{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":19,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_542","type":"collection","attributes":{"title":"\"Aida\" opera costume paintings","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_542#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. 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Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.","\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. ","\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts.","Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French.","Public Domain. 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Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida."],"bioghist_html_tesm":["\u003cp\u003e\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Single 'Aida' opera costume painting (C0474)\" href=\"https://aspace.gmu.edu/repositories/2/resources/543\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/repositories/2/resources/541\"\u003e\u003c/extptr\u003e, as well as other materials related to opera, costume design, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9576737c0c53a822d5c41ce4fcab5344\" label=\"Abstract\"\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s.\u003c/abstract\u003e"],"abstract_tesim":["Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1e79eb9724213e0fffe9962712ab3fa7\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"persname_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_542","ead_ssi":"vifgm_repositories_2_resources_542","_root_":"vifgm_repositories_2_resources_542","_nest_parent_":"vifgm_repositories_2_resources_542","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_542.xml","title_ssm":["\"Aida\" opera costume paintings"],"title_tesim":["\"Aida\" opera costume paintings"],"unitdate_ssm":["circa early 1870s"],"unitdate_other_ssim":["circa early 1870s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0473","/repositories/2/resources/542"],"text":["C0473","/repositories/2/resources/542","\"Aida\" opera costume paintings","Art","Costume design","Opera","There are no access restrictions.","This is a single folder collection.","Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.","\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. ","\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts.","Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French.","Public Domain. 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Special Collections Research Center"],"access_terms_ssm":["Public Domain. 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Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.\u003c/p\u003e\n","\u003cp\u003eHolmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida."],"bioghist_html_tesm":["\u003cp\u003e\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Single 'Aida' opera costume painting (C0474)\" href=\"https://aspace.gmu.edu/repositories/2/resources/543\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/repositories/2/resources/541\"\u003e\u003c/extptr\u003e, as well as other materials related to opera, costume design, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. 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Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9576737c0c53a822d5c41ce4fcab5344\" label=\"Abstract\"\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s.\u003c/abstract\u003e"],"abstract_tesim":["Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1e79eb9724213e0fffe9962712ab3fa7\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"persname_ssim":["Verdi, Giuseppe, 1813-1901. 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Turridu has seduced Santuzza out of spite for being rejected by his former lover Lola, now married to Alfio. However, Turiddu begins an affair with Lola behind Santuzza's back, and in typical verismo fashion, passion and death ensue. Based on the story and play by Giovanni Verga, \"Cavalleria\" was an instant and massive success, and became Mascagni's most popular work, despite being his first. The composer himself was quoted as saying, \"It is a pity I wrote Cavalleria first...for I was crowned before I became king\" (ClassicFM.) \"Cavalleria rusticana\" is still performed today, traditionally in a double bill with the opera \"Pagliacci\" by Ruggero Leoncavallo, known as \"Cav/Pag.\" It is perhaps best known for its \"Intermezzo\" music.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the  , as well as many other materials on opera and the performing arts.","Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings.","Public Domain. 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Accessed March 9, 2021. https://www.britannica.com/topic/Cavalleria-rusticana-opera-by-Mascagni.\u003c/p\u003e\n","\u003cp\u003e\"The Story Behind Mascagni's Cavalleria Rusticana.\" Classic FM. Accessed March 9, 2021. https://www.classicfm.com/composers/mascagni/guides/story-behind-mascagnis-cavalleria-rusticana/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: Cavalleria Rusticana/Pagliacci.\" The Metropolitan Opera. Accessed March 9, 2021. https://www.metopera.org/user-information/synopses-archive/cav-pag.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54. ","Cantoni, L. and Schwarm, Betsy. \"Cavalleria rusticana.\" Encyclopaedia Britannica. Accessed March 9, 2021. https://www.britannica.com/topic/Cavalleria-rusticana-opera-by-Mascagni.","\"The Story Behind Mascagni's Cavalleria Rusticana.\" Classic FM. Accessed March 9, 2021. https://www.classicfm.com/composers/mascagni/guides/story-behind-mascagnis-cavalleria-rusticana/.","\"Synopsis: Cavalleria Rusticana/Pagliacci.\" The Metropolitan Opera. Accessed March 9, 2021. https://www.metopera.org/user-information/synopses-archive/cav-pag."],"bioghist_html_tesm":["\u003cp\u003e\"Cavalleria rusticana,\" translated from the Italian to \"rustic chivalry,\" is an 1890 opera by Pietro Mascagni. The catalyst of the \"verismo\" opera trend, \"Cavalleria rusticana\" was hailed for its music, passionate and realistic plot, and the punch it packed as a short opera, clocking in around 75 minutes (compared to a typical opera's 2.5-3 hour runtime). \"Cavalleria\" tells the story of Sicilian villagers Santuzza and Turiddu. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'La Navarraise' opera scene and costume lithographs\" href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\u003c/extptr\u003e, as well as many other materials on opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , as well as many other materials on opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSix pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. 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Turridu has seduced Santuzza out of spite for being rejected by his former lover Lola, now married to Alfio. However, Turiddu begins an affair with Lola behind Santuzza's back, and in typical verismo fashion, passion and death ensue. Based on the story and play by Giovanni Verga, \"Cavalleria\" was an instant and massive success, and became Mascagni's most popular work, despite being his first. The composer himself was quoted as saying, \"It is a pity I wrote Cavalleria first...for I was crowned before I became king\" (ClassicFM.) \"Cavalleria rusticana\" is still performed today, traditionally in a double bill with the opera \"Pagliacci\" by Ruggero Leoncavallo, known as \"Cav/Pag.\" It is perhaps best known for its \"Intermezzo\" music.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. 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The composer himself was quoted as saying, \"It is a pity I wrote Cavalleria first...for I was crowned before I became king\" (ClassicFM.) \"Cavalleria rusticana\" is still performed today, traditionally in a double bill with the opera \"Pagliacci\" by Ruggero Leoncavallo, known as \"Cav/Pag.\" It is perhaps best known for its \"Intermezzo\" music."],"prefercite_html_tesm":["\u003cp\u003e\"Cavalleria rusticana\" opera costume paintings, C0472, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"Cavalleria rusticana\" opera costume paintings, C0472, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'La Navarraise' opera scene and costume lithographs\" href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\u003c/extptr\u003e, as well as many other materials on opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , as well as many other materials on opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSix pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. No known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. No known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_91b0450187fb31dfccc7f2c45cf97d42\" label=\"Abstract\"\u003eSix pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana,\" circa 1890.\u003c/abstract\u003e"],"abstract_tesim":["Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana,\" circa 1890."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2aa9686e9517ec2be30916925fb820f4\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"persname_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"language_ssim":["Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_541"}},{"id":"vifgm_repositories_2_resources_677","type":"collection","attributes":{"title":"Daniele Struppa music manuscripts collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_677#abstract_or_scope","type":"document_value","attributes":{"value":"Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_677#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_677","ead_ssi":"vifgm_repositories_2_resources_677","_root_":"vifgm_repositories_2_resources_677","_nest_parent_":"vifgm_repositories_2_resources_677","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_677.xml","title_filing_ssi":"Daniele Struppa music manuscripts collection","title_ssm":["Daniele Struppa music manuscripts collection"],"title_tesim":["Daniele Struppa music manuscripts collection"],"unitdate_ssm":["circa late 19th century - 1994"],"unitdate_inclusive_ssm":["circa late 19th century - 1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0348","/repositories/2/resources/677"],"text":["C0348","/repositories/2/resources/677","Daniele Struppa music manuscripts collection","Music","Opera","Composers","Conductors (Music)","Singers","Musicians","There are no access restrictions.","Arranged in chronological order.","Britannica, T. Editors of Encyclopaedia. \"Arrigo Boito.\" Encyclopedia Britannica, June 6, 2024. https://www.britannica.com/biography/Arrigo-Boito.","\"Dr. Daniele Struppa[.]\" Faculty Profile, Chapman University, accessed October 10, 2024. https://www.chapman.edu/our-faculty/daniele-struppa.","\"Pietro Mascagni[.]\" Opera World, accessed October 10, 2024. https://opera-world.net/opera_composers/pietro-mascagni/.","Daniele Struppa, Ph.D. is an Italian academic and mathematician. Dr. Struppa served in various roles at George Mason University, including as the former Dean of the College of of Humanities and Social Sciences. Dr. Struppa is the current President of Chapman University and previously served as their Chancellor for nine years. He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics.","Processed by Amanda Menjivar from September-October 2024. 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","For the remaining materials: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by former GMU Dean of the College of Humanities and Social Sciences, Dr. Daniele Struppa in 2003 and 2005."],"access_subjects_ssim":["Music","Opera","Composers","Conductors (Music)","Singers","Musicians"],"access_subjects_ssm":["Music","Opera","Composers","Conductors (Music)","Singers","Musicians"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 box"],"extent_tesim":["1 Linear Feet 1 box"],"date_range_isim":[1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in chronological order."