{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=New+Deal%2C+1933-1939.\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=New+Deal%2C+1933-1939.\u0026page=2\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=New+Deal%2C+1933-1939.\u0026page=2\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":15,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_rice","type":"collection","attributes":{"title":"Adams T. Rice papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_rice#creator","type":"document_value","attributes":{"value":"Rice, Adams T., 1892-\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_rice#abstract_or_scope","type":"document_value","attributes":{"value":"The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_rice#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_rice","ead_ssi":"vifgm_rice","_root_":"vifgm_rice","_nest_parent_":"vifgm_rice","ead_source_url_ssi":"data/gmu/rice.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/rice.html","title_ssm":["Adams T. Rice papers"],"title_tesim":["Adams T. Rice papers"],"unitdate_ssm":["1922-1960"],"unitdate_other_ssim":["1922-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0238"],"text":["C0238","Adams T. Rice papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.","There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Adams T. 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He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. 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Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eThe Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. 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Rice papers"],"unitdate_ssm":["1922-1960"],"unitdate_other_ssim":["1922-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0238"],"text":["C0238","Adams T. Rice papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. 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EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.","There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Adams T. 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He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. 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Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eThe Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/p\u003e","\u003cp\u003eMaterial related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. 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Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_rice"}},{"id":"vifgm_sundgaard","type":"collection","attributes":{"title":"Arnold Sundgaard papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard#creator","type":"document_value","attributes":{"value":"Sundgaard, Arnold, 1909-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard#abstract_or_scope","type":"document_value","attributes":{"value":"The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"text":["C0226","Arnold Sundgaard papers","New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English\n\t\t"],"unitid_tesim":["C0226"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["19.0 linear feet (46 boxes)"],"extent_tesim":["19.0 linear feet (46 boxes)"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorresondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. "],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:07:50.641Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"text":["C0226","Arnold Sundgaard papers","New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English\n\t\t"],"unitid_tesim":["C0226"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["19.0 linear feet (46 boxes)"],"extent_tesim":["19.0 linear feet (46 boxes)"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorresondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. "],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. 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McCall papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_mccall#creator","type":"document_value","attributes":{"value":"McCall, Chester H.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_mccall#abstract_or_scope","type":"document_value","attributes":{"value":"The Chester H. McCall papers contain materials from McCall's tenure at the U.S. Department of Commerce as well as his private life.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_mccall#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_mccall","ead_ssi":"vifgm_mccall","_root_":"vifgm_mccall","_nest_parent_":"vifgm_mccall","ead_source_url_ssi":"data/gmu/mccall.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/mccall.html","title_ssm":["Chester H. McCall papers"],"title_tesim":["Chester H. McCall papers"],"unitdate_ssm":["1931-1947"],"unitdate_inclusive_ssm":["1931-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0098"],"text":["C0098","Chester H. McCall papers","1930s","1940s.","Educational change","International trade","Interstate commerce.","New Deal, 1933-1939.","United States--Politics and government","There are no access restrictions.","This collection is arranged by subject.","Chester H. McCall served as Assistant Secretary of Commerce (1933-1937) under Daniel C. Roper in the Franklin D. Roosevelt Administration. While in the Department of Commerce, McCall headed up the administrative, public relations, and publications efforts of the department's Bureau of Foreign and Domestic Commerce, National Bureau of Standards, and Bureau of Air Commerce. He was also a member of the Executive Board of the National Youth Administration, secretary of several Cabinet committees, and represented Commerce in several inter-departmental committees.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Updated by Greta Kuriger in 2011. Reprocessed and finding aid updated by Lana Mason in 2018.","Special Collections Research Center also holds many other collections on United States government and politics, particularly the Legislative branch. The \n                  include documents on the FDIC during the 1930s.","The University of Virginia Libraries also holds a collection of the \n                 .","The Chester McCall Papers contain materials from his tenure at the Department of Commerce as well as his private life. The materials include correspondence between Chester McCall, Secretary Roper, government employees, and business leaders; speech drafts: \"Credit and the New Deal\" (March 13, 1934), \"Regimentation and Recovery\" (November 6, 1934), \"Trading for Peace\" (August 16, 1934); and contemporary news clippings regarding the Roosevelt Administration and the Department of Commerce. The materials also include documents and writings pertaining to McCall's personal life, memoranda and a handwritten note from Franklin D. Roosevelt.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","There are no restrictions on personal use. Permission to publish material from the Chester H. McCall papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Chester H. 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Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","Includes correspondence between Lynch and Hallie Flanagan.","Correspondence and general information, photocopies.","Programs, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.","Programs, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish.","There are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas.","English\n\t\t"],"unitid_tesim":["C0242"],"normalized_title_ssm":["Dorothea Thomas Lynch papers"],"collection_title_tesim":["Dorothea Thomas Lynch papers"],"collection_ssim":["Dorothea Thomas Lynch papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lynch, Dorothea Thomas\n"],"creator_ssim":["Lynch, Dorothea Thomas\n"],"creator_persname_ssim":["Lynch, Dorothea Thomas\n"],"creators_ssim":["Lynch, Dorothea Thomas\n"],"access_terms_ssm":["There are no restrictions on personal use. 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Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Dorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. 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Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers, C0242, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Dorothea Thomas Lynch papers, C0242, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eIncludes correspondence between Lynch and Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eCorrespondence and general information, photocopies.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","Includes correspondence between Lynch and Hallie Flanagan.","Correspondence and general information, photocopies.","Programs, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.","Programs, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref26\" label=\"Abstract\"\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:33:36.071Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_lynchd","ead_ssi":"vifgm_lynchd","_root_":"vifgm_lynchd","_nest_parent_":"vifgm_lynchd","ead_source_url_ssi":"data/gmu/lynchd.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/lynchd.html","title_ssm":["Dorothea Thomas Lynch papers"],"title_tesim":["Dorothea Thomas Lynch papers"],"unitdate_ssm":["Bulk, 1936-1940","1936-1979"],"unitdate_bulk_ssim":["Bulk, 1936-1940"],"unitdate_inclusive_ssm":["1936-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0242"],"text":["C0242","Dorothea Thomas Lynch papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically with oversize materials at the end.","Dorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","Includes correspondence between Lynch and Hallie Flanagan.","Correspondence and general information, photocopies.","Programs, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.","Programs, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish.","There are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas.","English\n\t\t"],"unitid_tesim":["C0242"],"normalized_title_ssm":["Dorothea Thomas Lynch papers"],"collection_title_tesim":["Dorothea Thomas Lynch papers"],"collection_ssim":["Dorothea Thomas Lynch papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lynch, Dorothea Thomas\n"],"creator_ssim":["Lynch, Dorothea Thomas\n"],"creator_persname_ssim":["Lynch, Dorothea Thomas\n"],"creators_ssim":["Lynch, Dorothea Thomas\n"],"access_terms_ssm":["There are no restrictions on personal use. 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Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Dorothea Thomas Lynch was the State Director of the Federal Theatre Project in Florida. Before joining the FTP she worked for eight years as the Head of the Rollins College dramatic department.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers, C0242, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Dorothea Thomas Lynch papers, C0242, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eIncludes correspondence between Lynch and Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eCorrespondence and general information, photocopies.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.","Includes correspondence between Lynch and Hallie Flanagan.","Correspondence and general information, photocopies.","Programs, photographs, and clippings from Jacksonville productions. Includes programs and photographs of \"Animated History of Drama\" series performed by Florida State Touring CO. Music and synopsis of If Ye Break Faith. Biography of playwritght Maria Coxe. Clippings and correspondence on termination of the FTP.","Programs, photographs, newspaper clippings about the Miami and Tampa, Florida Federal Theatre. Some material in Spanish."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Dorothea Thomas Lynch papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref26\" label=\"Abstract\"\u003eThe Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothea Thomas Lynch papers contains correspondence, issues of the Federal Theatre bulletin, issues of the Federal Theatre in the South, production notes, scripts, and set designs for the production The Girl of the Golden West, class outlines for the History of drama, newsclippings about the Florida Federal Theatre Project, and scrapbooks containing programs, photographs, and newsclippings about Jacksonville, Miami, and Tampa, Florida Federal Theatre Project productions."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Lynch, Dorothea Thomas\n","Lynch, Dorothea Thomas."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:33:36.071Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_lynchd"}},{"id":"vifgm_edson","type":"collection","attributes":{"title":"Eda Edson papers","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_edson#abstract_or_scope","type":"document_value","attributes":{"value":"The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_edson#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_edson","ead_ssi":"vifgm_edson","_root_":"vifgm_edson","_nest_parent_":"vifgm_edson","ead_source_url_ssi":"data/gmu/edson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/edson.html","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218"],"text":["C0218","Eda Edson papers","New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","Organized alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" ","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch; photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write.","There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)","Edson, Eda","English\n\t\t"],"unitid_tesim":["C0218"],"normalized_title_ssm":["Eda Edson papers"],"collection_title_tesim":["Eda Edson papers"],"collection_ssim":["Eda Edson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Eda Edson to Special Collections and Archives May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["0.5 linear feet (1 box)"],"extent_tesim":["0.5 linear feet (1 box)"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n\u003c/p\u003e","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). 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Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" "],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. 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One black and white photograph possibly of Edson.\u003c/p\u003e","\u003cp\u003eNewspaper clipping; blank greeting card; note to Edson encouraging her to write.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch; photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref23\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e"],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)","Edson, Eda"],"corpname_ssim":["George Mason University. Libraries. 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","Organized alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" ","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch; photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write.","There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)","Edson, Eda","English\n\t\t"],"unitid_tesim":["C0218"],"normalized_title_ssm":["Eda Edson papers"],"collection_title_tesim":["Eda Edson papers"],"collection_ssim":["Eda Edson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["There are no restrictions on personal use. 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"],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n\u003c/p\u003e","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" "],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. 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One black and white photograph possibly of Edson.\u003c/p\u003e","\u003cp\u003eNewspaper clipping; blank greeting card; note to Edson encouraging her to write.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch; photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref23\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. 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Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)"],"persname_ssim":["Edson, Eda"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:10:19.040Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_edson"}},{"id":"vifgm_ftppersonal","type":"collection","attributes":{"title":"Federal Theatre Project personal papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_ftppersonal#creator","type":"document_value","attributes":{"value":"Federal Theatre Project (U.S.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_ftppersonal#abstract_or_scope","type":"document_value","attributes":{"value":"This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_ftppersonal#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_ftppersonal","ead_ssi":"vifgm_ftppersonal","_root_":"vifgm_ftppersonal","_nest_parent_":"vifgm_ftppersonal","ead_source_url_ssi":"data/gmu/ftppersonal.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/ftppersonal.html","title_ssm":["Federal Theatre Project personal papers"],"title_tesim":["Federal Theatre Project personal papers"],"unitdate_ssm":["1926-1993, bulk 1936-1939"],"unitdate_inclusive_ssm":["1926-1993, bulk 1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0227"],"text":["C0227","Federal Theatre Project personal papers","New Deal, 1933-1939.","Performing arts.","Puppet theater.","Radio and theater","Theater--United States.","Photographs.","Scrapbooks.","There are no access restrictions.","Arranged alphabetically by last name.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors.","Processing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter. Edited in October 2013 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as other personal papers.","This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.","Set designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.","Newspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".","Correspondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.","Correspondence between Abramson and Theodore Browne.","Radio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.","Photocopy of It's Up to You playscript","Article Puppets and Marionettes from unknown publication.","Article Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unkown publication.","Photocopy of original music \"Ain't We Got Love\" from Swing It.","Photocopy of original music \"By the Sweat of Your Brow\" from Swing It.","Photocopy of original music \"Green and Blue\" from Swing It.","Photocopy of original music \"Huggin' and Muggin'\" from Swing It.","Translation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.","The Dog Beneath the Skin director's copy playscript.","Medicine Show costume design original sketches (1 of 3),","Medicine Show costume design original sketches (2 of 3),","Medicine Show costume design original sketches (3 of 3),","Medicine Show handwritten notes and drawings.","Costume designs for Miles Gloriousus.","Costume designs for One-Third of a Nation.","One-Third of a Nation newspaper articles, costume design notes and lists.","Unidentified costume designs.","2 programs for Abu Hassan and The Princess and the Pea.","Multiple articles and newspaper clippings on puppet and marionette productions.","Non Federal Theatre Project play programs, many of which are marionette productions.","Scrapbook pages with articles about puppets and marionettes.","Captain Kidd playscript.","Playscript and newspaper article for One-Third of a Nation Philadelphia version.","Federal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.","Letter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.","Photocopy of publicity pages for a production of Trojan Incident at St. James Theatre.","Photocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.","Program for the marionette play Crock of Gold.","Newspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.","Photocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.","Puppet teaching materials.","Clown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, california. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.","Photocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.","Unpublished manuscript by Clugston titled Very Like a Whale (1 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (2 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (3 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (4 of 4).","Hand drawn set design for Playboy of the Western World.","Employee's identification card; notice of termination of employment.","Scrapbook page with newspaper clippings.","Correspondence between Jed Davis and Hallie Flanagan and correspondence between the Library of congress and Davis on researching the Federal Theatre collection.","3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-charles Weidman Dance Program.","Photocopy of the play Abraham's Bosom by Paul Green.","Photocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.","Programs for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.","Programs for Chalk Dust, cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the circle. Newspaper clippings.","The Witch of Guinness crag by Michele Elliott.","Color play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.","Photocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.","Playscript of Dirt a living newspaper.","Eloise Moore dance file. contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article chicago Dance Notes.","Eloise Moore dance file. Programs.","I Told Santa Claus to Bring Me You sheet music.","Playscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.","Can You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.","Ladies Are Made script.","Programs, flyers, and two photographs from the Vassar college Experimental Theatre.","First Legion production bulletin.","Prologue to Glory research file.","Scrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.","Oversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.","Photocopies of actors notes and cues for Macbeth.","Bryn Mawr Summer School songs.","Federal Theatre Project official documents transferring rights of works.","Program for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.","Revue of Reviews sheet music.","Bird of Paradise program.","Correspondence, memoranda, Federal Theatre Project in San Francisco survey.","Newspaper clippings.","Photograph of Hallie Flanagan signed to Gerwing.","Publications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.","Scrapbook titled \"curtains up on Region of the West.\" contains painted costume and set designs, photographs depicting staged productions, civilian conservation corps camps, miniature theatre models. There is also one painted over photograph.","Photocopies of correspondence between Gilder and Hallie Flanagan.","Photocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.","Newspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatment for terminated employees to continue on the payroll until September 30, 1939.","Stage brace believed to be from the Federal Theatre Project.","Federal Theatre employment papers, birthday card, newspaper clipping.","King Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.","Peer Gynt script.","Photographs from oversize \"The Spiral\" scrapbook.","Loose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"","Scrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.","Scrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.","Scrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.","Scrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.","Brown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.","Copies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.","Scrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.","Contains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.","Newspaper clippings.","Programs for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the corner, The Devil's Disciple, By Candlelight.","Flyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.","Miniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.","The Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.","Power playscript.","One-Third of a Nation living newspaper program.","Program for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.","Scenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.","Triple-A Plowed Under photographs.","1935 photographs.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","Program for The Lonely Man.","Photographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.","Scrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.","Programs, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.","Programs for The Emperor's New clothes, Native Ground, Seattle children's Theatre, Medicine Show, Love in Humble Life, Julius caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.","Contains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.","Two photographs possibly of Injunction Granted.","Script for Mother Goose and Us (children's play).","Photocopies of newspaper clippings and a letter.","Photocopies of newspaper clippings and programs.","Photocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the Federal Theatre Project collection box 154 folders 8 and 9.","Photocopy of script for Papa's Got a Job; script for Pop's a cop in Jersey city; photocopy of opening scene of Sing For Your Supper.","Sing For Your Supper production notebook.","Sing For Your Supper sheet music - Imagine My Finding You Here.","Sing For Your Supper sheet music - Papa's Got a Job.","Cherokee Nights set sketches for performance at the Provincetown Playhouse.","Cherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.","Hand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by c.K. Freeman \u0026 G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"","Set model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.","Set model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"","Scrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.","Can You Hear Their Voices? By Hallie Flanagan and Margaret Ellen clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.","2 Photocopies of images of dancers.","Federal Theatre Project costume that includes a green velvet vest and pants.","Tomato marionette.","Oakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.","Puppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.","Newspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.","Photographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Cale.","Production bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.","Federal Theatre magazine - First Federal Summer Theatre A Report; Two documents: General outline for statement of the plan; Planning committee on Field Problems, resolutions.","Photocopy of review of Big Blow from the New York Times.","Photocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's children; She Stoops to conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom; Uncle Tom's Cabin (original).","Florida Federal Theatre report - Analysis of attendence records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article origanlly in the Jacksonvelle Journal; photocopies of newspaper articles.","Negatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.","Photocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the california WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.","Photocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.","Androcles and the Lion playscript.","The Dragon's Wishbone playscript.","Letter to Lorraine Brown and newspaper clippings.","Loose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.","Sleeping Beauty playscript.","Snow White and the Seven Dwarfs script, Syl file.","Syl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.","Syl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.","Scrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing colored Unit and a doll size artists palette. Much of the material is from the centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.","Program and newspaper review for production of Jefferson Davis; Morcom identification work card.","Photocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.","Photocopies of newspaper articles and programs about the WPA dance unit productions and strikes.","Bassa Moona program, New York.","The Bat program performed in Los Angeles.","Two programs for Battle Hymn as produced in New York.","Two programs for Big Blow performed in chicago.","Candide program.","Program and flyer for Chalk Dust performed in New York.","Class of '29 program, New York production.","Seven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.","Gilbert \u0026 Sullivan Opera company program.","Help Yourself, three programs from New York.","Horse Eats Hat program from New York.","Laburnum Grove program from Hartford, connecticut production.","The Mikado (swing version) two programs from New York city productions.","Murder in the Cathedral program from New York production.","One-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.","Programs including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.","Sing For Your Supper, five programs from New York productions.","The Theatre Abroad volume 1 number 4.","The Theatre Abroad volume 1 number 5.","The Theatre Abroad volume 1 number 6.","Scrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.","November 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.","Photocopies of reviews of the production Frankie and Johnny.","Macbeth program.","Federal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.","Fool's Gold script.","Photocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.","Photocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.","Please communicate playscript.","Corresondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.","Three pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.","Flat Lux playbill autographed by Rodericks.","Photocopies of programs for Battle Hymn, and A Touch of Brimstone.","Revolt of the Beavers published script.","Green scrapbook with newspaper clippings covering productions of the play Medicine Show.","Promotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.","Newspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.","Newspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.","Injunction Granted and One-Third of a Nation living newspaper programs.","Programs: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little chillun; Buffalo Historical Marionettes; Turpentine,","Playbill and herald for the New York production of On The Rocks.","Souvenir program for The Lost colony.","Four photographs of Eleanor Shibley in costume. These are not the original photographs.","Paper on the Federal Theatre Project.","Programs: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.","Correspondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.","Photocopies of corresopndence and flyer regarding the Detrot Federal Theatre.","A Nationwide Search for Early American Printing: A talk over station WDAF (Kansas city) by Douglas c. McMurtrie.","Newsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"","Awake and Sing, typed reviews and handwritten notes.","The Children of Salem marionette playscript.","Circus Days hand drawn set designs; marionette review.","The Disappointment playscript.","Miscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.","The Poetic Theatre program,","Tobias and the Angel program,","The Totem marionettes playscript.","Photocopy of Joseph Lentz letter to Alice Vaeth,","Theatre Arts magazine: The Negro in the American Theatre.","Brooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.","Native Ground painted promotional design, original artwork.","Correspondence on the Federal Art Project and Velonis possible employment on a traveling art project.","The Path of Flowers original artwork.","R.U.R. original artwork for poster.","Serigraph Quarterly volume II number 2.","Sketches documenting silkscreening practices and tools.","Pencil sketch titled \"New Voices.\"","Technique, Art and Power, handwritten three page essay.","What is a Silkscreen Print? five page typed essay.","Photocopy of script for The Willow Plate - an original hand puppet play based on an old chinese legend.","Script for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.","American Jubilee sheet music.","The Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.","Leaning on a Shovel sheet music.","Newsclippings; Living Newspaper programs.","Orchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.","Orchestration for Power, sheet music and lyrics.","Power - TVA song, sheet music.","Power newspaper clippings, Processional program, Federal Music Program composers Forum Laboratory featuring Werner Josten program, small play production photograph.","Power script with small scrap of sheet music.","Sing For Your Supper, lyrics and sheet music for Opening Night.","Sing For Your Supper, lyrics and sheet music for Perspiration.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, published sheet music for The Story of Horn.","Sing For Your Supper playscript.","Sing For Your Supper playscript.","Federal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.","Programs: Gods of the Lightning; Run, Little chillun; Days Without End.","Jobless Blues lyrics and sheet music.","Administrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project.","There are no restrictions on personal use. Permission to publish material from the The Federal Theatre Project personal papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","English\n\t\t"],"unitid_tesim":["C0227"],"normalized_title_ssm":["Federal Theatre Project personal papers"],"collection_title_tesim":["Federal Theatre Project personal papers"],"collection_ssim":["Federal Theatre Project personal papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the The Federal Theatre Project personal papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Multiple donations to the Federal Theatre Project Research Center by those named in this finding aid between 1975 and the early 1990s."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Puppet theater.","Radio and theater","Theater--United States.","Photographs.","Scrapbooks."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Puppet theater.","Radio and theater","Theater--United States.","Photographs.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["15.0 linear feet (29 boxes)"],"extent_tesim":["15.0 linear feet (29 boxes)"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged alphabetically by last name."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors."],"prefercite_html_tesm":["\u003cp\u003eThe Federal Theatre Project personal papers, C0227, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["The Federal Theatre Project personal papers, C0227, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter. Edited in October 2013 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter. Edited in October 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThis collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.\u003c/p\u003e","\u003cp\u003eSet designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.\u003c/p\u003e","\u003cp\u003eNewspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".\u003c/p\u003e","\u003cp\u003eCorrespondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.\u003c/p\u003e","\u003cp\u003eCorrespondence between Abramson and Theodore Browne.\u003c/p\u003e","\u003cp\u003eRadio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.\u003c/p\u003e","\u003cp\u003ePhotocopy of It's Up to You playscript\u003c/p\u003e","\u003cp\u003eArticle Puppets and Marionettes from unknown publication.\u003c/p\u003e","\u003cp\u003eArticle Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unkown publication.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Ain't We Got Love\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"By the Sweat of Your Brow\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Green and Blue\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Huggin' and Muggin'\" from Swing It.\u003c/p\u003e","\u003cp\u003eTranslation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.\u003c/p\u003e","\u003cp\u003eThe Dog Beneath the Skin director's copy playscript.\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (1 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (2 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (3 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show handwritten notes and drawings.\u003c/p\u003e","\u003cp\u003eCostume designs for Miles Gloriousus.\u003c/p\u003e","\u003cp\u003eCostume designs for One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation newspaper articles, costume design notes and lists.\u003c/p\u003e","\u003cp\u003eUnidentified costume designs.\u003c/p\u003e","\u003cp\u003e2 programs for Abu Hassan and The Princess and the Pea.\u003c/p\u003e","\u003cp\u003eMultiple articles and newspaper clippings on puppet and marionette productions.\u003c/p\u003e","\u003cp\u003eNon Federal Theatre Project play programs, many of which are marionette productions.\u003c/p\u003e","\u003cp\u003eScrapbook pages with articles about puppets and marionettes.\u003c/p\u003e","\u003cp\u003eCaptain Kidd playscript.\u003c/p\u003e","\u003cp\u003ePlayscript and newspaper article for One-Third of a Nation Philadelphia version.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.\u003c/p\u003e","\u003cp\u003eLetter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003ePhotocopy of publicity pages for a production of Trojan Incident at St. James Theatre.\u003c/p\u003e","\u003cp\u003ePhotocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.\u003c/p\u003e","\u003cp\u003eProgram for the marionette play Crock of Gold.\u003c/p\u003e","\u003cp\u003eNewspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.\u003c/p\u003e","\u003cp\u003ePhotocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.\u003c/p\u003e","\u003cp\u003ePuppet teaching materials.\u003c/p\u003e","\u003cp\u003eClown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, california. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (1 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (2 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (3 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (4 of 4).