{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives.\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives.\u0026page=2\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives.\u0026page=2\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":14,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_anson","type":"collection","attributes":{"title":"Abraham Anson papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_anson#creator","type":"document_value","attributes":{"value":"Anson, Abraham, 1912-2005","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_anson#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_anson#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_anson","ead_ssi":"vifgm_anson","_root_":"vifgm_anson","_nest_parent_":"vifgm_anson","ead_source_url_ssi":"data/gmu/anson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/anson.html","title_ssm":["Abraham Anson papers"],"title_tesim":["Abraham Anson papers"],"unitdate_ssm":["1939-2005"],"unitdate_other_ssim":["1939-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0069"],"text":["C0069","Abraham Anson papers","Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides.","There are no access restrictions.","This collection is arranged into three series.","Series 1: Personal Items, 1939-2005 (Boxes 1-3)\n Series 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n Series 3: Publications, 1943-2005 (Boxes 13-31)\n","Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.","Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.","Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.","The collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","Series 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n","Series 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n","There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.","George Mason University.  Libraries.   Special Collections Research Center.","Anson, Abraham, 1912-2005","English\n\t\t"],"unitid_tesim":["C0069"],"normalized_title_ssm":["Abraham Anson papers"],"collection_title_tesim":["Abraham Anson papers"],"collection_ssim":["Abraham Anson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Anson, Abraham, 1912-2005"],"creator_ssim":["Anson, Abraham, 1912-2005"],"creator_persname_ssim":["Anson, Abraham, 1912-2005"],"creators_ssim":["Anson, Abraham, 1912-2005"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Myra Anson-Nicholas on December 5, 2005."],"access_subjects_ssim":["Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides."],"access_subjects_ssm":["Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["12.5 linear feet (31 boxes)"],"extent_tesim":["12.5 linear feet (31 boxes)"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three series.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Personal Items, 1939-2005 (Boxes 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Publications, 1943-2005 (Boxes 13-31)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into three series.","Series 1: Personal Items, 1939-2005 (Boxes 1-3)\n Series 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n Series 3: Publications, 1943-2005 (Boxes 13-31)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.\u003c/p\u003e","\u003cp\u003eAnson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.","Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005."],"prefercite_html_tesm":["\u003cp\u003eAbraham Anson papers, C0069, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Abraham Anson papers, C0069, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n\u003c/p\u003e","\u003cp\u003eSeries 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n\u003c/p\u003e","\u003cp\u003eSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","Series 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n","Series 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps."],"names_ssim":["George Mason University.  Libraries.   Special Collections Research Center.","Anson, Abraham, 1912-2005"],"corpname_ssim":["George Mason University.  Libraries.   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During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.","Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.","Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.","The collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","Series 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n","Series 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n","There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.","George Mason University.  Libraries.   Special Collections Research Center.","Anson, Abraham, 1912-2005","English\n\t\t"],"unitid_tesim":["C0069"],"normalized_title_ssm":["Abraham Anson papers"],"collection_title_tesim":["Abraham Anson papers"],"collection_ssim":["Abraham Anson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Anson, Abraham, 1912-2005"],"creator_ssim":["Anson, Abraham, 1912-2005"],"creator_persname_ssim":["Anson, Abraham, 1912-2005"],"creators_ssim":["Anson, Abraham, 1912-2005"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Myra Anson-Nicholas on December 5, 2005."],"access_subjects_ssim":["Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides."],"access_subjects_ssm":["Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["12.5 linear feet (31 boxes)"],"extent_tesim":["12.5 linear feet (31 boxes)"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three series.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Personal Items, 1939-2005 (Boxes 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Publications, 1943-2005 (Boxes 13-31)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into three series.","Series 1: Personal Items, 1939-2005 (Boxes 1-3)\n Series 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n Series 3: Publications, 1943-2005 (Boxes 13-31)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.\u003c/p\u003e","\u003cp\u003eAnson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.","Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005."],"prefercite_html_tesm":["\u003cp\u003eAbraham Anson papers, C0069, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Abraham Anson papers, C0069, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n\u003c/p\u003e","\u003cp\u003eSeries 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n\u003c/p\u003e","\u003cp\u003eSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","Series 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n","Series 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps."],"names_ssim":["George Mason University.  Libraries.   Special Collections Research Center.","Anson, Abraham, 1912-2005"],"corpname_ssim":["George Mason University.  Libraries.   Special Collections Research Center."],"persname_ssim":["Anson, Abraham, 1912-2005"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":383,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:54:47.290Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_anson"}},{"id":"vifgm_haight","type":"collection","attributes":{"title":"Alexander Haight family collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#creator","type":"document_value","attributes":{"value":"Alexander Haight\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_haight","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","ead_source_url_ssi":"data/gmu/haight.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haight.html","title_ssm":["Alexander Haight family collection\n"],"title_tesim":["Alexander Haight family collection\n"],"unitdate_ssm":["1764-1977\n"],"unitdate_inclusive_ssm":["1764-1977\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159\n"],"text":["C0159\n","Alexander Haight family collection","Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes.","Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n","Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","George Mason University.  Special Collections and Archives.\n","Alexander Haight\n","English\n"],"unitid_tesim":["C0159\n"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Alexander Haight\n"],"creator_ssim":["Alexander Haight\n"],"creator_persname_ssim":["Alexander Haight\n"],"creators_ssim":["Alexander Haight\n"],"acqinfo_ssim":["Collection donated by Alexander Levi Haight in 1978.\n"],"access_subjects_ssim":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet (19 boxes and 12 unboxed objects)"],"extent_tesim":["13 linear feet (19 boxes and 12 unboxed objects)"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series by subject with each series organized alphabetically by title.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1863-1920 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printed Material, 1884-1900 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Oversize, 1863-1966 (Box 9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n"],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.\u003c/p\u003e","\u003cp\u003eThe effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.\u003c/p\u003e","\u003cp\u003eMany of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n\u003c/p\u003e","\u003cp\u003eAlexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e","\u003cp\u003eSeries 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e","\u003cp\u003eSeries 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e","\u003cp\u003eSeries 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e","\u003cp\u003eSeries 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e","\u003cp\u003eSeries 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e","\u003cp\u003eSeries 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e","\u003cp\u003eSeries 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Alexander Haight\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Alexander Haight\n"],"language_ssim":["English\n"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_haight","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","ead_source_url_ssi":"data/gmu/haight.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haight.html","title_ssm":["Alexander Haight family collection\n"],"title_tesim":["Alexander Haight family collection\n"],"unitdate_ssm":["1764-1977\n"],"unitdate_inclusive_ssm":["1764-1977\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159\n"],"text":["C0159\n","Alexander Haight family collection","Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes.","Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n","Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","George Mason University.  Special Collections and Archives.\n","Alexander Haight\n","English\n"],"unitid_tesim":["C0159\n"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Alexander Haight\n"],"creator_ssim":["Alexander Haight\n"],"creator_persname_ssim":["Alexander Haight\n"],"creators_ssim":["Alexander Haight\n"],"acqinfo_ssim":["Collection donated by Alexander Levi Haight in 1978.\n"],"access_subjects_ssim":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet (19 boxes and 12 unboxed objects)"],"extent_tesim":["13 linear feet (19 boxes and 12 unboxed objects)"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series by subject with each series organized alphabetically by title.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1863-1920 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printed Material, 1884-1900 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Oversize, 1863-1966 (Box 9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n"],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.\u003c/p\u003e","\u003cp\u003eThe effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.\u003c/p\u003e","\u003cp\u003eMany of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n\u003c/p\u003e","\u003cp\u003eAlexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e","\u003cp\u003eSeries 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e","\u003cp\u003eSeries 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e","\u003cp\u003eSeries 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e","\u003cp\u003eSeries 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e","\u003cp\u003eSeries 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e","\u003cp\u003eSeries 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e","\u003cp\u003eSeries 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Alexander Haight\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Alexander Haight\n"],"language_ssim":["English\n"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_haight"}},{"id":"vifgm_vifgm00048","type":"collection","attributes":{"title":"Arthur E. Scott photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00048#creator","type":"document_value","attributes":{"value":"Arthur E. Scott, 1917-1976\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00048#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00048#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00048","ead_ssi":"vifgm_vifgm00048","_root_":"vifgm_vifgm00048","_nest_parent_":"vifgm_vifgm00048","ead_source_url_ssi":"data/gmu/vifgm00048.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/scott_arthur.html","title_ssm":["Arthur E. Scott photograph collection\n"],"title_tesim":["Arthur E. Scott photograph collection\n"],"unitdate_ssm":["1910-1976\n"],"unitdate_inclusive_ssm":["1910-1976\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0096\n"],"text":["C0096\n","Arthur E. Scott photograph collection","Astronauts--Photographs.","Actors--Photographs.","Campaign speeches--Photographs.","Committees--Photographs.","Congresses and conventions--Photographs.","Eating and drinking--Photographs.","Funeral rites and ceremonies--Photographs.","Legislators--United States--Photographs.","Legislators' spouses--Photographs.","Lincoln Memorial (Washington, D.C.)--Photographs.","National Statuary Hall (United States Capitol, Washington, D.C.)--Photographs.","Oaths--Washington, D.C.--1970s--Photographs.","Political campaigns--Photographs.","Political conventions--Photographs.","Presidents--United States--Inauguration--Photographs.","Presidents--United States--Photographs.","Speeches, addresses, etc.--Photographs.","Tomb of the Unknowns (Va.)--Photographs.","Vice-Presidents--United States--Photographs.","Washington Monument (Washington, D.C.)--Photographs.","Photographic prints.","Portraits.","Negatives.","Slides.","Aerial photographs.","Group portraits.","Organized into six series.\n","Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n Series 6: Realia, 1950s-1960s (Box 28)\n","Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald.  From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian.  As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history.  Scott died on December 2, 1976.\n","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains photographs from the 1910s and 1920s that were taken by other photographers.  The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes.  The majority of the photographs are in black and white unless otherwise noted.\n","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians.  It also contains photographs of celebrities, politicians' families, and others.  This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others.  Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon.  The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.\n","\nSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks.  The majority of the series consists of photographs of the Washington, D.C. area.  This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial.  It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.    \n","\nSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations.  The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding.  It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.     \n","\nSeries 4 contains photographs of published newspapers, as well as photographs of art works.  It also contains reference publications and correspondence which relate to the photographs in the collection.  Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt.  The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski.  The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.      \n","\nSeries 5 consists of scrapbooks compiled by Arthur Scott.  These scrapbooks document events from 1918 through 1946.  Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott.  The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years.  The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.     \n","\nSeries 6 consists of photographic supplies used by Scott.  Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".   \n","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers. \n","George Mason University.  Special Collections and Archives.\n","Arlington National Cemetery (Arlington, Va.)--Photographs.","Boy Scouts of America--Photographs.","Supreme Court Building (Washington, D.C.)