{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives+%28photographs%29\u0026f%5Bdate_range%5D%5B%5D=1934\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives+%28photographs%29\u0026f%5Bdate_range%5D%5B%5D=1934\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"vihart_repositories_4_resources_636","type":"collection","attributes":{"title":"Daisy Bacon Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636#creator","type":"document_value","attributes":{"value":"Bacon, Daisy, 1898-1986","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636#abstract_or_scope","type":"document_value","attributes":{"value":"The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cem\u003eLove Story Magazine\u003c/em\u003e. The papers of select immediate and extended family members are also included in this collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. The digital files can be made available to researchers.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Series 1: Diaries and Journals, 1899-1982, includes diaries kept by Jessie Holbrook Bacon Ford, Esther Joa Ford Robinson, and Daisy Bacon. Overall, the diary entries are typical in that they document weather, daily activities, visiting, and  illnesses. Jessie Bacon Ford's 1899 diary is unbound and comprises more than forty pages. In it Jessie writes about daily activities with frequent mentions of Daisy, who was an infant at the time. Jessie's diaries also include periodic mentions of having \"lonely days.\" Daisy chronicles her work on  Love Story Writier  and also frequently mentions dreams. Evidence of Daisy's alleged suicide attempts and overall mental health can be found in both Esther and Daisy's diary entries. A more detailed analysis of Daisy's mental health is discussed in Laurie Powers's  Queen of the Pulps . Apart from her diaries, Daisy also frequently chronicled her dreams and kept several journals in which she summarized them.","Series 2: Scrapbooks and Ephemera, 1903-1976, comprises miscellaneous newspaper clippings, printed ephemera, published articles, and scrapbooks created and collected by Daisy Bacon, her sister Esther, and their mother Jessie. Some of the materials  document  Love Story  and Daisy's career as editor at Street \u0026 Smith. Many of the clippings were removed from diaries and organized by date and/or subject by Laurie Powers while writing  Queen of the Pulps . These groupings were retained and are organized within sub-folders in the larger folders of newspaper clippings. Scrapbooks of a more personal nature include poetry and astrological clippings.","Of interest are four scrapbooks containing  Love Story  covers between 1939 and 1947. Three lacquer (acetate) phonodiscs contain a radio interview conducted by George Atmond with Daisy Bacon and Clarke Robinson on June 13, 1941 on WNYC, a public radio station in New York City. The scripted interview was part of a series titled \"The Writer and Your Life\" which proclaimed to create a better understanding between the audience and writers. An aluminum phonodisc is also included. It has not been reformatted and there is no corresponding label to indicate the nature of its contents.","Series 3: Manuscripts and Publishing, 1929-1975, comprises manuscript drafts written chiefly by Daisy Bacon, but also include writings and publications created by Clarke Robinson and Jessie Bacon Ford. Additionally, correspondence and documents related to publishing contracts, sales, and copyright are included. Bacon's \"Women Among Men\" was published in  The New York Woman , Volume 1, Number 7, October 21, 1936. More detailed summaries of Daisy's manuscripts can be found in Laurie Powers's  Queen of the Pulps .","News items, articles, and promotional material relating to Daisy Bacon,  Love Story , and Street \u0026 Smith can be found in Series 2: Scrapbooks and Ephemera.","Series 4: Personal Papers and Correspondence, 1857-1975, comprises papers, documents, and personal correspondence largely unrelated to Daisy Bacon's work as the editor of  Love Story , though professional matters may be present in the materials in this series. Family papers include Elmer Bacon's divorce certificate with Carrie Thompson Bacon and his marriage certificate with Jessie Holbrook, letters of recommendation for George E. Ford, and a ledger for a mercantile or grocery that Elmer and Jessie Bacon operated in Westfield, New York.","Financial documents including Esther Robinson's check registers and receipts, legal documents concerning real estate, Daisy Bacon's passport, and a Certificate of Pedigree for Daisy's cat \"Collinsdale Janice\" are included.","Series 5: Photographs and Negatives, 1883-before March 25, 1986, primarily include Daisy Bacon, Henry Wise Miller, Esther Joa Ford Robinson, Clarke Robinson, Jessie Holbrook Bacon Ford, Elmer Bacon (post-mortem), and George Ford. Photographs include professional portraits, baby pictures, casual shots, and vacation destinations. Of interest is a photograph of Henry Wise Miller with Eleanor Roosevelt at a June 1940 dinner honoring those who worked for the Finnish Relief Fund. Daisy Bacon and Henry Wise Miller would freqently take photos of each other at the same location in a style described by Laurie Powers as \"twin photographs.\" Several examples of these pairs of photogaphs are included. Additonally, this series includes a group of photographs taken of Daisy Bacon by American photojournalist William Eugene Smith for an October 1942 article for Parade's Weekly. That issue and article can be found in Series 2: Scrapbooks and Ephemera. Daisy Bacon and Esther Joa Ford Robinson were both cat enthusiasts. Many photographs feature the sisters with cats or cats on their own. The photographs are largely undated so in many cases folder date ranges are approximate.","The box of photo negatives have only been minimally reviewed and have not been digitized. A portion of the negatives are represented as photographs within this series. A date range was applied that corresponds to the earliest known photograph of Daisy Bacon (ca. 1899) and Daisy's death date (March 25, 1986).","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. The digital files can be made available to researchers.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available","Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. The digital files can be made available to researchers."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e","\u003cp\u003eSeries 1: Diaries and Journals, 1899-1982, includes diaries kept by Jessie Holbrook Bacon Ford, Esther Joa Ford Robinson, and Daisy Bacon. Overall, the diary entries are typical in that they document weather, daily activities, visiting, and  illnesses. Jessie Bacon Ford's 1899 diary is unbound and comprises more than forty pages. In it Jessie writes about daily activities with frequent mentions of Daisy, who was an infant at the time. Jessie's diaries also include periodic mentions of having \"lonely days.\" Daisy chronicles her work on \u003cemph render=\"italic\"\u003eLove Story Writier\u003c/emph\u003e and also frequently mentions dreams. Evidence of Daisy's alleged suicide attempts and overall mental health can be found in both Esther and Daisy's diary entries. A more detailed analysis of Daisy's mental health is discussed in Laurie Powers's \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Apart from her diaries, Daisy also frequently chronicled her dreams and kept several journals in which she summarized them.\u003c/p\u003e","\u003cp\u003eSeries 2: Scrapbooks and Ephemera, 1903-1976, comprises miscellaneous newspaper clippings, printed ephemera, published articles, and scrapbooks created and collected by Daisy Bacon, her sister Esther, and their mother Jessie. Some of the materials  document \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and Daisy's career as editor at Street \u0026amp; Smith. Many of the clippings were removed from diaries and organized by date and/or subject by Laurie Powers while writing \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. These groupings were retained and are organized within sub-folders in the larger folders of newspaper clippings. Scrapbooks of a more personal nature include poetry and astrological clippings.\u003c/p\u003e\n","\u003cp\u003eOf interest are four scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers between 1939 and 1947. Three lacquer (acetate) phonodiscs contain a radio interview conducted by George Atmond with Daisy Bacon and Clarke Robinson on June 13, 1941 on WNYC, a public radio station in New York City. The scripted interview was part of a series titled \"The Writer and Your Life\" which proclaimed to create a better understanding between the audience and writers. An aluminum phonodisc is also included. It has not been reformatted and there is no corresponding label to indicate the nature of its contents.\u003c/p\u003e","\u003cp\u003eSeries 3: Manuscripts and Publishing, 1929-1975, comprises manuscript drafts written chiefly by Daisy Bacon, but also include writings and publications created by Clarke Robinson and Jessie Bacon Ford. Additionally, correspondence and documents related to publishing contracts, sales, and copyright are included. Bacon's \"Women Among Men\" was published in \u003cemph render=\"italic\"\u003eThe New York Woman\u003c/emph\u003e, Volume 1, Number 7, October 21, 1936. More detailed summaries of Daisy's manuscripts can be found in Laurie Powers's \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eNews items, articles, and promotional material relating to Daisy Bacon, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e, and Street \u0026amp; Smith can be found in Series 2: Scrapbooks and Ephemera.\u003c/p\u003e","\u003cp\u003eSeries 4: Personal Papers and Correspondence, 1857-1975, comprises papers, documents, and personal correspondence largely unrelated to Daisy Bacon's work as the editor of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e, though professional matters may be present in the materials in this series. Family papers include Elmer Bacon's divorce certificate with Carrie Thompson Bacon and his marriage certificate with Jessie Holbrook, letters of recommendation for George E. Ford, and a ledger for a mercantile or grocery that Elmer and Jessie Bacon operated in Westfield, New York.\u003c/p\u003e\n","\u003cp\u003eFinancial documents including Esther Robinson's check registers and receipts, legal documents concerning real estate, Daisy Bacon's passport, and a Certificate of Pedigree for Daisy's cat \"Collinsdale Janice\" are included.\u003c/p\u003e","\u003cp\u003eSeries 5: Photographs and Negatives, 1883-before March 25, 1986, primarily include Daisy Bacon, Henry Wise Miller, Esther Joa Ford Robinson, Clarke Robinson, Jessie Holbrook Bacon Ford, Elmer Bacon (post-mortem), and George Ford. Photographs include professional portraits, baby pictures, casual shots, and vacation destinations. Of interest is a photograph of Henry Wise Miller with Eleanor Roosevelt at a June 1940 dinner honoring those who worked for the Finnish Relief Fund. Daisy Bacon and Henry Wise Miller would freqently take photos of each other at the same location in a style described by Laurie Powers as \"twin photographs.\" Several examples of these pairs of photogaphs are included. Additonally, this series includes a group of photographs taken of Daisy Bacon by American photojournalist William Eugene Smith for an October 1942 article for Parade's Weekly. That issue and article can be found in Series 2: Scrapbooks and Ephemera. Daisy Bacon and Esther Joa Ford Robinson were both cat enthusiasts. Many photographs feature the sisters with cats or cats on their own. The photographs are largely undated so in many cases folder date ranges are approximate.\u003c/p\u003e\n","\u003cp\u003eThe box of photo negatives have only been minimally reviewed and have not been digitized. A portion of the negatives are represented as photographs within this series. A date range was applied that corresponds to the earliest known photograph of Daisy Bacon (ca. 1899) and Daisy's death date (March 25, 1986).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Series 1: Diaries and Journals, 1899-1982, includes diaries kept by Jessie Holbrook Bacon Ford, Esther Joa Ford Robinson, and Daisy Bacon. Overall, the diary entries are typical in that they document weather, daily activities, visiting, and  illnesses. Jessie Bacon Ford's 1899 diary is unbound and comprises more than forty pages. In it Jessie writes about daily activities with frequent mentions of Daisy, who was an infant at the time. Jessie's diaries also include periodic mentions of having \"lonely days.\" Daisy chronicles her work on  Love Story Writier  and also frequently mentions dreams. Evidence of Daisy's alleged suicide attempts and overall mental health can be found in both Esther and Daisy's diary entries. A more detailed analysis of Daisy's mental health is discussed in Laurie Powers's  Queen of the Pulps . Apart from her diaries, Daisy also frequently chronicled her dreams and kept several journals in which she summarized them.","Series 2: Scrapbooks and Ephemera, 1903-1976, comprises miscellaneous newspaper clippings, printed ephemera, published articles, and scrapbooks created and collected by Daisy Bacon, her sister Esther, and their mother Jessie. Some of the materials  document  Love Story  and Daisy's career as editor at Street \u0026 Smith. Many of the clippings were removed from diaries and organized by date and/or subject by Laurie Powers while writing  Queen of the Pulps . These groupings were retained and are organized within sub-folders in the larger folders of newspaper clippings. Scrapbooks of a more personal nature include poetry and astrological clippings.","Of interest are four scrapbooks containing  Love Story  covers between 1939 and 1947. Three lacquer (acetate) phonodiscs contain a radio interview conducted by George Atmond with Daisy Bacon and Clarke Robinson on June 13, 1941 on WNYC, a public radio station in New York City. The scripted interview was part of a series titled \"The Writer and Your Life\" which proclaimed to create a better understanding between the audience and writers. An aluminum phonodisc is also included. It has not been reformatted and there is no corresponding label to indicate the nature of its contents.","Series 3: Manuscripts and Publishing, 1929-1975, comprises manuscript drafts written chiefly by Daisy Bacon, but also include writings and publications created by Clarke Robinson and Jessie Bacon Ford. Additionally, correspondence and documents related to publishing contracts, sales, and copyright are included. Bacon's \"Women Among Men\" was published in  The New York Woman , Volume 1, Number 7, October 21, 1936. More detailed summaries of Daisy's manuscripts can be found in Laurie Powers's  Queen of the Pulps .","News items, articles, and promotional material relating to Daisy Bacon,  Love Story , and Street \u0026 Smith can be found in Series 2: Scrapbooks and Ephemera.","Series 4: Personal Papers and Correspondence, 1857-1975, comprises papers, documents, and personal correspondence largely unrelated to Daisy Bacon's work as the editor of  Love Story , though professional matters may be present in the materials in this series. Family papers include Elmer Bacon's divorce certificate with Carrie Thompson Bacon and his marriage certificate with Jessie Holbrook, letters of recommendation for George E. Ford, and a ledger for a mercantile or grocery that Elmer and Jessie Bacon operated in Westfield, New York.","Financial documents including Esther Robinson's check registers and receipts, legal documents concerning real estate, Daisy Bacon's passport, and a Certificate of Pedigree for Daisy's cat \"Collinsdale Janice\" are included.","Series 5: Photographs and Negatives, 1883-before March 25, 1986, primarily include Daisy Bacon, Henry Wise Miller, Esther Joa Ford Robinson, Clarke Robinson, Jessie Holbrook Bacon Ford, Elmer Bacon (post-mortem), and George Ford. Photographs include professional portraits, baby pictures, casual shots, and vacation destinations. Of interest is a photograph of Henry Wise Miller with Eleanor Roosevelt at a June 1940 dinner honoring those who worked for the Finnish Relief Fund. Daisy Bacon and Henry Wise Miller would freqently take photos of each other at the same location in a style described by Laurie Powers as \"twin photographs.\" Several examples of these pairs of photogaphs are included. Additonally, this series includes a group of photographs taken of Daisy Bacon by American photojournalist William Eugene Smith for an October 1942 article for Parade's Weekly. That issue and article can be found in Series 2: Scrapbooks and Ephemera. Daisy Bacon and Esther Joa Ford Robinson were both cat enthusiasts. Many photographs feature the sisters with cats or cats on their own. The photographs are largely undated so in many cases folder date ranges are approximate.","The box of photo negatives have only been minimally reviewed and have not been digitized. A portion of the negatives are represented as photographs within this series. A date range was applied that corresponds to the earliest known photograph of Daisy Bacon (ca. 1899) and Daisy's death date (March 25, 1986)."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:20:27.499Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. The digital files can be made available to researchers.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Series 1: Diaries and Journals, 1899-1982, includes diaries kept by Jessie Holbrook Bacon Ford, Esther Joa Ford Robinson, and Daisy Bacon. Overall, the diary entries are typical in that they document weather, daily activities, visiting, and  illnesses. Jessie Bacon Ford's 1899 diary is unbound and comprises more than forty pages. In it Jessie writes about daily activities with frequent mentions of Daisy, who was an infant at the time. Jessie's diaries also include periodic mentions of having \"lonely days.