performances. Photographs are primarily promotional images for PBS broadcasts of \"Live from Lincoln Center\" and \"A Lincoln Center Special\" performances, \"A Celebration for Handel and Bach\" PBS/Philadelphia Singers, productions at the Seattle Opera and the Greater Miami Opera, and general promotional headshots. Ephemera primarily includes promotional materials, such as flyers and press releases, for opera and concert performances including PBS broadcasts of \"Live from Lincoln Center\" and performances at the John F. Kennedy Center for the Performing Arts and Carnegie Hall. Additional materials include general periodical clippings and promotional materials for individual artists and companies."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6431ae904a6d5fbb51f7c7294db869b7\"\u003ePromotional ephemera and photographs for opera, ballet, and musical performances.\u003c/abstract\u003e"],"abstract_tesim":["Promotional ephemera and photographs for opera, ballet, and musical performances."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ccd6f74868e89f374de1d1c0c85233e0\"\u003eR 73, C 3, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 3"],"names_coll_ssim":["John F. Kennedy Center for the Performing Arts (U.S.)","Lincoln Center for the Performing Arts","Di Bonaventura, Sam"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","John F. Kennedy Center for the Performing Arts (U.S.)","Lincoln Center for the Performing Arts","Di Bonaventura, Sam"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","John F. Kennedy Center for the Performing Arts (U.S.)","Lincoln Center for the Performing Arts"],"persname_ssim":["Di Bonaventura, Sam"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:39:33.510Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_734","ead_ssi":"vifgm_repositories_2_resources_734","_root_":"vifgm_repositories_2_resources_734","_nest_parent_":"vifgm_repositories_2_resources_734","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_734.xml","title_filing_ssi":"Performing arts promotional ephemera and photographs","title_ssm":["Performing arts promotional ephemera and photographs"],"title_tesim":["Performing arts promotional ephemera and photographs"],"unitdate_ssm":["1941, 1977, circa 1980s"],"unitdate_inclusive_ssm":["1941, 1977, circa 1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0442","/repositories/2/resources/734"],"text":["C0442","/repositories/2/resources/734","Performing arts promotional ephemera and photographs","New York (N.Y.) ","Philadelphia (Pa.)","Seattle (Wash.)","Miami (Fla.)","Ballet","Music","Opera","Performing arts","Photographs","Therea are no access restrictions.","The collection is arranged by location, material type, and function.","\"About PBS: Mission \u0026 Values.\" n.d. PBS. Accessed January 29, 2025. https://www.pbs.org/about/about-pbs/mission-values/.","\"Lincoln Center.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Lincoln_Center\u0026oldid=1270427585.","\"Live from Lincoln Center.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Live_from_Lincoln_Center\u0026oldid=1258522508.","\"PBS.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=PBS\u0026oldid=1272484814.","Founded in 1969, the Public Broadcasting Service, more commonly known as PBS, is a private, nonprofit corporation and a provider of educational and non-commercial programs to public television stations across the United States. Programming includes news programs, documentaries, international and original scripted television, children's programs, and broadcasts of music, theatre, and dance performances. \"Live from Lincoln Center,\" which began airing in 1976, broadcast performances from the Lincoln Center for the Performing Arts complex in New York City. Consisting of thirty indoor and outdoor facilities, Lincoln Center is home to several internationally recognized performing arts organizations such as the New York Philharmonic, the Metropolitan Opera, and the New York City Ballet.","Processing completed by Meghan Glasbrenner in December 2024. Finding aid completed by Meghan Glasbrenner in January 2025.","The Special Collections Research Center holds other  performing arts  collections, such as the  Mary Lavigne programs collection  and  Barbara Lustbader New York City playbills collection . It also holds the  Sam di Bonaventura papers.","Promotional ephemera and photographs for opera, ballet, and musical performances. Photographs are primarily promotional images for PBS broadcasts of \"Live from Lincoln Center\" and \"A Lincoln Center Special\" performances, \"A Celebration for Handel and Bach\" PBS/Philadelphia Singers, productions at the Seattle Opera and the Greater Miami Opera, and general promotional headshots. Ephemera primarily includes promotional materials, such as flyers and press releases, for opera and concert performances including PBS broadcasts of \"Live from Lincoln Center\" and performances at the John F. Kennedy Center for the Performing Arts and Carnegie Hall. Additional materials include general periodical clippings and promotional materials for individual artists and companies.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Promotional ephemera and photographs for opera, ballet, and musical performances.","R 73, C 3, S 3","George Mason University. Libraries. Special Collections Research Center","John F. Kennedy Center for the Performing Arts (U.S.)","Lincoln Center for the Performing Arts","Di Bonaventura, Sam","English \n.    "],"unitid_tesim":["C0442","/repositories/2/resources/734"],"normalized_title_ssm":["Performing arts promotional ephemera and photographs"],"collection_title_tesim":["Performing arts promotional ephemera and photographs"],"collection_ssim":["Performing arts promotional ephemera and photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["New York (N.Y.) ","Philadelphia (Pa.)","Seattle (Wash.)","Miami (Fla.)"],"geogname_ssim":["New York (N.Y.) ","Philadelphia (Pa.)","Seattle (Wash.)","Miami (Fla.)"],"creator_ssm":["Di Bonaventura, Sam"],"creator_ssim":["Di Bonaventura, Sam"],"creator_persname_ssim":["Di Bonaventura, Sam"],"creators_ssim":["Di Bonaventura, Sam"],"places_ssim":["New York (N.Y.) ","Philadelphia (Pa.)","Seattle (Wash.)","Miami (Fla.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Sam di Bonaventura."],"access_subjects_ssim":["Ballet","Music","Opera","Performing arts","Photographs"],"access_subjects_ssm":["Ballet","Music","Opera","Performing arts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Photographs"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eTherea are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Therea are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by location, material type, and function.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by location, material type, and function."],"bibliography_html_tesm":["\u003cp\u003e\"About PBS: Mission \u0026amp; Values.\" n.d. PBS. Accessed January 29, 2025. https://www.pbs.org/about/about-pbs/mission-values/.\u003c/p\u003e\n","\u003cp\u003e\"Lincoln Center.\" 2025. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Lincoln_Center\u0026amp;oldid=1270427585.\u003c/p\u003e\n","\u003cp\u003e\"Live from Lincoln Center.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Live_from_Lincoln_Center\u0026amp;oldid=1258522508.\u003c/p\u003e\n","\u003cp\u003e\"PBS.\" 2025. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=PBS\u0026amp;oldid=1272484814.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"About PBS: Mission \u0026 Values.\" n.d. PBS. Accessed January 29, 2025. https://www.pbs.org/about/about-pbs/mission-values/.","\"Lincoln Center.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Lincoln_Center\u0026oldid=1270427585.","\"Live from Lincoln Center.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Live_from_Lincoln_Center\u0026oldid=1258522508.","\"PBS.\" 2025. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=PBS\u0026oldid=1272484814."],"bioghist_html_tesm":["\u003cp\u003eFounded in 1969, the Public Broadcasting Service, more commonly known as PBS, is a private, nonprofit corporation and a provider of educational and non-commercial programs to public television stations across the United States. Programming includes news programs, documentaries, international and original scripted television, children's programs, and broadcasts of music, theatre, and dance performances. \"Live from Lincoln Center,\" which began airing in 1976, broadcast performances from the Lincoln Center for the Performing Arts complex in New York City. Consisting of thirty indoor and outdoor facilities, Lincoln Center is home to several internationally recognized performing arts organizations such as the New York Philharmonic, the Metropolitan Opera, and the New York City Ballet.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Founded in 1969, the Public Broadcasting Service, more commonly known as PBS, is a private, nonprofit corporation and a provider of educational and non-commercial programs to public television stations across the United States. Programming includes news programs, documentaries, international and original scripted television, children's programs, and broadcasts of music, theatre, and dance performances. \"Live from Lincoln Center,\" which began airing in 1976, broadcast performances from the Lincoln Center for the Performing Arts complex in New York City. Consisting of thirty indoor and outdoor facilities, Lincoln Center is home to several internationally recognized performing arts organizations such as the New York Philharmonic, the Metropolitan Opera, and the New York City Ballet."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts promotional ephemera and photographs, C0442, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Performing arts promotional ephemera and photographs, C0442, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in December 2024. Finding aid completed by Meghan Glasbrenner in January 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in December 2024. Finding aid completed by Meghan Glasbrenner in January 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/1285?\u0026amp;page=1\"\u003eperforming arts\u003c/a\u003e collections, such as the \u003ca href=\"https://aspace.gmu.edu/repositories/2/resources/691\"\u003eMary Lavigne programs collection\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/repositories/2/resources/664\"\u003eBarbara Lustbader New York City playbills collection\u003c/a\u003e. It also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0070\"\u003eSam di Bonaventura papers.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts  collections, such as the  Mary Lavigne programs collection  and  Barbara Lustbader New York City playbills collection . It also holds the  Sam di Bonaventura papers."],"scopecontent_html_tesm":["\u003cp\u003ePromotional ephemera and photographs for opera, ballet, and musical performances. Photographs are primarily promotional images for PBS broadcasts of \"Live from Lincoln Center\" and \"A Lincoln Center Special\" performances, \"A Celebration for Handel and Bach\" PBS/Philadelphia Singers, productions at the Seattle Opera and the Greater Miami Opera, and general promotional headshots. Ephemera primarily includes promotional materials, such as flyers and press releases, for opera and concert performances including PBS broadcasts of \"Live from Lincoln Center\" and performances at the John F. Kennedy Center for the Performing Arts and Carnegie Hall. Additional materials include general periodical clippings and promotional materials for individual artists and companies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Promotional ephemera and photographs for opera, ballet, and musical performances. Photographs are primarily promotional images for PBS broadcasts of \"Live from Lincoln Center\" and \"A Lincoln Center Special\" performances, \"A Celebration for Handel and Bach\" PBS/Philadelphia Singers, productions at the Seattle Opera and the Greater Miami Opera, and general promotional headshots. Ephemera primarily includes promotional materials, such as flyers and press releases, for opera and concert performances including PBS broadcasts of \"Live from Lincoln Center\" and performances at the John F. Kennedy Center for the Performing Arts and Carnegie Hall. Additional materials include general periodical clippings and promotional materials for individual artists and companies."