\u003c/p\u003e","\u003cp\u003eHand drawn set design for Playboy of the Western World.\u003c/p\u003e","\u003cp\u003eEmployee's identification card; notice of termination of employment.\u003c/p\u003e","\u003cp\u003eScrapbook page with newspaper clippings.\u003c/p\u003e","\u003cp\u003eCorrespondence between Jed Davis and Hallie Flanagan and correspondence between the Library of congress and Davis on researching the Federal Theatre collection.\u003c/p\u003e","\u003cp\u003e3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-charles Weidman Dance Program.\u003c/p\u003e","\u003cp\u003ePhotocopy of the play Abraham's Bosom by Paul Green.\u003c/p\u003e","\u003cp\u003ePhotocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.\u003c/p\u003e","\u003cp\u003ePrograms for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.\u003c/p\u003e","\u003cp\u003ePrograms for Chalk Dust, cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the circle. Newspaper clippings.\u003c/p\u003e","\u003cp\u003eThe Witch of Guinness crag by Michele Elliott.\u003c/p\u003e","\u003cp\u003eColor play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.\u003c/p\u003e","\u003cp\u003ePhotocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.\u003c/p\u003e","\u003cp\u003ePlayscript of Dirt a living newspaper.\u003c/p\u003e","\u003cp\u003eEloise Moore dance file. contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article chicago Dance Notes.\u003c/p\u003e","\u003cp\u003eEloise Moore dance file. Programs.\u003c/p\u003e","\u003cp\u003eI Told Santa Claus to Bring Me You sheet music.\u003c/p\u003e","\u003cp\u003ePlayscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.\u003c/p\u003e","\u003cp\u003eCan You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.\u003c/p\u003e","\u003cp\u003eLadies Are Made script.\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and two photographs from the Vassar college Experimental Theatre.\u003c/p\u003e","\u003cp\u003eFirst Legion production bulletin.\u003c/p\u003e","\u003cp\u003ePrologue to Glory research file.\u003c/p\u003e","\u003cp\u003eScrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eOversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.\u003c/p\u003e","\u003cp\u003ePhotocopies of actors notes and cues for Macbeth.\u003c/p\u003e","\u003cp\u003eBryn Mawr Summer School songs.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project official documents transferring rights of works.\u003c/p\u003e","\u003cp\u003eProgram for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.\u003c/p\u003e","\u003cp\u003eRevue of Reviews sheet music.\u003c/p\u003e","\u003cp\u003eBird of Paradise program.\u003c/p\u003e","\u003cp\u003eCorrespondence, memoranda, Federal Theatre Project in San Francisco survey.\u003c/p\u003e","\u003cp\u003eNewspaper clippings.\u003c/p\u003e","\u003cp\u003ePhotograph of Hallie Flanagan signed to Gerwing.\u003c/p\u003e","\u003cp\u003ePublications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.\u003c/p\u003e","\u003cp\u003eScrapbook titled \"curtains up on Region of the West.\" contains painted costume and set designs, photographs depicting staged productions, civilian conservation corps camps, miniature theatre models. There is also one painted over photograph.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Gilder and Hallie Flanagan.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.\u003c/p\u003e","\u003cp\u003eNewspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatment for terminated employees to continue on the payroll until September 30, 1939.\u003c/p\u003e","\u003cp\u003eStage brace believed to be from the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFederal Theatre employment papers, birthday card, newspaper clipping.\u003c/p\u003e","\u003cp\u003eKing Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.\u003c/p\u003e","\u003cp\u003ePeer Gynt script.\u003c/p\u003e","\u003cp\u003ePhotographs from oversize \"The Spiral\" scrapbook.\u003c/p\u003e","\u003cp\u003eLoose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"\u003c/p\u003e","\u003cp\u003eScrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.\u003c/p\u003e","\u003cp\u003eScrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.\u003c/p\u003e","\u003cp\u003eScrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.\u003c/p\u003e","\u003cp\u003eScrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.\u003c/p\u003e","\u003cp\u003eBrown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.\u003c/p\u003e","\u003cp\u003eCopies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eScrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.\u003c/p\u003e","\u003cp\u003eContains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.\u003c/p\u003e","\u003cp\u003eNewspaper clippings.\u003c/p\u003e","\u003cp\u003ePrograms for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the corner, The Devil's Disciple, By Candlelight.\u003c/p\u003e","\u003cp\u003eFlyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.\u003c/p\u003e","\u003cp\u003eMiniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.\u003c/p\u003e","\u003cp\u003eThe Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.\u003c/p\u003e","\u003cp\u003ePower playscript.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation living newspaper program.\u003c/p\u003e","\u003cp\u003eProgram for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.\u003c/p\u003e","\u003cp\u003eScenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.\u003c/p\u003e","\u003cp\u003eTriple-A Plowed Under photographs.\u003c/p\u003e","\u003cp\u003e1935 photographs.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eProgram for The Lonely Man.\u003c/p\u003e","\u003cp\u003ePhotographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.\u003c/p\u003e","\u003cp\u003eScrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.\u003c/p\u003e","\u003cp\u003ePrograms for The Emperor's New clothes, Native Ground, Seattle children's Theatre, Medicine Show, Love in Humble Life, Julius caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.\u003c/p\u003e","\u003cp\u003eContains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.\u003c/p\u003e","\u003cp\u003eTwo photographs possibly of Injunction Granted.\u003c/p\u003e","\u003cp\u003eScript for Mother Goose and Us (children's play).\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings and a letter.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings and programs.\u003c/p\u003e","\u003cp\u003ePhotocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the Federal Theatre Project collection box 154 folders 8 and 9.\u003c/p\u003e","\u003cp\u003ePhotocopy of script for Papa's Got a Job; script for Pop's a cop in Jersey city; photocopy of opening scene of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eSing For Your Supper production notebook.\u003c/p\u003e","\u003cp\u003eSing For Your Supper sheet music - Imagine My Finding You Here.\u003c/p\u003e","\u003cp\u003eSing For Your Supper sheet music - Papa's Got a Job.\u003c/p\u003e","\u003cp\u003eCherokee Nights set sketches for performance at the Provincetown Playhouse.\u003c/p\u003e","\u003cp\u003eCherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.\u003c/p\u003e","\u003cp\u003eHand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by c.K. Freeman \u0026amp; G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"\u003c/p\u003e","\u003cp\u003eSet model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.\u003c/p\u003e","\u003cp\u003eSet model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"\u003c/p\u003e","\u003cp\u003eScrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.\u003c/p\u003e","\u003cp\u003eCan You Hear Their Voices? By Hallie Flanagan and Margaret Ellen clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.\u003c/p\u003e","\u003cp\u003e2 Photocopies of images of dancers.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project costume that includes a green velvet vest and pants.\u003c/p\u003e","\u003cp\u003eTomato marionette.\u003c/p\u003e","\u003cp\u003eOakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.\u003c/p\u003e","\u003cp\u003ePuppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.\u003c/p\u003e","\u003cp\u003eNewspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.\u003c/p\u003e","\u003cp\u003ePhotographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Cale.\u003c/p\u003e","\u003cp\u003eProduction bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.\u003c/p\u003e","\u003cp\u003eFederal Theatre magazine - First Federal Summer Theatre A Report; Two documents: General outline for statement of the plan; Planning committee on Field Problems, resolutions.\u003c/p\u003e","\u003cp\u003ePhotocopy of review of Big Blow from the New York Times.\u003c/p\u003e","\u003cp\u003ePhotocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's children; She Stoops to conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom; Uncle Tom's Cabin (original).\u003c/p\u003e","\u003cp\u003eFlorida Federal Theatre report - Analysis of attendence records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article origanlly in the Jacksonvelle Journal; photocopies of newspaper articles.\u003c/p\u003e","\u003cp\u003eNegatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.\u003c/p\u003e","\u003cp\u003ePhotocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the california WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.\u003c/p\u003e","\u003cp\u003ePhotocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.\u003c/p\u003e","\u003cp\u003eAndrocles and the Lion playscript.\u003c/p\u003e","\u003cp\u003eThe Dragon's Wishbone playscript.\u003c/p\u003e","\u003cp\u003eLetter to Lorraine Brown and newspaper clippings.\u003c/p\u003e","\u003cp\u003eLoose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.\u003c/p\u003e","\u003cp\u003eSleeping Beauty playscript.\u003c/p\u003e","\u003cp\u003eSnow White and the Seven Dwarfs script, Syl file.\u003c/p\u003e","\u003cp\u003eSyl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.\u003c/p\u003e","\u003cp\u003eSyl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.\u003c/p\u003e","\u003cp\u003eScrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing colored Unit and a doll size artists palette. Much of the material is from the centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.\u003c/p\u003e","\u003cp\u003eProgram and newspaper review for production of Jefferson Davis; Morcom identification work card.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper articles and programs about the WPA dance unit productions and strikes.\u003c/p\u003e","\u003cp\u003eBassa Moona program, New York.\u003c/p\u003e","\u003cp\u003eThe Bat program performed in Los Angeles.\u003c/p\u003e","\u003cp\u003eTwo programs for Battle Hymn as produced in New York.\u003c/p\u003e","\u003cp\u003eTwo programs for Big Blow performed in chicago.\u003c/p\u003e","\u003cp\u003eCandide program.\u003c/p\u003e","\u003cp\u003eProgram and flyer for Chalk Dust performed in New York.\u003c/p\u003e","\u003cp\u003eClass of '29 program, New York production.\u003c/p\u003e","\u003cp\u003eSeven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.\u003c/p\u003e","\u003cp\u003eGilbert \u0026amp; Sullivan Opera company program.\u003c/p\u003e","\u003cp\u003eHelp Yourself, three programs from New York.\u003c/p\u003e","\u003cp\u003eHorse Eats Hat program from New York.\u003c/p\u003e","\u003cp\u003eLaburnum Grove program from Hartford, connecticut production.\u003c/p\u003e","\u003cp\u003eThe Mikado (swing version) two programs from New York city productions.\u003c/p\u003e","\u003cp\u003eMurder in the Cathedral program from New York production.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.\u003c/p\u003e","\u003cp\u003ePrograms including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, five programs from New York productions.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 4.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 5.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 6.\u003c/p\u003e","\u003cp\u003eScrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.\u003c/p\u003e","\u003cp\u003eNovember 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.\u003c/p\u003e","\u003cp\u003ePhotocopies of reviews of the production Frankie and Johnny.\u003c/p\u003e","\u003cp\u003eMacbeth program.\u003c/p\u003e","\u003cp\u003eFederal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.\u003c/p\u003e","\u003cp\u003eFool's Gold script.\u003c/p\u003e","\u003cp\u003ePhotocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.\u003c/p\u003e","\u003cp\u003ePhotocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.\u003c/p\u003e","\u003cp\u003ePlease communicate playscript.\u003c/p\u003e","\u003cp\u003eCorresondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.\u003c/p\u003e","\u003cp\u003eThree pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.\u003c/p\u003e","\u003cp\u003eFlat Lux playbill autographed by Rodericks.\u003c/p\u003e","\u003cp\u003ePhotocopies of programs for Battle Hymn, and A Touch of Brimstone.\u003c/p\u003e","\u003cp\u003eRevolt of the Beavers published script.\u003c/p\u003e","\u003cp\u003eGreen scrapbook with newspaper clippings covering productions of the play Medicine Show.\u003c/p\u003e","\u003cp\u003ePromotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.\u003c/p\u003e","\u003cp\u003eNewspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.\u003c/p\u003e","\u003cp\u003eNewspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.\u003c/p\u003e","\u003cp\u003eInjunction Granted and One-Third of a Nation living newspaper programs.\u003c/p\u003e","\u003cp\u003ePrograms: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little chillun; Buffalo Historical Marionettes; Turpentine,\u003c/p\u003e","\u003cp\u003ePlaybill and herald for the New York production of On The Rocks.\u003c/p\u003e","\u003cp\u003eSouvenir program for The Lost colony.\u003c/p\u003e","\u003cp\u003eFour photographs of Eleanor Shibley in costume. These are not the original photographs.\u003c/p\u003e","\u003cp\u003ePaper on the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePrograms: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.\u003c/p\u003e","\u003cp\u003eCorrespondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.\u003c/p\u003e","\u003cp\u003ePhotocopies of corresopndence and flyer regarding the Detrot Federal Theatre.\u003c/p\u003e","\u003cp\u003eA Nationwide Search for Early American Printing: A talk over station WDAF (Kansas city) by Douglas c. McMurtrie.\u003c/p\u003e","\u003cp\u003eNewsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"\u003c/p\u003e","\u003cp\u003eAwake and Sing, typed reviews and handwritten notes.\u003c/p\u003e","\u003cp\u003eThe Children of Salem marionette playscript.\u003c/p\u003e","\u003cp\u003eCircus Days hand drawn set designs; marionette review.\u003c/p\u003e","\u003cp\u003eThe Disappointment playscript.\u003c/p\u003e","\u003cp\u003eMiscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.\u003c/p\u003e","\u003cp\u003eThe Poetic Theatre program,\u003c/p\u003e","\u003cp\u003eTobias and the Angel program,\u003c/p\u003e","\u003cp\u003eThe Totem marionettes playscript.\u003c/p\u003e","\u003cp\u003ePhotocopy of Joseph Lentz letter to Alice Vaeth,\u003c/p\u003e","\u003cp\u003eTheatre Arts magazine: The Negro in the American Theatre.\u003c/p\u003e","\u003cp\u003eBrooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.\u003c/p\u003e","\u003cp\u003eNative Ground painted promotional design, original artwork.\u003c/p\u003e","\u003cp\u003eCorrespondence on the Federal Art Project and Velonis possible employment on a traveling art project.\u003c/p\u003e","\u003cp\u003eThe Path of Flowers original artwork.\u003c/p\u003e","\u003cp\u003eR.U.R. original artwork for poster.\u003c/p\u003e","\u003cp\u003eSerigraph Quarterly volume II number 2.\u003c/p\u003e","\u003cp\u003eSketches documenting silkscreening practices and tools.\u003c/p\u003e","\u003cp\u003ePencil sketch titled \"New Voices.\"\u003c/p\u003e","\u003cp\u003eTechnique, Art and Power, handwritten three page essay.\u003c/p\u003e","\u003cp\u003eWhat is a Silkscreen Print? five page typed essay.\u003c/p\u003e","\u003cp\u003ePhotocopy of script for The Willow Plate - an original hand puppet play based on an old chinese legend.\u003c/p\u003e","\u003cp\u003eScript for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.\u003c/p\u003e","\u003cp\u003eAmerican Jubilee sheet music.\u003c/p\u003e","\u003cp\u003eThe Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.\u003c/p\u003e","\u003cp\u003eLeaning on a Shovel sheet music.\u003c/p\u003e","\u003cp\u003eNewsclippings; Living Newspaper programs.\u003c/p\u003e","\u003cp\u003eOrchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.\u003c/p\u003e","\u003cp\u003eOrchestration for Power, sheet music and lyrics.\u003c/p\u003e","\u003cp\u003ePower - TVA song, sheet music.\u003c/p\u003e","\u003cp\u003ePower newspaper clippings, Processional program, Federal Music Program composers Forum Laboratory featuring Werner Josten program, small play production photograph.\u003c/p\u003e","\u003cp\u003ePower script with small scrap of sheet music.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, lyrics and sheet music for Opening Night.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, lyrics and sheet music for Perspiration.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, sheet music for Sixty Families.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, sheet music for Sixty Families.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, published sheet music for The Story of Horn.\u003c/p\u003e","\u003cp\u003eSing For Your Supper playscript.\u003c/p\u003e","\u003cp\u003eSing For Your Supper playscript.\u003c/p\u003e","\u003cp\u003eFederal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.\u003c/p\u003e","\u003cp\u003ePrograms: Gods of the Lightning; Run, Little chillun; Days Without End.\u003c/p\u003e","\u003cp\u003eJobless Blues lyrics and sheet music.