\" Daisy chronicles her work on  Love Story Writier  and also frequently mentions dreams. Evidence of Daisy's alleged suicide attempts and overall mental health can be found in both Esther and Daisy's diary entries. A more detailed analysis of Daisy's mental health is discussed in Laurie Powers's  Queen of the Pulps . Apart from her diaries, Daisy also frequently chronicled her dreams and kept several journals in which she summarized them.","Series 2: Scrapbooks and Ephemera, 1903-1976, comprises miscellaneous newspaper clippings, printed ephemera, published articles, and scrapbooks created and collected by Daisy Bacon, her sister Esther, and their mother Jessie. Some of the materials  document  Love Story  and Daisy's career as editor at Street \u0026 Smith. Many of the clippings were removed from diaries and organized by date and/or subject by Laurie Powers while writing  Queen of the Pulps . These groupings were retained and are organized within sub-folders in the larger folders of newspaper clippings. Scrapbooks of a more personal nature include poetry and astrological clippings.","Of interest are four scrapbooks containing  Love Story  covers between 1939 and 1947. Three lacquer (acetate) phonodiscs contain a radio interview conducted by George Atmond with Daisy Bacon and Clarke Robinson on June 13, 1941 on WNYC, a public radio station in New York City. The scripted interview was part of a series titled \"The Writer and Your Life\" which proclaimed to create a better understanding between the audience and writers. An aluminum phonodisc is also included. It has not been reformatted and there is no corresponding label to indicate the nature of its contents.","Series 3: Manuscripts and Publishing, 1929-1975, comprises manuscript drafts written chiefly by Daisy Bacon, but also include writings and publications created by Clarke Robinson and Jessie Bacon Ford. Additionally, correspondence and documents related to publishing contracts, sales, and copyright are included. Bacon's \"Women Among Men\" was published in  The New York Woman , Volume 1, Number 7, October 21, 1936. More detailed summaries of Daisy's manuscripts can be found in Laurie Powers's  Queen of the Pulps .","News items, articles, and promotional material relating to Daisy Bacon,  Love Story , and Street \u0026 Smith can be found in Series 2: Scrapbooks and Ephemera.","Series 4: Personal Papers and Correspondence, 1857-1975, comprises papers, documents, and personal correspondence largely unrelated to Daisy Bacon's work as the editor of  Love Story , though professional matters may be present in the materials in this series. Family papers include Elmer Bacon's divorce certificate with Carrie Thompson Bacon and his marriage certificate with Jessie Holbrook, letters of recommendation for George E. Ford, and a ledger for a mercantile or grocery that Elmer and Jessie Bacon operated in Westfield, New York.","Financial documents including Esther Robinson's check registers and receipts, legal documents concerning real estate, Daisy Bacon's passport, and a Certificate of Pedigree for Daisy's cat \"Collinsdale Janice\" are included.","Series 5: Photographs and Negatives, 1883-before March 25, 1986, primarily include Daisy Bacon, Henry Wise Miller, Esther Joa Ford Robinson, Clarke Robinson, Jessie Holbrook Bacon Ford, Elmer Bacon (post-mortem), and George Ford. Photographs include professional portraits, baby pictures, casual shots, and vacation destinations. Of interest is a photograph of Henry Wise Miller with Eleanor Roosevelt at a June 1940 dinner honoring those who worked for the Finnish Relief Fund. Daisy Bacon and Henry Wise Miller would freqently take photos of each other at the same location in a style described by Laurie Powers as \"twin photographs.\" Several examples of these pairs of photogaphs are included. Additonally, this series includes a group of photographs taken of Daisy Bacon by American photojournalist William Eugene Smith for an October 1942 article for Parade's Weekly. That issue and article can be found in Series 2: Scrapbooks and Ephemera. Daisy Bacon and Esther Joa Ford Robinson were both cat enthusiasts. Many photographs feature the sisters with cats or cats on their own. The photographs are largely undated so in many cases folder date ranges are approximate.","The box of photo negatives have only been minimally reviewed and have not been digitized. A portion of the negatives are represented as photographs within this series. A date range was applied that corresponds to the earliest known photograph of Daisy Bacon (ca. 1899) and Daisy's death date (March 25, 1986).","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. The digital files can be made available to researchers.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available","Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. The digital files can be made available to researchers."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e","\u003cp\u003eSeries 1: Diaries and Journals, 1899-1982, includes diaries kept by Jessie Holbrook Bacon Ford, Esther Joa Ford Robinson, and Daisy Bacon. Overall, the diary entries are typical in that they document weather, daily activities, visiting, and  illnesses. Jessie Bacon Ford's 1899 diary is unbound and comprises more than forty pages. In it Jessie writes about daily activities with frequent mentions of Daisy, who was an infant at the time. Jessie's diaries also include periodic mentions of having \"lonely days.\" Daisy chronicles her work on \u003cemph render=\"italic\"\u003eLove Story Writier\u003c/emph\u003e and also frequently mentions dreams. Evidence of Daisy's alleged suicide attempts and overall mental health can be found in both Esther and Daisy's diary entries. A more detailed analysis of Daisy's mental health is discussed in Laurie Powers's \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Apart from her diaries, Daisy also frequently chronicled her dreams and kept several journals in which she summarized them.\u003c/p\u003e","\u003cp\u003eSeries 2: Scrapbooks and Ephemera, 1903-1976, comprises miscellaneous newspaper clippings, printed ephemera, published articles, and scrapbooks created and collected by Daisy Bacon, her sister Esther, and their mother Jessie. Some of the materials  document \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and Daisy's career as editor at Street \u0026amp; Smith. Many of the clippings were removed from diaries and organized by date and/or subject by Laurie Powers while writing \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. These groupings were retained and are organized within sub-folders in the larger folders of newspaper clippings. Scrapbooks of a more personal nature include poetry and astrological clippings.\u003c/p\u003e\n","\u003cp\u003eOf interest are four scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers between 1939 and 1947. Three lacquer (acetate) phonodiscs contain a radio interview conducted by George Atmond with Daisy Bacon and Clarke Robinson on June 13, 1941 on WNYC, a public radio station in New York City. The scripted interview was part of a series titled \"The Writer and Your Life\" which proclaimed to create a better understanding between the audience and writers. An aluminum phonodisc is also included. It has not been reformatted and there is no corresponding label to indicate the nature of its contents.\u003c/p\u003e","\u003cp\u003eSeries 3: Manuscripts and Publishing, 1929-1975, comprises manuscript drafts written chiefly by Daisy Bacon, but also include writings and publications created by Clarke Robinson and Jessie Bacon Ford. Additionally, correspondence and documents related to publishing contracts, sales, and copyright are included. Bacon's \"Women Among Men\" was published in \u003cemph render=\"italic\"\u003eThe New York Woman\u003c/emph\u003e, Volume 1, Number 7, October 21, 1936. More detailed summaries of Daisy's manuscripts can be found in Laurie Powers's \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eNews items, articles, and promotional material relating to Daisy Bacon, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e, and Street \u0026amp; Smith can be found in Series 2: Scrapbooks and Ephemera.\u003c/p\u003e","\u003cp\u003eSeries 4: Personal Papers and Correspondence, 1857-1975, comprises papers, documents, and personal correspondence largely unrelated to Daisy Bacon's work as the editor of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e, though professional matters may be present in the materials in this series. Family papers include Elmer Bacon's divorce certificate with Carrie Thompson Bacon and his marriage certificate with Jessie Holbrook, letters of recommendation for George E. Ford, and a ledger for a mercantile or grocery that Elmer and Jessie Bacon operated in Westfield, New York.\u003c/p\u003e\n","\u003cp\u003eFinancial documents including Esther Robinson's check registers and receipts, legal documents concerning real estate, Daisy Bacon's passport, and a Certificate of Pedigree for Daisy's cat \"Collinsdale Janice\" are included.\u003c/p\u003e","\u003cp\u003eSeries 5: Photographs and Negatives, 1883-before March 25, 1986, primarily include Daisy Bacon, Henry Wise Miller, Esther Joa Ford Robinson, Clarke Robinson, Jessie Holbrook Bacon Ford, Elmer Bacon (post-mortem), and George Ford. Photographs include professional portraits, baby pictures, casual shots, and vacation destinations. Of interest is a photograph of Henry Wise Miller with Eleanor Roosevelt at a June 1940 dinner honoring those who worked for the Finnish Relief Fund. Daisy Bacon and Henry Wise Miller would freqently take photos of each other at the same location in a style described by Laurie Powers as \"twin photographs.\" Several examples of these pairs of photogaphs are included. Additonally, this series includes a group of photographs taken of Daisy Bacon by American photojournalist William Eugene Smith for an October 1942 article for Parade's Weekly. That issue and article can be found in Series 2: Scrapbooks and Ephemera. Daisy Bacon and Esther Joa Ford Robinson were both cat enthusiasts. Many photographs feature the sisters with cats or cats on their own. The photographs are largely undated so in many cases folder date ranges are approximate.\u003c/p\u003e\n","\u003cp\u003eThe box of photo negatives have only been minimally reviewed and have not been digitized. A portion of the negatives are represented as photographs within this series. A date range was applied that corresponds to the earliest known photograph of Daisy Bacon (ca. 1899) and Daisy's death date (March 25, 1986).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Series 1: Diaries and Journals, 1899-1982, includes diaries kept by Jessie Holbrook Bacon Ford, Esther Joa Ford Robinson, and Daisy Bacon. Overall, the diary entries are typical in that they document weather, daily activities, visiting, and  illnesses. Jessie Bacon Ford's 1899 diary is unbound and comprises more than forty pages. In it Jessie writes about daily activities with frequent mentions of Daisy, who was an infant at the time. Jessie's diaries also include periodic mentions of having \"lonely days.\" Daisy chronicles her work on  Love Story Writier  and also frequently mentions dreams. Evidence of Daisy's alleged suicide attempts and overall mental health can be found in both Esther and Daisy's diary entries. A more detailed analysis of Daisy's mental health is discussed in Laurie Powers's  Queen of the Pulps . Apart from her diaries, Daisy also frequently chronicled her dreams and kept several journals in which she summarized them.","Series 2: Scrapbooks and Ephemera, 1903-1976, comprises miscellaneous newspaper clippings, printed ephemera, published articles, and scrapbooks created and collected by Daisy Bacon, her sister Esther, and their mother Jessie. Some of the materials  document  Love Story  and Daisy's career as editor at Street \u0026 Smith. Many of the clippings were removed from diaries and organized by date and/or subject by Laurie Powers while writing  Queen of the Pulps . These groupings were retained and are organized within sub-folders in the larger folders of newspaper clippings. Scrapbooks of a more personal nature include poetry and astrological clippings.","Of interest are four scrapbooks containing  Love Story  covers between 1939 and 1947. Three lacquer (acetate) phonodiscs contain a radio interview conducted by George Atmond with Daisy Bacon and Clarke Robinson on June 13, 1941 on WNYC, a public radio station in New York City. The scripted interview was part of a series titled \"The Writer and Your Life\" which proclaimed to create a better understanding between the audience and writers. An aluminum phonodisc is also included. It has not been reformatted and there is no corresponding label to indicate the nature of its contents.","Series 3: Manuscripts and Publishing, 1929-1975, comprises manuscript drafts written chiefly by Daisy Bacon, but also include writings and publications created by Clarke Robinson and Jessie Bacon Ford. Additionally, correspondence and documents related to publishing contracts, sales, and copyright are included. Bacon's \"Women Among Men\" was published in  The New York Woman , Volume 1, Number 7, October 21, 1936. More detailed summaries of Daisy's manuscripts can be found in Laurie Powers's  Queen of the Pulps .","News items, articles, and promotional material relating to Daisy Bacon,  Love Story , and Street \u0026 Smith can be found in Series 2: Scrapbooks and Ephemera.","Series 4: Personal Papers and Correspondence, 1857-1975, comprises papers, documents, and personal correspondence largely unrelated to Daisy Bacon's work as the editor of  Love Story , though professional matters may be present in the materials in this series. Family papers include Elmer Bacon's divorce certificate with Carrie Thompson Bacon and his marriage certificate with Jessie Holbrook, letters of recommendation for George E. Ford, and a ledger for a mercantile or grocery that Elmer and Jessie Bacon operated in Westfield, New York.","Financial documents including Esther Robinson's check registers and receipts, legal documents concerning real estate, Daisy Bacon's passport, and a Certificate of Pedigree for Daisy's cat \"Collinsdale Janice\" are included.","Series 5: Photographs and Negatives, 1883-before March 25, 1986, primarily include Daisy Bacon, Henry Wise Miller, Esther Joa Ford Robinson, Clarke Robinson, Jessie Holbrook Bacon Ford, Elmer Bacon (post-mortem), and George Ford. Photographs include professional portraits, baby pictures, casual shots, and vacation destinations. Of interest is a photograph of Henry Wise Miller with Eleanor Roosevelt at a June 1940 dinner honoring those who worked for the Finnish Relief Fund. Daisy Bacon and Henry Wise Miller would freqently take photos of each other at the same location in a style described by Laurie Powers as \"twin photographs.\" Several examples of these pairs of photogaphs are included. Additonally, this series includes a group of photographs taken of Daisy Bacon by American photojournalist William Eugene Smith for an October 1942 article for Parade's Weekly. That issue and article can be found in Series 2: Scrapbooks and Ephemera. Daisy Bacon and Esther Joa Ford Robinson were both cat enthusiasts. Many photographs feature the sisters with cats or cats on their own. The photographs are largely undated so in many cases folder date ranges are approximate.","The box of photo negatives have only been minimally reviewed and have not been digitized. A portion of the negatives are represented as photographs within this series. A date range was applied that corresponds to the earliest known photograph of Daisy Bacon (ca. 1899) and Daisy's death date (March 25, 1986)."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:20:27.499Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636"}},{"id":"vihart_repositories_4_resources_622","type":"collection","attributes":{"title":"James Madison University Historic Photographs","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_622#abstract_or_scope","type":"document_value","attributes":{"value":"The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_622#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_622","ead_ssi":"vihart_repositories_4_resources_622","_root_":"vihart_repositories_4_resources_622","_nest_parent_":"vihart_repositories_4_resources_622","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_622.xml","title_ssm":["James Madison University Historic Photographs"],"title_tesim":["James Madison University Historic Photographs"],"unitdate_ssm":["1909-circa 2000"],"unitdate_inclusive_ssm":["1909-circa 2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0051","/repositories/4/resources/622"],"text":["UA 0051","/repositories/4/resources/622","James Madison University Historic Photographs","Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/","Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.","The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized.","In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.","The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.","James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016","English"],"unitid_tesim":["UA 0051","/repositories/4/resources/622"],"normalized_title_ssm":["James Madison University Historic Photographs"],"collection_title_tesim":["James Madison University Historic Photographs"],"collection_ssim":["James Madison University Historic Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The photographs housed in this collection were contributed to Special Collections by individual donors, collected from JMU organizations and affiliates, or pulled from alumni collections by former Special Collections staff, from 1994-ca. 2007. Known donors include: Inez Roop, Bernice Catherine Jones, Charlotte Michael, Mrs. D. Patrick Snider, Mary Spitzer, Ethel Stevanus, Dr. Daniel McFarland, Craig Baugher, Fred Hilton, Jim Richardson, Milla Sue Wisecarver, and JMU Photography Services."],"access_subjects_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"access_subjects_ssm":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"has_online_content_ssim":["false"],"extent_ssm":["2.07 cubic feet 5 boxes, 1 flat file"],"extent_tesim":["2.07 cubic feet 5 boxes, 1 flat file"],"genreform_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eDigitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/"],"bioghist_html_tesm":["\u003cp\u003ePhotographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply."],"odd_html_tesm":["\u003cp\u003eThe photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.\u003c/p\u003e","\u003cp\u003eFour photographs have not been digitized.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University."],"processinfo_html_tesm":["\u003cp\u003eIn 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.\u003c/p\u003e","\u003cp\u003eIn 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.\u003c/p\u003e","\u003cp\u003eJMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu."],"scopecontent_html_tesm":["\u003cp\u003eThe James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.\u003c/p\u003e","\u003cp\u003eIncludes panoramic photographs of the student body.\u003c/p\u003e","\u003cp\u003eIncludes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_83e560e98fddf3237a4872324b030a30\"\u003eThe James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.