--Photographs.","United States. Supreme Court--Officials and employees--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Congress. House.--Photographs.","United States. Congress. Senate.--Photographs.","Washington National Cathedral (Washington, D.C.)--Photographs.","Arthur E. Scott, 1917-1976\n","Aiken, George D. (George David), 1892-1984--Photographs.","Allott, Gordon, 1907-1989--Photographs.","Ashurst, Henry Fountain, 1874-1962--Photographs.","Barkley, Alben William, 1877-1956--Photographs.","Beall, J. Glenn (John Glenn), 1927-2006--Photographs.","Bennett, Wallace F. (Wallace Foster), 1898-1993--Photographs.","Bible, Alan, 1909-1988--Photographs.","Boggs, James Caleb, 1909-1993--Photographs.","Borah, William Edgar, 1865-1940--Photographs.","Bridges, Styles, 1898-1961--Photographs.","Bush, Prescott Sheldon, 1895-1972--Photographs.","Case, Clifford P. (Clifford Philip), 1904-1982--Photographs.","Cochran, Steve, 1917-1965--Photographs.","Coolidge, Calvin, 1872-1933--Photographs.","Cooper, John Sherman, 1901-1991--Photographs.","Cotton, Norris, 1900- --Photographs.","Curtis, Carl T. (Carl Thomas), 1905-2000--Photographs.","Dern, George Henry, 1872-1936--Photographs.","Dirksen, Everett McKinley--Photographs.","Dole, Robert J., 1923- --Photographs.","Dominick, Peter H. (Peter Hoyt), 1915-1981--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Elizabeth II, Queen of Great Britain, 1926- --Photographs.","Fannin, Paul J. (Paul Jones), 1907-2002--Photographs.","Fong, Hiram, 1907-2004--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Garner, John Nance, 1868-1967--Photographs.","Glenn, John, 1921- --Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Griffin, Robert P. (Robert Paul), 1923- --Photographs.","Grissom, Virgil I.--Photographs.","Hansen, Clifford P. (Clifford Peter), 1912-2009--Photographs.","Harrison, Pat, 1881-1941--Photographs.","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971--Photographs.","Holt, Rush Dew, 1905-1955--Photographs.","Hoover, Herbert Charles, 1903-1969--Photographs.","Hruska, Roman L. (Roman Lee), 1904-1999--Photographs.","Javits, Jacob K. (Jacob Koppel), 1904-1986--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Jordan, Len B. (Len Beck), 1899-1983--Photographs.","Keating, Kenneth B. (Kenneth Barnard), 1900-1975--Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kuchel, Thomas H.--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","Marshall, George C. (George Catlett), 1880-1959--Photographs.","McNary, Charles Linza, 1874-1944--Photographs.","Morton, Thruston B. (Thruston Ballard), 1907-1982--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Pepper, Claude, 1900-1989--Photographs.","Percy, Charles H., 1919- --Photographs.","Pittman, Key, 1872-1940--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Schoeppel, Andrew Frank, 1894-1962--Photographs.","Scott, Hugh, 1900-1994--Photographs.","Scott, William Lloyd, 1915-1997--Photographs.","Shepard, Alan B. (Alan Bartlett), 1923-1998--Photographs.","Smith, Margaret Chase, 1897-1995--Photographs.","Thurmond, Strom, 1902-2003--Photographs.","Tower, John G. (John Goodwin), 1925-1991--Photographs.","Tydings, Millard E. (Millard Evelyn), 1890-1961--Photographs.","Valeo, Francis R. (Francis Ralph), 1916-2006--Photographs.","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951--Photographs.","Wiley, Alexander, 1884-1967--Photographs.","Woodring, Harry Hines, 1887-1967--Photographs.","English\n"],"unitid_tesim":["C0096\n"],"normalized_title_ssm":["Arthur E. Scott photograph collection"],"collection_title_tesim":["Arthur E. Scott photograph collection"],"collection_ssim":["Arthur E. Scott photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arthur E. Scott, 1917-1976\n"],"creator_ssim":["Arthur E. Scott, 1917-1976\n"],"creator_persname_ssim":["Arthur E. Scott, 1917-1976\n"],"creators_ssim":["Arthur E. Scott, 1917-1976\n"],"acqinfo_ssim":["Collection donated by Grace L. Scott in 1981. Scrapbooks donated by Barbara Thaler in 2006.\n"],"access_subjects_ssim":["Astronauts--Photographs.","Actors--Photographs.","Campaign speeches--Photographs.","Committees--Photographs.","Congresses and conventions--Photographs.","Eating and drinking--Photographs.","Funeral rites and ceremonies--Photographs.","Legislators--United States--Photographs.","Legislators' spouses--Photographs.","Lincoln Memorial (Washington, D.C.)--Photographs.","National Statuary Hall (United States Capitol, Washington, D.C.)--Photographs.","Oaths--Washington, D.C.--1970s--Photographs.","Political campaigns--Photographs.","Political conventions--Photographs.","Presidents--United States--Inauguration--Photographs.","Presidents--United States--Photographs.","Speeches, addresses, etc.--Photographs.","Tomb of the Unknowns (Va.)--Photographs.","Vice-Presidents--United States--Photographs.","Washington Monument (Washington, D.C.)--Photographs.","Photographic prints.","Portraits.","Negatives.","Slides.","Aerial photographs.","Group portraits."],"access_subjects_ssm":["Astronauts--Photographs.","Actors--Photographs.","Campaign speeches--Photographs.","Committees--Photographs.","Congresses and conventions--Photographs.","Eating and drinking--Photographs.","Funeral rites and ceremonies--Photographs.","Legislators--United States--Photographs.","Legislators' spouses--Photographs.","Lincoln Memorial (Washington, D.C.)--Photographs.","National Statuary Hall (United States Capitol, Washington, D.C.)--Photographs.","Oaths--Washington, D.C.--1970s--Photographs.","Political campaigns--Photographs.","Political conventions--Photographs.","Presidents--United States--Inauguration--Photographs.","Presidents--United States--Photographs.","Speeches, addresses, etc.--Photographs.","Tomb of the Unknowns (Va.)--Photographs.","Vice-Presidents--United States--Photographs.","Washington Monument (Washington, D.C.)--Photographs.","Photographic prints.","Portraits.","Negatives.","Slides.","Aerial photographs.","Group portraits."],"has_online_content_ssim":["false"],"extent_ssm":["32 linear ft.; 43 boxes; 27 scrapbooks"],"extent_tesim":["32 linear ft.; 43 boxes; 27 scrapbooks"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Realia, 1950s-1960s (Box 28)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into six series.\n","Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n Series 6: Realia, 1950s-1960s (Box 28)\n"],"bioghist_html_tesm":["\u003cp\u003eArthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald.  From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian.  As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history.  Scott died on December 2, 1976.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald.  From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian.  As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history.  Scott died on December 2, 1976.\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains photographs from the 1910s and 1920s that were taken by other photographers.  The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes.  The majority of the photographs are in black and white unless otherwise noted.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians.  It also contains photographs of celebrities, politicians' families, and others.  This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others.  Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon.  The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.\n\u003c/p\u003e","\u003cp\u003e\nSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks.  The majority of the series consists of photographs of the Washington, D.C. area.  This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial.  It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.    \n\u003c/p\u003e","\u003cp\u003e\nSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations.  The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding.  It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.     \n\u003c/p\u003e","\u003cp\u003e\nSeries 4 contains photographs of published newspapers, as well as photographs of art works.  It also contains reference publications and correspondence which relate to the photographs in the collection.  Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt.  The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski.  The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.      \n\u003c/p\u003e","\u003cp\u003e\nSeries 5 consists of scrapbooks compiled by Arthur Scott.  These scrapbooks document events from 1918 through 1946.  Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott.  The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years.  The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.     \n\u003c/p\u003e","\u003cp\u003e\nSeries 6 consists of photographic supplies used by Scott.  Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".   \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains photographs from the 1910s and 1920s that were taken by other photographers.  The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes.  The majority of the photographs are in black and white unless otherwise noted.\n","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians.  It also contains photographs of celebrities, politicians' families, and others.  This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others.  Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon.  The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.\n","\nSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks.  The majority of the series consists of photographs of the Washington, D.C. area.  This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial.  It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.    \n","\nSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations.  The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding.  It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.     \n","\nSeries 4 contains photographs of published newspapers, as well as photographs of art works.  It also contains reference publications and correspondence which relate to the photographs in the collection.  Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt.  The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski.  The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.      \n","\nSeries 5 consists of scrapbooks compiled by Arthur Scott.  These scrapbooks document events from 1918 through 1946.  Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott.  The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years.  The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.     \n","\nSeries 6 consists of photographic supplies used by Scott.  Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".   \n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers. \n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Arlington National Cemetery (Arlington, Va.)--Photographs.","Boy Scouts of America--Photographs.","Supreme Court Building (Washington, D.C.)--Photographs.","United States. Supreme Court--Officials and employees--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Congress. House.--Photographs.","United States. Congress. Senate.--Photographs.","Washington National Cathedral (Washington, D.C.)--Photographs.","Arthur E. Scott, 1917-1976\n","Aiken, George D. (George David), 1892-1984--Photographs.","Allott, Gordon, 1907-1989--Photographs.","Ashurst, Henry Fountain, 1874-1962--Photographs.","Barkley, Alben William, 1877-1956--Photographs.","Beall, J. Glenn (John Glenn), 1927-2006--Photographs.","Bennett, Wallace F. (Wallace Foster), 1898-1993--Photographs.","Bible, Alan, 1909-1988--Photographs.","Boggs, James Caleb, 1909-1993--Photographs.","Borah, William Edgar, 1865-1940--Photographs.","Bridges, Styles, 1898-1961--Photographs.","Bush, Prescott Sheldon, 1895-1972--Photographs.","Case, Clifford P. (Clifford Philip), 1904-1982--Photographs.","Cochran, Steve, 1917-1965--Photographs.","Coolidge, Calvin, 1872-1933--Photographs.","Cooper, John Sherman, 1901-1991--Photographs.","Cotton, Norris, 1900- --Photographs.","Curtis, Carl T. (Carl Thomas), 1905-2000--Photographs.","Dern, George Henry, 1872-1936--Photographs.","Dirksen, Everett McKinley--Photographs.","Dole, Robert J., 1923- --Photographs.","Dominick, Peter H. (Peter Hoyt), 1915-1981--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Elizabeth II, Queen of Great Britain, 1926- --Photographs.","Fannin, Paul J. (Paul Jones), 1907-2002--Photographs.","Fong, Hiram, 1907-2004--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Garner, John Nance, 1868-1967--Photographs.","Glenn, John, 1921- --Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Griffin, Robert P. (Robert Paul), 1923- --Photographs.","Grissom, Virgil I.--Photographs.","Hansen, Clifford P. (Clifford Peter), 1912-2009--Photographs.","Harrison, Pat, 1881-1941--Photographs.","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971--Photographs.","Holt, Rush Dew, 1905-1955--Photographs.","Hoover, Herbert Charles, 1903-1969--Photographs.","Hruska, Roman L. (Roman Lee), 1904-1999--Photographs.","Javits, Jacob K. (Jacob Koppel), 1904-1986--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Jordan, Len B. (Len Beck), 1899-1983--Photographs.","Keating, Kenneth B. (Kenneth Barnard), 1900-1975--Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kuchel, Thomas H.--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","Marshall, George C. (George Catlett), 1880-1959--Photographs.","McNary, Charles Linza, 1874-1944--Photographs.","Morton, Thruston B. (Thruston Ballard), 1907-1982--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Pepper, Claude, 1900-1989--Photographs.","Percy, Charles H., 1919- --Photographs.","Pittman, Key, 1872-1940--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Schoeppel, Andrew Frank, 1894-1962--Photographs.","Scott, Hugh, 1900-1994--Photographs.","Scott, William Lloyd, 1915-1997--Photographs.","Shepard, Alan B. (Alan Bartlett), 1923-1998--Photographs.","Smith, Margaret Chase, 1897-1995--Photographs.","Thurmond, Strom, 1902-2003--Photographs.","Tower, John G. (John Goodwin), 1925-1991--Photographs.","Tydings, Millard E. (Millard Evelyn), 1890-1961--Photographs.","Valeo, Francis R. (Francis Ralph), 1916-2006--Photographs.","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951--Photographs.","Wiley, Alexander, 1884-1967--Photographs.","Woodring, Harry Hines, 1887-1967--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Arlington National Cemetery (Arlington, Va.)--Photographs.","Boy Scouts of America--Photographs.","Supreme Court Building (Washington, D.C.)--Photographs.","United States. Supreme Court--Officials and employees--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Congress. House.--Photographs.","United States. Congress. Senate.--Photographs.","Washington National Cathedral (Washington, D.C.)--Photographs."],"persname_ssim":["Arthur E. Scott, 1917-1976\n","Aiken, George D. (George David), 1892-1984--Photographs.","Allott, Gordon, 1907-1989--Photographs.","Ashurst, Henry Fountain, 1874-1962--Photographs.","Barkley, Alben William, 1877-1956--Photographs.","Beall, J. Glenn (John Glenn), 1927-2006--Photographs.","Bennett, Wallace F. (Wallace Foster), 1898-1993--Photographs.","Bible, Alan, 1909-1988--Photographs.","Boggs, James Caleb, 1909-1993--Photographs.","Borah, William Edgar, 1865-1940--Photographs.","Bridges, Styles, 1898-1961--Photographs.","Bush, Prescott Sheldon, 1895-1972--Photographs.","Case, Clifford P. (Clifford Philip), 1904-1982--Photographs.","Cochran, Steve, 1917-1965--Photographs.","Coolidge, Calvin, 1872-1933--Photographs.","Cooper, John Sherman, 1901-1991--Photographs.","Cotton, Norris, 1900- --Photographs.","Curtis, Carl T. (Carl Thomas), 1905-2000--Photographs.","Dern, George Henry, 1872-1936--Photographs.","Dirksen, Everett McKinley--Photographs.","Dole, Robert J., 1923- --Photographs.","Dominick, Peter H. (Peter Hoyt), 1915-1981--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Elizabeth II, Queen of Great Britain, 1926- --Photographs.","Fannin, Paul J. (Paul Jones), 1907-2002--Photographs.","Fong, Hiram, 1907-2004--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Garner, John Nance, 1868-1967--Photographs.","Glenn, John, 1921- --Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Griffin, Robert P. (Robert Paul), 1923- --Photographs.","Grissom, Virgil I.--Photographs.","Hansen, Clifford P. (Clifford Peter), 1912-2009--Photographs.","Harrison, Pat, 1881-1941--Photographs.","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971--Photographs.","Holt, Rush Dew, 1905-1955--Photographs.","Hoover, Herbert Charles, 1903-1969--Photographs.","Hruska, Roman L. (Roman Lee), 1904-1999--Photographs.","Javits, Jacob K. (Jacob Koppel), 1904-1986--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Jordan, Len B. (Len Beck), 1899-1983--Photographs.","Keating, Kenneth B. (Kenneth Barnard), 1900-1975--Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kuchel, Thomas H.