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Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThese papers include five binders containing copies of Cornelius' poems, plays, musical compositions, and paintings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These papers include five binders containing copies of Cornelius' poems, plays, musical compositions, and paintings."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Cornelius, Dale"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Cornelius, Dale"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:08.296Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_184"}},{"id":"vilxw_repositories_5_resources_989","type":"collection","attributes":{"title":"Louise Herreshoff Papers, 1867/1977","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_989#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes an important archive of letters, personal files, photos, and biographical information of esteemed painter Louise Herreshoff, her second husband Euchlin Reeves and their families. Euchlin Reeves was a graduate of Washington and Lee University (WLU) School of Law and is the namesake of WLU's Reeves Center, home of the Reeves Collection – a large and internationally important ceramics collection (1500 – present) and Louise Herreshoff's paintings, given by the couple to the university beginning in 1967.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_989#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_989","ead_ssi":"vilxw_repositories_5_resources_989","_root_":"vilxw_repositories_5_resources_989","_nest_parent_":"vilxw_repositories_5_resources_989","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_989.xml","title_ssm":["Louise Herreshoff Papers"],"title_tesim":["Louise Herreshoff Papers"],"unitdate_ssm":["1867-1977"],"unitdate_inclusive_ssm":["1867-1977"],"normalized_date_ssm":["1867/1977"],"normalized_title_ssm":["Louise Herreshoff Papers, 1867/1977"],"text":["Louise Herreshoff Papers, 1867/1977","WLU.Coll.0694","/repositories/5/resources/989","France -- Paris","Rhode Island -- Providence","Painting","China trade porcelain -- Influence","This collection is open for research use.","Transcriptions of correspondence, including translations of letters written in French, created by student workers in 2019 for a project for University Museums. Some PDFs and Word documents are electronically stored in Box - the years of 1892, 1896, 1897, and 1899. Special Collections cannot gaurentee complete accuracy of the transcriptions. Scans of the photo albums from Box 6 are also stored on Box. See James Whitehead Papers in WLU-RG-34 for information about museum displays of Herreshoff's works.","Scans of the two photo albums are on box.","A PDF scan of this photobook is available on Box.","There is a PDF scan of this photo album stored on Box.","This collection includes an important archive of letters, personal files, photos, and biographical information of esteemed painter Louise Herreshoff, her second husband Euchlin Reeves and their families. Euchlin Reeves was a graduate of Washington and Lee University (WLU) School of Law and is the namesake of WLU's Reeves Center, home of the Reeves Collection – a large and internationally important ceramics collection (1500 – present) and Louise Herreshoff's paintings, given by the couple to the university beginning in 1967.","This box contains the control folder, personal correspondence from 1892-1912, the journals of Lucy Dyer, and diary by Lizzie Dyer.","This file consists of the acquisition and processing form for the collection, as well as correspondence with Paul Whitehead documenting the gift of this collection to Washington and Lee Special Collections and Archives.","This file consists of Lucy Dyer's journal, as well as calling cards for John Dyer and Daniel Jenkins.","This file consists of Lucy Dyer's journal.","This file consists of a bound copy of Godey's Lady's Book from December 1870, Volume 81, No. 486. Edited by Sarah J. Hale and L.A. Godey.","This file consists of correspondence from the year 1892.","This file consists of Lizzie Dyer's account book with Rhode Island Hospital Trust Company from 1893.","This file consists of correspondence from the year 1896.","This file consists of correspondence from the year 1897.","This file consists of correspondence from the year 1898 (1/3).","This file consists of correspondence from the year 1898 (2/3).","This file consists of correspondence from the year 1898 (3/3).","This file consists of correspondence from the year 1899.","This file consists of correspondence from the year 1900.","This file consists of correspondence from the year 1901.","This file consists of correspondence from the year 1902.","This file consists of correspondence from the year 1903.","This file consists of correspondence from the year 1904.","This file consists of a copy of the \"Catalogue of Scientific and Technical Books: Season of 1906 and 1907\" published by Munn Company, No. 361. Published in New York.","This file consists of correspondence from the year 1907.","This files consists of a copy of \"Popular Science Monthly\" Vol. 72, No. 1 from January 1908, edited by J. McKeen Cattell. Published by the science press in Lancaster PA, Garrison NY, and New York NY.","This file consists of an illustrated artists calendar from 1909 depicting various master painters. Text is in French.","This file consists of correspondence from the year 1911 (1/2).","This file consists of correspondence from the year 1911 (2/2).","This file consists of damaged correspondence from the year 1911.","This file consists of correspondence from the year 1912.","This box consists of personal correspondence from 1915-1947, the Will of J.B. Herreshoff, and correspondence from Euchlin Reeves on fine china sales.","This file consists of correspondence from the year 1915.","This file consists of correspondence from the year 1917.","This file consists of correspondence from the year 1919.","This file consists of correspondence from the year 1920 (1/2).","This file consists of correspondence from the year 1920 (2/2).","This file consists of correspondence from the year 1921.","This file consists of correspondence from the year 1922 (1/2).","This file consists of correspondence from the year 1922 (2/2).","This file consists of correspondence from the year 1923.","This file consists of correspondence from the year 1924.","This file consists of correspondence from the year 1925 (1/2).","This file consists of correspondence from the year 1925 (2/2).","This file consists of correspondence from the year 1926 (1/3). Also includes Euchlin Reeves Ring-Tum Phi certificate.","This file consists of correspondence from the year 1926 (2/3).","This file consists of correspondence from the year 1926 (3/3).","This file consists of correspondence from the year 1927 (1/2).","This file consists of correspondence from the year 1927 (2/2).","This file consists of correspondence from the year 1928.","This file consists of correspondence from the year 1929.","This file consists of correspondence from the year 1930. Also includes a Tiffany and Co. Jeweler's Pocket Calendar.","This file consists of correspondence from the year 1931.","This file consists of correspondence from the year 1932.","This file consists of the last will and testament of J.B. Herreshoff, from 1932.","This file consists of correspondence from the year 1940. Mostly by Euchlin Reeves concerning his collection of fine china.","This file consists of correspondence from the year 1942.","This file consists of correspondence from the year 1943.","This file consists of correspondence from the year 1944.","This file consists of correspondence from the year 1945.","This file consists of correspondence from the year 1946.","This file consists of correspondence from the year 1947.","This box consists of personal correspondence from 1948-1956, miscellaneous correspondence, publications, a brochure for the Herreshoff exhibit from 1972. Correspondence following the dated range and sorted into categories by creator are preserved in original order and often relate to James W. Whithead's attempts to gather materials related to Herreshoff and Reeves' lives and history of art collection and creation.","This file consists of correspondence from the year 1948.","This file consists of correspondence from the year 1949.","This file consists of correspondence from the year 1950.","This file consists of correspondence from the year 1951.","This file consists of correspondence from the year 1952.","This file consists of correspondence from the year 1953.","Includes family passport for Euchlin Reeves and Louise Herreshoff, a ticket for a ship embarking from Providence, RI through the Church Travel Agency, a guide to first class accomodations in the R.M.S. Queen Elizabeth ship, and a list of passengers for the same ship.","This file consists of correspondence from the years 1955 through 1959.","This file consists of correspondence from the year 1961.","This file consists of correspondence from the years 1962-1964.","This file consists of undated correspondence.","This file consists of correspondence with Mary Wheeler and with James W. Whitehead. Assorted dates. Original order preserved.","This file consists of correspondence with the Gottwald family. Assorted dates.","This file consists of James W. Whitehead's correspondence about the Reeves and Herreshoff collections, including thank you notes and postcards.","This file contains correspondence with James W. Whitehead concerning gifts to Washington and Lee University related to Euchlin Reeves and Louise Herreshoff.","This file contains correspondence between James Whitehead and Louise DeWolf concerning information related to Louise Herreshoff.","This file consists of five art exhibition history publications released by L'Academie Julian, along with a note from James Whitehead.","This file consists of a publication list of books and pamphlets in the office of Earl S. Mattingly, including publications related to Louise Herreshoff's collection of fine china.","This file consists of brochures for exhibitions of Louise Herreshoff's work in numerous locations, such as the Providence Art Club, the Green Studio Hotel, and the Gallery on the Moores. Dates 1925 and 1972.","This box contains an Herreshoff journal and sketchbook, postcards from her trip to Shanghai, and the \"sick bag outline\" that James W. Whitehead wrote the draft of \"A Fragile Union: The Story of Louise Herreshoff\" on.","This file consists of correspondence with Collin and Laurens (1/2).","This file consists of correspondence related to Collins and Laurens (2/2).","This file consists of two personal journals of Louise Herreshoff.","Contains a number of sketches drawn by Louise Herreshoff.","This file consists of an inventory of the collections of fine china by Euchlin Reeves and Louise Herreshoff stored in Lexington.","Contains a number of bound publications made by the Mary Wheeler Academy.","This file consists of genealogical information compiled by James W. Whitehead, used for his biography of Louise Herreshoff.","This file consists of two publications from National Academy of Art and Design located in NYC.","This folder contains a number of postcards from Louise Herreshoff's travels to Shanghai.","This folder contains postcards from Louise Herreshoff's travels to Niagra Falls and various New England cites.","This folder contains postcards from Louise Herreshoff's travels to Venice.","This file consists of postcards depicting World War One soldiers.","This file consists of scans of paintings made by Louise Herreshoff.","This folder contains the plan for James Whitehead's biography on Louise Herreshoff, \"A Fragile Union,\" which was written on an airplane sick bag during a flight.","This file consists of one publication of \"Something Blue - Some American Views of Staffordshire.\"","This file contains a publication by Jeannette Brown Herreshoff.","This folder contains the art book that accompanied a 1976 exhibition of Louise Herreshoff's paintings entitled \"Louise Herreshoff: An American Artist Discovered.\"","This box contains portraits of Louise Herreshoff, photos of Herreshoff's trip to China, photos of Providence, RI, Col Alto, and Washington and Lee University photos. Also includes photos of family graves.","This file consists of portraits and photographs of Louise Herreshoff.","This file consists of portraits and photographs of Louise Herreshoff.","This file consists of portraits and photographs of Louise Herreshoff.","This file contains photographs and portraits of Louise Herreshoff's aunt Elizabeth \"Lizzie\" Dyer.","This file consists of portraits and photographs of unidentified subjects.","This folder contains an unidentified portrait ambrotype in its original casing.","This file consist of photos from Louise Herreshoff's travels to Niagra Falls.","This file consists of photographs and negatives of Louise Herreshoff and Euchlin Reeves' china collection.","This file consists of photographs of 89 Benevolent St in Providence, RI, which was Louise Herreshoff and Euchlin Reeves' family home where their china collection and paintings were stored.","This file consists of photos of Providence, RI.","This file contains photographs of Washington and Lee's campus, as well as Col Alto.","This file consists of photos of grave stones and sites for members of the Herreshoff and Reeves' families.","This box contains two photo albums, an exhibit book from Louise Herreshoff's 1976 show at Washington and Lee University, and a copy of \"A Fragile Union\" by James W. Whitehead.","This photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Materials have been glued to the page.","This photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Volume B contains more photos of Euchlin Reeves, both in his younger years, as well as during his marriage to Louise Herreshoff. There are some photos of photos of grave sites, and one postcard. Materials have been glued to the page.","This hard-cover exhibit book provides a brief biographical background on Louise Herreshoff, as well as image plates of her paintings displayed at a 1976 exhibit of her work at Washington and Lee University.","This biography of Louise Herreshoff by James Whitehead was created using personal correspondence, and regularly cites her letters. It depicts her life, familial ties, influences, time in Paris, period of art creation, china collecting, her two marriages, and her relationship with Washington and Lee University.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University","Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B.","The materials are in English."],"collection_title_tesim":["Louise Herreshoff Papers, 1867/1977"],"collection_ssim":["Louise Herreshoff Papers, 1867/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0694","/repositories/5/resources/989"],"unitid_tesim":["WLU.Coll.0694","/repositories/5/resources/989"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["France -- Paris","Rhode Island -- Providence"],"geogname_ssim":["France -- Paris","Rhode Island -- Providence"],"places_ssim":["France -- Paris","Rhode Island -- Providence"],"creator_persname_ssim":["Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B."],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University"],"creators_ssim":["Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B.","Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Painting","China trade porcelain -- Influence"],"access_subjects_ssm":["Painting","China trade porcelain -- Influence"],"has_online_content_ssim":["false"],"extent_ssm":["2.6 Linear Feet Five boxes including personal correspondence, ephemera, photographs. Two volumes of photograph albums, one exhibit book, one biographical book."],"extent_tesim":["2.6 Linear Feet Five boxes including personal correspondence, ephemera, photographs. Two volumes of photograph albums, one exhibit book, one biographical book."],"date_range_isim":[1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Louise Herreshoff Collection, WLU Coll. #0694, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e\n","\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Louise Herreshoff Collection, WLU Coll. #0694, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA","In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eTranscriptions of correspondence, including translations of letters written in French, created by student workers in 2019 for a project for University Museums. Some PDFs and Word documents are electronically stored in Box - the years of 1892, 1896, 1897, and 1899. Special Collections cannot gaurentee complete accuracy of the transcriptions. Scans of the photo albums from Box 6 are also stored on Box. See James Whitehead Papers in WLU-RG-34 for information about museum displays of Herreshoff's works.\u003c/p\u003e  ","\u003cp\u003eScans of the two photo albums are on box.\u003c/p\u003e","\u003cp\u003eA PDF scan of this photobook is available on Box.\u003c/p\u003e","\u003cp\u003eThere is a PDF scan of this photo album stored on Box.