\u003c/abstract\u003e"],"abstract_tesim":["The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000."],"names_coll_ssim":["State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History"],"names_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)"],"persname_ssim":["Jennings, Lillian Pegues, 1926-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:27:55.820Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_622","ead_ssi":"vihart_repositories_4_resources_622","_root_":"vihart_repositories_4_resources_622","_nest_parent_":"vihart_repositories_4_resources_622","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_622.xml","title_ssm":["James Madison University Historic Photographs"],"title_tesim":["James Madison University Historic Photographs"],"unitdate_ssm":["1909-circa 2000"],"unitdate_inclusive_ssm":["1909-circa 2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0051","/repositories/4/resources/622"],"text":["UA 0051","/repositories/4/resources/622","James Madison University Historic Photographs","Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/","Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.","The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized.","In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.","The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.","James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016","English"],"unitid_tesim":["UA 0051","/repositories/4/resources/622"],"normalized_title_ssm":["James Madison University Historic Photographs"],"collection_title_tesim":["James Madison University Historic Photographs"],"collection_ssim":["James Madison University Historic Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The photographs housed in this collection were contributed to Special Collections by individual donors, collected from JMU organizations and affiliates, or pulled from alumni collections by former Special Collections staff, from 1994-ca. 2007. Known donors include: Inez Roop, Bernice Catherine Jones, Charlotte Michael, Mrs. D. Patrick Snider, Mary Spitzer, Ethel Stevanus, Dr. Daniel McFarland, Craig Baugher, Fred Hilton, Jim Richardson, Milla Sue Wisecarver, and JMU Photography Services."],"access_subjects_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"access_subjects_ssm":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"has_online_content_ssim":["false"],"extent_ssm":["2.07 cubic feet 5 boxes, 1 flat file"],"extent_tesim":["2.07 cubic feet 5 boxes, 1 flat file"],"genreform_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eDigitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/"],"bioghist_html_tesm":["\u003cp\u003ePhotographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply."],"odd_html_tesm":["\u003cp\u003eThe photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.\u003c/p\u003e","\u003cp\u003eFour photographs have not been digitized.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University."],"processinfo_html_tesm":["\u003cp\u003eIn 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.\u003c/p\u003e","\u003cp\u003eIn 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.\u003c/p\u003e","\u003cp\u003eJMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu."],"scopecontent_html_tesm":["\u003cp\u003eThe James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.\u003c/p\u003e","\u003cp\u003eIncludes panoramic photographs of the student body.\u003c/p\u003e","\u003cp\u003eIncludes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_83e560e98fddf3237a4872324b030a30\"\u003eThe James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.\u003c/abstract\u003e"],"abstract_tesim":["The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000."],"names_coll_ssim":["State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History"],"names_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)"],"persname_ssim":["Jennings, Lillian Pegues, 1926-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:27:55.820Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_622"}},{"id":"vihart_repositories_4_resources_634","type":"collection","attributes":{"title":"Massanutten Hatchery Photographs","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_634#creator","type":"document_value","attributes":{"value":"Massanutten Hatchery","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_634#abstract_or_scope","type":"document_value","attributes":{"value":"The Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_634#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_634","ead_ssi":"vihart_repositories_4_resources_634","_root_":"vihart_repositories_4_resources_634","_nest_parent_":"vihart_repositories_4_resources_634","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_634.xml","title_ssm":["Massanutten Hatchery Photographs"],"title_tesim":["Massanutten Hatchery Photographs"],"unitdate_ssm":["1934-1948"],"unitdate_inclusive_ssm":["1934-1948"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0300","/repositories/4/resources/634"],"text":["SC 0300","/repositories/4/resources/634","Massanutten Hatchery Photographs","Harrisonburg (Va.) -- History","Chickens -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Shenandoah River Valley (Va. and W. Va.)","Poultry industry -- Virginia -- Harrisonburg","Agriculture -- Economic aspects","Photographs","Negatives (photographs)","Sales catalogs","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","The photographs were received in no particular order. The photographs of chickens are mostly arranged according to breed and style of photograph. No attempt was made by the archivist to distinguish between photographs of New Hampshire Reds and Rhode Island Reds. All photographs documenting what appears to be a red variety of chicken are grouped together. The collection is further arranged chronologically.","Harrisonburg Chamber of Commerce. Harrisonburg, Virginia: A General Industrial Survey. Harrisonburg, VA: The Garrison Press, 1926.","Laura Cochran and Lindsay Marti, \"Enrollment levels after four year rise,\" The Breeze, November 5, 2001.","Amber Logsdon, \"With new Home Comes Reflections On Past Performance Spaces,\" The Breeze, April 22, 2010.","\"New Firm Takes Over Hatchery,\" Daily News-Record, July 20, 1953.","Obituary for Gilbert R. Spitzer, Daily News-Record, August 1, 1935.","Obituary for C. B. Williamson, Daily News-Record, February 5, 1958.","Massanutten Hatchery, Inc., variously known as Massanutten Farms Hatchery, was formed in 1923 by C. B. Williamson (1880-1958), former superintendent of the Chesapeake Western Railway, and Gilbert Spitzer (1886-1935). The chicken hatchery was located at 1020 S. Main Street in Harrisonburg. The hatchery also operated a breeding farm in McGaheysville, Virginia. ","With a capacity of more than 200,000 chicks, Massanutten Hatchery was widely recognized as the largest commercial hatchery in the south. They specialized in White Leghorns, Rhode Island Reds, New Hampshire Reds, and Barred Rocks. At some point, the hatchery transitioned to include turkeys.","In 1953, Harold W. Clark, a Pennsylvania businessman with experience in poultry husbandry, purchased the hatchery from C. B. Williamson and Bessie Baker, Gilbert Spitzer's widow. Charles W. Wampler (1885-1976) became president of the hatchery in 1956. Massanutten Hatchery, Inc. is last listed in the 1970 Harrisonburg city directory. At that time, Charles W. Wampler was listed as its president, Marion I. Eberly as its vice president, and William D. Wampler as its secretary/treasurer.","During the 1970s, James Madison University acquired the hatchery building and renovated it into an experimental theatre space - Wampler Experimental Theatre/Wampler  Building. The building was also known as Theatre II and housed JMU's School of Theatre and Dance administrative and faculty offices and classrooms. ","The hatchery building was razed in the summer of 2010. As of 2020, a JMU parking lot (K Lot), a FedEx Office, and JMU Print Services occupy the former approximate location of Massanutten Hatchery.","The photographs exhibited curling when received by Special Collections. The panoramic photograph of Massanutten Hatchery was humidified,  flattened, and housed in a mylar sleeve. The other photographs were flattened under weight for a period of time.","Aerial photographs of Massanutten Hatchery, Hoyle Garber Collection, Mt. Jackson Museum.","Harrisonburg Historic Map Collection 1873-1982 (bulk 1903-1956), SC 0050, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","The Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.","The photographs document the breeds of chickens (and chicks) available through the hatchery, specifically White Leghorns, Barred Rocks, and  New Hampshire Reds and/or Rhode Island Reds. Over the course of its business, the hatchery had both variety of Reds available. As the photographs are all black-and-white, it is difficult to determine which breed of Red is documented in each particular photograph. The chickens are photographed in their flocks, at the breeding farm in McGaheysville, in the hatchery in Harrisonburg, and in posed photographs usually featuring only one chicken in profile. Interior shots of the hatchery primarily document chickens, but a selection include workers and equipment. Photographs of the hatchery's exterior are included. ","Many of the photographs include captions, notations, or specifications for cropping or other edits to be made for publication. Photographers, as identified by stamps on the back of photographs, include Lee Studio (Harrisonburg), Dean-Kaylor Studio (Harrisonburg), and Gitchell's Studio (Harrisonburg).","Four catalogs document the hatchery's marketing and sales techniques and include comparable photographs to the originals found in the collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.","James Madison University Libraries Special Collections","Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)","English"],"unitid_tesim":["SC 0300","/repositories/4/resources/634"],"normalized_title_ssm":["Massanutten Hatchery Photographs"],"collection_title_tesim":["Massanutten Hatchery Photographs"],"collection_ssim":["Massanutten Hatchery Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"creator_ssim":["Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"creator_corpname_ssim":["Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"creators_ssim":["Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Acquired from Tim Abbott Americana in November 2019."],"access_subjects_ssim":["Chickens -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Shenandoah River Valley (Va. and W. Va.)","Poultry industry -- Virginia -- Harrisonburg","Agriculture -- Economic aspects","Photographs","Negatives (photographs)","Sales catalogs"],"access_subjects_ssm":["Chickens -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Shenandoah River Valley (Va. and W. Va.)","Poultry industry -- Virginia -- Harrisonburg","Agriculture -- Economic aspects","Photographs","Negatives (photographs)","Sales catalogs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 cubic feet 1 box"],"extent_tesim":["0.2 cubic feet 1 box"],"genreform_ssim":["Photographs","Negatives (photographs)","Sales catalogs"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe photographs were received in no particular order. The photographs of chickens are mostly arranged according to breed and style of photograph. No attempt was made by the archivist to distinguish between photographs of New Hampshire Reds and Rhode Island Reds. All photographs documenting what appears to be a red variety of chicken are grouped together. The collection is further arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The photographs were received in no particular order. The photographs of chickens are mostly arranged according to breed and style of photograph. No attempt was made by the archivist to distinguish between photographs of New Hampshire Reds and Rhode Island Reds. All photographs documenting what appears to be a red variety of chicken are grouped together. The collection is further arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eHarrisonburg Chamber of Commerce. Harrisonburg, Virginia: A General Industrial Survey. Harrisonburg, VA: The Garrison Press, 1926.\u003c/bibref\u003e","\u003cbibref\u003eLaura Cochran and Lindsay Marti, \"Enrollment levels after four year rise,\" The Breeze, November 5, 2001.\u003c/bibref\u003e","\u003cbibref\u003eAmber Logsdon, \"With new Home Comes Reflections On Past Performance Spaces,\" The Breeze, April 22, 2010.\u003c/bibref\u003e","\u003cbibref\u003e\"New Firm Takes Over Hatchery,\" Daily News-Record, July 20, 1953.\u003c/bibref\u003e","\u003cbibref\u003eObituary for Gilbert R. Spitzer, Daily News-Record, August 1, 1935.\u003c/bibref\u003e","\u003cbibref\u003eObituary for C. B. Williamson, Daily News-Record, February 5, 1958.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Harrisonburg Chamber of Commerce. Harrisonburg, Virginia: A General Industrial Survey. Harrisonburg, VA: The Garrison Press, 1926.","Laura Cochran and Lindsay Marti, \"Enrollment levels after four year rise,\" The Breeze, November 5, 2001.","Amber Logsdon, \"With new Home Comes Reflections On Past Performance Spaces,\" The Breeze, April 22, 2010.","\"New Firm Takes Over Hatchery,\" Daily News-Record, July 20, 1953.","Obituary for Gilbert R. Spitzer, Daily News-Record, August 1, 1935.","Obituary for C. B. Williamson, Daily News-Record, February 5, 1958."],"bioghist_html_tesm":["\u003cp\u003eMassanutten Hatchery, Inc., variously known as Massanutten Farms Hatchery, was formed in 1923 by C. B. Williamson (1880-1958), former superintendent of the Chesapeake Western Railway, and Gilbert Spitzer (1886-1935). The chicken hatchery was located at 1020 S. Main Street in Harrisonburg. The hatchery also operated a breeding farm in McGaheysville, Virginia. \u003c/p\u003e\n","\u003cp\u003eWith a capacity of more than 200,000 chicks, Massanutten Hatchery was widely recognized as the largest commercial hatchery in the south. They specialized in White Leghorns, Rhode Island Reds, New Hampshire Reds, and Barred Rocks. At some point, the hatchery transitioned to include turkeys.\u003c/p\u003e\n","\u003cp\u003eIn 1953, Harold W. Clark, a Pennsylvania businessman with experience in poultry husbandry, purchased the hatchery from C. B. Williamson and Bessie Baker, Gilbert Spitzer's widow. Charles W. Wampler (1885-1976) became president of the hatchery in 1956. Massanutten Hatchery, Inc. is last listed in the 1970 Harrisonburg city directory. At that time, Charles W. Wampler was listed as its president, Marion I. Eberly as its vice president, and William D. Wampler as its secretary/treasurer.\u003c/p\u003e\n","\u003cp\u003eDuring the 1970s, James Madison University acquired the hatchery building and renovated it into an experimental theatre space - Wampler Experimental Theatre/Wampler  Building. The building was also known as Theatre II and housed JMU's School of Theatre and Dance administrative and faculty offices and classrooms. \u003c/p\u003e\n","\u003cp\u003eThe hatchery building was razed in the summer of 2010. As of 2020, a JMU parking lot (K Lot), a FedEx Office, and JMU Print Services occupy the former approximate location of Massanutten Hatchery.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Massanutten Hatchery, Inc., variously known as Massanutten Farms Hatchery, was formed in 1923 by C. B. Williamson (1880-1958), former superintendent of the Chesapeake Western Railway, and Gilbert Spitzer (1886-1935). The chicken hatchery was located at 1020 S. Main Street in Harrisonburg. The hatchery also operated a breeding farm in McGaheysville, Virginia. ","With a capacity of more than 200,000 chicks, Massanutten Hatchery was widely recognized as the largest commercial hatchery in the south. They specialized in White Leghorns, Rhode Island Reds, New Hampshire Reds, and Barred Rocks. At some point, the hatchery transitioned to include turkeys.","In 1953, Harold W. Clark, a Pennsylvania businessman with experience in poultry husbandry, purchased the hatchery from C. B. Williamson and Bessie Baker, Gilbert Spitzer's widow. Charles W. Wampler (1885-1976) became president of the hatchery in 1956. Massanutten Hatchery, Inc. is last listed in the 1970 Harrisonburg city directory. At that time, Charles W. Wampler was listed as its president, Marion I. Eberly as its vice president, and William D. Wampler as its secretary/treasurer.","During the 1970s, James Madison University acquired the hatchery building and renovated it into an experimental theatre space - Wampler Experimental Theatre/Wampler  Building. The building was also known as Theatre II and housed JMU's School of Theatre and Dance administrative and faculty offices and classrooms. ","The hatchery building was razed in the summer of 2010. As of 2020, a JMU parking lot (K Lot), a FedEx Office, and JMU Print Services occupy the former approximate location of Massanutten Hatchery."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Massanutten Hatchery Photographs, 1934-1948, SC 0300, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Massanutten Hatchery Photographs, 1934-1948, SC 0300, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe photographs exhibited curling when received by Special Collections. The panoramic photograph of Massanutten Hatchery was humidified,  flattened, and housed in a mylar sleeve. The other photographs were flattened under weight for a period of time.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs exhibited curling when received by Special Collections. The panoramic photograph of Massanutten Hatchery was humidified,  flattened, and housed in a mylar sleeve. The other photographs were flattened under weight for a period of time."],"relatedmaterial_html_tesm":["\u003cp\u003eAerial photographs of Massanutten Hatchery, Hoyle Garber Collection, Mt. Jackson Museum.\u003c/p\u003e","\u003cp\u003eHarrisonburg Historic Map Collection 1873-1982 (bulk 1903-1956), SC 0050, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Aerial photographs of Massanutten Hatchery, Hoyle Garber Collection, Mt. Jackson Museum.","Harrisonburg Historic Map Collection 1873-1982 (bulk 1903-1956), SC 0050, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.\u003c/p\u003e\n","\u003cp\u003eThe photographs document the breeds of chickens (and chicks) available through the hatchery, specifically White Leghorns, Barred Rocks, and  New Hampshire Reds and/or Rhode Island Reds. Over the course of its business, the hatchery had both variety of Reds available. As the photographs are all black-and-white, it is difficult to determine which breed of Red is documented in each particular photograph. The chickens are photographed in their flocks, at the breeding farm in McGaheysville, in the hatchery in Harrisonburg, and in posed photographs usually featuring only one chicken in profile. Interior shots of the hatchery primarily document chickens, but a selection include workers and equipment. Photographs of the hatchery's exterior are included. \u003c/p\u003e\n","\u003cp\u003eMany of the photographs include captions, notations, or specifications for cropping or other edits to be made for publication. Photographers, as identified by stamps on the back of photographs, include Lee Studio (Harrisonburg), Dean-Kaylor Studio (Harrisonburg), and Gitchell's Studio (Harrisonburg).