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. 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He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Daniele Struppa, Ph.D. is an Italian academic and mathematician. Dr. Struppa served in various roles at George Mason University, including as the former Dean of the College of of Humanities and Social Sciences. Dr. Struppa is the current President of Chapman University and previously served as their Chancellor for nine years. He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics."],"prefercite_html_tesm":["\u003cp\u003eDaniele Struppa music manuscripts collection, C0348, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Daniele Struppa music manuscripts collection, C0348, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from September-October 2024. Finding aid completed in October 2024.\u003c/p\u003e","\u003cp\u003eGerman translation and transcription provided by Dorothee Schubel, George Mason University Libraries.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from September-October 2024. Finding aid completed in October 2024.","German translation and transcription provided by Dorothee Schubel, George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds numerous collection music and the performing arts.\u003c/p\u003e\n","\u003cp\u003eIn addition to these materials, Dr. Daniele Struppa also donated a number of \u003cextptr show=\"new\" title=\"rare publications\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=any,contains,daniele%20struppa\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=location_code,include,4105%E2%80%9313707590004105%E2%80%93scrc%20rare\u0026amp;lang=en\u0026amp;offset=0\"\u003e\u003c/extptr\u003e to the Special Collections Research Center.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds numerous collection music and the performing arts.","In addition to these materials, Dr. Daniele Struppa also donated a number of   to the Special Collections Research Center."],"scopecontent_html_tesm":["\u003cp\u003eTen music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century-1991. See inventory and related scope notes for full details on each item.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century-1991. See inventory and related scope notes for full details on each item."],"userestrict_html_tesm":["\u003cp\u003eAll materials created before 1925 are in the public domain. \u003c/p\u003e\n","\u003cp\u003eFor the remaining materials: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["All materials created before 1925 are in the public domain. ","For the remaining materials: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0cfbff9602fe1ebfc3b55bdb61d9845f\"\u003eTen music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994.\u003c/abstract\u003e"],"abstract_tesim":["Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cbcfeb6d5aac72a8ff27223e8b59d577\"\u003eR 73, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945"],"corpname_ssim":["George Mason University. Libraries. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:24.911Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_677","ead_ssi":"vifgm_repositories_2_resources_677","_root_":"vifgm_repositories_2_resources_677","_nest_parent_":"vifgm_repositories_2_resources_677","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_677.xml","title_filing_ssi":"Daniele Struppa music manuscripts collection","title_ssm":["Daniele Struppa music manuscripts collection"],"title_tesim":["Daniele Struppa music manuscripts collection"],"unitdate_ssm":["circa late 19th century - 1994"],"unitdate_inclusive_ssm":["circa late 19th century - 1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0348","/repositories/2/resources/677"],"text":["C0348","/repositories/2/resources/677","Daniele Struppa music manuscripts collection","Music","Opera","Composers","Conductors (Music)","Singers","Musicians","There are no access restrictions.","Arranged in chronological order.","Britannica, T. Editors of Encyclopaedia. \"Arrigo Boito.\" Encyclopedia Britannica, June 6, 2024. https://www.britannica.com/biography/Arrigo-Boito.","\"Dr. Daniele Struppa[.]\" Faculty Profile, Chapman University, accessed October 10, 2024. https://www.chapman.edu/our-faculty/daniele-struppa.","\"Pietro Mascagni[.]\" Opera World, accessed October 10, 2024. https://opera-world.net/opera_composers/pietro-mascagni/.","Daniele Struppa, Ph.D. is an Italian academic and mathematician. Dr. Struppa served in various roles at George Mason University, including as the former Dean of the College of of Humanities and Social Sciences. Dr. Struppa is the current President of Chapman University and previously served as their Chancellor for nine years. He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics.","Processed by Amanda Menjivar from September-October 2024. 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Finding aid completed in October 2024.","German translation and transcription provided by Dorothee Schubel, George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds numerous collection music and the performing arts.\u003c/p\u003e\n","\u003cp\u003eIn addition to these materials, Dr. Daniele Struppa also donated a number of \u003cextptr show=\"new\" title=\"rare publications\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=any,contains,daniele%20struppa\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=location_code,include,4105%E2%80%9313707590004105%E2%80%93scrc%20rare\u0026amp;lang=en\u0026amp;offset=0\"\u003e\u003c/extptr\u003e to the Special Collections Research Center.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds numerous collection music and the performing arts.","In addition to these materials, Dr. Daniele Struppa also donated a number of   to the Special Collections Research Center."],"scopecontent_html_tesm":["\u003cp\u003eTen music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century-1991. 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","For the remaining materials: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0cfbff9602fe1ebfc3b55bdb61d9845f\"\u003eTen music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994.\u003c/abstract\u003e"],"abstract_tesim":["Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cbcfeb6d5aac72a8ff27223e8b59d577\"\u003eR 73, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945"],"corpname_ssim":["George Mason University. Libraries. 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It was immensely popular, mostly due to its satirization of Italian Opera, which at the time was considered elite and boorish to English society. \"The Beggar's Opera\" was also the vehicle for Gay's inventing of the ballad opera, in which a satirical play is peppered with popular songs and tunes - or ballads - of the day with original lyrics that furthered the plot.","William Blake was a renowned English poet, artist, and engraver who lived from 1757 to 1827. In his career as an engraver, Blake became so skilled that he was asked to engrave not only the works of others, but his own as well, which were ultimately his greatest achievements. His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica).","Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.","Present in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. 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It was immensely popular, mostly due to its satirization of Italian Opera, which at the time was considered elite and boorish to English society. \"The Beggar's Opera\" was also the vehicle for Gay's inventing of the ballad opera, in which a satirical play is peppered with popular songs and tunes - or ballads - of the day with original lyrics that furthered the plot.","William Blake was a renowned English poet, artist, and engraver who lived from 1757 to 1827. In his career as an engraver, Blake became so skilled that he was asked to engrave not only the works of others, but his own as well, which were ultimately his greatest achievements. His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica).","Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.","Present in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. 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His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["\"The Beggar's Opera\" is an English opera written by John Gay and music by John Christopher Pepusch, which premiered in London in 1728. It was immensely popular, mostly due to its satirization of Italian Opera, which at the time was considered elite and boorish to English society. \"The Beggar's Opera\" was also the vehicle for Gay's inventing of the ballad opera, in which a satirical play is peppered with popular songs and tunes - or ballads - of the day with original lyrics that furthered the plot.","William Blake was a renowned English poet, artist, and engraver who lived from 1757 to 1827. In his career as an engraver, Blake became so skilled that he was asked to engrave not only the works of others, but his own as well, which were ultimately his greatest achievements. His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica)."],"prefercite_html_tesm":["\u003cp\u003eEngraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth, C0459, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth, C0459, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eEngraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.\u003c/p\u003e\n","\u003cp\u003eThe image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.\u003c/p\u003e\n","\u003cp\u003ePresent in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. Members of the audience are also depicted, including the Duke of Bolton, Sir Robert Fagg (who was the lover, and later husband of Lavinia Fenton), John Rich, the opera's producer, and John Gay, the opera's author. Underneath the image the text reads \"Beggar's Opera, Act III. 'When my hero in Court appears, \u0026amp;c.' From the Original Picture, in the Collection of his Grace the Duke of Leeds. Publish'd July 1st 1790 by J. \u0026amp; J. Boydell. Cheapside. \u0026amp; at the Shakespeare Gallery Pall Mall London.\" While the imprint is given as July 1, 1790, this copy may be a later printing.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.","Present in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. Members of the audience are also depicted, including the Duke of Bolton, Sir Robert Fagg (who was the lover, and later husband of Lavinia Fenton), John Rich, the opera's producer, and John Gay, the opera's author. Underneath the image the text reads \"Beggar's Opera, Act III. 'When my hero in Court appears, \u0026c.' From the Original Picture, in the Collection of his Grace the Duke of Leeds. Publish'd July 1st 1790 by J. \u0026 J. Boydell. Cheapside. \u0026 at the Shakespeare Gallery Pall Mall London.\" While the imprint is given as July 1, 1790, this copy may be a later printing."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ddfba1a325df00bb8999793a3889c94\" label=\"Abstract\"\u003eEngraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790.\u003c/abstract\u003e"],"abstract_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3a4822d59a7c56223858eee0a52717bb\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. 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Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman.","The following items were removed from this collection and were added to the Manuscripts Audiovisual Collection under Mss. Acc. 2014.003 on 6/16/2009:"," Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape: \"Chapman Tape I\""," 3M Music Mastering Tape: \"Chapman II\"","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. 