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["Transcriptions of correspondence, including translations of letters written in French, created by student workers in 2019 for a project for University Museums. Some PDFs and Word documents are electronically stored in Box - the years of 1892, 1896, 1897, and 1899. Special Collections cannot gaurentee complete accuracy of the transcriptions. Scans of the photo albums from Box 6 are also stored on Box. See James Whitehead Papers in WLU-RG-34 for information about museum displays of Herreshoff's works.","Scans of the two photo albums are on box.","A PDF scan of this photobook is available on Box.","There is a PDF scan of this photo album stored on Box."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes an important archive of letters, personal files, photos, and biographical information of esteemed painter Louise Herreshoff, her second husband Euchlin Reeves and their families. Euchlin Reeves was a graduate of Washington and Lee University (WLU) School of Law and is the namesake of WLU's Reeves Center, home of the Reeves Collection – a large and internationally important ceramics collection (1500 – present) and Louise Herreshoff's paintings, given by the couple to the university beginning in 1967.\u003c/p\u003e  ","\u003cp\u003eThis box contains the control folder, personal correspondence from 1892-1912, the journals of Lucy Dyer, and diary by Lizzie Dyer.\u003c/p\u003e","\u003cp\u003eThis file consists of the acquisition and processing form for the collection, as well as correspondence with Paul Whitehead documenting the gift of this collection to Washington and Lee Special Collections and Archives.\u003c/p\u003e","\u003cp\u003eThis file consists of Lucy Dyer's journal, as well as calling cards for John Dyer and Daniel Jenkins.\u003c/p\u003e","\u003cp\u003eThis file consists of Lucy Dyer's journal.\u003c/p\u003e","\u003cp\u003eThis file consists of a bound copy of Godey's Lady's Book from December 1870, Volume 81, No. 486. Edited by Sarah J. Hale and L.A. Godey.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1892.\u003c/p\u003e","\u003cp\u003eThis file consists of Lizzie Dyer's account book with Rhode Island Hospital Trust Company from 1893.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1896.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1897.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1898 (1/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1898 (2/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1898 (3/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1899.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1900.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1901.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1902.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1903.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1904.\u003c/p\u003e","\u003cp\u003eThis file consists of a copy of the \"Catalogue of Scientific and Technical Books: Season of 1906 and 1907\" published by Munn Company, No. 361. Published in New York.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1907.\u003c/p\u003e","\u003cp\u003eThis files consists of a copy of \"Popular Science Monthly\" Vol. 72, No. 1 from January 1908, edited by J. McKeen Cattell. Published by the science press in Lancaster PA, Garrison NY, and New York NY.\u003c/p\u003e","\u003cp\u003eThis file consists of an illustrated artists calendar from 1909 depicting various master painters. Text is in French.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1911 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1911 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of damaged correspondence from the year 1911.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1912.\u003c/p\u003e","\u003cp\u003eThis box consists of personal correspondence from 1915-1947, the Will of J.B. Herreshoff, and correspondence from Euchlin Reeves on fine china sales.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1915.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1917.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1919.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1920 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1920 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1921.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1922 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1922 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1923.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1924.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1925 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1925 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1926 (1/3). Also includes Euchlin Reeves Ring-Tum Phi certificate.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1926 (2/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1926 (3/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1927 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1927 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1928.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1929.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1930. Also includes a Tiffany and Co. Jeweler's Pocket Calendar.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1931.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1932.\u003c/p\u003e","\u003cp\u003eThis file consists of the last will and testament of J.B. Herreshoff, from 1932.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1940. Mostly by Euchlin Reeves concerning his collection of fine china.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1942.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1943.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1944.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1945.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1946.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1947.\u003c/p\u003e","\u003cp\u003eThis box consists of personal correspondence from 1948-1956, miscellaneous correspondence, publications, a brochure for the Herreshoff exhibit from 1972. Correspondence following the dated range and sorted into categories by creator are preserved in original order and often relate to James W. Whithead's attempts to gather materials related to Herreshoff and Reeves' lives and history of art collection and creation.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1948.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1949.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1950.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1951.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1952.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1953.\u003c/p\u003e","\u003cp\u003eIncludes family passport for Euchlin Reeves and Louise Herreshoff, a ticket for a ship embarking from Providence, RI through the Church Travel Agency, a guide to first class accomodations in the R.M.S. Queen Elizabeth ship, and a list of passengers for the same ship.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the years 1955 through 1959.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1961.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the years 1962-1964.\u003c/p\u003e","\u003cp\u003eThis file consists of undated correspondence.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence with Mary Wheeler and with James W. Whitehead. Assorted dates. Original order preserved.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence with the Gottwald family. Assorted dates.\u003c/p\u003e","\u003cp\u003eThis file consists of James W. Whitehead's correspondence about the Reeves and Herreshoff collections, including thank you notes and postcards.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence with James W. Whitehead concerning gifts to Washington and Lee University related to Euchlin Reeves and Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence between James Whitehead and Louise DeWolf concerning information related to Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of five art exhibition history publications released by L'Academie Julian, along with a note from James Whitehead.\u003c/p\u003e","\u003cp\u003eThis file consists of a publication list of books and pamphlets in the office of Earl S. Mattingly, including publications related to Louise Herreshoff's collection of fine china.\u003c/p\u003e","\u003cp\u003eThis file consists of brochures for exhibitions of Louise Herreshoff's work in numerous locations, such as the Providence Art Club, the Green Studio Hotel, and the Gallery on the Moores. Dates 1925 and 1972.\u003c/p\u003e","\u003cp\u003eThis box contains an Herreshoff journal and sketchbook, postcards from her trip to Shanghai, and the \"sick bag outline\" that James W. Whitehead wrote the draft of \"A Fragile Union: The Story of Louise Herreshoff\" on.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence with Collin and Laurens (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence related to Collins and Laurens (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of two personal journals of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eContains a number of sketches drawn by Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of an inventory of the collections of fine china by Euchlin Reeves and Louise Herreshoff stored in Lexington.\u003c/p\u003e","\u003cp\u003eContains a number of bound publications made by the Mary Wheeler Academy.\u003c/p\u003e","\u003cp\u003eThis file consists of genealogical information compiled by James W. Whitehead, used for his biography of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of two publications from National Academy of Art and Design located in NYC.\u003c/p\u003e","\u003cp\u003eThis folder contains a number of postcards from Louise Herreshoff's travels to Shanghai.\u003c/p\u003e","\u003cp\u003eThis folder contains postcards from Louise Herreshoff's travels to Niagra Falls and various New England cites.\u003c/p\u003e","\u003cp\u003eThis folder contains postcards from Louise Herreshoff's travels to Venice.\u003c/p\u003e","\u003cp\u003eThis file consists of postcards depicting World War One soldiers.\u003c/p\u003e","\u003cp\u003eThis file consists of scans of paintings made by Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis folder contains the plan for James Whitehead's biography on Louise Herreshoff, \"A Fragile Union,\" which was written on an airplane sick bag during a flight.\u003c/p\u003e","\u003cp\u003eThis file consists of one publication of \"Something Blue - Some American Views of Staffordshire.\"\u003c/p\u003e","\u003cp\u003eThis file contains a publication by Jeannette Brown Herreshoff.\u003c/p\u003e","\u003cp\u003eThis folder contains the art book that accompanied a 1976 exhibition of Louise Herreshoff's paintings entitled \"Louise Herreshoff: An American Artist Discovered.\"\u003c/p\u003e","\u003cp\u003eThis box contains portraits of Louise Herreshoff, photos of Herreshoff's trip to China, photos of Providence, RI, Col Alto, and Washington and Lee University photos. Also includes photos of family graves.\u003c/p\u003e","\u003cp\u003eThis file consists of portraits and photographs of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of portraits and photographs of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of portraits and photographs of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file contains photographs and portraits of Louise Herreshoff's aunt Elizabeth \"Lizzie\" Dyer.\u003c/p\u003e","\u003cp\u003eThis file consists of portraits and photographs of unidentified subjects.\u003c/p\u003e","\u003cp\u003eThis folder contains an unidentified portrait ambrotype in its original casing.\u003c/p\u003e","\u003cp\u003eThis file consist of photos from Louise Herreshoff's travels to Niagra Falls.\u003c/p\u003e","\u003cp\u003eThis file consists of photographs and negatives of Louise Herreshoff and Euchlin Reeves' china collection.\u003c/p\u003e","\u003cp\u003eThis file consists of photographs of 89 Benevolent St in Providence, RI, which was Louise Herreshoff and Euchlin Reeves' family home where their china collection and paintings were stored.\u003c/p\u003e","\u003cp\u003eThis file consists of photos of Providence, RI.\u003c/p\u003e","\u003cp\u003eThis file contains photographs of Washington and Lee's campus, as well as Col Alto.\u003c/p\u003e","\u003cp\u003eThis file consists of photos of grave stones and sites for members of the Herreshoff and Reeves' families.\u003c/p\u003e","\u003cp\u003eThis box contains two photo albums, an exhibit book from Louise Herreshoff's 1976 show at Washington and Lee University, and a copy of \"A Fragile Union\" by James W. Whitehead.\u003c/p\u003e","\u003cp\u003eThis photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Materials have been glued to the page.\u003c/p\u003e","\u003cp\u003eThis photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Volume B contains more photos of Euchlin Reeves, both in his younger years, as well as during his marriage to Louise Herreshoff. There are some photos of photos of grave sites, and one postcard. Materials have been glued to the page.\u003c/p\u003e","\u003cp\u003eThis hard-cover exhibit book provides a brief biographical background on Louise Herreshoff, as well as image plates of her paintings displayed at a 1976 exhibit of her work at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis biography of Louise Herreshoff by James Whitehead was created using personal correspondence, and regularly cites her letters. It depicts her life, familial ties, influences, time in Paris, period of art creation, china collecting, her two marriages, and her relationship with Washington and Lee University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes an important archive of letters, personal files, photos, and biographical information of esteemed painter Louise Herreshoff, her second husband Euchlin Reeves and their families. Euchlin Reeves was a graduate of Washington and Lee University (WLU) School of Law and is the namesake of WLU's Reeves Center, home of the Reeves Collection – a large and internationally important ceramics collection (1500 – present) and Louise Herreshoff's paintings, given by the couple to the university beginning in 1967.","This box contains the control folder, personal correspondence from 1892-1912, the journals of Lucy Dyer, and diary by Lizzie Dyer.","This file consists of the acquisition and processing form for the collection, as well as correspondence with Paul Whitehead documenting the gift of this collection to Washington and Lee Special Collections and Archives.","This file consists of Lucy Dyer's journal, as well as calling cards for John Dyer and Daniel Jenkins.","This file consists of Lucy Dyer's journal.","This file consists of a bound copy of Godey's Lady's Book from December 1870, Volume 81, No. 486. Edited by Sarah J. Hale and L.A. Godey.","This file consists of correspondence from the year 1892.","This file consists of Lizzie Dyer's account book with Rhode Island Hospital Trust Company from 1893.","This file consists of correspondence from the year 1896.","This file consists of correspondence from the year 1897.","This file consists of correspondence from the year 1898 (1/3).","This file consists of correspondence from the year 1898 (2/3).","This file consists of correspondence from the year 1898 (3/3).","This file consists of correspondence from the year 1899.","This file consists of correspondence from the year 1900.","This file consists of correspondence from the year 1901.","This file consists of correspondence from the year 1902.","This file consists of correspondence from the year 1903.","This file consists of correspondence from the year 1904.","This file consists of a copy of the \"Catalogue of Scientific and Technical Books: Season of 1906 and 1907\" published by Munn Company, No. 361. Published in New York.","This file consists of correspondence from the year 1907.","This files consists of a copy of \"Popular Science Monthly\" Vol. 72, No. 1 from January 1908, edited by J. McKeen Cattell. Published by the science press in Lancaster PA, Garrison NY, and New York NY.","This file consists of an illustrated artists calendar from 1909 depicting various master painters. Text is in French.","This file consists of correspondence from the year 1911 (1/2).","This file consists of correspondence from the year 1911 (2/2).","This file consists of damaged correspondence from the year 1911.","This file consists of correspondence from the year 1912.","This box consists of personal correspondence from 1915-1947, the Will of J.B. Herreshoff, and correspondence from Euchlin Reeves on fine china sales.","This file consists of correspondence from the year 1915.","This file consists of correspondence from the year 1917.","This file consists of correspondence from the year 1919.","This file consists of correspondence from the year 1920 (1/2).","This file consists of correspondence from the year 1920 (2/2).","This file consists of correspondence from the year 1921.","This file consists of correspondence from the year 1922 (1/2).","This file consists of correspondence from the year 1922 (2/2).","This file consists of correspondence from the year 1923.","This file consists of correspondence from the year 1924.","This file consists of correspondence from the year 1925 (1/2).","This file consists of correspondence from the year 1925 (2/2).","This file consists of correspondence from the year 1926 (1/3). Also includes Euchlin Reeves Ring-Tum Phi certificate.","This file consists of correspondence from the year 1926 (2/3).","This file consists of correspondence from the year 1926 (3/3).","This file consists of