\u003c/p\u003e\n","\u003cp\u003eFour catalogs document the hatchery's marketing and sales techniques and include comparable photographs to the originals found in the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.","The photographs document the breeds of chickens (and chicks) available through the hatchery, specifically White Leghorns, Barred Rocks, and  New Hampshire Reds and/or Rhode Island Reds. Over the course of its business, the hatchery had both variety of Reds available. As the photographs are all black-and-white, it is difficult to determine which breed of Red is documented in each particular photograph. The chickens are photographed in their flocks, at the breeding farm in McGaheysville, in the hatchery in Harrisonburg, and in posed photographs usually featuring only one chicken in profile. Interior shots of the hatchery primarily document chickens, but a selection include workers and equipment. Photographs of the hatchery's exterior are included. ","Many of the photographs include captions, notations, or specifications for cropping or other edits to be made for publication. Photographers, as identified by stamps on the back of photographs, include Lee Studio (Harrisonburg), Dean-Kaylor Studio (Harrisonburg), and Gitchell's Studio (Harrisonburg).","Four catalogs document the hatchery's marketing and sales techniques and include comparable photographs to the originals found in the collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32efdf482b9885b1563f79f4f4d65479\"\u003eThe Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.\u003c/abstract\u003e"],"abstract_tesim":["The Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included."],"names_coll_ssim":["Tim Abbott Americana"],"names_ssim":["James Madison University Libraries Special Collections","Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"corpname_ssim":["James Madison University Libraries Special Collections","Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:17:59.176Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_634","ead_ssi":"vihart_repositories_4_resources_634","_root_":"vihart_repositories_4_resources_634","_nest_parent_":"vihart_repositories_4_resources_634","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_634.xml","title_ssm":["Massanutten Hatchery Photographs"],"title_tesim":["Massanutten Hatchery Photographs"],"unitdate_ssm":["1934-1948"],"unitdate_inclusive_ssm":["1934-1948"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0300","/repositories/4/resources/634"],"text":["SC 0300","/repositories/4/resources/634","Massanutten Hatchery Photographs","Harrisonburg (Va.) -- History","Chickens -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Shenandoah River Valley (Va. and W. Va.)","Poultry industry -- Virginia -- Harrisonburg","Agriculture -- Economic aspects","Photographs","Negatives (photographs)","Sales catalogs","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","The photographs were received in no particular order. The photographs of chickens are mostly arranged according to breed and style of photograph. No attempt was made by the archivist to distinguish between photographs of New Hampshire Reds and Rhode Island Reds. All photographs documenting what appears to be a red variety of chicken are grouped together. The collection is further arranged chronologically.","Harrisonburg Chamber of Commerce. Harrisonburg, Virginia: A General Industrial Survey. Harrisonburg, VA: The Garrison Press, 1926.","Laura Cochran and Lindsay Marti, \"Enrollment levels after four year rise,\" The Breeze, November 5, 2001.","Amber Logsdon, \"With new Home Comes Reflections On Past Performance Spaces,\" The Breeze, April 22, 2010.","\"New Firm Takes Over Hatchery,\" Daily News-Record, July 20, 1953.","Obituary for Gilbert R. Spitzer, Daily News-Record, August 1, 1935.","Obituary for C. B. Williamson, Daily News-Record, February 5, 1958.","Massanutten Hatchery, Inc., variously known as Massanutten Farms Hatchery, was formed in 1923 by C. B. Williamson (1880-1958), former superintendent of the Chesapeake Western Railway, and Gilbert Spitzer (1886-1935). The chicken hatchery was located at 1020 S. Main Street in Harrisonburg. The hatchery also operated a breeding farm in McGaheysville, Virginia. ","With a capacity of more than 200,000 chicks, Massanutten Hatchery was widely recognized as the largest commercial hatchery in the south. They specialized in White Leghorns, Rhode Island Reds, New Hampshire Reds, and Barred Rocks. At some point, the hatchery transitioned to include turkeys.","In 1953, Harold W. Clark, a Pennsylvania businessman with experience in poultry husbandry, purchased the hatchery from C. B. Williamson and Bessie Baker, Gilbert Spitzer's widow. Charles W. Wampler (1885-1976) became president of the hatchery in 1956. Massanutten Hatchery, Inc. is last listed in the 1970 Harrisonburg city directory. At that time, Charles W. Wampler was listed as its president, Marion I. Eberly as its vice president, and William D. Wampler as its secretary/treasurer.","During the 1970s, James Madison University acquired the hatchery building and renovated it into an experimental theatre space - Wampler Experimental Theatre/Wampler  Building. The building was also known as Theatre II and housed JMU's School of Theatre and Dance administrative and faculty offices and classrooms. ","The hatchery building was razed in the summer of 2010. As of 2020, a JMU parking lot (K Lot), a FedEx Office, and JMU Print Services occupy the former approximate location of Massanutten Hatchery.","The photographs exhibited curling when received by Special Collections. The panoramic photograph of Massanutten Hatchery was humidified,  flattened, and housed in a mylar sleeve. The other photographs were flattened under weight for a period of time.","Aerial photographs of Massanutten Hatchery, Hoyle Garber Collection, Mt. Jackson Museum.","Harrisonburg Historic Map Collection 1873-1982 (bulk 1903-1956), SC 0050, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","The Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.","The photographs document the breeds of chickens (and chicks) available through the hatchery, specifically White Leghorns, Barred Rocks, and  New Hampshire Reds and/or Rhode Island Reds. Over the course of its business, the hatchery had both variety of Reds available. As the photographs are all black-and-white, it is difficult to determine which breed of Red is documented in each particular photograph. The chickens are photographed in their flocks, at the breeding farm in McGaheysville, in the hatchery in Harrisonburg, and in posed photographs usually featuring only one chicken in profile. Interior shots of the hatchery primarily document chickens, but a selection include workers and equipment. Photographs of the hatchery's exterior are included. ","Many of the photographs include captions, notations, or specifications for cropping or other edits to be made for publication. Photographers, as identified by stamps on the back of photographs, include Lee Studio (Harrisonburg), Dean-Kaylor Studio (Harrisonburg), and Gitchell's Studio (Harrisonburg).","Four catalogs document the hatchery's marketing and sales techniques and include comparable photographs to the originals found in the collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.","James Madison University Libraries Special Collections","Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)","English"],"unitid_tesim":["SC 0300","/repositories/4/resources/634"],"normalized_title_ssm":["Massanutten Hatchery Photographs"],"collection_title_tesim":["Massanutten Hatchery Photographs"],"collection_ssim":["Massanutten Hatchery Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"creator_ssim":["Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"creator_corpname_ssim":["Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"creators_ssim":["Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Acquired from Tim Abbott Americana in November 2019."],"access_subjects_ssim":["Chickens -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Shenandoah River Valley (Va. and W. Va.)","Poultry industry -- Virginia -- Harrisonburg","Agriculture -- Economic aspects","Photographs","Negatives (photographs)","Sales catalogs"],"access_subjects_ssm":["Chickens -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Hatcheries -- Virginia -- Harrisonburg","Poultry -- Shenandoah River Valley (Va. and W. Va.)","Poultry industry -- Virginia -- Harrisonburg","Agriculture -- Economic aspects","Photographs","Negatives (photographs)","Sales catalogs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 cubic feet 1 box"],"extent_tesim":["0.2 cubic feet 1 box"],"genreform_ssim":["Photographs","Negatives (photographs)","Sales catalogs"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe photographs were received in no particular order. The photographs of chickens are mostly arranged according to breed and style of photograph. No attempt was made by the archivist to distinguish between photographs of New Hampshire Reds and Rhode Island Reds. All photographs documenting what appears to be a red variety of chicken are grouped together. The collection is further arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The photographs were received in no particular order. The photographs of chickens are mostly arranged according to breed and style of photograph. No attempt was made by the archivist to distinguish between photographs of New Hampshire Reds and Rhode Island Reds. All photographs documenting what appears to be a red variety of chicken are grouped together. The collection is further arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eHarrisonburg Chamber of Commerce. Harrisonburg, Virginia: A General Industrial Survey. Harrisonburg, VA: The Garrison Press, 1926.\u003c/bibref\u003e","\u003cbibref\u003eLaura Cochran and Lindsay Marti, \"Enrollment levels after four year rise,\" The Breeze, November 5, 2001.\u003c/bibref\u003e","\u003cbibref\u003eAmber Logsdon, \"With new Home Comes Reflections On Past Performance Spaces,\" The Breeze, April 22, 2010.\u003c/bibref\u003e","\u003cbibref\u003e\"New Firm Takes Over Hatchery,\" Daily News-Record, July 20, 1953.\u003c/bibref\u003e","\u003cbibref\u003eObituary for Gilbert R. Spitzer, Daily News-Record, August 1, 1935.\u003c/bibref\u003e","\u003cbibref\u003eObituary for C. B. Williamson, Daily News-Record, February 5, 1958.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Harrisonburg Chamber of Commerce. Harrisonburg, Virginia: A General Industrial Survey. Harrisonburg, VA: The Garrison Press, 1926.","Laura Cochran and Lindsay Marti, \"Enrollment levels after four year rise,\" The Breeze, November 5, 2001.","Amber Logsdon, \"With new Home Comes Reflections On Past Performance Spaces,\" The Breeze, April 22, 2010.","\"New Firm Takes Over Hatchery,\" Daily News-Record, July 20, 1953.","Obituary for Gilbert R. Spitzer, Daily News-Record, August 1, 1935.","Obituary for C. B. Williamson, Daily News-Record, February 5, 1958."],"bioghist_html_tesm":["\u003cp\u003eMassanutten Hatchery, Inc., variously known as Massanutten Farms Hatchery, was formed in 1923 by C. B. Williamson (1880-1958), former superintendent of the Chesapeake Western Railway, and Gilbert Spitzer (1886-1935). The chicken hatchery was located at 1020 S. Main Street in Harrisonburg. The hatchery also operated a breeding farm in McGaheysville, Virginia. \u003c/p\u003e\n","\u003cp\u003eWith a capacity of more than 200,000 chicks, Massanutten Hatchery was widely recognized as the largest commercial hatchery in the south. They specialized in White Leghorns, Rhode Island Reds, New Hampshire Reds, and Barred Rocks. At some point, the hatchery transitioned to include turkeys.\u003c/p\u003e\n","\u003cp\u003eIn 1953, Harold W. Clark, a Pennsylvania businessman with experience in poultry husbandry, purchased the hatchery from C. B. Williamson and Bessie Baker, Gilbert Spitzer's widow. Charles W. Wampler (1885-1976) became president of the hatchery in 1956. Massanutten Hatchery, Inc. is last listed in the 1970 Harrisonburg city directory. At that time, Charles W. Wampler was listed as its president, Marion I. Eberly as its vice president, and William D. Wampler as its secretary/treasurer.\u003c/p\u003e\n","\u003cp\u003eDuring the 1970s, James Madison University acquired the hatchery building and renovated it into an experimental theatre space - Wampler Experimental Theatre/Wampler  Building. The building was also known as Theatre II and housed JMU's School of Theatre and Dance administrative and faculty offices and classrooms. \u003c/p\u003e\n","\u003cp\u003eThe hatchery building was razed in the summer of 2010. As of 2020, a JMU parking lot (K Lot), a FedEx Office, and JMU Print Services occupy the former approximate location of Massanutten Hatchery.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Massanutten Hatchery, Inc., variously known as Massanutten Farms Hatchery, was formed in 1923 by C. B. Williamson (1880-1958), former superintendent of the Chesapeake Western Railway, and Gilbert Spitzer (1886-1935). The chicken hatchery was located at 1020 S. Main Street in Harrisonburg. The hatchery also operated a breeding farm in McGaheysville, Virginia. ","With a capacity of more than 200,000 chicks, Massanutten Hatchery was widely recognized as the largest commercial hatchery in the south. They specialized in White Leghorns, Rhode Island Reds, New Hampshire Reds, and Barred Rocks. At some point, the hatchery transitioned to include turkeys.","In 1953, Harold W. Clark, a Pennsylvania businessman with experience in poultry husbandry, purchased the hatchery from C. B. Williamson and Bessie Baker, Gilbert Spitzer's widow. Charles W. Wampler (1885-1976) became president of the hatchery in 1956. Massanutten Hatchery, Inc. is last listed in the 1970 Harrisonburg city directory. At that time, Charles W. Wampler was listed as its president, Marion I. Eberly as its vice president, and William D. Wampler as its secretary/treasurer.","During the 1970s, James Madison University acquired the hatchery building and renovated it into an experimental theatre space - Wampler Experimental Theatre/Wampler  Building. The building was also known as Theatre II and housed JMU's School of Theatre and Dance administrative and faculty offices and classrooms. ","The hatchery building was razed in the summer of 2010. As of 2020, a JMU parking lot (K Lot), a FedEx Office, and JMU Print Services occupy the former approximate location of Massanutten Hatchery."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Massanutten Hatchery Photographs, 1934-1948, SC 0300, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Massanutten Hatchery Photographs, 1934-1948, SC 0300, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe photographs exhibited curling when received by Special Collections. The panoramic photograph of Massanutten Hatchery was humidified,  flattened, and housed in a mylar sleeve. The other photographs were flattened under weight for a period of time.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs exhibited curling when received by Special Collections. The panoramic photograph of Massanutten Hatchery was humidified,  flattened, and housed in a mylar sleeve. The other photographs were flattened under weight for a period of time."],"relatedmaterial_html_tesm":["\u003cp\u003eAerial photographs of Massanutten Hatchery, Hoyle Garber Collection, Mt. Jackson Museum.\u003c/p\u003e","\u003cp\u003eHarrisonburg Historic Map Collection 1873-1982 (bulk 1903-1956), SC 0050, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Aerial photographs of Massanutten Hatchery, Hoyle Garber Collection, Mt. Jackson Museum.","Harrisonburg Historic Map Collection 1873-1982 (bulk 1903-1956), SC 0050, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.\u003c/p\u003e\n","\u003cp\u003eThe photographs document the breeds of chickens (and chicks) available through the hatchery, specifically White Leghorns, Barred Rocks, and  New Hampshire Reds and/or Rhode Island Reds. Over the course of its business, the hatchery had both variety of Reds available. As the photographs are all black-and-white, it is difficult to determine which breed of Red is documented in each particular photograph. The chickens are photographed in their flocks, at the breeding farm in McGaheysville, in the hatchery in Harrisonburg, and in posed photographs usually featuring only one chicken in profile. Interior shots of the hatchery primarily document chickens, but a selection include workers and equipment. Photographs of the hatchery's exterior are included. \u003c/p\u003e\n","\u003cp\u003eMany of the photographs include captions, notations, or specifications for cropping or other edits to be made for publication. Photographers, as identified by stamps on the back of photographs, include Lee Studio (Harrisonburg), Dean-Kaylor Studio (Harrisonburg), and Gitchell's Studio (Harrisonburg).\u003c/p\u003e\n","\u003cp\u003eFour catalogs document the hatchery's marketing and sales techniques and include comparable photographs to the originals found in the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.","The photographs document the breeds of chickens (and chicks) available through the hatchery, specifically White Leghorns, Barred Rocks, and  New Hampshire Reds and/or Rhode Island Reds. Over the course of its business, the hatchery had both variety of Reds available. As the photographs are all black-and-white, it is difficult to determine which breed of Red is documented in each particular photograph. The chickens are photographed in their flocks, at the breeding farm in McGaheysville, in the hatchery in Harrisonburg, and in posed photographs usually featuring only one chicken in profile. Interior shots of the hatchery primarily document chickens, but a selection include workers and equipment. Photographs of the hatchery's exterior are included. ","Many of the photographs include captions, notations, or specifications for cropping or other edits to be made for publication. Photographers, as identified by stamps on the back of photographs, include Lee Studio (Harrisonburg), Dean-Kaylor Studio (Harrisonburg), and Gitchell's Studio (Harrisonburg).","Four catalogs document the hatchery's marketing and sales techniques and include comparable photographs to the originals found in the collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32efdf482b9885b1563f79f4f4d65479\"\u003eThe Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included.\u003c/abstract\u003e"],"abstract_tesim":["The Massanutten Hatchery Photographs, 1934-1948, comprise black-and-white photographs of chickens likely used for the hatchery's promotional materials and sales catalogs. Photographs of the Massanutten Hatchery interior and exterior and the hatchery's breeding farm in McGaheysville are also included."],"names_coll_ssim":["Tim Abbott Americana"],"names_ssim":["James Madison University Libraries Special Collections","Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"corpname_ssim":["James Madison University Libraries Special Collections","Massanutten Hatchery","Tim Abbott Americana","Dean-Kaylor Studio","The Lee Studio (Harrisonburg, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:17:59.176Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_634"}},{"id":"vihart_repositories_4_resources_659","type":"collection","attributes":{"title":"William Hoyle Garber photographs","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_659#creator","type":"document_value","attributes":{"value":"Getz, K. B.