\u003c/p\u003e","\u003cp\u003eAdministrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.","Set designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.","Newspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".","Correspondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.","Correspondence between Abramson and Theodore Browne.","Radio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.","Photocopy of It's Up to You playscript","Article Puppets and Marionettes from unknown publication.","Article Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unkown publication.","Photocopy of original music \"Ain't We Got Love\" from Swing It.","Photocopy of original music \"By the Sweat of Your Brow\" from Swing It.","Photocopy of original music \"Green and Blue\" from Swing It.","Photocopy of original music \"Huggin' and Muggin'\" from Swing It.","Translation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.","The Dog Beneath the Skin director's copy playscript.","Medicine Show costume design original sketches (1 of 3),","Medicine Show costume design original sketches (2 of 3),","Medicine Show costume design original sketches (3 of 3),","Medicine Show handwritten notes and drawings.","Costume designs for Miles Gloriousus.","Costume designs for One-Third of a Nation.","One-Third of a Nation newspaper articles, costume design notes and lists.","Unidentified costume designs.","2 programs for Abu Hassan and The Princess and the Pea.","Multiple articles and newspaper clippings on puppet and marionette productions.","Non Federal Theatre Project play programs, many of which are marionette productions.","Scrapbook pages with articles about puppets and marionettes.","Captain Kidd playscript.","Playscript and newspaper article for One-Third of a Nation Philadelphia version.","Federal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.","Letter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.","Photocopy of publicity pages for a production of Trojan Incident at St. James Theatre.","Photocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.","Program for the marionette play Crock of Gold.","Newspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.","Photocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.","Puppet teaching materials.","Clown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, california. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.","Photocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.","Unpublished manuscript by Clugston titled Very Like a Whale (1 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (2 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (3 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (4 of 4).","Hand drawn set design for Playboy of the Western World.","Employee's identification card; notice of termination of employment.","Scrapbook page with newspaper clippings.","Correspondence between Jed Davis and Hallie Flanagan and correspondence between the Library of congress and Davis on researching the Federal Theatre collection.","3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-charles Weidman Dance Program.","Photocopy of the play Abraham's Bosom by Paul Green.","Photocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.","Programs for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.","Programs for Chalk Dust, cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the circle. Newspaper clippings.","The Witch of Guinness crag by Michele Elliott.","Color play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.","Photocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.","Playscript of Dirt a living newspaper.","Eloise Moore dance file. contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article chicago Dance Notes.","Eloise Moore dance file. Programs.","I Told Santa Claus to Bring Me You sheet music.","Playscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.","Can You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.","Ladies Are Made script.","Programs, flyers, and two photographs from the Vassar college Experimental Theatre.","First Legion production bulletin.","Prologue to Glory research file.","Scrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.","Oversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.","Photocopies of actors notes and cues for Macbeth.","Bryn Mawr Summer School songs.","Federal Theatre Project official documents transferring rights of works.","Program for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.","Revue of Reviews sheet music.","Bird of Paradise program.","Correspondence, memoranda, Federal Theatre Project in San Francisco survey.","Newspaper clippings.","Photograph of Hallie Flanagan signed to Gerwing.","Publications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.","Scrapbook titled \"curtains up on Region of the West.\" contains painted costume and set designs, photographs depicting staged productions, civilian conservation corps camps, miniature theatre models. There is also one painted over photograph.","Photocopies of correspondence between Gilder and Hallie Flanagan.","Photocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.","Newspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatment for terminated employees to continue on the payroll until September 30, 1939.","Stage brace believed to be from the Federal Theatre Project.","Federal Theatre employment papers, birthday card, newspaper clipping.","King Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.","Peer Gynt script.","Photographs from oversize \"The Spiral\" scrapbook.","Loose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"","Scrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.","Scrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.","Scrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.","Scrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.","Brown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.","Copies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.","Scrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.","Contains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.","Newspaper clippings.","Programs for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the corner, The Devil's Disciple, By Candlelight.","Flyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.","Miniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.","The Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.","Power playscript.","One-Third of a Nation living newspaper program.","Program for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.","Scenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.","Triple-A Plowed Under photographs.","1935 photographs.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","Program for The Lonely Man.","Photographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.","Scrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.","Programs, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.","Programs for The Emperor's New clothes, Native Ground, Seattle children's Theatre, Medicine Show, Love in Humble Life, Julius caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.","Contains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.","Two photographs possibly of Injunction Granted.","Script for Mother Goose and Us (children's play).","Photocopies of newspaper clippings and a letter.","Photocopies of newspaper clippings and programs.","Photocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the Federal Theatre Project collection box 154 folders 8 and 9.","Photocopy of script for Papa's Got a Job; script for Pop's a cop in Jersey city; photocopy of opening scene of Sing For Your Supper.","Sing For Your Supper production notebook.","Sing For Your Supper sheet music - Imagine My Finding You Here.","Sing For Your Supper sheet music - Papa's Got a Job.","Cherokee Nights set sketches for performance at the Provincetown Playhouse.","Cherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.","Hand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by c.K. Freeman \u0026 G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"","Set model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.","Set model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"","Scrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.","Can You Hear Their Voices? By Hallie Flanagan and Margaret Ellen clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.","2 Photocopies of images of dancers.","Federal Theatre Project costume that includes a green velvet vest and pants.","Tomato marionette.","Oakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.","Puppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.","Newspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.","Photographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Cale.","Production bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.","Federal Theatre magazine - First Federal Summer Theatre A Report; Two documents: General outline for statement of the plan; Planning committee on Field Problems, resolutions.","Photocopy of review of Big Blow from the New York Times.","Photocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's children; She Stoops to conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom; Uncle Tom's Cabin (original).","Florida Federal Theatre report - Analysis of attendence records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article origanlly in the Jacksonvelle Journal; photocopies of newspaper articles.","Negatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.","Photocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the california WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.","Photocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.","Androcles and the Lion playscript.","The Dragon's Wishbone playscript.","Letter to Lorraine Brown and newspaper clippings.","Loose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.","Sleeping Beauty playscript.","Snow White and the Seven Dwarfs script, Syl file.","Syl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.","Syl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.","Scrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing colored Unit and a doll size artists palette. Much of the material is from the centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.","Program and newspaper review for production of Jefferson Davis; Morcom identification work card.","Photocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.","Photocopies of newspaper articles and programs about the WPA dance unit productions and strikes.","Bassa Moona program, New York.","The Bat program performed in Los Angeles.","Two programs for Battle Hymn as produced in New York.","Two programs for Big Blow performed in chicago.","Candide program.","Program and flyer for Chalk Dust performed in New York.","Class of '29 program, New York production.","Seven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.","Gilbert \u0026 Sullivan Opera company program.","Help Yourself, three programs from New York.","Horse Eats Hat program from New York.","Laburnum Grove program from Hartford, connecticut production.","The Mikado (swing version) two programs from New York city productions.","Murder in the Cathedral program from New York production.","One-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.","Programs including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.","Sing For Your Supper, five programs from New York productions.","The Theatre Abroad volume 1 number 4.","The Theatre Abroad volume 1 number 5.","The Theatre Abroad volume 1 number 6.","Scrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.","November 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.","Photocopies of reviews of the production Frankie and Johnny.","Macbeth program.","Federal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.","Fool's Gold script.","Photocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.","Photocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.","Please communicate playscript.","Corresondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.","Three pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.","Flat Lux playbill autographed by Rodericks.","Photocopies of programs for Battle Hymn, and A Touch of Brimstone.","Revolt of the Beavers published script.","Green scrapbook with newspaper clippings covering productions of the play Medicine Show.","Promotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.","Newspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.","Newspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.","Injunction Granted and One-Third of a Nation living newspaper programs.","Programs: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little chillun; Buffalo Historical Marionettes; Turpentine,","Playbill and herald for the New York production of On The Rocks.","Souvenir program for The Lost colony.","Four photographs of Eleanor Shibley in costume. These are not the original photographs.","Paper on the Federal Theatre Project.","Programs: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.","Correspondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.","Photocopies of corresopndence and flyer regarding the Detrot Federal Theatre.","A Nationwide Search for Early American Printing: A talk over station WDAF (Kansas city) by Douglas c. McMurtrie.","Newsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"","Awake and Sing, typed reviews and handwritten notes.","The Children of Salem marionette playscript.","Circus Days hand drawn set designs; marionette review.","The Disappointment playscript.","Miscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.","The Poetic Theatre program,","Tobias and the Angel program,","The Totem marionettes playscript.","Photocopy of Joseph Lentz letter to Alice Vaeth,","Theatre Arts magazine: The Negro in the American Theatre.","Brooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.","Native Ground painted promotional design, original artwork.","Correspondence on the Federal Art Project and Velonis possible employment on a traveling art project.","The Path of Flowers original artwork.","R.U.R. original artwork for poster.","Serigraph Quarterly volume II number 2.","Sketches documenting silkscreening practices and tools.","Pencil sketch titled \"New Voices.\"","Technique, Art and Power, handwritten three page essay.","What is a Silkscreen Print? five page typed essay.","Photocopy of script for The Willow Plate - an original hand puppet play based on an old chinese legend.","Script for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.","American Jubilee sheet music.","The Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.","Leaning on a Shovel sheet music.","Newsclippings; Living Newspaper programs.","Orchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.","Orchestration for Power, sheet music and lyrics.","Power - TVA song, sheet music.","Power newspaper clippings, Processional program, Federal Music Program composers Forum Laboratory featuring Werner Josten program, small play production photograph.","Power script with small scrap of sheet music.","Sing For Your Supper, lyrics and sheet music for Opening Night.","Sing For Your Supper, lyrics and sheet music for Perspiration.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, published sheet music for The Story of Horn.","Sing For Your Supper playscript.","Sing For Your Supper playscript.","Federal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.","Programs: Gods of the Lightning; Run, Little chillun; Days Without End.","Jobless Blues lyrics and sheet music.","Administrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the The Federal Theatre Project personal papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the The Federal Theatre Project personal papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThis collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:42:20.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_ftppersonal","ead_ssi":"vifgm_ftppersonal","_root_":"vifgm_ftppersonal","_nest_parent_":"vifgm_ftppersonal","ead_source_url_ssi":"data/gmu/ftppersonal.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/ftppersonal.html","title_ssm":["Federal Theatre Project personal papers"],"title_tesim":["Federal Theatre Project personal papers"],"unitdate_ssm":["1926-1993, bulk 1936-1939"],"unitdate_inclusive_ssm":["1926-1993, bulk 1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0227"],"text":["C0227","Federal Theatre Project personal papers","New Deal, 1933-1939.","Performing arts.","Puppet theater.","Radio and theater","Theater--United States.","Photographs.","Scrapbooks.","There are no access restrictions.","Arranged alphabetically by last name.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors.","Processing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter. Edited in October 2013 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as other personal papers.","This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.","Set designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.","Newspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".","Correspondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.","Correspondence between Abramson and Theodore Browne.","Radio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.","Photocopy of It's Up to You playscript","Article Puppets and Marionettes from unknown publication.","Article Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unkown publication.","Photocopy of original music \"Ain't We Got Love\" from Swing It.","Photocopy of original music \"By the Sweat of Your Brow\" from Swing It.","Photocopy of original music \"Green and Blue\" from Swing It.","Photocopy of original music \"Huggin' and Muggin'\" from Swing It.","Translation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.","The Dog Beneath the Skin director's copy playscript.","Medicine Show costume design original sketches (1 of 3),","Medicine Show costume design original sketches (2 of 3),","Medicine Show costume design original sketches (3 of 3),","Medicine Show handwritten notes and drawings.","Costume designs for Miles Gloriousus.","Costume designs for One-Third of a Nation.","One-Third of a Nation newspaper articles, costume design notes and lists.","Unidentified costume designs.","2 programs for Abu Hassan and The Princess and the Pea.","Multiple articles and newspaper clippings on puppet and marionette productions.","Non Federal Theatre Project play programs, many of which are marionette productions.","Scrapbook pages with articles about puppets and marionettes.","Captain Kidd playscript.","Playscript and newspaper article for One-Third of a Nation Philadelphia version.","Federal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.","Letter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.","Photocopy of publicity pages for a production of Trojan Incident at St. James Theatre.","Photocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.","Program for the marionette play Crock of Gold.","Newspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.","Photocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.","Puppet teaching materials.","Clown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, california. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.","Photocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.","Unpublished manuscript by Clugston titled Very Like a Whale (1 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (2 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (3 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (4 of 4).","Hand drawn set design for Playboy of the Western World.","Employee's identification card; notice of termination of employment.","Scrapbook page with newspaper clippings.","Correspondence between Jed Davis and Hallie Flanagan and correspondence between the Library of congress and Davis on researching the Federal Theatre collection.","3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-charles Weidman Dance Program.","Photocopy of the play Abraham's Bosom by Paul Green.","Photocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.","Programs for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.","Programs for Chalk Dust, cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the circle. Newspaper clippings.","The Witch of Guinness crag by Michele Elliott.","Color play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.","Photocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.","Playscript of Dirt a living newspaper.","Eloise Moore dance file. contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article chicago Dance Notes.","Eloise Moore dance file. Programs.","I Told Santa Claus to Bring Me You sheet music.","Playscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.","Can You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.","Ladies Are Made script.","Programs, flyers, and two photographs from the Vassar college Experimental Theatre.","First Legion production bulletin.","Prologue to Glory research file.","Scrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.","Oversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.","Photocopies of actors notes and cues for Macbeth.","Bryn Mawr Summer School songs.","Federal Theatre Project official documents transferring rights of works.","Program for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.","Revue of Reviews sheet music.","Bird of Paradise program.","Correspondence, memoranda, Federal Theatre Project in San Francisco survey.","Newspaper clippings.","Photograph of Hallie Flanagan signed to Gerwing.","Publications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.","Scrapbook titled \"curtains up on Region of the West.\" contains painted costume and set designs, photographs depicting staged productions, civilian conservation corps camps, miniature theatre models. There is also one painted over photograph.","Photocopies of correspondence between Gilder and Hallie Flanagan.","Photocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.","Newspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatment for terminated employees to continue on the payroll until September 30, 1939.","Stage brace believed to be from the Federal Theatre Project.","Federal Theatre employment papers, birthday card, newspaper clipping.","King Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.","Peer Gynt script.","Photographs from oversize \"The Spiral\" scrapbook.","Loose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"","Scrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.","Scrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.","Scrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.","Scrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.","Brown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.","Copies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.","Scrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.","Contains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.","Newspaper clippings.","Programs for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the corner, The Devil's Disciple, By Candlelight.","Flyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.","Miniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.","The Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.","Power playscript.","One-Third of a Nation living newspaper program.","Program for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.","Scenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.","Triple-A Plowed Under photographs.","1935 photographs.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","Program for The Lonely Man.","Photographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.","Scrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.","Programs, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.","Programs for The Emperor's New clothes, Native Ground, Seattle children's Theatre, Medicine Show, Love in Humble Life, Julius caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.","Contains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.","Two photographs possibly of Injunction Granted.","Script for Mother Goose and Us (children's play).","Photocopies of newspaper clippings and a letter.","Photocopies of newspaper clippings and programs.","Photocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the Federal Theatre Project collection box 154 folders 8 and 9.","Photocopy of script for Papa's Got a Job; script for Pop's a cop in Jersey city; photocopy of opening scene of Sing For Your Supper.","Sing For Your Supper production notebook.","Sing For Your Supper sheet music - Imagine My Finding You Here.","Sing For Your Supper sheet music - Papa's Got a Job.","Cherokee Nights set sketches for performance at the Provincetown Playhouse.","Cherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.","Hand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by c.K. Freeman \u0026 G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"","Set model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.","Set model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"","Scrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.","Can You Hear Their Voices? By Hallie Flanagan and Margaret Ellen clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.","2 Photocopies of images of dancers.","Federal Theatre Project costume that includes a green velvet vest and pants.","Tomato marionette.","Oakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.","Puppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.","Newspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.","Photographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Cale.","Production bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.","Federal Theatre magazine - First Federal Summer Theatre A Report; Two documents: General outline for statement of the plan; Planning committee on Field Problems, resolutions.","Photocopy of review of Big Blow from the New York Times.","Photocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's children; She Stoops to conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom; Uncle Tom's Cabin (original).","Florida Federal Theatre report - Analysis of attendence records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article origanlly in the Jacksonvelle Journal; photocopies of newspaper articles.","Negatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.","Photocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the california WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.","Photocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.","Androcles and the Lion playscript.","The Dragon's Wishbone playscript.","Letter to Lorraine Brown and newspaper clippings.","Loose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.","Sleeping Beauty playscript.","Snow White and the Seven Dwarfs script, Syl file.","Syl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.","Syl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.","Scrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing colored Unit and a doll size artists palette. Much of the material is from the centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.","Program and newspaper review for production of Jefferson Davis; Morcom identification work card.","Photocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.","Photocopies of newspaper articles and programs about the WPA dance unit productions and strikes.","Bassa Moona program, New York.","The Bat program performed in Los Angeles.","Two programs for Battle Hymn as produced in New York.","Two programs for Big Blow performed in chicago.","Candide program.","Program and flyer for Chalk Dust performed in New York.","Class of '29 program, New York production.","Seven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.","Gilbert \u0026 Sullivan Opera company program.","Help Yourself, three programs from New York.","Horse Eats Hat program from New York.","Laburnum Grove program from Hartford, connecticut production.","The Mikado (swing version) two programs from New York city productions.","Murder in the Cathedral program from New York production.","One-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.","Programs including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.","Sing For Your Supper, five programs from New York productions.","The Theatre Abroad volume 1 number 4.","The Theatre Abroad volume 1 number 5.","The Theatre Abroad volume 1 number 6.","Scrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.","November 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.","Photocopies of reviews of the production Frankie and Johnny.","Macbeth program.","Federal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.","Fool's Gold script.","Photocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.","Photocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.","Please communicate playscript.","Corresondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.","Three pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.","Flat Lux playbill autographed by Rodericks.","Photocopies of programs for Battle Hymn, and A Touch of Brimstone.","Revolt of the Beavers published script.","Green scrapbook with newspaper clippings covering productions of the play Medicine Show.","Promotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.","Newspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.","Newspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.","Injunction Granted and One-Third of a Nation living newspaper programs.","Programs: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little chillun; Buffalo Historical Marionettes; Turpentine,","Playbill and herald for the New York production of On The Rocks.","Souvenir program for The Lost colony.","Four photographs of Eleanor Shibley in costume. These are not the original photographs.","Paper on the Federal Theatre Project.","Programs: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.","Correspondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.","Photocopies of corresopndence and flyer regarding the Detrot Federal Theatre.","A Nationwide Search for Early American Printing: A talk over station WDAF (Kansas city) by Douglas c. McMurtrie.","Newsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"","Awake and Sing, typed reviews and handwritten notes.","The Children of Salem marionette playscript.","Circus Days hand drawn set designs; marionette review.","The Disappointment playscript.","Miscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.","The Poetic Theatre program,","Tobias and the Angel program,","The Totem marionettes playscript.","Photocopy of Joseph Lentz letter to Alice Vaeth,","Theatre Arts magazine: The Negro in the American Theatre.","Brooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.","Native Ground painted promotional design, original artwork.","Correspondence on the Federal Art Project and Velonis possible employment on a traveling art project.","The Path of Flowers original artwork.","R.U.R. original artwork for poster.","Serigraph Quarterly volume II number 2.","Sketches documenting silkscreening practices and tools.","Pencil sketch titled \"New Voices.\"","Technique, Art and Power, handwritten three page essay.","What is a Silkscreen Print? five page typed essay.","Photocopy of script for The Willow Plate - an original hand puppet play based on an old chinese legend.","Script for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.","American Jubilee sheet music.","The Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.","Leaning on a Shovel sheet music.","Newsclippings; Living Newspaper programs.","Orchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.","Orchestration for Power, sheet music and lyrics.","Power - TVA song, sheet music.","Power newspaper clippings, Processional program, Federal Music Program composers Forum Laboratory featuring Werner Josten program, small play production photograph.","Power script with small scrap of sheet music.","Sing For Your Supper, lyrics and sheet music for Opening Night.","Sing For Your Supper, lyrics and sheet music for Perspiration.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, published sheet music for The Story of Horn.","Sing For Your Supper playscript.","Sing For Your Supper playscript.","Federal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.","Programs: Gods of the Lightning; Run, Little chillun; Days Without End.","Jobless Blues lyrics and sheet music.","Administrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project.","There are no restrictions on personal use. Permission to publish material from the The Federal Theatre Project personal papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","English\n\t\t"],"unitid_tesim":["C0227"],"normalized_title_ssm":["Federal Theatre Project personal papers"],"collection_title_tesim":["Federal Theatre Project personal papers"],"collection_ssim":["Federal Theatre Project personal papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the The Federal Theatre Project personal papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Multiple donations to the Federal Theatre Project Research Center by those named in this finding aid between 1975 and the early 1990s."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Puppet theater.","Radio and theater","Theater--United States.","Photographs.","Scrapbooks."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Puppet theater.","Radio and theater","Theater--United States.","Photographs.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["15.0 linear feet (29 boxes)"],"extent_tesim":["15.0 linear feet (29 boxes)"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged alphabetically by last name."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors."],"prefercite_html_tesm":["\u003cp\u003eThe Federal Theatre Project personal papers, C0227, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["The Federal Theatre Project personal papers, C0227, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter. Edited in October 2013 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter. Edited in October 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThis collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.\u003c/p\u003e","\u003cp\u003eSet designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.\u003c/p\u003e","\u003cp\u003eNewspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".\u003c/p\u003e","\u003cp\u003eCorrespondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.\u003c/p\u003e","\u003cp\u003eCorrespondence between Abramson and Theodore Browne.\u003c/p\u003e","\u003cp\u003eRadio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.\u003c/p\u003e","\u003cp\u003ePhotocopy of It's Up to You playscript\u003c/p\u003e","\u003cp\u003eArticle Puppets and Marionettes from unknown publication.\u003c/p\u003e","\u003cp\u003eArticle Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unkown publication.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Ain't We Got Love\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"By the Sweat of Your Brow\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Green and Blue\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Huggin' and Muggin'\" from Swing It.\u003c/p\u003e","\u003cp\u003eTranslation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.\u003c/p\u003e","\u003cp\u003eThe Dog Beneath the Skin director's copy playscript.\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (1 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (2 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (3 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show handwritten notes and drawings.\u003c/p\u003e","\u003cp\u003eCostume designs for Miles Gloriousus.\u003c/p\u003e","\u003cp\u003eCostume designs for One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation newspaper articles, costume design notes and lists.\u003c/p\u003e","\u003cp\u003eUnidentified costume designs.\u003c/p\u003e","\u003cp\u003e2 programs for Abu Hassan and The Princess and the Pea.\u003c/p\u003e","\u003cp\u003eMultiple articles and newspaper clippings on puppet and marionette productions.\u003c/p\u003e","\u003cp\u003eNon Federal Theatre Project play programs, many of which are marionette productions.\u003c/p\u003e","\u003cp\u003eScrapbook pages with articles about puppets and marionettes.\u003c/p\u003e","\u003cp\u003eCaptain Kidd playscript.\u003c/p\u003e","\u003cp\u003ePlayscript and newspaper article for One-Third of a Nation Philadelphia version.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.\u003c/p\u003e","\u003cp\u003eLetter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003ePhotocopy of publicity pages for a production of Trojan Incident at St. James Theatre.\u003c/p\u003e","\u003cp\u003ePhotocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.\u003c/p\u003e","\u003cp\u003eProgram for the marionette play Crock of Gold.\u003c/p\u003e","\u003cp\u003eNewspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.\u003c/p\u003e","\u003cp\u003ePhotocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.\u003c/p\u003e","\u003cp\u003ePuppet teaching materials.\u003c/p\u003e","\u003cp\u003eClown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, california. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (1 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (2 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (3 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (4 of 4).\u003c/p\u003e","\u003cp\u003eHand drawn set design for Playboy of the Western World.\u003c/p\u003e","\u003cp\u003eEmployee's identification card; notice of termination of employment.\u003c/p\u003e","\u003cp\u003eScrapbook page with newspaper clippings.\u003c/p\u003e","\u003cp\u003eCorrespondence between Jed Davis and Hallie Flanagan and correspondence between the Library of congress and Davis on researching the Federal Theatre collection.\u003c/p\u003e","\u003cp\u003e3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-charles Weidman Dance Program.\u003c/p\u003e","\u003cp\u003ePhotocopy of the play Abraham's Bosom by Paul Green.\u003c/p\u003e","\u003cp\u003ePhotocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.\u003c/p\u003e","\u003cp\u003ePrograms for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.\u003c/p\u003e","\u003cp\u003ePrograms for Chalk Dust, cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the circle. Newspaper clippings.\u003c/p\u003e","\u003cp\u003eThe Witch of Guinness crag by Michele Elliott.\u003c/p\u003e","\u003cp\u003eColor play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.\u003c/p\u003e","\u003cp\u003ePhotocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.\u003c/p\u003e","\u003cp\u003ePlayscript of Dirt a living newspaper.\u003c/p\u003e","\u003cp\u003eEloise Moore dance file. contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article chicago Dance Notes.\u003c/p\u003e","\u003cp\u003eEloise Moore dance file. Programs.