correspondence from the year 1927 (1/2).","This file consists of correspondence from the year 1927 (2/2).","This file consists of correspondence from the year 1928.","This file consists of correspondence from the year 1929.","This file consists of correspondence from the year 1930. Also includes a Tiffany and Co. Jeweler's Pocket Calendar.","This file consists of correspondence from the year 1931.","This file consists of correspondence from the year 1932.","This file consists of the last will and testament of J.B. Herreshoff, from 1932.","This file consists of correspondence from the year 1940. Mostly by Euchlin Reeves concerning his collection of fine china.","This file consists of correspondence from the year 1942.","This file consists of correspondence from the year 1943.","This file consists of correspondence from the year 1944.","This file consists of correspondence from the year 1945.","This file consists of correspondence from the year 1946.","This file consists of correspondence from the year 1947.","This box consists of personal correspondence from 1948-1956, miscellaneous correspondence, publications, a brochure for the Herreshoff exhibit from 1972. Correspondence following the dated range and sorted into categories by creator are preserved in original order and often relate to James W. Whithead's attempts to gather materials related to Herreshoff and Reeves' lives and history of art collection and creation.","This file consists of correspondence from the year 1948.","This file consists of correspondence from the year 1949.","This file consists of correspondence from the year 1950.","This file consists of correspondence from the year 1951.","This file consists of correspondence from the year 1952.","This file consists of correspondence from the year 1953.","Includes family passport for Euchlin Reeves and Louise Herreshoff, a ticket for a ship embarking from Providence, RI through the Church Travel Agency, a guide to first class accomodations in the R.M.S. Queen Elizabeth ship, and a list of passengers for the same ship.","This file consists of correspondence from the years 1955 through 1959.","This file consists of correspondence from the year 1961.","This file consists of correspondence from the years 1962-1964.","This file consists of undated correspondence.","This file consists of correspondence with Mary Wheeler and with James W. Whitehead. Assorted dates. Original order preserved.","This file consists of correspondence with the Gottwald family. Assorted dates.","This file consists of James W. Whitehead's correspondence about the Reeves and Herreshoff collections, including thank you notes and postcards.","This file contains correspondence with James W. Whitehead concerning gifts to Washington and Lee University related to Euchlin Reeves and Louise Herreshoff.","This file contains correspondence between James Whitehead and Louise DeWolf concerning information related to Louise Herreshoff.","This file consists of five art exhibition history publications released by L'Academie Julian, along with a note from James Whitehead.","This file consists of a publication list of books and pamphlets in the office of Earl S. Mattingly, including publications related to Louise Herreshoff's collection of fine china.","This file consists of brochures for exhibitions of Louise Herreshoff's work in numerous locations, such as the Providence Art Club, the Green Studio Hotel, and the Gallery on the Moores. Dates 1925 and 1972.","This box contains an Herreshoff journal and sketchbook, postcards from her trip to Shanghai, and the \"sick bag outline\" that James W. Whitehead wrote the draft of \"A Fragile Union: The Story of Louise Herreshoff\" on.","This file consists of correspondence with Collin and Laurens (1/2).","This file consists of correspondence related to Collins and Laurens (2/2).","This file consists of two personal journals of Louise Herreshoff.","Contains a number of sketches drawn by Louise Herreshoff.","This file consists of an inventory of the collections of fine china by Euchlin Reeves and Louise Herreshoff stored in Lexington.","Contains a number of bound publications made by the Mary Wheeler Academy.","This file consists of genealogical information compiled by James W. Whitehead, used for his biography of Louise Herreshoff.","This file consists of two publications from National Academy of Art and Design located in NYC.","This folder contains a number of postcards from Louise Herreshoff's travels to Shanghai.","This folder contains postcards from Louise Herreshoff's travels to Niagra Falls and various New England cites.","This folder contains postcards from Louise Herreshoff's travels to Venice.","This file consists of postcards depicting World War One soldiers.","This file consists of scans of paintings made by Louise Herreshoff.","This folder contains the plan for James Whitehead's biography on Louise Herreshoff, \"A Fragile Union,\" which was written on an airplane sick bag during a flight.","This file consists of one publication of \"Something Blue - Some American Views of Staffordshire.\"","This file contains a publication by Jeannette Brown Herreshoff.","This folder contains the art book that accompanied a 1976 exhibition of Louise Herreshoff's paintings entitled \"Louise Herreshoff: An American Artist Discovered.\"","This box contains portraits of Louise Herreshoff, photos of Herreshoff's trip to China, photos of Providence, RI, Col Alto, and Washington and Lee University photos. Also includes photos of family graves.","This file consists of portraits and photographs of Louise Herreshoff.","This file consists of portraits and photographs of Louise Herreshoff.","This file consists of portraits and photographs of Louise Herreshoff.","This file contains photographs and portraits of Louise Herreshoff's aunt Elizabeth \"Lizzie\" Dyer.","This file consists of portraits and photographs of unidentified subjects.","This folder contains an unidentified portrait ambrotype in its original casing.","This file consist of photos from Louise Herreshoff's travels to Niagra Falls.","This file consists of photographs and negatives of Louise Herreshoff and Euchlin Reeves' china collection.","This file consists of photographs of 89 Benevolent St in Providence, RI, which was Louise Herreshoff and Euchlin Reeves' family home where their china collection and paintings were stored.","This file consists of photos of Providence, RI.","This file contains photographs of Washington and Lee's campus, as well as Col Alto.","This file consists of photos of grave stones and sites for members of the Herreshoff and Reeves' families.","This box contains two photo albums, an exhibit book from Louise Herreshoff's 1976 show at Washington and Lee University, and a copy of \"A Fragile Union\" by James W. Whitehead.","This photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Materials have been glued to the page.","This photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Volume B contains more photos of Euchlin Reeves, both in his younger years, as well as during his marriage to Louise Herreshoff. There are some photos of photos of grave sites, and one postcard. Materials have been glued to the page.","This hard-cover exhibit book provides a brief biographical background on Louise Herreshoff, as well as image plates of her paintings displayed at a 1976 exhibit of her work at Washington and Lee University.","This biography of Louise Herreshoff by James Whitehead was created using personal correspondence, and regularly cites her letters. It depicts her life, familial ties, influences, time in Paris, period of art creation, china collecting, her two marriages, and her relationship with Washington and Lee University."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University"],"names_coll_ssim":["Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B."],"persname_ssim":["Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University","Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B."],"language_ssim":["The materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":114,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_989","ead_ssi":"vilxw_repositories_5_resources_989","_root_":"vilxw_repositories_5_resources_989","_nest_parent_":"vilxw_repositories_5_resources_989","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_989.xml","title_ssm":["Louise Herreshoff Papers"],"title_tesim":["Louise Herreshoff Papers"],"unitdate_ssm":["1867-1977"],"unitdate_inclusive_ssm":["1867-1977"],"normalized_date_ssm":["1867/1977"],"normalized_title_ssm":["Louise Herreshoff Papers, 1867/1977"],"text":["Louise Herreshoff Papers, 1867/1977","WLU.Coll.0694","/repositories/5/resources/989","France -- Paris","Rhode Island -- Providence","Painting","China trade porcelain -- Influence","This collection is open for research use.","Transcriptions of correspondence, including translations of letters written in French, created by student workers in 2019 for a project for University Museums. Some PDFs and Word documents are electronically stored in Box - the years of 1892, 1896, 1897, and 1899. Special Collections cannot gaurentee complete accuracy of the transcriptions. Scans of the photo albums from Box 6 are also stored on Box. See James Whitehead Papers in WLU-RG-34 for information about museum displays of Herreshoff's works.","Scans of the two photo albums are on box.","A PDF scan of this photobook is available on Box.","There is a PDF scan of this photo album stored on Box.","This collection includes an important archive of letters, personal files, photos, and biographical information of esteemed painter Louise Herreshoff, her second husband Euchlin Reeves and their families. Euchlin Reeves was a graduate of Washington and Lee University (WLU) School of Law and is the namesake of WLU's Reeves Center, home of the Reeves Collection – a large and internationally important ceramics collection (1500 – present) and Louise Herreshoff's paintings, given by the couple to the university beginning in 1967.","This box contains the control folder, personal correspondence from 1892-1912, the journals of Lucy Dyer, and diary by Lizzie Dyer.","This file consists of the acquisition and processing form for the collection, as well as correspondence with Paul Whitehead documenting the gift of this collection to Washington and Lee Special Collections and Archives.","This file consists of Lucy Dyer's journal, as well as calling cards for John Dyer and Daniel Jenkins.","This file consists of Lucy Dyer's journal.","This file consists of a bound copy of Godey's Lady's Book from December 1870, Volume 81, No. 486. Edited by Sarah J. Hale and L.A. Godey.","This file consists of correspondence from the year 1892.","This file consists of Lizzie Dyer's account book with Rhode Island Hospital Trust Company from 1893.","This file consists of correspondence from the year 1896.","This file consists of correspondence from the year 1897.","This file consists of correspondence from the year 1898 (1/3).","This file consists of correspondence from the year 1898 (2/3).","This file consists of correspondence from the year 1898 (3/3).","This file consists of correspondence from the year 1899.","This file consists of correspondence from the year 1900.","This file consists of correspondence from the year 1901.","This file consists of correspondence from the year 1902.","This file consists of correspondence from the year 1903.","This file consists of correspondence from the year 1904.","This file consists of a copy of the \"Catalogue of Scientific and Technical Books: Season of 1906 and 1907\" published by Munn Company, No. 361. Published in New York.","This file consists of correspondence from the year 1907.","This files consists of a copy of \"Popular Science Monthly\" Vol. 72, No. 1 from January 1908, edited by J. McKeen Cattell. Published by the science press in Lancaster PA, Garrison NY, and New York NY.","This file consists of an illustrated artists calendar from 1909 depicting various master painters. Text is in French.","This file consists of correspondence from the year 1911 (1/2).","This file consists of correspondence from the year 1911 (2/2).","This file consists of damaged correspondence from the year 1911.","This file consists of correspondence from the year 1912.","This box consists of personal correspondence from 1915-1947, the Will of J.B. Herreshoff, and correspondence from Euchlin Reeves on fine china sales.","This file consists of correspondence from the year 1915.","This file consists of correspondence from the year 1917.","This file consists of correspondence from the year 1919.","This file consists of correspondence from the year 1920 (1/2).","This file consists of correspondence from the year 1920 (2/2).","This file consists of correspondence from the year 1921.","This file consists of correspondence from the year 1922 (1/2).","This file consists of correspondence from the year 1922 (2/2).","This file consists of correspondence from the year 1923.","This file consists of correspondence from the year 1924.","This file consists of correspondence from the year 1925 (1/2).","This file consists of correspondence from the year 1925 (2/2).","This file consists of correspondence from the year 1926 (1/3). Also includes Euchlin Reeves Ring-Tum Phi certificate.","This file consists of correspondence from the year 1926 (2/3).","This file consists of correspondence from the year 1926 (3/3).","This file consists of correspondence from the year 1927 (1/2).","This file consists of correspondence from the year 1927 (2/2).","This file consists of correspondence from the year 1928.","This file consists of correspondence from the year 1929.","This file consists of correspondence from the year 1930. Also includes a Tiffany and Co. Jeweler's Pocket Calendar.","This file consists of correspondence from the year 1931.","This file consists of correspondence from the year 1932.","This file consists of the last will and testament of J.B. Herreshoff, from 1932.","This file consists of correspondence from the year 1940. Mostly by Euchlin Reeves concerning his collection of fine china.","This file consists of correspondence from the year 1942.","This file consists of correspondence from the year 1943.","This file consists of correspondence from the year 1944.","This file consists of correspondence from the year 1945.","This file consists of correspondence from the year 1946.","This file consists of correspondence from the year 1947.","This box consists of personal correspondence from 1948-1956, miscellaneous correspondence, publications, a brochure for the Herreshoff exhibit from 1972. Correspondence following the dated range and sorted into categories by creator are preserved in original order and often relate to James W. Whithead's attempts to gather materials related to Herreshoff and Reeves' lives and history of art collection and creation.","This file consists of correspondence from the year 1948.","This file consists of correspondence from the year 1949.","This file consists of correspondence from the year 1950.","This file consists of correspondence from the year 1951.","This file consists of correspondence from the year 1952.","This file consists of correspondence from the year 1953.","Includes family passport for Euchlin Reeves and Louise Herreshoff, a ticket for a ship embarking from Providence, RI through the Church Travel Agency, a guide to first class accomodations in the R.M.S. Queen Elizabeth ship, and a list of passengers for the same ship.","This file consists of correspondence from the years 1955 through 1959.","This file consists of correspondence from the year 1961.","This file consists of correspondence from the years 1962-1964.","This file consists of undated correspondence.","This file consists of correspondence with Mary Wheeler and with James W. Whitehead. Assorted dates. Original order preserved.","This file consists of correspondence with the Gottwald family. Assorted dates.","This file consists of James W. Whitehead's correspondence about the Reeves and Herreshoff collections, including thank you notes and postcards.","This file contains correspondence with James W. Whitehead concerning gifts to Washington and Lee University related to Euchlin Reeves and Louise Herreshoff.","This file contains correspondence between James Whitehead and Louise DeWolf concerning information related to Louise Herreshoff.","This file consists of five art exhibition history publications released by L'Academie Julian, along with a note from James Whitehead.","This file consists of a publication list of books and pamphlets in the office of Earl S. Mattingly, including publications related to Louise Herreshoff's collection of fine china.","This file consists of brochures for exhibitions of Louise Herreshoff's work in numerous locations, such as the Providence Art Club, the Green Studio Hotel, and the Gallery on the Moores. Dates 1925 and 1972.","This box contains an Herreshoff journal and sketchbook, postcards from her trip to Shanghai, and the \"sick bag outline\" that James W. Whitehead wrote the draft of \"A Fragile Union: The Story of Louise Herreshoff\" on.","This file consists of correspondence with Collin and Laurens (1/2).","This file consists of correspondence related to Collins and Laurens (2/2).","This file consists of two personal journals of Louise Herreshoff.","Contains a number of sketches drawn by Louise Herreshoff.","This file consists of an inventory of the collections of fine china by Euchlin Reeves and Louise Herreshoff stored in Lexington.","Contains a number of bound publications made by the Mary Wheeler Academy.","This file consists of genealogical information compiled by James W. Whitehead, used for his biography of Louise Herreshoff.","This file consists of two publications from National Academy of Art and Design located in NYC.","This folder contains a number of postcards from Louise Herreshoff's travels to Shanghai.","This folder contains postcards from Louise Herreshoff's travels to Niagra Falls and various New England cites.","This folder contains postcards from Louise Herreshoff's travels to Venice.","This file consists of postcards depicting World War One soldiers.","This file consists of scans of paintings made by Louise Herreshoff.","This folder contains the plan for James Whitehead's biography on Louise Herreshoff, \"A Fragile Union,\" which was written on an airplane sick bag during a flight.","This file consists of one publication of \"Something Blue - Some American Views of Staffordshire.