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_659#abstract_or_scope","type":"document_value","attributes":{"value":"The William Hoyle Garber Photographs, 1930-1960, comprise approximately 1625 negatives and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The photographs document the people, places, industries, automobiles, sports, events, disasters, etc., of the central and northern Shenandoah Valley (primarily between the cities of Harrisonburg and Woodstock).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_659#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_659","ead_ssi":"vihart_repositories_4_resources_659","_root_":"vihart_repositories_4_resources_659","_nest_parent_":"vihart_repositories_4_resources_659","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_659.xml","title_ssm":["William Hoyle Garber photographs"],"title_tesim":["William Hoyle Garber photographs"],"unitdate_ssm":["1930-1960"],"unitdate_inclusive_ssm":["1930-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0318","/repositories/4/resources/659"],"text":["SC 0318","/repositories/4/resources/659","William Hoyle Garber photographs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- Aerial photographs","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Social life and customs","Virginia -- Social life and customs","Virginia -- History","Photographers -- Virginia -- 20th century","Photographs","Negatives (photographs)","Collection is open for research. The photographic negatives are housed in freezer storage and are not available to researchers. Negatives have been digitized and are accessible via JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/). Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","This collection has been digitized and is available online on JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/).","The collection is arranged into 12 topical series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photographs, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photographs, and Print Photographs.","William Hoyle Garber was born on May 25, 1915 at Mount Clifton, Virginia, to John William and Birdie Lonas Garber. After completing his education in 1933 at the Randolph-Macon Academy in Front Royal, Virginia, he graduated from the Virginia Polytechnic Institute in Blacksburg, Virginia, and married Ethel M. Ritenour on December 24, 1938.","After fighting in the Pacific Theater as a first lieutenant for the United States Army during World War II, Garber held a number of simultaneous occupations and participated in several different organizations. In addition to owning Garber's Photo Shop and being the president of the Garber-Moyers-Johnson Insurance Agency, Garber was a commander and life member of the Massanutten Post No. 2447, Veterans of Foreign Wars, Edinburg; a member of the Mount Jackson Masonic Lodge No. 103, the American Legion Post No. 199 at Woodstock, and Chapter No. 162 of the Order of the Eastern Star, for which he was appointed the very first Worthy Patron of Mount Jackson. Furthermore, he was an active member of the Chamber of Commerce for both Edinburg and Mount Jackson, and he served on the Mount Jackson Town Council for twenty-six years. Of particular relevance to this collection, Garber earned a private pilot's license in 1947, and became known for his aerial photography.","In 1983, William Garber retired and moved from New Market to Mount Jackson, Virginia. During his retirement, he remained active in many of these organizations, and also played a key role in the founding of the Shenandoah County Historical Society in the 1980s. Garber passed away on May 14, 1992 at the Winchester Medical Center at the age of seventy-six, and was buried at Flat Rock Cemetery in Forestville, Virginia.","Per notes from a meeting between K. B. Getz and Tracy Harter, then-Special Collections Librarian, Garber's widow sold the collection to  Paper Treasures Book Store and Gallery in New Market.","A large portion of the negatives in this collection were originally housed together in clear photo album sleeves, with minimal labeling identifying the place, year, or event of the images within that particular sheet. That information has been included in the container chart. It is also important to note that, in several cases, a portion of filmstrip remained uncut that included between two and four images, and so those negatives are housed in the same sleeve. Furthermore, any negatives that were too large for the photograph storage boxes were organized into the \"Oversize Negatives\" folder in Box 5, as noted in the collection inventory.","The collection number was updated in December 2021 from P 0002 to SC 0318 to 1. align with established manuscript collection numbering scheme with SC prefix and 2. renumber all \"photograph\" collections with P prefix. The collection title was updated from William Garber Photograph Collection to William Hoyle Garber Photographs to incorporate Garber's middle name by which he was widely known as well as to remove extraneous descriptions within the collection title. At this time, the description was updated with only minor edits. Individual photograph numbers that were assigned during initial processing and digitization were retained. During initial processing, all series were further divided into sub-series. This arrangement was abandoned in December 2021 as that level of granular arrangement in digitized photograph collections does not typically faciliate researcher access or discovery.","Hoyle Garber collection, ca. 1947-ca. 1960, 2017-0007, Truban Archives, Shenandoah County Library, Edinburg, Virginia, USA.","The William Hoyle Garber Photographs, 1930-1960, consists of 1.46 cubic feet of material. The bulk of the material was created between 1935 and 1950 and comprises 1705 images including 1615 black and white negatives, 20 color negatives, and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The subject matter of the images encompasses the people, places, industries, automobiles, sports, events, disasters, etc., of the northern Shenandoah Valley, Virginia; primarily between the cities of Harrisonburg and Woodstock. The collection is organized into twelve series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photos, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photography, and Photograph Prints.","Includes 330 negatives documenting auto shops and service stations, stores and restaurants, hotels and tourist attractions, and private homes, and miscellaneous buildings. These images include interior and exterior views of various buildings that offer an interesting perspective on the types of retail businesses and restaurants open in the Shenandoah Valley in the mid-twentieth century. This series also provides noteworthy insight into tourism in the Valley during the same time period.","Consists of 138 negatives documenting mills and the poultry industry. The images in this series may be especially useful to those interested in different aspects of the poultry industry and how Rockingham County was (and perhaps still is) designated as one of the \"Turkey Capitals of the World.\"","Comprises 53 negatives that display a number of both commercial and private motor vehicles. The types of vehicles range from school buses to company trucks to individual, privately owned automobiles.","Includes 114 negatives that document police, fire, and government and military. The images contain portraits of police officers, police on the scene of an accident or crime, storefront views of various fire departments, and open house dinners or events with local fire departments. Views of the Federal Bureau of Mines and the Civilian Conservation Corps in the Shenandoah Valley are also included. Furthermore, this series provides visual documentation of a Spanish War Veterans Reunion held at Orkney Springs sometime between 1930-1950.","Comprises 88 negatives and contains images from four separate schools: Timberville High School, Broadway High School, New Market High School, and Massanutten Military Academy. The school photographs include sports teams, musical performances, students in classrooms, cafeterias, libraries, etc. It is interesting to note that these images were captured prior to the division of elementary and high school grade levels into separate schools in the 1950s.","Comprises 98 negatives portraying various recreational activities popular in the area in the mid-twentieth century. These negatives document baseball, basketball, swimming, track and field, miscellaneous field recreation, and fishing and hunting.","Contains 284 negatives encompassing the importance of horses in the culture of the people in the Valley (or at least among the middle-upper class white population). The Timberville Horse show of 1947 and 1948, the Broadway Horse Show of 1949, the annual tradition of jousting at Natural Chimneys, and horse racing at the Shenandoah County State Fair are all included in this series, along with numerous other miscellaneous equine-related images.","Includes 64 negatives depicting events and forms of entertainment that do not involve sports or horses. Though there are some unidentified images, the most prominent events of this series are John Deere Day, a Gulf Banquet, weddings, and the Shenandoah County Fair.","Consists of 122 negatives documenting automobile accidents, train wrecks, and fires. The automobile accidents include both small, private vehicles and large tractor-trailers. They range from small, harmless accidents to overturned or completely destroyed vehicles. The images of train wrecks display the derailment of a train, while the images of fires culminate in a small number of buildings aflame, with fire fighters on the scene. Many of these photographs may have been taken for insurance purposes since Garber was president of Garbers-Moyers-Johnson Insurance Agency.","Comprises images that do not fall under the previously stated categories. Most are not identifiable. Consisting of 117 negatives, this series documents Esso Motor Oil displays, Jack Reynold's airplane, Meem's Bottom Covered Bridge, the Intersection at Kamp Washington, Fairfax, and unidentified people and places.","Includes 217 negatives of some of Garber's most famous work of the Shenandoah Valley. After becoming a licensed pilot in 1947, he merged his hobby of aviation with his hobby of photography and produced a large number of aerial images. The images document Route 11 through Harrisonburg, the Shenandoah River between New Market and Front Royal, Rockingham Poultry, the Shenandoah County Fair, James Madison University and other academic buildings, Luray, images taken from Jack Reynold's plane, and miscellaneous. Unlike the majority of the collection, the images of the bends in the Shenandoah River are in color.","Comprises all 70 of the photograph prints included in the collection. These images document streetscapes and storefronts, the grocery store and Dr. Pepper, automotive shops, poultry, triplett and vehrencamp trucks, police and fire stations, baseball, Broadway Horse Show, John Deere Day, miscellaneous, and aerial photographs. The only two images of African American people in the entire collection are housed within this series.","In December 2021, a copy of  The National Geographic Magazine  (July 1949, volume 96, number 1) was removed from the collection and cataloged individually as part of Special Collections rare book holdings. The issue features an article titled \"Appalachian Valley Pilgrimage\" by Catherine Bell Palmer, which includes a description of the Shenandoah Valley. The black and white photographs accompanying this article may be the work of Garber, but the photographs are not cited and there are no prints or negatives of those same images within this collection.","Copyright status for collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The William Hoyle Garber Photographs, 1930-1960, comprise approximately 1625 negatives and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The photographs document the people, places, industries, automobiles, sports, events, disasters, etc., of the central and northern Shenandoah Valley (primarily between the cities of Harrisonburg and Woodstock).","James Madison University Libraries Special Collections","Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992","English"],"unitid_tesim":["SC 0318","/repositories/4/resources/659"],"normalized_title_ssm":["William Hoyle Garber photographs"],"collection_title_tesim":["William Hoyle Garber photographs"],"collection_ssim":["William Hoyle Garber photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- Aerial photographs","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Social life and customs","Virginia -- Social life and customs","Virginia -- History"],"geogname_ssim":["Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- Aerial photographs","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Social life and customs","Virginia -- Social life and customs","Virginia -- History"],"creator_ssm":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"creator_ssim":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"creator_persname_ssim":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"creators_ssim":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"places_ssim":["Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- Aerial photographs","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Social life and customs","Virginia -- Social life and customs","Virginia -- History"],"access_terms_ssm":["Copyright status for collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Purchased from local freelance photographer K. B. Getz on October 8, 2009."],"access_subjects_ssim":["Photographers -- Virginia -- 20th century","Photographs","Negatives (photographs)"],"access_subjects_ssm":["Photographers -- Virginia -- 20th century","Photographs","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["1.46 cubic feet 5 boxes"],"extent_tesim":["1.46 cubic feet 5 boxes"],"genreform_ssim":["Photographs","Negatives (photographs)"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. The photographic negatives are housed in freezer storage and are not available to researchers. Negatives have been digitized and are accessible via JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/). Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. The photographic negatives are housed in freezer storage and are not available to researchers. Negatives have been digitized and are accessible via JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/). Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eThis collection has been digitized and is available online on JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/).\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["This collection has been digitized and is available online on JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 12 topical series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photographs, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photographs, and Print Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 12 topical series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photographs, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photographs, and Print Photographs."],"bioghist_html_tesm":["\u003cp\u003eWilliam Hoyle Garber was born on May 25, 1915 at Mount Clifton, Virginia, to John William and Birdie Lonas Garber. After completing his education in 1933 at the Randolph-Macon Academy in Front Royal, Virginia, he graduated from the Virginia Polytechnic Institute in Blacksburg, Virginia, and married Ethel M. Ritenour on December 24, 1938.\u003c/p\u003e\n","\u003cp\u003eAfter fighting in the Pacific Theater as a first lieutenant for the United States Army during World War II, Garber held a number of simultaneous occupations and participated in several different organizations. In addition to owning Garber's Photo Shop and being the president of the Garber-Moyers-Johnson Insurance Agency, Garber was a commander and life member of the Massanutten Post No. 2447, Veterans of Foreign Wars, Edinburg; a member of the Mount Jackson Masonic Lodge No. 103, the American Legion Post No. 199 at Woodstock, and Chapter No. 162 of the Order of the Eastern Star, for which he was appointed the very first Worthy Patron of Mount Jackson. Furthermore, he was an active member of the Chamber of Commerce for both Edinburg and Mount Jackson, and he served on the Mount Jackson Town Council for twenty-six years. Of particular relevance to this collection, Garber earned a private pilot's license in 1947, and became known for his aerial photography.\u003c/p\u003e\n","\u003cp\u003eIn 1983, William Garber retired and moved from New Market to Mount Jackson, Virginia. During his retirement, he remained active in many of these organizations, and also played a key role in the founding of the Shenandoah County Historical Society in the 1980s. Garber passed away on May 14, 1992 at the Winchester Medical Center at the age of seventy-six, and was buried at Flat Rock Cemetery in Forestville, Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["William Hoyle Garber was born on May 25, 1915 at Mount Clifton, Virginia, to John William and Birdie Lonas Garber. After completing his education in 1933 at the Randolph-Macon Academy in Front Royal, Virginia, he graduated from the Virginia Polytechnic Institute in Blacksburg, Virginia, and married Ethel M. Ritenour on December 24, 1938.","After fighting in the Pacific Theater as a first lieutenant for the United States Army during World War II, Garber held a number of simultaneous occupations and participated in several different organizations. In addition to owning Garber's Photo Shop and being the president of the Garber-Moyers-Johnson Insurance Agency, Garber was a commander and life member of the Massanutten Post No. 2447, Veterans of Foreign Wars, Edinburg; a member of the Mount Jackson Masonic Lodge No. 103, the American Legion Post No. 199 at Woodstock, and Chapter No. 162 of the Order of the Eastern Star, for which he was appointed the very first Worthy Patron of Mount Jackson. Furthermore, he was an active member of the Chamber of Commerce for both Edinburg and Mount Jackson, and he served on the Mount Jackson Town Council for twenty-six years. Of particular relevance to this collection, Garber earned a private pilot's license in 1947, and became known for his aerial photography.","In 1983, William Garber retired and moved from New Market to Mount Jackson, Virginia. During his retirement, he remained active in many of these organizations, and also played a key role in the founding of the Shenandoah County Historical Society in the 1980s. Garber passed away on May 14, 1992 at the Winchester Medical Center at the age of seventy-six, and was buried at Flat Rock Cemetery in Forestville, Virginia."],"custodhist_html_tesm":["\u003cp\u003ePer notes from a meeting between K. B. Getz and Tracy Harter, then-Special Collections Librarian, Garber's widow sold the collection to  Paper Treasures Book Store and Gallery in New Market.