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She attended Julliard School of Music in NYC. She was a faculty member at William and Mary from 1973 to 1983.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Frances was a soprano who performed with many of the world's leading musical companies and on the Broadway stage. She attended Julliard School of Music in NYC. She was a faculty member at William and Mary from 1973 to 1983."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e\n","\u003cp\u003eThere is a Frances Breeze Endowment Fund at the College of William and Mary where she was a voice coach.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","There is a Frances Breeze Endowment Fund at the College of William and Mary where she was a voice coach."],"prefercite_html_tesm":["\u003cp\u003eFrances Breeze Music Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Frances Breeze Music Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Anne Johnson, Special Collections Assistant, in January 2014.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processing and finding aid completed by Anne Johnson, Special Collections Assistant, in January 2014."],"relatedmaterial_html_tesm":["\u003cp\u003eThe following items were removed from this collection and were added to the University Archives Audiovisual Collection (UA 58) on 6/16/2009:\u003c/p\u003e\n","\u003cp\u003eRecording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.\u003c/p\u003e\n","\u003cp\u003eScotch 3m Music Mastering tape:  \"Chapman Tape I\"\u003c/p\u003e\n","\u003cp\u003e3M Music Mastering Tape: \"Chapman II\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The following items were removed from this collection and were added to the University Archives Audiovisual Collection (UA 58) on 6/16/2009:","Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.","Scotch 3m Music Mastering tape:  \"Chapman Tape I\"","3M Music Mastering Tape: \"Chapman II\""],"scopecontent_html_tesm":["\u003cp\u003eBook and individual sheet music of musical scores, probably collected by Frances Breeze.  Scrapbooks created by Josephone Carey Stanton and possibly others. Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Book and individual sheet music of musical scores, probably collected by Frances Breeze.  Scrapbooks created by Josephone Carey Stanton and possibly others. Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items were removed from this collection and were added to the Manuscripts Audiovisual Collection under Mss. Acc. 2014.003 on 6/16/2009:\u003c/p\u003e\n","\u003cp\u003e Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.\u003c/p\u003e\n","\u003cp\u003e Scotch 3m Music Mastering tape: \"Chapman Tape I\"\u003c/p\u003e\n","\u003cp\u003e 3M Music Mastering Tape: \"Chapman II\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The following items were removed from this collection and were added to the Manuscripts Audiovisual Collection under Mss. Acc. 2014.003 on 6/16/2009:"," Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape: \"Chapman Tape I\""," 3M Music Mastering Tape: \"Chapman II\""],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Music"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"persname_ssim":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:10:20.596Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8485"}},{"id":"vifgm_repositories_2_resources_726","type":"collection","attributes":{"title":"Frederick Douglass  New Jersey State Opera World Premiere poster","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_726#creator","type":"document_value","attributes":{"value":"New Jersey State Opera","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_726#abstract_or_scope","type":"document_value","attributes":{"value":"Poster for the World Premiere of the opera \u003cspan\u003eFrederick Douglass\u003c/span\u003e at the New Jersey State Opera.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_726#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_726","ead_ssi":"vifgm_repositories_2_resources_726","_root_":"vifgm_repositories_2_resources_726","_nest_parent_":"vifgm_repositories_2_resources_726","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_726.xml","title_filing_ssi":"Frederick Douglass  New Jersey State Opera World Premiere poster","title_ssm":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"title_tesim":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"unitdate_ssm":["April 1991"],"unitdate_other_ssim":["April 1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0438","/repositories/2/resources/726"],"text":["C0438","/repositories/2/resources/726","Frederick Douglass  New Jersey State Opera World Premiere poster","Opera","African Americans","Posters","Performing arts posters","Opera posters","There are no access restrictions.","This is a single item collection.","\"Donald Miller.\" n.d. U.S. National Park Service. Accessed October 30, 2024. https://www.nps.gov/people/donald-miller.htm.","Dubnjakovic, Ana. n.d. \"Library Guides: African American Experiences in Opera: Frederick Douglass.\" University of South Carolina University Libraries. Accessed October 23, 2024. https://guides.library.sc.edu/african-american-opera/frederick-douglass.","\" Frederick Douglass  (Ulysses Kay Opera).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Frederick_Douglass_(Ulysses_Kay_opera)\u0026oldid=1243425148.","\"New Jersey State Opera.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=New_Jersey_State_Opera\u0026oldid=1224178576.","\"Ulysses Kay.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Ulysses_Kay\u0026oldid=1246969105.","Frederick Douglass  is a three-act opera with music composed by Ulysses Kay and a libretto written by Donald Dorr. Work on the opera began in 1979 after Kay and Dorr received a National Endowment for the Arts grant the previous year. The opera's story focuses on the final year in the life of abolitionist and statesman Frederick Douglass after the marriage to his second wife Helen Pitts Douglass. The opera was completed in 1985, but did not premiere until over 5 years later. The opera's world premiere starred Kevin Maynor as Frederick Douglass and Klara Barlow as Helen Pitts Douglass and took place on April 12, 1991 at Newark Symphony Hall performed by the New Jersey State Opera.","Ulysses S. Kay was born in Tucson, Arizona on January 7, 1917. The nephew of jazz musician King Oliver, Kay studied music both domestically and internationally, spending four years in Rome, Italy (1949-1953) through support from a Fulbright Scholarship, the Rome Prize, and a Julius Rosenwald Fellowship. Known for his neoclassical style symphonic and choral compositions, Kay won multiple awards and recognitions throughout his career, including the third annual George Gershwin Memorial Contest. In 1968 he was appointed distinguished professor at Lehman College of the City University of New York where he taught for 20 years, until his retirement. Kay also wrote five operas, with  Frederick Douglass  being his last. He passed away on May 20, 1995 at the age of 78 due to complications of Parkinson's disease.","Donald L. Miller was born on June 30, 1923 in Jamaica. An artist and illustrator, Miller is best known for his large painted mural in Washington, D.C.'s Martin Luther King, Jr. Memorial Library which depicts Dr. Martin Luther King, Jr. and other activists and events during the Civil Rights movement. Miller also worked as a cartoonist for  The Adakian  newspaper, a children's book illustrator, and served as an art professor at Seton Hall University in New Jersey. He passed away on February 7, 1993.","The New Jersey State opera was founded in 1964 as the Opera Theater of Westfield, with Alfredo Silipigni serving as one of the first Artistic Directors. In 1965, the name was changed to the Opera Theatre of New Jersey, and later to the New Jersey State Opera in 1974. The company moved into Newark Symphony Hall in 1968, where it stayed for 30 years before moving into the New Jersey Performing Arts Center (NJPAC) in 1998. It moved out of Newark in 2012 relocating to the Clifton-Passaic area of New Jersey.","Processing and finding aid completed by Meghan Glasbrenner in October 2024.","The Special Collections Research Center holds other performing arts collections, including  theatrical posters , such as the  Porgy and Bess poster collection .","The University of South Carolina Music Library holds a  vocal score for the opera  and Columbia University Libraries holds a copy of the  program for the New Jersey State Opera production .","The Library of Congress holds the  Frederick Douglass papers .","Poster for the New Jersey State Opera World Premiere of the opera  Frederick Douglass , directed by Louis Johnson and conducted by Alfredo Silipigni. The poster measures approximately 26.5\" x 19\" and features a painting by Donald L. Miller depicting a large reproduction of the 1879 portrait of Douglass and two vignettes from the opera. Miller's signature can be seen along the right edge of the image.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Poster for the World Premiere of the opera  Frederick Douglass  at the New Jersey State Opera.","Map case 22.1","George Mason University. Libraries. Special Collections Research Center","New Jersey State Opera","Newark Symphony Hall (Newark, N.J.)","Douglass, Frederick, 1818-1895","Kay, Ulysses, 1917-1995","English \n.    "],"unitid_tesim":["C0438","/repositories/2/resources/726"],"normalized_title_ssm":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"collection_title_tesim":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"collection_ssim":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["New Jersey State Opera"],"creator_ssim":["New Jersey State Opera"],"creator_corpname_ssim":["New Jersey State Opera"],"creators_ssim":["New Jersey State Opera"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Ian Brabner Rare Americana in 2020."],"access_subjects_ssim":["Opera","African Americans","Posters","Performing arts posters","Opera posters"],"access_subjects_ssm":["Opera","African Americans","Posters","Performing arts posters","Opera posters"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 poster"],"extent_tesim":["1 Linear Feet 1 poster"],"genreform_ssim":["Posters","Performing arts posters","Opera posters"],"date_range_isim":[1991],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Donald Miller.\" n.d. U.S. National Park Service. Accessed October 30, 2024. https://www.nps.gov/people/donald-miller.htm.\u003c/p\u003e\n","\u003cp\u003eDubnjakovic, Ana. n.d. \"Library Guides: African American Experiences in Opera: Frederick Douglass.\" University of South Carolina University Libraries. Accessed October 23, 2024. https://guides.library.sc.edu/african-american-opera/frederick-douglass.\u003c/p\u003e\n","\u003cp\u003e\"\u003ctitle\u003eFrederick Douglass\u003c/title\u003e (Ulysses Kay Opera).\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Frederick_Douglass_(Ulysses_Kay_opera)\u0026amp;oldid=1243425148.\u003c/p\u003e\n","\u003cp\u003e\"New Jersey State Opera.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=New_Jersey_State_Opera\u0026amp;oldid=1224178576.\u003c/p\u003e\n","\u003cp\u003e\"Ulysses Kay.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Ulysses_Kay\u0026amp;oldid=1246969105.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Donald Miller.\" n.d. U.S. National Park Service. Accessed October 30, 2024. https://www.nps.gov/people/donald-miller.htm.","Dubnjakovic, Ana. n.d. \"Library Guides: African American Experiences in Opera: Frederick Douglass.\" University of South Carolina University Libraries. Accessed October 23, 2024. https://guides.library.sc.edu/african-american-opera/frederick-douglass.","\" Frederick Douglass  (Ulysses Kay Opera).