\"","This file contains a publication by Jeannette Brown Herreshoff.","This folder contains the art book that accompanied a 1976 exhibition of Louise Herreshoff's paintings entitled \"Louise Herreshoff: An American Artist Discovered.\"","This box contains portraits of Louise Herreshoff, photos of Herreshoff's trip to China, photos of Providence, RI, Col Alto, and Washington and Lee University photos. Also includes photos of family graves.","This file consists of portraits and photographs of Louise Herreshoff.","This file consists of portraits and photographs of Louise Herreshoff.","This file consists of portraits and photographs of Louise Herreshoff.","This file contains photographs and portraits of Louise Herreshoff's aunt Elizabeth \"Lizzie\" Dyer.","This file consists of portraits and photographs of unidentified subjects.","This folder contains an unidentified portrait ambrotype in its original casing.","This file consist of photos from Louise Herreshoff's travels to Niagra Falls.","This file consists of photographs and negatives of Louise Herreshoff and Euchlin Reeves' china collection.","This file consists of photographs of 89 Benevolent St in Providence, RI, which was Louise Herreshoff and Euchlin Reeves' family home where their china collection and paintings were stored.","This file consists of photos of Providence, RI.","This file contains photographs of Washington and Lee's campus, as well as Col Alto.","This file consists of photos of grave stones and sites for members of the Herreshoff and Reeves' families.","This box contains two photo albums, an exhibit book from Louise Herreshoff's 1976 show at Washington and Lee University, and a copy of \"A Fragile Union\" by James W. Whitehead.","This photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Materials have been glued to the page.","This photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Volume B contains more photos of Euchlin Reeves, both in his younger years, as well as during his marriage to Louise Herreshoff. There are some photos of photos of grave sites, and one postcard. Materials have been glued to the page.","This hard-cover exhibit book provides a brief biographical background on Louise Herreshoff, as well as image plates of her paintings displayed at a 1976 exhibit of her work at Washington and Lee University.","This biography of Louise Herreshoff by James Whitehead was created using personal correspondence, and regularly cites her letters. It depicts her life, familial ties, influences, time in Paris, period of art creation, china collecting, her two marriages, and her relationship with Washington and Lee University.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University","Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B.","The materials are in English."],"collection_title_tesim":["Louise Herreshoff Papers, 1867/1977"],"collection_ssim":["Louise Herreshoff Papers, 1867/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0694","/repositories/5/resources/989"],"unitid_tesim":["WLU.Coll.0694","/repositories/5/resources/989"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["France -- Paris","Rhode Island -- Providence"],"geogname_ssim":["France -- Paris","Rhode Island -- Providence"],"places_ssim":["France -- Paris","Rhode Island -- Providence"],"creator_persname_ssim":["Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B."],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University"],"creators_ssim":["Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B.","Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Painting","China trade porcelain -- Influence"],"access_subjects_ssm":["Painting","China trade porcelain -- Influence"],"has_online_content_ssim":["false"],"extent_ssm":["2.6 Linear Feet Five boxes including personal correspondence, ephemera, photographs. Two volumes of photograph albums, one exhibit book, one biographical book."],"extent_tesim":["2.6 Linear Feet Five boxes including personal correspondence, ephemera, photographs. Two volumes of photograph albums, one exhibit book, one biographical book."],"date_range_isim":[1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Louise Herreshoff Collection, WLU Coll. #0694, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e\n","\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Louise Herreshoff Collection, WLU Coll. #0694, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA","In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eTranscriptions of correspondence, including translations of letters written in French, created by student workers in 2019 for a project for University Museums. Some PDFs and Word documents are electronically stored in Box - the years of 1892, 1896, 1897, and 1899. Special Collections cannot gaurentee complete accuracy of the transcriptions. Scans of the photo albums from Box 6 are also stored on Box. See James Whitehead Papers in WLU-RG-34 for information about museum displays of Herreshoff's works.\u003c/p\u003e  ","\u003cp\u003eScans of the two photo albums are on box.\u003c/p\u003e","\u003cp\u003eA PDF scan of this photobook is available on Box.\u003c/p\u003e","\u003cp\u003eThere is a PDF scan of this photo album stored on Box.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["Transcriptions of correspondence, including translations of letters written in French, created by student workers in 2019 for a project for University Museums. Some PDFs and Word documents are electronically stored in Box - the years of 1892, 1896, 1897, and 1899. Special Collections cannot gaurentee complete accuracy of the transcriptions. Scans of the photo albums from Box 6 are also stored on Box. See James Whitehead Papers in WLU-RG-34 for information about museum displays of Herreshoff's works.","Scans of the two photo albums are on box.","A PDF scan of this photobook is available on Box.","There is a PDF scan of this photo album stored on Box."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes an important archive of letters, personal files, photos, and biographical information of esteemed painter Louise Herreshoff, her second husband Euchlin Reeves and their families. Euchlin Reeves was a graduate of Washington and Lee University (WLU) School of Law and is the namesake of WLU's Reeves Center, home of the Reeves Collection – a large and internationally important ceramics collection (1500 – present) and Louise Herreshoff's paintings, given by the couple to the university beginning in 1967.\u003c/p\u003e  ","\u003cp\u003eThis box contains the control folder, personal correspondence from 1892-1912, the journals of Lucy Dyer, and diary by Lizzie Dyer.\u003c/p\u003e","\u003cp\u003eThis file consists of the acquisition and processing form for the collection, as well as correspondence with Paul Whitehead documenting the gift of this collection to Washington and Lee Special Collections and Archives.\u003c/p\u003e","\u003cp\u003eThis file consists of Lucy Dyer's journal, as well as calling cards for John Dyer and Daniel Jenkins.\u003c/p\u003e","\u003cp\u003eThis file consists of Lucy Dyer's journal.\u003c/p\u003e","\u003cp\u003eThis file consists of a bound copy of Godey's Lady's Book from December 1870, Volume 81, No. 486. Edited by Sarah J. Hale and L.A. Godey.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1892.\u003c/p\u003e","\u003cp\u003eThis file consists of Lizzie Dyer's account book with Rhode Island Hospital Trust Company from 1893.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1896.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1897.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1898 (1/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1898 (2/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1898 (3/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1899.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1900.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1901.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1902.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1903.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1904.\u003c/p\u003e","\u003cp\u003eThis file consists of a copy of the \"Catalogue of Scientific and Technical Books: Season of 1906 and 1907\" published by Munn Company, No. 361. Published in New York.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1907.\u003c/p\u003e","\u003cp\u003eThis files consists of a copy of \"Popular Science Monthly\" Vol. 72, No. 1 from January 1908, edited by J. McKeen Cattell. Published by the science press in Lancaster PA, Garrison NY, and New York NY.\u003c/p\u003e","\u003cp\u003eThis file consists of an illustrated artists calendar from 1909 depicting various master painters. Text is in French.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1911 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1911 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of damaged correspondence from the year 1911.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1912.\u003c/p\u003e","\u003cp\u003eThis box consists of personal correspondence from 1915-1947, the Will of J.B. Herreshoff, and correspondence from Euchlin Reeves on fine china sales.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1915.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1917.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1919.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1920 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1920 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1921.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1922 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1922 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1923.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1924.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1925 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1925 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1926 (1/3). Also includes Euchlin Reeves Ring-Tum Phi certificate.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1926 (2/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1926 (3/3).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1927 (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1927 (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1928.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1929.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1930. Also includes a Tiffany and Co. Jeweler's Pocket Calendar.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1931.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1932.\u003c/p\u003e","\u003cp\u003eThis file consists of the last will and testament of J.B. Herreshoff, from 1932.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1940. Mostly by Euchlin Reeves concerning his collection of fine china.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1942.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1943.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1944.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1945.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1946.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1947.\u003c/p\u003e","\u003cp\u003eThis box consists of personal correspondence from 1948-1956, miscellaneous correspondence, publications, a brochure for the Herreshoff exhibit from 1972. Correspondence following the dated range and sorted into categories by creator are preserved in original order and often relate to James W. Whithead's attempts to gather materials related to Herreshoff and Reeves' lives and history of art collection and creation.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1948.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1949.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1950.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1951.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1952.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1953.\u003c/p\u003e","\u003cp\u003eIncludes family passport for Euchlin Reeves and Louise Herreshoff, a ticket for a ship embarking from Providence, RI through the Church Travel Agency, a guide to first class accomodations in the R.M.S. Queen Elizabeth ship, and a list of passengers for the same ship.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the years 1955 through 1959.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the year 1961.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from the years 1962-1964.\u003c/p\u003e","\u003cp\u003eThis file consists of undated correspondence.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence with Mary Wheeler and with James W. Whitehead. Assorted dates. Original order preserved.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence with the Gottwald family. Assorted dates.\u003c/p\u003e","\u003cp\u003eThis file consists of James W. Whitehead's correspondence about the Reeves and Herreshoff collections, including thank you notes and postcards.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence with James W. Whitehead concerning gifts to Washington and Lee University related to Euchlin Reeves and Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence between James Whitehead and Louise DeWolf concerning information related to Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of five art exhibition history publications released by L'Academie Julian, along with a note from James Whitehead.\u003c/p\u003e","\u003cp\u003eThis file consists of a publication list of books and pamphlets in the office of Earl S. Mattingly, including publications related to Louise Herreshoff's collection of fine china.\u003c/p\u003e","\u003cp\u003eThis file consists of brochures for exhibitions of Louise Herreshoff's work in numerous locations, such as the Providence Art Club, the Green Studio Hotel, and the Gallery on the Moores. Dates 1925 and 1972.\u003c/p\u003e","\u003cp\u003eThis box contains an Herreshoff journal and sketchbook, postcards from her trip to Shanghai, and the \"sick bag outline\" that James W. Whitehead wrote the draft of \"A Fragile Union: The Story of Louise Herreshoff\" on.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence with Collin and Laurens (1/2).\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence related to Collins and Laurens (2/2).\u003c/p\u003e","\u003cp\u003eThis file consists of two personal journals of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eContains a number of sketches drawn by Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of an inventory of the collections of fine china by Euchlin Reeves and Louise Herreshoff stored in Lexington.\u003c/p\u003e","\u003cp\u003eContains a number of bound publications made by the Mary Wheeler Academy.\u003c/p\u003e","\u003cp\u003eThis file consists of genealogical information compiled by James W. Whitehead, used for his biography of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of two publications from National Academy of Art and Design located in NYC.\u003c/p\u003e","\u003cp\u003eThis folder contains a number of postcards from Louise Herreshoff's travels to Shanghai.\u003c/p\u003e","\u003cp\u003eThis folder contains postcards from Louise Herreshoff's travels to Niagra Falls and various New England cites.\u003c/p\u003e","\u003cp\u003eThis folder contains postcards from Louise Herreshoff's travels to Venice.\u003c/p\u003e","\u003cp\u003eThis file consists of postcards depicting World War One soldiers.\u003c/p\u003e","\u003cp\u003eThis file consists of scans of paintings made by Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis folder contains the plan for James Whitehead's biography on Louise Herreshoff, \"A Fragile Union,\" which was written on an airplane sick bag during a flight.\u003c/p\u003e","\u003cp\u003eThis file consists of one publication of \"Something Blue - Some American Views of Staffordshire.\"\u003c/p\u003e","\u003cp\u003eThis file contains a publication by Jeannette Brown Herreshoff.\u003c/p\u003e","\u003cp\u003eThis folder contains the art book that accompanied a 1976 exhibition of Louise Herreshoff's paintings entitled \"Louise Herreshoff: An American Artist Discovered.\"\u003c/p\u003e","\u003cp\u003eThis box contains portraits of Louise Herreshoff, photos of Herreshoff's trip to China, photos of Providence, RI, Col Alto, and Washington and Lee University photos. Also includes photos of family graves.