{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera\u0026f%5Bcreators%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera\u0026f%5Bcreators%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_542","type":"collection","attributes":{"title":"\"Aida\" opera costume paintings, 1870","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_542#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the  and the , as well as other materials related to opera, costume design, and the performing arts.","Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)","French"],"collection_title_tesim":["\"Aida\" opera costume paintings, 1870"],"collection_ssim":["\"Aida\" opera costume paintings, 1870"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0473","/repositories/2/resources/542"],"unitid_tesim":["C0473","/repositories/2/resources/542"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. 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Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.\u003c/p\u003e","\u003cp\u003eHolmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.\u003c/p\u003e","\u003cp\u003e\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. 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Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9576737c0c53a822d5c41ce4fcab5344\" label=\"Abstract\"\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s.\u003c/abstract\u003e\n    "],"abstract_tesim":["Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1e79eb9724213e0fffe9962712ab3fa7\"\u003eR 72, C 3, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"names_coll_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"names_ssim":["George Mason University. Libraries. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the  and the , as well as other materials related to opera, costume design, and the performing arts.","Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French.","No known copyright. 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Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9576737c0c53a822d5c41ce4fcab5344\" label=\"Abstract\"\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s.\u003c/abstract\u003e\n    "],"abstract_tesim":["Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1e79eb9724213e0fffe9962712ab3fa7\"\u003eR 72, C 3, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"names_coll_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:07.784Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_542"}},{"id":"vifgm_repositories_2_resources_541","type":"collection","attributes":{"title":"\"Cavalleria rusticana\" opera costume paintings, 1890","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_541#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_541#abstract_or_scope","type":"document_value","attributes":{"value":"Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana,\" circa 1890.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_541#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_541","ead_ssi":"vifgm_repositories_2_resources_541","_root_":"vifgm_repositories_2_resources_541","_nest_parent_":"vifgm_repositories_2_resources_541","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_541.xml","title_ssm":["\"Cavalleria rusticana\" opera costume paintings"],"title_tesim":["\"Cavalleria rusticana\" opera costume paintings"],"unitdate_ssm":["circa 1890"],"unitdate_other_ssim":["circa 1890"],"normalized_date_ssm":["1890"],"normalized_title_ssm":["\"Cavalleria rusticana\" opera costume paintings, 1890"],"text":["\"Cavalleria rusticana\" opera costume paintings, 1890","C0472","/repositories/2/resources/541","Costume design","Opera","Verismo (Opera)","Watercolor painting","There are no access restrictions.","This collected was digitized by Mieko Palazzo and is available to view here: .","This is a single folder collection.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Cantoni, L. and Schwarm, Betsy. \"Cavalleria rusticana.\" Encyclopaedia Britannica. Accessed March 9, 2021. https://www.britannica.com/topic/Cavalleria-rusticana-opera-by-Mascagni.","\"The Story Behind Mascagni's Cavalleria Rusticana.\" Classic FM. Accessed March 9, 2021. https://www.classicfm.com/composers/mascagni/guides/story-behind-mascagnis-cavalleria-rusticana/.","\"Synopsis: Cavalleria Rusticana/Pagliacci.