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Paschall."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","Paschall, Davis Young, 1911-2001"],"names_ssim":["Special Collections Research Center","Society of the Alumni","College of William and Mary--Alumni and alumnae","College of William and Mary. Alumni Association","Paschall, Davis Young, 1911-2001"],"corpname_ssim":["Special Collections Research Center","Society of the Alumni","College of William and Mary--Alumni and alumnae"],"famname_ssim":["College of William and Mary. Alumni Association"],"persname_ssim":["Paschall, Davis Young, 1911-2001"],"language_ssim":["English"],"total_component_count_is":411,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:25:37.474Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3180"}},{"id":"viw_repositories_2_resources_31","type":"collection","attributes":{"title":"Association for the Preservation of Virginia Antiquities, Yorktown Branch Records","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_31#creator","type":"document_value","attributes":{"value":"Association for the Preservation of Virginia Antiquities. Yorktown Branch","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_31#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the records of the Yorktown Branch of the Association for the Preservation of Virginia Antiquities (APVA). 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Yorktown Branch"],"places_ssim":["Yorktown (Va.)--History--20th century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Permanent Loans."],"access_subjects_ssim":["Historic sites--Conservation and restoration","Correspondence","Minutes","Negatives","Notebooks","Photographs","Scrapbooks"],"access_subjects_ssm":["Historic sites--Conservation and restoration","Correspondence","Minutes","Negatives","Notebooks","Photographs","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["2.70 Linear Feet"],"extent_tesim":["2.70 Linear Feet"],"genreform_ssim":["Correspondence","Minutes","Negatives","Notebooks","Photographs","Scrapbooks"],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eAPVA and its branches are dedicated to preserving and promoting the state's irreplaceable historic structures, landscapes, collections, communities and archaeological sites. 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Included in the collection are minutes, correspondence, treasurer's records, photographs, and scrapbooks."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Association for the Preservation of Virginia Antiquities","Association for the Preservation of Virginia Antiquities. Yorktown Branch"],"names_ssim":["Special Collections Research Center","Association for the Preservation of Virginia Antiquities. 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Records","title_ssm":["Bruton Parish Church (Williamsburg, Va.) records"],"title_tesim":["Bruton Parish Church (Williamsburg, Va.) records"],"unitdate_ssm":["1662-[ongoing]","1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"unitdate_inclusive_ssm":["1662-[ongoing]"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 91 B38","/repositories/2/resources/8522"],"text":["01/Mss. 91 B38","/repositories/2/resources/8522","Bruton Parish Church (Williamsburg, Va.) records","Williamsburg (Va.)--History--19th century","Episcopal Church--Virginia--History--19th century","Episcopal Church--Virginia--History--20th century","Marriage registers","Negatives","Photographs","Publications","Slides (photographs)","The Bruton Parish Church Archives are deposited in Swem Library. Except for some confidential material, they are open to the public. Only the microfilm of the eighteenth-century parish register may be used. It is suggested the Manuscripts and Rare Books Librarian at Swem Library be contacted before coming to use the collection. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additional deposits are made on an ongoing basis.","This collection includes the following series:Series 1: Administrative Records, Series 2: Diocese, Ministers and Other Personnel, Series 3: Church Programs and Services, Series 4: Buildings and Grounds, Series 5: Church History, Series 6: Artifacts, Blueprints, Photographs and Newspaper Clippings, Series 7: Manuscript Volumes including registers, vestry minutes, Series 8: Additions received from 2010 onward.  The printed books belonging to the Bruton Parish Church Collection are cataloged in the Swem Library online catalog,","Bruton Parish Church is located in the restored area of Colonial Williamsburg in Williamsburg, Virginia. It was established in the 17th century in the Virginia Colony, and is an active Episcopal parish. 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Mansucripts Audiovisual Collection (Mss. 1.04)","Records of Bruton Parish Church, Williamsburg, Va.","The following was separated from Acc. 2013.246 and are now part of the Manuscripts Audiovisual Collection:   A Williamsburg Recital , played on the organ of Bruton Parish Church, James Darling, organist. CD. Acc. 2013.246.001    \n   Exploring Bruton Steeple , PBS Woodwright, January 1993. VHS. Acc. 2013.246.002    \n   Exploring Bruton Steeple , PBS Woodwright, January 1993. DVD. Acc. 2013.246.003   \n   A Concert of Eighteenth-Century Music  performed by J.S. Darling on the Wren Chapel Organ at the College of William and Mary in Virginia, Phonograph. 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Except for some confidential material, they are open to the public. Only the microfilm of the eighteenth-century parish register may be used. It is suggested the Manuscripts and Rare Books Librarian at Swem Library be contacted before coming to use the collection. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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The printed books belonging to the Bruton Parish Church Collection are cataloged in the Swem Library online catalog,\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection includes the following series:Series 1: Administrative Records, Series 2: Diocese, Ministers and Other Personnel, Series 3: Church Programs and Services, Series 4: Buildings and Grounds, Series 5: Church History, Series 6: Artifacts, Blueprints, Photographs and Newspaper Clippings, Series 7: Manuscript Volumes including registers, vestry minutes, Series 8: Additions received from 2010 onward.  The printed books belonging to the Bruton Parish Church Collection are cataloged in the Swem Library online catalog,"],"bioghist_html_tesm":["\u003cp\u003eBruton Parish Church is located in the restored area of Colonial Williamsburg in Williamsburg, Virginia. It was established in the 17th century in the Virginia Colony, and is an active Episcopal parish. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Bruton_Parish_Church_(Williamsburg,_Va.)\" title=\"Bruton Parish Church (Williamsburg, Va.)\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["Bruton Parish Church is located in the restored area of Colonial Williamsburg in Williamsburg, Virginia. It was established in the 17th century in the Virginia Colony, and is an active Episcopal parish. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eHeld by Bruton Parish Church until 1991. Certain parish registers remain at the church. Please contact the Manuscripts and Rare Books Librarian before coming to use the collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Held by Bruton Parish Church until 1991. Certain parish registers remain at the church. Please contact the Manuscripts and Rare Books Librarian before coming to use the collection."],"prefercite_html_tesm":["\u003cp\u003eBruton Parish Church (Williamsburg, Va.) Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Bruton Parish Church (Williamsburg, Va.) Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eThe collection was previously processed by various members of the Special Collections Research Center staff prior to 2008. In 2008-2009 Nichole Lidstrom arranged and described the records of Bruton Parish Church bringing together the various accessions into a single record group. Acc. 2013.246 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["The collection was previously processed by various members of the Special Collections Research Center staff prior to 2008. In 2008-2009 Nichole Lidstrom arranged and described the records of Bruton Parish Church bringing together the various accessions into a single record group. Acc. 2013.246 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eBruton Parish Church Parish Aid Society Minute Book (Mss. MsV Ch7), Bruton Parish Church Account Book (Mss. MsV Ac18). Mansucripts Audiovisual Collection (Mss. 1.04)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Bruton Parish Church Parish Aid Society Minute Book (Mss. MsV Ch7), Bruton Parish Church Account Book (Mss. MsV Ac18). Mansucripts Audiovisual Collection (Mss. 1.04)"],"scopecontent_html_tesm":["\u003cp\u003eRecords of Bruton Parish Church, Williamsburg, Va.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records of Bruton Parish Church, Williamsburg, Va."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following was separated from Acc. 2013.246 and are now part of the Manuscripts Audiovisual Collection:  \u003cemph render=\"italic\"\u003eA Williamsburg Recital\u003c/emph\u003e, played on the organ of Bruton Parish Church, James Darling, organist. CD. Acc. 2013.246.001    \n  \u003cemph render=\"italic\"\u003eExploring Bruton Steeple\u003c/emph\u003e, PBS Woodwright, January 1993. VHS. Acc. 2013.246.002    \n  \u003cemph render=\"italic\"\u003eExploring Bruton Steeple\u003c/emph\u003e, PBS Woodwright, January 1993. DVD. Acc. 2013.246.003   \n  \u003cemph render=\"italic\"\u003eA Concert of Eighteenth-Century Music \u003c/emph\u003eperformed by J.S. Darling on the Wren Chapel Organ at the College of William and Mary in Virginia, Phonograph. Acc. 2013.246.004\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The following was separated from Acc. 2013.246 and are now part of the Manuscripts Audiovisual Collection:   A Williamsburg Recital , played on the organ of Bruton Parish Church, James Darling, organist. CD. Acc. 2013.246.001    \n   Exploring Bruton Steeple , PBS Woodwright, January 1993. VHS. Acc. 2013.246.002    \n   Exploring Bruton Steeple , PBS Woodwright, January 1993. DVD. Acc. 2013.246.003   \n   A Concert of Eighteenth-Century Music  performed by J.S. Darling on the Wren Chapel Organ at the College of William and Mary in Virginia, Phonograph. Acc. 2013.246.004"],"names_coll_ssim":["Bruton Parish Church (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","Pendleton, Charlotte"],"corpname_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)"],"persname_ssim":["Pendleton, Charlotte"],"language_ssim":["English"],"total_component_count_is":2083,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:08:55.738Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8522","ead_ssi":"viw_repositories_2_resources_8522","_root_":"viw_repositories_2_resources_8522","_nest_parent_":"viw_repositories_2_resources_8522","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8522.xml","title_filing_ssi":"Bruton Parish Church (Williamsburg, Va.) Records","title_ssm":["Bruton Parish Church (Williamsburg, Va.) records"],"title_tesim":["Bruton Parish Church (Williamsburg, Va.) records"],"unitdate_ssm":["1662-[ongoing]","1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"unitdate_inclusive_ssm":["1662-[ongoing]"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 91 B38","/repositories/2/resources/8522"],"text":["01/Mss. 91 B38","/repositories/2/resources/8522","Bruton Parish Church (Williamsburg, Va.) records","Williamsburg (Va.)--History--19th century","Episcopal Church--Virginia--History--19th century","Episcopal Church--Virginia--History--20th century","Marriage registers","Negatives","Photographs","Publications","Slides (photographs)","The Bruton Parish Church Archives are deposited in Swem Library. Except for some confidential material, they are open to the public. Only the microfilm of the eighteenth-century parish register may be used. It is suggested the Manuscripts and Rare Books Librarian at Swem Library be contacted before coming to use the collection. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additional deposits are made on an ongoing basis.","This collection includes the following series:Series 1: Administrative Records, Series 2: Diocese, Ministers and Other Personnel, Series 3: Church Programs and Services, Series 4: Buildings and Grounds, Series 5: Church History, Series 6: Artifacts, Blueprints, Photographs and Newspaper Clippings, Series 7: Manuscript Volumes including registers, vestry minutes, Series 8: Additions received from 2010 onward.  The printed books belonging to the Bruton Parish Church Collection are cataloged in the Swem Library online catalog,","Bruton Parish Church is located in the restored area of Colonial Williamsburg in Williamsburg, Virginia. It was established in the 17th century in the Virginia Colony, and is an active Episcopal parish. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Held by Bruton Parish Church until 1991. Certain parish registers remain at the church. Please contact the Manuscripts and Rare Books Librarian before coming to use the collection.","The collection was previously processed by various members of the Special Collections Research Center staff prior to 2008. In 2008-2009 Nichole Lidstrom arranged and described the records of Bruton Parish Church bringing together the various accessions into a single record group. Acc. 2013.246 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013.","Bruton Parish Church Parish Aid Society Minute Book (Mss. MsV Ch7), Bruton Parish Church Account Book (Mss. MsV Ac18). Mansucripts Audiovisual Collection (Mss. 1.04)","Records of Bruton Parish Church, Williamsburg, Va.","The following was separated from Acc. 2013.246 and are now part of the Manuscripts Audiovisual Collection:   A Williamsburg Recital , played on the organ of Bruton Parish Church, James Darling, organist. CD. Acc. 2013.246.001    \n   Exploring Bruton Steeple , PBS Woodwright, January 1993. VHS. Acc. 2013.246.002    \n   Exploring Bruton Steeple , PBS Woodwright, January 1993. DVD. Acc. 2013.246.003   \n   A Concert of Eighteenth-Century Music  performed by J.S. Darling on the Wren Chapel Organ at the College of William and Mary in Virginia, Phonograph. Acc. 2013.246.004","Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","Pendleton, Charlotte","English"],"unitid_tesim":["01/Mss. 91 B38","/repositories/2/resources/8522"],"normalized_title_ssm":["Bruton Parish Church (Williamsburg, Va.) records"],"collection_title_tesim":["Bruton Parish Church (Williamsburg, Va.) records"],"collection_ssim":["Bruton Parish Church (Williamsburg, Va.) records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--19th century"],"geogname_ssim":["Williamsburg (Va.)--History--19th century"],"creator_ssm":["Bruton Parish Church (Williamsburg, Va.)"],"creator_ssim":["Bruton Parish Church (Williamsburg, Va.)"],"creator_corpname_ssim":["Bruton Parish Church (Williamsburg, Va.)"],"creators_ssim":["Bruton Parish Church (Williamsburg, Va.)"],"places_ssim":["Williamsburg (Va.)--History--19th century"],"acqinfo_ssim":["Deposit."],"access_subjects_ssim":["Episcopal Church--Virginia--History--19th century","Episcopal Church--Virginia--History--20th century","Marriage registers","Negatives","Photographs","Publications","Slides (photographs)"],"access_subjects_ssm":["Episcopal Church--Virginia--History--19th century","Episcopal Church--Virginia--History--20th century","Marriage registers","Negatives","Photographs","Publications","Slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["89.00 Linear Feet"],"extent_tesim":["89.00 Linear Feet"],"genreform_ssim":["Marriage registers","Negatives","Photographs","Publications","Slides (photographs)"],"date_range_isim":[1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe Bruton Parish Church Archives are deposited in Swem Library. Except for some confidential material, they are open to the public. Only the microfilm of the eighteenth-century parish register may be used. It is suggested the Manuscripts and Rare Books Librarian at Swem Library be contacted before coming to use the collection. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The Bruton Parish Church Archives are deposited in Swem Library. Except for some confidential material, they are open to the public. Only the microfilm of the eighteenth-century parish register may be used. It is suggested the Manuscripts and Rare Books Librarian at Swem Library be contacted before coming to use the collection. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditional deposits are made on an ongoing basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additional deposits are made on an ongoing basis."],"arrangement_html_tesm":["\u003cp\u003eThis collection includes the following series:Series 1: Administrative Records, Series 2: Diocese, Ministers and Other Personnel, Series 3: Church Programs and Services, Series 4: Buildings and Grounds, Series 5: Church History, Series 6: Artifacts, Blueprints, Photographs and Newspaper Clippings, Series 7: Manuscript Volumes including registers, vestry minutes, Series 8: Additions received from 2010 onward.  The printed books belonging to the Bruton Parish Church Collection are cataloged in the Swem Library online catalog,\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection includes the following series:Series 1: Administrative Records, Series 2: Diocese, Ministers and Other Personnel, Series 3: Church Programs and Services, Series 4: Buildings and Grounds, Series 5: Church History, Series 6: Artifacts, Blueprints, Photographs and Newspaper Clippings, Series 7: Manuscript Volumes including registers, vestry minutes, Series 8: Additions received from 2010 onward.  The printed books belonging to the Bruton Parish Church Collection are cataloged in the Swem Library online catalog,"],"bioghist_html_tesm":["\u003cp\u003eBruton Parish Church is located in the restored area of Colonial Williamsburg in Williamsburg, Virginia. It was established in the 17th century in the Virginia Colony, and is an active Episcopal parish. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Bruton_Parish_Church_(Williamsburg,_Va.)\" title=\"Bruton Parish Church (Williamsburg, Va.)\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["Bruton Parish Church is located in the restored area of Colonial Williamsburg in Williamsburg, Virginia. It was established in the 17th century in the Virginia Colony, and is an active Episcopal parish. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eHeld by Bruton Parish Church until 1991. Certain parish registers remain at the church. Please contact the Manuscripts and Rare Books Librarian before coming to use the collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Held by Bruton Parish Church until 1991. Certain parish registers remain at the church. Please contact the Manuscripts and Rare Books Librarian before coming to use the collection."],"prefercite_html_tesm":["\u003cp\u003eBruton Parish Church (Williamsburg, Va.) Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Bruton Parish Church (Williamsburg, Va.) Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eThe collection was previously processed by various members of the Special Collections Research Center staff prior to 2008. In 2008-2009 Nichole Lidstrom arranged and described the records of Bruton Parish Church bringing together the various accessions into a single record group. Acc. 2013.246 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["The collection was previously processed by various members of the Special Collections Research Center staff prior to 2008. In 2008-2009 Nichole Lidstrom arranged and described the records of Bruton Parish Church bringing together the various accessions into a single record group. Acc. 2013.246 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eBruton Parish Church Parish Aid Society Minute Book (Mss. MsV Ch7), Bruton Parish Church Account Book (Mss. MsV Ac18). Mansucripts Audiovisual Collection (Mss. 1.04)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Bruton Parish Church Parish Aid Society Minute Book (Mss. MsV Ch7), Bruton Parish Church Account Book (Mss. MsV Ac18). Mansucripts Audiovisual Collection (Mss. 1.04)"],"scopecontent_html_tesm":["\u003cp\u003eRecords of Bruton Parish Church, Williamsburg, Va.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records of Bruton Parish Church, Williamsburg, Va."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following was separated from Acc. 2013.246 and are now part of the Manuscripts Audiovisual Collection:  \u003cemph render=\"italic\"\u003eA Williamsburg Recital\u003c/emph\u003e, played on the organ of Bruton Parish Church, James Darling, organist. CD. Acc. 2013.246.001    \n  \u003cemph render=\"italic\"\u003eExploring Bruton Steeple\u003c/emph\u003e, PBS Woodwright, January 1993. VHS. Acc. 2013.246.002    \n  \u003cemph render=\"italic\"\u003eExploring Bruton Steeple\u003c/emph\u003e, PBS Woodwright, January 1993. DVD. Acc. 2013.246.003   \n  \u003cemph render=\"italic\"\u003eA Concert of Eighteenth-Century Music \u003c/emph\u003eperformed by J.S. Darling on the Wren Chapel Organ at the College of William and Mary in Virginia, Phonograph. Acc. 2013.246.004\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The following was separated from Acc. 2013.246 and are now part of the Manuscripts Audiovisual Collection:   A Williamsburg Recital , played on the organ of Bruton Parish Church, James Darling, organist. CD. Acc. 2013.246.001    \n   Exploring Bruton Steeple , PBS Woodwright, January 1993. VHS. Acc. 2013.246.002    \n   Exploring Bruton Steeple , PBS Woodwright, January 1993. DVD. Acc. 2013.246.003   \n   A Concert of Eighteenth-Century Music  performed by J.S. Darling on the Wren Chapel Organ at the College of William and Mary in Virginia, Phonograph. Acc. 2013.246.004"],"names_coll_ssim":["Bruton Parish Church (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","Pendleton, Charlotte"],"corpname_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)"],"persname_ssim":["Pendleton, Charlotte"],"language_ssim":["English"],"total_component_count_is":2083,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:08:55.738Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8522"}},{"id":"viw_repositories_2_resources_8527","type":"collection","attributes":{"title":"Carl A. \"Pappy\" Fehr papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527#creator","type":"document_value","attributes":{"value":"Fehr, Carl A.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. "],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:33:00.545Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. "],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:33:00.545Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527"}},{"id":"viw_repositories_2_resources_473","type":"collection","attributes":{"title":"Chiles T. A. Larson Photograph Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_473#creator","type":"document_value","attributes":{"value":"Larson, Chiles T. A.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_473#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains photographic prints, negatives, and slides that were taken on various assignments by Chiles T. A. Larson as a photographic journalist. The photographs include images taken by Larsen while an undergraduate at William \u0026amp; Mary and include images of sports, Greek life, campus scenes, drama and television productions, and the Norfolk Division of William \u0026amp; Mary, today known as Old Dominion University. The Norfolk Division photographs supported an article published in the Alumni Magazine in 1960. Also present in the collection are color slides of the Highland estate of James Monroe, owned by William \u0026amp; Mary, taken by Larson on assignment for an article in the Spring 1995 issue of the \u003cem\u003eAlumni Magazine\u003c/em\u003e.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_473#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_473","ead_ssi":"viw_repositories_2_resources_473","_root_":"viw_repositories_2_resources_473","_nest_parent_":"viw_repositories_2_resources_473","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_473.xml","title_filing_ssi":"Larson, Chiles T. A.","title_ssm":["Chiles T. A. Larson Photograph Collection"],"title_tesim":["Chiles T. A. Larson Photograph Collection"],"unitdate_ssm":["1956-1995","1956-1960"],"unitdate_bulk_ssim":["1956-1960"],"unitdate_inclusive_ssm":["1956-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.079","/repositories/2/resources/473"],"text":["UA 5.079","/repositories/2/resources/473","Chiles T. A. Larson Photograph Collection","Associated and Branch Campuses--Norfolk Division","Athletics","College of William and Mary--Students","Sororities--Social","Negatives","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged by format and subject.","Chiles Thomas Adams Larson (1929-2021) was the son of Ralph Kermit Thomas Larson (W\u0026M student 1924-1925). Chiles Larson came to undergraduate studies at William \u0026 Mary in 1949 from Maury High School, Norfolk, Virginia. After one year he left college life for military service during the Korean War. Chiles Larson returned in 1956 and graduated with a B.A. in business in 1959. He was the author of  Virginia's Past Today  (1998) and  Barboursville Vineyards: Crafting Great Wines Inspired by Spirits of the Past  (2008).","Acc. 2012.240 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2012.","University Archives Photograph Collection (UA 8)","This collection contains photographic prints, negatives, and slides that were taken on various assignments by Chiles T. A. Larson as a photographic journalist. The photographs include images taken by Larsen while an undergraduate at William \u0026 Mary and include images of sports, Greek life, campus scenes, drama and television productions, and the Norfolk Division of William \u0026 Mary, today known as Old Dominion University. The Norfolk Division photographs supported an article published in the  Alumni Magazine  in 1960. Also present in the collection are color slides of the Highland estate of James Monroe, owned by William \u0026 Mary, taken by Larson on assignment for an article in the Spring 1995 issue of the  Alumni Magazine .","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Larson, Chiles T. A.","English"],"unitid_tesim":["UA 5.079","/repositories/2/resources/473"],"normalized_title_ssm":["Chiles T. A. Larson Photograph Collection"],"collection_title_tesim":["Chiles T. A. Larson Photograph Collection"],"collection_ssim":["Chiles T. A. Larson Photograph Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Larson, Chiles T. A."],"creator_ssim":["Larson, Chiles T. A."],"creator_persname_ssim":["Larson, Chiles T. A."],"creators_ssim":["Larson, Chiles T. A."],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2004.011 was received by the SCRC from Chiles T.A. Larson in 2004. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Associated and Branch Campuses--Norfolk Division","Athletics","College of William and Mary--Students","Sororities--Social","Negatives","Photographs"],"access_subjects_ssm":["Associated and Branch Campuses--Norfolk Division","Athletics","College of William and Mary--Students","Sororities--Social","Negatives","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"genreform_ssim":["Negatives","Photographs"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged by format and subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged by format and subject."],"bioghist_html_tesm":["\u003cp\u003eChiles Thomas Adams Larson (1929-2021) was the son of Ralph Kermit Thomas Larson (W\u0026amp;M student 1924-1925). Chiles Larson came to undergraduate studies at William \u0026amp; Mary in 1949 from Maury High School, Norfolk, Virginia. After one year he left college life for military service during the Korean War. Chiles Larson returned in 1956 and graduated with a B.A. in business in 1959. He was the author of \u003cemph\u003eVirginia's Past Today\u003c/emph\u003e (1998) and \u003cemph\u003eBarboursville Vineyards: Crafting Great Wines Inspired by Spirits of the Past\u003c/emph\u003e (2008).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Chiles Thomas Adams Larson (1929-2021) was the son of Ralph Kermit Thomas Larson (W\u0026M student 1924-1925). Chiles Larson came to undergraduate studies at William \u0026 Mary in 1949 from Maury High School, Norfolk, Virginia. After one year he left college life for military service during the Korean War. Chiles Larson returned in 1956 and graduated with a B.A. in business in 1959. He was the author of  Virginia's Past Today  (1998) and  Barboursville Vineyards: Crafting Great Wines Inspired by Spirits of the Past  (2008)."],"prefercite_html_tesm":["\u003cp\u003eChiles T. A. Larson Photograph Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Chiles T. A. Larson Photograph Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.240 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2012.240 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Photograph Collection (UA 8)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Photograph Collection (UA 8)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographic prints, negatives, and slides that were taken on various assignments by Chiles T. A. Larson as a photographic journalist. The photographs include images taken by Larsen while an undergraduate at William \u0026amp; Mary and include images of sports, Greek life, campus scenes, drama and television productions, and the Norfolk Division of William \u0026amp; Mary, today known as Old Dominion University. The Norfolk Division photographs supported an article published in the \u003cemph\u003eAlumni Magazine\u003c/emph\u003e in 1960. Also present in the collection are color slides of the Highland estate of James Monroe, owned by William \u0026amp; Mary, taken by Larson on assignment for an article in the Spring 1995 issue of the \u003cemph render=\"italic\"\u003eAlumni Magazine\u003c/emph\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photographic prints, negatives, and slides that were taken on various assignments by Chiles T. A. Larson as a photographic journalist. The photographs include images taken by Larsen while an undergraduate at William \u0026 Mary and include images of sports, Greek life, campus scenes, drama and television productions, and the Norfolk Division of William \u0026 Mary, today known as Old Dominion University. The Norfolk Division photographs supported an article published in the  Alumni Magazine  in 1960. Also present in the collection are color slides of the Highland estate of James Monroe, owned by William \u0026 Mary, taken by Larson on assignment for an article in the Spring 1995 issue of the  Alumni Magazine ."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Larson, Chiles T. A."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Larson, Chiles T. A."],"language_ssim":["English"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:33:48.652Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_473","ead_ssi":"viw_repositories_2_resources_473","_root_":"viw_repositories_2_resources_473","_nest_parent_":"viw_repositories_2_resources_473","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_473.xml","title_filing_ssi":"Larson, Chiles T. A.","title_ssm":["Chiles T. A. Larson Photograph Collection"],"title_tesim":["Chiles T. A. Larson Photograph Collection"],"unitdate_ssm":["1956-1995","1956-1960"],"unitdate_bulk_ssim":["1956-1960"],"unitdate_inclusive_ssm":["1956-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.079","/repositories/2/resources/473"],"text":["UA 5.079","/repositories/2/resources/473","Chiles T. A. Larson Photograph Collection","Associated and Branch Campuses--Norfolk Division","Athletics","College of William and Mary--Students","Sororities--Social","Negatives","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged by format and subject.","Chiles Thomas Adams Larson (1929-2021) was the son of Ralph Kermit Thomas Larson (W\u0026M student 1924-1925). Chiles Larson came to undergraduate studies at William \u0026 Mary in 1949 from Maury High School, Norfolk, Virginia. After one year he left college life for military service during the Korean War. Chiles Larson returned in 1956 and graduated with a B.A. in business in 1959. He was the author of  Virginia's Past Today  (1998) and  Barboursville Vineyards: Crafting Great Wines Inspired by Spirits of the Past  (2008).","Acc. 2012.240 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2012.","University Archives Photograph Collection (UA 8)","This collection contains photographic prints, negatives, and slides that were taken on various assignments by Chiles T. A. Larson as a photographic journalist. The photographs include images taken by Larsen while an undergraduate at William \u0026 Mary and include images of sports, Greek life, campus scenes, drama and television productions, and the Norfolk Division of William \u0026 Mary, today known as Old Dominion University. The Norfolk Division photographs supported an article published in the  Alumni Magazine  in 1960. Also present in the collection are color slides of the Highland estate of James Monroe, owned by William \u0026 Mary, taken by Larson on assignment for an article in the Spring 1995 issue of the  Alumni Magazine .","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Larson, Chiles T. A.","English"],"unitid_tesim":["UA 5.079","/repositories/2/resources/473"],"normalized_title_ssm":["Chiles T. A. Larson Photograph Collection"],"collection_title_tesim":["Chiles T. A. Larson Photograph Collection"],"collection_ssim":["Chiles T. A. Larson Photograph Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Larson, Chiles T. A."],"creator_ssim":["Larson, Chiles T. A."],"creator_persname_ssim":["Larson, Chiles T. A."],"creators_ssim":["Larson, Chiles T. A."],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2004.011 was received by the SCRC from Chiles T.A. Larson in 2004. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Associated and Branch Campuses--Norfolk Division","Athletics","College of William and Mary--Students","Sororities--Social","Negatives","Photographs"],"access_subjects_ssm":["Associated and Branch Campuses--Norfolk Division","Athletics","College of William and Mary--Students","Sororities--Social","Negatives","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"genreform_ssim":["Negatives","Photographs"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged by format and subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged by format and subject."],"bioghist_html_tesm":["\u003cp\u003eChiles Thomas Adams Larson (1929-2021) was the son of Ralph Kermit Thomas Larson (W\u0026amp;M student 1924-1925). Chiles Larson came to undergraduate studies at William \u0026amp; Mary in 1949 from Maury High School, Norfolk, Virginia. After one year he left college life for military service during the Korean War. Chiles Larson returned in 1956 and graduated with a B.A. in business in 1959. He was the author of \u003cemph\u003eVirginia's Past Today\u003c/emph\u003e (1998) and \u003cemph\u003eBarboursville Vineyards: Crafting Great Wines Inspired by Spirits of the Past\u003c/emph\u003e (2008).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Chiles Thomas Adams Larson (1929-2021) was the son of Ralph Kermit Thomas Larson (W\u0026M student 1924-1925). Chiles Larson came to undergraduate studies at William \u0026 Mary in 1949 from Maury High School, Norfolk, Virginia. After one year he left college life for military service during the Korean War. Chiles Larson returned in 1956 and graduated with a B.A. in business in 1959. He was the author of  Virginia's Past Today  (1998) and  Barboursville Vineyards: Crafting Great Wines Inspired by Spirits of the Past  (2008)."],"prefercite_html_tesm":["\u003cp\u003eChiles T. A. Larson Photograph Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Chiles T. A. Larson Photograph Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.240 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2012.240 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in June 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Photograph Collection (UA 8)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Photograph Collection (UA 8)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographic prints, negatives, and slides that were taken on various assignments by Chiles T. A. Larson as a photographic journalist. The photographs include images taken by Larsen while an undergraduate at William \u0026amp; Mary and include images of sports, Greek life, campus scenes, drama and television productions, and the Norfolk Division of William \u0026amp; Mary, today known as Old Dominion University. The Norfolk Division photographs supported an article published in the \u003cemph\u003eAlumni Magazine\u003c/emph\u003e in 1960. Also present in the collection are color slides of the Highland estate of James Monroe, owned by William \u0026amp; Mary, taken by Larson on assignment for an article in the Spring 1995 issue of the \u003cemph render=\"italic\"\u003eAlumni Magazine\u003c/emph\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photographic prints, negatives, and slides that were taken on various assignments by Chiles T. A. Larson as a photographic journalist. The photographs include images taken by Larsen while an undergraduate at William \u0026 Mary and include images of sports, Greek life, campus scenes, drama and television productions, and the Norfolk Division of William \u0026 Mary, today known as Old Dominion University. The Norfolk Division photographs supported an article published in the  Alumni Magazine  in 1960. Also present in the collection are color slides of the Highland estate of James Monroe, owned by William \u0026 Mary, taken by Larson on assignment for an article in the Spring 1995 issue of the  Alumni Magazine ."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Larson, Chiles T. A."