\u003c/p\u003e","\u003cp\u003eThis file consists of portraits and photographs of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of portraits and photographs of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file consists of portraits and photographs of Louise Herreshoff.\u003c/p\u003e","\u003cp\u003eThis file contains photographs and portraits of Louise Herreshoff's aunt Elizabeth \"Lizzie\" Dyer.\u003c/p\u003e","\u003cp\u003eThis file consists of portraits and photographs of unidentified subjects.\u003c/p\u003e","\u003cp\u003eThis folder contains an unidentified portrait ambrotype in its original casing.\u003c/p\u003e","\u003cp\u003eThis file consist of photos from Louise Herreshoff's travels to Niagra Falls.\u003c/p\u003e","\u003cp\u003eThis file consists of photographs and negatives of Louise Herreshoff and Euchlin Reeves' china collection.\u003c/p\u003e","\u003cp\u003eThis file consists of photographs of 89 Benevolent St in Providence, RI, which was Louise Herreshoff and Euchlin Reeves' family home where their china collection and paintings were stored.\u003c/p\u003e","\u003cp\u003eThis file consists of photos of Providence, RI.\u003c/p\u003e","\u003cp\u003eThis file contains photographs of Washington and Lee's campus, as well as Col Alto.\u003c/p\u003e","\u003cp\u003eThis file consists of photos of grave stones and sites for members of the Herreshoff and Reeves' families.\u003c/p\u003e","\u003cp\u003eThis box contains two photo albums, an exhibit book from Louise Herreshoff's 1976 show at Washington and Lee University, and a copy of \"A Fragile Union\" by James W. Whitehead.\u003c/p\u003e","\u003cp\u003eThis photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Materials have been glued to the page.\u003c/p\u003e","\u003cp\u003eThis photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Volume B contains more photos of Euchlin Reeves, both in his younger years, as well as during his marriage to Louise Herreshoff. There are some photos of photos of grave sites, and one postcard. Materials have been glued to the page.\u003c/p\u003e","\u003cp\u003eThis hard-cover exhibit book provides a brief biographical background on Louise Herreshoff, as well as image plates of her paintings displayed at a 1976 exhibit of her work at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis biography of Louise Herreshoff by James Whitehead was created using personal correspondence, and regularly cites her letters. It depicts her life, familial ties, influences, time in Paris, period of art creation, china collecting, her two marriages, and her relationship with Washington and Lee University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes an important archive of letters, personal files, photos, and biographical information of esteemed painter Louise Herreshoff, her second husband Euchlin Reeves and their families. Euchlin Reeves was a graduate of Washington and Lee University (WLU) School of Law and is the namesake of WLU's Reeves Center, home of the Reeves Collection – a large and internationally important ceramics collection (1500 – present) and Louise Herreshoff's paintings, given by the couple to the university beginning in 1967.","This box contains the control folder, personal correspondence from 1892-1912, the journals of Lucy Dyer, and diary by Lizzie Dyer.","This file consists of the acquisition and processing form for the collection, as well as correspondence with Paul Whitehead documenting the gift of this collection to Washington and Lee Special Collections and Archives.","This file consists of Lucy Dyer's journal, as well as calling cards for John Dyer and Daniel Jenkins.","This file consists of Lucy Dyer's journal.","This file consists of a bound copy of Godey's Lady's Book from December 1870, Volume 81, No. 486. Edited by Sarah J. Hale and L.A. Godey.","This file consists of correspondence from the year 1892.","This file consists of Lizzie Dyer's account book with Rhode Island Hospital Trust Company from 1893.","This file consists of correspondence from the year 1896.","This file consists of correspondence from the year 1897.","This file consists of correspondence from the year 1898 (1/3).","This file consists of correspondence from the year 1898 (2/3).","This file consists of correspondence from the year 1898 (3/3).","This file consists of correspondence from the year 1899.","This file consists of correspondence from the year 1900.","This file consists of correspondence from the year 1901.","This file consists of correspondence from the year 1902.","This file consists of correspondence from the year 1903.","This file consists of correspondence from the year 1904.","This file consists of a copy of the \"Catalogue of Scientific and Technical Books: Season of 1906 and 1907\" published by Munn Company, No. 361. Published in New York.","This file consists of correspondence from the year 1907.","This files consists of a copy of \"Popular Science Monthly\" Vol. 72, No. 1 from January 1908, edited by J. McKeen Cattell. Published by the science press in Lancaster PA, Garrison NY, and New York NY.","This file consists of an illustrated artists calendar from 1909 depicting various master painters. Text is in French.","This file consists of correspondence from the year 1911 (1/2).","This file consists of correspondence from the year 1911 (2/2).","This file consists of damaged correspondence from the year 1911.","This file consists of correspondence from the year 1912.","This box consists of personal correspondence from 1915-1947, the Will of J.B. Herreshoff, and correspondence from Euchlin Reeves on fine china sales.","This file consists of correspondence from the year 1915.","This file consists of correspondence from the year 1917.","This file consists of correspondence from the year 1919.","This file consists of correspondence from the year 1920 (1/2).","This file consists of correspondence from the year 1920 (2/2).","This file consists of correspondence from the year 1921.","This file consists of correspondence from the year 1922 (1/2).","This file consists of correspondence from the year 1922 (2/2).","This file consists of correspondence from the year 1923.","This file consists of correspondence from the year 1924.","This file consists of correspondence from the year 1925 (1/2).","This file consists of correspondence from the year 1925 (2/2).","This file consists of correspondence from the year 1926 (1/3). Also includes Euchlin Reeves Ring-Tum Phi certificate.","This file consists of correspondence from the year 1926 (2/3).","This file consists of correspondence from the year 1926 (3/3).","This file consists of correspondence from the year 1927 (1/2).","This file consists of correspondence from the year 1927 (2/2).","This file consists of correspondence from the year 1928.","This file consists of correspondence from the year 1929.","This file consists of correspondence from the year 1930. Also includes a Tiffany and Co. Jeweler's Pocket Calendar.","This file consists of correspondence from the year 1931.","This file consists of correspondence from the year 1932.","This file consists of the last will and testament of J.B. Herreshoff, from 1932.","This file consists of correspondence from the year 1940. Mostly by Euchlin Reeves concerning his collection of fine china.","This file consists of correspondence from the year 1942.","This file consists of correspondence from the year 1943.","This file consists of correspondence from the year 1944.","This file consists of correspondence from the year 1945.","This file consists of correspondence from the year 1946.","This file consists of correspondence from the year 1947.","This box consists of personal correspondence from 1948-1956, miscellaneous correspondence, publications, a brochure for the Herreshoff exhibit from 1972. Correspondence following the dated range and sorted into categories by creator are preserved in original order and often relate to James W. Whithead's attempts to gather materials related to Herreshoff and Reeves' lives and history of art collection and creation.","This file consists of correspondence from the year 1948.","This file consists of correspondence from the year 1949.","This file consists of correspondence from the year 1950.","This file consists of correspondence from the year 1951.","This file consists of correspondence from the year 1952.","This file consists of correspondence from the year 1953.","Includes family passport for Euchlin Reeves and Louise Herreshoff, a ticket for a ship embarking from Providence, RI through the Church Travel Agency, a guide to first class accomodations in the R.M.S. Queen Elizabeth ship, and a list of passengers for the same ship.","This file consists of correspondence from the years 1955 through 1959.","This file consists of correspondence from the year 1961.","This file consists of correspondence from the years 1962-1964.","This file consists of undated correspondence.","This file consists of correspondence with Mary Wheeler and with James W. Whitehead. Assorted dates. Original order preserved.","This file consists of correspondence with the Gottwald family. Assorted dates.","This file consists of James W. Whitehead's correspondence about the Reeves and Herreshoff collections, including thank you notes and postcards.","This file contains correspondence with James W. Whitehead concerning gifts to Washington and Lee University related to Euchlin Reeves and Louise Herreshoff.","This file contains correspondence between James Whitehead and Louise DeWolf concerning information related to Louise Herreshoff.","This file consists of five art exhibition history publications released by L'Academie Julian, along with a note from James Whitehead.","This file consists of a publication list of books and pamphlets in the office of Earl S. Mattingly, including publications related to Louise Herreshoff's collection of fine china.","This file consists of brochures for exhibitions of Louise Herreshoff's work in numerous locations, such as the Providence Art Club, the Green Studio Hotel, and the Gallery on the Moores. Dates 1925 and 1972.","This box contains an Herreshoff journal and sketchbook, postcards from her trip to Shanghai, and the \"sick bag outline\" that James W. Whitehead wrote the draft of \"A Fragile Union: The Story of Louise Herreshoff\" on.","This file consists of correspondence with Collin and Laurens (1/2).","This file consists of correspondence related to Collins and Laurens (2/2).","This file consists of two personal journals of Louise Herreshoff.","Contains a number of sketches drawn by Louise Herreshoff.","This file consists of an inventory of the collections of fine china by Euchlin Reeves and Louise Herreshoff stored in Lexington.","Contains a number of bound publications made by the Mary Wheeler Academy.","This file consists of genealogical information compiled by James W. Whitehead, used for his biography of Louise Herreshoff.","This file consists of two publications from National Academy of Art and Design located in NYC.","This folder contains a number of postcards from Louise Herreshoff's travels to Shanghai.","This folder contains postcards from Louise Herreshoff's travels to Niagra Falls and various New England cites.","This folder contains postcards from Louise Herreshoff's travels to Venice.","This file consists of postcards depicting World War One soldiers.","This file consists of scans of paintings made by Louise Herreshoff.","This folder contains the plan for James Whitehead's biography on Louise Herreshoff, \"A Fragile Union,\" which was written on an airplane sick bag during a flight.","This file consists of one publication of \"Something Blue - Some American Views of Staffordshire.\"","This file contains a publication by Jeannette Brown Herreshoff.","This folder contains the art book that accompanied a 1976 exhibition of Louise Herreshoff's paintings entitled \"Louise Herreshoff: An American Artist Discovered.\"","This box contains portraits of Louise Herreshoff, photos of Herreshoff's trip to China, photos of Providence, RI, Col Alto, and Washington and Lee University photos. Also includes photos of family graves.","This file consists of portraits and photographs of Louise Herreshoff.","This file consists of portraits and photographs of Louise Herreshoff.","This file consists of portraits and photographs of Louise Herreshoff.","This file contains photographs and portraits of Louise Herreshoff's aunt Elizabeth \"Lizzie\" Dyer.","This file consists of portraits and photographs of unidentified subjects.","This folder contains an unidentified portrait ambrotype in its original casing.","This file consist of photos from Louise Herreshoff's travels to Niagra Falls.","This file consists of photographs and negatives of Louise Herreshoff and Euchlin Reeves' china collection.","This file consists of photographs of 89 Benevolent St in Providence, RI, which was Louise Herreshoff and Euchlin Reeves' family home where their china collection and paintings were stored.","This file consists of photos of Providence, RI.","This file contains photographs of Washington and Lee's campus, as well as Col Alto.","This file consists of photos of grave stones and sites for members of the Herreshoff and Reeves' families.","This box contains two photo albums, an exhibit book from Louise Herreshoff's 1976 show at Washington and Lee University, and a copy of \"A Fragile Union\" by James W. Whitehead.","This photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Materials have been glued to the page.","This photo album consists of photographs, photocopies, and personal notes indicating the subjects of the graphic materials. The images usually focus on members of the Herreshoff family, their residences, and artwork by Louise Herreshoff. Volume B contains more photos of Euchlin Reeves, both in his younger years, as well as during his marriage to Louise Herreshoff. There are some photos of photos of grave sites, and one postcard. Materials have been glued to the page.","This hard-cover exhibit book provides a brief biographical background on Louise Herreshoff, as well as image plates of her paintings displayed at a 1976 exhibit of her work at Washington and Lee University.","This biography of Louise Herreshoff by James Whitehead was created using personal correspondence, and regularly cites her letters. It depicts her life, familial ties, influences, time in Paris, period of art creation, china collecting, her two marriages, and her relationship with Washington and Lee University."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University"],"names_coll_ssim":["Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B."],"persname_ssim":["Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Mary Wheeler Academy","Washington and Lee University. School of Law","Emory University","Munn and Company","L'Academie Julian","National Academy of Art and Design (New York City)","Washington and Lee University. Reeves Center","Washington and Lee University","Herreshoff, Louise","Reeves, Euchlin","Whitehead, James Walter, Sr.","Eaton, Charles Albert","Dyer, Elizabeth","Dyer Bennett, Lucia (Lucy) Emory","Herreshoff, J.B."],"language_ssim":["The materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":114,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_989"}},{"id":"vilxw_repositories_5_resources_533","type":"collection","attributes":{"title":"MacMillan Albums, 1843/1851","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_533#creator","type":"document_value","attributes":{"value":"MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_533#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of three scrapbooks with contents compiled by Mary MacMillan and her son Charles MacMillan. The first contains scenes from a trip to Ireland, containing Mary MacMillan's pencil sketches of scenes and prints of Ireland mostly by James Howard Burgess. The second contains poetry and calligraphy from Mary MacMillan and others as well as collections of dried and pressed marine marine algae or seaweed, watercolors sketches and cartoons. The third consists of mica paintings made in India for British tourists, and were most likely collected by Mary's son Charles.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_533#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_533","ead_ssi":"vilxw_repositories_5_resources_533","_root_":"vilxw_repositories_5_resources_533","_nest_parent_":"vilxw_repositories_5_resources_533","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_533.xml","title_ssm":["MacMillan Albums"],"title_tesim":["MacMillan Albums"],"unitdate_ssm":["Inclusive 1843-1851"],"unitdate_inclusive_ssm":["Inclusive 1843-1851"],"normalized_date_ssm":["1843/1851"],"normalized_title_ssm":["MacMillan Albums, 1843/1851"],"text":["MacMillan Albums, 1843/1851","WLU.Coll.0266","/repositories/5/resources/533","Scotland","Ireland","Poetry","Painting","Drawing","Watercolor painting","Mica","Mica Painting","Company painting","Calligraphy","Sketchbooks \u0026 albums","This collection is open for research use.","The two creators of this collection were Mary Margaret MacMillan nee Campbell, and her son Charles Newton MacMillan of Scotland.  Margaret MacMillan was born around the beginning of the nineteenth century and made/collected the contents of the sketchbook of Ireland and the commonplace book.  