\" The Metropolitan Opera. Accessed March 9, 2021. https://www.metopera.org/user-information/synopses-archive/cav-pag.","\"Cavalleria rusticana,\" translated from the Italian to \"rustic chivalry,\" is an 1890 opera by Pietro Mascagni. The catalyst of the \"verismo\" opera trend, \"Cavalleria rusticana\" was hailed for its music, passionate and realistic plot, and the punch it packed as a short opera, clocking in around 75 minutes (compared to a typical opera's 2.5-3 hour runtime). \"Cavalleria\" tells the story of Sicilian villagers Santuzza and Turiddu. Turridu has seduced Santuzza out of spite for being rejected by his former lover Lola, now married to Alfio. However, Turiddu begins an affair with Lola behind Santuzza's back, and in typical verismo fashion, passion and death ensue. Based on the story and play by Giovanni Verga, \"Cavalleria\" was an instant and massive success, and became Mascagni's most popular work, despite being his first. The composer himself was quoted as saying, \"It is a pity I wrote Cavalleria first...for I was crowned before I became king\" (ClassicFM.) \"Cavalleria rusticana\" is still performed today, traditionally in a double bill with the opera \"Pagliacci\" by Ruggero Leoncavallo, known as \"Cav/Pag.\" It is perhaps best known for its \"Intermezzo\" music.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the , as well as many other materials on opera and the performing arts.","Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana,\" circa 1890.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)","Italian"],"collection_title_tesim":["\"Cavalleria rusticana\" opera costume paintings, 1890"],"collection_ssim":["\"Cavalleria rusticana\" opera costume paintings, 1890"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0472","/repositories/2/resources/541"],"unitid_tesim":["C0472","/repositories/2/resources/541"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in May 2016."],"access_subjects_ssim":["Costume design","Opera","Verismo (Opera)","Watercolor painting"],"access_subjects_ssm":["Costume design","Opera","Verismo (Opera)","Watercolor painting"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 6 paintings"],"extent_tesim":[".01 Linear Feet 6 paintings"],"date_range_isim":[1890],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collected was digitized by Mieko Palazzo and is available to view here: \u003cextptr show=\"new\" title=\"Cavalleria rusticana opera costume paintings\" href=\"https://images.gmu.edu/luna/servlet/GMU~57~57\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collected was digitized by Mieko Palazzo and is available to view here: ."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eBentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54. \u003c/p\u003e","\u003cp\u003eCantoni, L. and Schwarm, Betsy. \"Cavalleria rusticana.\" Encyclopaedia Britannica. Accessed March 9, 2021. https://www.britannica.com/topic/Cavalleria-rusticana-opera-by-Mascagni.\u003c/p\u003e","\u003cp\u003e\"The Story Behind Mascagni's Cavalleria Rusticana.\" Classic FM. Accessed March 9, 2021. https://www.classicfm.com/composers/mascagni/guides/story-behind-mascagnis-cavalleria-rusticana/.\u003c/p\u003e","\u003cp\u003e\"Synopsis: Cavalleria Rusticana/Pagliacci.\" The Metropolitan Opera. Accessed March 9, 2021. https://www.metopera.org/user-information/synopses-archive/cav-pag.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Cantoni, L. and Schwarm, Betsy. \"Cavalleria rusticana.\" Encyclopaedia Britannica. Accessed March 9, 2021. https://www.britannica.com/topic/Cavalleria-rusticana-opera-by-Mascagni.","\"The Story Behind Mascagni's Cavalleria Rusticana.\" Classic FM. Accessed March 9, 2021. https://www.classicfm.com/composers/mascagni/guides/story-behind-mascagnis-cavalleria-rusticana/.","\"Synopsis: Cavalleria Rusticana/Pagliacci.\" The Metropolitan Opera. Accessed March 9, 2021. https://www.metopera.org/user-information/synopses-archive/cav-pag."],"bioghist_html_tesm":["\u003cp\u003e\"Cavalleria rusticana,\" translated from the Italian to \"rustic chivalry,\" is an 1890 opera by Pietro Mascagni. The catalyst of the \"verismo\" opera trend, \"Cavalleria rusticana\" was hailed for its music, passionate and realistic plot, and the punch it packed as a short opera, clocking in around 75 minutes (compared to a typical opera's 2.5-3 hour runtime). \"Cavalleria\" tells the story of Sicilian villagers Santuzza and Turiddu. Turridu has seduced Santuzza out of spite for being rejected by his former lover Lola, now married to Alfio. However, Turiddu begins an affair with Lola behind Santuzza's back, and in typical verismo fashion, passion and death ensue. Based on the story and play by Giovanni Verga, \"Cavalleria\" was an instant and massive success, and became Mascagni's most popular work, despite being his first. The composer himself was quoted as saying, \"It is a pity I wrote Cavalleria first...for I was crowned before I became king\" (ClassicFM.) \"Cavalleria rusticana\" is still performed today, traditionally in a double bill with the opera \"Pagliacci\" by Ruggero Leoncavallo, known as \"Cav/Pag.\" It is perhaps best known for its \"Intermezzo\" music.