--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","Marshall, George C. (George Catlett), 1880-1959--Photographs.","McNary, Charles Linza, 1874-1944--Photographs.","Morton, Thruston B. (Thruston Ballard), 1907-1982--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Pepper, Claude, 1900-1989--Photographs.","Percy, Charles H., 1919- --Photographs.","Pittman, Key, 1872-1940--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Schoeppel, Andrew Frank, 1894-1962--Photographs.","Scott, Hugh, 1900-1994--Photographs.","Scott, William Lloyd, 1915-1997--Photographs.","Shepard, Alan B. (Alan Bartlett), 1923-1998--Photographs.","Smith, Margaret Chase, 1897-1995--Photographs.","Thurmond, Strom, 1902-2003--Photographs.","Tower, John G. (John Goodwin), 1925-1991--Photographs.","Tydings, Millard E. (Millard Evelyn), 1890-1961--Photographs.","Valeo, Francis R. (Francis Ralph), 1916-2006--Photographs.","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951--Photographs.","Wiley, Alexander, 1884-1967--Photographs.","Woodring, Harry Hines, 1887-1967--Photographs."],"language_ssim":["English\n"],"total_component_count_is":1168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00048","ead_ssi":"vifgm_vifgm00048","_root_":"vifgm_vifgm00048","_nest_parent_":"vifgm_vifgm00048","ead_source_url_ssi":"data/gmu/vifgm00048.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/scott_arthur.html","title_ssm":["Arthur E. Scott photograph collection\n"],"title_tesim":["Arthur E. Scott photograph collection\n"],"unitdate_ssm":["1910-1976\n"],"unitdate_inclusive_ssm":["1910-1976\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0096\n"],"text":["C0096\n","Arthur E. Scott photograph collection","Astronauts--Photographs.","Actors--Photographs.","Campaign speeches--Photographs.","Committees--Photographs.","Congresses and conventions--Photographs.","Eating and drinking--Photographs.","Funeral rites and ceremonies--Photographs.","Legislators--United States--Photographs.","Legislators' spouses--Photographs.","Lincoln Memorial (Washington, D.C.)--Photographs.","National Statuary Hall (United States Capitol, Washington, D.C.)--Photographs.","Oaths--Washington, D.C.--1970s--Photographs.","Political campaigns--Photographs.","Political conventions--Photographs.","Presidents--United States--Inauguration--Photographs.","Presidents--United States--Photographs.","Speeches, addresses, etc.--Photographs.","Tomb of the Unknowns (Va.)--Photographs.","Vice-Presidents--United States--Photographs.","Washington Monument (Washington, D.C.)--Photographs.","Photographic prints.","Portraits.","Negatives.","Slides.","Aerial photographs.","Group portraits.","Organized into six series.\n","Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n Series 6: Realia, 1950s-1960s (Box 28)\n","Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald.  From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian.  As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history.  Scott died on December 2, 1976.\n","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains photographs from the 1910s and 1920s that were taken by other photographers.  The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes.  The majority of the photographs are in black and white unless otherwise noted.\n","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians.  It also contains photographs of celebrities, politicians' families, and others.  This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others.  Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon.  The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.\n","\nSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks.  The majority of the series consists of photographs of the Washington, D.C. area.  This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial.  It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.    \n","\nSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations.  The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding.  It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.     \n","\nSeries 4 contains photographs of published newspapers, as well as photographs of art works.  It also contains reference publications and correspondence which relate to the photographs in the collection.  Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt.  The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski.  The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.      \n","\nSeries 5 consists of scrapbooks compiled by Arthur Scott.  These scrapbooks document events from 1918 through 1946.  Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott.  The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years.  The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.     \n","\nSeries 6 consists of photographic supplies used by Scott.  Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".   \n","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers. \n","George Mason University.  Special Collections and Archives.\n","Arlington National Cemetery (Arlington, Va.)--Photographs.","Boy Scouts of America--Photographs.","Supreme Court Building (Washington, D.C.)--Photographs.","United States. Supreme Court--Officials and employees--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Congress. House.--Photographs.","United States. Congress. Senate.--Photographs.","Washington National Cathedral (Washington, D.C.)--Photographs.","Arthur E. Scott, 1917-1976\n","Aiken, George D. (George David), 1892-1984--Photographs.","Allott, Gordon, 1907-1989--Photographs.","Ashurst, Henry Fountain, 1874-1962--Photographs.","Barkley, Alben William, 1877-1956--Photographs.","Beall, J. Glenn (John Glenn), 1927-2006--Photographs.","Bennett, Wallace F. (Wallace Foster), 1898-1993--Photographs.","Bible, Alan, 1909-1988--Photographs.","Boggs, James Caleb, 1909-1993--Photographs.","Borah, William Edgar, 1865-1940--Photographs.","Bridges, Styles, 1898-1961--Photographs.","Bush, Prescott Sheldon, 1895-1972--Photographs.","Case, Clifford P. (Clifford Philip), 1904-1982--Photographs.","Cochran, Steve, 1917-1965--Photographs.","Coolidge, Calvin, 1872-1933--Photographs.","Cooper, John Sherman, 1901-1991--Photographs.","Cotton, Norris, 1900- --Photographs.","Curtis, Carl T. (Carl Thomas), 1905-2000--Photographs.","Dern, George Henry, 1872-1936--Photographs.","Dirksen, Everett McKinley--Photographs.","Dole, Robert J., 1923- --Photographs.","Dominick, Peter H. (Peter Hoyt), 1915-1981--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Elizabeth II, Queen of Great Britain, 1926- --Photographs.","Fannin, Paul J. (Paul Jones), 1907-2002--Photographs.","Fong, Hiram, 1907-2004--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Garner, John Nance, 1868-1967--Photographs.","Glenn, John, 1921- --Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Griffin, Robert P. (Robert Paul), 1923- --Photographs.","Grissom, Virgil I.--Photographs.","Hansen, Clifford P. (Clifford Peter), 1912-2009--Photographs.","Harrison, Pat, 1881-1941--Photographs.","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971--Photographs.","Holt, Rush Dew, 1905-1955--Photographs.","Hoover, Herbert Charles, 1903-1969--Photographs.","Hruska, Roman L. (Roman Lee), 1904-1999--Photographs.","Javits, Jacob K. (Jacob Koppel), 1904-1986--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Jordan, Len B. (Len Beck), 1899-1983--Photographs.","Keating, Kenneth B. (Kenneth Barnard), 1900-1975--Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kuchel, Thomas H.--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","Marshall, George C. (George Catlett), 1880-1959--Photographs.","McNary, Charles Linza, 1874-1944--Photographs.","Morton, Thruston B. (Thruston Ballard), 1907-1982--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Pepper, Claude, 1900-1989--Photographs.","Percy, Charles H., 1919- --Photographs.","Pittman, Key, 1872-1940--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Schoeppel, Andrew Frank, 1894-1962--Photographs.","Scott, Hugh, 1900-1994--Photographs.","Scott, William Lloyd, 1915-1997--Photographs.","Shepard, Alan B. (Alan Bartlett), 1923-1998--Photographs.","Smith, Margaret Chase, 1897-1995--Photographs.","Thurmond, Strom, 1902-2003--Photographs.","Tower, John G. (John Goodwin), 1925-1991--Photographs.","Tydings, Millard E. (Millard Evelyn), 1890-1961--Photographs.","Valeo, Francis R. (Francis Ralph), 1916-2006--Photographs.","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951--Photographs.","Wiley, Alexander, 1884-1967--Photographs.","Woodring, Harry Hines, 1887-1967--Photographs.","English\n"],"unitid_tesim":["C0096\n"],"normalized_title_ssm":["Arthur E. Scott photograph collection"],"collection_title_tesim":["Arthur E. Scott photograph collection"],"collection_ssim":["Arthur E. Scott photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arthur E. Scott, 1917-1976\n"],"creator_ssim":["Arthur E. Scott, 1917-1976\n"],"creator_persname_ssim":["Arthur E. Scott, 1917-1976\n"],"creators_ssim":["Arthur E. Scott, 1917-1976\n"],"acqinfo_ssim":["Collection donated by Grace L. Scott in 1981. Scrapbooks donated by Barbara Thaler in 2006.\n"],"access_subjects_ssim":["Astronauts--Photographs.","Actors--Photographs.","Campaign speeches--Photographs.","Committees--Photographs.","Congresses and conventions--Photographs.","Eating and drinking--Photographs.","Funeral rites and ceremonies--Photographs.","Legislators--United States--Photographs.","Legislators' spouses--Photographs.","Lincoln Memorial (Washington, D.C.)--Photographs.","National Statuary Hall (United States Capitol, Washington, D.C.)--Photographs.","Oaths--Washington, D.C.--1970s--Photographs.","Political campaigns--Photographs.","Political conventions--Photographs.","Presidents--United States--Inauguration--Photographs.","Presidents--United States--Photographs.","Speeches, addresses, etc.--Photographs.","Tomb of the Unknowns (Va.)--Photographs.","Vice-Presidents--United States--Photographs.","Washington Monument (Washington, D.C.)--Photographs.","Photographic prints.","Portraits.","Negatives.","Slides.","Aerial photographs.","Group portraits."],"access_subjects_ssm":["Astronauts--Photographs.","Actors--Photographs.","Campaign speeches--Photographs.","Committees--Photographs.","Congresses and conventions--Photographs.","Eating and drinking--Photographs.","Funeral rites and ceremonies--Photographs.","Legislators--United States--Photographs.","Legislators' spouses--Photographs.","Lincoln Memorial (Washington, D.C.)--Photographs.","National Statuary Hall (United States Capitol, Washington, D.C.)--Photographs.","Oaths--Washington, D.C.--1970s--Photographs.","Political campaigns--Photographs.","Political conventions--Photographs.","Presidents--United States--Inauguration--Photographs.","Presidents--United States--Photographs.","Speeches, addresses, etc.--Photographs.","Tomb of the Unknowns (Va.)--Photographs.","Vice-Presidents--United States--Photographs.","Washington Monument (Washington, D.C.)--Photographs.","Photographic prints.","Portraits.","Negatives.","Slides.","Aerial photographs.","Group portraits."],"has_online_content_ssim":["false"],"extent_ssm":["32 linear ft.; 43 boxes; 27 scrapbooks"],"extent_tesim":["32 linear ft.; 43 boxes; 27 scrapbooks"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Realia, 1950s-1960s (Box 28)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into six series.\n","Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n Series 6: Realia, 1950s-1960s (Box 28)\n"],"bioghist_html_tesm":["\u003cp\u003eArthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald.  From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian.  As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history.  Scott died on December 2, 1976.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald.  From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian.  As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history.  Scott died on December 2, 1976.\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains photographs from the 1910s and 1920s that were taken by other photographers.  The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes.  The majority of the photographs are in black and white unless otherwise noted.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians.  It also contains photographs of celebrities, politicians' families, and others.  This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others.  Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon.  The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.\n\u003c/p\u003e","\u003cp\u003e\nSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks.  The majority of the series consists of photographs of the Washington, D.C. area.  This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial.  It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.    \n\u003c/p\u003e","\u003cp\u003e\nSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations.  The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding.  It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.     \n\u003c/p\u003e","\u003cp\u003e\nSeries 4 contains photographs of published newspapers, as well as photographs of art works.  It also contains reference publications and correspondence which relate to the photographs in the collection.  Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt.  The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski.  The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.      \n\u003c/p\u003e","\u003cp\u003e\nSeries 5 consists of scrapbooks compiled by Arthur Scott.  These scrapbooks document events from 1918 through 1946.  Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott.  The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years.  The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.     \n\u003c/p\u003e","\u003cp\u003e\nSeries 6 consists of photographic supplies used by Scott.  Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".   \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains photographs from the 1910s and 1920s that were taken by other photographers.  The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes.  The majority of the photographs are in black and white unless otherwise noted.\n","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians.  It also contains photographs of celebrities, politicians' families, and others.  This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others.  Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon.  The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.\n","\nSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks.  The majority of the series consists of photographs of the Washington, D.C. area.  This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial.  It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.    \n","\nSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations.  The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding.  It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.     \n","\nSeries 4 contains photographs of published newspapers, as well as photographs of art works.  It also contains reference publications and correspondence which relate to the photographs in the collection.  Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt.  The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski.  The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.      \n","\nSeries 5 consists of scrapbooks compiled by Arthur Scott.  These scrapbooks document events from 1918 through 1946.  Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott.  The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years.  The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.     \n","\nSeries 6 consists of photographic supplies used by Scott.  Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".   \n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers. \n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s.  There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs.  The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Arlington National Cemetery (Arlington, Va.)--Photographs.","Boy Scouts of America--Photographs.","Supreme Court Building (Washington, D.C.)--Photographs.","United States. Supreme Court--Officials and employees--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Congress. House.--Photographs.","United States. Congress. Senate.--Photographs.","Washington National Cathedral (Washington, D.C.)