The mica paintings likely come from Mary's son Charles during his time in India as a British soldier.  After his time in the British service, he emigrated to Virginia in the United States, eventually to a the Fancy Hill vicinity of Rockbridge County, Virginia.","This collection consists of three scrapbooks with contents compiled by Mary MacMillan and her son Charles MacMillan.  The first contains scenes from a trip to Ireland, containing Mary MacMillan's pencil sketches of scenes and prints of Ireland mostly by James Howard Burgess.  The second contains poetry and calligraphy from Mary MacMillan and others as well as collections of dried and pressed marine marine algae or seaweed, watercolors sketches and cartoons.  The third consists of mica paintings made in India for British tourists, and were most likely collected by Mary's son Charles.","This scrapbook contains a mixture of prints and sketches mostly of places in Ireland.  One half of the book consists of pencil sketches and one watercolor by Mary MacMillan.  Most of the engraving prints, including one of Edinburgh, Scotland, are by artist James Howard Burgess (J. H. Burgess).  Also included are two newspaper cutouts not pasted, likely collected for the print art.","This scrapbook contains poetry and art created and compiled by Mary MacMillan.  The poetry was written by Mary and others.  The most common theme throughout the poetry is grieving or mourning death. The scrapbook has pencil sketches, watercolors, and cartoons from others and some calligraphy by Mary.  Other contents include a few pieces of pressed and dried seaweed or marine algae and a miniature piece of sheet music with hand drawn musical notes.","This scrapbook contains Indian mica paintings likely collected by Charles MacMillan.  These paintings consist of gouache paint on thin sheets of mica showing people and scenes in India.  They were made for the tourist trade during the British colonial era and were sold as souvenirs.  The paintings in this collection likely come from the city of Patna. The likely collector of this album was Charles MacMillan, son of Mary MacMillan, had served in the British Army in India. Charles emigrated to the United Sates from Scotland before 1861.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","McMillan Family","MacMillan Family","MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890","English"],"collection_title_tesim":["MacMillan Albums, 1843/1851"],"collection_ssim":["MacMillan Albums, 1843/1851"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0266","/repositories/5/resources/533"],"unitid_tesim":["WLU.Coll.0266","/repositories/5/resources/533"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Scotland","Ireland"],"geogname_ssim":["Scotland","Ireland"],"places_ssim":["Scotland","Ireland"],"creator_ssm":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898"],"creator_ssim":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898"],"creator_persname_ssim":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creator_famname_ssim":["McMillan Family","MacMillan Family"],"creators_ssim":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890","Washington and Lee University, University Library Special Collections and Archives","McMillan Family","MacMillan Family"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["These albums were a gift of Reverend H. Middleton Raynal."],"access_subjects_ssim":["Poetry","Painting","Drawing","Watercolor painting","Mica","Mica Painting","Company painting","Calligraphy","Sketchbooks \u0026 albums"],"access_subjects_ssm":["Poetry","Painting","Drawing","Watercolor painting","Mica","Mica Painting","Company painting","Calligraphy","Sketchbooks \u0026 albums"],"has_online_content_ssim":["false"],"extent_ssm":["3 Item"],"extent_tesim":["3 Item"],"genreform_ssim":["Sketchbooks \u0026 albums"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThe two creators of this collection were Mary Margaret MacMillan nee Campbell, and her son Charles Newton MacMillan of Scotland.  Margaret MacMillan was born around the beginning of the nineteenth century and made/collected the contents of the sketchbook of Ireland and the commonplace book.  The mica paintings likely come from Mary's son Charles during his time in India as a British soldier.  After his time in the British service, he emigrated to Virginia in the United States, eventually to a the Fancy Hill vicinity of Rockbridge County, Virginia.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The two creators of this collection were Mary Margaret MacMillan nee Campbell, and her son Charles Newton MacMillan of Scotland.  Margaret MacMillan was born around the beginning of the nineteenth century and made/collected the contents of the sketchbook of Ireland and the commonplace book.  The mica paintings likely come from Mary's son Charles during his time in India as a British soldier.  After his time in the British service, he emigrated to Virginia in the United States, eventually to a the Fancy Hill vicinity of Rockbridge County, Virginia."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], MacMillan Albums, WLU Coll. 0266, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], MacMillan Albums, WLU Coll. 0266, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of three scrapbooks with contents compiled by Mary MacMillan and her son Charles MacMillan.  The first contains scenes from a trip to Ireland, containing Mary MacMillan's pencil sketches of scenes and prints of Ireland mostly by James Howard Burgess.  The second contains poetry and calligraphy from Mary MacMillan and others as well as collections of dried and pressed marine marine algae or seaweed, watercolors sketches and cartoons.  The third consists of mica paintings made in India for British tourists, and were most likely collected by Mary's son Charles.\u003c/p\u003e  ","\u003cp\u003eThis scrapbook contains a mixture of prints and sketches mostly of places in Ireland.  One half of the book consists of pencil sketches and one watercolor by Mary MacMillan.  Most of the engraving prints, including one of Edinburgh, Scotland, are by artist James Howard Burgess (J. H. Burgess).  Also included are two newspaper cutouts not pasted, likely collected for the print art.\u003c/p\u003e","\u003cp\u003eThis scrapbook contains poetry and art created and compiled by Mary MacMillan.  The poetry was written by Mary and others.  The most common theme throughout the poetry is grieving or mourning death. The scrapbook has pencil sketches, watercolors, and cartoons from others and some calligraphy by Mary.  Other contents include a few pieces of pressed and dried seaweed or marine algae and a miniature piece of sheet music with hand drawn musical notes.\u003c/p\u003e","\u003cp\u003eThis scrapbook contains Indian mica paintings likely collected by Charles MacMillan.  These paintings consist of gouache paint on thin sheets of mica showing people and scenes in India.  They were made for the tourist trade during the British colonial era and were sold as souvenirs.  The paintings in this collection likely come from the city of Patna. The likely collector of this album was Charles MacMillan, son of Mary MacMillan, had served in the British Army in India. Charles emigrated to the United Sates from Scotland before 1861.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of three scrapbooks with contents compiled by Mary MacMillan and her son Charles MacMillan.  The first contains scenes from a trip to Ireland, containing Mary MacMillan's pencil sketches of scenes and prints of Ireland mostly by James Howard Burgess.  The second contains poetry and calligraphy from Mary MacMillan and others as well as collections of dried and pressed marine marine algae or seaweed, watercolors sketches and cartoons.  The third consists of mica paintings made in India for British tourists, and were most likely collected by Mary's son Charles.","This scrapbook contains a mixture of prints and sketches mostly of places in Ireland.  One half of the book consists of pencil sketches and one watercolor by Mary MacMillan.  Most of the engraving prints, including one of Edinburgh, Scotland, are by artist James Howard Burgess (J. H. Burgess).  Also included are two newspaper cutouts not pasted, likely collected for the print art.","This scrapbook contains poetry and art created and compiled by Mary MacMillan.  The poetry was written by Mary and others.  The most common theme throughout the poetry is grieving or mourning death. The scrapbook has pencil sketches, watercolors, and cartoons from others and some calligraphy by Mary.  Other contents include a few pieces of pressed and dried seaweed or marine algae and a miniature piece of sheet music with hand drawn musical notes.","This scrapbook contains Indian mica paintings likely collected by Charles MacMillan.  These paintings consist of gouache paint on thin sheets of mica showing people and scenes in India.  They were made for the tourist trade during the British colonial era and were sold as souvenirs.  The paintings in this collection likely come from the city of Patna. The likely collector of this album was Charles MacMillan, son of Mary MacMillan, had served in the British Army in India. Charles emigrated to the United Sates from Scotland before 1861."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"famname_ssim":["McMillan Family","MacMillan Family"],"names_coll_ssim":["McMillan Family","MacMillan Family"],"persname_ssim":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","McMillan Family","MacMillan Family","MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:37.512Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_533","ead_ssi":"vilxw_repositories_5_resources_533","_root_":"vilxw_repositories_5_resources_533","_nest_parent_":"vilxw_repositories_5_resources_533","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_533.xml","title_ssm":["MacMillan Albums"],"title_tesim":["MacMillan Albums"],"unitdate_ssm":["Inclusive 1843-1851"],"unitdate_inclusive_ssm":["Inclusive 1843-1851"],"normalized_date_ssm":["1843/1851"],"normalized_title_ssm":["MacMillan Albums, 1843/1851"],"text":["MacMillan Albums, 1843/1851","WLU.Coll.0266","/repositories/5/resources/533","Scotland","Ireland","Poetry","Painting","Drawing","Watercolor painting","Mica","Mica Painting","Company painting","Calligraphy","Sketchbooks \u0026 albums","This collection is open for research use.","The two creators of this collection were Mary Margaret MacMillan nee Campbell, and her son Charles Newton MacMillan of Scotland.  Margaret MacMillan was born around the beginning of the nineteenth century and made/collected the contents of the sketchbook of Ireland and the commonplace book.  The mica paintings likely come from Mary's son Charles during his time in India as a British soldier.  After his time in the British service, he emigrated to Virginia in the United States, eventually to a the Fancy Hill vicinity of Rockbridge County, Virginia.","This collection consists of three scrapbooks with contents compiled by Mary MacMillan and her son Charles MacMillan.  The first contains scenes from a trip to Ireland, containing Mary MacMillan's pencil sketches of scenes and prints of Ireland mostly by James Howard Burgess.  The second contains poetry and calligraphy from Mary MacMillan and others as well as collections of dried and pressed marine marine algae or seaweed, watercolors sketches and cartoons.  The third consists of mica paintings made in India for British tourists, and were most likely collected by Mary's son Charles.","This scrapbook contains a mixture of prints and sketches mostly of places in Ireland.  One half of the book consists of pencil sketches and one watercolor by Mary MacMillan.  Most of the engraving prints, including one of Edinburgh, Scotland, are by artist James Howard Burgess (J. H. Burgess).  Also included are two newspaper cutouts not pasted, likely collected for the print art.","This scrapbook contains poetry and art created and compiled by Mary MacMillan.  The poetry was written by Mary and others.  The most common theme throughout the poetry is grieving or mourning death. The scrapbook has pencil sketches, watercolors, and cartoons from others and some calligraphy by Mary.  Other contents include a few pieces of pressed and dried seaweed or marine algae and a miniature piece of sheet music with hand drawn musical notes.","This scrapbook contains Indian mica paintings likely collected by Charles MacMillan.  These paintings consist of gouache paint on thin sheets of mica showing people and scenes in India.  They were made for the tourist trade during the British colonial era and were sold as souvenirs.  The paintings in this collection likely come from the city of Patna. The likely collector of this album was Charles MacMillan, son of Mary MacMillan, had served in the British Army in India. Charles emigrated to the United Sates from Scotland before 1861.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","McMillan Family","MacMillan Family","MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890","English"],"collection_title_tesim":["MacMillan Albums, 1843/1851"],"collection_ssim":["MacMillan Albums, 1843/1851"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0266","/repositories/5/resources/533"],"unitid_tesim":["WLU.Coll.0266","/repositories/5/resources/533"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Scotland","Ireland"],"geogname_ssim":["Scotland","Ireland"],"places_ssim":["Scotland","Ireland"],"creator_ssm":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898"],"creator_ssim":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898"],"creator_persname_ssim":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creator_famname_ssim":["McMillan Family","MacMillan Family"],"creators_ssim":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890","Washington and Lee University, University Library Special Collections and Archives","McMillan Family","MacMillan Family"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["These albums were a gift of Reverend H. Middleton Raynal."],"access_subjects_ssim":["Poetry","Painting","Drawing","Watercolor painting","Mica","Mica Painting","Company painting","Calligraphy","Sketchbooks \u0026 albums"],"access_subjects_ssm":["Poetry","Painting","Drawing","Watercolor painting","Mica","Mica Painting","Company painting","Calligraphy","Sketchbooks \u0026 albums"],"has_online_content_ssim":["false"],"extent_ssm":["3 Item"],"extent_tesim":["3 Item"],"genreform_ssim":["Sketchbooks \u0026 albums"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThe two creators of this collection were Mary Margaret MacMillan nee Campbell, and her son Charles Newton MacMillan of Scotland.  Margaret MacMillan was born around the beginning of the nineteenth century and made/collected the contents of the sketchbook of Ireland and the commonplace book.  The mica paintings likely come from Mary's son Charles during his time in India as a British soldier.  After his time in the British service, he emigrated to Virginia in the United States, eventually to a the Fancy Hill vicinity of Rockbridge County, Virginia.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The two creators of this collection were Mary Margaret MacMillan nee Campbell, and her son Charles Newton MacMillan of Scotland.  Margaret MacMillan was born around the beginning of the nineteenth century and made/collected the contents of the sketchbook of Ireland and the commonplace book.  The mica paintings likely come from Mary's son Charles during his time in India as a British soldier.  After his time in the British service, he emigrated to Virginia in the United States, eventually to a the Fancy Hill vicinity of Rockbridge County, Virginia."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], MacMillan Albums, WLU Coll. 0266, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], MacMillan Albums, WLU Coll. 0266, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of three scrapbooks with contents compiled by Mary MacMillan and her son Charles MacMillan.  The first contains scenes from a trip to Ireland, containing Mary MacMillan's pencil sketches of scenes and prints of Ireland mostly by James Howard Burgess.  The second contains poetry and calligraphy from Mary MacMillan and others as well as collections of dried and pressed marine marine algae or seaweed, watercolors sketches and cartoons.  The third consists of mica paintings made in India for British tourists, and were most likely collected by Mary's son Charles.\u003c/p\u003e  ","\u003cp\u003eThis scrapbook contains a mixture of prints and sketches mostly of places in Ireland.  One half of the book consists of pencil sketches and one watercolor by Mary MacMillan.  Most of the engraving prints, including one of Edinburgh, Scotland, are by artist James Howard Burgess (J. H. Burgess).  Also included are two newspaper cutouts not pasted, likely collected for the print art.\u003c/p\u003e","\u003cp\u003eThis scrapbook contains poetry and art created and compiled by Mary MacMillan.  The poetry was written by Mary and others.  The most common theme throughout the poetry is grieving or mourning death. The scrapbook has pencil sketches, watercolors, and cartoons from others and some calligraphy by Mary.  Other contents include a few pieces of pressed and dried seaweed or marine algae and a miniature piece of sheet music with hand drawn musical notes.