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Cavalleria rusticana,\" translated from the Italian to \"rustic chivalry,\" is an 1890 opera by Pietro Mascagni. The catalyst of the \"verismo\" opera trend, \"Cavalleria rusticana\" was hailed for its music, passionate and realistic plot, and the punch it packed as a short opera, clocking in around 75 minutes (compared to a typical opera's 2.5-3 hour runtime). \"Cavalleria\" tells the story of Sicilian villagers Santuzza and Turiddu. Turridu has seduced Santuzza out of spite for being rejected by his former lover Lola, now married to Alfio. However, Turiddu begins an affair with Lola behind Santuzza's back, and in typical verismo fashion, passion and death ensue. Based on the story and play by Giovanni Verga, \"Cavalleria\" was an instant and massive success, and became Mascagni's most popular work, despite being his first. The composer himself was quoted as saying, \"It is a pity I wrote Cavalleria first...for I was crowned before I became king\" (ClassicFM.) \"Cavalleria rusticana\" is still performed today, traditionally in a double bill with the opera \"Pagliacci\" by Ruggero Leoncavallo, known as \"Cav/Pag.\" It is perhaps best known for its \"Intermezzo\" music."],"prefercite_html_tesm":["\u003cp\u003e\"Cavalleria rusticana\" opera costume paintings, C0472, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["\"Cavalleria rusticana\" opera costume paintings, C0472, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'La Navarraise' opera scene and costume lithographs\" href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\u003c/extptr\u003e, as well as many other materials on opera and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , as well as many other materials on opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSix pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_91b0450187fb31dfccc7f2c45cf97d42\" label=\"Abstract\"\u003eSix pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana,\" circa 1890.\u003c/abstract\u003e\n    "],"abstract_tesim":["Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana,\" circa 1890."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2aa9686e9517ec2be30916925fb820f4\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"names_coll_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"language_ssim":["Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:07.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_541","ead_ssi":"vifgm_repositories_2_resources_541","_root_":"vifgm_repositories_2_resources_541","_nest_parent_":"vifgm_repositories_2_resources_541","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_541.xml","title_ssm":["\"Cavalleria rusticana\" opera costume paintings"],"title_tesim":["\"Cavalleria rusticana\" opera costume paintings"],"unitdate_ssm":["circa 1890"],"unitdate_other_ssim":["circa 1890"],"normalized_date_ssm":["1890"],"normalized_title_ssm":["\"Cavalleria rusticana\" opera costume paintings, 1890"],"text":["\"Cavalleria rusticana\" opera costume paintings, 1890","C0472","/repositories/2/resources/541","Costume design","Opera","Verismo (Opera)","Watercolor painting","There are no access restrictions.","This collected was digitized by Mieko Palazzo and is available to view here: .","This is a single folder collection.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Cantoni, L. and Schwarm, Betsy. \"Cavalleria rusticana.\" Encyclopaedia Britannica. Accessed March 9, 2021. https://www.britannica.com/topic/Cavalleria-rusticana-opera-by-Mascagni.","\"The Story Behind Mascagni's Cavalleria Rusticana.\" Classic FM. Accessed March 9, 2021. https://www.classicfm.com/composers/mascagni/guides/story-behind-mascagnis-cavalleria-rusticana/.","\"Synopsis: Cavalleria Rusticana/Pagliacci.\" The Metropolitan Opera. Accessed March 9, 2021. https://www.metopera.org/user-information/synopses-archive/cav-pag.","\"Cavalleria rusticana,\" translated from the Italian to \"rustic chivalry,\" is an 1890 opera by Pietro Mascagni. The catalyst of the \"verismo\" opera trend, \"Cavalleria rusticana\" was hailed for its music, passionate and realistic plot, and the punch it packed as a short opera, clocking in around 75 minutes (compared to a typical opera's 2.5-3 hour runtime). \"Cavalleria\" tells the story of Sicilian villagers Santuzza and Turiddu. Turridu has seduced Santuzza out of spite for being rejected by his former lover Lola, now married to Alfio. However, Turiddu begins an affair with Lola behind Santuzza's back, and in typical verismo fashion, passion and death ensue. Based on the story and play by Giovanni Verga, \"Cavalleria\" was an instant and massive success, and became Mascagni's most popular work, despite being his first. The composer himself was quoted as saying, \"It is a pity I wrote Cavalleria first...for I was crowned before I became king\" (ClassicFM.) \"Cavalleria rusticana\" is still performed today, traditionally in a double bill with the opera \"Pagliacci\" by Ruggero Leoncavallo, known as \"Cav/Pag.\" It is perhaps best known for its \"Intermezzo\" music.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the , as well as many other materials on opera and the performing arts.","Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana,\" circa 1890.