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Larson, Chiles T. A."],"language_ssim":["English"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:33:48.652Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_473"}},{"id":"vifgm_repositories_2_resources_577","type":"collection","attributes":{"title":"College of Visual and Performing Arts records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_577#creator","type":"document_value","attributes":{"value":"George Mason University. College of Visual \u0026 Performing Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_577#abstract_or_scope","type":"document_value","attributes":{"value":"The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_577#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_577"}},{"id":"viw_repositories_2_resources_8541","type":"collection","attributes":{"title":"Colonial Echo records","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8541#creator","type":"document_value","attributes":{"value":"Colonial Echo","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8541#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection includes photographs and artifacts created for use in the College of William and Mary yearbook, the Colonial Echo. Note that many yearbook photographs may be part of the University Archives Photograph Collection due to the various copies made over time and the irregular accessioning of these photographs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8541#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8541","ead_ssi":"viw_repositories_2_resources_8541","_root_":"viw_repositories_2_resources_8541","_nest_parent_":"viw_repositories_2_resources_8541","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8541.xml","title_filing_ssi":"Colonial Echo records","title_ssm":["Colonial Echo records"],"title_tesim":["Colonial Echo records"],"unitdate_ssm":["1931-2004"],"unitdate_inclusive_ssm":["1931-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 8.001","/repositories/2/resources/8541"],"text":["UA 8.001","/repositories/2/resources/8541","Colonial Echo records","Athletics","College of William and Mary--Commencement","College of William and Mary--History--20th century","College of William and Mary--Students","Fraternities--Social","Sororities--Social","Student Life--1970's","Student Life--1980's","Negatives","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Colonial Echo, the William \u0026 Mary student yearbook, began publication in 1899. There were no volumes produced in 1900 or 1904.","Acc. 1987.36 was initially part of the Manuscripts Collection (Mss Acc. 1943-123) before being transferred to the University Archives.","The Colonial Echo records was formerly named Colonial Echo photographs.","University Archives Photograph Collection","The collection includes photographs and artifacts created for use in the College of William and Mary yearbook, the Colonial Echo.  Note that many yearbook photographs may be part of the University Archives Photograph Collection due to the various copies made over time and the irregular accessioning of these photographs.","Acc. 1987.036 is an album containing photographs used by EG Swem,Jr., as business manager, in the preparation of the 1931 Colonial Echo, Presented by EG Swem,Jr. January 26,1943.","Acc. 1988.78 consists of photographs used in the 1974 Colonial Echo organized by the page on which they were published. An inventory of this group of photographs is available in the Box List section of this finding aid.","Acc. 1991.054 consists of three boxes of photographs of individual students, information and photographs of student groups and activities, scenes of campus and the surrounding area, and occasionally administrators and faculty during 1986-1987. An inventory of this group of photographs is available in the Box List section of this finding aid.","Acc. 1994.60 consists of 2 boxes of unsorted photographs. Box 1 contains 1988 Colonial Echo photos, Box 2 contains 1991-1992 Colonial Echo photos.","Acc. 1999.081 is negatives possibly from the Colonial Echo.","Acc. 2010.439 Contains prints and negatives of photographs submitted to the student yearbook Colonial Echo for their annual publication, circa 2000 to 2004. The bulk of the photographs are images of student life, including athletics, student organizations, and fraternities and sororities. The photographs also consist of images from Convocation, Charter Day, Commencement, Last Day of Classes, faculty and staff, and individual student head shots for the yearbook.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Content\tLocation\tRange\tSection\tShelf\tExtent\nAcc. 1987.36 \tSwem Pav. B \t \t1294 \tG \t0.25 Cubic Feet \nAcc. 1988.78 \tSwem Pav. B \t \t1294 \tG \t0.50 Cubic Feet \nAcc. 1991.54 \tSwem Pav. B \t \t1294 \tG \t1.60 Cubic Feet \nAcc. 1994.60 \tSwem Pav. B \t \t1293 \tE \t2.00 Boxes \nAcc. 1999.081 \tSwem Pav. B \t \t1294 \tC \t4.00 Boxes \nAcc. 2010.439 \tSwem Pav. B \t \t1291 \tH \t4.00 Cubic Feet","Special Collections Research Center","Colonial Echo","Student Organizations--Colonial Echo","English"],"unitid_tesim":["UA 8.001","/repositories/2/resources/8541"],"normalized_title_ssm":["Colonial Echo records"],"collection_title_tesim":["Colonial Echo records"],"collection_ssim":["Colonial Echo records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Colonial Echo"],"creator_ssim":["Colonial Echo"],"creator_corpname_ssim":["Colonial Echo"],"creators_ssim":["Colonial Echo"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1987.36, gift of E. G. Swem, Jr., was received on 1/26/1987. Addition 2022.232 was donated by Gina Woodward."],"access_subjects_ssim":["Athletics","College of William and Mary--Commencement","College of William and Mary--History--20th century","College of William and Mary--Students","Fraternities--Social","Sororities--Social","Student Life--1970's","Student Life--1980's","Negatives","Photographs"],"access_subjects_ssm":["Athletics","College of William and Mary--Commencement","College of William and Mary--History--20th century","College of William and Mary--Students","Fraternities--Social","Sororities--Social","Student Life--1970's","Student Life--1980's","Negatives","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["10.85 Linear Feet 6 boxes"],"extent_tesim":["10.85 Linear Feet 6 boxes"],"genreform_ssim":["Negatives","Photographs"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe Colonial Echo, the William \u0026amp; Mary student yearbook, began publication in 1899. There were no volumes produced in 1900 or 1904.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Colonial Echo, the William \u0026 Mary student yearbook, began publication in 1899. There were no volumes produced in 1900 or 1904."],"custodhist_html_tesm":["\u003cp\u003eAcc. 1987.36 was initially part of the Manuscripts Collection (Mss Acc. 1943-123) before being transferred to the University Archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Acc. 1987.36 was initially part of the Manuscripts Collection (Mss Acc. 1943-123) before being transferred to the University Archives."],"prefercite_html_tesm":["\u003cp\u003eColonial Echo records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Colonial Echo records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Colonial Echo records was formerly named Colonial Echo photographs.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Colonial Echo records was formerly named Colonial Echo photographs."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Photograph Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Photograph Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs and artifacts created for use in the College of William and Mary yearbook, the Colonial Echo.  Note that many yearbook photographs may be part of the University Archives Photograph Collection due to the various copies made over time and the irregular accessioning of these photographs.\u003c/p\u003e\n","\u003cp\u003eAcc. 1987.036 is an album containing photographs used by EG Swem,Jr., as business manager, in the preparation of the 1931 Colonial Echo, Presented by EG Swem,Jr. January 26,1943.\u003c/p\u003e\n","\u003cp\u003eAcc. 1988.78 consists of photographs used in the 1974 Colonial Echo organized by the page on which they were published. An inventory of this group of photographs is available in the Box List section of this finding aid.\u003c/p\u003e\n","\u003cp\u003eAcc. 1991.054 consists of three boxes of photographs of individual students, information and photographs of student groups and activities, scenes of campus and the surrounding area, and occasionally administrators and faculty during 1986-1987. An inventory of this group of photographs is available in the Box List section of this finding aid.\u003c/p\u003e\n","\u003cp\u003eAcc. 1994.60 consists of 2 boxes of unsorted photographs. Box 1 contains 1988 Colonial Echo photos, Box 2 contains 1991-1992 Colonial Echo photos.\u003c/p\u003e\n","\u003cp\u003eAcc. 1999.081 is negatives possibly from the Colonial Echo.\u003c/p\u003e\n","\u003cp\u003eAcc. 2010.439 Contains prints and negatives of photographs submitted to the student yearbook Colonial Echo for their annual publication, circa 2000 to 2004. The bulk of the photographs are images of student life, including athletics, student organizations, and fraternities and sororities. The photographs also consist of images from Convocation, Charter Day, Commencement, Last Day of Classes, faculty and staff, and individual student head shots for the yearbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes photographs and artifacts created for use in the College of William and Mary yearbook, the Colonial Echo.  Note that many yearbook photographs may be part of the University Archives Photograph Collection due to the various copies made over time and the irregular accessioning of these photographs.","Acc. 1987.036 is an album containing photographs used by EG Swem,Jr., as business manager, in the preparation of the 1931 Colonial Echo, Presented by EG Swem,Jr. January 26,1943.","Acc. 1988.78 consists of photographs used in the 1974 Colonial Echo organized by the page on which they were published. An inventory of this group of photographs is available in the Box List section of this finding aid.","Acc. 1991.054 consists of three boxes of photographs of individual students, information and photographs of student groups and activities, scenes of campus and the surrounding area, and occasionally administrators and faculty during 1986-1987. An inventory of this group of photographs is available in the Box List section of this finding aid.","Acc. 1994.60 consists of 2 boxes of unsorted photographs. Box 1 contains 1988 Colonial Echo photos, Box 2 contains 1991-1992 Colonial Echo photos.","Acc. 1999.081 is negatives possibly from the Colonial Echo.","Acc. 2010.439 Contains prints and negatives of photographs submitted to the student yearbook Colonial Echo for their annual publication, circa 2000 to 2004. The bulk of the photographs are images of student life, including athletics, student organizations, and fraternities and sororities. The photographs also consist of images from Convocation, Charter Day, Commencement, Last Day of Classes, faculty and staff, and individual student head shots for the yearbook."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8da1609a71bcb7b38ac3414badd95a74\"\u003eContent\tLocation\tRange\tSection\tShelf\tExtent\nAcc. 1987.36 \tSwem Pav. B \t \t1294 \tG \t0.25 Cubic Feet \nAcc. 1988.78 \tSwem Pav. B \t \t1294 \tG \t0.50 Cubic Feet \nAcc. 1991.54 \tSwem Pav. B \t \t1294 \tG \t1.60 Cubic Feet \nAcc. 1994.60 \tSwem Pav. B \t \t1293 \tE \t2.00 Boxes \nAcc. 1999.081 \tSwem Pav. B \t \t1294 \tC \t4.00 Boxes \nAcc. 2010.439 \tSwem Pav. B \t \t1291 \tH \t4.00 Cubic Feet\u003c/physloc\u003e"],"physloc_tesim":["Content\tLocation\tRange\tSection\tShelf\tExtent\nAcc. 1987.36 \tSwem Pav. B \t \t1294 \tG \t0.25 Cubic Feet \nAcc. 1988.78 \tSwem Pav. B \t \t1294 \tG \t0.50 Cubic Feet \nAcc. 1991.54 \tSwem Pav. B \t \t1294 \tG \t1.60 Cubic Feet \nAcc. 1994.60 \tSwem Pav. B \t \t1293 \tE \t2.00 Boxes \nAcc. 1999.081 \tSwem Pav. B \t \t1294 \tC \t4.00 Boxes \nAcc. 2010.439 \tSwem Pav. B \t \t1291 \tH \t4.00 Cubic Feet"],"names_coll_ssim":["Student Organizations--Colonial Echo"],"names_ssim":["Special Collections Research Center","Colonial Echo","Student Organizations--Colonial Echo"],"corpname_ssim":["Special Collections Research Center","Colonial Echo","Student Organizations--Colonial Echo"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:28:13.704Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8541","ead_ssi":"viw_repositories_2_resources_8541","_root_":"viw_repositories_2_resources_8541","_nest_parent_":"viw_repositories_2_resources_8541","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8541.xml","title_filing_ssi":"Colonial Echo records","title_ssm":["Colonial Echo records"],"title_tesim":["Colonial Echo records"],"unitdate_ssm":["1931-2004"],"unitdate_inclusive_ssm":["1931-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 8.001","/repositories/2/resources/8541"],"text":["UA 8.001","/repositories/2/resources/8541","Colonial Echo records","Athletics","College of William and Mary--Commencement","College of William and Mary--History--20th century","College of William and Mary--Students","Fraternities--Social","Sororities--Social","Student Life--1970's","Student Life--1980's","Negatives","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Colonial Echo, the William \u0026 Mary student yearbook, began publication in 1899. There were no volumes produced in 1900 or 1904.","Acc. 1987.36 was initially part of the Manuscripts Collection (Mss Acc. 1943-123) before being transferred to the University Archives.","The Colonial Echo records was formerly named Colonial Echo photographs.","University Archives Photograph Collection","The collection includes photographs and artifacts created for use in the College of William and Mary yearbook, the Colonial Echo.  