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Frederick_Douglass_(Ulysses_Kay_opera)\u0026oldid=1243425148.","\"New Jersey State Opera.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=New_Jersey_State_Opera\u0026oldid=1224178576.","\"Ulysses Kay.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Ulysses_Kay\u0026oldid=1246969105."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eFrederick Douglass\u003c/title\u003e is a three-act opera with music composed by Ulysses Kay and a libretto written by Donald Dorr. Work on the opera began in 1979 after Kay and Dorr received a National Endowment for the Arts grant the previous year. The opera's story focuses on the final year in the life of abolitionist and statesman Frederick Douglass after the marriage to his second wife Helen Pitts Douglass. The opera was completed in 1985, but did not premiere until over 5 years later. The opera's world premiere starred Kevin Maynor as Frederick Douglass and Klara Barlow as Helen Pitts Douglass and took place on April 12, 1991 at Newark Symphony Hall performed by the New Jersey State Opera.\u003c/p\u003e\n","\u003cp\u003eUlysses S. Kay was born in Tucson, Arizona on January 7, 1917. The nephew of jazz musician King Oliver, Kay studied music both domestically and internationally, spending four years in Rome, Italy (1949-1953) through support from a Fulbright Scholarship, the Rome Prize, and a Julius Rosenwald Fellowship. Known for his neoclassical style symphonic and choral compositions, Kay won multiple awards and recognitions throughout his career, including the third annual George Gershwin Memorial Contest. In 1968 he was appointed distinguished professor at Lehman College of the City University of New York where he taught for 20 years, until his retirement. Kay also wrote five operas, with \u003ctitle\u003eFrederick Douglass\u003c/title\u003e being his last. He passed away on May 20, 1995 at the age of 78 due to complications of Parkinson's disease.\u003c/p\u003e\n","\u003cp\u003eDonald L. Miller was born on June 30, 1923 in Jamaica. An artist and illustrator, Miller is best known for his large painted mural in Washington, D.C.'s Martin Luther King, Jr. Memorial Library which depicts Dr. Martin Luther King, Jr. and other activists and events during the Civil Rights movement. Miller also worked as a cartoonist for \u003ctitle\u003eThe Adakian\u003c/title\u003e newspaper, a children's book illustrator, and served as an art professor at Seton Hall University in New Jersey. He passed away on February 7, 1993.\u003c/p\u003e\n","\u003cp\u003eThe New Jersey State opera was founded in 1964 as the Opera Theater of Westfield, with Alfredo Silipigni serving as one of the first Artistic Directors. In 1965, the name was changed to the Opera Theatre of New Jersey, and later to the New Jersey State Opera in 1974. The company moved into Newark Symphony Hall in 1968, where it stayed for 30 years before moving into the New Jersey Performing Arts Center (NJPAC) in 1998. It moved out of Newark in 2012 relocating to the Clifton-Passaic area of New Jersey.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Frederick Douglass  is a three-act opera with music composed by Ulysses Kay and a libretto written by Donald Dorr. Work on the opera began in 1979 after Kay and Dorr received a National Endowment for the Arts grant the previous year. The opera's story focuses on the final year in the life of abolitionist and statesman Frederick Douglass after the marriage to his second wife Helen Pitts Douglass. The opera was completed in 1985, but did not premiere until over 5 years later. The opera's world premiere starred Kevin Maynor as Frederick Douglass and Klara Barlow as Helen Pitts Douglass and took place on April 12, 1991 at Newark Symphony Hall performed by the New Jersey State Opera.","Ulysses S. Kay was born in Tucson, Arizona on January 7, 1917. The nephew of jazz musician King Oliver, Kay studied music both domestically and internationally, spending four years in Rome, Italy (1949-1953) through support from a Fulbright Scholarship, the Rome Prize, and a Julius Rosenwald Fellowship. Known for his neoclassical style symphonic and choral compositions, Kay won multiple awards and recognitions throughout his career, including the third annual George Gershwin Memorial Contest. In 1968 he was appointed distinguished professor at Lehman College of the City University of New York where he taught for 20 years, until his retirement. Kay also wrote five operas, with  Frederick Douglass  being his last. He passed away on May 20, 1995 at the age of 78 due to complications of Parkinson's disease.","Donald L. Miller was born on June 30, 1923 in Jamaica. An artist and illustrator, Miller is best known for his large painted mural in Washington, D.C.'s Martin Luther King, Jr. Memorial Library which depicts Dr. Martin Luther King, Jr. and other activists and events during the Civil Rights movement. Miller also worked as a cartoonist for  The Adakian  newspaper, a children's book illustrator, and served as an art professor at Seton Hall University in New Jersey. He passed away on February 7, 1993.","The New Jersey State opera was founded in 1964 as the Opera Theater of Westfield, with Alfredo Silipigni serving as one of the first Artistic Directors. In 1965, the name was changed to the Opera Theatre of New Jersey, and later to the New Jersey State Opera in 1974. The company moved into Newark Symphony Hall in 1968, where it stayed for 30 years before moving into the New Jersey Performing Arts Center (NJPAC) in 1998. It moved out of Newark in 2012 relocating to the Clifton-Passaic area of New Jersey."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eFrederick Douglass\u003c/title\u003e New Jersey State Opera World Premiere poster, C0438, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Frederick Douglass  New Jersey State Opera World Premiere poster, C0438, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in October 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including \u003ca href=\"https://aspace.gmu.edu/subjects/248\"\u003etheatrical posters\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0145\"\u003ePorgy and Bess poster collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe University of South Carolina Music Library holds a \u003ca href=\"https://pascal-usc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01PASCAL_USCCOL:USC\u0026amp;search_scope=MyInst_and_CI\u0026amp;tab=Everything\u0026amp;docid=alma991008646559705618\"\u003evocal score for the opera\u003c/a\u003e and Columbia University Libraries holds a copy of the \u003ca href=\"https://exhibitions.library.columbia.edu/exhibits/show/kay/operas/frederick-douglass---program\"\u003eprogram for the New Jersey State Opera production\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003ca href=\"https://www.loc.gov/collections/frederick-douglass-papers/about-this-collection/\"\u003eFrederick Douglass papers\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including  theatrical posters , such as the  Porgy and Bess poster collection .","The University of South Carolina Music Library holds a  vocal score for the opera  and Columbia University Libraries holds a copy of the  program for the New Jersey State Opera production .","The Library of Congress holds the  Frederick Douglass papers ."],"scopecontent_html_tesm":["\u003cp\u003ePoster for the New Jersey State Opera World Premiere of the opera \u003ctitle\u003eFrederick Douglass\u003c/title\u003e, directed by Louis Johnson and conducted by Alfredo Silipigni. The poster measures approximately 26.5\" x 19\" and features a painting by Donald L. Miller depicting a large reproduction of the 1879 portrait of Douglass and two vignettes from the opera. Miller's signature can be seen along the right edge of the image.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Poster for the New Jersey State Opera World Premiere of the opera  Frederick Douglass , directed by Louis Johnson and conducted by Alfredo Silipigni. The poster measures approximately 26.5\" x 19\" and features a painting by Donald L. Miller depicting a large reproduction of the 1879 portrait of Douglass and two vignettes from the opera. Miller's signature can be seen along the right edge of the image."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_53fbae18f2ffe893fad732a7913e4b96\"\u003ePoster for the World Premiere of the opera \u003ctitle\u003eFrederick Douglass\u003c/title\u003e at the New Jersey State Opera.\u003c/abstract\u003e"],"abstract_tesim":["Poster for the World Premiere of the opera  Frederick Douglass  at the New Jersey State Opera."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9897faec73cf1a048c9a3eaee78d5869\"\u003eMap case 22.1\u003c/physloc\u003e"],"physloc_tesim":["Map case 22.1"],"names_coll_ssim":["Newark Symphony Hall (Newark, N.J.)","Douglass, Frederick, 1818-1895","Kay, Ulysses, 1917-1995"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","New Jersey State Opera","Newark Symphony Hall (Newark, N.J.)","Douglass, Frederick, 1818-1895","Kay, Ulysses, 1917-1995"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","New Jersey State Opera","Newark Symphony Hall (Newark, N.J.)"],"persname_ssim":["Douglass, Frederick, 1818-1895","Kay, Ulysses, 1917-1995"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:28.281Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_726","ead_ssi":"vifgm_repositories_2_resources_726","_root_":"vifgm_repositories_2_resources_726","_nest_parent_":"vifgm_repositories_2_resources_726","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_726.xml","title_filing_ssi":"Frederick Douglass  New Jersey State Opera World Premiere poster","title_ssm":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"title_tesim":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"unitdate_ssm":["April 1991"],"unitdate_other_ssim":["April 1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0438","/repositories/2/resources/726"],"text":["C0438","/repositories/2/resources/726","Frederick Douglass  New Jersey State Opera World Premiere poster","Opera","African Americans","Posters","Performing arts posters","Opera posters","There are no access restrictions.","This is a single item collection.","\"Donald Miller.\" n.d. U.S. National Park Service. Accessed October 30, 2024. https://www.nps.gov/people/donald-miller.htm.","Dubnjakovic, Ana. n.d. \"Library Guides: African American Experiences in Opera: Frederick Douglass.\" University of South Carolina University Libraries. Accessed October 23, 2024. https://guides.library.sc.edu/african-american-opera/frederick-douglass.","\" Frederick Douglass  (Ulysses Kay Opera).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Frederick_Douglass_(Ulysses_Kay_opera)\u0026oldid=1243425148.","\"New Jersey State Opera.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=New_Jersey_State_Opera\u0026oldid=1224178576.","\"Ulysses Kay.