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)","Italian"],"collection_title_tesim":["\"Cavalleria rusticana\" opera costume paintings, 1890"],"collection_ssim":["\"Cavalleria rusticana\" opera costume paintings, 1890"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0472","/repositories/2/resources/541"],"unitid_tesim":["C0472","/repositories/2/resources/541"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in May 2016."],"access_subjects_ssim":["Costume design","Opera","Verismo (Opera)","Watercolor painting"],"access_subjects_ssm":["Costume design","Opera","Verismo (Opera)","Watercolor painting"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 6 paintings"],"extent_tesim":[".01 Linear Feet 6 paintings"],"date_range_isim":[1890],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collected was digitized by Mieko Palazzo and is available to view here: \u003cextptr show=\"new\" title=\"Cavalleria rusticana opera costume paintings\" href=\"https://images.gmu.edu/luna/servlet/GMU~57~57\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collected was digitized by Mieko Palazzo and is available to view here: ."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eBentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54. \u003c/p\u003e","\u003cp\u003eCantoni, L. and Schwarm, Betsy. \"Cavalleria rusticana.\" Encyclopaedia Britannica. Accessed March 9, 2021. https://www.britannica.com/topic/Cavalleria-rusticana-opera-by-Mascagni.\u003c/p\u003e","\u003cp\u003e\"The Story Behind Mascagni's Cavalleria Rusticana.\" Classic FM. Accessed March 9, 2021. https://www.classicfm.com/composers/mascagni/guides/story-behind-mascagnis-cavalleria-rusticana/.\u003c/p\u003e","\u003cp\u003e\"Synopsis: Cavalleria Rusticana/Pagliacci.\" The Metropolitan Opera. Accessed March 9, 2021. https://www.metopera.org/user-information/synopses-archive/cav-pag.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Cantoni, L. and Schwarm, Betsy. \"Cavalleria rusticana.\" Encyclopaedia Britannica. Accessed March 9, 2021. https://www.britannica.com/topic/Cavalleria-rusticana-opera-by-Mascagni.","\"The Story Behind Mascagni's Cavalleria Rusticana.\" Classic FM. Accessed March 9, 2021. https://www.classicfm.com/composers/mascagni/guides/story-behind-mascagnis-cavalleria-rusticana/.","\"Synopsis: Cavalleria Rusticana/Pagliacci.\" The Metropolitan Opera. Accessed March 9, 2021. https://www.metopera.org/user-information/synopses-archive/cav-pag."],"bioghist_html_tesm":["\u003cp\u003e\"Cavalleria rusticana,\" translated from the Italian to \"rustic chivalry,\" is an 1890 opera by Pietro Mascagni. The catalyst of the \"verismo\" opera trend, \"Cavalleria rusticana\" was hailed for its music, passionate and realistic plot, and the punch it packed as a short opera, clocking in around 75 minutes (compared to a typical opera's 2.5-3 hour runtime). \"Cavalleria\" tells the story of Sicilian villagers Santuzza and Turiddu. Turridu has seduced Santuzza out of spite for being rejected by his former lover Lola, now married to Alfio. However, Turiddu begins an affair with Lola behind Santuzza's back, and in typical verismo fashion, passion and death ensue. Based on the story and play by Giovanni Verga, \"Cavalleria\" was an instant and massive success, and became Mascagni's most popular work, despite being his first. The composer himself was quoted as saying, \"It is a pity I wrote Cavalleria first...for I was crowned before I became king\" (ClassicFM.) \"Cavalleria rusticana\" is still performed today, traditionally in a double bill with the opera \"Pagliacci\" by Ruggero Leoncavallo, known as \"Cav/Pag.\" It is perhaps best known for its \"Intermezzo\" music.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Cavalleria rusticana,\" translated from the Italian to \"rustic chivalry,\" is an 1890 opera by Pietro Mascagni. The catalyst of the \"verismo\" opera trend, \"Cavalleria rusticana\" was hailed for its music, passionate and realistic plot, and the punch it packed as a short opera, clocking in around 75 minutes (compared to a typical opera's 2.5-3 hour runtime). \"Cavalleria\" tells the story of Sicilian villagers Santuzza and Turiddu. Turridu has seduced Santuzza out of spite for being rejected by his former lover Lola, now married to Alfio. However, Turiddu begins an affair with Lola behind Santuzza's back, and in typical verismo fashion, passion and death ensue. Based on the story and play by Giovanni Verga, \"Cavalleria\" was an instant and massive success, and became Mascagni's most popular work, despite being his first. The composer himself was quoted as saying, \"It is a pity I wrote Cavalleria first...for I was crowned before I became king\" (ClassicFM.) \"Cavalleria rusticana\" is still performed today, traditionally in a double bill with the opera \"Pagliacci\" by Ruggero Leoncavallo, known as \"Cav/Pag.