--Photographs.","Arthur E. Scott, 1917-1976\n","Aiken, George D. (George David), 1892-1984--Photographs.","Allott, Gordon, 1907-1989--Photographs.","Ashurst, Henry Fountain, 1874-1962--Photographs.","Barkley, Alben William, 1877-1956--Photographs.","Beall, J. Glenn (John Glenn), 1927-2006--Photographs.","Bennett, Wallace F. (Wallace Foster), 1898-1993--Photographs.","Bible, Alan, 1909-1988--Photographs.","Boggs, James Caleb, 1909-1993--Photographs.","Borah, William Edgar, 1865-1940--Photographs.","Bridges, Styles, 1898-1961--Photographs.","Bush, Prescott Sheldon, 1895-1972--Photographs.","Case, Clifford P. (Clifford Philip), 1904-1982--Photographs.","Cochran, Steve, 1917-1965--Photographs.","Coolidge, Calvin, 1872-1933--Photographs.","Cooper, John Sherman, 1901-1991--Photographs.","Cotton, Norris, 1900- --Photographs.","Curtis, Carl T. (Carl Thomas), 1905-2000--Photographs.","Dern, George Henry, 1872-1936--Photographs.","Dirksen, Everett McKinley--Photographs.","Dole, Robert J., 1923- --Photographs.","Dominick, Peter H. (Peter Hoyt), 1915-1981--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Elizabeth II, Queen of Great Britain, 1926- --Photographs.","Fannin, Paul J. (Paul Jones), 1907-2002--Photographs.","Fong, Hiram, 1907-2004--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Garner, John Nance, 1868-1967--Photographs.","Glenn, John, 1921- --Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Griffin, Robert P. (Robert Paul), 1923- --Photographs.","Grissom, Virgil I.--Photographs.","Hansen, Clifford P. (Clifford Peter), 1912-2009--Photographs.","Harrison, Pat, 1881-1941--Photographs.","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971--Photographs.","Holt, Rush Dew, 1905-1955--Photographs.","Hoover, Herbert Charles, 1903-1969--Photographs.","Hruska, Roman L. (Roman Lee), 1904-1999--Photographs.","Javits, Jacob K. (Jacob Koppel), 1904-1986--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Jordan, Len B. (Len Beck), 1899-1983--Photographs.","Keating, Kenneth B. (Kenneth Barnard), 1900-1975--Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kuchel, Thomas H.--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","Marshall, George C. (George Catlett), 1880-1959--Photographs.","McNary, Charles Linza, 1874-1944--Photographs.","Morton, Thruston B. (Thruston Ballard), 1907-1982--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Pepper, Claude, 1900-1989--Photographs.","Percy, Charles H., 1919- --Photographs.","Pittman, Key, 1872-1940--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Schoeppel, Andrew Frank, 1894-1962--Photographs.","Scott, Hugh, 1900-1994--Photographs.","Scott, William Lloyd, 1915-1997--Photographs.","Shepard, Alan B. (Alan Bartlett), 1923-1998--Photographs.","Smith, Margaret Chase, 1897-1995--Photographs.","Thurmond, Strom, 1902-2003--Photographs.","Tower, John G. (John Goodwin), 1925-1991--Photographs.","Tydings, Millard E. (Millard Evelyn), 1890-1961--Photographs.","Valeo, Francis R. (Francis Ralph), 1916-2006--Photographs.","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951--Photographs.","Wiley, Alexander, 1884-1967--Photographs.","Woodring, Harry Hines, 1887-1967--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Arlington National Cemetery (Arlington, Va.)--Photographs.","Boy Scouts of America--Photographs.","Supreme Court Building (Washington, D.C.)--Photographs.","United States. Supreme Court--Officials and employees--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Congress. House.--Photographs.","United States. Congress. Senate.--Photographs.","Washington National Cathedral (Washington, D.C.)--Photographs."],"persname_ssim":["Arthur E. Scott, 1917-1976\n","Aiken, George D. (George David), 1892-1984--Photographs.","Allott, Gordon, 1907-1989--Photographs.","Ashurst, Henry Fountain, 1874-1962--Photographs.","Barkley, Alben William, 1877-1956--Photographs.","Beall, J. Glenn (John Glenn), 1927-2006--Photographs.","Bennett, Wallace F. (Wallace Foster), 1898-1993--Photographs.","Bible, Alan, 1909-1988--Photographs.","Boggs, James Caleb, 1909-1993--Photographs.","Borah, William Edgar, 1865-1940--Photographs.","Bridges, Styles, 1898-1961--Photographs.","Bush, Prescott Sheldon, 1895-1972--Photographs.","Case, Clifford P. (Clifford Philip), 1904-1982--Photographs.","Cochran, Steve, 1917-1965--Photographs.","Coolidge, Calvin, 1872-1933--Photographs.","Cooper, John Sherman, 1901-1991--Photographs.","Cotton, Norris, 1900- --Photographs.","Curtis, Carl T. (Carl Thomas), 1905-2000--Photographs.","Dern, George Henry, 1872-1936--Photographs.","Dirksen, Everett McKinley--Photographs.","Dole, Robert J., 1923- --Photographs.","Dominick, Peter H. (Peter Hoyt), 1915-1981--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Elizabeth II, Queen of Great Britain, 1926- --Photographs.","Fannin, Paul J. (Paul Jones), 1907-2002--Photographs.","Fong, Hiram, 1907-2004--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Garner, John Nance, 1868-1967--Photographs.","Glenn, John, 1921- --Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Griffin, Robert P. (Robert Paul), 1923- --Photographs.","Grissom, Virgil I.--Photographs.","Hansen, Clifford P. (Clifford Peter), 1912-2009--Photographs.","Harrison, Pat, 1881-1941--Photographs.","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971--Photographs.","Holt, Rush Dew, 1905-1955--Photographs.","Hoover, Herbert Charles, 1903-1969--Photographs.","Hruska, Roman L. (Roman Lee), 1904-1999--Photographs.","Javits, Jacob K. (Jacob Koppel), 1904-1986--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Jordan, Len B. (Len Beck), 1899-1983--Photographs.","Keating, Kenneth B. (Kenneth Barnard), 1900-1975--Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kuchel, Thomas H.--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","Marshall, George C. (George Catlett), 1880-1959--Photographs.","McNary, Charles Linza, 1874-1944--Photographs.","Morton, Thruston B. (Thruston Ballard), 1907-1982--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Pepper, Claude, 1900-1989--Photographs.","Percy, Charles H., 1919- --Photographs.","Pittman, Key, 1872-1940--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Schoeppel, Andrew Frank, 1894-1962--Photographs.","Scott, Hugh, 1900-1994--Photographs.","Scott, William Lloyd, 1915-1997--Photographs.","Shepard, Alan B. (Alan Bartlett), 1923-1998--Photographs.","Smith, Margaret Chase, 1897-1995--Photographs.","Thurmond, Strom, 1902-2003--Photographs.","Tower, John G. (John Goodwin), 1925-1991--Photographs.","Tydings, Millard E. (Millard Evelyn), 1890-1961--Photographs.","Valeo, Francis R. (Francis Ralph), 1916-2006--Photographs.","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951--Photographs.","Wiley, Alexander, 1884-1967--Photographs.","Woodring, Harry Hines, 1887-1967--Photographs."],"language_ssim":["English\n"],"total_component_count_is":1168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00048"}},{"id":"vifgm_vifgm00049","type":"collection","attributes":{"title":"Charles A. Veatch papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00049#creator","type":"document_value","attributes":{"value":"Veatch, Charles A., 1942-\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00049#abstract_or_scope","type":"document_value","attributes":{"value":"Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00049#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00049","ead_ssi":"vifgm_vifgm00049","_root_":"vifgm_vifgm00049","_nest_parent_":"vifgm_vifgm00049","ead_source_url_ssi":"data/gmu/vifgm00049.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Charles A. Veatch papers\n"],"title_tesim":["Charles A. Veatch papers\n"],"unitdate_ssm":["1970-2004\n"],"unitdate_inclusive_ssm":["1970-2004\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0138\n"],"text":["C0138\n","Charles A. Veatch papers","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings.","This collection is arranged according to subject.\n","Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n","\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n","\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n","George Mason University.  Special Collections and Archives.\n","Reston Land Corporation.","Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-","English\n"],"unitid_tesim":["C0138\n"],"normalized_title_ssm":["Charles A. Veatch papers"],"collection_title_tesim":["Charles A. Veatch papers"],"collection_ssim":["Charles A. Veatch papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Veatch, Charles A., 1942-\n"],"creator_ssim":["Veatch, Charles A., 1942-\n"],"creator_persname_ssim":["Veatch, Charles A., 1942-\n"],"creators_ssim":["Veatch, Charles A., 1942-\n"],"acqinfo_ssim":["Collection donated by Charles Veatch in 1999-2004.\n"],"access_subjects_ssim":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"access_subjects_ssm":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["6.9 linear feet (14 boxes)"],"extent_tesim":["6.9 linear feet (14 boxes)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject.\n\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged according to subject.\n"],"bioghist_html_tesm":["\u003cp\u003eCharles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n\u003c/p\u003e","\u003cp\u003e\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n\u003c/p\u003e","\u003cp\u003e\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n","\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n","\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/abstract\u003e"],"abstract_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Land Corporation.","Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Land Corporation."],"persname_ssim":["Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-"],"language_ssim":["English\n"],"total_component_count_is":295,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:56:56.171Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00049","ead_ssi":"vifgm_vifgm00049","_root_":"vifgm_vifgm00049","_nest_parent_":"vifgm_vifgm00049","ead_source_url_ssi":"data/gmu/vifgm00049.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Charles A. Veatch papers\n"],"title_tesim":["Charles A. Veatch papers\n"],"unitdate_ssm":["1970-2004\n"],"unitdate_inclusive_ssm":["1970-2004\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0138\n"],"text":["C0138\n","Charles A. Veatch papers","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Negatives.","Photographic prints.","Video recordings.","This collection is arranged according to subject.\n","Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n","\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n","\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n","Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n","George Mason University.  Special Collections and Archives.\n","Reston Land Corporation.","Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-","English\n"],"unitid_tesim":["C0138\n"],"normalized_title_ssm":["Charles A. Veatch papers"],"collection_title_tesim":["Charles A. Veatch papers"],"collection_ssim":["Charles A. 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Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n\u003c/p\u003e","\u003cp\u003e\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n\u003c/p\u003e","\u003cp\u003e\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Charles A. Veatch was born in 1942 in Washington, DC. He obtained his B.S. in Finance from the University of Virginia in 1964. During the summer of 1964, he began working for Palindrome Corporation under Robert E. Simon, the developer of Reston, Virginia, and in 1968 moved to Reston with his wife and two children. Veatch obtained his real estate license in 1960, while still a student at UVA. He started his own real estate development and consulting firm, Environmental Concepts, Inc., in 1970. He soon developed many residential and commercial projects throughout Northern Virginia, including ones in Reston.\n","\nFor decades, Veatch has been an avid participant in Reston community organizations. During the early days of Reston, he was a founding member of the Reston Lions Club and the Reston Board of Commerce. He is currently a member of numerous nonprofit boards including Planned Community Archives, Reston Historic Trust, Greater Reston Arts Center, Natures Best Foundation, The Potomac Conservancy, and Fairfax County Parks Foundation. Furthermore, he has many other affiliations with nonprofit organizations such as the Friends of Shenandoah River, Friends of North Fork, and The French and Indian War Foundation. Veatch has been honored with many awards for his extensive community service. In 1998 he was named the Best of Reston Honoree, and in 2004 he was chosen as the Fairfax County Citizen of the Year.\n","\nAs a fly fisherman and lover of nature, Veatch began photographing the scenes around him. Now a passionate and accomplished photographer, Veatch published The Nature of Reston in 1999, a book of his photography of natural areas of Reston. Profits from this book, now in its second printing, have gone towards the construction of a Nature House in Reston. Currently, Charles Veatch is the president of The Charles A. Veatch Company. He also devotes his time to many nonprofit organizations concerned with nature and the environment. \n"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eCollection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n\u003c/abstract\u003e"],"abstract_tesim":["Collection contains materials pertaining to the history and development of Reston, Virginia. Types of materials include: newspaper and magazine clippings pertaining to Reston, photographs and negatives of structures in Reston, reports regarding Reston planning issues, video recordings, promotional materials regarding Reston attractions such as Reston Town Center, records pertaining to Planned Community Archives, Inc. and other materials. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Land Corporation.","Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Land Corporation."],"persname_ssim":["Veatch, Charles A., 1942-\n","Veatch, Charles A., 1942-"],"language_ssim":["English\n"],"total_component_count_is":295,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:56:56.171Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00049"}},{"id":"vifgm_cspan","type":"collection","attributes":{"title":"C-SPAN records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_cspan#creator","type":"document_value","attributes":{"value":"C-SPAN Corporation","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_cspan#abstract_or_scope","type":"document_value","attributes":{"value":"The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_cspan#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_cspan","ead_ssi":"vifgm_cspan","_root_":"vifgm_cspan","_nest_parent_":"vifgm_cspan","ead_source_url_ssi":"data/gmu/cspan.xml","aspace_url_ssi":"http://scrc.gmu.edu/cspan.html","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"unitdate_inclusive_ssm":["1809-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270"],"text":["C0270","C-SPAN records","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings.","There are no access restrictions.","Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","","","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t . Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation","Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de","English\n            \t"],"unitid_tesim":["C0270"],"normalized_title_ssm":["C-SPAN records"],"collection_title_tesim":["C-SPAN records"],"collection_ssim":["C-SPAN records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian","Long, Lea Anne"],"creator_corpname_ssim":["C-SPAN Corporation"],"creators_ssim":["Lamb, Brian","Long, Lea Anne","C-SPAN Corporation"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet (471 boxes)"],"extent_tesim":["200.0 linear feet (471 boxes)"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n        \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n        \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n        \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"C-SPAN.org\" show=\"new\" href=\"https://www.c-span.org/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Purdue.edu\" show=\"new\" href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["",""],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e","\u003cp\u003eWith an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e","\u003cp\u003eC-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eSpecial Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t\u003cextptr type=\"simple\" title=\"Booknotes collection website\" show=\"new\" href=\"http://booknotes.gmu.edu\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t\u003cextptr type=\"simple\" title=\"Purdue website\" show=\"new\" href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t . Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003eSeries 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e","\u003cp\u003eSeries 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003eSeries 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003eSeries 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e","\u003cp\u003eSeries 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e","\u003cp\u003eSeries 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003eSeries 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e","\u003cp\u003eSeries 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003eSeries 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003eSeries 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003eSeries 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e"],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation","Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation"],"persname_ssim":["Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"language_ssim":["English\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_cspan","ead_ssi":"vifgm_cspan","_root_":"vifgm_cspan","_nest_parent_":"vifgm_cspan","ead_source_url_ssi":"data/gmu/cspan.xml","aspace_url_ssi":"http://scrc.gmu.edu/cspan.html","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"unitdate_inclusive_ssm":["1809-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270"],"text":["C0270","C-SPAN records","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings.","There are no access restrictions.","Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","","","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t . Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation","Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de","English\n            \t"],"unitid_tesim":["C0270"],"normalized_title_ssm":["C-SPAN records"],"collection_title_tesim":["C-SPAN records"],"collection_ssim":["C-SPAN records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian","Long, Lea Anne"],"creator_corpname_ssim":["C-SPAN Corporation"],"creators_ssim":["Lamb, Brian","Long, Lea Anne","C-SPAN Corporation"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism--United States.","Lincoln-Douglas Debates, Ill., 1858","Political campaigns--United States.","Politics","Presidents--Elections","Presidents--United States.","Press","Public affairs television programs","Television","Television and children","Television programs--United States.","Television viewers","Television viewers--United States","Television--United States.","United States. Congress","United States. Congress. House","United States. Congress. Senate","Correspondence.","Memorabilia.","Negatives.","Newspapers.","Photographs.","Slides.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet (471 boxes)"],"extent_tesim":["200.0 linear feet (471 boxes)"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n        \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n        \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n        \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"C-SPAN.org\" show=\"new\" href=\"https://www.c-span.org/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Purdue.edu\" show=\"new\" href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["",""],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e","\u003cp\u003eWith an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e","\u003cp\u003eC-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eSpecial Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Brent was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Brent in 2017. EAD markup completed by Amanda Brent in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t\u003cextptr type=\"simple\" title=\"Booknotes collection website\" show=\"new\" href=\"http://booknotes.gmu.edu\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t\u003cextptr type=\"simple\" title=\"Purdue website\" show=\"new\" href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \"Booknotes\" television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  \n\t\t\t . Purdue University houses the C-SPAN Video Library. More information is available on the\n\t\t\t ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003eSeries 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e","\u003cp\u003eSeries 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003eSeries 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003eSeries 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e","\u003cp\u003eSeries 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e","\u003cp\u003eSeries 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003eSeries 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e","\u003cp\u003eSeries 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003eSeries 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003eSeries 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003eSeries 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C-SPAN records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e"],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation","Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","C-SPAN Corporation"],"persname_ssim":["Lamb, Brian","Long, Lea Anne","Tocqueville, Alexis de"],"language_ssim":["English\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_cspan"}},{"id":"vifgm_verheyen","type":"collection","attributes":{"title":"Egon Verheyen papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_verheyen#creator","type":"document_value","attributes":{"value":"Verheyen, Egon","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_verheyen#abstract_or_scope","type":"document_value","attributes":{"value":"This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_verheyen#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_verheyen","ead_ssi":"vifgm_verheyen","_root_":"vifgm_verheyen","_nest_parent_":"vifgm_verheyen","ead_source_url_ssi":"data/gmu/verheyen.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/verheyen.html","title_ssm":["Egon Verheyen papers"],"title_tesim":["Egon Verheyen papers"],"unitdate_ssm":["1959-2008"],"unitdate_inclusive_ssm":["1959-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0217"],"text":["C0217","Egon Verheyen papers","Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs.","There are no access restrictions.","Organized into four series.","Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)","Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C.","Processed by Kerry Mitchell in 2012.","Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date.","There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University.","Verheyen, Egon","Multiple\n\t\t","Contains materials that are in English, German, French and Italian."],"unitid_tesim":["C0217"],"normalized_title_ssm":["Egon Verheyen papers"],"collection_title_tesim":["Egon Verheyen papers"],"collection_ssim":["Egon Verheyen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Verheyen, Egon"],"creator_ssim":["Verheyen, Egon"],"creator_persname_ssim":["Verheyen, Egon"],"creators_ssim":["Verheyen, Egon"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Gwen White in 2012."],"access_subjects_ssim":["Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs."],"access_subjects_ssm":["Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["3.75 linear feet (9 boxes)"],"extent_tesim":["3.75 linear feet (9 boxes)"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into four series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2000 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Publications, 1959-2003 (Boxes 1-7)\u003c/item\u003e\n        \u003citem\u003eSeries 3: George Mason University, 1986-2008 (Boxes 7-8)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1960s-1990s (Boxes 8-9)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into four series.","Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)"],"bioghist_html_tesm":["\u003cp\u003eEgon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.\u003c/p\u003e","\u003cp\u003eBesides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C."],"prefercite_html_tesm":["\u003cp\u003eEgon Verheyen papers, C0217, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Egon Verheyen papers, C0217, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kerry Mitchell in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kerry Mitchell in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract id=\"ref129\" label=\"Abstract\"\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University.","Verheyen, Egon"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University."],"persname_ssim":["Verheyen, Egon"],"language_ssim":["Multiple\n\t\t","Contains materials that are in English, German, French and Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":93,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:56:56.171Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_verheyen","ead_ssi":"vifgm_verheyen","_root_":"vifgm_verheyen","_nest_parent_":"vifgm_verheyen","ead_source_url_ssi":"data/gmu/verheyen.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/verheyen.html","title_ssm":["Egon Verheyen papers"],"title_tesim":["Egon Verheyen papers"],"unitdate_ssm":["1959-2008"],"unitdate_inclusive_ssm":["1959-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0217"],"text":["C0217","Egon Verheyen papers","Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs.","There are no access restrictions.","Organized into four series.","Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)","Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C.","Processed by Kerry Mitchell in 2012.","Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date.","There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University.","Verheyen, Egon","Multiple\n\t\t","Contains materials that are in English, German, French and Italian."],"unitid_tesim":["C0217"],"normalized_title_ssm":["Egon Verheyen papers"],"collection_title_tesim":["Egon Verheyen papers"],"collection_ssim":["Egon Verheyen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Verheyen, Egon"],"creator_ssim":["Verheyen, Egon"],"creator_persname_ssim":["Verheyen, Egon"],"creators_ssim":["Verheyen, Egon"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Gwen White in 2012."],"access_subjects_ssim":["Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs."],"access_subjects_ssm":["Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["3.75 linear feet (9 boxes)"],"extent_tesim":["3.75 linear feet (9 boxes)"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into four series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2000 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Publications, 1959-2003 (Boxes 1-7)\u003c/item\u003e\n        \u003citem\u003eSeries 3: George Mason University, 1986-2008 (Boxes 7-8)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1960s-1990s (Boxes 8-9)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into four series.","Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)"],"bioghist_html_tesm":["\u003cp\u003eEgon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.\u003c/p\u003e","\u003cp\u003eBesides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C."],"prefercite_html_tesm":["\u003cp\u003eEgon Verheyen papers, C0217, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Egon Verheyen papers, C0217, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kerry Mitchell in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kerry Mitchell in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract id=\"ref129\" label=\"Abstract\"\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University.","Verheyen, Egon"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University."],"persname_ssim":["Verheyen, Egon"],"language_ssim":["Multiple\n\t\t","Contains materials that are in English, German, French and Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":93,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:56:56.171Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_verheyen"}},{"id":"vifgm_ftpphoto","type":"collection","attributes":{"title":"Federal Theatre Project photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_ftpphoto#creator","type":"document_value","attributes":{"value":"Federal Theatre Project (U.S.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_ftpphoto#abstract_or_scope","type":"document_value","attributes":{"value":"This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_ftpphoto#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_ftpphoto","ead_ssi":"vifgm_ftpphoto","_root_":"vifgm_ftpphoto","_nest_parent_":"vifgm_ftpphoto","ead_source_url_ssi":"data/gmu/ftpphoto.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/ftpphoto.html","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205"],"text":["C0205","Federal Theatre Project photograph collection","Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits.","There are no access restrictions.","The costumes and set designs are also available as a series in the \n                 . There are photographs from this collection and other FTP collections in the \n                  There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012.","Special Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","English\n\t\t"],"unitid_tesim":["C0205"],"normalized_title_ssm":["Federal Theatre Project photograph collection"],"collection_title_tesim":["Federal Theatre Project photograph collection"],"collection_ssim":["Federal Theatre Project photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits."],"access_subjects_ssm":["Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits."],"has_online_content_ssim":["true"],"extent_ssm":["47.0 linear feet (112 boxes)"],"extent_tesim":["47.0 linear feet (112 boxes)"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"FTP digital collection\" href=\"http://www.aladin0.wrlc.org/gsdl/collect/ftpp/ftpp.shtml\"\u003e\u003c/extptr\u003e. There are photographs from this collection and other FTP collections in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Federal Theatre Project collection\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the \n                 . There are photographs from this collection and other FTP collections in the \n                  There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project Photographs, C0205, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project Photographs, C0205, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/p\u003e","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2653\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3845,"online_item_count_is":48,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:02.027Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_ftpphoto","ead_ssi":"vifgm_ftpphoto","_root_":"vifgm_ftpphoto","_nest_parent_":"vifgm_ftpphoto","ead_source_url_ssi":"data/gmu/ftpphoto.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/ftpphoto.html","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205"],"text":["C0205","Federal Theatre Project photograph collection","Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits.","There are no access restrictions.","The costumes and set designs are also available as a series in the \n                 . There are photographs from this collection and other FTP collections in the \n                  There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012.","Special Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","English\n\t\t"],"unitid_tesim":["C0205"],"normalized_title_ssm":["Federal Theatre Project photograph collection"],"collection_title_tesim":["Federal Theatre Project photograph collection"],"collection_ssim":["Federal Theatre Project photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits."],"access_subjects_ssm":["Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits."],"has_online_content_ssim":["true"],"extent_ssm":["47.0 linear feet (112 boxes)"],"extent_tesim":["47.0 linear feet (112 boxes)"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"FTP digital collection\" href=\"http://www.aladin0.wrlc.org/gsdl/collect/ftpp/ftpp.shtml\"\u003e\u003c/extptr\u003e. There are photographs from this collection and other FTP collections in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Federal Theatre Project collection\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the \n                 . There are photographs from this collection and other FTP collections in the \n                  There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project Photographs, C0205, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project Photographs, C0205, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/p\u003e","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2653\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3845,"online_item_count_is":48,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:02.027Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_ftpphoto"}},{"id":"vifgm_vifgm00011","type":"collection","attributes":{"title":"George Mason University photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00011#creator","type":"document_value","attributes":{"value":"George Mason University.  