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Ulysses_Kay\u0026oldid=1246969105.","Frederick Douglass  is a three-act opera with music composed by Ulysses Kay and a libretto written by Donald Dorr. Work on the opera began in 1979 after Kay and Dorr received a National Endowment for the Arts grant the previous year. The opera's story focuses on the final year in the life of abolitionist and statesman Frederick Douglass after the marriage to his second wife Helen Pitts Douglass. The opera was completed in 1985, but did not premiere until over 5 years later. The opera's world premiere starred Kevin Maynor as Frederick Douglass and Klara Barlow as Helen Pitts Douglass and took place on April 12, 1991 at Newark Symphony Hall performed by the New Jersey State Opera.","Ulysses S. Kay was born in Tucson, Arizona on January 7, 1917. The nephew of jazz musician King Oliver, Kay studied music both domestically and internationally, spending four years in Rome, Italy (1949-1953) through support from a Fulbright Scholarship, the Rome Prize, and a Julius Rosenwald Fellowship. Known for his neoclassical style symphonic and choral compositions, Kay won multiple awards and recognitions throughout his career, including the third annual George Gershwin Memorial Contest. In 1968 he was appointed distinguished professor at Lehman College of the City University of New York where he taught for 20 years, until his retirement. Kay also wrote five operas, with  Frederick Douglass  being his last. He passed away on May 20, 1995 at the age of 78 due to complications of Parkinson's disease.","Donald L. Miller was born on June 30, 1923 in Jamaica. An artist and illustrator, Miller is best known for his large painted mural in Washington, D.C.'s Martin Luther King, Jr. Memorial Library which depicts Dr. Martin Luther King, Jr. and other activists and events during the Civil Rights movement. Miller also worked as a cartoonist for  The Adakian  newspaper, a children's book illustrator, and served as an art professor at Seton Hall University in New Jersey. He passed away on February 7, 1993.","The New Jersey State opera was founded in 1964 as the Opera Theater of Westfield, with Alfredo Silipigni serving as one of the first Artistic Directors. In 1965, the name was changed to the Opera Theatre of New Jersey, and later to the New Jersey State Opera in 1974. The company moved into Newark Symphony Hall in 1968, where it stayed for 30 years before moving into the New Jersey Performing Arts Center (NJPAC) in 1998. It moved out of Newark in 2012 relocating to the Clifton-Passaic area of New Jersey.","Processing and finding aid completed by Meghan Glasbrenner in October 2024.","The Special Collections Research Center holds other performing arts collections, including  theatrical posters , such as the  Porgy and Bess poster collection .","The University of South Carolina Music Library holds a  vocal score for the opera  and Columbia University Libraries holds a copy of the  program for the New Jersey State Opera production .","The Library of Congress holds the  Frederick Douglass papers .","Poster for the New Jersey State Opera World Premiere of the opera  Frederick Douglass , directed by Louis Johnson and conducted by Alfredo Silipigni. The poster measures approximately 26.5\" x 19\" and features a painting by Donald L. Miller depicting a large reproduction of the 1879 portrait of Douglass and two vignettes from the opera. Miller's signature can be seen along the right edge of the image.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Poster for the World Premiere of the opera  Frederick Douglass  at the New Jersey State Opera.","Map case 22.1","George Mason University. Libraries. Special Collections Research Center","New Jersey State Opera","Newark Symphony Hall (Newark, N.J.)","Douglass, Frederick, 1818-1895","Kay, Ulysses, 1917-1995","English \n.    "],"unitid_tesim":["C0438","/repositories/2/resources/726"],"normalized_title_ssm":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"collection_title_tesim":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"collection_ssim":["Frederick Douglass  New Jersey State Opera World Premiere poster"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["New Jersey State Opera"],"creator_ssim":["New Jersey State Opera"],"creator_corpname_ssim":["New Jersey State Opera"],"creators_ssim":["New Jersey State Opera"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Ian Brabner Rare Americana in 2020."],"access_subjects_ssim":["Opera","African Americans","Posters","Performing arts posters","Opera posters"],"access_subjects_ssm":["Opera","African Americans","Posters","Performing arts posters","Opera posters"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 poster"],"extent_tesim":["1 Linear Feet 1 poster"],"genreform_ssim":["Posters","Performing arts posters","Opera posters"],"date_range_isim":[1991],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Donald Miller.\" n.d. U.S. National Park Service. Accessed October 30, 2024. https://www.nps.gov/people/donald-miller.htm.\u003c/p\u003e\n","\u003cp\u003eDubnjakovic, Ana. n.d. \"Library Guides: African American Experiences in Opera: Frederick Douglass.\" University of South Carolina University Libraries. Accessed October 23, 2024. https://guides.library.sc.edu/african-american-opera/frederick-douglass.\u003c/p\u003e\n","\u003cp\u003e\"\u003ctitle\u003eFrederick Douglass\u003c/title\u003e (Ulysses Kay Opera).\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Frederick_Douglass_(Ulysses_Kay_opera)\u0026amp;oldid=1243425148.\u003c/p\u003e\n","\u003cp\u003e\"New Jersey State Opera.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=New_Jersey_State_Opera\u0026amp;oldid=1224178576.\u003c/p\u003e\n","\u003cp\u003e\"Ulysses Kay.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Ulysses_Kay\u0026amp;oldid=1246969105.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Donald Miller.\" n.d. U.S. National Park Service. Accessed October 30, 2024. https://www.nps.gov/people/donald-miller.htm.","Dubnjakovic, Ana. n.d. \"Library Guides: African American Experiences in Opera: Frederick Douglass.\" University of South Carolina University Libraries. Accessed October 23, 2024. https://guides.library.sc.edu/african-american-opera/frederick-douglass.","\" Frederick Douglass  (Ulysses Kay Opera).\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Frederick_Douglass_(Ulysses_Kay_opera)\u0026oldid=1243425148.","\"New Jersey State Opera.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=New_Jersey_State_Opera\u0026oldid=1224178576.","\"Ulysses Kay.\" 2024. In  Wikipedia . https://en.wikipedia.org/w/index.php?title=Ulysses_Kay\u0026oldid=1246969105."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eFrederick Douglass\u003c/title\u003e is a three-act opera with music composed by Ulysses Kay and a libretto written by Donald Dorr. Work on the opera began in 1979 after Kay and Dorr received a National Endowment for the Arts grant the previous year. The opera's story focuses on the final year in the life of abolitionist and statesman Frederick Douglass after the marriage to his second wife Helen Pitts Douglass. The opera was completed in 1985, but did not premiere until over 5 years later. The opera's world premiere starred Kevin Maynor as Frederick Douglass and Klara Barlow as Helen Pitts Douglass and took place on April 12, 1991 at Newark Symphony Hall performed by the New Jersey State Opera.\u003c/p\u003e\n","\u003cp\u003eUlysses S. Kay was born in Tucson, Arizona on January 7, 1917. The nephew of jazz musician King Oliver, Kay studied music both domestically and internationally, spending four years in Rome, Italy (1949-1953) through support from a Fulbright Scholarship, the Rome Prize, and a Julius Rosenwald Fellowship. Known for his neoclassical style symphonic and choral compositions, Kay won multiple awards and recognitions throughout his career, including the third annual George Gershwin Memorial Contest. In 1968 he was appointed distinguished professor at Lehman College of the City University of New York where he taught for 20 years, until his retirement. Kay also wrote five operas, with \u003ctitle\u003eFrederick Douglass\u003c/title\u003e being his last. He passed away on May 20, 1995 at the age of 78 due to complications of Parkinson's disease.\u003c/p\u003e\n","\u003cp\u003eDonald L. Miller was born on June 30, 1923 in Jamaica. An artist and illustrator, Miller is best known for his large painted mural in Washington, D.C.'s Martin Luther King, Jr. Memorial Library which depicts Dr. Martin Luther King, Jr. and other activists and events during the Civil Rights movement. Miller also worked as a cartoonist for \u003ctitle\u003eThe Adakian\u003c/title\u003e newspaper, a children's book illustrator, and served as an art professor at Seton Hall University in New Jersey. He passed away on February 7, 1993.\u003c/p\u003e\n","\u003cp\u003eThe New Jersey State opera was founded in 1964 as the Opera Theater of Westfield, with Alfredo Silipigni serving as one of the first Artistic Directors. In 1965, the name was changed to the Opera Theatre of New Jersey, and later to the New Jersey State Opera in 1974. The company moved into Newark Symphony Hall in 1968, where it stayed for 30 years before moving into the New Jersey Performing Arts Center (NJPAC) in 1998. It moved out of Newark in 2012 relocating to the Clifton-Passaic area of New Jersey.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Frederick Douglass  is a three-act opera with music composed by Ulysses Kay and a libretto written by Donald Dorr. Work on the opera began in 1979 after Kay and Dorr received a National Endowment for the Arts grant the previous year. The opera's story focuses on the final year in the life of abolitionist and statesman Frederick Douglass after the marriage to his second wife Helen Pitts Douglass. The opera was completed in 1985, but did not premiere until over 5 years later. The opera's world premiere starred Kevin Maynor as Frederick Douglass and Klara Barlow as Helen Pitts Douglass and took place on April 12, 1991 at Newark Symphony Hall performed by the New Jersey State Opera.","Ulysses S. Kay was born in Tucson, Arizona on January 7, 1917. The nephew of jazz musician King Oliver, Kay studied music both domestically and internationally, spending four years in Rome, Italy (1949-1953) through support from a Fulbright Scholarship, the Rome Prize, and a Julius Rosenwald Fellowship. Known for his neoclassical style symphonic and choral compositions, Kay won multiple awards and recognitions throughout his career, including the third annual George Gershwin Memorial Contest. In 1968 he was appointed distinguished professor at Lehman College of the City University of New York where he taught for 20 years, until his retirement. Kay also wrote five operas, with  Frederick Douglass  being his last. He passed away on May 20, 1995 at the age of 78 due to complications of Parkinson's disease.","Donald L. Miller was born on June 30, 1923 in Jamaica. An artist and illustrator, Miller is best known for his large painted mural in Washington, D.C.'s Martin Luther King, Jr. Memorial Library which depicts Dr. Martin Luther King, Jr. and other activists and events during the Civil Rights movement. Miller also worked as a cartoonist for  The Adakian  newspaper, a children's book illustrator, and served as an art professor at Seton Hall University in New Jersey. He passed away on February 7, 1993.","The New Jersey State opera was founded in 1964 as the Opera Theater of Westfield, with Alfredo Silipigni serving as one of the first Artistic Directors. In 1965, the name was changed to the Opera Theatre of New Jersey, and later to the New Jersey State Opera in 1974. The company moved into Newark Symphony Hall in 1968, where it stayed for 30 years before moving into the New Jersey Performing Arts Center (NJPAC) in 1998. It moved out of Newark in 2012 relocating to the Clifton-Passaic area of New Jersey."