\u003c/p\u003e","\u003cp\u003eThis scrapbook contains Indian mica paintings likely collected by Charles MacMillan.  These paintings consist of gouache paint on thin sheets of mica showing people and scenes in India.  They were made for the tourist trade during the British colonial era and were sold as souvenirs.  The paintings in this collection likely come from the city of Patna. The likely collector of this album was Charles MacMillan, son of Mary MacMillan, had served in the British Army in India. Charles emigrated to the United Sates from Scotland before 1861.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of three scrapbooks with contents compiled by Mary MacMillan and her son Charles MacMillan.  The first contains scenes from a trip to Ireland, containing Mary MacMillan's pencil sketches of scenes and prints of Ireland mostly by James Howard Burgess.  The second contains poetry and calligraphy from Mary MacMillan and others as well as collections of dried and pressed marine marine algae or seaweed, watercolors sketches and cartoons.  The third consists of mica paintings made in India for British tourists, and were most likely collected by Mary's son Charles.","This scrapbook contains a mixture of prints and sketches mostly of places in Ireland.  One half of the book consists of pencil sketches and one watercolor by Mary MacMillan.  Most of the engraving prints, including one of Edinburgh, Scotland, are by artist James Howard Burgess (J. H. Burgess).  Also included are two newspaper cutouts not pasted, likely collected for the print art.","This scrapbook contains poetry and art created and compiled by Mary MacMillan.  The poetry was written by Mary and others.  The most common theme throughout the poetry is grieving or mourning death. The scrapbook has pencil sketches, watercolors, and cartoons from others and some calligraphy by Mary.  Other contents include a few pieces of pressed and dried seaweed or marine algae and a miniature piece of sheet music with hand drawn musical notes.","This scrapbook contains Indian mica paintings likely collected by Charles MacMillan.  These paintings consist of gouache paint on thin sheets of mica showing people and scenes in India.  They were made for the tourist trade during the British colonial era and were sold as souvenirs.  The paintings in this collection likely come from the city of Patna. The likely collector of this album was Charles MacMillan, son of Mary MacMillan, had served in the British Army in India. Charles emigrated to the United Sates from Scotland before 1861."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"famname_ssim":["McMillan Family","MacMillan Family"],"names_coll_ssim":["McMillan Family","MacMillan Family"],"persname_ssim":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","McMillan Family","MacMillan Family","MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:37.512Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_533"}},{"id":"viw_repositories_2_resources_9653","type":"collection","attributes":{"title":"Mexican retablo and ex-voto paintings, 2021","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9653#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e5 Retablo or ex-voto paintings depicting themes that include Covid-19, immigration, migration, illness and traditional dance. Retablo is the Spanish term for relatable or reredos above an spiritual, often Catholic, altar. Retablo paintings are a form of folk art that depict iconography including saints and other religious figures derived from the Catholic church. Ex-voto paintings are votive paintings offered to a saint or divinity. Ex-voto paintings typically depict oppressive incidents in which an individual survives. Paintings are by Gonzalo Palacios and Flor Palomares.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9653#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9653","ead_ssi":"viw_repositories_2_resources_9653","_root_":"viw_repositories_2_resources_9653","_nest_parent_":"viw_repositories_2_resources_9653","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9653.xml","title_filing_ssi":"Mexican retablo and ex-voto paintings","title_ssm":["Mexican retablo and ex-voto paintings"],"title_tesim":["Mexican retablo and ex-voto paintings"],"unitdate_ssm":["2021"],"unitdate_other_ssim":["2021"],"normalized_date_ssm":["2021"],"normalized_title_ssm":["Mexican retablo and ex-voto paintings, 2021"],"text":["Mexican retablo and ex-voto paintings, 2021","MS 00362","/repositories/2/resources/9653","Votive offerings in art","Art, Mexican","Painting","Spiritual life in art","Art and religion","Religious art","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged by file.","5 Retablo or ex-voto paintings depicting themes that include Covid-19, immigration, migration, illness and traditional dance. Retablo is the Spanish term for relatable or reredos above an spiritual, often Catholic, altar. Retablo paintings are a form of folk art that depict iconography including saints and other religious figures derived from the Catholic church. Ex-voto paintings are votive paintings offered to a saint or divinity. Ex-voto paintings typically depict oppressive incidents in which an individual survives. Paintings are by Gonzalo Palacios and Flor Palomares.","Text on ex-voto reads:","Español: Me encontraba yo tan enfermo en el hospital que los médicos ya nome daban esperanzas de vida. Agradezco a Nuestro Señor Jesucristo que, con su infinita misericordia, me haya devuelto la salud obrando en mí, un milagro. Bendito sea. 2021.","[English translation: I was so ill in the hospital that the doctors no longer gave me hope of life. I thank our lord Jesus Christ that, with his infinite mercy, he has restored my health, working a miracle in me. Blessed be. 2021.]","Text on ex-voto reads:","Español: Le pedimos fervientemente con el presente exvoto a San Rogue de que la variante Delta y las otras variantes del virus del COVID-19 se puedan controlar y así todas las personas del mundo podamos regresar a vivir sin miedo como era antes de esta pandemia. 2021.","[English translation: We ask you with this ex-voto to San Roque that the Delta variant and the other variants of the COVID-19 virus can be controlled so that all the people of the world can return to live without fear as it was before the pandemic. 2021.]","Text on ex-voto reads:","Español: De todo corazón damos las gracias a la Virgencita de Guadalupe por acompañarnos mientras cruzábamos la frontera mi hermanito y yo, ya que queríamos volver a ver a nuestra mamá que hace años se fué a los Estados Unidos a trabajar, dejándonos con nuestra abuelita. Ahora, gracias a su divina misericordia sobrevivimos al desierto y pudimos reencontrarnos con mamá. Teodoro y Jacinto Ríos. Sonora, México.","[English translation: We wholeheartedly thank the Virgin of Guadalupe for accompanying us as we crossed the border, my little brother and I, since we wanted to see our mother again, who years ago went to the United States to work, leaving us with our grandmother. Now, thanks to her divine mercy, we survived the desert and were able to meet mom again. Teodoro and Jacinto Rios. Sonora, Mexico.]","Text on ex-voto reads:","Español: Delfina Rosales dedica el presente retablito con profundo agradecimiento a la Virgencita de Guadalupe por concederle su sueño de participar en el festival de la Guelaguetza bailando con sus amigas el famoso y colorido \"Baile de la Flor de Pina, ya que le emociona el formar parte de tan importante y bella tradición. Oaxaca, México.","[English translation: Delfina Rosales dedicates this little altarpiece with deep gratitude to the Virgencita de Guadalupe for granting her dream of participating in the Guelaguetza festival by dancing with her friends the famous and colorful \"Dance of the Pineapple Flower,\" as she is excited to be part of such an important and beautiful tradition. Oaxaca, Mexico.]","Text on retablo reads:","Español: Agradezco de todo corazón con este sencillo retablito a San Roque porque por fin ya se está controlando la pandemia y así ya pude volver a salir a trabajar de organillero. Fué mas de un año que no podíamos salir a las calles y tuve que hacer cuarentena en casa, pero ahora ya puedo trabajar para poder dalir adelante. CDMX, 2021.","[English translation: I thank San Roque with all my heart with this simple altarpiece because the pandemic is finally being controlled and so I was able to go back to work as an organ grinder. It was more than a year that we could not go out on the streets and I had to quarantine at home, but now I can work to earn an income. CDMX 2021.]","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Spanish; Castilian"],"collection_title_tesim":["Mexican retablo and ex-voto paintings, 2021"],"collection_ssim":["Mexican retablo and ex-voto paintings, 2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00362","/repositories/2/resources/9653"],"unitid_tesim":["MS 00362","/repositories/2/resources/9653"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchased with the assistance of the Christian Family Endowment."],"access_subjects_ssim":["Votive offerings in art","Art, Mexican","Painting","Spiritual life in art","Art and religion","Religious art"],"access_subjects_ssm":["Votive offerings in art","Art, Mexican","Painting","Spiritual life in art","Art and religion","Religious art"],"has_online_content_ssim":["false"],"extent_ssm":[".21 Linear Feet 1 half Hollinger box"],"extent_tesim":[".21 Linear Feet 1 half Hollinger box"],"date_range_isim":[2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by file.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by file."],"prefercite_html_tesm":["\u003cp\u003eMexican retablo and ex-voto paintings, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Mexican retablo and ex-voto paintings, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003e5 Retablo or ex-voto paintings depicting themes that include Covid-19, immigration, migration, illness and traditional dance. Retablo is the Spanish term for relatable or reredos above an spiritual, often Catholic, altar. Retablo paintings are a form of folk art that depict iconography including saints and other religious figures derived from the Catholic church. Ex-voto paintings are votive paintings offered to a saint or divinity. Ex-voto paintings typically depict oppressive incidents in which an individual survives. Paintings are by Gonzalo Palacios and Flor Palomares.\u003c/p\u003e  ","\u003cp\u003eText on ex-voto reads:\u003c/p\u003e","\u003cp\u003eEspañol: Me encontraba yo tan enfermo en el hospital que los médicos ya nome daban esperanzas de vida. Agradezco a Nuestro Señor Jesucristo que, con su infinita misericordia, me haya devuelto la salud obrando en mí, un milagro. Bendito sea. 2021.\u003c/p\u003e","\u003cp\u003e[English translation: I was so ill in the hospital that the doctors no longer gave me hope of life. I thank our lord Jesus Christ that, with his infinite mercy, he has restored my health, working a miracle in me. Blessed be. 2021.] \u003c/p\u003e","\u003cp\u003eText on ex-voto reads:\u003c/p\u003e","\u003cp\u003eEspañol: Le pedimos fervientemente con el presente exvoto a San Rogue de que la variante Delta y las otras variantes del virus del COVID-19 se puedan controlar y así todas las personas del mundo podamos regresar a vivir sin miedo como era antes de esta pandemia. 2021.\u003c/p\u003e","\u003cp\u003e[English translation: We ask you with this ex-voto to San Roque that the Delta variant and the other variants of the COVID-19 virus can be controlled so that all the people of the world can return to live without fear as it was before the pandemic. 2021.] \u003c/p\u003e","\u003cp\u003eText on ex-voto reads:\u003c/p\u003e","\u003cp\u003eEspañol: De todo corazón damos las gracias a la Virgencita de Guadalupe por acompañarnos mientras cruzábamos la frontera mi hermanito y yo, ya que queríamos volver a ver a nuestra mamá que hace años se fué a los Estados Unidos a trabajar, dejándonos con nuestra abuelita. Ahora, gracias a su divina misericordia sobrevivimos al desierto y pudimos reencontrarnos con mamá. Teodoro y Jacinto Ríos. Sonora, México.\u003c/p\u003e","\u003cp\u003e[English translation: We wholeheartedly thank the Virgin of Guadalupe for accompanying us as we crossed the border, my little brother and I, since we wanted to see our mother again, who years ago went to the United States to work, leaving us with our grandmother. Now, thanks to her divine mercy, we survived the desert and were able to meet mom again. Teodoro and Jacinto Rios. Sonora, Mexico.] \u003c/p\u003e","\u003cp\u003eText on ex-voto reads:\u003c/p\u003e","\u003cp\u003eEspañol: Delfina Rosales dedica el presente retablito con profundo agradecimiento a la Virgencita de Guadalupe por concederle su sueño de participar en el festival de la Guelaguetza bailando con sus amigas el famoso y colorido \"Baile de la Flor de Pina, ya que le emociona el formar parte de tan importante y bella tradición. Oaxaca, México. \u003c/p\u003e","\u003cp\u003e[English translation: Delfina Rosales dedicates this little altarpiece with deep gratitude to the Virgencita de Guadalupe for granting her dream of participating in the Guelaguetza festival by dancing with her friends the famous and colorful \"Dance of the Pineapple Flower,\" as she is excited to be part of such an important and beautiful tradition. Oaxaca, Mexico.] \u003c/p\u003e","\u003cp\u003eText on retablo reads:\u003c/p\u003e","\u003cp\u003eEspañol: Agradezco de todo corazón con este sencillo retablito a San Roque porque por fin ya se está controlando la pandemia y así ya pude volver a salir a trabajar de organillero. Fué mas de un año que no podíamos salir a las calles y tuve que hacer cuarentena en casa, pero ahora ya puedo trabajar para poder dalir adelante. CDMX, 2021.\u003c/p\u003e","\u003cp\u003e[English translation: I thank San Roque with all my heart with this simple altarpiece because the pandemic is finally being controlled and so I was able to go back to work as an organ grinder. It was more than a year that we could not go out on the streets and I had to quarantine at home, but now I can work to earn an income. CDMX 2021.] \u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["5 Retablo or ex-voto paintings depicting themes that include Covid-19, immigration, migration, illness and traditional dance. Retablo is the Spanish term for relatable or reredos above an spiritual, often Catholic, altar. Retablo paintings are a form of folk art that depict iconography including saints and other religious figures derived from the Catholic church. Ex-voto paintings are votive paintings offered to a saint or divinity. Ex-voto paintings typically depict oppressive incidents in which an individual survives. Paintings are by Gonzalo Palacios and Flor Palomares.","Text on ex-voto reads:","Español: Me encontraba yo tan enfermo en el hospital que los médicos ya nome daban esperanzas de vida. Agradezco a Nuestro Señor Jesucristo que, con su infinita misericordia, me haya devuelto la salud obrando en mí, un milagro. Bendito sea. 2021.","[English translation: I was so ill in the hospital that the doctors no longer gave me hope of life. I thank our lord Jesus Christ that, with his infinite mercy, he has restored my health, working a miracle in me. Blessed be. 2021.]","Text on ex-voto reads:","Español: Le pedimos fervientemente con el presente exvoto a San Rogue de que la variante Delta y las otras variantes del virus del COVID-19 se puedan controlar y así todas las personas del mundo podamos regresar a vivir sin miedo como era antes de esta pandemia. 2021.","[English translation: We ask you with this ex-voto to San Roque that the Delta variant and the other variants of the COVID-19 virus can be controlled so that all the people of the world can return to live without fear as it was before the pandemic. 2021.]","Text on ex-voto reads:","Español: De todo corazón damos las gracias a la Virgencita de Guadalupe por acompañarnos mientras cruzábamos la frontera mi hermanito y yo, ya que queríamos volver a ver a nuestra mamá que hace años se fué a los Estados Unidos a trabajar, dejándonos con nuestra abuelita. Ahora, gracias a su divina misericordia sobrevivimos al desierto y pudimos reencontrarnos con mamá. Teodoro y Jacinto Ríos. Sonora, México.","[English translation: We wholeheartedly thank the Virgin of Guadalupe for accompanying us as we crossed the border, my little brother and I, since we wanted to see our mother again, who years ago went to the United States to work, leaving us with our grandmother. Now, thanks to her divine mercy, we survived the desert and were able to meet mom again. Teodoro and Jacinto Rios. Sonora, Mexico.]","Text on ex-voto reads:","Español: Delfina Rosales dedica el presente retablito con profundo agradecimiento a la Virgencita de Guadalupe por concederle su sueño de participar en el festival de la Guelaguetza bailando con sus amigas el famoso y colorido \"Baile de la Flor de Pina, ya que le emociona el formar parte de tan importante y bella tradición. Oaxaca, México.","[English translation: Delfina Rosales dedicates this little altarpiece with deep gratitude to the Virgencita de Guadalupe for granting her dream of participating in the Guelaguetza festival by dancing with her friends the famous and colorful \"Dance of the Pineapple Flower,\" as she is excited to be part of such an important and beautiful tradition. Oaxaca, Mexico.]","Text on retablo reads:","Español: Agradezco de todo corazón con este sencillo retablito a San Roque porque por fin ya se está controlando la pandemia y así ya pude volver a salir a trabajar de organillero. Fué mas de un año que no podíamos salir a las calles y tuve que hacer cuarentena en casa, pero ahora ya puedo trabajar para poder dalir adelante. CDMX, 2021.","[English translation: I thank San Roque with all my heart with this simple altarpiece because the pandemic is finally being controlled and so I was able to go back to work as an organ grinder. It was more than a year that we could not go out on the streets and I had to quarantine at home, but now I can work to earn an income. CDMX 2021.]"