{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music--20th+century.","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music--20th+century.\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_edson","type":"collection","attributes":{"title":"Eda Edson papers","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_edson#abstract_or_scope","type":"document_value","attributes":{"value":"The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_edson#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_edson","ead_ssi":"vifgm_edson","_root_":"vifgm_edson","_nest_parent_":"vifgm_edson","ead_source_url_ssi":"data/gmu/edson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/edson.html","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218"],"text":["C0218","Eda Edson papers","New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","Organized alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" ","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)","Edson, Eda","English\n\t\t"],"unitid_tesim":["C0218"],"normalized_title_ssm":["Eda Edson papers"],"collection_title_tesim":["Eda Edson papers"],"collection_ssim":["Eda Edson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Eda Edson to Special Collections and Archives May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["0.5 linear feet (1 box)"],"extent_tesim":["0.5 linear feet (1 box)"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n\u003c/p\u003e","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" "],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref23\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e"],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)","Edson, Eda"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)"],"persname_ssim":["Edson, Eda"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:47:27.786Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_edson","ead_ssi":"vifgm_edson","_root_":"vifgm_edson","_nest_parent_":"vifgm_edson","ead_source_url_ssi":"data/gmu/edson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/edson.html","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218"],"text":["C0218","Eda Edson papers","New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","Organized alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" ","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)","Edson, Eda","English\n\t\t"],"unitid_tesim":["C0218"],"normalized_title_ssm":["Eda Edson papers"],"collection_title_tesim":["Eda Edson papers"],"collection_ssim":["Eda Edson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Eda Edson to Special Collections and Archives May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Music--20th century.","Performing arts.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["0.5 linear feet (1 box)"],"extent_tesim":["0.5 linear feet (1 box)"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n\u003c/p\u003e","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\n","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of \"Follow the Parade.\" Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer in 1936.\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\" "],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Eda Edson papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref23\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e"],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)","Edson, Eda"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Federal Theatre Project (Los Angeles, Calif.)"],"persname_ssim":["Edson, Eda"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:47:27.786Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_edson"}},{"id":"vifgm_japaneserecords","type":"collection","attributes":{"title":"Japanese phonograph record collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_japaneserecords#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections \u0026 Archives","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_japaneserecords#abstract_or_scope","type":"document_value","attributes":{"value":"The Japanese phonograph record collection contains 15 78 rpm phonograph records mostly in sleeves with Japanese writing. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_japaneserecords#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_japaneserecords","ead_ssi":"vifgm_japaneserecords","_root_":"vifgm_japaneserecords","_nest_parent_":"vifgm_japaneserecords","ead_source_url_ssi":"data/gmu/japaneserecords.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/japaneserecords.html","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141"],"text":["C0141","Japanese phonograph record collection","Music--20th century.","Music--Japan","Music--Japan--20th century","Music.","Sound recordings.","There are no access restrictions.","Organized into five series.","Series 1: Columbia, circa 1928 (Box 1) Series 2: Victor, circa 1927-1932 (Box 1) Series 3: Orient, circa 1928 (Box 1) Series 4: Ploydor, circa 1925-1932 (Box 1) Series 5: Columbia Regal, circa 1925-1932 (Box 1)","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925","Processed by Special Collections and Archives staff.","Special Collections and Archives also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese phonograph record collection contains 15 78 rpm phonograph records produced for sale in Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.","There are no restrictions on personal use. Permission to publish material from the Japanese phonograph record collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Japanese phonograph record collection contains 15 78 rpm phonograph records mostly in sleeves with Japanese writing. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections \u0026 Archives","English\n\t\t"],"unitid_tesim":["C0141"],"normalized_title_ssm":["Japanese phonograph record collection"],"collection_title_tesim":["Japanese phonograph record collection"],"collection_ssim":["Japanese phonograph record collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections \u0026 Archives"],"creator_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"creators_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Japanese phonograph record collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music--20th century.","Music--Japan","Music--Japan--20th century","Music.","Sound recordings."],"access_subjects_ssm":["Music--20th century.","Music--Japan","Music--Japan--20th century","Music.