Note that many yearbook photographs may be part of the University Archives Photograph Collection due to the various copies made over time and the irregular accessioning of these photographs.","Acc. 1987.036 is an album containing photographs used by EG Swem,Jr., as business manager, in the preparation of the 1931 Colonial Echo, Presented by EG Swem,Jr. January 26,1943.","Acc. 1988.78 consists of photographs used in the 1974 Colonial Echo organized by the page on which they were published. An inventory of this group of photographs is available in the Box List section of this finding aid.","Acc. 1991.054 consists of three boxes of photographs of individual students, information and photographs of student groups and activities, scenes of campus and the surrounding area, and occasionally administrators and faculty during 1986-1987. An inventory of this group of photographs is available in the Box List section of this finding aid.","Acc. 1994.60 consists of 2 boxes of unsorted photographs. Box 1 contains 1988 Colonial Echo photos, Box 2 contains 1991-1992 Colonial Echo photos.","Acc. 1999.081 is negatives possibly from the Colonial Echo.","Acc. 2010.439 Contains prints and negatives of photographs submitted to the student yearbook Colonial Echo for their annual publication, circa 2000 to 2004. The bulk of the photographs are images of student life, including athletics, student organizations, and fraternities and sororities. The photographs also consist of images from Convocation, Charter Day, Commencement, Last Day of Classes, faculty and staff, and individual student head shots for the yearbook.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Content\tLocation\tRange\tSection\tShelf\tExtent\nAcc. 1987.36 \tSwem Pav. B \t \t1294 \tG \t0.25 Cubic Feet \nAcc. 1988.78 \tSwem Pav. B \t \t1294 \tG \t0.50 Cubic Feet \nAcc. 1991.54 \tSwem Pav. B \t \t1294 \tG \t1.60 Cubic Feet \nAcc. 1994.60 \tSwem Pav. B \t \t1293 \tE \t2.00 Boxes \nAcc. 1999.081 \tSwem Pav. B \t \t1294 \tC \t4.00 Boxes \nAcc. 2010.439 \tSwem Pav. B \t \t1291 \tH \t4.00 Cubic Feet","Special Collections Research Center","Colonial Echo","Student Organizations--Colonial Echo","English"],"unitid_tesim":["UA 8.001","/repositories/2/resources/8541"],"normalized_title_ssm":["Colonial Echo records"],"collection_title_tesim":["Colonial Echo records"],"collection_ssim":["Colonial Echo records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Colonial Echo"],"creator_ssim":["Colonial Echo"],"creator_corpname_ssim":["Colonial Echo"],"creators_ssim":["Colonial Echo"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1987.36, gift of E. G. Swem, Jr., was received on 1/26/1987. Addition 2022.232 was donated by Gina Woodward."],"access_subjects_ssim":["Athletics","College of William and Mary--Commencement","College of William and Mary--History--20th century","College of William and Mary--Students","Fraternities--Social","Sororities--Social","Student Life--1970's","Student Life--1980's","Negatives","Photographs"],"access_subjects_ssm":["Athletics","College of William and Mary--Commencement","College of William and Mary--History--20th century","College of William and Mary--Students","Fraternities--Social","Sororities--Social","Student Life--1970's","Student Life--1980's","Negatives","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["10.85 Linear Feet 6 boxes"],"extent_tesim":["10.85 Linear Feet 6 boxes"],"genreform_ssim":["Negatives","Photographs"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe Colonial Echo, the William \u0026amp; Mary student yearbook, began publication in 1899. There were no volumes produced in 1900 or 1904.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Colonial Echo, the William \u0026 Mary student yearbook, began publication in 1899. There were no volumes produced in 1900 or 1904."],"custodhist_html_tesm":["\u003cp\u003eAcc. 1987.36 was initially part of the Manuscripts Collection (Mss Acc. 1943-123) before being transferred to the University Archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Acc. 1987.36 was initially part of the Manuscripts Collection (Mss Acc. 1943-123) before being transferred to the University Archives."],"prefercite_html_tesm":["\u003cp\u003eColonial Echo records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Colonial Echo records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Colonial Echo records was formerly named Colonial Echo photographs.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Colonial Echo records was formerly named Colonial Echo photographs."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Photograph Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Photograph Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs and artifacts created for use in the College of William and Mary yearbook, the Colonial Echo.  Note that many yearbook photographs may be part of the University Archives Photograph Collection due to the various copies made over time and the irregular accessioning of these photographs.\u003c/p\u003e\n","\u003cp\u003eAcc. 1987.036 is an album containing photographs used by EG Swem,Jr., as business manager, in the preparation of the 1931 Colonial Echo, Presented by EG Swem,Jr. January 26,1943.\u003c/p\u003e\n","\u003cp\u003eAcc. 1988.78 consists of photographs used in the 1974 Colonial Echo organized by the page on which they were published. An inventory of this group of photographs is available in the Box List section of this finding aid.\u003c/p\u003e\n","\u003cp\u003eAcc. 1991.054 consists of three boxes of photographs of individual students, information and photographs of student groups and activities, scenes of campus and the surrounding area, and occasionally administrators and faculty during 1986-1987. An inventory of this group of photographs is available in the Box List section of this finding aid.\u003c/p\u003e\n","\u003cp\u003eAcc. 1994.60 consists of 2 boxes of unsorted photographs. Box 1 contains 1988 Colonial Echo photos, Box 2 contains 1991-1992 Colonial Echo photos.\u003c/p\u003e\n","\u003cp\u003eAcc. 1999.081 is negatives possibly from the Colonial Echo.\u003c/p\u003e\n","\u003cp\u003eAcc. 2010.439 Contains prints and negatives of photographs submitted to the student yearbook Colonial Echo for their annual publication, circa 2000 to 2004. The bulk of the photographs are images of student life, including athletics, student organizations, and fraternities and sororities. The photographs also consist of images from Convocation, Charter Day, Commencement, Last Day of Classes, faculty and staff, and individual student head shots for the yearbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes photographs and artifacts created for use in the College of William and Mary yearbook, the Colonial Echo.  Note that many yearbook photographs may be part of the University Archives Photograph Collection due to the various copies made over time and the irregular accessioning of these photographs.","Acc. 1987.036 is an album containing photographs used by EG Swem,Jr., as business manager, in the preparation of the 1931 Colonial Echo, Presented by EG Swem,Jr. January 26,1943.","Acc. 1988.78 consists of photographs used in the 1974 Colonial Echo organized by the page on which they were published. An inventory of this group of photographs is available in the Box List section of this finding aid.","Acc. 1991.054 consists of three boxes of photographs of individual students, information and photographs of student groups and activities, scenes of campus and the surrounding area, and occasionally administrators and faculty during 1986-1987. An inventory of this group of photographs is available in the Box List section of this finding aid.","Acc. 1994.60 consists of 2 boxes of unsorted photographs. Box 1 contains 1988 Colonial Echo photos, Box 2 contains 1991-1992 Colonial Echo photos.","Acc. 1999.081 is negatives possibly from the Colonial Echo.","Acc. 2010.439 Contains prints and negatives of photographs submitted to the student yearbook Colonial Echo for their annual publication, circa 2000 to 2004. The bulk of the photographs are images of student life, including athletics, student organizations, and fraternities and sororities. The photographs also consist of images from Convocation, Charter Day, Commencement, Last Day of Classes, faculty and staff, and individual student head shots for the yearbook."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8da1609a71bcb7b38ac3414badd95a74\"\u003eContent\tLocation\tRange\tSection\tShelf\tExtent\nAcc. 1987.36 \tSwem Pav. B \t \t1294 \tG \t0.25 Cubic Feet \nAcc. 1988.78 \tSwem Pav. B \t \t1294 \tG \t0.50 Cubic Feet \nAcc. 1991.54 \tSwem Pav. B \t \t1294 \tG \t1.60 Cubic Feet \nAcc. 1994.60 \tSwem Pav. B \t \t1293 \tE \t2.00 Boxes \nAcc. 1999.081 \tSwem Pav. B \t \t1294 \tC \t4.00 Boxes \nAcc. 2010.439 \tSwem Pav. B \t \t1291 \tH \t4.00 Cubic Feet\u003c/physloc\u003e"],"physloc_tesim":["Content\tLocation\tRange\tSection\tShelf\tExtent\nAcc. 1987.36 \tSwem Pav. B \t \t1294 \tG \t0.25 Cubic Feet \nAcc. 1988.78 \tSwem Pav. B \t \t1294 \tG \t0.50 Cubic Feet \nAcc. 1991.54 \tSwem Pav. B \t \t1294 \tG \t1.60 Cubic Feet \nAcc. 1994.60 \tSwem Pav. B \t \t1293 \tE \t2.00 Boxes \nAcc. 1999.081 \tSwem Pav. B \t \t1294 \tC \t4.00 Boxes \nAcc. 2010.439 \tSwem Pav. B \t \t1291 \tH \t4.00 Cubic Feet"],"names_coll_ssim":["Student Organizations--Colonial Echo"],"names_ssim":["Special Collections Research Center","Colonial Echo","Student Organizations--Colonial Echo"],"corpname_ssim":["Special Collections Research Center","Colonial Echo","Student Organizations--Colonial Echo"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:28:13.704Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8541"}},{"id":"vifgm_repositories_2_resources_520","type":"collection","attributes":{"title":"C-SPAN records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_520#creator","type":"document_value","attributes":{"value":"C-SPAN Corporation","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_520#abstract_or_scope","type":"document_value","attributes":{"value":"The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_520#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"unitdate_inclusive_ssm":["1809-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"text":["C0270","/repositories/2/resources/520","C-SPAN records","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed ","Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","","","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions (photographs, scans, etc.) of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"normalized_title_ssm":["C-SPAN records"],"collection_title_tesim":["C-SPAN records"],"collection_ssim":["C-SPAN records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne"],"creator_corpname_ssim":["C-SPAN Corporation"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","C-SPAN Corporation"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"access_terms_ssm":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions (photographs, scans, etc.) of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed "],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["",""],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e\n","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e\n","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e\n","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e\n","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e\n","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e\n","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e\n","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e\n","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e\n","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e\n","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e\n","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e\n","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e\n","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e\n","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions (photographs, scans, etc.) of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions (photographs, scans, etc.) of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e"],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e"],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:21:05.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"unitdate_inclusive_ssm":["1809-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"text":["C0270","/repositories/2/resources/520","C-SPAN records","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed ","Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","","","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions (photographs, scans, etc.) of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"normalized_title_ssm":["C-SPAN records"],"collection_title_tesim":["C-SPAN records"],"collection_ssim":["C-SPAN records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne"],"creator_corpname_ssim":["C-SPAN Corporation"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","C-SPAN Corporation"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"access_terms_ssm":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions (photographs, scans, etc.) of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed "],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["",""],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e\n","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e\n","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch Betacam or U-matic tapes, as well as other obsolete audiovisual formats contained in Series 10. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e\n","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e\n","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e\n","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e\n","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e\n","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e\n","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e\n","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e\n","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e\n","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e\n","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e\n","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e\n","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions (photographs, scans, etc.) of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions (photographs, scans, etc.) of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e"],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e"],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:21:05.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_520"}},{"id":"viw_repositories_2_resources_1892","type":"collection","attributes":{"title":"Howard Scammon Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1892#creator","type":"document_value","attributes":{"value":"Scammon, Howard, 1911-1999","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1892#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of correspondence, clippings, photographs, programs, playbooks and other material collected by William and Mary Theatre professor Howard Scammon. The bulk of the material is correspondence between Scammon and his former students, but the papers also include documentation related to the William and Mary Theatre, The Common Glory, the Jamestown Festival of 1957, other Williamsburg theatre groups and famous William and Mary alumni such as Glenn Close and Linda Lavin. Some personal papers are also included.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1892#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1892","ead_ssi":"viw_repositories_2_resources_1892","_root_":"viw_repositories_2_resources_1892","_nest_parent_":"viw_repositories_2_resources_1892","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1892.xml","title_filing_ssi":"Scammon, Howard, Papers","title_ssm":["Howard Scammon Papers"],"title_tesim":["Howard Scammon Papers"],"unitdate_ssm":["1917-1994","1940-1970"],"unitdate_bulk_ssim":["1940-1970"],"unitdate_inclusive_ssm":["1917-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. Acc. 1992.38 and additions","/repositories/2/resources/1892"],"text":["01/Mss. Acc. 1992.38 and additions","/repositories/2/resources/1892","Howard Scammon Papers","Williamsburg (Va.)--History--Drama","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs","Buildings and Grounds--Lake Matoaka Ampitheatre","College of William and Mary--Faculty and Staff","College theater--United States","Jamestown 350th Anniversary","Jamestown Festival (1957)","Student Plays","Theater","Visitors to Campus--Queen Elizabeth II (1957)","Birthday cards","Christmas cards","Clippings (information artifacts)","Correspondence","Greeting cards","Letters (correspondence)","Negatives","Notebooks","Photographs","Plays (document genre)","Scrapbooks","Scripts (documents)","Slides (photographs)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The papers have been arranged into 7 series:  Series 1:  Correspondence; Series 2:  Former Students, Series 3: Theatre, Series 4:  Printed Material, Series 5:  News Releases, Series 6:  Photographs, Slides and Negatives and Series 7:  Howard Scammon-Personal Papers."," Material from all accessions were combined into these series."," All personal correspondence from each accession has been combined and arranged in alphabetical order.  The letters are mostly from former students of Howard Scammon."," As of August 2014, Boxes 1 - 8, Series 1, Correspondence has been completely processed with envelopes behind the letters.   Boxes 9 - 12 are arranged alphabetically, but not in strict A-Z order, with envelopes in front of the letters.","Howard Scammon was a student (1929-1934) and faculty member at the College of William and Mary in the Department of Theatre. He died in 1999. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Acc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010.","William and Mary Theatre Records(UA 67); Department of Theatre, Speech, and Dance Records (UA 59); University Archives Audiovisual Collections (UA 58); Linda Lavin Papers (88 L39); Louis E. Catron Papers (Mss. Acc. 2001.50); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52)."," Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:"," Framed \"Get Well\" Needle Work (Mss. 1992.38.01), \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)","This collection consists of correspondence, clippings, photographs, programs, playbooks and other material collected by William and Mary Theatre professor Howard Scammon. The bulk of the material is correspondence between Scammon and his former students, but the papers also include documentation related to the William and Mary Theatre, The Common Glory, the Jamestown Festival of 1957, other Williamsburg theatre groups and famous William and Mary alumni such as Glenn Close and Linda Lavin.  Some personal papers are also included.","Acc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010."," Mss. Acc. 2014.003 Frances Breeze Music Collection was separated from the Howard Scammon papers on 01/14/2014.  Frances Breeze's gift was via Howard Scammon in 1983. The following items were removed from Mss. Acc. 2014.003 and were added to the Manuscripts Audiovisual Collection under Mss Acc. 2014.003 on 1/28/2014:"," Recording tape:  Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape:  \"Chapman Tape I\""," 3M Music Mastering Tape:  \"Chapman II\""," The following books have been removed from Mss. Acc. 2014.003 and are cataloged as Rare Books:"," The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026 Co., London and New York, edition is prior to 1899; The Victor Book of the Opera, Victor Talking Machine Co., Campden, NJ, 1912, owned by Harold Chapman; Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904, Frances Breeze performed some of this music and The Sound of Music/Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., NY, 1960."," Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:"," \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Theatre, Speech, and Dance","Jamestown Corporation","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Colonial Williamsburg Foundation","Newport News Women's Club (Va.)","Phi Beta Kappa. Virginia Alpha (College of William and Mary)","Virginia Shakespeare Festival","Williamsburg Players (Williamsburg, Va.)","Scammon, Howard, 1911-1999","Close, Glenn, 1947-","Lavin, Linda, 1937-","Long, William Ivey","English"],"unitid_tesim":["01/Mss. Acc. 1992.38 and additions","/repositories/2/resources/1892"],"normalized_title_ssm":["Howard Scammon Papers"],"collection_title_tesim":["Howard Scammon Papers"],"collection_ssim":["Howard Scammon Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--Drama","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"geogname_ssim":["Williamsburg (Va.)--History--Drama","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"creator_ssm":["Scammon, Howard, 1911-1999","Dept. of Theatre, Speech, and Dance","Jamestown Corporation"],"creator_ssim":["Scammon, Howard, 1911-1999","Dept. of Theatre, Speech, and Dance","Jamestown Corporation"],"creator_persname_ssim":["Scammon, Howard, 1911-1999"],"creator_corpname_ssim":["Dept. of Theatre, Speech, and Dance","Jamestown Corporation"],"creators_ssim":["Scammon, Howard, 1911-1999","Dept. of Theatre, Speech, and Dance","Jamestown Corporation"],"places_ssim":["Williamsburg (Va.)--History--Drama","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["1992.38:  500 items, gift of Howard Scammon, was received on 8/5/1992; 1993.44, gift of Howard Scammon, was received on 6/23/1993; 1993.73:  300 items, gift of Howard Scammon, was received on 12/13/1993; 1994.03:  75 items, gift of Howard Scammon, was received on 1/20/1994; 1994.12:  100 items, gift of Howard Scammon, was received on 2/18/1994; 1994.22:  50 items, gift of Howard Scammon, was received on 4/1/1994; 1994.27:  150 items, gift of Howard Scammon, was received on 4/6/1994; 1995.14:  500 items, gift of Howard Scammon, was received on 3/20/1995; Acc. 2002.053 acquired 10/07/2002; Acc. 2002.063 acquired 09/30/2002. One cubic feet of records received sometime prior to 2006; the exact date of accession is unknown. 2010.154:  3 boxes, gift of Mark Thrash, administrator of Howard Scammon's estate, on 3/5/2010."],"access_subjects_ssim":["Buildings and Grounds--Lake Matoaka Ampitheatre","College of William and Mary--Faculty and Staff","College theater--United States","Jamestown 350th Anniversary","Jamestown Festival (1957)","Student Plays","Theater","Visitors to Campus--Queen Elizabeth II (1957)","Birthday cards","Christmas cards","Clippings (information artifacts)","Correspondence","Greeting cards","Letters (correspondence)","Negatives","Notebooks","Photographs","Plays (document genre)","Scrapbooks","Scripts (documents)","Slides (photographs)"],"access_subjects_ssm":["Buildings and Grounds--Lake Matoaka Ampitheatre","College of William and Mary--Faculty and Staff","College theater--United States","Jamestown 350th Anniversary","Jamestown Festival (1957)","Student Plays","Theater","Visitors to Campus--Queen Elizabeth II (1957)","Birthday cards","Christmas cards","Clippings (information artifacts)","Correspondence","Greeting cards","Letters (correspondence)","Negatives","Notebooks","Photographs","Plays (document genre)","Scrapbooks","Scripts (documents)","Slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"genreform_ssim":["Birthday cards","Christmas cards","Clippings (information artifacts)","Correspondence","Greeting cards","Letters (correspondence)","Negatives","Notebooks","Photographs","Plays (document genre)","Scrapbooks","Scripts (documents)","Slides (photographs)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe papers have been arranged into 7 series:  Series 1:  Correspondence; Series 2:  Former Students, Series 3: Theatre, Series 4:  Printed Material, Series 5:  News Releases, Series 6:  Photographs, Slides and Negatives and Series 7:  Howard Scammon-Personal Papers.\u003c/p\u003e\n","\u003cp\u003e Material from all accessions were combined into these series.\u003c/p\u003e\n","\u003cp\u003e All personal correspondence from each accession has been combined and arranged in alphabetical order.  The letters are mostly from former students of Howard Scammon.\u003c/p\u003e\n","\u003cp\u003e As of August 2014, Boxes 1 - 8, Series 1, Correspondence has been completely processed with envelopes behind the letters.   Boxes 9 - 12 are arranged alphabetically, but not in strict A-Z order, with envelopes in front of the letters.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The papers have been arranged into 7 series:  Series 1:  Correspondence; Series 2:  Former Students, Series 3: Theatre, Series 4:  Printed Material, Series 5:  News Releases, Series 6:  Photographs, Slides and Negatives and Series 7:  Howard Scammon-Personal Papers."," Material from all accessions were combined into these series."," All personal correspondence from each accession has been combined and arranged in alphabetical order.  The letters are mostly from former students of Howard Scammon."," As of August 2014, Boxes 1 - 8, Series 1, Correspondence has been completely processed with envelopes behind the letters.   Boxes 9 - 12 are arranged alphabetically, but not in strict A-Z order, with envelopes in front of the letters."],"bioghist_html_tesm":["\u003cp\u003eHoward Scammon was a student (1929-1934) and faculty member at the College of William and Mary in the Department of Theatre. He died in 1999. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Howard_Scammon\" title=\"Howard Scammon\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Howard Scammon was a student (1929-1934) and faculty member at the College of William and Mary in the Department of Theatre. He died in 1999. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eAcc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Acc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010."],"prefercite_html_tesm":["\u003cp\u003eHoward Scammon Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Howard Scammon Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam and Mary Theatre Records(UA 67); Department of Theatre, Speech, and Dance Records (UA 59); University Archives Audiovisual Collections (UA 58); Linda Lavin Papers (88 L39); Louis E. Catron Papers (Mss. Acc. 2001.50); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52).