\u003c/p\u003e","\u003cp\u003eI Told Santa Claus to Bring Me You sheet music.\u003c/p\u003e","\u003cp\u003ePlayscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.\u003c/p\u003e","\u003cp\u003eCan You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.\u003c/p\u003e","\u003cp\u003eLadies Are Made script.\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and two photographs from the Vassar college Experimental Theatre.\u003c/p\u003e","\u003cp\u003eFirst Legion production bulletin.\u003c/p\u003e","\u003cp\u003ePrologue to Glory research file.\u003c/p\u003e","\u003cp\u003eScrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eOversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.\u003c/p\u003e","\u003cp\u003ePhotocopies of actors notes and cues for Macbeth.\u003c/p\u003e","\u003cp\u003eBryn Mawr Summer School songs.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project official documents transferring rights of works.\u003c/p\u003e","\u003cp\u003eProgram for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.\u003c/p\u003e","\u003cp\u003eRevue of Reviews sheet music.\u003c/p\u003e","\u003cp\u003eBird of Paradise program.\u003c/p\u003e","\u003cp\u003eCorrespondence, memoranda, Federal Theatre Project in San Francisco survey.\u003c/p\u003e","\u003cp\u003eNewspaper clippings.\u003c/p\u003e","\u003cp\u003ePhotograph of Hallie Flanagan signed to Gerwing.\u003c/p\u003e","\u003cp\u003ePublications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.\u003c/p\u003e","\u003cp\u003eScrapbook titled \"curtains up on Region of the West.\" contains painted costume and set designs, photographs depicting staged productions, civilian conservation corps camps, miniature theatre models. There is also one painted over photograph.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Gilder and Hallie Flanagan.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.\u003c/p\u003e","\u003cp\u003eNewspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatment for terminated employees to continue on the payroll until September 30, 1939.\u003c/p\u003e","\u003cp\u003eStage brace believed to be from the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFederal Theatre employment papers, birthday card, newspaper clipping.\u003c/p\u003e","\u003cp\u003eKing Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.\u003c/p\u003e","\u003cp\u003ePeer Gynt script.\u003c/p\u003e","\u003cp\u003ePhotographs from oversize \"The Spiral\" scrapbook.\u003c/p\u003e","\u003cp\u003eLoose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"\u003c/p\u003e","\u003cp\u003eScrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.\u003c/p\u003e","\u003cp\u003eScrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.\u003c/p\u003e","\u003cp\u003eScrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.\u003c/p\u003e","\u003cp\u003eScrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.\u003c/p\u003e","\u003cp\u003eBrown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.\u003c/p\u003e","\u003cp\u003eCopies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eScrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.\u003c/p\u003e","\u003cp\u003eContains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.\u003c/p\u003e","\u003cp\u003eNewspaper clippings.\u003c/p\u003e","\u003cp\u003ePrograms for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the corner, The Devil's Disciple, By Candlelight.\u003c/p\u003e","\u003cp\u003eFlyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.\u003c/p\u003e","\u003cp\u003eMiniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.\u003c/p\u003e","\u003cp\u003eThe Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.\u003c/p\u003e","\u003cp\u003ePower playscript.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation living newspaper program.\u003c/p\u003e","\u003cp\u003eProgram for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.\u003c/p\u003e","\u003cp\u003eScenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.\u003c/p\u003e","\u003cp\u003eTriple-A Plowed Under photographs.\u003c/p\u003e","\u003cp\u003e1935 photographs.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eProgram for The Lonely Man.\u003c/p\u003e","\u003cp\u003ePhotographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.\u003c/p\u003e","\u003cp\u003eScrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.\u003c/p\u003e","\u003cp\u003ePrograms for The Emperor's New clothes, Native Ground, Seattle children's Theatre, Medicine Show, Love in Humble Life, Julius caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.\u003c/p\u003e","\u003cp\u003eContains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.\u003c/p\u003e","\u003cp\u003eTwo photographs possibly of Injunction Granted.\u003c/p\u003e","\u003cp\u003eScript for Mother Goose and Us (children's play).\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings and a letter.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings and programs.\u003c/p\u003e","\u003cp\u003ePhotocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the Federal Theatre Project collection box 154 folders 8 and 9.\u003c/p\u003e","\u003cp\u003ePhotocopy of script for Papa's Got a Job; script for Pop's a cop in Jersey city; photocopy of opening scene of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eSing For Your Supper production notebook.\u003c/p\u003e","\u003cp\u003eSing For Your Supper sheet music - Imagine My Finding You Here.\u003c/p\u003e","\u003cp\u003eSing For Your Supper sheet music - Papa's Got a Job.\u003c/p\u003e","\u003cp\u003eCherokee Nights set sketches for performance at the Provincetown Playhouse.\u003c/p\u003e","\u003cp\u003eCherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.\u003c/p\u003e","\u003cp\u003eHand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by c.K. Freeman \u0026amp; G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"\u003c/p\u003e","\u003cp\u003eSet model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.\u003c/p\u003e","\u003cp\u003eSet model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"\u003c/p\u003e","\u003cp\u003eScrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.\u003c/p\u003e","\u003cp\u003eCan You Hear Their Voices? By Hallie Flanagan and Margaret Ellen clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.\u003c/p\u003e","\u003cp\u003e2 Photocopies of images of dancers.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project costume that includes a green velvet vest and pants.\u003c/p\u003e","\u003cp\u003eTomato marionette.\u003c/p\u003e","\u003cp\u003eOakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.\u003c/p\u003e","\u003cp\u003ePuppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.\u003c/p\u003e","\u003cp\u003eNewspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.\u003c/p\u003e","\u003cp\u003ePhotographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Cale.\u003c/p\u003e","\u003cp\u003eProduction bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.\u003c/p\u003e","\u003cp\u003eFederal Theatre magazine - First Federal Summer Theatre A Report; Two documents: General outline for statement of the plan; Planning committee on Field Problems, resolutions.\u003c/p\u003e","\u003cp\u003ePhotocopy of review of Big Blow from the New York Times.\u003c/p\u003e","\u003cp\u003ePhotocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's children; She Stoops to conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom; Uncle Tom's Cabin (original).\u003c/p\u003e","\u003cp\u003eFlorida Federal Theatre report - Analysis of attendence records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article origanlly in the Jacksonvelle Journal; photocopies of newspaper articles.\u003c/p\u003e","\u003cp\u003eNegatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.\u003c/p\u003e","\u003cp\u003ePhotocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the california WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.\u003c/p\u003e","\u003cp\u003ePhotocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.\u003c/p\u003e","\u003cp\u003eAndrocles and the Lion playscript.\u003c/p\u003e","\u003cp\u003eThe Dragon's Wishbone playscript.\u003c/p\u003e","\u003cp\u003eLetter to Lorraine Brown and newspaper clippings.\u003c/p\u003e","\u003cp\u003eLoose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.\u003c/p\u003e","\u003cp\u003eSleeping Beauty playscript.\u003c/p\u003e","\u003cp\u003eSnow White and the Seven Dwarfs script, Syl file.\u003c/p\u003e","\u003cp\u003eSyl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.\u003c/p\u003e","\u003cp\u003eSyl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.\u003c/p\u003e","\u003cp\u003eScrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing colored Unit and a doll size artists palette. Much of the material is from the centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.\u003c/p\u003e","\u003cp\u003eProgram and newspaper review for production of Jefferson Davis; Morcom identification work card.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper articles and programs about the WPA dance unit productions and strikes.\u003c/p\u003e","\u003cp\u003eBassa Moona program, New York.\u003c/p\u003e","\u003cp\u003eThe Bat program performed in Los Angeles.\u003c/p\u003e","\u003cp\u003eTwo programs for Battle Hymn as produced in New York.\u003c/p\u003e","\u003cp\u003eTwo programs for Big Blow performed in chicago.\u003c/p\u003e","\u003cp\u003eCandide program.\u003c/p\u003e","\u003cp\u003eProgram and flyer for Chalk Dust performed in New York.\u003c/p\u003e","\u003cp\u003eClass of '29 program, New York production.\u003c/p\u003e","\u003cp\u003eSeven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.\u003c/p\u003e","\u003cp\u003eGilbert \u0026amp; Sullivan Opera company program.\u003c/p\u003e","\u003cp\u003eHelp Yourself, three programs from New York.\u003c/p\u003e","\u003cp\u003eHorse Eats Hat program from New York.\u003c/p\u003e","\u003cp\u003eLaburnum Grove program from Hartford, connecticut production.\u003c/p\u003e","\u003cp\u003eThe Mikado (swing version) two programs from New York city productions.\u003c/p\u003e","\u003cp\u003eMurder in the Cathedral program from New York production.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.\u003c/p\u003e","\u003cp\u003ePrograms including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, five programs from New York productions.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 4.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 5.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 6.\u003c/p\u003e","\u003cp\u003eScrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.\u003c/p\u003e","\u003cp\u003eNovember 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.\u003c/p\u003e","\u003cp\u003ePhotocopies of reviews of the production Frankie and Johnny.\u003c/p\u003e","\u003cp\u003eMacbeth program.\u003c/p\u003e","\u003cp\u003eFederal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.\u003c/p\u003e","\u003cp\u003eFool's Gold script.\u003c/p\u003e","\u003cp\u003ePhotocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.\u003c/p\u003e","\u003cp\u003ePhotocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.\u003c/p\u003e","\u003cp\u003ePlease communicate playscript.\u003c/p\u003e","\u003cp\u003eCorresondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.\u003c/p\u003e","\u003cp\u003eThree pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.\u003c/p\u003e","\u003cp\u003eFlat Lux playbill autographed by Rodericks.\u003c/p\u003e","\u003cp\u003ePhotocopies of programs for Battle Hymn, and A Touch of Brimstone.\u003c/p\u003e","\u003cp\u003eRevolt of the Beavers published script.\u003c/p\u003e","\u003cp\u003eGreen scrapbook with newspaper clippings covering productions of the play Medicine Show.\u003c/p\u003e","\u003cp\u003ePromotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.\u003c/p\u003e","\u003cp\u003eNewspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.\u003c/p\u003e","\u003cp\u003eNewspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.\u003c/p\u003e","\u003cp\u003eInjunction Granted and One-Third of a Nation living newspaper programs.\u003c/p\u003e","\u003cp\u003ePrograms: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little chillun; Buffalo Historical Marionettes; Turpentine,\u003c/p\u003e","\u003cp\u003ePlaybill and herald for the New York production of On The Rocks.\u003c/p\u003e","\u003cp\u003eSouvenir program for The Lost colony.\u003c/p\u003e","\u003cp\u003eFour photographs of Eleanor Shibley in costume. These are not the original photographs.\u003c/p\u003e","\u003cp\u003ePaper on the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePrograms: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.\u003c/p\u003e","\u003cp\u003eCorrespondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.\u003c/p\u003e","\u003cp\u003ePhotocopies of corresopndence and flyer regarding the Detrot Federal Theatre.\u003c/p\u003e","\u003cp\u003eA Nationwide Search for Early American Printing: A talk over station WDAF (Kansas city) by Douglas c. McMurtrie.\u003c/p\u003e","\u003cp\u003eNewsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"\u003c/p\u003e","\u003cp\u003eAwake and Sing, typed reviews and handwritten notes.\u003c/p\u003e","\u003cp\u003eThe Children of Salem marionette playscript.\u003c/p\u003e","\u003cp\u003eCircus Days hand drawn set designs; marionette review.\u003c/p\u003e","\u003cp\u003eThe Disappointment playscript.\u003c/p\u003e","\u003cp\u003eMiscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.\u003c/p\u003e","\u003cp\u003eThe Poetic Theatre program,\u003c/p\u003e","\u003cp\u003eTobias and the Angel program,\u003c/p\u003e","\u003cp\u003eThe Totem marionettes playscript.\u003c/p\u003e","\u003cp\u003ePhotocopy of Joseph Lentz letter to Alice Vaeth,\u003c/p\u003e","\u003cp\u003eTheatre Arts magazine: The Negro in the American Theatre.\u003c/p\u003e","\u003cp\u003eBrooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.\u003c/p\u003e","\u003cp\u003eNative Ground painted promotional design, original artwork.\u003c/p\u003e","\u003cp\u003eCorrespondence on the Federal Art Project and Velonis possible employment on a traveling art project.\u003c/p\u003e","\u003cp\u003eThe Path of Flowers original artwork.\u003c/p\u003e","\u003cp\u003eR.U.R. original artwork for poster.\u003c/p\u003e","\u003cp\u003eSerigraph Quarterly volume II number 2.\u003c/p\u003e","\u003cp\u003eSketches documenting silkscreening practices and tools.\u003c/p\u003e","\u003cp\u003ePencil sketch titled \"New Voices.\"\u003c/p\u003e","\u003cp\u003eTechnique, Art and Power, handwritten three page essay.\u003c/p\u003e","\u003cp\u003eWhat is a Silkscreen Print? five page typed essay.\u003c/p\u003e","\u003cp\u003ePhotocopy of script for The Willow Plate - an original hand puppet play based on an old chinese legend.\u003c/p\u003e","\u003cp\u003eScript for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.\u003c/p\u003e","\u003cp\u003eAmerican Jubilee sheet music.\u003c/p\u003e","\u003cp\u003eThe Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.\u003c/p\u003e","\u003cp\u003eLeaning on a Shovel sheet music.\u003c/p\u003e","\u003cp\u003eNewsclippings; Living Newspaper programs.\u003c/p\u003e","\u003cp\u003eOrchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.\u003c/p\u003e","\u003cp\u003eOrchestration for Power, sheet music and lyrics.\u003c/p\u003e","\u003cp\u003ePower - TVA song, sheet music.\u003c/p\u003e","\u003cp\u003ePower newspaper clippings, Processional program, Federal Music Program composers Forum Laboratory featuring Werner Josten program, small play production photograph.\u003c/p\u003e","\u003cp\u003ePower script with small scrap of sheet music.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, lyrics and sheet music for Opening Night.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, lyrics and sheet music for Perspiration.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, sheet music for Sixty Families.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, sheet music for Sixty Families.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, published sheet music for The Story of Horn.\u003c/p\u003e","\u003cp\u003eSing For Your Supper playscript.\u003c/p\u003e","\u003cp\u003eSing For Your Supper playscript.\u003c/p\u003e","\u003cp\u003eFederal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.\u003c/p\u003e","\u003cp\u003ePrograms: Gods of the Lightning; Run, Little chillun; Days Without End.\u003c/p\u003e","\u003cp\u003eJobless Blues lyrics and sheet music.\u003c/p\u003e","\u003cp\u003eAdministrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.","Set designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.","Newspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".","Correspondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.","Correspondence between Abramson and Theodore Browne.","Radio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.","Photocopy of It's Up to You playscript","Article Puppets and Marionettes from unknown publication.","Article Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unkown publication.","Photocopy of original music \"Ain't We Got Love\" from Swing It.","Photocopy of original music \"By the Sweat of Your Brow\" from Swing It.","Photocopy of original music \"Green and Blue\" from Swing It.","Photocopy of original music \"Huggin' and Muggin'\" from Swing It.","Translation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.","The Dog Beneath the Skin director's copy playscript.","Medicine Show costume design original sketches (1 of 3),","Medicine Show costume design original sketches (2 of 3),","Medicine Show costume design original sketches (3 of 3),","Medicine Show handwritten notes and drawings.","Costume designs for Miles Gloriousus.","Costume designs for One-Third of a Nation.","One-Third of a Nation newspaper articles, costume design notes and lists.","Unidentified costume designs.","2 programs for Abu Hassan and The Princess and the Pea.","Multiple articles and newspaper clippings on puppet and marionette productions.","Non Federal Theatre Project play programs, many of which are marionette productions.","Scrapbook pages with articles about puppets and marionettes.","Captain Kidd playscript.","Playscript and newspaper article for One-Third of a Nation Philadelphia version.","Federal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.","Letter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.","Photocopy of publicity pages for a production of Trojan Incident at St. James Theatre.","Photocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.","Program for the marionette play Crock of Gold.","Newspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.","Photocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.","Puppet teaching materials.","Clown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, california. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.","Photocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.","Unpublished manuscript by Clugston titled Very Like a Whale (1 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (2 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (3 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (4 of 4).","Hand drawn set design for Playboy of the Western World.","Employee's identification card; notice of termination of employment.","Scrapbook page with newspaper clippings.","Correspondence between Jed Davis and Hallie Flanagan and correspondence between the Library of congress and Davis on researching the Federal Theatre collection.","3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-charles Weidman Dance Program.","Photocopy of the play Abraham's Bosom by Paul Green.","Photocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.","Programs for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.","Programs for Chalk Dust, cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the circle. Newspaper clippings.","The Witch of Guinness crag by Michele Elliott.","Color play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.","Photocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.","Playscript of Dirt a living newspaper.","Eloise Moore dance file. contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article chicago Dance Notes.","Eloise Moore dance file. Programs.","I Told Santa Claus to Bring Me You sheet music.","Playscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.","Can You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.","Ladies Are Made script.","Programs, flyers, and two photographs from the Vassar college Experimental Theatre.","First Legion production bulletin.","Prologue to Glory research file.","Scrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.","Oversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.","Photocopies of actors notes and cues for Macbeth.","Bryn Mawr Summer School songs.","Federal Theatre Project official documents transferring rights of works.","Program for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.","Revue of Reviews sheet music.","Bird of Paradise program.","Correspondence, memoranda, Federal Theatre Project in San Francisco survey.","Newspaper clippings.","Photograph of Hallie Flanagan signed to Gerwing.","Publications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.","Scrapbook titled \"curtains up on Region of the West.\" contains painted costume and set designs, photographs depicting staged productions, civilian conservation corps camps, miniature theatre models. There is also one painted over photograph.","Photocopies of correspondence between Gilder and Hallie Flanagan.","Photocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.","Newspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatment for terminated employees to continue on the payroll until September 30, 1939.","Stage brace believed to be from the Federal Theatre Project.","Federal Theatre employment papers, birthday card, newspaper clipping.","King Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.","Peer Gynt script.","Photographs from oversize \"The Spiral\" scrapbook.","Loose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"","Scrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.","Scrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.","Scrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.","Scrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.","Brown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.","Copies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.","Scrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.","Contains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.","Newspaper clippings.","Programs for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the corner, The Devil's Disciple, By Candlelight.","Flyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.","Miniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.","The Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.","Power playscript.","One-Third of a Nation living newspaper program.","Program for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.","Scenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.","Triple-A Plowed Under photographs.","1935 photographs.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","Program for The Lonely Man.","Photographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.","Scrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.","Programs, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.","Programs for The Emperor's New clothes, Native Ground, Seattle children's Theatre, Medicine Show, Love in Humble Life, Julius caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.","Contains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.","Two photographs possibly of Injunction Granted.","Script for Mother Goose and Us (children's play).","Photocopies of newspaper clippings and a letter.","Photocopies of newspaper clippings and programs.","Photocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the Federal Theatre Project collection box 154 folders 8 and 9.","Photocopy of script for Papa's Got a Job; script for Pop's a cop in Jersey city; photocopy of opening scene of Sing For Your Supper.","Sing For Your Supper production notebook.","Sing For Your Supper sheet music - Imagine My Finding You Here.","Sing For Your Supper sheet music - Papa's Got a Job.","Cherokee Nights set sketches for performance at the Provincetown Playhouse.","Cherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.","Hand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by c.K. Freeman \u0026 G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"","Set model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.","Set model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"","Scrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.","Can You Hear Their Voices? By Hallie Flanagan and Margaret Ellen clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.","2 Photocopies of images of dancers.","Federal Theatre Project costume that includes a green velvet vest and pants.","Tomato marionette.","Oakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.","Puppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.","Newspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.","Photographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Cale.","Production bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.","Federal Theatre magazine - First Federal Summer Theatre A Report; Two documents: General outline for statement of the plan; Planning committee on Field Problems, resolutions.","Photocopy of review of Big Blow from the New York Times.","Photocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's children; She Stoops to conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom; Uncle Tom's Cabin (original).","Florida Federal Theatre report - Analysis of attendence records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article origanlly in the Jacksonvelle Journal; photocopies of newspaper articles.","Negatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.","Photocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the california WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.","Photocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.","Androcles and the Lion playscript.","The Dragon's Wishbone playscript.","Letter to Lorraine Brown and newspaper clippings.","Loose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.","Sleeping Beauty playscript.","Snow White and the Seven Dwarfs script, Syl file.","Syl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.","Syl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.","Scrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing colored Unit and a doll size artists palette. Much of the material is from the centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.","Program and newspaper review for production of Jefferson Davis; Morcom identification work card.","Photocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.","Photocopies of newspaper articles and programs about the WPA dance unit productions and strikes.","Bassa Moona program, New York.","The Bat program performed in Los Angeles.","Two programs for Battle Hymn as produced in New York.","Two programs for Big Blow performed in chicago.","Candide program.","Program and flyer for Chalk Dust performed in New York.","Class of '29 program, New York production.","Seven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.","Gilbert \u0026 Sullivan Opera company program.","Help Yourself, three programs from New York.","Horse Eats Hat program from New York.","Laburnum Grove program from Hartford, connecticut production.","The Mikado (swing version) two programs from New York city productions.","Murder in the Cathedral program from New York production.","One-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.","Programs including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.","Sing For Your Supper, five programs from New York productions.","The Theatre Abroad volume 1 number 4.","The Theatre Abroad volume 1 number 5.","The Theatre Abroad volume 1 number 6.","Scrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.","November 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.","Photocopies of reviews of the production Frankie and Johnny.","Macbeth program.","Federal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.","Fool's Gold script.","Photocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.","Photocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.","Please communicate playscript.","Corresondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.","Three pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.","Flat Lux playbill autographed by Rodericks.","Photocopies of programs for Battle Hymn, and A Touch of Brimstone.","Revolt of the Beavers published script.","Green scrapbook with newspaper clippings covering productions of the play Medicine Show.","Promotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.","Newspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.","Newspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.","Injunction Granted and One-Third of a Nation living newspaper programs.","Programs: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little chillun; Buffalo Historical Marionettes; Turpentine,","Playbill and herald for the New York production of On The Rocks.","Souvenir program for The Lost colony.","Four photographs of Eleanor Shibley in costume. These are not the original photographs.","Paper on the Federal Theatre Project.","Programs: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.","Correspondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.","Photocopies of corresopndence and flyer regarding the Detrot Federal Theatre.","A Nationwide Search for Early American Printing: A talk over station WDAF (Kansas city) by Douglas c. McMurtrie.","Newsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"","Awake and Sing, typed reviews and handwritten notes.","The Children of Salem marionette playscript.","Circus Days hand drawn set designs; marionette review.","The Disappointment playscript.","Miscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.","The Poetic Theatre program,","Tobias and the Angel program,","The Totem marionettes playscript.","Photocopy of Joseph Lentz letter to Alice Vaeth,","Theatre Arts magazine: The Negro in the American Theatre.","Brooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.","Native Ground painted promotional design, original artwork.","Correspondence on the Federal Art Project and Velonis possible employment on a traveling art project.","The Path of Flowers original artwork.","R.U.R. original artwork for poster.","Serigraph Quarterly volume II number 2.","Sketches documenting silkscreening practices and tools.","Pencil sketch titled \"New Voices.\"","Technique, Art and Power, handwritten three page essay.","What is a Silkscreen Print? five page typed essay.","Photocopy of script for The Willow Plate - an original hand puppet play based on an old chinese legend.","Script for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.","American Jubilee sheet music.","The Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.","Leaning on a Shovel sheet music.","Newsclippings; Living Newspaper programs.","Orchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.","Orchestration for Power, sheet music and lyrics.","Power - TVA song, sheet music.","Power newspaper clippings, Processional program, Federal Music Program composers Forum Laboratory featuring Werner Josten program, small play production photograph.","Power script with small scrap of sheet music.","Sing For Your Supper, lyrics and sheet music for Opening Night.","Sing For Your Supper, lyrics and sheet music for Perspiration.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, published sheet music for The Story of Horn.","Sing For Your Supper playscript.","Sing For Your Supper playscript.","Federal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.","Programs: Gods of the Lightning; Run, Little chillun; Days Without End.","Jobless Blues lyrics and sheet music.","Administrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the The Federal Theatre Project personal papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the The Federal Theatre Project personal papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThis collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:42:20.730Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_ftppersonal"}},{"id":"vifgm_bosworth","type":"collection","attributes":{"title":"Francis Bosworth papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_bosworth#creator","type":"document_value","attributes":{"value":"Francis Bosworth","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_bosworth#abstract_or_scope","type":"document_value","attributes":{"value":"The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_bosworth#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_bosworth","ead_ssi":"vifgm_bosworth","_root_":"vifgm_bosworth","_nest_parent_":"vifgm_bosworth","ead_source_url_ssi":"data/gmu/bosworth.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/bosworth.html","title_ssm":["Francis Bosworth papers"],"title_tesim":["Francis Bosworth papers"],"unitdate_ssm":["1933-1982","1933-1943"],"unitdate_bulk_ssim":["1933-1943"],"unitdate_inclusive_ssm":["1933-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0220"],"text":["C0220","Francis Bosworth papers","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","This collection is arranged alphabetically by folder title.","Francis Bosworth was born in St. Paul Minnesota on November 6, 1904. He attended the University of Minnesota before moving to New York City in 1929. In New York he was the author of several plays, the Head of the Drama Department of the New College at Columbia, and was the Director of the National Play Bureau of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County, and correspondence and papers about non-Federal Theatre Project employment. Federal Theatre Project material includes correspondence, memorandums, material on the production It Can't Happen Here, articles written by Bosworth, a radio script, and a collection of National Youth Administration letters.","Victory co-plan","Christ in Concrete radio script","Correspondence and memorandums (original and photocopies)","Correspondence, assignments, papers","National youth administration letters","Newspaper clippings","Pittsburgh theatre; It Can't Happen Here; 80,000 theatres article","There are no restrictions on personal use. Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Francis Bosworth","English\n\t\t"],"unitid_tesim":["C0220"],"normalized_title_ssm":["Francis Bosworth papers"],"collection_title_tesim":["Francis Bosworth papers"],"collection_ssim":["Francis Bosworth papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Francis Bosworth"],"creator_ssim":["Francis Bosworth"],"creator_persname_ssim":["Francis Bosworth"],"creators_ssim":["Francis Bosworth"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Francis Bosworth to Special Collections and Archives on October 21, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 linear feet (1 box)"],"extent_tesim":["0.5 linear feet (1 box)"],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eFrancis Bosworth was born in St. Paul Minnesota on November 6, 1904. He attended the University of Minnesota before moving to New York City in 1929. In New York he was the author of several plays, the Head of the Drama Department of the New College at Columbia, and was the Director of the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Francis Bosworth was born in St. Paul Minnesota on November 6, 1904. He attended the University of Minnesota before moving to New York City in 1929. In New York he was the author of several plays, the Head of the Drama Department of the New College at Columbia, and was the Director of the National Play Bureau of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eFrancis Bosworth papers, C0220, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Francis Bosworth papers, C0220, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. 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About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County, and correspondence and papers about non-Federal Theatre Project employment. Federal Theatre Project material includes correspondence, memorandums, material on the production It Can't Happen Here, articles written by Bosworth, a radio script, and a collection of National Youth Administration letters.","Victory co-plan","Christ in Concrete radio script","Correspondence and memorandums (original and photocopies)","Correspondence, assignments, papers","National youth administration letters","Newspaper clippings","Pittsburgh theatre; It Can't Happen Here; 80,000 theatres article"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref32\" label=\"Abstract\"\u003eThe Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Francis Bosworth"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Francis Bosworth"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:46:51.957Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_bosworth","ead_ssi":"vifgm_bosworth","_root_":"vifgm_bosworth","_nest_parent_":"vifgm_bosworth","ead_source_url_ssi":"data/gmu/bosworth.