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per notes from a meeting between K. B. Getz and Tracy Harter, then-Special Collections Librarian, Garber's widow sold the collection to  Paper Treasures Book Store and Gallery in New Market."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, photograph number/folder #], William Hoyle Garber Photographs, 1930-1960, SC 0318, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, photograph number/folder #], William Hoyle Garber Photographs, 1930-1960, SC 0318, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA large portion of the negatives in this collection were originally housed together in clear photo album sleeves, with minimal labeling identifying the place, year, or event of the images within that particular sheet. That information has been included in the container chart. It is also important to note that, in several cases, a portion of filmstrip remained uncut that included between two and four images, and so those negatives are housed in the same sleeve. Furthermore, any negatives that were too large for the photograph storage boxes were organized into the \"Oversize Negatives\" folder in Box 5, as noted in the collection inventory.\u003c/p\u003e","\u003cp\u003eThe collection number was updated in December 2021 from P 0002 to SC 0318 to 1. align with established manuscript collection numbering scheme with SC prefix and 2. renumber all \"photograph\" collections with P prefix. The collection title was updated from William Garber Photograph Collection to William Hoyle Garber Photographs to incorporate Garber's middle name by which he was widely known as well as to remove extraneous descriptions within the collection title. At this time, the description was updated with only minor edits. Individual photograph numbers that were assigned during initial processing and digitization were retained. During initial processing, all series were further divided into sub-series. This arrangement was abandoned in December 2021 as that level of granular arrangement in digitized photograph collections does not typically faciliate researcher access or discovery.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A large portion of the negatives in this collection were originally housed together in clear photo album sleeves, with minimal labeling identifying the place, year, or event of the images within that particular sheet. That information has been included in the container chart. It is also important to note that, in several cases, a portion of filmstrip remained uncut that included between two and four images, and so those negatives are housed in the same sleeve. Furthermore, any negatives that were too large for the photograph storage boxes were organized into the \"Oversize Negatives\" folder in Box 5, as noted in the collection inventory.","The collection number was updated in December 2021 from P 0002 to SC 0318 to 1. align with established manuscript collection numbering scheme with SC prefix and 2. renumber all \"photograph\" collections with P prefix. The collection title was updated from William Garber Photograph Collection to William Hoyle Garber Photographs to incorporate Garber's middle name by which he was widely known as well as to remove extraneous descriptions within the collection title. At this time, the description was updated with only minor edits. Individual photograph numbers that were assigned during initial processing and digitization were retained. During initial processing, all series were further divided into sub-series. This arrangement was abandoned in December 2021 as that level of granular arrangement in digitized photograph collections does not typically faciliate researcher access or discovery."],"relatedmaterial_html_tesm":["\u003cp\u003eHoyle Garber collection, ca. 1947-ca. 1960, 2017-0007, Truban Archives, Shenandoah County Library, Edinburg, Virginia, USA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Hoyle Garber collection, ca. 1947-ca. 1960, 2017-0007, Truban Archives, Shenandoah County Library, Edinburg, Virginia, USA."],"scopecontent_html_tesm":["\u003cp\u003eThe William Hoyle Garber Photographs, 1930-1960, consists of 1.46 cubic feet of material. The bulk of the material was created between 1935 and 1950 and comprises 1705 images including 1615 black and white negatives, 20 color negatives, and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The subject matter of the images encompasses the people, places, industries, automobiles, sports, events, disasters, etc., of the northern Shenandoah Valley, Virginia; primarily between the cities of Harrisonburg and Woodstock. The collection is organized into twelve series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photos, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photography, and Photograph Prints.\u003c/p\u003e","\u003cp\u003eIncludes 330 negatives documenting auto shops and service stations, stores and restaurants, hotels and tourist attractions, and private homes, and miscellaneous buildings. These images include interior and exterior views of various buildings that offer an interesting perspective on the types of retail businesses and restaurants open in the Shenandoah Valley in the mid-twentieth century. This series also provides noteworthy insight into tourism in the Valley during the same time period.\u003c/p\u003e","\u003cp\u003eConsists of 138 negatives documenting mills and the poultry industry. The images in this series may be especially useful to those interested in different aspects of the poultry industry and how Rockingham County was (and perhaps still is) designated as one of the \"Turkey Capitals of the World.\"\u003c/p\u003e","\u003cp\u003eComprises 53 negatives that display a number of both commercial and private motor vehicles. The types of vehicles range from school buses to company trucks to individual, privately owned automobiles.\u003c/p\u003e","\u003cp\u003eIncludes 114 negatives that document police, fire, and government and military. The images contain portraits of police officers, police on the scene of an accident or crime, storefront views of various fire departments, and open house dinners or events with local fire departments. Views of the Federal Bureau of Mines and the Civilian Conservation Corps in the Shenandoah Valley are also included. Furthermore, this series provides visual documentation of a Spanish War Veterans Reunion held at Orkney Springs sometime between 1930-1950.\u003c/p\u003e","\u003cp\u003eComprises 88 negatives and contains images from four separate schools: Timberville High School, Broadway High School, New Market High School, and Massanutten Military Academy. The school photographs include sports teams, musical performances, students in classrooms, cafeterias, libraries, etc. It is interesting to note that these images were captured prior to the division of elementary and high school grade levels into separate schools in the 1950s.\u003c/p\u003e","\u003cp\u003eComprises 98 negatives portraying various recreational activities popular in the area in the mid-twentieth century. These negatives document baseball, basketball, swimming, track and field, miscellaneous field recreation, and fishing and hunting.\u003c/p\u003e","\u003cp\u003eContains 284 negatives encompassing the importance of horses in the culture of the people in the Valley (or at least among the middle-upper class white population). The Timberville Horse show of 1947 and 1948, the Broadway Horse Show of 1949, the annual tradition of jousting at Natural Chimneys, and horse racing at the Shenandoah County State Fair are all included in this series, along with numerous other miscellaneous equine-related images.\u003c/p\u003e","\u003cp\u003eIncludes 64 negatives depicting events and forms of entertainment that do not involve sports or horses. Though there are some unidentified images, the most prominent events of this series are John Deere Day, a Gulf Banquet, weddings, and the Shenandoah County Fair.\u003c/p\u003e","\u003cp\u003eConsists of 122 negatives documenting automobile accidents, train wrecks, and fires. The automobile accidents include both small, private vehicles and large tractor-trailers. They range from small, harmless accidents to overturned or completely destroyed vehicles. The images of train wrecks display the derailment of a train, while the images of fires culminate in a small number of buildings aflame, with fire fighters on the scene. Many of these photographs may have been taken for insurance purposes since Garber was president of Garbers-Moyers-Johnson Insurance Agency.\u003c/p\u003e","\u003cp\u003eComprises images that do not fall under the previously stated categories. Most are not identifiable. Consisting of 117 negatives, this series documents Esso Motor Oil displays, Jack Reynold's airplane, Meem's Bottom Covered Bridge, the Intersection at Kamp Washington, Fairfax, and unidentified people and places.\u003c/p\u003e","\u003cp\u003eIncludes 217 negatives of some of Garber's most famous work of the Shenandoah Valley. After becoming a licensed pilot in 1947, he merged his hobby of aviation with his hobby of photography and produced a large number of aerial images. The images document Route 11 through Harrisonburg, the Shenandoah River between New Market and Front Royal, Rockingham Poultry, the Shenandoah County Fair, James Madison University and other academic buildings, Luray, images taken from Jack Reynold's plane, and miscellaneous. Unlike the majority of the collection, the images of the bends in the Shenandoah River are in color.\u003c/p\u003e","\u003cp\u003eComprises all 70 of the photograph prints included in the collection. These images document streetscapes and storefronts, the grocery store and Dr. Pepper, automotive shops, poultry, triplett and vehrencamp trucks, police and fire stations, baseball, Broadway Horse Show, John Deere Day, miscellaneous, and aerial photographs. The only two images of African American people in the entire collection are housed within this series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The William Hoyle Garber Photographs, 1930-1960, consists of 1.46 cubic feet of material. The bulk of the material was created between 1935 and 1950 and comprises 1705 images including 1615 black and white negatives, 20 color negatives, and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The subject matter of the images encompasses the people, places, industries, automobiles, sports, events, disasters, etc., of the northern Shenandoah Valley, Virginia; primarily between the cities of Harrisonburg and Woodstock. The collection is organized into twelve series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photos, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photography, and Photograph Prints.","Includes 330 negatives documenting auto shops and service stations, stores and restaurants, hotels and tourist attractions, and private homes, and miscellaneous buildings. These images include interior and exterior views of various buildings that offer an interesting perspective on the types of retail businesses and restaurants open in the Shenandoah Valley in the mid-twentieth century. This series also provides noteworthy insight into tourism in the Valley during the same time period.","Consists of 138 negatives documenting mills and the poultry industry. The images in this series may be especially useful to those interested in different aspects of the poultry industry and how Rockingham County was (and perhaps still is) designated as one of the \"Turkey Capitals of the World.\"","Comprises 53 negatives that display a number of both commercial and private motor vehicles. The types of vehicles range from school buses to company trucks to individual, privately owned automobiles.","Includes 114 negatives that document police, fire, and government and military. The images contain portraits of police officers, police on the scene of an accident or crime, storefront views of various fire departments, and open house dinners or events with local fire departments. Views of the Federal Bureau of Mines and the Civilian Conservation Corps in the Shenandoah Valley are also included. Furthermore, this series provides visual documentation of a Spanish War Veterans Reunion held at Orkney Springs sometime between 1930-1950.","Comprises 88 negatives and contains images from four separate schools: Timberville High School, Broadway High School, New Market High School, and Massanutten Military Academy. The school photographs include sports teams, musical performances, students in classrooms, cafeterias, libraries, etc. It is interesting to note that these images were captured prior to the division of elementary and high school grade levels into separate schools in the 1950s.","Comprises 98 negatives portraying various recreational activities popular in the area in the mid-twentieth century. These negatives document baseball, basketball, swimming, track and field, miscellaneous field recreation, and fishing and hunting.","Contains 284 negatives encompassing the importance of horses in the culture of the people in the Valley (or at least among the middle-upper class white population). The Timberville Horse show of 1947 and 1948, the Broadway Horse Show of 1949, the annual tradition of jousting at Natural Chimneys, and horse racing at the Shenandoah County State Fair are all included in this series, along with numerous other miscellaneous equine-related images.","Includes 64 negatives depicting events and forms of entertainment that do not involve sports or horses. Though there are some unidentified images, the most prominent events of this series are John Deere Day, a Gulf Banquet, weddings, and the Shenandoah County Fair.","Consists of 122 negatives documenting automobile accidents, train wrecks, and fires. The automobile accidents include both small, private vehicles and large tractor-trailers. They range from small, harmless accidents to overturned or completely destroyed vehicles. The images of train wrecks display the derailment of a train, while the images of fires culminate in a small number of buildings aflame, with fire fighters on the scene. Many of these photographs may have been taken for insurance purposes since Garber was president of Garbers-Moyers-Johnson Insurance Agency.","Comprises images that do not fall under the previously stated categories. Most are not identifiable. Consisting of 117 negatives, this series documents Esso Motor Oil displays, Jack Reynold's airplane, Meem's Bottom Covered Bridge, the Intersection at Kamp Washington, Fairfax, and unidentified people and places.","Includes 217 negatives of some of Garber's most famous work of the Shenandoah Valley. After becoming a licensed pilot in 1947, he merged his hobby of aviation with his hobby of photography and produced a large number of aerial images. The images document Route 11 through Harrisonburg, the Shenandoah River between New Market and Front Royal, Rockingham Poultry, the Shenandoah County Fair, James Madison University and other academic buildings, Luray, images taken from Jack Reynold's plane, and miscellaneous. Unlike the majority of the collection, the images of the bends in the Shenandoah River are in color.","Comprises all 70 of the photograph prints included in the collection. These images document streetscapes and storefronts, the grocery store and Dr. Pepper, automotive shops, poultry, triplett and vehrencamp trucks, police and fire stations, baseball, Broadway Horse Show, John Deere Day, miscellaneous, and aerial photographs. The only two images of African American people in the entire collection are housed within this series."],"separatedmaterial_html_tesm":["\u003cp\u003eIn December 2021, a copy of \u003cemph render=\"italic\"\u003eThe National Geographic Magazine\u003c/emph\u003e (July 1949, volume 96, number 1) was removed from the collection and cataloged individually as part of Special Collections rare book holdings. The issue features an article titled \"Appalachian Valley Pilgrimage\" by Catherine Bell Palmer, which includes a description of the Shenandoah Valley. The black and white photographs accompanying this article may be the work of Garber, but the photographs are not cited and there are no prints or negatives of those same images within this collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["In December 2021, a copy of  The National Geographic Magazine  (July 1949, volume 96, number 1) was removed from the collection and cataloged individually as part of Special Collections rare book holdings. The issue features an article titled \"Appalachian Valley Pilgrimage\" by Catherine Bell Palmer, which includes a description of the Shenandoah Valley. The black and white photographs accompanying this article may be the work of Garber, but the photographs are not cited and there are no prints or negatives of those same images within this collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright status for collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright status for collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3edececfbc70a75d50ba46d6e79c4063\"\u003eThe William Hoyle Garber Photographs, 1930-1960, comprise approximately 1625 negatives and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The photographs document the people, places, industries, automobiles, sports, events, disasters, etc., of the central and northern Shenandoah Valley (primarily between the cities of Harrisonburg and Woodstock).\u003c/abstract\u003e"],"abstract_tesim":["The William Hoyle Garber Photographs, 1930-1960, comprise approximately 1625 negatives and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The photographs document the people, places, industries, automobiles, sports, events, disasters, etc., of the central and northern Shenandoah Valley (primarily between the cities of Harrisonburg and Woodstock)."],"names_ssim":["James Madison University Libraries Special Collections","Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"corpname_ssim":["James Madison University Libraries Special Collections"],"names_coll_ssim":["Getz, K. B."],"persname_ssim":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_659","ead_ssi":"vihart_repositories_4_resources_659","_root_":"vihart_repositories_4_resources_659","_nest_parent_":"vihart_repositories_4_resources_659","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_659.xml","title_ssm":["William Hoyle Garber photographs"],"title_tesim":["William Hoyle Garber photographs"],"unitdate_ssm":["1930-1960"],"unitdate_inclusive_ssm":["1930-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0318","/repositories/4/resources/659"],"text":["SC 0318","/repositories/4/resources/659","William Hoyle Garber photographs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- Aerial photographs","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Social life and customs","Virginia -- Social life and customs","Virginia -- History","Photographers -- Virginia -- 20th century","Photographs","Negatives (photographs)","Collection is open for research. The photographic negatives are housed in freezer storage and are not available to researchers. Negatives have been digitized and are accessible via JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/). Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","This collection has been digitized and is available online on JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/).","The collection is arranged into 12 topical series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photographs, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photographs, and Print Photographs.","William Hoyle Garber was born on May 25, 1915 at Mount Clifton, Virginia, to John William and Birdie Lonas Garber. After completing his education in 1933 at the Randolph-Macon Academy in Front Royal, Virginia, he graduated from the Virginia Polytechnic Institute in Blacksburg, Virginia, and married Ethel M. Ritenour on December 24, 1938.","After fighting in the Pacific Theater as a first lieutenant for the United States Army during World War II, Garber held a number of simultaneous occupations and participated in several different organizations. In addition to owning Garber's Photo Shop and being the president of the Garber-Moyers-Johnson Insurance Agency, Garber was a commander and life member of the Massanutten Post No. 2447, Veterans of Foreign Wars, Edinburg; a member of the Mount Jackson Masonic Lodge No. 103, the American Legion Post No. 199 at Woodstock, and Chapter No. 162 of the Order of the Eastern Star, for which he was appointed the very first Worthy Patron of Mount Jackson. Furthermore, he was an active member of the Chamber of Commerce for both Edinburg and Mount Jackson, and he served on the Mount Jackson Town Council for twenty-six years. Of particular relevance to this collection, Garber earned a private pilot's license in 1947, and became known for his aerial photography.","In 1983, William Garber retired and moved from New Market to Mount Jackson, Virginia. During his retirement, he remained active in many of these organizations, and also played a key role in the founding of the Shenandoah County Historical Society in the 1980s. Garber passed away on May 14, 1992 at the Winchester Medical Center at the age of seventy-six, and was buried at Flat Rock Cemetery in Forestville, Virginia.","Per notes from a meeting between K. B. Getz and Tracy Harter, then-Special Collections Librarian, Garber's widow sold the collection to  Paper Treasures Book Store and Gallery in New Market.","A large portion of the negatives in this collection were originally housed together in clear photo album sleeves, with minimal labeling identifying the place, year, or event of the images within that particular sheet. That information has been included in the container chart. It is also important to note that, in several cases, a portion of filmstrip remained uncut that included between two and four images, and so those negatives are housed in the same sleeve. Furthermore, any negatives that were too large for the photograph storage boxes were organized into the \"Oversize Negatives\" folder in Box 5, as noted in the collection inventory.","The collection number was updated in December 2021 from P 0002 to SC 0318 to 1. align with established manuscript collection numbering scheme with SC prefix and 2. renumber all \"photograph\" collections with P prefix. The collection title was updated from William Garber Photograph Collection to William Hoyle Garber Photographs to incorporate Garber's middle name by which he was widely known as well as to remove extraneous descriptions within the collection title. At this time, the description was updated with only minor edits. Individual photograph numbers that were assigned during initial processing and digitization were retained. During initial processing, all series were further divided into sub-series. This arrangement was abandoned in December 2021 as that level of granular arrangement in digitized photograph collections does not typically faciliate researcher access or discovery.","Hoyle Garber collection, ca. 1947-ca. 1960, 2017-0007, Truban Archives, Shenandoah County Library, Edinburg, Virginia, USA.","The William Hoyle Garber Photographs, 1930-1960, consists of 1.46 cubic feet of material. The bulk of the material was created between 1935 and 1950 and comprises 1705 images including 1615 black and white negatives, 20 color negatives, and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The subject matter of the images encompasses the people, places, industries, automobiles, sports, events, disasters, etc., of the northern Shenandoah Valley, Virginia; primarily between the cities of Harrisonburg and Woodstock. The collection is organized into twelve series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photos, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photography, and Photograph Prints.","Includes 330 negatives documenting auto shops and service stations, stores and restaurants, hotels and tourist attractions, and private homes, and miscellaneous buildings. These images include interior and exterior views of various buildings that offer an interesting perspective on the types of retail businesses and restaurants open in the Shenandoah Valley in the mid-twentieth century. This series also provides noteworthy insight into tourism in the Valley during the same time period.","Consists of 138 negatives documenting mills and the poultry industry. The images in this series may be especially useful to those interested in different aspects of the poultry industry and how Rockingham County was (and perhaps still is) designated as one of the \"Turkey Capitals of the World.\"","Comprises 53 negatives that display a number of both commercial and private motor vehicles. The types of vehicles range from school buses to company trucks to individual, privately owned automobiles.","Includes 114 negatives that document police, fire, and government and military. The images contain portraits of police officers, police on the scene of an accident or crime, storefront views of various fire departments, and open house dinners or events with local fire departments. Views of the Federal Bureau of Mines and the Civilian Conservation Corps in the Shenandoah Valley are also included. Furthermore, this series provides visual documentation of a Spanish War Veterans Reunion held at Orkney Springs sometime between 1930-1950.","Comprises 88 negatives and contains images from four separate schools: Timberville High School, Broadway High School, New Market High School, and Massanutten Military Academy. The school photographs include sports teams, musical performances, students in classrooms, cafeterias, libraries, etc. It is interesting to note that these images were captured prior to the division of elementary and high school grade levels into separate schools in the 1950s.","Comprises 98 negatives portraying various recreational activities popular in the area in the mid-twentieth century. These negatives document baseball, basketball, swimming, track and field, miscellaneous field recreation, and fishing and hunting.","Contains 284 negatives encompassing the importance of horses in the culture of the people in the Valley (or at least among the middle-upper class white population). The Timberville Horse show of 1947 and 1948, the Broadway Horse Show of 1949, the annual tradition of jousting at Natural Chimneys, and horse racing at the Shenandoah County State Fair are all included in this series, along with numerous other miscellaneous equine-related images.","Includes 64 negatives depicting events and forms of entertainment that do not involve sports or horses. Though there are some unidentified images, the most prominent events of this series are John Deere Day, a Gulf Banquet, weddings, and the Shenandoah County Fair.","Consists of 122 negatives documenting automobile accidents, train wrecks, and fires. The automobile accidents include both small, private vehicles and large tractor-trailers. They range from small, harmless accidents to overturned or completely destroyed vehicles. The images of train wrecks display the derailment of a train, while the images of fires culminate in a small number of buildings aflame, with fire fighters on the scene. Many of these photographs may have been taken for insurance purposes since Garber was president of Garbers-Moyers-Johnson Insurance Agency.","Comprises images that do not fall under the previously stated categories. Most are not identifiable. Consisting of 117 negatives, this series documents Esso Motor Oil displays, Jack Reynold's airplane, Meem's Bottom Covered Bridge, the Intersection at Kamp Washington, Fairfax, and unidentified people and places.","Includes 217 negatives of some of Garber's most famous work of the Shenandoah Valley. After becoming a licensed pilot in 1947, he merged his hobby of aviation with his hobby of photography and produced a large number of aerial images. The images document Route 11 through Harrisonburg, the Shenandoah River between New Market and Front Royal, Rockingham Poultry, the Shenandoah County Fair, James Madison University and other academic buildings, Luray, images taken from Jack Reynold's plane, and miscellaneous. Unlike the majority of the collection, the images of the bends in the Shenandoah River are in color.","Comprises all 70 of the photograph prints included in the collection. These images document streetscapes and storefronts, the grocery store and Dr. Pepper, automotive shops, poultry, triplett and vehrencamp trucks, police and fire stations, baseball, Broadway Horse Show, John Deere Day, miscellaneous, and aerial photographs. The only two images of African American people in the entire collection are housed within this series.","In December 2021, a copy of  The National Geographic Magazine  (July 1949, volume 96, number 1) was removed from the collection and cataloged individually as part of Special Collections rare book holdings. The issue features an article titled \"Appalachian Valley Pilgrimage\" by Catherine Bell Palmer, which includes a description of the Shenandoah Valley. The black and white photographs accompanying this article may be the work of Garber, but the photographs are not cited and there are no prints or negatives of those same images within this collection.","Copyright status for collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The William Hoyle Garber Photographs, 1930-1960, comprise approximately 1625 negatives and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The photographs document the people, places, industries, automobiles, sports, events, disasters, etc., of the central and northern Shenandoah Valley (primarily between the cities of Harrisonburg and Woodstock).","James Madison University Libraries Special Collections","Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992","English"],"unitid_tesim":["SC 0318","/repositories/4/resources/659"],"normalized_title_ssm":["William Hoyle Garber photographs"],"collection_title_tesim":["William Hoyle Garber photographs"],"collection_ssim":["William Hoyle Garber photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- Aerial photographs","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Social life and customs","Virginia -- Social life and customs","Virginia -- History"],"geogname_ssim":["Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- Aerial photographs","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Social life and customs","Virginia -- Social life and customs","Virginia -- History"],"creator_ssm":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"creator_ssim":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"creator_persname_ssim":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"creators_ssim":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"places_ssim":["Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- Aerial photographs","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Social life and customs","Virginia -- Social life and customs","Virginia -- History"],"access_terms_ssm":["Copyright status for collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Purchased from local freelance photographer K. B. Getz on October 8, 2009."],"access_subjects_ssim":["Photographers -- Virginia -- 20th century","Photographs","Negatives (photographs)"],"access_subjects_ssm":["Photographers -- Virginia -- 20th century","Photographs","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["1.46 cubic feet 5 boxes"],"extent_tesim":["1.46 cubic feet 5 boxes"],"genreform_ssim":["Photographs","Negatives (photographs)"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. The photographic negatives are housed in freezer storage and are not available to researchers. Negatives have been digitized and are accessible via JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/). Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. The photographic negatives are housed in freezer storage and are not available to researchers. Negatives have been digitized and are accessible via JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/). Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eThis collection has been digitized and is available online on JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/).\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["This collection has been digitized and is available online on JMU Scholarly Commons (https://commons.lib.jmu.edu/garber/)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 12 topical series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photographs, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photographs, and Print Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 12 topical series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photographs, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photographs, and Print Photographs."],"bioghist_html_tesm":["\u003cp\u003eWilliam Hoyle Garber was born on May 25, 1915 at Mount Clifton, Virginia, to John William and Birdie Lonas Garber. After completing his education in 1933 at the Randolph-Macon Academy in Front Royal, Virginia, he graduated from the Virginia Polytechnic Institute in Blacksburg, Virginia, and married Ethel M. Ritenour on December 24, 1938.\u003c/p\u003e\n","\u003cp\u003eAfter fighting in the Pacific Theater as a first lieutenant for the United States Army during World War II, Garber held a number of simultaneous occupations and participated in several different organizations. In addition to owning Garber's Photo Shop and being the president of the Garber-Moyers-Johnson Insurance Agency, Garber was a commander and life member of the Massanutten Post No. 2447, Veterans of Foreign Wars, Edinburg; a member of the Mount Jackson Masonic Lodge No. 103, the American Legion Post No. 199 at Woodstock, and Chapter No. 162 of the Order of the Eastern Star, for which he was appointed the very first Worthy Patron of Mount Jackson. Furthermore, he was an active member of the Chamber of Commerce for both Edinburg and Mount Jackson, and he served on the Mount Jackson Town Council for twenty-six years. Of particular relevance to this collection, Garber earned a private pilot's license in 1947, and became known for his aerial photography.\u003c/p\u003e\n","\u003cp\u003eIn 1983, William Garber retired and moved from New Market to Mount Jackson, Virginia. During his retirement, he remained active in many of these organizations, and also played a key role in the founding of the Shenandoah County Historical Society in the 1980s. Garber passed away on May 14, 1992 at the Winchester Medical Center at the age of seventy-six, and was buried at Flat Rock Cemetery in Forestville, Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["William Hoyle Garber was born on May 25, 1915 at Mount Clifton, Virginia, to John William and Birdie Lonas Garber. After completing his education in 1933 at the Randolph-Macon Academy in Front Royal, Virginia, he graduated from the Virginia Polytechnic Institute in Blacksburg, Virginia, and married Ethel M. Ritenour on December 24, 1938.","After fighting in the Pacific Theater as a first lieutenant for the United States Army during World War II, Garber held a number of simultaneous occupations and participated in several different organizations. In addition to owning Garber's Photo Shop and being the president of the Garber-Moyers-Johnson Insurance Agency, Garber was a commander and life member of the Massanutten Post No. 2447, Veterans of Foreign Wars, Edinburg; a member of the Mount Jackson Masonic Lodge No. 103, the American Legion Post No. 199 at Woodstock, and Chapter No. 162 of the Order of the Eastern Star, for which he was appointed the very first Worthy Patron of Mount Jackson. Furthermore, he was an active member of the Chamber of Commerce for both Edinburg and Mount Jackson, and he served on the Mount Jackson Town Council for twenty-six years. Of particular relevance to this collection, Garber earned a private pilot's license in 1947, and became known for his aerial photography.","In 1983, William Garber retired and moved from New Market to Mount Jackson, Virginia. During his retirement, he remained active in many of these organizations, and also played a key role in the founding of the Shenandoah County Historical Society in the 1980s. Garber passed away on May 14, 1992 at the Winchester Medical Center at the age of seventy-six, and was buried at Flat Rock Cemetery in Forestville, Virginia."],"custodhist_html_tesm":["\u003cp\u003ePer notes from a meeting between K. B. Getz and Tracy Harter, then-Special Collections Librarian, Garber's widow sold the collection to  Paper Treasures Book Store and Gallery in New Market.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per notes from a meeting between K. B. Getz and Tracy Harter, then-Special Collections Librarian, Garber's widow sold the collection to  Paper Treasures Book Store and Gallery in New Market."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, photograph number/folder #], William Hoyle Garber Photographs, 1930-1960, SC 0318, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, photograph number/folder #], William Hoyle Garber Photographs, 1930-1960, SC 0318, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA large portion of the negatives in this collection were originally housed together in clear photo album sleeves, with minimal labeling identifying the place, year, or event of the images within that particular sheet. That information has been included in the container chart. It is also important to note that, in several cases, a portion of filmstrip remained uncut that included between two and four images, and so those negatives are housed in the same sleeve. Furthermore, any negatives that were too large for the photograph storage boxes were organized into the \"Oversize Negatives\" folder in Box 5, as noted in the collection inventory.