\" It is perhaps best known for its \"Intermezzo\" music."],"prefercite_html_tesm":["\u003cp\u003e\"Cavalleria rusticana\" opera costume paintings, C0472, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["\"Cavalleria rusticana\" opera costume paintings, C0472, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'La Navarraise' opera scene and costume lithographs\" href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\u003c/extptr\u003e, as well as many other materials on opera and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , as well as many other materials on opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSix pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana.\" Featured are Turiddu, Coriste (female chorus member), two Coristi (male chorus members), Lola, and Alfio. Each painting has the title of the opera written in pen in the upper right hand corner, as well as the name of each character below the figure. Notably absent is the lead female character Santuzza. Due to the numberings on the upper left corners of the paintings, these seem to be a part of a larger series of paintings."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_91b0450187fb31dfccc7f2c45cf97d42\" label=\"Abstract\"\u003eSix pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana,\" circa 1890.\u003c/abstract\u003e\n    "],"abstract_tesim":["Six pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Cavalleria rusticana,\" circa 1890."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2aa9686e9517ec2be30916925fb820f4\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"names_coll_ssim":["Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Mascagni, Pietro, 1863-1945. (Title of work: Cavalleria rusticana.)"],"language_ssim":["Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:07.784Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_541"}},{"id":"vifgm_repositories_2_resources_564","type":"collection","attributes":{"title":"Lithographic print portrait of Pauline Viardot, 1839","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_564#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_564#abstract_or_scope","type":"document_value","attributes":{"value":"Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_564#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_564","ead_ssi":"vifgm_repositories_2_resources_564","_root_":"vifgm_repositories_2_resources_564","_nest_parent_":"vifgm_repositories_2_resources_564","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_564.xml","title_ssm":["Lithographic print portrait of Pauline Viardot"],"title_tesim":["Lithographic print portrait of Pauline Viardot"],"unitdate_ssm":["circa 1839"],"unitdate_other_ssim":["circa 1839"],"normalized_date_ssm":["1839"],"normalized_title_ssm":["Lithographic print portrait of Pauline Viardot, 1839"],"text":["Lithographic print portrait of Pauline Viardot, 1839","C0484","/repositories/2/resources/564","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.","Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.","Pauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence.","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910.","Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the  and the .","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839.","Public Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries.","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Viardot-García, Pauline, 1821-1910","French\n."],"collection_title_tesim":["Lithographic print portrait of Pauline Viardot, 1839"],"collection_ssim":["Lithographic print portrait of Pauline Viardot, 1839"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0484","/repositories/2/resources/564"],"unitid_tesim":["C0484","/repositories/2/resources/564"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Viardot-García, Pauline, 1821-1910"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Viardot-García, Pauline, 1821-1910","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Purchased by Steve Gerber in January 2016."],"access_subjects_ssim":["Lithography","Music","Opera"],"access_subjects_ssm":["Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1839],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.\u003c/p\u003e","\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.\u003c/p\u003e","\u003cp\u003eJeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.\u003c/p\u003e","\u003cp\u003e Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.","Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879."],"bioghist_html_tesm":["\u003cp\u003ePauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence. \u003c/p\u003e","\u003cp\u003eArguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Pauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence.","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910."],"prefercite_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Lithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on opera and opera singers.