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6431ae904a6d5fbb51f7c7294db869b7\"\u003ePromotional ephemera and photographs for opera, ballet, and musical performances.\u003c/abstract\u003e"],"abstract_tesim":["Promotional ephemera and photographs for opera, ballet, and musical performances."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ccd6f74868e89f374de1d1c0c85233e0\"\u003eR 73, C 3, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 3"],"names_coll_ssim":["John F. Kennedy Center for the Performing Arts (U.S.)","Lincoln Center for the Performing Arts","Di Bonaventura, Sam"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","John F. Kennedy Center for the Performing Arts (U.S.)","Lincoln Center for the Performing Arts","Di Bonaventura, Sam"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","John F. Kennedy Center for the Performing Arts (U.S.)","Lincoln Center for the Performing Arts"],"persname_ssim":["Di Bonaventura, Sam"],"language_ssim":["English \n.    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College of Arts \u0026 Sciences, University of South Carolina, accessed April 26, 2021, https://www.broadway.cas.sc.edu/content/studios-white.","White Studio theatrical photographs. Billy Rose Theatre Division, New York Public Library, https://digitalcollections.nypl.org/collections/white-studio-theatrical-photographs#/?tab=about.","The White Studio was a popular photography studio in New York City during the early part of the 20th century. The studio, founded by Luther White in the 1890s, was renowned for its entertainment photography, both of productions and individuals.","The Special Collections Research Center holds many other collections pertaining to 20th century photography and the performing arts.","The Billy Rose Theatre Division of the New York Public Library holds the  .","Silver gelatin print photograph of an unknown woman by the White Studio of New York City from the late 1910s or early 1920s. The photograph features a white woman in elegant garb from the chest up. 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The studio, founded by Luther White in the 1890s, was renowned for its entertainment photography, both of productions and individuals."],"prefercite_html_tesm":["\u003cp\u003ePhotograph of an unknown woman by the White Studio of New York City, C0480, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Photograph of an unknown woman by the White Studio of New York City, C0480, Special Collections Research Center, George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections pertaining to 20th century photography and the performing arts.\u003c/p\u003e\n","\u003cp\u003eThe Billy Rose Theatre Division of the New York Public Library holds the \u003cextptr show=\"new\" title=\"White Studio theatrical photographs\" href=\"https://digitalcollections.nypl.org/collections/white-studio-theatrical-photographs#/?tab=navigation\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections pertaining to 20th century photography and the performing arts.","The Billy Rose Theatre Division of the New York Public Library holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eSilver gelatin print photograph of an unknown woman by the White Studio of New York City from the late 1910s or early 1920s. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:21:35.788Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_559","ead_ssi":"vifgm_repositories_2_resources_559","_root_":"vifgm_repositories_2_resources_559","_nest_parent_":"vifgm_repositories_2_resources_559","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_559.xml","title_ssm":["Photograph of an unknown woman by the White Studio of New York City"],"title_tesim":["Photograph of an unknown woman by the White Studio of New York City"],"unitdate_ssm":["circa late 1910s-early 1920s"],"unitdate_inclusive_ssm":["circa late 1910s-early 1920s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0480"],"text":["C0480","Photograph of an unknown woman by the White Studio of New York City","Broadway (New York, N.Y.)","Performing arts","Photography","There are no access restrictions.","This is a single item collection.","\"Studios, White.\" Broadway Photographs. College of Arts \u0026 Sciences, University of South Carolina, accessed April 26, 2021, https://www.broadway.cas.sc.edu/content/studios-white.","White Studio theatrical photographs. Billy Rose Theatre Division, New York Public Library, https://digitalcollections.nypl.org/collections/white-studio-theatrical-photographs#/?tab=about.","The White Studio was a popular photography studio in New York City during the early part of the 20th century. The studio, founded by Luther White in the 1890s, was renowned for its entertainment photography, both of productions and individuals.","The Special Collections Research Center holds many other collections pertaining to 20th century photography and the performing arts.","The Billy Rose Theatre Division of the New York Public Library holds the  .","Silver gelatin print photograph of an unknown woman by the White Studio of New York City from the late 1910s or early 1920s. The photograph features a white woman in elegant garb from the chest up. 