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:49:58.131Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9653","ead_ssi":"viw_repositories_2_resources_9653","_root_":"viw_repositories_2_resources_9653","_nest_parent_":"viw_repositories_2_resources_9653","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9653.xml","title_filing_ssi":"Mexican retablo and ex-voto paintings","title_ssm":["Mexican retablo and ex-voto paintings"],"title_tesim":["Mexican retablo and ex-voto paintings"],"unitdate_ssm":["2021"],"unitdate_other_ssim":["2021"],"normalized_date_ssm":["2021"],"normalized_title_ssm":["Mexican retablo and ex-voto paintings, 2021"],"text":["Mexican retablo and ex-voto paintings, 2021","MS 00362","/repositories/2/resources/9653","Votive offerings in art","Art, Mexican","Painting","Spiritual life in art","Art and religion","Religious art","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged by file.","5 Retablo or ex-voto paintings depicting themes that include Covid-19, immigration, migration, illness and traditional dance. Retablo is the Spanish term for relatable or reredos above an spiritual, often Catholic, altar. Retablo paintings are a form of folk art that depict iconography including saints and other religious figures derived from the Catholic church. Ex-voto paintings are votive paintings offered to a saint or divinity. Ex-voto paintings typically depict oppressive incidents in which an individual survives. Paintings are by Gonzalo Palacios and Flor Palomares.","Text on ex-voto reads:","Español: Me encontraba yo tan enfermo en el hospital que los médicos ya nome daban esperanzas de vida. Agradezco a Nuestro Señor Jesucristo que, con su infinita misericordia, me haya devuelto la salud obrando en mí, un milagro. Bendito sea. 2021.","[English translation: I was so ill in the hospital that the doctors no longer gave me hope of life. I thank our lord Jesus Christ that, with his infinite mercy, he has restored my health, working a miracle in me. Blessed be. 2021.]","Text on ex-voto reads:","Español: Le pedimos fervientemente con el presente exvoto a San Rogue de que la variante Delta y las otras variantes del virus del COVID-19 se puedan controlar y así todas las personas del mundo podamos regresar a vivir sin miedo como era antes de esta pandemia. 2021.","[English translation: We ask you with this ex-voto to San Roque that the Delta variant and the other variants of the COVID-19 virus can be controlled so that all the people of the world can return to live without fear as it was before the pandemic. 2021.]","Text on ex-voto reads:","Español: De todo corazón damos las gracias a la Virgencita de Guadalupe por acompañarnos mientras cruzábamos la frontera mi hermanito y yo, ya que queríamos volver a ver a nuestra mamá que hace años se fué a los Estados Unidos a trabajar, dejándonos con nuestra abuelita. Ahora, gracias a su divina misericordia sobrevivimos al desierto y pudimos reencontrarnos con mamá. Teodoro y Jacinto Ríos. Sonora, México.","[English translation: We wholeheartedly thank the Virgin of Guadalupe for accompanying us as we crossed the border, my little brother and I, since we wanted to see our mother again, who years ago went to the United States to work, leaving us with our grandmother. Now, thanks to her divine mercy, we survived the desert and were able to meet mom again. Teodoro and Jacinto Rios. Sonora, Mexico.]","Text on ex-voto reads:","Español: Delfina Rosales dedica el presente retablito con profundo agradecimiento a la Virgencita de Guadalupe por concederle su sueño de participar en el festival de la Guelaguetza bailando con sus amigas el famoso y colorido \"Baile de la Flor de Pina, ya que le emociona el formar parte de tan importante y bella tradición. Oaxaca, México.","[English translation: Delfina Rosales dedicates this little altarpiece with deep gratitude to the Virgencita de Guadalupe for granting her dream of participating in the Guelaguetza festival by dancing with her friends the famous and colorful \"Dance of the Pineapple Flower,\" as she is excited to be part of such an important and beautiful tradition. Oaxaca, Mexico.]","Text on retablo reads:","Español: Agradezco de todo corazón con este sencillo retablito a San Roque porque por fin ya se está controlando la pandemia y así ya pude volver a salir a trabajar de organillero. Fué mas de un año que no podíamos salir a las calles y tuve que hacer cuarentena en casa, pero ahora ya puedo trabajar para poder dalir adelante. CDMX, 2021.","[English translation: I thank San Roque with all my heart with this simple altarpiece because the pandemic is finally being controlled and so I was able to go back to work as an organ grinder. It was more than a year that we could not go out on the streets and I had to quarantine at home, but now I can work to earn an income. CDMX 2021.]","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Spanish; Castilian"],"collection_title_tesim":["Mexican retablo and ex-voto paintings, 2021"],"collection_ssim":["Mexican retablo and ex-voto paintings, 2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00362","/repositories/2/resources/9653"],"unitid_tesim":["MS 00362","/repositories/2/resources/9653"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchased with the assistance of the Christian Family Endowment."],"access_subjects_ssim":["Votive offerings in art","Art, Mexican","Painting","Spiritual life in art","Art and religion","Religious art"],"access_subjects_ssm":["Votive offerings in art","Art, Mexican","Painting","Spiritual life in art","Art and religion","Religious art"],"has_online_content_ssim":["false"],"extent_ssm":[".21 Linear Feet 1 half Hollinger box"],"extent_tesim":[".21 Linear Feet 1 half Hollinger box"],"date_range_isim":[2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by file.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by file."],"prefercite_html_tesm":["\u003cp\u003eMexican retablo and ex-voto paintings, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Mexican retablo and ex-voto paintings, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003e5 Retablo or ex-voto paintings depicting themes that include Covid-19, immigration, migration, illness and traditional dance. Retablo is the Spanish term for relatable or reredos above an spiritual, often Catholic, altar. Retablo paintings are a form of folk art that depict iconography including saints and other religious figures derived from the Catholic church. Ex-voto paintings are votive paintings offered to a saint or divinity. Ex-voto paintings typically depict oppressive incidents in which an individual survives. Paintings are by Gonzalo Palacios and Flor Palomares.\u003c/p\u003e  ","\u003cp\u003eText on ex-voto reads:\u003c/p\u003e","\u003cp\u003eEspañol: Me encontraba yo tan enfermo en el hospital que los médicos ya nome daban esperanzas de vida. Agradezco a Nuestro Señor Jesucristo que, con su infinita misericordia, me haya devuelto la salud obrando en mí, un milagro. Bendito sea. 2021.\u003c/p\u003e","\u003cp\u003e[English translation: I was so ill in the hospital that the doctors no longer gave me hope of life. I thank our lord Jesus Christ that, with his infinite mercy, he has restored my health, working a miracle in me. Blessed be. 2021.] \u003c/p\u003e","\u003cp\u003eText on ex-voto reads:\u003c/p\u003e","\u003cp\u003eEspañol: Le pedimos fervientemente con el presente exvoto a San Rogue de que la variante Delta y las otras variantes del virus del COVID-19 se puedan controlar y así todas las personas del mundo podamos regresar a vivir sin miedo como era antes de esta pandemia. 2021.\u003c/p\u003e","\u003cp\u003e[English translation: We ask you with this ex-voto to San Roque that the Delta variant and the other variants of the COVID-19 virus can be controlled so that all the people of the world can return to live without fear as it was before the pandemic. 2021.] \u003c/p\u003e","\u003cp\u003eText on ex-voto reads:\u003c/p\u003e","\u003cp\u003eEspañol: De todo corazón damos las gracias a la Virgencita de Guadalupe por acompañarnos mientras cruzábamos la frontera mi hermanito y yo, ya que queríamos volver a ver a nuestra mamá que hace años se fué a los Estados Unidos a trabajar, dejándonos con nuestra abuelita. Ahora, gracias a su divina misericordia sobrevivimos al desierto y pudimos reencontrarnos con mamá. Teodoro y Jacinto Ríos. Sonora, México.\u003c/p\u003e","\u003cp\u003e[English translation: We wholeheartedly thank the Virgin of Guadalupe for accompanying us as we crossed the border, my little brother and I, since we wanted to see our mother again, who years ago went to the United States to work, leaving us with our grandmother. Now, thanks to her divine mercy, we survived the desert and were able to meet mom again. Teodoro and Jacinto Rios. Sonora, Mexico.] \u003c/p\u003e","\u003cp\u003eText on ex-voto reads:\u003c/p\u003e","\u003cp\u003eEspañol: Delfina Rosales dedica el presente retablito con profundo agradecimiento a la Virgencita de Guadalupe por concederle su sueño de participar en el festival de la Guelaguetza bailando con sus amigas el famoso y colorido \"Baile de la Flor de Pina, ya que le emociona el formar parte de tan importante y bella tradición. Oaxaca, México. \u003c/p\u003e","\u003cp\u003e[English translation: Delfina Rosales dedicates this little altarpiece with deep gratitude to the Virgencita de Guadalupe for granting her dream of participating in the Guelaguetza festival by dancing with her friends the famous and colorful \"Dance of the Pineapple Flower,\" as she is excited to be part of such an important and beautiful tradition. Oaxaca, Mexico.] \u003c/p\u003e","\u003cp\u003eText on retablo reads:\u003c/p\u003e","\u003cp\u003eEspañol: Agradezco de todo corazón con este sencillo retablito a San Roque porque por fin ya se está controlando la pandemia y así ya pude volver a salir a trabajar de organillero. Fué mas de un año que no podíamos salir a las calles y tuve que hacer cuarentena en casa, pero ahora ya puedo trabajar para poder dalir adelante. CDMX, 2021.\u003c/p\u003e","\u003cp\u003e[English translation: I thank San Roque with all my heart with this simple altarpiece because the pandemic is finally being controlled and so I was able to go back to work as an organ grinder. It was more than a year that we could not go out on the streets and I had to quarantine at home, but now I can work to earn an income. CDMX 2021.] \u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["5 Retablo or ex-voto paintings depicting themes that include Covid-19, immigration, migration, illness and traditional dance. Retablo is the Spanish term for relatable or reredos above an spiritual, often Catholic, altar. Retablo paintings are a form of folk art that depict iconography including saints and other religious figures derived from the Catholic church. Ex-voto paintings are votive paintings offered to a saint or divinity. Ex-voto paintings typically depict oppressive incidents in which an individual survives. Paintings are by Gonzalo Palacios and Flor Palomares.","Text on ex-voto reads:","Español: Me encontraba yo tan enfermo en el hospital que los médicos ya nome daban esperanzas de vida. Agradezco a Nuestro Señor Jesucristo que, con su infinita misericordia, me haya devuelto la salud obrando en mí, un milagro. Bendito sea. 2021.","[English translation: I was so ill in the hospital that the doctors no longer gave me hope of life. I thank our lord Jesus Christ that, with his infinite mercy, he has restored my health, working a miracle in me. Blessed be. 2021.]","Text on ex-voto reads:","Español: Le pedimos fervientemente con el presente exvoto a San Rogue de que la variante Delta y las otras variantes del virus del COVID-19 se puedan controlar y así todas las personas del mundo podamos regresar a vivir sin miedo como era antes de esta pandemia. 2021.","[English translation: We ask you with this ex-voto to San Roque that the Delta variant and the other variants of the COVID-19 virus can be controlled so that all the people of the world can return to live without fear as it was before the pandemic. 2021.]","Text on ex-voto reads:","Español: De todo corazón damos las gracias a la Virgencita de Guadalupe por acompañarnos mientras cruzábamos la frontera mi hermanito y yo, ya que queríamos volver a ver a nuestra mamá que hace años se fué a los Estados Unidos a trabajar, dejándonos con nuestra abuelita. Ahora, gracias a su divina misericordia sobrevivimos al desierto y pudimos reencontrarnos con mamá. Teodoro y Jacinto Ríos. Sonora, México.","[English translation: We wholeheartedly thank the Virgin of Guadalupe for accompanying us as we crossed the border, my little brother and I, since we wanted to see our mother again, who years ago went to the United States to work, leaving us with our grandmother. Now, thanks to her divine mercy, we survived the desert and were able to meet mom again. Teodoro and Jacinto Rios. Sonora, Mexico.]","Text on ex-voto reads:","Español: Delfina Rosales dedica el presente retablito con profundo agradecimiento a la Virgencita de Guadalupe por concederle su sueño de participar en el festival de la Guelaguetza bailando con sus amigas el famoso y colorido \"Baile de la Flor de Pina, ya que le emociona el formar parte de tan importante y bella tradición. Oaxaca, México.","[English translation: Delfina Rosales dedicates this little altarpiece with deep gratitude to the Virgencita de Guadalupe for granting her dream of participating in the Guelaguetza festival by dancing with her friends the famous and colorful \"Dance of the Pineapple Flower,\" as she is excited to be part of such an important and beautiful tradition. Oaxaca, Mexico.]","Text on retablo reads:","Español: Agradezco de todo corazón con este sencillo retablito a San Roque porque por fin ya se está controlando la pandemia y así ya pude volver a salir a trabajar de organillero. Fué mas de un año que no podíamos salir a las calles y tuve que hacer cuarentena en casa, pero ahora ya puedo trabajar para poder dalir adelante. CDMX, 2021.","[English translation: I thank San Roque with all my heart with this simple altarpiece because the pandemic is finally being controlled and so I was able to go back to work as an organ grinder. It was more than a year that we could not go out on the streets and I had to quarantine at home, but now I can work to earn an income. CDMX 2021.]"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:49:58.131Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9653"}},{"id":"vifgm_repositories_2_resources_4","type":"collection","attributes":{"title":"Paul Cadmus interview collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_4#creator","type":"document_value","attributes":{"value":"Sutherland, David","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_4#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains U-matic 3/4\" video cassettes of interviews of Paul Cadmus.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_4#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_4","ead_ssi":"vifgm_repositories_2_resources_4","_root_":"vifgm_repositories_2_resources_4","_nest_parent_":"vifgm_repositories_2_resources_4","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_4.xml","title_ssm":["Paul Cadmus interview collection"],"title_tesim":["Paul Cadmus interview collection"],"unitdate_ssm":["1979-1980"],"unitdate_inclusive_ssm":["1979-1980"],"normalized_title_ssm":["Paul Cadmus interview collection"],"text":["Paul Cadmus interview collection","C0005","/repositories/2/resources/4","Painting","Homosexuality and art","Magic realism (Art) -- United States","Video recordings","Oral histories","There are no access restrictions.","Arranged chronologically.","Born in 1904, Paul Cadmus was an American artist, best known for his paintings and drawings of nude male figures. His works combined elements of eroticism and social critique to produce a style often called magic realism.","Cadmus studied in New York at the National Academy of Design (1919-1926) and at the Art Students League (1928). He travelled in Italy from 1931 to 1933 with the painter Jared French (b. 1905), who would become his friend and lover and would convince Cadmus to stop working in commercial art so that he may devote his career entirely to fine art.","Cadmus' deep admiration for Italian Renaissance painting, skilled draughtsmanship, and classical composition led him to learn paint with egg tempera, a medium associated with Classical Greek icons. Cadmus' social concerns informed his often critical view of contemporary life, as in Sailors and Floosies (1938; New York, Whitney). 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