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eFrederick Douglass\u003c/title\u003e New Jersey State Opera World Premiere poster, C0438, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Frederick Douglass  New Jersey State Opera World Premiere poster, C0438, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in October 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including \u003ca href=\"https://aspace.gmu.edu/subjects/248\"\u003etheatrical posters\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0145\"\u003ePorgy and Bess poster collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe University of South Carolina Music Library holds a \u003ca href=\"https://pascal-usc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01PASCAL_USCCOL:USC\u0026amp;search_scope=MyInst_and_CI\u0026amp;tab=Everything\u0026amp;docid=alma991008646559705618\"\u003evocal score for the opera\u003c/a\u003e and Columbia University Libraries holds a copy of the \u003ca href=\"https://exhibitions.library.columbia.edu/exhibits/show/kay/operas/frederick-douglass---program\"\u003eprogram for the New Jersey State Opera production\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003ca href=\"https://www.loc.gov/collections/frederick-douglass-papers/about-this-collection/\"\u003eFrederick Douglass papers\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including  theatrical posters , such as the  Porgy and Bess poster collection .","The University of South Carolina Music Library holds a  vocal score for the opera  and Columbia University Libraries holds a copy of the  program for the New Jersey State Opera production .","The Library of Congress holds the  Frederick Douglass papers ."],"scopecontent_html_tesm":["\u003cp\u003ePoster for the New Jersey State Opera World Premiere of the opera \u003ctitle\u003eFrederick Douglass\u003c/title\u003e, directed by Louis Johnson and conducted by Alfredo Silipigni. The poster measures approximately 26.5\" x 19\" and features a painting by Donald L. Miller depicting a large reproduction of the 1879 portrait of Douglass and two vignettes from the opera. Miller's signature can be seen along the right edge of the image.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Poster for the New Jersey State Opera World Premiere of the opera  Frederick Douglass , directed by Louis Johnson and conducted by Alfredo Silipigni. The poster measures approximately 26.5\" x 19\" and features a painting by Donald L. Miller depicting a large reproduction of the 1879 portrait of Douglass and two vignettes from the opera. Miller's signature can be seen along the right edge of the image."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_53fbae18f2ffe893fad732a7913e4b96\"\u003ePoster for the World Premiere of the opera \u003ctitle\u003eFrederick Douglass\u003c/title\u003e at the New Jersey State Opera.\u003c/abstract\u003e"],"abstract_tesim":["Poster for the World Premiere of the opera  Frederick Douglass  at the New Jersey State Opera."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9897faec73cf1a048c9a3eaee78d5869\"\u003eMap case 22.1\u003c/physloc\u003e"],"physloc_tesim":["Map case 22.1"],"names_coll_ssim":["Newark Symphony Hall (Newark, N.J.)","Douglass, Frederick, 1818-1895","Kay, Ulysses, 1917-1995"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","New Jersey State Opera","Newark Symphony Hall (Newark, N.J.)","Douglass, Frederick, 1818-1895","Kay, Ulysses, 1917-1995"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","New Jersey State Opera","Newark Symphony Hall (Newark, N.J.)"],"persname_ssim":["Douglass, Frederick, 1818-1895","Kay, Ulysses, 1917-1995"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:28.281Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_726"}},{"id":"vifgm_repositories_2_resources_522","type":"collection","attributes":{"title":"Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\"","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_522#abstract_or_scope","type":"document_value","attributes":{"value":"Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" made circa 1826.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_522#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_522","ead_ssi":"vifgm_repositories_2_resources_522","_root_":"vifgm_repositories_2_resources_522","_nest_parent_":"vifgm_repositories_2_resources_522","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_522.xml","title_ssm":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"title_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"unitdate_ssm":["circa 1826"],"unitdate_other_ssim":["circa 1826"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0458","/repositories/2/resources/522"],"text":["C0458","/repositories/2/resources/522","Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\"","Costume design","Fairies","Opera","Orientalism","There are no access restrictions.","This is a single item collection.","\"Carl Maria von Webber.\" The Kennedy Center. October 12, 2020. https://www.kennedy-center.org/artists/v/vo-vz/carl-von-weber/.","\"Composer in Context: Carl Maria von Weber.\" American Symphony Orchestra. October 12, 2020. https://americansymphony.org/concerts/online/weber-euryanthe/.","The Editors of Encyclopaedia Britannica. \"Carl Maria von Weber.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., October 12, 2020. https://www.britannica.com/biography/Carl-Maria-von-Weber.","\"Oberon.\" Josef Weinberger Ltd. October 12, 2020/ https://www.josef-weinberger.com/operas-operetta/opera/oberon.html.","\"Oberon\" is an 1826 opera by German composer Carl Maria von Weber, who is known as the creator of German Romantic Opera, established by his most popular work \"Der Freischütz\" in 1821. Born November 18, 1786, von Weber had a somewhat successful career in music, though his personal life suffered many illnesses and setbacks, which affected his compositions and reputation in the music world. Von Weber was commissioned by the Opera at Covent Garden in London to compose an opera focused on either the fictional characters Faust or Oberon. Von Weber chose Oberon, the fairy king of Shakespeare's \"A Midsummer Night's Dream\" and accepted the commission, mostly for financial reasons and against the advice of his doctor. \"Oberon\" was von Weber's last work, written and staged in London in April 1826. The production took its toll on von Weber's already fragile health, leading to his death at 39 years of age on June 4th of the same year. ","\"Oberon\" was written in English, though it has been successfully translated to von Weber's native German and is performed in both languages. Focusing on characters made famous by Shakespeare's \"A Midsummer Night's Dream\" including the titular Oberon, the fairy queen Titania, and Puck, the opera focuses on another instance of the fairies meddling with mortal lovers and their lives, this time in an orientalist, medieval setting. The libretto, written by James Robinson Planché, is an adaptation of the German poem \"Oberon\" by Christoph Martin Wieland, which is itself an adaptation of \"Huon de Bordeaux\", a 13th French epic poem. The opera is most known for its overture, and is still performed today.","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in October 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\" by Carl Maria von Weber, created circa 1820s. From left to right are the characters Oberon, Titania, Sir Huon of Bordeaux (written is German as Hüon), Reiza (Rezia), Sherasmin (Scherasmin), Fatima, Caliph of Baghdad (Kalif von Bagdad), Roshana (Roschana), Almanzor (Almansor), and Turk Officer.","Public Domain. There are no known restrictions.","Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" made circa 1826.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Weber, Carl Maria von, 1786-1826","German \n.    "],"unitid_tesim":["C0458","/repositories/2/resources/522"],"normalized_title_ssm":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"collection_title_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"collection_ssim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians, October 2016."],"access_subjects_ssim":["Costume design","Fairies","Opera","Orientalism"],"access_subjects_ssm":["Costume design","Fairies","Opera","Orientalism"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1826],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Carl Maria von Webber.\" The Kennedy Center. October 12, 2020. https://www.kennedy-center.org/artists/v/vo-vz/carl-von-weber/.\u003c/p\u003e\n","\u003cp\u003e\"Composer in Context: Carl Maria von Weber.\" American Symphony Orchestra. October 12, 2020. https://americansymphony.org/concerts/online/weber-euryanthe/.\u003c/p\u003e\n","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Carl Maria von Weber.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., October 12, 2020. https://www.britannica.com/biography/Carl-Maria-von-Weber.\u003c/p\u003e\n","\u003cp\u003e\"Oberon.\" Josef Weinberger Ltd. October 12, 2020/ https://www.josef-weinberger.com/operas-operetta/opera/oberon.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Carl Maria von Webber.\" The Kennedy Center. October 12, 2020. https://www.kennedy-center.org/artists/v/vo-vz/carl-von-weber/.","\"Composer in Context: Carl Maria von Weber.\" American Symphony Orchestra. October 12, 2020. https://americansymphony.org/concerts/online/weber-euryanthe/.","The Editors of Encyclopaedia Britannica. \"Carl Maria von Weber.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., October 12, 2020. https://www.britannica.com/biography/Carl-Maria-von-Weber.","\"Oberon.\" Josef Weinberger Ltd. October 12, 2020/ https://www.josef-weinberger.com/operas-operetta/opera/oberon.html."],"bioghist_html_tesm":["\u003cp\u003e\"Oberon\" is an 1826 opera by German composer Carl Maria von Weber, who is known as the creator of German Romantic Opera, established by his most popular work \"Der Freischütz\" in 1821. Born November 18, 1786, von Weber had a somewhat successful career in music, though his personal life suffered many illnesses and setbacks, which affected his compositions and reputation in the music world. Von Weber was commissioned by the Opera at Covent Garden in London to compose an opera focused on either the fictional characters Faust or Oberon. Von Weber chose Oberon, the fairy king of Shakespeare's \"A Midsummer Night's Dream\" and accepted the commission, mostly for financial reasons and against the advice of his doctor. \"Oberon\" was von Weber's last work, written and staged in London in April 1826. The production took its toll on von Weber's already fragile health, leading to his death at 39 years of age on June 4th of the same year. \u003c/p\u003e\n","\u003cp\u003e\"Oberon\" was written in English, though it has been successfully translated to von Weber's native German and is performed in both languages. Focusing on characters made famous by Shakespeare's \"A Midsummer Night's Dream\" including the titular Oberon, the fairy queen Titania, and Puck, the opera focuses on another instance of the fairies meddling with mortal lovers and their lives, this time in an orientalist, medieval setting. The libretto, written by James Robinson Planché, is an adaptation of the German poem \"Oberon\" by Christoph Martin Wieland, which is itself an adaptation of \"Huon de Bordeaux\", a 13th French epic poem. The opera is most known for its overture, and is still performed today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Oberon\" is an 1826 opera by German composer Carl Maria von Weber, who is known as the creator of German Romantic Opera, established by his most popular work \"Der Freischütz\" in 1821. Born November 18, 1786, von Weber had a somewhat successful career in music, though his personal life suffered many illnesses and setbacks, which affected his compositions and reputation in the music world. Von Weber was commissioned by the Opera at Covent Garden in London to compose an opera focused on either the fictional characters Faust or Oberon. Von Weber chose Oberon, the fairy king of Shakespeare's \"A Midsummer Night's Dream\" and accepted the commission, mostly for financial reasons and against the advice of his doctor. \"Oberon\" was von Weber's last work, written and staged in London in April 1826. The production took its toll on von Weber's already fragile health, leading to his death at 39 years of age on June 4th of the same year. ","\"Oberon\" was written in English, though it has been successfully translated to von Weber's native German and is performed in both languages. Focusing on characters made famous by Shakespeare's \"A Midsummer Night's Dream\" including the titular Oberon, the fairy queen Titania, and Puck, the opera focuses on another instance of the fairies meddling with mortal lovers and their lives, this time in an orientalist, medieval setting. The libretto, written by James Robinson Planché, is an adaptation of the German poem \"Oberon\" by Christoph Martin Wieland, which is itself an adaptation of \"Huon de Bordeaux\", a 13th French epic poem. The opera is most known for its overture, and is still performed today."],"prefercite_html_tesm":["\u003cp\u003eHand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" C0458, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" C0458, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in October 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in October 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored printed broadside illustration of costumed characters from the opera \"Oberon\" by Carl Maria von Weber, created circa 1820s. From left to right are the characters Oberon, Titania, Sir Huon of Bordeaux (written is German as Hüon), Reiza (Rezia), Sherasmin (Scherasmin), Fatima, Caliph of Baghdad (Kalif von Bagdad), Roshana (Roschana), Almanzor (Almansor), and Turk Officer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\" by Carl Maria von Weber, created circa 1820s. From left to right are the characters Oberon, Titania, Sir Huon of Bordeaux (written is German as Hüon), Reiza (Rezia), Sherasmin (Scherasmin), Fatima, Caliph of Baghdad (Kalif von Bagdad), Roshana (Roschana), Almanzor (Almansor), and Turk Officer."