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The photograph features a white woman in elegant garb from the chest up. Because the White Studio was famed for its photography of entertainers of the day, it is safe to assume this woman worked in the entertainment industry, likely Broadway, at the time. On the back of the photograph is a stamp from the White Studio.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Silver gelatin print photograph of an unknown woman by the White Studio of New York City from the late 1910s or early 1920s. The photograph features a white woman in elegant garb from the chest up. Because the White Studio was famed for its photography of entertainers of the day, it is safe to assume this woman worked in the entertainment industry, likely Broadway, at the time. On the back of the photograph is a stamp from the White Studio."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58aac47090e3c97168ede859273b9ac4\" label=\"Abstract\"\u003eSilver gelatin print photograph of an unknown woman by the White Studio of New York City, late 1910s - early 1920s.\u003c/abstract\u003e"],"abstract_tesim":["Silver gelatin print photograph of an unknown woman by the White Studio of New York City, late 1910s - early 1920s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_787fab0299588ef81184ac50c009e51d\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","White Studio (New York, N.Y.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","White Studio (New York, N.Y.)"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:21:35.788Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_559"}},{"id":"vifgm_repositories_2_resources_637","type":"collection","attributes":{"title":"Porgy and Bess poster collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_637#creator","type":"document_value","attributes":{"value":"George Mason University. Special Collections Research Center.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_637#abstract_or_scope","type":"document_value","attributes":{"value":"Content warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_637#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_637","ead_ssi":"vifgm_repositories_2_resources_637","_root_":"vifgm_repositories_2_resources_637","_nest_parent_":"vifgm_repositories_2_resources_637","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_637.xml","title_ssm":["Porgy and Bess poster collection"],"title_tesim":["Porgy and Bess poster collection"],"unitdate_ssm":["1952 - 1956"],"unitdate_inclusive_ssm":["1952 - 1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0145","/repositories/2/resources/637"],"text":["C0145","/repositories/2/resources/637","Porgy and Bess poster collection","African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters","There are no access restrictions.","This posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request.","The posters are arranged alphabetically by country and city where they were performed.","\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.","From its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. ","Reprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023.","The Special Collections Research Center also holds the   and the  . ","The New York Public Library, Archives and Manuscripts Division holds the  , which has materials from the United States ANTA tour.","Content warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Content warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production.","Map cases 10.1 - 10.2","George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy","George Mason University. Special Collections Research Center.","Multiple"],"unitid_tesim":["C0145","/repositories/2/resources/637"],"normalized_title_ssm":["Porgy and Bess poster collection"],"collection_title_tesim":["Porgy and Bess poster collection"],"collection_ssim":["Porgy and Bess poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Special Collections Research Center."],"creator_ssim":["George Mason University. Special Collections Research Center."],"creator_persname_ssim":["George Mason University. Special Collections Research Center."],"creators_ssim":["George Mason University. Special Collections Research Center."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Lorraine Brown in 1995."],"access_subjects_ssim":["African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters"],"access_subjects_ssm":["African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["84 posters; poster mock-ups and artwork"],"extent_tesim":["84 posters; poster mock-ups and artwork"],"genreform_ssim":["Theatrical posters"],"date_range_isim":[1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["This posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request."],"arrangement_html_tesm":["\u003cp\u003eThe posters are arranged alphabetically by country and city where they were performed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The posters are arranged alphabetically by country and city where they were performed."],"bioghist_html_tesm":["\u003cp\u003e\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.