Special Collections and Archives.\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00011#abstract_or_scope","type":"document_value","attributes":{"value":"The George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00011#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00011","ead_ssi":"vifgm_vifgm00011","_root_":"vifgm_vifgm00011","_nest_parent_":"vifgm_vifgm00011","ead_source_url_ssi":"data/gmu/vifgm00011.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["George Mason University photograph collection\n"],"title_tesim":["George Mason University photograph collection\n"],"unitdate_ssm":["1950s-2007\n"],"unitdate_inclusive_ssm":["1950s-2007\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0120\n"],"text":["R0120\n","George Mason University photograph collection","Events--Photographs.","Performance art--Photographs.","Graduation ceremonies--Photographs.","Art--Photographs.","Universities and colleges--Photographs.","People--Photographs.","Police--Photographs.","Dormitories--Photographs.","Restaurants--Photographs.","Sports--Photographs.","Students--Photographs.","Negatives.","Photographic prints.","Slides.","Organized into nine series and then sorted either chonologically or alphabetically.\n","Series 1: University Relations, 1950s-1999 (Boxes 1-37)\n Series 2: Broadside, 1971-1999  (Boxes 1-6)\n Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n Series 4: George Mason University Foundation, 1989 (Boxes 1-11)\n Series 5: Athletic Department, 1978-1994 (Box 1)\n Series 6: Office of Admissions, 1985-1995 (Box 1)\n Series 7: Office of the Registrar, 1970-1971 (Box 1)\n Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n Series 9: Creative Services, 1964-2007 (Boxes 38-118)\n","The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.\n","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\nThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\nToday, Broadside is a modern newspaper. It is generated via computer and is published in a large, folded newspaper format. With two issues each week, it is produced more frequently. Its news is local, national, and international in scope. Besides campus news, the paper features national and world events, entertainment, music, and restaurant reviews, sports, and commentary. Photography for each issue is provided by both digital and traditional 35mm format cameras. Broadside uses staff photographers and major wire service outlets for its photographs.\n","As publication of the George Mason University Yearbook ceased in 1988, GM View: The George Mason Video Yearbook was born. Mason had maintained a print version of the yearbook since 1965 under various names (i.e. Advocate, By George, Patriotism, and others).\nGM View has been in continuous publication since 1989. Though each year's production is different from the others, they all have maintained the same basic format: a length of about 30 minutes; and coverage of university sports, greek, and campus events (such as Mason and Patriots' Day, International Week celebrations, graduations, etc).\nThis digital collection was created with the kind, generous, and expert help from the staff of GMU TV and Digital Programs and Systems, George Mason University Libraries. \n","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman.\n","The George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007.\n","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photogaphs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.\n","Series 2 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers, restaurants, and arts. The majority of the images are in black-and-white, a few color images are dispersed throughout. The color images are almost all from the 1990s. Some negatives are available for a small part of the collection, found mostly in the sports photographs. Total volume of the collection is 2.75 linear feet. \n","Series 3 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.\n","Series 4 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.\n","Series 5 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.\n","Series 6 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.\n","Series 7 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.\n","Series 8 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.\n","Series 9 contains thousands of photographs from the Creative Services division of University Relations. \n","\nThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order. \n","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenics, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.","The George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\n","George Mason University.  Special Collections and Archives.\n","George Mason University--Photographs.","Alpha Chi--Photographs.","Tau Kappa Epsilon--Photographs.","Phi Delta Kappa--Photographs.","Quintillion Society--Photographs.","GMU Women's club--Photographs.","George Mason Bank--Photographs.","Fenwick, Charles Rodgers--Photographs.","Miller, Andrew--Photographs.","Holton, Abner Linwood Jr.--Photographs.","Bumgarner, Ken--Photographs.","Buchanan, James--Photographs.","Dalton, John N.--Photographs.","Matsunaga, Spark --Photographs.","Palmer, Ronald --Photographs.","Krug, Robert Charles --Photographs.","Reznor, Trent--Photographs.","Bush, George--Photographs.","Clinton, William--Photographs.","Johnson, George--Photographs.","Reno, Janet--Photographs.","Biden, Joe--Photographs.","English\n"],"unitid_tesim":["R0120\n"],"normalized_title_ssm":["George Mason University photograph collection"],"collection_title_tesim":["George Mason University photograph collection"],"collection_ssim":["George Mason University photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University.  Special Collections and Archives.\n"],"creator_ssim":["George Mason University.  Special Collections and Archives.\n"],"creator_corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"creators_ssim":["George Mason University.  Special Collections and Archives.\n"],"acqinfo_ssim":["Donated by the offices of University Life, University Relations, and the GMU Foundation.\n"],"access_subjects_ssim":["Events--Photographs.","Performance art--Photographs.","Graduation ceremonies--Photographs.","Art--Photographs.","Universities and colleges--Photographs.","People--Photographs.","Police--Photographs.","Dormitories--Photographs.","Restaurants--Photographs.","Sports--Photographs.","Students--Photographs.","Negatives.","Photographic prints.","Slides."],"access_subjects_ssm":["Events--Photographs.","Performance art--Photographs.","Graduation ceremonies--Photographs.","Art--Photographs.","Universities and colleges--Photographs.","People--Photographs.","Police--Photographs.","Dormitories--Photographs.","Restaurants--Photographs.","Sports--Photographs.","Students--Photographs.","Negatives.","Photographic prints.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["61 linear ft.; 147 boxes"],"extent_tesim":["61 linear ft.; 147 boxes"],"date_range_isim":[2007],"arrangement_html_tesm":["\u003cp\u003eOrganized into nine series and then sorted either chonologically or alphabetically.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: University Relations, 1950s-1999 (Boxes 1-37)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Broadside, 1971-1999  (Boxes 1-6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: George Mason University Foundation, 1989 (Boxes 1-11)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Athletic Department, 1978-1994 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Office of Admissions, 1985-1995 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Office of the Registrar, 1970-1971 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9: Creative Services, 1964-2007 (Boxes 38-118)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into nine series and then sorted either chonologically or alphabetically.\n","Series 1: University Relations, 1950s-1999 (Boxes 1-37)\n Series 2: Broadside, 1971-1999  (Boxes 1-6)\n Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n Series 4: George Mason University Foundation, 1989 (Boxes 1-11)\n Series 5: Athletic Department, 1978-1994 (Box 1)\n Series 6: Office of Admissions, 1985-1995 (Box 1)\n Series 7: Office of the Registrar, 1970-1971 (Box 1)\n Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n Series 9: Creative Services, 1964-2007 (Boxes 38-118)\n"],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.\n\u003c/p\u003e","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\nThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\nToday, Broadside is a modern newspaper. It is generated via computer and is published in a large, folded newspaper format. With two issues each week, it is produced more frequently. Its news is local, national, and international in scope. Besides campus news, the paper features national and world events, entertainment, music, and restaurant reviews, sports, and commentary. Photography for each issue is provided by both digital and traditional 35mm format cameras. Broadside uses staff photographers and major wire service outlets for its photographs.\n\u003c/p\u003e","\u003cp\u003eAs publication of the George Mason University Yearbook ceased in 1988, GM View: The George Mason Video Yearbook was born. Mason had maintained a print version of the yearbook since 1965 under various names (i.e. Advocate, By George, Patriotism, and others).\nGM View has been in continuous publication since 1989. Though each year's production is different from the others, they all have maintained the same basic format: a length of about 30 minutes; and coverage of university sports, greek, and campus events (such as Mason and Patriots' Day, International Week celebrations, graduations, etc).\nThis digital collection was created with the kind, generous, and expert help from the staff of GMU TV and Digital Programs and Systems, George Mason University Libraries. \n\u003c/p\u003e","\u003cp\u003eThe George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.\n","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\nThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\nToday, Broadside is a modern newspaper. It is generated via computer and is published in a large, folded newspaper format. With two issues each week, it is produced more frequently. Its news is local, national, and international in scope. Besides campus news, the paper features national and world events, entertainment, music, and restaurant reviews, sports, and commentary. Photography for each issue is provided by both digital and traditional 35mm format cameras. Broadside uses staff photographers and major wire service outlets for its photographs.\n","As publication of the George Mason University Yearbook ceased in 1988, GM View: The George Mason Video Yearbook was born. Mason had maintained a print version of the yearbook since 1965 under various names (i.e. Advocate, By George, Patriotism, and others).\nGM View has been in continuous publication since 1989. Though each year's production is different from the others, they all have maintained the same basic format: a length of about 30 minutes; and coverage of university sports, greek, and campus events (such as Mason and Patriots' Day, International Week celebrations, graduations, etc).\nThis digital collection was created with the kind, generous, and expert help from the staff of GMU TV and Digital Programs and Systems, George Mason University Libraries. \n","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photogaphs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.\n\u003c/p\u003e","\u003cp\u003eSeries 2 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers, restaurants, and arts. The majority of the images are in black-and-white, a few color images are dispersed throughout. The color images are almost all from the 1990s. Some negatives are available for a small part of the collection, found mostly in the sports photographs. Total volume of the collection is 2.75 linear feet. \n\u003c/p\u003e","\u003cp\u003eSeries 3 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.\n\u003c/p\u003e","\u003cp\u003eSeries 4 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.\n\u003c/p\u003e","\u003cp\u003eSeries 5 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.\n\u003c/p\u003e","\u003cp\u003eSeries 6 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.\n\u003c/p\u003e","\u003cp\u003eSeries 7 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.\n\u003c/p\u003e","\u003cp\u003eSeries 8 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.\n\u003c/p\u003e","\u003cp\u003eSeries 9 contains thousands of photographs from the Creative Services division of University Relations. \n\u003c/p\u003e","\u003cp\u003e\nThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.\u003c/p\u003e","\u003cp\u003eThere are four subseries to this series based on original order. \n\u003c/p\u003e","\u003cp\u003eThe first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenics, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten\u003c/p\u003e","\u003cp\u003eSubseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.\u003c/p\u003e","\u003cp\u003eSubseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSubseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007.\n","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photogaphs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.\n","Series 2 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers, restaurants, and arts. The majority of the images are in black-and-white, a few color images are dispersed throughout. The color images are almost all from the 1990s. Some negatives are available for a small part of the collection, found mostly in the sports photographs. Total volume of the collection is 2.75 linear feet. \n","Series 3 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.\n","Series 4 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.\n","Series 5 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.\n","Series 6 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.\n","Series 7 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.\n","Series 8 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.\n","Series 9 contains thousands of photographs from the Creative Services division of University Relations. \n","\nThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order. \n","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenics, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\n\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University--Photographs.","Alpha Chi--Photographs.","Tau Kappa Epsilon--Photographs.","Phi Delta Kappa--Photographs.","Quintillion Society--Photographs.","GMU Women's club--Photographs.","George Mason Bank--Photographs.","Fenwick, Charles Rodgers--Photographs.","Miller, Andrew--Photographs.","Holton, Abner Linwood Jr.--Photographs.","Bumgarner, Ken--Photographs.","Buchanan, James--Photographs.","Dalton, John N.--Photographs.","Matsunaga, Spark --Photographs.","Palmer, Ronald --Photographs.","Krug, Robert Charles --Photographs.","Reznor, Trent--Photographs.","Bush, George--Photographs.","Clinton, William--Photographs.","Johnson, George--Photographs.","Reno, Janet--Photographs.","Biden, Joe--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University--Photographs.","Alpha Chi--Photographs.","Tau Kappa Epsilon--Photographs.","Phi Delta Kappa--Photographs.","Quintillion Society--Photographs.","GMU Women's club--Photographs.","George Mason Bank--Photographs."],"persname_ssim":["Fenwick, Charles Rodgers--Photographs.","Miller, Andrew--Photographs.","Holton, Abner Linwood Jr.--Photographs.","Bumgarner, Ken--Photographs.","Buchanan, James--Photographs.","Dalton, John N.--Photographs.","Matsunaga, Spark --Photographs.","Palmer, Ronald --Photographs.","Krug, Robert Charles --Photographs.","Reznor, Trent--Photographs.","Bush, George--Photographs.","Clinton, William--Photographs.","Johnson, George--Photographs.","Reno, Janet--Photographs.","Biden, Joe--Photographs."],"language_ssim":["English\n"],"total_component_count_is":2833,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:54:47.290Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00011","ead_ssi":"vifgm_vifgm00011","_root_":"vifgm_vifgm00011","_nest_parent_":"vifgm_vifgm00011","ead_source_url_ssi":"data/gmu/vifgm00011.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["George Mason University photograph collection\n"],"title_tesim":["George Mason University photograph collection\n"],"unitdate_ssm":["1950s-2007\n"],"unitdate_inclusive_ssm":["1950s-2007\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0120\n"],"text":["R0120\n","George Mason University photograph collection","Events--Photographs.","Performance art--Photographs.","Graduation ceremonies--Photographs.","Art--Photographs.","Universities and colleges--Photographs.","People--Photographs.","Police--Photographs.","Dormitories--Photographs.","Restaurants--Photographs.","Sports--Photographs.","Students--Photographs.","Negatives.","Photographic prints.","Slides.","Organized into nine series and then sorted either chonologically or alphabetically.