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_13b970d9c5141638d234d6a6a517116a\" label=\"Abstract\"\u003eHand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" made circa 1826.\u003c/abstract\u003e"],"abstract_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" made circa 1826."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b9d1503c8a83513a146f524ef0c0f93c\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Weber, Carl Maria von, 1786-1826"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Weber, Carl Maria von, 1786-1826"],"persname_ssim":["Weber, Carl Maria von, 1786-1826"],"language_ssim":["German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:17.368Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_522","ead_ssi":"vifgm_repositories_2_resources_522","_root_":"vifgm_repositories_2_resources_522","_nest_parent_":"vifgm_repositories_2_resources_522","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_522.xml","title_ssm":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"title_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"unitdate_ssm":["circa 1826"],"unitdate_other_ssim":["circa 1826"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0458","/repositories/2/resources/522"],"text":["C0458","/repositories/2/resources/522","Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\"","Costume design","Fairies","Opera","Orientalism","There are no access restrictions.","This is a single item collection.","\"Carl Maria von Webber.\" The Kennedy Center. October 12, 2020. https://www.kennedy-center.org/artists/v/vo-vz/carl-von-weber/.","\"Composer in Context: Carl Maria von Weber.\" American Symphony Orchestra. October 12, 2020. https://americansymphony.org/concerts/online/weber-euryanthe/.","The Editors of Encyclopaedia Britannica. \"Carl Maria von Weber.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., October 12, 2020. https://www.britannica.com/biography/Carl-Maria-von-Weber.","\"Oberon.\" Josef Weinberger Ltd. October 12, 2020/ https://www.josef-weinberger.com/operas-operetta/opera/oberon.html.","\"Oberon\" is an 1826 opera by German composer Carl Maria von Weber, who is known as the creator of German Romantic Opera, established by his most popular work \"Der Freischütz\" in 1821. Born November 18, 1786, von Weber had a somewhat successful career in music, though his personal life suffered many illnesses and setbacks, which affected his compositions and reputation in the music world. Von Weber was commissioned by the Opera at Covent Garden in London to compose an opera focused on either the fictional characters Faust or Oberon. Von Weber chose Oberon, the fairy king of Shakespeare's \"A Midsummer Night's Dream\" and accepted the commission, mostly for financial reasons and against the advice of his doctor. \"Oberon\" was von Weber's last work, written and staged in London in April 1826. The production took its toll on von Weber's already fragile health, leading to his death at 39 years of age on June 4th of the same year. ","\"Oberon\" was written in English, though it has been successfully translated to von Weber's native German and is performed in both languages. Focusing on characters made famous by Shakespeare's \"A Midsummer Night's Dream\" including the titular Oberon, the fairy queen Titania, and Puck, the opera focuses on another instance of the fairies meddling with mortal lovers and their lives, this time in an orientalist, medieval setting. The libretto, written by James Robinson Planché, is an adaptation of the German poem \"Oberon\" by Christoph Martin Wieland, which is itself an adaptation of \"Huon de Bordeaux\", a 13th French epic poem. The opera is most known for its overture, and is still performed today.","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in October 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\" by Carl Maria von Weber, created circa 1820s. From left to right are the characters Oberon, Titania, Sir Huon of Bordeaux (written is German as Hüon), Reiza (Rezia), Sherasmin (Scherasmin), Fatima, Caliph of Baghdad (Kalif von Bagdad), Roshana (Roschana), Almanzor (Almansor), and Turk Officer.","Public Domain. There are no known restrictions.","Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" made circa 1826.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Weber, Carl Maria von, 1786-1826","German \n.    "],"unitid_tesim":["C0458","/repositories/2/resources/522"],"normalized_title_ssm":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"collection_title_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"collection_ssim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\""],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians, October 2016."],"access_subjects_ssim":["Costume design","Fairies","Opera","Orientalism"],"access_subjects_ssm":["Costume design","Fairies","Opera","Orientalism"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1826],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Carl Maria von Webber.\" The Kennedy Center. October 12, 2020. https://www.kennedy-center.org/artists/v/vo-vz/carl-von-weber/.\u003c/p\u003e\n","\u003cp\u003e\"Composer in Context: Carl Maria von Weber.\" American Symphony Orchestra. October 12, 2020. https://americansymphony.org/concerts/online/weber-euryanthe/.\u003c/p\u003e\n","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Carl Maria von Weber.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., October 12, 2020. https://www.britannica.com/biography/Carl-Maria-von-Weber.\u003c/p\u003e\n","\u003cp\u003e\"Oberon.\" Josef Weinberger Ltd. October 12, 2020/ https://www.josef-weinberger.com/operas-operetta/opera/oberon.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Carl Maria von Webber.\" The Kennedy Center. October 12, 2020. https://www.kennedy-center.org/artists/v/vo-vz/carl-von-weber/.","\"Composer in Context: Carl Maria von Weber.\" American Symphony Orchestra. October 12, 2020. https://americansymphony.org/concerts/online/weber-euryanthe/.","The Editors of Encyclopaedia Britannica. \"Carl Maria von Weber.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., October 12, 2020. https://www.britannica.com/biography/Carl-Maria-von-Weber.","\"Oberon.\" Josef Weinberger Ltd. October 12, 2020/ https://www.josef-weinberger.com/operas-operetta/opera/oberon.html."],"bioghist_html_tesm":["\u003cp\u003e\"Oberon\" is an 1826 opera by German composer Carl Maria von Weber, who is known as the creator of German Romantic Opera, established by his most popular work \"Der Freischütz\" in 1821. Born November 18, 1786, von Weber had a somewhat successful career in music, though his personal life suffered many illnesses and setbacks, which affected his compositions and reputation in the music world. Von Weber was commissioned by the Opera at Covent Garden in London to compose an opera focused on either the fictional characters Faust or Oberon. Von Weber chose Oberon, the fairy king of Shakespeare's \"A Midsummer Night's Dream\" and accepted the commission, mostly for financial reasons and against the advice of his doctor. \"Oberon\" was von Weber's last work, written and staged in London in April 1826. The production took its toll on von Weber's already fragile health, leading to his death at 39 years of age on June 4th of the same year. \u003c/p\u003e\n","\u003cp\u003e\"Oberon\" was written in English, though it has been successfully translated to von Weber's native German and is performed in both languages. Focusing on characters made famous by Shakespeare's \"A Midsummer Night's Dream\" including the titular Oberon, the fairy queen Titania, and Puck, the opera focuses on another instance of the fairies meddling with mortal lovers and their lives, this time in an orientalist, medieval setting. The libretto, written by James Robinson Planché, is an adaptation of the German poem \"Oberon\" by Christoph Martin Wieland, which is itself an adaptation of \"Huon de Bordeaux\", a 13th French epic poem. The opera is most known for its overture, and is still performed today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Oberon\" is an 1826 opera by German composer Carl Maria von Weber, who is known as the creator of German Romantic Opera, established by his most popular work \"Der Freischütz\" in 1821. Born November 18, 1786, von Weber had a somewhat successful career in music, though his personal life suffered many illnesses and setbacks, which affected his compositions and reputation in the music world. Von Weber was commissioned by the Opera at Covent Garden in London to compose an opera focused on either the fictional characters Faust or Oberon. Von Weber chose Oberon, the fairy king of Shakespeare's \"A Midsummer Night's Dream\" and accepted the commission, mostly for financial reasons and against the advice of his doctor. \"Oberon\" was von Weber's last work, written and staged in London in April 1826. The production took its toll on von Weber's already fragile health, leading to his death at 39 years of age on June 4th of the same year. ","\"Oberon\" was written in English, though it has been successfully translated to von Weber's native German and is performed in both languages. Focusing on characters made famous by Shakespeare's \"A Midsummer Night's Dream\" including the titular Oberon, the fairy queen Titania, and Puck, the opera focuses on another instance of the fairies meddling with mortal lovers and their lives, this time in an orientalist, medieval setting. The libretto, written by James Robinson Planché, is an adaptation of the German poem \"Oberon\" by Christoph Martin Wieland, which is itself an adaptation of \"Huon de Bordeaux\", a 13th French epic poem. The opera is most known for its overture, and is still performed today."],"prefercite_html_tesm":["\u003cp\u003eHand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" C0458, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" C0458, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in October 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in October 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored printed broadside illustration of costumed characters from the opera \"Oberon\" by Carl Maria von Weber, created circa 1820s. From left to right are the characters Oberon, Titania, Sir Huon of Bordeaux (written is German as Hüon), Reiza (Rezia), Sherasmin (Scherasmin), Fatima, Caliph of Baghdad (Kalif von Bagdad), Roshana (Roschana), Almanzor (Almansor), and Turk Officer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon\" by Carl Maria von Weber, created circa 1820s. From left to right are the characters Oberon, Titania, Sir Huon of Bordeaux (written is German as Hüon), Reiza (Rezia), Sherasmin (Scherasmin), Fatima, Caliph of Baghdad (Kalif von Bagdad), Roshana (Roschana), Almanzor (Almansor), and Turk Officer."