\u003c/p\u003e\n","\u003cp\u003eFrom its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.","From its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success."],"prefercite_html_tesm":["\u003cp\u003ePorgy and Bess poster collection, C0145, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Porgy and Bess poster collection, C0145, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. \u003c/p\u003e","\u003cp\u003eReprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. ","Reprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0004\" title=\"Robert and Wilva Breen papers\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0289\" title=\"Porgy and Bess letter from James Tipton\" show=\"new\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Archives and Manuscripts Division holds the \u003cextptr href=\"https://archives.nypl.org/scm/21118\" title=\"Porgy and Bess collection\" show=\"new\"\u003e\u003c/extptr\u003e, which has materials from the United States ANTA tour.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  . ","The New York Public Library, Archives and Manuscripts Division holds the  , which has materials from the United States ANTA tour."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_32cf273d7a094b56619b7083b3a97a6c\"\u003eContent warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_603b4ba9d7c49a6f200f0087fcd3137b\"\u003eMap cases 10.1 - 10.2\u003c/physloc\u003e"],"physloc_tesim":["Map cases 10.1 - 10.2"],"names_coll_ssim":["American National Theatre and Academy"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy","George Mason University. Special Collections Research Center."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy"],"persname_ssim":["George Mason University. Special Collections Research Center."],"language_ssim":["Multiple"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_637","ead_ssi":"vifgm_repositories_2_resources_637","_root_":"vifgm_repositories_2_resources_637","_nest_parent_":"vifgm_repositories_2_resources_637","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_637.xml","title_ssm":["Porgy and Bess poster collection"],"title_tesim":["Porgy and Bess poster collection"],"unitdate_ssm":["1952 - 1956"],"unitdate_inclusive_ssm":["1952 - 1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0145","/repositories/2/resources/637"],"text":["C0145","/repositories/2/resources/637","Porgy and Bess poster collection","African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters","There are no access restrictions.","This posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request.","The posters are arranged alphabetically by country and city where they were performed.","\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.","From its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. ","Reprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023.","The Special Collections Research Center also holds the   and the  . ","The New York Public Library, Archives and Manuscripts Division holds the  , which has materials from the United States ANTA tour.","Content warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Content warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production.","Map cases 10.1 - 10.2","George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy","George Mason University. Special Collections Research Center.","Multiple"],"unitid_tesim":["C0145","/repositories/2/resources/637"],"normalized_title_ssm":["Porgy and Bess poster collection"],"collection_title_tesim":["Porgy and Bess poster collection"],"collection_ssim":["Porgy and Bess poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Special Collections Research Center."],"creator_ssim":["George Mason University. Special Collections Research Center."],"creator_persname_ssim":["George Mason University. Special Collections Research Center."],"creators_ssim":["George Mason University. Special Collections Research Center."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Lorraine Brown in 1995."],"access_subjects_ssim":["African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters"],"access_subjects_ssm":["African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["84 posters; poster mock-ups and artwork"],"extent_tesim":["84 posters; poster mock-ups and artwork"],"genreform_ssim":["Theatrical posters"],"date_range_isim":[1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["This posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request."],"arrangement_html_tesm":["\u003cp\u003eThe posters are arranged alphabetically by country and city where they were performed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The posters are arranged alphabetically by country and city where they were performed."],"bioghist_html_tesm":["\u003cp\u003e\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.\u003c/p\u003e\n","\u003cp\u003eFrom its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.","From its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success."],"prefercite_html_tesm":["\u003cp\u003ePorgy and Bess poster collection, C0145, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Porgy and Bess poster collection, C0145, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. \u003c/p\u003e","\u003cp\u003eReprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. 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Inventory updated September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0004\" title=\"Robert and Wilva Breen papers\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0289\" title=\"Porgy and Bess letter from James Tipton\" show=\"new\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Archives and Manuscripts Division holds the \u003cextptr href=\"https://archives.nypl.org/scm/21118\" title=\"Porgy and Bess collection\" show=\"new\"\u003e\u003c/extptr\u003e, which has materials from the United States ANTA tour.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  . ","The New York Public Library, Archives and Manuscripts Division holds the  , which has materials from the United States ANTA tour."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. 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