\n","Series 1: University Relations, 1950s-1999 (Boxes 1-37)\n Series 2: Broadside, 1971-1999  (Boxes 1-6)\n Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n Series 4: George Mason University Foundation, 1989 (Boxes 1-11)\n Series 5: Athletic Department, 1978-1994 (Box 1)\n Series 6: Office of Admissions, 1985-1995 (Box 1)\n Series 7: Office of the Registrar, 1970-1971 (Box 1)\n Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n Series 9: Creative Services, 1964-2007 (Boxes 38-118)\n","The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.\n","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\nThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\nToday, Broadside is a modern newspaper. It is generated via computer and is published in a large, folded newspaper format. With two issues each week, it is produced more frequently. Its news is local, national, and international in scope. Besides campus news, the paper features national and world events, entertainment, music, and restaurant reviews, sports, and commentary. Photography for each issue is provided by both digital and traditional 35mm format cameras. Broadside uses staff photographers and major wire service outlets for its photographs.\n","As publication of the George Mason University Yearbook ceased in 1988, GM View: The George Mason Video Yearbook was born. Mason had maintained a print version of the yearbook since 1965 under various names (i.e. Advocate, By George, Patriotism, and others).\nGM View has been in continuous publication since 1989. Though each year's production is different from the others, they all have maintained the same basic format: a length of about 30 minutes; and coverage of university sports, greek, and campus events (such as Mason and Patriots' Day, International Week celebrations, graduations, etc).\nThis digital collection was created with the kind, generous, and expert help from the staff of GMU TV and Digital Programs and Systems, George Mason University Libraries. \n","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman.\n","The George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007.\n","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photogaphs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.\n","Series 2 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers, restaurants, and arts. The majority of the images are in black-and-white, a few color images are dispersed throughout. The color images are almost all from the 1990s. Some negatives are available for a small part of the collection, found mostly in the sports photographs. Total volume of the collection is 2.75 linear feet. \n","Series 3 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.\n","Series 4 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.\n","Series 5 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.\n","Series 6 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.\n","Series 7 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.\n","Series 8 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.\n","Series 9 contains thousands of photographs from the Creative Services division of University Relations. \n","\nThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order. \n","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenics, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.","The George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\n","George Mason University.  Special Collections and Archives.\n","George Mason University--Photographs.","Alpha Chi--Photographs.","Tau Kappa Epsilon--Photographs.","Phi Delta Kappa--Photographs.","Quintillion Society--Photographs.","GMU Women's club--Photographs.","George Mason Bank--Photographs.","Fenwick, Charles Rodgers--Photographs.","Miller, Andrew--Photographs.","Holton, Abner Linwood Jr.--Photographs.","Bumgarner, Ken--Photographs.","Buchanan, James--Photographs.","Dalton, John N.--Photographs.","Matsunaga, Spark --Photographs.","Palmer, Ronald --Photographs.","Krug, Robert Charles --Photographs.","Reznor, Trent--Photographs.","Bush, George--Photographs.","Clinton, William--Photographs.","Johnson, George--Photographs.","Reno, Janet--Photographs.","Biden, Joe--Photographs.","English\n"],"unitid_tesim":["R0120\n"],"normalized_title_ssm":["George Mason University photograph collection"],"collection_title_tesim":["George Mason University photograph collection"],"collection_ssim":["George Mason University photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University.  Special Collections and Archives.\n"],"creator_ssim":["George Mason University.  Special Collections and Archives.\n"],"creator_corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"creators_ssim":["George Mason University.  Special Collections and Archives.\n"],"acqinfo_ssim":["Donated by the offices of University Life, University Relations, and the GMU Foundation.\n"],"access_subjects_ssim":["Events--Photographs.","Performance art--Photographs.","Graduation ceremonies--Photographs.","Art--Photographs.","Universities and colleges--Photographs.","People--Photographs.","Police--Photographs.","Dormitories--Photographs.","Restaurants--Photographs.","Sports--Photographs.","Students--Photographs.","Negatives.","Photographic prints.","Slides."],"access_subjects_ssm":["Events--Photographs.","Performance art--Photographs.","Graduation ceremonies--Photographs.","Art--Photographs.","Universities and colleges--Photographs.","People--Photographs.","Police--Photographs.","Dormitories--Photographs.","Restaurants--Photographs.","Sports--Photographs.","Students--Photographs.","Negatives.","Photographic prints.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["61 linear ft.; 147 boxes"],"extent_tesim":["61 linear ft.; 147 boxes"],"date_range_isim":[2007],"arrangement_html_tesm":["\u003cp\u003eOrganized into nine series and then sorted either chonologically or alphabetically.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: University Relations, 1950s-1999 (Boxes 1-37)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Broadside, 1971-1999  (Boxes 1-6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: George Mason University Foundation, 1989 (Boxes 1-11)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Athletic Department, 1978-1994 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Office of Admissions, 1985-1995 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Office of the Registrar, 1970-1971 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 9: Creative Services, 1964-2007 (Boxes 38-118)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into nine series and then sorted either chonologically or alphabetically.\n","Series 1: University Relations, 1950s-1999 (Boxes 1-37)\n Series 2: Broadside, 1971-1999  (Boxes 1-6)\n Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n Series 4: George Mason University Foundation, 1989 (Boxes 1-11)\n Series 5: Athletic Department, 1978-1994 (Box 1)\n Series 6: Office of Admissions, 1985-1995 (Box 1)\n Series 7: Office of the Registrar, 1970-1971 (Box 1)\n Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n Series 9: Creative Services, 1964-2007 (Boxes 38-118)\n"],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.\n\u003c/p\u003e","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\nThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\nToday, Broadside is a modern newspaper. It is generated via computer and is published in a large, folded newspaper format. With two issues each week, it is produced more frequently. Its news is local, national, and international in scope. Besides campus news, the paper features national and world events, entertainment, music, and restaurant reviews, sports, and commentary. Photography for each issue is provided by both digital and traditional 35mm format cameras. Broadside uses staff photographers and major wire service outlets for its photographs.\n\u003c/p\u003e","\u003cp\u003eAs publication of the George Mason University Yearbook ceased in 1988, GM View: The George Mason Video Yearbook was born. Mason had maintained a print version of the yearbook since 1965 under various names (i.e. Advocate, By George, Patriotism, and others).\nGM View has been in continuous publication since 1989. Though each year's production is different from the others, they all have maintained the same basic format: a length of about 30 minutes; and coverage of university sports, greek, and campus events (such as Mason and Patriots' Day, International Week celebrations, graduations, etc).\nThis digital collection was created with the kind, generous, and expert help from the staff of GMU TV and Digital Programs and Systems, George Mason University Libraries. \n\u003c/p\u003e","\u003cp\u003eThe George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.\n","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\nThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\nToday, Broadside is a modern newspaper. It is generated via computer and is published in a large, folded newspaper format. With two issues each week, it is produced more frequently. Its news is local, national, and international in scope. Besides campus news, the paper features national and world events, entertainment, music, and restaurant reviews, sports, and commentary. Photography for each issue is provided by both digital and traditional 35mm format cameras. Broadside uses staff photographers and major wire service outlets for its photographs.\n","As publication of the George Mason University Yearbook ceased in 1988, GM View: The George Mason Video Yearbook was born. Mason had maintained a print version of the yearbook since 1965 under various names (i.e. Advocate, By George, Patriotism, and others).\nGM View has been in continuous publication since 1989. Though each year's production is different from the others, they all have maintained the same basic format: a length of about 30 minutes; and coverage of university sports, greek, and campus events (such as Mason and Patriots' Day, International Week celebrations, graduations, etc).\nThis digital collection was created with the kind, generous, and expert help from the staff of GMU TV and Digital Programs and Systems, George Mason University Libraries. \n","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photogaphs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.\n\u003c/p\u003e","\u003cp\u003eSeries 2 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers, restaurants, and arts. The majority of the images are in black-and-white, a few color images are dispersed throughout. The color images are almost all from the 1990s. Some negatives are available for a small part of the collection, found mostly in the sports photographs. Total volume of the collection is 2.75 linear feet. \n\u003c/p\u003e","\u003cp\u003eSeries 3 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.\n\u003c/p\u003e","\u003cp\u003eSeries 4 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.\n\u003c/p\u003e","\u003cp\u003eSeries 5 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.\n\u003c/p\u003e","\u003cp\u003eSeries 6 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.\n\u003c/p\u003e","\u003cp\u003eSeries 7 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.\n\u003c/p\u003e","\u003cp\u003eSeries 8 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.\n\u003c/p\u003e","\u003cp\u003eSeries 9 contains thousands of photographs from the Creative Services division of University Relations. \n\u003c/p\u003e","\u003cp\u003e\nThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.\u003c/p\u003e","\u003cp\u003eThere are four subseries to this series based on original order. \n\u003c/p\u003e","\u003cp\u003eThe first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenics, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten\u003c/p\u003e","\u003cp\u003eSubseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.\u003c/p\u003e","\u003cp\u003eSubseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSubseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007.\n","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photogaphs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.\n","Series 2 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers, restaurants, and arts. The majority of the images are in black-and-white, a few color images are dispersed throughout. The color images are almost all from the 1990s. Some negatives are available for a small part of the collection, found mostly in the sports photographs. Total volume of the collection is 2.75 linear feet. \n","Series 3 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.\n","Series 4 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.\n","Series 5 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.\n","Series 6 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.\n","Series 7 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.\n","Series 8 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.\n","Series 9 contains thousands of photographs from the Creative Services division of University Relations. \n","\nThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculputures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order. \n","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenics, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\n\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University photograph collection is a combination of nine series: University Relations, Broadside Student Newspaper, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 12,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University--Photographs.","Alpha Chi--Photographs.","Tau Kappa Epsilon--Photographs.","Phi Delta Kappa--Photographs.","Quintillion Society--Photographs.","GMU Women's club--Photographs.","George Mason Bank--Photographs.","Fenwick, Charles Rodgers--Photographs.","Miller, Andrew--Photographs.","Holton, Abner Linwood Jr.--Photographs.","Bumgarner, Ken--Photographs.","Buchanan, James--Photographs.","Dalton, John N.--Photographs.","Matsunaga, Spark --Photographs.","Palmer, Ronald --Photographs.","Krug, Robert Charles --Photographs.","Reznor, Trent--Photographs.","Bush, George--Photographs.","Clinton, William--Photographs.","Johnson, George--Photographs.","Reno, Janet--Photographs.","Biden, Joe--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University--Photographs.","Alpha Chi--Photographs.","Tau Kappa Epsilon--Photographs.","Phi Delta Kappa--Photographs.","Quintillion Society--Photographs.","GMU Women's club--Photographs.","George Mason Bank--Photographs."],"persname_ssim":["Fenwick, Charles Rodgers--Photographs.","Miller, Andrew--Photographs.","Holton, Abner Linwood Jr.--Photographs.","Bumgarner, Ken--Photographs.","Buchanan, James--Photographs.","Dalton, John N.--Photographs.","Matsunaga, Spark --Photographs.","Palmer, Ronald --Photographs.","Krug, Robert Charles --Photographs.","Reznor, Trent--Photographs.","Bush, George--Photographs.","Clinton, William--Photographs.","Johnson, George--Photographs.","Reno, Janet--Photographs.","Biden, Joe--Photographs."],"language_ssim":["English\n"],"total_component_count_is":2833,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:54:47.290Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00011"}},{"id":"vifgm_mcdonnell","type":"collection","attributes":{"title":"James J. McDonnell transportation collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_mcdonnell#creator","type":"document_value","attributes":{"value":"James J. McDonnell\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_mcdonnell#abstract_or_scope","type":"document_value","attributes":{"value":"The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_mcdonnell#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_mcdonnell","ead_ssi":"vifgm_mcdonnell","_root_":"vifgm_mcdonnell","_nest_parent_":"vifgm_mcdonnell","ead_source_url_ssi":"data/gmu/mcdonnell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mcdonnell.html","title_ssm":["James J. McDonnell transportation collection\n\n"],"title_tesim":["James J. McDonnell transportation collection\n\n"],"unitdate_ssm":["1939-1995\n"],"unitdate_inclusive_ssm":["1939-1995\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0104\n"],"text":["C0104\n","James J. McDonnell transportation collection","Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints.","This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n","Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n","","George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n","English\n"],"unitid_tesim":["C0104\n"],"normalized_title_ssm":["James J. McDonnell transportation collection"],"collection_title_tesim":["James J. McDonnell transportation collection"],"collection_ssim":["James J. McDonnell transportation collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James J. McDonnell\n"],"creator_ssim":["James J. McDonnell\n"],"creator_persname_ssim":["James J. McDonnell\n"],"creators_ssim":["James J. McDonnell\n"],"acqinfo_ssim":["Collection donated by Laurie McDonnell through John Gifford in February 1996.