\u003c/p\u003e","\u003cp\u003eThe Houghton Library at Harvard University holds the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/1387\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia additional papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/3178\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the  and the ."],"scopecontent_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba7955edd7809983117ed0c609883895\" label=\"Abstract\"\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93bfb13b9fe5589a5feff7c166802196\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Viardot-García, Pauline, 1821-1910"],"names_coll_ssim":["Viardot-García, Pauline, 1821-1910"],"names_ssim":["George Mason University. Libraries. 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Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.","Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.","Pauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence.","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910.","Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the  and the .","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839.","Public Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries.","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.","R 72, C 3, S 1","George Mason University. Libraries. 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Accessed May 18, 2021. http://www.jstor.org/stable/41493879."],"bioghist_html_tesm":["\u003cp\u003ePauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence. \u003c/p\u003e","\u003cp\u003eArguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. 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She passed away in 1910."],"prefercite_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Lithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on opera and opera singers.\u003c/p\u003e","\u003cp\u003eThe Houghton Library at Harvard University holds the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/1387\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia additional papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/3178\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the  and the ."],"scopecontent_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba7955edd7809983117ed0c609883895\" label=\"Abstract\"\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lithographic print portrait of Pauline Viardot by \"L. 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Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.","\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today.","\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the  and the , as well as other materials related to opera, costume design, and the performing arts.","Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s. The character is unlabeled, but based on other costume designs of the era, it may be the character Radames. There are two practice sketches of a figure's head in the upper right hand corner, as well as the artist's signature in the bottom right hand corner. The painting is likely French in origin.","Public Domain. There are no known restrictions.","Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)","No linguistic content; Not applicable\n."],"collection_title_tesim":["Single \"Aida\" opera costume painting, 1871"],"collection_ssim":["Single \"Aida\" opera costume painting, 1871"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0474","/repositories/2/resources/543"],"unitid_tesim":["C0474","/repositories/2/resources/543"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)","George Mason University. Libraries. 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There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in September 2016."],"access_subjects_ssim":["Art","Costume design","Opera"],"access_subjects_ssm":["Art","Costume design","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 painting"],"extent_tesim":[".01 Linear Feet 1 painting"],"date_range_isim":[1871],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eGroenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). 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Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida."],"bioghist_html_tesm":["\u003cp\u003e\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. \u003c/p\u003e","\u003cp\u003e\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the  and the , as well as other materials related to opera, costume design, and the performing arts.","Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s. The character is unlabeled, but based on other costume designs of the era, it may be the character Radames. There are two practice sketches of a figure's head in the upper right hand corner, as well as the artist's signature in the bottom right hand corner. The painting is likely French in origin.","Public Domain. There are no known restrictions.","Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. 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