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/bosworth.html","title_ssm":["Francis Bosworth papers"],"title_tesim":["Francis Bosworth papers"],"unitdate_ssm":["1933-1982","1933-1943"],"unitdate_bulk_ssim":["1933-1943"],"unitdate_inclusive_ssm":["1933-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0220"],"text":["C0220","Francis Bosworth papers","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","This collection is arranged alphabetically by folder title.","Francis Bosworth was born in St. Paul Minnesota on November 6, 1904. He attended the University of Minnesota before moving to New York City in 1929. In New York he was the author of several plays, the Head of the Drama Department of the New College at Columbia, and was the Director of the National Play Bureau of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County, and correspondence and papers about non-Federal Theatre Project employment. Federal Theatre Project material includes correspondence, memorandums, material on the production It Can't Happen Here, articles written by Bosworth, a radio script, and a collection of National Youth Administration letters.","Victory co-plan","Christ in Concrete radio script","Correspondence and memorandums (original and photocopies)","Correspondence, assignments, papers","National youth administration letters","Newspaper clippings","Pittsburgh theatre; It Can't Happen Here; 80,000 theatres article","There are no restrictions on personal use. Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Francis Bosworth","English\n\t\t"],"unitid_tesim":["C0220"],"normalized_title_ssm":["Francis Bosworth papers"],"collection_title_tesim":["Francis Bosworth papers"],"collection_ssim":["Francis Bosworth papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Francis Bosworth"],"creator_ssim":["Francis Bosworth"],"creator_persname_ssim":["Francis Bosworth"],"creators_ssim":["Francis Bosworth"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Francis Bosworth to Special Collections and Archives on October 21, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 linear feet (1 box)"],"extent_tesim":["0.5 linear feet (1 box)"],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eFrancis Bosworth was born in St. Paul Minnesota on November 6, 1904. He attended the University of Minnesota before moving to New York City in 1929. In New York he was the author of several plays, the Head of the Drama Department of the New College at Columbia, and was the Director of the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Francis Bosworth was born in St. Paul Minnesota on November 6, 1904. He attended the University of Minnesota before moving to New York City in 1929. In New York he was the author of several plays, the Head of the Drama Department of the New College at Columbia, and was the Director of the National Play Bureau of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eFrancis Bosworth papers, C0220, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Francis Bosworth papers, C0220, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County, and correspondence and papers about non-Federal Theatre Project employment. 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About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County, and correspondence and papers about non-Federal Theatre Project employment. Federal Theatre Project material includes correspondence, memorandums, material on the production It Can't Happen Here, articles written by Bosworth, a radio script, and a collection of National Youth Administration letters.","Victory co-plan","Christ in Concrete radio script","Correspondence and memorandums (original and photocopies)","Correspondence, assignments, papers","National youth administration letters","Newspaper clippings","Pittsburgh theatre; It Can't Happen Here; 80,000 theatres article"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref32\" label=\"Abstract\"\u003eThe Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Francis Bosworth"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Francis Bosworth"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:46:51.957Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_bosworth"}},{"id":"vifgm_dowell","type":"collection","attributes":{"title":"George B. Dowell papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_dowell#creator","type":"document_value","attributes":{"value":"Dowell, George Brendan","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_dowell#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_dowell#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_dowell","ead_ssi":"vifgm_dowell","_root_":"vifgm_dowell","_nest_parent_":"vifgm_dowell","ead_source_url_ssi":"data/gmu/dowell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/dowell.html","title_ssm":["George B. Dowell papers"],"title_tesim":["George B. Dowell papers"],"unitdate_ssm":["1931-1986"],"unitdate_inclusive_ssm":["1931-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0219"],"text":["C0219","George B. Dowell papers","New Deal, 1933-1939.","Theater--United States.","Universities and colleges.","There are no access restrictions.","Arranged alphabetically by folder title.","George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","Draft with handwritten notes by Hallie Flanagan.","Pertains to play writing in general.","Includes two photographs of George Dowell and Hallie Flanagan at the 1961 Vassar Centennial.","Script adapted from the publication Fear by A. Afinogenov. Written by Hallie Flanagan for the Vassar Experimental Theatre.","7 photographs of the Helen Tamjris Dance Unit performance of Hecuba and Cassandra.","Two letters to Dowell regarding The God Innis; typewritten account of visiting Federal Theatre productions in Seattle - \"Seattle Saga - Battling in the Western Wilderness\", letter to Flanagan.","Brochure for Grinnell College and receipt for contribution gift in memory of Murray Flanagan.","Two published copies; note from Hallie Flanagan to George Dowell.","Roosevelt newspaper advertisements; menu for The Lambs restaurant; organization chart for Teatro Colon (Spanish); Emlyn Williams as Charles Dickens poster; American tour of players summer tour of Britain itinerary; Holiday card from Julia Thorn Kuhl to Dowell.","Three issues: May 1929; March 1931; May 1931.","The Dream and the Deed: Seattle's official centennial play by Glenn Hughes; American Art Today: New York World's Fair published by National Art Society (catalogue); And There Were Voices: An Abraham Lincoln play in three acts by Robert Knipe; The Living Theatre Repertory 1959-60; Theatre U.S.A.: A catalog of books and plays forming a history of the American theatre from circa 1750 to the present.; Yale Drama, alumni newsletter.","One program from 1933, mostly 1950s teaching and conference materials from Smith College and New England.","There are no restrictions on personal use. Permission to publish material from the George B. Dowell papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Dowell, George Brendan","Dowell, George Brendan.","Flanagan, Hallie, 1890-1969.","English\n\t\t"],"unitid_tesim":["C0219"],"normalized_title_ssm":["George B. Dowell papers"],"collection_title_tesim":["George B. Dowell papers"],"collection_ssim":["George B. 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He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997."],"prefercite_html_tesm":["\u003cp\u003eGeorge B. Dowell papers, C0219, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George B. Dowell papers, C0219, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains personal papers donated by George B. 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Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","Draft with handwritten notes by Hallie Flanagan.","Pertains to play writing in general.","Includes two photographs of George Dowell and Hallie Flanagan at the 1961 Vassar Centennial.","Script adapted from the publication Fear by A. Afinogenov. Written by Hallie Flanagan for the Vassar Experimental Theatre.","7 photographs of the Helen Tamjris Dance Unit performance of Hecuba and Cassandra.","Two letters to Dowell regarding The God Innis; typewritten account of visiting Federal Theatre productions in Seattle - \"Seattle Saga - Battling in the Western Wilderness\", letter to Flanagan.","Brochure for Grinnell College and receipt for contribution gift in memory of Murray Flanagan.","Two published copies; note from Hallie Flanagan to George Dowell.","Roosevelt newspaper advertisements; menu for The Lambs restaurant; organization chart for Teatro Colon (Spanish); Emlyn Williams as Charles Dickens poster; American tour of players summer tour of Britain itinerary; Holiday card from Julia Thorn Kuhl to Dowell.","Three issues: May 1929; March 1931; May 1931.","The Dream and the Deed: Seattle's official centennial play by Glenn Hughes; American Art Today: New York World's Fair published by National Art Society (catalogue); And There Were Voices: An Abraham Lincoln play in three acts by Robert Knipe; The Living Theatre Repertory 1959-60; Theatre U.S.A.: A catalog of books and plays forming a history of the American theatre from circa 1750 to the present.; Yale Drama, alumni newsletter.","One program from 1933, mostly 1950s teaching and conference materials from Smith College and New England."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the George B. Dowell papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the George B. Dowell papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref49\" label=\"Abstract\"\u003eThis collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Dowell, George Brendan","Dowell, George Brendan.","Flanagan, Hallie, 1890-1969."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Dowell, George Brendan","Dowell, George Brendan.","Flanagan, Hallie, 1890-1969."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:28:37.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_dowell","ead_ssi":"vifgm_dowell","_root_":"vifgm_dowell","_nest_parent_":"vifgm_dowell","ead_source_url_ssi":"data/gmu/dowell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/dowell.html","title_ssm":["George B. Dowell papers"],"title_tesim":["George B. Dowell papers"],"unitdate_ssm":["1931-1986"],"unitdate_inclusive_ssm":["1931-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0219"],"text":["C0219","George B. Dowell papers","New Deal, 1933-1939.","Theater--United States.","Universities and colleges.","There are no access restrictions.","Arranged alphabetically by folder title.","George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","Draft with handwritten notes by Hallie Flanagan.","Pertains to play writing in general.","Includes two photographs of George Dowell and Hallie Flanagan at the 1961 Vassar Centennial.","Script adapted from the publication Fear by A. Afinogenov. Written by Hallie Flanagan for the Vassar Experimental Theatre.","7 photographs of the Helen Tamjris Dance Unit performance of Hecuba and Cassandra.","Two letters to Dowell regarding The God Innis; typewritten account of visiting Federal Theatre productions in Seattle - \"Seattle Saga - Battling in the Western Wilderness\", letter to Flanagan.","Brochure for Grinnell College and receipt for contribution gift in memory of Murray Flanagan.","Two published copies; note from Hallie Flanagan to George Dowell.","Roosevelt newspaper advertisements; menu for The Lambs restaurant; organization chart for Teatro Colon (Spanish); Emlyn Williams as Charles Dickens poster; American tour of players summer tour of Britain itinerary; Holiday card from Julia Thorn Kuhl to Dowell.","Three issues: May 1929; March 1931; May 1931.","The Dream and the Deed: Seattle's official centennial play by Glenn Hughes; American Art Today: New York World's Fair published by National Art Society (catalogue); And There Were Voices: An Abraham Lincoln play in three acts by Robert Knipe; The Living Theatre Repertory 1959-60; Theatre U.S.A.: A catalog of books and plays forming a history of the American theatre from circa 1750 to the present.; Yale Drama, alumni newsletter.","One program from 1933, mostly 1950s teaching and conference materials from Smith College and New England.","There are no restrictions on personal use. Permission to publish material from the George B. Dowell papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Dowell, George Brendan","Dowell, George Brendan.","Flanagan, Hallie, 1890-1969.","English\n\t\t"],"unitid_tesim":["C0219"],"normalized_title_ssm":["George B. Dowell papers"],"collection_title_tesim":["George B. Dowell papers"],"collection_ssim":["George B. Dowell papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Dowell, George Brendan"],"creator_ssim":["Dowell, George Brendan"],"creator_persname_ssim":["Dowell, George Brendan"],"creators_ssim":["Dowell, George Brendan"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the George B. Dowell papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by George B. 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He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997."],"prefercite_html_tesm":["\u003cp\u003eGeorge B. Dowell papers, C0219, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George B. Dowell papers, C0219, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.\u003c/p\u003e","\u003cp\u003eDraft with handwritten notes by Hallie Flanagan.\u003c/p\u003e","\u003cp\u003ePertains to play writing in general.\u003c/p\u003e","\u003cp\u003eIncludes two photographs of George Dowell and Hallie Flanagan at the 1961 Vassar Centennial.\u003c/p\u003e","\u003cp\u003eScript adapted from the publication Fear by A. Afinogenov. Written by Hallie Flanagan for the Vassar Experimental Theatre.\u003c/p\u003e","\u003cp\u003e7 photographs of the Helen Tamjris Dance Unit performance of Hecuba and Cassandra.\u003c/p\u003e","\u003cp\u003eTwo letters to Dowell regarding The God Innis; typewritten account of visiting Federal Theatre productions in Seattle - \"Seattle Saga - Battling in the Western Wilderness\", letter to Flanagan.\u003c/p\u003e","\u003cp\u003eBrochure for Grinnell College and receipt for contribution gift in memory of Murray Flanagan.\u003c/p\u003e","\u003cp\u003eTwo published copies; note from Hallie Flanagan to George Dowell.\u003c/p\u003e","\u003cp\u003eRoosevelt newspaper advertisements; menu for The Lambs restaurant; organization chart for Teatro Colon (Spanish); Emlyn Williams as Charles Dickens poster; American tour of players summer tour of Britain itinerary; Holiday card from Julia Thorn Kuhl to Dowell.\u003c/p\u003e","\u003cp\u003eThree issues: May 1929; March 1931; May 1931.\u003c/p\u003e","\u003cp\u003eThe Dream and the Deed: Seattle's official centennial play by Glenn Hughes; American Art Today: New York World's Fair published by National Art Society (catalogue); And There Were Voices: An Abraham Lincoln play in three acts by Robert Knipe; The Living Theatre Repertory 1959-60; Theatre U.S.A.: A catalog of books and plays forming a history of the American theatre from circa 1750 to the present.; Yale Drama, alumni newsletter.\u003c/p\u003e","\u003cp\u003eOne program from 1933, mostly 1950s teaching and conference materials from Smith College and New England.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","Draft with handwritten notes by Hallie Flanagan.","Pertains to play writing in general.","Includes two photographs of George Dowell and Hallie Flanagan at the 1961 Vassar Centennial.","Script adapted from the publication Fear by A. Afinogenov. Written by Hallie Flanagan for the Vassar Experimental Theatre.","7 photographs of the Helen Tamjris Dance Unit performance of Hecuba and Cassandra.","Two letters to Dowell regarding The God Innis; typewritten account of visiting Federal Theatre productions in Seattle - \"Seattle Saga - Battling in the Western Wilderness\", letter to Flanagan.","Brochure for Grinnell College and receipt for contribution gift in memory of Murray Flanagan.","Two published copies; note from Hallie Flanagan to George Dowell.","Roosevelt newspaper advertisements; menu for The Lambs restaurant; organization chart for Teatro Colon (Spanish); Emlyn Williams as Charles Dickens poster; American tour of players summer tour of Britain itinerary; Holiday card from Julia Thorn Kuhl to Dowell.","Three issues: May 1929; March 1931; May 1931.","The Dream and the Deed: Seattle's official centennial play by Glenn Hughes; American Art Today: New York World's Fair published by National Art Society (catalogue); And There Were Voices: An Abraham Lincoln play in three acts by Robert Knipe; The Living Theatre Repertory 1959-60; Theatre U.S.A.: A catalog of books and plays forming a history of the American theatre from circa 1750 to the present.; Yale Drama, alumni newsletter.","One program from 1933, mostly 1950s teaching and conference materials from Smith College and New England."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the George B. Dowell papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the George B. Dowell papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref49\" label=\"Abstract\"\u003eThis collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Dowell, George Brendan","Dowell, George Brendan.","Flanagan, Hallie, 1890-1969."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Dowell, George Brendan","Dowell, George Brendan.","Flanagan, Hallie, 1890-1969."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:28:37.394Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_dowell"}},{"id":"vifgm_graham","type":"collection","attributes":{"title":"Hedley Gordon Graham papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_graham#creator","type":"document_value","attributes":{"value":"Graham, Hedley Gordon\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_graham#abstract_or_scope","type":"document_value","attributes":{"value":"The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_graham#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_graham","ead_ssi":"vifgm_graham","_root_":"vifgm_graham","_nest_parent_":"vifgm_graham","ead_source_url_ssi":"data/gmu/graham.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/graham.html","title_ssm":["Hedley Gordon Graham papers"],"title_tesim":["Hedley Gordon Graham papers"],"unitdate_ssm":["1925-1983"],"unitdate_inclusive_ssm":["1925-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0240"],"text":["C0240","Hedley Gordon Graham papers","New Deal, 1933-1939.","Performing arts.","Theater--United States.","There are no access restrictions.","Organized alphabetically by folder title.","Series 1: Documents and Photographs, 1920s-1983 (Boxes 1-3) Series 2: Oversize, 1920s-1930s (Box 4)","Gordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Reinhardt School of Drama in Salzburg, Austria.","Professional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically.","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.","Series one contains acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. This series is organized alphabetically by folder title.","Federal Theatre Project","Acting class and record books","Includes photocopies of lyrics to the songs \"I could go for you,\" \"O say can you sing,\" \"The show must go on,\" and \"When we're out of the red and into the blue.\"","Personal photographs and Federal Theatre Project related. Altars of Steel in Atlanta and the Living Newspaper production 1935.","Series two consists of three large portrait photographs, a diploma, and Hedley Gordon Graham's Federal Theatre Project related scrapbook. This series is organized alphabetically.","There are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","George Mason University. Libraries. 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