\u003c/p\u003e\n","\u003cp\u003e Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:\u003c/p\u003e\n","\u003cp\u003e Framed \"Get Well\" Needle Work (Mss. 1992.38.01), \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["William and Mary Theatre Records(UA 67); Department of Theatre, Speech, and Dance Records (UA 59); University Archives Audiovisual Collections (UA 58); Linda Lavin Papers (88 L39); Louis E. Catron Papers (Mss. Acc. 2001.50); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52)."," Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:"," Framed \"Get Well\" Needle Work (Mss. 1992.38.01), \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of correspondence, clippings, photographs, programs, playbooks and other material collected by William and Mary Theatre professor Howard Scammon. The bulk of the material is correspondence between Scammon and his former students, but the papers also include documentation related to the William and Mary Theatre, The Common Glory, the Jamestown Festival of 1957, other Williamsburg theatre groups and famous William and Mary alumni such as Glenn Close and Linda Lavin.  Some personal papers are also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of correspondence, clippings, photographs, programs, playbooks and other material collected by William and Mary Theatre professor Howard Scammon. The bulk of the material is correspondence between Scammon and his former students, but the papers also include documentation related to the William and Mary Theatre, The Common Glory, the Jamestown Festival of 1957, other Williamsburg theatre groups and famous William and Mary alumni such as Glenn Close and Linda Lavin.  Some personal papers are also included."],"separatedmaterial_html_tesm":["\u003cp\u003eAcc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2014.003 Frances Breeze Music Collection was separated from the Howard Scammon papers on 01/14/2014.  Frances Breeze's gift was via Howard Scammon in 1983. The following items were removed from Mss. Acc. 2014.003 and were added to the Manuscripts Audiovisual Collection under Mss Acc. 2014.003 on 1/28/2014:\u003c/p\u003e\n","\u003cp\u003e Recording tape:  Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.\u003c/p\u003e\n","\u003cp\u003e Scotch 3m Music Mastering tape:  \"Chapman Tape I\"\u003c/p\u003e\n","\u003cp\u003e 3M Music Mastering Tape:  \"Chapman II\"\u003c/p\u003e\n","\u003cp\u003e The following books have been removed from Mss. Acc. 2014.003 and are cataloged as Rare Books:\u003c/p\u003e\n","\u003cp\u003e The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026amp; Co., London and New York, edition is prior to 1899; The Victor Book of the Opera, Victor Talking Machine Co., Campden, NJ, 1912, owned by Harold Chapman; Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904, Frances Breeze performed some of this music and The Sound of Music/Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., NY, 1960.\u003c/p\u003e\n","\u003cp\u003e Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:\u003c/p\u003e\n","\u003cp\u003e \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Acc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010."," Mss. Acc. 2014.003 Frances Breeze Music Collection was separated from the Howard Scammon papers on 01/14/2014.  Frances Breeze's gift was via Howard Scammon in 1983. The following items were removed from Mss. Acc. 2014.003 and were added to the Manuscripts Audiovisual Collection under Mss Acc. 2014.003 on 1/28/2014:"," Recording tape:  Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape:  \"Chapman Tape I\""," 3M Music Mastering Tape:  \"Chapman II\""," The following books have been removed from Mss. Acc. 2014.003 and are cataloged as Rare Books:"," The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026 Co., London and New York, edition is prior to 1899; The Victor Book of the Opera, Victor Talking Machine Co., Campden, NJ, 1912, owned by Harold Chapman; Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904, Frances Breeze performed some of this music and The Sound of Music/Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., NY, 1960."," Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:"," \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Colonial Williamsburg Foundation","Newport News Women's Club (Va.)","Phi Beta Kappa. Virginia Alpha (College of William and Mary)","Virginia Shakespeare Festival","Williamsburg Players (Williamsburg, Va.)","Close, Glenn, 1947-","Lavin, Linda, 1937-","Long, William Ivey"],"names_ssim":["Special Collections Research Center","Dept. of Theatre, Speech, and Dance","Jamestown Corporation","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Colonial Williamsburg Foundation","Newport News Women's Club (Va.)","Phi Beta Kappa. Virginia Alpha (College of William and Mary)","Virginia Shakespeare Festival","Williamsburg Players (Williamsburg, Va.)","Scammon, Howard, 1911-1999","Close, Glenn, 1947-","Lavin, Linda, 1937-","Long, William Ivey"],"corpname_ssim":["Special Collections Research Center","Dept. of Theatre, Speech, and Dance","Jamestown Corporation","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Colonial Williamsburg Foundation","Newport News Women's Club (Va.)","Phi Beta Kappa. Virginia Alpha (College of William and Mary)","Virginia Shakespeare Festival","Williamsburg Players (Williamsburg, Va.)"],"persname_ssim":["Scammon, Howard, 1911-1999","Close, Glenn, 1947-","Lavin, Linda, 1937-","Long, William Ivey"],"language_ssim":["English"],"total_component_count_is":321,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-09T07:07:48.990Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1892","ead_ssi":"viw_repositories_2_resources_1892","_root_":"viw_repositories_2_resources_1892","_nest_parent_":"viw_repositories_2_resources_1892","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1892.xml","title_filing_ssi":"Scammon, Howard, Papers","title_ssm":["Howard Scammon Papers"],"title_tesim":["Howard Scammon Papers"],"unitdate_ssm":["1917-1994","1940-1970"],"unitdate_bulk_ssim":["1940-1970"],"unitdate_inclusive_ssm":["1917-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. Acc. 1992.38 and additions","/repositories/2/resources/1892"],"text":["01/Mss. Acc. 1992.38 and additions","/repositories/2/resources/1892","Howard Scammon Papers","Williamsburg (Va.)--History--Drama","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs","Buildings and Grounds--Lake Matoaka Ampitheatre","College of William and Mary--Faculty and Staff","College theater--United States","Jamestown 350th Anniversary","Jamestown Festival (1957)","Student Plays","Theater","Visitors to Campus--Queen Elizabeth II (1957)","Birthday cards","Christmas cards","Clippings (information artifacts)","Correspondence","Greeting cards","Letters (correspondence)","Negatives","Notebooks","Photographs","Plays (document genre)","Scrapbooks","Scripts (documents)","Slides (photographs)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The papers have been arranged into 7 series:  Series 1:  Correspondence; Series 2:  Former Students, Series 3: Theatre, Series 4:  Printed Material, Series 5:  News Releases, Series 6:  Photographs, Slides and Negatives and Series 7:  Howard Scammon-Personal Papers."," Material from all accessions were combined into these series."," All personal correspondence from each accession has been combined and arranged in alphabetical order.  The letters are mostly from former students of Howard Scammon."," As of August 2014, Boxes 1 - 8, Series 1, Correspondence has been completely processed with envelopes behind the letters.   Boxes 9 - 12 are arranged alphabetically, but not in strict A-Z order, with envelopes in front of the letters.","Howard Scammon was a student (1929-1934) and faculty member at the College of William and Mary in the Department of Theatre. He died in 1999. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Acc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010.","William and Mary Theatre Records(UA 67); Department of Theatre, Speech, and Dance Records (UA 59); University Archives Audiovisual Collections (UA 58); Linda Lavin Papers (88 L39); Louis E. Catron Papers (Mss. Acc. 2001.50); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52)."," Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:"," Framed \"Get Well\" Needle Work (Mss. 1992.38.01), \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)","This collection consists of correspondence, clippings, photographs, programs, playbooks and other material collected by William and Mary Theatre professor Howard Scammon. The bulk of the material is correspondence between Scammon and his former students, but the papers also include documentation related to the William and Mary Theatre, The Common Glory, the Jamestown Festival of 1957, other Williamsburg theatre groups and famous William and Mary alumni such as Glenn Close and Linda Lavin.  Some personal papers are also included.","Acc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010."," Mss. Acc. 2014.003 Frances Breeze Music Collection was separated from the Howard Scammon papers on 01/14/2014.  Frances Breeze's gift was via Howard Scammon in 1983. The following items were removed from Mss. Acc. 2014.003 and were added to the Manuscripts Audiovisual Collection under Mss Acc. 2014.003 on 1/28/2014:"," Recording tape:  Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape:  \"Chapman Tape I\""," 3M Music Mastering Tape:  \"Chapman II\""," The following books have been removed from Mss. Acc. 2014.003 and are cataloged as Rare Books:"," The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026 Co., London and New York, edition is prior to 1899; The Victor Book of the Opera, Victor Talking Machine Co., Campden, NJ, 1912, owned by Harold Chapman; Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904, Frances Breeze performed some of this music and The Sound of Music/Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., NY, 1960."," Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:"," \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Theatre, Speech, and Dance","Jamestown Corporation","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Colonial Williamsburg Foundation","Newport News Women's Club (Va.)","Phi Beta Kappa. Virginia Alpha (College of William and Mary)","Virginia Shakespeare Festival","Williamsburg Players (Williamsburg, Va.)","Scammon, Howard, 1911-1999","Close, Glenn, 1947-","Lavin, Linda, 1937-","Long, William Ivey","English"],"unitid_tesim":["01/Mss. Acc. 1992.38 and additions","/repositories/2/resources/1892"],"normalized_title_ssm":["Howard Scammon Papers"],"collection_title_tesim":["Howard Scammon Papers"],"collection_ssim":["Howard Scammon Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--Drama","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"geogname_ssim":["Williamsburg (Va.)--History--Drama","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"creator_ssm":["Scammon, Howard, 1911-1999","Dept. of Theatre, Speech, and Dance","Jamestown Corporation"],"creator_ssim":["Scammon, Howard, 1911-1999","Dept. of Theatre, Speech, and Dance","Jamestown Corporation"],"creator_persname_ssim":["Scammon, Howard, 1911-1999"],"creator_corpname_ssim":["Dept. of Theatre, Speech, and Dance","Jamestown Corporation"],"creators_ssim":["Scammon, Howard, 1911-1999","Dept. of Theatre, Speech, and Dance","Jamestown Corporation"],"places_ssim":["Williamsburg (Va.)--History--Drama","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["1992.38:  500 items, gift of Howard Scammon, was received on 8/5/1992; 1993.44, gift of Howard Scammon, was received on 6/23/1993; 1993.73:  300 items, gift of Howard Scammon, was received on 12/13/1993; 1994.03:  75 items, gift of Howard Scammon, was received on 1/20/1994; 1994.12:  100 items, gift of Howard Scammon, was received on 2/18/1994; 1994.22:  50 items, gift of Howard Scammon, was received on 4/1/1994; 1994.27:  150 items, gift of Howard Scammon, was received on 4/6/1994; 1995.14:  500 items, gift of Howard Scammon, was received on 3/20/1995; Acc. 2002.053 acquired 10/07/2002; Acc. 2002.063 acquired 09/30/2002. One cubic feet of records received sometime prior to 2006; the exact date of accession is unknown. 