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_13b970d9c5141638d234d6a6a517116a\" label=\"Abstract\"\u003eHand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" made circa 1826.\u003c/abstract\u003e"],"abstract_tesim":["Hand-colored printed broadside illustration of costumed characters from the opera \"Oberon,\" made circa 1826."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b9d1503c8a83513a146f524ef0c0f93c\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Weber, Carl Maria von, 1786-1826"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Weber, Carl Maria von, 1786-1826"],"persname_ssim":["Weber, Carl Maria von, 1786-1826"],"language_ssim":["German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:17.368Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_522"}},{"id":"vifgm_repositories_2_resources_540","type":"collection","attributes":{"title":"\"La Navarraise\" opera scene and costume lithographs","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_540#creator","type":"document_value","attributes":{"value":"Heugel \u0026 Cie, Editeurs","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_540#abstract_or_scope","type":"document_value","attributes":{"value":"Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_540#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_540","ead_ssi":"vifgm_repositories_2_resources_540","_root_":"vifgm_repositories_2_resources_540","_nest_parent_":"vifgm_repositories_2_resources_540","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_540.xml","title_ssm":["\"La Navarraise\" opera scene and costume lithographs"],"title_tesim":["\"La Navarraise\" opera scene and costume lithographs"],"unitdate_ssm":["circa 1894"],"unitdate_other_ssim":["circa 1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0471","/repositories/2/resources/540"],"text":["C0471","/repositories/2/resources/540","\"La Navarraise\" opera scene and costume lithographs","Art","Costume design","Lithography","Opera","Verismo (Opera)","There are no access restrictions.","This collected was digitized by Mieko Palazzo and is available to view here:  .","This is a single folder collection.","Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. ","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and many other materials related to opera and the performing arts.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.","Public Domain. There are no known restrictions.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)","French"],"unitid_tesim":["C0471","/repositories/2/resources/540"],"normalized_title_ssm":["\"La Navarraise\" opera scene and costume lithographs"],"collection_title_tesim":["\"La Navarraise\" opera scene and costume lithographs"],"collection_ssim":["\"La Navarraise\" opera scene and costume lithographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Heugel \u0026 Cie, Editeurs"],"creator_ssim":["Heugel \u0026 Cie, Editeurs"],"creator_corpname_ssim":["Heugel \u0026 Cie, Editeurs"],"creators_ssim":["Heugel \u0026 Cie, Editeurs"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in March 2016."],"access_subjects_ssim":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"access_subjects_ssm":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 4 lithographs"],"extent_tesim":[".01 Linear Feet 4 lithographs"],"date_range_isim":[1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collected was digitized by Mieko Palazzo and is available to view here: \u003cextptr show=\"new\" title=\"La Navarraise opera scene and costume lithographs\" href=\"https://images.gmu.edu/luna/servlet/GMU~59~59\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collected was digitized by Mieko Palazzo and is available to view here:  ."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eAshman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.\u003c/p\u003e\n","\u003cp\u003eBentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/."],"bioghist_html_tesm":["\u003cp\u003e\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. \u003c/p\u003e\n","\u003cp\u003eA short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. ","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003e\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\u003c/extptr\u003e and many other materials related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and many other materials related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01ca8b4ded70b054185c62fdfaad59cd\" label=\"Abstract\"\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894.\u003c/abstract\u003e"],"abstract_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f789dac0e1e9cd14abce32825067d600\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs"],"names_coll_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"persname_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:17.368Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_540","ead_ssi":"vifgm_repositories_2_resources_540","_root_":"vifgm_repositories_2_resources_540","_nest_parent_":"vifgm_repositories_2_resources_540","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_540.xml","title_ssm":["\"La Navarraise\" opera scene and costume lithographs"],"title_tesim":["\"La Navarraise\" opera scene and costume lithographs"],"unitdate_ssm":["circa 1894"],"unitdate_other_ssim":["circa 1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0471","/repositories/2/resources/540"],"text":["C0471","/repositories/2/resources/540","\"La Navarraise\" opera scene and costume lithographs","Art","Costume design","Lithography","Opera","Verismo (Opera)","There are no access restrictions.","This collected was digitized by Mieko Palazzo and is available to view here:  .","This is a single folder collection.","Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. ","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and many other materials related to opera and the performing arts.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.","Public Domain. There are no known restrictions.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. 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There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in March 2016."],"access_subjects_ssim":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"access_subjects_ssm":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 4 lithographs"],"extent_tesim":[".01 Linear Feet 4 lithographs"],"date_range_isim":[1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collected was digitized by Mieko Palazzo and is available to view here: \u003cextptr show=\"new\" title=\"La Navarraise opera scene and costume lithographs\" href=\"https://images.gmu.edu/luna/servlet/GMU~59~59\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collected was digitized by Mieko Palazzo and is available to view here:  ."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eAshman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.\u003c/p\u003e\n","\u003cp\u003eBentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/."],"bioghist_html_tesm":["\u003cp\u003e\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. \u003c/p\u003e\n","\u003cp\u003eA short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. ","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003e\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\u003c/extptr\u003e and many other materials related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and many other materials related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01ca8b4ded70b054185c62fdfaad59cd\" label=\"Abstract\"\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894.\u003c/abstract\u003e"],"abstract_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f789dac0e1e9cd14abce32825067d600\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"corpname_ssim":["George Mason University. Libraries. 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[\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.","Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.","Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. ","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.","Public Domain. There are no known restrictions.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868","French \n.    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December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.\u003c/p\u003e\n","\u003cp\u003eCaussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/."],"bioghist_html_tesm":["\u003cp\u003eGioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. \u003c/p\u003e\n","\u003cp\u003eThis particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. 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[\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.","Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.","Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. ","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.","Public Domain. There are no known restrictions.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868","French \n.    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December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.\u003c/p\u003e\n","\u003cp\u003eCaussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/."],"bioghist_html_tesm":["\u003cp\u003eGioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other materials related to music, opera, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other materials related to music, opera, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. 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Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980."],"bioghist_html_tesm":["\u003cp\u003eLuigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. Cherubini's work mostly consisted of sacred music, but he eventually turned to composing operas in both Italian and French. Cherubini was a contemporary of Beethoven and was overshadowed by the famed composer, though Beethoven studied and admired him. Cherubini's work is still performed today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Luigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. Cherubini's work mostly consisted of sacred music, but he eventually turned to composing operas in both Italian and French. Cherubini was a contemporary of Beethoven and was overshadowed by the famed composer, though Beethoven studied and admired him. Cherubini's work is still performed today."],"prefercite_html_tesm":["\u003cp\u003eLithographic portrait of Luigi Cherubini by Charles Bour, C0476, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lithographic portrait of Luigi Cherubini by Charles Bour, C0476, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other materials related to music, opera, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other materials related to music, opera, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e5acb99afcc59154e47de14578a988c\" label=\"Abstract\"\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.\u003c/abstract\u003e"],"abstract_tesim":["Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ee04c914ff9c4a5a766ed8a772b24bf2\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842"],"corpname_ssim":["George Mason University. Libraries. 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