\u003c/p\u003e","\u003cp\u003eThe collection number was updated in December 2021 from P 0002 to SC 0318 to 1. align with established manuscript collection numbering scheme with SC prefix and 2. renumber all \"photograph\" collections with P prefix. The collection title was updated from William Garber Photograph Collection to William Hoyle Garber Photographs to incorporate Garber's middle name by which he was widely known as well as to remove extraneous descriptions within the collection title. At this time, the description was updated with only minor edits. Individual photograph numbers that were assigned during initial processing and digitization were retained. During initial processing, all series were further divided into sub-series. This arrangement was abandoned in December 2021 as that level of granular arrangement in digitized photograph collections does not typically faciliate researcher access or discovery.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A large portion of the negatives in this collection were originally housed together in clear photo album sleeves, with minimal labeling identifying the place, year, or event of the images within that particular sheet. That information has been included in the container chart. It is also important to note that, in several cases, a portion of filmstrip remained uncut that included between two and four images, and so those negatives are housed in the same sleeve. Furthermore, any negatives that were too large for the photograph storage boxes were organized into the \"Oversize Negatives\" folder in Box 5, as noted in the collection inventory.","The collection number was updated in December 2021 from P 0002 to SC 0318 to 1. align with established manuscript collection numbering scheme with SC prefix and 2. renumber all \"photograph\" collections with P prefix. The collection title was updated from William Garber Photograph Collection to William Hoyle Garber Photographs to incorporate Garber's middle name by which he was widely known as well as to remove extraneous descriptions within the collection title. At this time, the description was updated with only minor edits. Individual photograph numbers that were assigned during initial processing and digitization were retained. During initial processing, all series were further divided into sub-series. This arrangement was abandoned in December 2021 as that level of granular arrangement in digitized photograph collections does not typically faciliate researcher access or discovery."],"relatedmaterial_html_tesm":["\u003cp\u003eHoyle Garber collection, ca. 1947-ca. 1960, 2017-0007, Truban Archives, Shenandoah County Library, Edinburg, Virginia, USA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Hoyle Garber collection, ca. 1947-ca. 1960, 2017-0007, Truban Archives, Shenandoah County Library, Edinburg, Virginia, USA."],"scopecontent_html_tesm":["\u003cp\u003eThe William Hoyle Garber Photographs, 1930-1960, consists of 1.46 cubic feet of material. The bulk of the material was created between 1935 and 1950 and comprises 1705 images including 1615 black and white negatives, 20 color negatives, and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The subject matter of the images encompasses the people, places, industries, automobiles, sports, events, disasters, etc., of the northern Shenandoah Valley, Virginia; primarily between the cities of Harrisonburg and Woodstock. The collection is organized into twelve series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photos, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photography, and Photograph Prints.\u003c/p\u003e","\u003cp\u003eIncludes 330 negatives documenting auto shops and service stations, stores and restaurants, hotels and tourist attractions, and private homes, and miscellaneous buildings. These images include interior and exterior views of various buildings that offer an interesting perspective on the types of retail businesses and restaurants open in the Shenandoah Valley in the mid-twentieth century. This series also provides noteworthy insight into tourism in the Valley during the same time period.\u003c/p\u003e","\u003cp\u003eConsists of 138 negatives documenting mills and the poultry industry. The images in this series may be especially useful to those interested in different aspects of the poultry industry and how Rockingham County was (and perhaps still is) designated as one of the \"Turkey Capitals of the World.\"\u003c/p\u003e","\u003cp\u003eComprises 53 negatives that display a number of both commercial and private motor vehicles. The types of vehicles range from school buses to company trucks to individual, privately owned automobiles.\u003c/p\u003e","\u003cp\u003eIncludes 114 negatives that document police, fire, and government and military. The images contain portraits of police officers, police on the scene of an accident or crime, storefront views of various fire departments, and open house dinners or events with local fire departments. Views of the Federal Bureau of Mines and the Civilian Conservation Corps in the Shenandoah Valley are also included. Furthermore, this series provides visual documentation of a Spanish War Veterans Reunion held at Orkney Springs sometime between 1930-1950.\u003c/p\u003e","\u003cp\u003eComprises 88 negatives and contains images from four separate schools: Timberville High School, Broadway High School, New Market High School, and Massanutten Military Academy. The school photographs include sports teams, musical performances, students in classrooms, cafeterias, libraries, etc. It is interesting to note that these images were captured prior to the division of elementary and high school grade levels into separate schools in the 1950s.\u003c/p\u003e","\u003cp\u003eComprises 98 negatives portraying various recreational activities popular in the area in the mid-twentieth century. These negatives document baseball, basketball, swimming, track and field, miscellaneous field recreation, and fishing and hunting.\u003c/p\u003e","\u003cp\u003eContains 284 negatives encompassing the importance of horses in the culture of the people in the Valley (or at least among the middle-upper class white population). The Timberville Horse show of 1947 and 1948, the Broadway Horse Show of 1949, the annual tradition of jousting at Natural Chimneys, and horse racing at the Shenandoah County State Fair are all included in this series, along with numerous other miscellaneous equine-related images.\u003c/p\u003e","\u003cp\u003eIncludes 64 negatives depicting events and forms of entertainment that do not involve sports or horses. Though there are some unidentified images, the most prominent events of this series are John Deere Day, a Gulf Banquet, weddings, and the Shenandoah County Fair.\u003c/p\u003e","\u003cp\u003eConsists of 122 negatives documenting automobile accidents, train wrecks, and fires. The automobile accidents include both small, private vehicles and large tractor-trailers. They range from small, harmless accidents to overturned or completely destroyed vehicles. The images of train wrecks display the derailment of a train, while the images of fires culminate in a small number of buildings aflame, with fire fighters on the scene. Many of these photographs may have been taken for insurance purposes since Garber was president of Garbers-Moyers-Johnson Insurance Agency.\u003c/p\u003e","\u003cp\u003eComprises images that do not fall under the previously stated categories. Most are not identifiable. Consisting of 117 negatives, this series documents Esso Motor Oil displays, Jack Reynold's airplane, Meem's Bottom Covered Bridge, the Intersection at Kamp Washington, Fairfax, and unidentified people and places.\u003c/p\u003e","\u003cp\u003eIncludes 217 negatives of some of Garber's most famous work of the Shenandoah Valley. After becoming a licensed pilot in 1947, he merged his hobby of aviation with his hobby of photography and produced a large number of aerial images. The images document Route 11 through Harrisonburg, the Shenandoah River between New Market and Front Royal, Rockingham Poultry, the Shenandoah County Fair, James Madison University and other academic buildings, Luray, images taken from Jack Reynold's plane, and miscellaneous. Unlike the majority of the collection, the images of the bends in the Shenandoah River are in color.\u003c/p\u003e","\u003cp\u003eComprises all 70 of the photograph prints included in the collection. These images document streetscapes and storefronts, the grocery store and Dr. Pepper, automotive shops, poultry, triplett and vehrencamp trucks, police and fire stations, baseball, Broadway Horse Show, John Deere Day, miscellaneous, and aerial photographs. The only two images of African American people in the entire collection are housed within this series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The William Hoyle Garber Photographs, 1930-1960, consists of 1.46 cubic feet of material. The bulk of the material was created between 1935 and 1950 and comprises 1705 images including 1615 black and white negatives, 20 color negatives, and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The subject matter of the images encompasses the people, places, industries, automobiles, sports, events, disasters, etc., of the northern Shenandoah Valley, Virginia; primarily between the cities of Harrisonburg and Woodstock. The collection is organized into twelve series: Buildings and Places, Industry, Motor Vehicles, Civil and Armed Services, School Photos, Sports and Outdoor Recreation, Horses and Horse Events, Other Events and Entertainment, Accidents and Disasters, Miscellaneous, Aerial Photography, and Photograph Prints.","Includes 330 negatives documenting auto shops and service stations, stores and restaurants, hotels and tourist attractions, and private homes, and miscellaneous buildings. These images include interior and exterior views of various buildings that offer an interesting perspective on the types of retail businesses and restaurants open in the Shenandoah Valley in the mid-twentieth century. This series also provides noteworthy insight into tourism in the Valley during the same time period.","Consists of 138 negatives documenting mills and the poultry industry. The images in this series may be especially useful to those interested in different aspects of the poultry industry and how Rockingham County was (and perhaps still is) designated as one of the \"Turkey Capitals of the World.\"","Comprises 53 negatives that display a number of both commercial and private motor vehicles. The types of vehicles range from school buses to company trucks to individual, privately owned automobiles.","Includes 114 negatives that document police, fire, and government and military. The images contain portraits of police officers, police on the scene of an accident or crime, storefront views of various fire departments, and open house dinners or events with local fire departments. Views of the Federal Bureau of Mines and the Civilian Conservation Corps in the Shenandoah Valley are also included. Furthermore, this series provides visual documentation of a Spanish War Veterans Reunion held at Orkney Springs sometime between 1930-1950.","Comprises 88 negatives and contains images from four separate schools: Timberville High School, Broadway High School, New Market High School, and Massanutten Military Academy. The school photographs include sports teams, musical performances, students in classrooms, cafeterias, libraries, etc. It is interesting to note that these images were captured prior to the division of elementary and high school grade levels into separate schools in the 1950s.","Comprises 98 negatives portraying various recreational activities popular in the area in the mid-twentieth century. These negatives document baseball, basketball, swimming, track and field, miscellaneous field recreation, and fishing and hunting.","Contains 284 negatives encompassing the importance of horses in the culture of the people in the Valley (or at least among the middle-upper class white population). The Timberville Horse show of 1947 and 1948, the Broadway Horse Show of 1949, the annual tradition of jousting at Natural Chimneys, and horse racing at the Shenandoah County State Fair are all included in this series, along with numerous other miscellaneous equine-related images.","Includes 64 negatives depicting events and forms of entertainment that do not involve sports or horses. Though there are some unidentified images, the most prominent events of this series are John Deere Day, a Gulf Banquet, weddings, and the Shenandoah County Fair.","Consists of 122 negatives documenting automobile accidents, train wrecks, and fires. The automobile accidents include both small, private vehicles and large tractor-trailers. They range from small, harmless accidents to overturned or completely destroyed vehicles. The images of train wrecks display the derailment of a train, while the images of fires culminate in a small number of buildings aflame, with fire fighters on the scene. Many of these photographs may have been taken for insurance purposes since Garber was president of Garbers-Moyers-Johnson Insurance Agency.","Comprises images that do not fall under the previously stated categories. Most are not identifiable. Consisting of 117 negatives, this series documents Esso Motor Oil displays, Jack Reynold's airplane, Meem's Bottom Covered Bridge, the Intersection at Kamp Washington, Fairfax, and unidentified people and places.","Includes 217 negatives of some of Garber's most famous work of the Shenandoah Valley. After becoming a licensed pilot in 1947, he merged his hobby of aviation with his hobby of photography and produced a large number of aerial images. The images document Route 11 through Harrisonburg, the Shenandoah River between New Market and Front Royal, Rockingham Poultry, the Shenandoah County Fair, James Madison University and other academic buildings, Luray, images taken from Jack Reynold's plane, and miscellaneous. Unlike the majority of the collection, the images of the bends in the Shenandoah River are in color.","Comprises all 70 of the photograph prints included in the collection. These images document streetscapes and storefronts, the grocery store and Dr. Pepper, automotive shops, poultry, triplett and vehrencamp trucks, police and fire stations, baseball, Broadway Horse Show, John Deere Day, miscellaneous, and aerial photographs. The only two images of African American people in the entire collection are housed within this series."],"separatedmaterial_html_tesm":["\u003cp\u003eIn December 2021, a copy of \u003cemph render=\"italic\"\u003eThe National Geographic Magazine\u003c/emph\u003e (July 1949, volume 96, number 1) was removed from the collection and cataloged individually as part of Special Collections rare book holdings. The issue features an article titled \"Appalachian Valley Pilgrimage\" by Catherine Bell Palmer, which includes a description of the Shenandoah Valley. The black and white photographs accompanying this article may be the work of Garber, but the photographs are not cited and there are no prints or negatives of those same images within this collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["In December 2021, a copy of  The National Geographic Magazine  (July 1949, volume 96, number 1) was removed from the collection and cataloged individually as part of Special Collections rare book holdings. The issue features an article titled \"Appalachian Valley Pilgrimage\" by Catherine Bell Palmer, which includes a description of the Shenandoah Valley. The black and white photographs accompanying this article may be the work of Garber, but the photographs are not cited and there are no prints or negatives of those same images within this collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright status for collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright status for collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3edececfbc70a75d50ba46d6e79c4063\"\u003eThe William Hoyle Garber Photographs, 1930-1960, comprise approximately 1625 negatives and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The photographs document the people, places, industries, automobiles, sports, events, disasters, etc., of the central and northern Shenandoah Valley (primarily between the cities of Harrisonburg and Woodstock).\u003c/abstract\u003e"],"abstract_tesim":["The William Hoyle Garber Photographs, 1930-1960, comprise approximately 1625 negatives and 70 prints that were taken and developed by William Garber of Garber's Photo Shop in Mount Jackson, Virginia. The photographs document the people, places, industries, automobiles, sports, events, disasters, etc., of the central and northern Shenandoah Valley (primarily between the cities of Harrisonburg and Woodstock)."],"names_ssim":["James Madison University Libraries Special Collections","Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"corpname_ssim":["James Madison University Libraries Special Collections"],"names_coll_ssim":["Getz, K. B."],"persname_ssim":["Getz, K. B.","Garber, W. Hoyle (William Hoyle), 1915-1992"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_659"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"James Madison University","value":"James Madison University","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives+%28photographs%29\u0026f%5Bdate_range%5D%5B%5D=1934\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Negatives+%28photographs%29\u0026f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Daisy Bacon Papers","value":"Daisy Bacon Papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives+%28photographs%29\u0026f%5Bcollection%5D%5B%5D=Daisy+Bacon+Papers\u0026f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"attributes":{"label":"James Madison University Historic Photographs","value":"James Madison University Historic Photographs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives+%28photographs%29\u0026f%5Bcollection%5D%5B%5D=James+Madison+University+Historic+Photographs\u0026f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"attributes":{"label":"Massanutten Hatchery Photographs","value":"Massanutten Hatchery Photographs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives+%28photographs%29\u0026f%5Bcollection%5D%5B%5D=Massanutten+Hatchery+Photographs\u0026f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"attributes":{"label":"William Hoyle Garber photographs","value":"William Hoyle Garber 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Daisy, 1898-1986","value":"Bacon, Daisy, 1898-1986","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives+%28photographs%29\u0026f%5Bcreators%5D%5B%5D=Bacon%2C+Daisy%2C+1898-1986\u0026f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"attributes":{"label":"Dean-Kaylor Studio","value":"Dean-Kaylor Studio","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Negatives+%28photographs%29\u0026f%5Bcreators%5D%5B%5D=Dean-Kaylor+Studio\u0026f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"attributes":{"label":"Garber, W. 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