\n"],"access_subjects_ssim":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"access_subjects_ssm":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["6 linear feet (9 boxes"],"extent_tesim":["6 linear feet (9 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into three series according to media format. Each series is arranged by subject.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Printed Materials, 1939-1995 (Boxes 1-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1949-1960 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Oversize, 1959-1967 (Boxes 8-9)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n\u003c/p\u003e","\u003cp\u003eSeries 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n\u003c/abstract\u003e"],"abstract_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration."],"persname_ssim":["James J. McDonnell\n"],"language_ssim":["English\n"],"total_component_count_is":107,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:49.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_mcdonnell","ead_ssi":"vifgm_mcdonnell","_root_":"vifgm_mcdonnell","_nest_parent_":"vifgm_mcdonnell","ead_source_url_ssi":"data/gmu/mcdonnell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mcdonnell.html","title_ssm":["James J. McDonnell transportation collection\n\n"],"title_tesim":["James J. McDonnell transportation collection\n\n"],"unitdate_ssm":["1939-1995\n"],"unitdate_inclusive_ssm":["1939-1995\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0104\n"],"text":["C0104\n","James J. McDonnell transportation collection","Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints.","This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n","Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n","The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n","","George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n","English\n"],"unitid_tesim":["C0104\n"],"normalized_title_ssm":["James J. McDonnell transportation collection"],"collection_title_tesim":["James J. McDonnell transportation collection"],"collection_ssim":["James J. McDonnell transportation collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["James J. McDonnell\n"],"creator_ssim":["James J. McDonnell\n"],"creator_persname_ssim":["James J. McDonnell\n"],"creators_ssim":["James J. McDonnell\n"],"acqinfo_ssim":["Collection donated by Laurie McDonnell through John Gifford in February 1996.\n"],"access_subjects_ssim":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"access_subjects_ssm":["Highway engineering--United States.","Transportation--United States--Planning.","Negatives.","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["6 linear feet (9 boxes"],"extent_tesim":["6 linear feet (9 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into three series according to media format. Each series is arranged by subject.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Printed Materials, 1939-1995 (Boxes 1-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1949-1960 (Boxes 6-7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Oversize, 1959-1967 (Boxes 8-9)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is divided into three series according to media format. Each series is arranged by subject.\n","Series 1: Printed Materials, 1939-1995 (Boxes 1-5)\n Series 2: Photographs, 1949-1960 (Boxes 6-7)\n Series 3: Oversize, 1959-1967 (Boxes 8-9)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Born in 1930, James McDonnell worked as a civil engineer for the Army Corps of Engineers in the 1950s, then built an extensive career as a highway engineer for the Bureau of Public Roads (which would become the Federal Highway Administration). During his 33-year career with U.S. government transportation agencies, McDonnell was recognized as a national expert in transportation data collection and use. In the late 1950s and early 1960s, he directed the Shirley Highway corridor study in Northern Virginia. His study led to the widening of the four-lane, World War II-era freeway into the first freeway with reversible high-occupancy-vehicle (HOV) lanes in the median. In 1964, McDonnell was called back to Washington to fill a key vacancy as Chief of BPR's Planning Procedure Branch. During his 20-year tenure in this position, he became nationally recognized for his many accomplishments, one of which was the development of a new Home Interview Survey Manual, that brought the practice of conducting surveys, and analyzing results into the computer age. He died in 1995.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n\u003c/p\u003e","\u003cp\u003eSeries 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the US Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives. \n","Series 1: Printed Materials contains studies, reports, correspondence, and conference proceedings on highway and urban transportation planning mostly in the Washington, D.C., metropolitan area. Included are statistical studies of the Public Roads Administration from the 1940s, reports on a Pentagon area transportation study from 1960-61, several Fairfax, Virginia household surveys from 1986, and McDonnell's 1958 Master's thesis, \"Characteristics of Traffic on a 3 Lane One-Way Roadway Entering a 2 Lane Constriction.\" \n","Series 2: Photographs contains photographs, negatives, and presentation slides of various junctures on the northbound and southbound routes of Shirley Memorial Highway. Some of the pohotgraphs show heavy traffic on Shirley Highway and the bridge leading to US 1.\n","Series 3: Oversize contains oversized printed materials including transportation studies and reports. Some of the reports include maps of roadways in the National Capital Region and charts and graphs of traffic patterns.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n\u003c/abstract\u003e"],"abstract_tesim":["The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.\n"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration.","James J. McDonnell\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","United States. Bureau of Public Roads.","United States. Federal Highway Administration."],"persname_ssim":["James J. McDonnell\n"],"language_ssim":["English\n"],"total_component_count_is":107,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:49.461Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_mcdonnell"}},{"id":"vifgm_epstein","type":"collection","attributes":{"title":"Jerome Epstein papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_epstein#creator","type":"document_value","attributes":{"value":"Epstein, Jerome, 1925-2002","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_epstein#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_epstein#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_epstein","ead_ssi":"vifgm_epstein","_root_":"vifgm_epstein","_nest_parent_":"vifgm_epstein","ead_source_url_ssi":"data/gmu/epstein.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/epstein.html","title_ssm":["Jerome Epstein papers"],"title_tesim":["Jerome Epstein papers"],"unitdate_ssm":["1877-1895, 1915-2002"],"unitdate_inclusive_ssm":["1877-1895, 1915-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0262"],"text":["C0262","Jerome Epstein papers","Letters.","Photographs.","Scrapbooks.","World War, 1939-1945.","Correspondence.","Negatives.","Newspapers.","Photographs.","Slides.","There are no access restrictions.","This collection is arranged into four series.","Series 1: World War II Era Items, 1942-1946 (Boxes 1-2)\n Series 2: Photographs, 1914-1998 (Boxes 3-10)\n Series 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16)\n Series 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-22)\n","Born August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942.\n\nAfter attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars.\n\nAfter returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.\n","Processed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017.","Special Collections Research Center holds other collections that document World War II and postwar United States history, including the   and the  .","The collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection is arranged into four series:\n","Series 1: World War II Era Items (1942-1946) includes photographs, maps, identification papers, travel books, and numerous letters.\n","Series 2: Photographs (1914-1998) includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment.\n","Series 3: Scrapbooks and Slides (1940-1954) includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items.\n","Series 4: Epstein Family Items (1877-1895, 1915-2002) includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.\n","There are no restrictions on personal use. Permission to publish material from the Jerome Epstein papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.","George Mason University.  Libraries.   Special Collections Research Center.","Epstein, Jerome, 1925-2002","English\n\t\t"],"unitid_tesim":["C0262"],"normalized_title_ssm":["Jerome Epstein papers"],"collection_title_tesim":["Jerome Epstein papers"],"collection_ssim":["Jerome Epstein papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Epstein, Jerome, 1925-2002"],"creator_ssim":["Epstein, Jerome, 1925-2002"],"creator_persname_ssim":["Epstein, Jerome, 1925-2002"],"creators_ssim":["Epstein, Jerome, 1925-2002"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Jerome Epstein papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by L. Claire Kincannon in 2015."],"access_subjects_ssim":["Letters.","Photographs.","Scrapbooks.","World War, 1939-1945.","Correspondence.","Negatives.","Newspapers.","Photographs.","Slides."],"access_subjects_ssm":["Letters.","Photographs.","Scrapbooks.","World War, 1939-1945.","Correspondence.","Negatives.","Newspapers.","Photographs.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["8.0 linear ft."],"extent_tesim":["8.0 linear ft."],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: World War II Era Items, 1942-1946 (Boxes 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1914-1998 (Boxes 3-10)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-22)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series.","Series 1: World War II Era Items, 1942-1946 (Boxes 1-2)\n Series 2: Photographs, 1914-1998 (Boxes 3-10)\n Series 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16)\n Series 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-22)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942.\n\nAfter attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars.\n\nAfter returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942.\n\nAfter attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars.\n\nAfter returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.\n"],"prefercite_html_tesm":["\u003cp\u003eJerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds other collections that document World War II and postwar United States history, including the \u003cextptr type=\"simple\" show=\"new\" title=\"Leonard H. Clark military history collection\" href=\"http://sca.gmu.edu/finding_aids/clark.html\"\u003e\u003c/extptr\u003e and the \u003cextptr type=\"simple\" show=\"new\" title=\"Mary Elsie Fox photograph collection\" href=\"http://sca.gmu.edu/finding_aids/fox.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds other collections that document World War II and postwar United States history, including the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. 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Permission to publish material from the Jerome Epstein papers must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Jerome Epstein papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref3\" label=\"Abstract\"\u003eThe collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002."],"names_ssim":["George Mason University.  Libraries.   Special Collections Research Center.","Epstein, Jerome, 1925-2002"],"corpname_ssim":["George Mason University.  Libraries.   Special Collections Research Center."],"persname_ssim":["Epstein, Jerome, 1925-2002"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T01:00:28.285Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_epstein","ead_ssi":"vifgm_epstein","_root_":"vifgm_epstein","_nest_parent_":"vifgm_epstein","ead_source_url_ssi":"data/gmu/epstein.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/epstein.html","title_ssm":["Jerome Epstein papers"],"title_tesim":["Jerome Epstein papers"],"unitdate_ssm":["1877-1895, 1915-2002"],"unitdate_inclusive_ssm":["1877-1895, 1915-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0262"],"text":["C0262","Jerome Epstein papers","Letters.","Photographs.","Scrapbooks.","World War, 1939-1945.","Correspondence.","Negatives.","Newspapers.","Photographs.","Slides.","There are no access restrictions.","This collection is arranged into four series.","Series 1: World War II Era Items, 1942-1946 (Boxes 1-2)\n Series 2: Photographs, 1914-1998 (Boxes 3-10)\n Series 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16)\n Series 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-22)\n","Born August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942.\n\nAfter attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. 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Permission to publish material from the Jerome Epstein papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.","George Mason University.  Libraries.   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Claire Kincannon in 2015."],"access_subjects_ssim":["Letters.","Photographs.","Scrapbooks.","World War, 1939-1945.","Correspondence.","Negatives.","Newspapers.","Photographs.","Slides."],"access_subjects_ssm":["Letters.","Photographs.","Scrapbooks.","World War, 1939-1945.","Correspondence.","Negatives.","Newspapers.","Photographs.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["8.0 linear ft."],"extent_tesim":["8.0 linear ft."],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: World War II Era Items, 1942-1946 (Boxes 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Photographs, 1914-1998 (Boxes 3-10)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-22)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series.","Series 1: World War II Era Items, 1942-1946 (Boxes 1-2)\n Series 2: Photographs, 1914-1998 (Boxes 3-10)\n Series 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16)\n Series 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-22)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942.\n\nAfter attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. 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He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars.\n\nAfter returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.\n"],"prefercite_html_tesm":["\u003cp\u003eJerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds other collections that document World War II and postwar United States history, including the \u003cextptr type=\"simple\" show=\"new\" title=\"Leonard H. Clark military history collection\" href=\"http://sca.gmu.edu/finding_aids/clark.html\"\u003e\u003c/extptr\u003e and the \u003cextptr type=\"simple\" show=\"new\" title=\"Mary Elsie Fox photograph collection\" href=\"http://sca.gmu.edu/finding_aids/fox.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds other collections that document World War II and postwar United States history, including the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. 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Special Collections Research Center."],"persname_ssim":["Epstein, Jerome, 1925-2002"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T01:00:28.285Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_epstein"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":14},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives.\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Negatives.\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Abraham Anson papers","value":"Abraham Anson papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives.\u0026f%5Bcollection%5D%5B%5D=Abraham+Anson+papers\u0026view=compact"}},{"attributes":{"label":"Alexander Haight family collection","value":"Alexander Haight family collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives.\u0026f%5Bcollection%5D%5B%5D=Alexander+Haight+family+collection\u0026view=compact"}},{"attributes":{"label":"Arthur E. 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