2010.154:  3 boxes, gift of Mark Thrash, administrator of Howard Scammon's estate, on 3/5/2010."],"access_subjects_ssim":["Buildings and Grounds--Lake Matoaka Ampitheatre","College of William and Mary--Faculty and Staff","College theater--United States","Jamestown 350th Anniversary","Jamestown Festival (1957)","Student Plays","Theater","Visitors to Campus--Queen Elizabeth II (1957)","Birthday cards","Christmas cards","Clippings (information artifacts)","Correspondence","Greeting cards","Letters (correspondence)","Negatives","Notebooks","Photographs","Plays (document genre)","Scrapbooks","Scripts (documents)","Slides (photographs)"],"access_subjects_ssm":["Buildings and Grounds--Lake Matoaka Ampitheatre","College of William and Mary--Faculty and Staff","College theater--United States","Jamestown 350th Anniversary","Jamestown Festival (1957)","Student Plays","Theater","Visitors to Campus--Queen Elizabeth II (1957)","Birthday cards","Christmas cards","Clippings (information artifacts)","Correspondence","Greeting cards","Letters (correspondence)","Negatives","Notebooks","Photographs","Plays (document genre)","Scrapbooks","Scripts (documents)","Slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"genreform_ssim":["Birthday cards","Christmas cards","Clippings (information artifacts)","Correspondence","Greeting cards","Letters (correspondence)","Negatives","Notebooks","Photographs","Plays (document genre)","Scrapbooks","Scripts (documents)","Slides (photographs)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe papers have been arranged into 7 series:  Series 1:  Correspondence; Series 2:  Former Students, Series 3: Theatre, Series 4:  Printed Material, Series 5:  News Releases, Series 6:  Photographs, Slides and Negatives and Series 7:  Howard Scammon-Personal Papers.\u003c/p\u003e\n","\u003cp\u003e Material from all accessions were combined into these series.\u003c/p\u003e\n","\u003cp\u003e All personal correspondence from each accession has been combined and arranged in alphabetical order.  The letters are mostly from former students of Howard Scammon.\u003c/p\u003e\n","\u003cp\u003e As of August 2014, Boxes 1 - 8, Series 1, Correspondence has been completely processed with envelopes behind the letters.   Boxes 9 - 12 are arranged alphabetically, but not in strict A-Z order, with envelopes in front of the letters.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The papers have been arranged into 7 series:  Series 1:  Correspondence; Series 2:  Former Students, Series 3: Theatre, Series 4:  Printed Material, Series 5:  News Releases, Series 6:  Photographs, Slides and Negatives and Series 7:  Howard Scammon-Personal Papers."," Material from all accessions were combined into these series."," All personal correspondence from each accession has been combined and arranged in alphabetical order.  The letters are mostly from former students of Howard Scammon."," As of August 2014, Boxes 1 - 8, Series 1, Correspondence has been completely processed with envelopes behind the letters.   Boxes 9 - 12 are arranged alphabetically, but not in strict A-Z order, with envelopes in front of the letters."],"bioghist_html_tesm":["\u003cp\u003eHoward Scammon was a student (1929-1934) and faculty member at the College of William and Mary in the Department of Theatre. He died in 1999. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Howard_Scammon\" title=\"Howard Scammon\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Howard Scammon was a student (1929-1934) and faculty member at the College of William and Mary in the Department of Theatre. He died in 1999. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eAcc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Acc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010."],"prefercite_html_tesm":["\u003cp\u003eHoward Scammon Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Howard Scammon Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam and Mary Theatre Records(UA 67); Department of Theatre, Speech, and Dance Records (UA 59); University Archives Audiovisual Collections (UA 58); Linda Lavin Papers (88 L39); Louis E. Catron Papers (Mss. Acc. 2001.50); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52).\u003c/p\u003e\n","\u003cp\u003e Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:\u003c/p\u003e\n","\u003cp\u003e Framed \"Get Well\" Needle Work (Mss. 1992.38.01), \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["William and Mary Theatre Records(UA 67); Department of Theatre, Speech, and Dance Records (UA 59); University Archives Audiovisual Collections (UA 58); Linda Lavin Papers (88 L39); Louis E. Catron Papers (Mss. Acc. 2001.50); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52)."," Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:"," Framed \"Get Well\" Needle Work (Mss. 1992.38.01), \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of correspondence, clippings, photographs, programs, playbooks and other material collected by William and Mary Theatre professor Howard Scammon. The bulk of the material is correspondence between Scammon and his former students, but the papers also include documentation related to the William and Mary Theatre, The Common Glory, the Jamestown Festival of 1957, other Williamsburg theatre groups and famous William and Mary alumni such as Glenn Close and Linda Lavin.  Some personal papers are also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of correspondence, clippings, photographs, programs, playbooks and other material collected by William and Mary Theatre professor Howard Scammon. The bulk of the material is correspondence between Scammon and his former students, but the papers also include documentation related to the William and Mary Theatre, The Common Glory, the Jamestown Festival of 1957, other Williamsburg theatre groups and famous William and Mary alumni such as Glenn Close and Linda Lavin.  Some personal papers are also included."],"separatedmaterial_html_tesm":["\u003cp\u003eAcc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2014.003 Frances Breeze Music Collection was separated from the Howard Scammon papers on 01/14/2014.  Frances Breeze's gift was via Howard Scammon in 1983. The following items were removed from Mss. Acc. 2014.003 and were added to the Manuscripts Audiovisual Collection under Mss Acc. 2014.003 on 1/28/2014:\u003c/p\u003e\n","\u003cp\u003e Recording tape:  Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.\u003c/p\u003e\n","\u003cp\u003e Scotch 3m Music Mastering tape:  \"Chapman Tape I\"\u003c/p\u003e\n","\u003cp\u003e 3M Music Mastering Tape:  \"Chapman II\"\u003c/p\u003e\n","\u003cp\u003e The following books have been removed from Mss. Acc. 2014.003 and are cataloged as Rare Books:\u003c/p\u003e\n","\u003cp\u003e The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026amp; Co., London and New York, edition is prior to 1899; The Victor Book of the Opera, Victor Talking Machine Co., Campden, NJ, 1912, owned by Harold Chapman; Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904, Frances Breeze performed some of this music and The Sound of Music/Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., NY, 1960.\u003c/p\u003e\n","\u003cp\u003e Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:\u003c/p\u003e\n","\u003cp\u003e \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Acc. 2002.053 and Acc. 2002.063 were previously part of Howard Scammon Papers (UA 6.053); these two collections were combined on 3/09/2010."," Mss. Acc. 2014.003 Frances Breeze Music Collection was separated from the Howard Scammon papers on 01/14/2014.  Frances Breeze's gift was via Howard Scammon in 1983. The following items were removed from Mss. Acc. 2014.003 and were added to the Manuscripts Audiovisual Collection under Mss Acc. 2014.003 on 1/28/2014:"," Recording tape:  Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape:  \"Chapman Tape I\""," 3M Music Mastering Tape:  \"Chapman II\""," The following books have been removed from Mss. Acc. 2014.003 and are cataloged as Rare Books:"," The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026 Co., London and New York, edition is prior to 1899; The Victor Book of the Opera, Victor Talking Machine Co., Campden, NJ, 1912, owned by Harold Chapman; Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904, Frances Breeze performed some of this music and The Sound of Music/Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., NY, 1960."," Items transferred to the Manuscripts Artifact Collection (Mss. 1.03) include:"," \"Our Town\" Key (Mss.2010.154.01), President's Council Silver Plate (Mss. 2010.154.02), Christmas 1974 Silver Plate (Mss. 2010.154.03), Jefferson Goblet Award (Mss. 2010.154.04), \"Thanks Howard\" Silver Cup (Mss. 2010.154.05), Silver Trophy With Old English Poem (Mss. 2010.154.06), William and Mary Theatre Silver Pitcher (Mss. 2010.154.07), Fort Eustis Entertainment Contest Silver Bowl (Mss. 2010.154.08), Recognition Platter (Mss. 2010.154.09), \"Spread Out '66\" Silver Platter (Mss. 2010.154.10)"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Colonial Williamsburg Foundation","Newport News Women's Club (Va.)","Phi Beta Kappa. Virginia Alpha (College of William and Mary)","Virginia Shakespeare Festival","Williamsburg Players (Williamsburg, Va.)","Close, Glenn, 1947-","Lavin, Linda, 1937-","Long, William Ivey"],"names_ssim":["Special Collections Research Center","Dept. of Theatre, Speech, and Dance","Jamestown Corporation","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Colonial Williamsburg Foundation","Newport News Women's Club (Va.)","Phi Beta Kappa. Virginia Alpha (College of William and Mary)","Virginia Shakespeare Festival","Williamsburg Players (Williamsburg, Va.)","Scammon, Howard, 1911-1999","Close, Glenn, 1947-","Lavin, Linda, 1937-","Long, William Ivey"],"corpname_ssim":["Special Collections Research Center","Dept. of Theatre, Speech, and Dance","Jamestown Corporation","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Colonial Williamsburg Foundation","Newport News Women's Club (Va.)","Phi Beta Kappa. Virginia Alpha (College of William and Mary)","Virginia Shakespeare Festival","Williamsburg Players (Williamsburg, Va.)"],"persname_ssim":["Scammon, Howard, 1911-1999","Close, Glenn, 1947-","Lavin, Linda, 1937-","Long, William Ivey"],"language_ssim":["English"],"total_component_count_is":321,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-09T07:07:48.990Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1892"}},{"id":"viw_repositories_2_resources_8864","type":"collection","attributes":{"title":"Jamestown Corporation Records","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8864#creator","type":"document_value","attributes":{"value":"Jamestown Corporation","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8864#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRecords, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8864#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8864","ead_ssi":"viw_repositories_2_resources_8864","_root_":"viw_repositories_2_resources_8864","_nest_parent_":"viw_repositories_2_resources_8864","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8864.xml","title_filing_ssi":"Jamestown Corporation Records","title_ssm":["Jamestown Corporation Records"],"title_tesim":["Jamestown Corporation Records"],"unitdate_ssm":["1946-1979"],"unitdate_inclusive_ssm":["1946-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 77 C73","/repositories/2/resources/8864"],"text":["01/Mss. 77 C73","/repositories/2/resources/8864","Jamestown Corporation Records","Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama","Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.","The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders."," Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection."," The Paul Green Papers are held by the UNC Libraries.","Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).","Box 14 transferred to the artifact collection in 2009."," All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory","English"],"unitid_tesim":["01/Mss. 77 C73","/repositories/2/resources/8864"],"normalized_title_ssm":["Jamestown Corporation Records"],"collection_title_tesim":["Jamestown Corporation Records"],"collection_ssim":["Jamestown Corporation Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"geogname_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"creator_ssm":["Jamestown Corporation"],"creator_ssim":["Jamestown Corporation"],"creator_corpname_ssim":["Jamestown Corporation"],"creators_ssim":["Jamestown Corporation"],"places_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts of David Dudley; 18 Feb. 1991, Will Molineux; 24 March 1992, James Bray; 10 No. 1992, Miss Laura Sherman; 12 March 1993, Howard Scammon; 29 April 1993, Mrs. J. E. Pitman; 5 Nov. 1993, and S. F. Royall; 6 Dec. 1993. 1991.11 Gift of David Dudley through Howard Scammon 1992.56 Gift of James Bray 1993.13 Gift of Roger Sherman's daughter Laura 1993.31 was received on 4/29/1993 1993.68 Gift of Mrs. J.E. Pitman 1993.70 Gift of S.F. Royall 1994.04 Gift of Jones Library, Lynchburg 1994.23 Gift of Howard Scammon 1994.54 Gift of Howard Scammon 1999.24 Gift of Roger Sherman 2001.20 Gift of Frances Robb and unknown. 2003.22 Came in with material given to University Archives. 2008.90 Richard Krown 2010.387 Gift of David Dudley"],"access_subjects_ssim":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"access_subjects_ssm":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["21.75 Linear Feet"],"extent_tesim":["21.75 Linear Feet"],"genreform_ssim":["Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. 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