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 linear feet (1 box)"],"extent_tesim":["0.25 linear feet (1 box)"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Columbia, circa 1928 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Victor, circa 1927-1932 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Orient, circa 1928 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Ploydor, circa 1925-1932 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Columbia Regal, circa 1925-1932 (Box 1)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Columbia, circa 1928 (Box 1) Series 2: Victor, circa 1927-1932 (Box 1) Series 3: Orient, circa 1928 (Box 1) Series 4: Ploydor, circa 1925-1932 (Box 1) Series 5: Columbia Regal, circa 1925-1932 (Box 1)"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.\u003c/p\u003e","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"prefercite_html_tesm":["\u003cp\u003eJapanese phonograph record collection, C0141, Special Collections and Archives, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Japanese phonograph record collection, C0141, Special Collections and Archives, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese phonograph record collection contains 15 78 rpm phonograph records produced for sale in Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.\u003c/p\u003e","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese phonograph record collection contains 15 78 rpm phonograph records produced for sale in Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Japanese phonograph record collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Japanese phonograph record collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref4\" label=\"Abstract\"\u003eThe Japanese phonograph record collection contains 15 78 rpm phonograph records mostly in sleeves with Japanese writing. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e"],"abstract_tesim":["The Japanese phonograph record collection contains 15 78 rpm phonograph records mostly in sleeves with Japanese writing. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:47:27.786Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_japaneserecords","ead_ssi":"vifgm_japaneserecords","_root_":"vifgm_japaneserecords","_nest_parent_":"vifgm_japaneserecords","ead_source_url_ssi":"data/gmu/japaneserecords.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/japaneserecords.html","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141"],"text":["C0141","Japanese phonograph record collection","Music--20th century.","Music--Japan","Music--Japan--20th century","Music.","Sound recordings.","There are no access restrictions.","Organized into five series.","Series 1: Columbia, circa 1928 (Box 1) Series 2: Victor, circa 1927-1932 (Box 1) Series 3: Orient, circa 1928 (Box 1) Series 4: Ploydor, circa 1925-1932 (Box 1) Series 5: Columbia Regal, circa 1925-1932 (Box 1)","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925","Processed by Special Collections and Archives staff.","Special Collections and Archives also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese phonograph record collection contains 15 78 rpm phonograph records produced for sale in Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.","There are no restrictions on personal use. Permission to publish material from the Japanese phonograph record collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Japanese phonograph record collection contains 15 78 rpm phonograph records mostly in sleeves with Japanese writing. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections \u0026 Archives","English\n\t\t"],"unitid_tesim":["C0141"],"normalized_title_ssm":["Japanese phonograph record collection"],"collection_title_tesim":["Japanese phonograph record collection"],"collection_ssim":["Japanese phonograph record collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections \u0026 Archives"],"creator_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"creators_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Japanese phonograph record collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music--20th century.","Music--Japan","Music--Japan--20th century","Music.","Sound recordings."],"access_subjects_ssm":["Music--20th century.","Music--Japan","Music--Japan--20th century","Music.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 linear feet (1 box)"],"extent_tesim":["0.25 linear feet (1 box)"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Columbia, circa 1928 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Victor, circa 1927-1932 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Orient, circa 1928 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Ploydor, circa 1925-1932 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Columbia Regal, circa 1925-1932 (Box 1)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Columbia, circa 1928 (Box 1) Series 2: Victor, circa 1927-1932 (Box 1) Series 3: Orient, circa 1928 (Box 1) Series 4: Ploydor, circa 1925-1932 (Box 1) Series 5: Columbia Regal, circa 1925-1932 (Box 1)"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.\u003c/p\u003e","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"prefercite_html_tesm":["\u003cp\u003eJapanese phonograph record collection, C0141, Special Collections and Archives, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Japanese phonograph record collection, C0141, Special Collections and Archives, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese phonograph record collection contains 15 78 rpm phonograph records produced for sale in Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.\u003c/p\u003e","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese phonograph record collection contains 15 78 rpm phonograph records produced for sale in Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Japanese phonograph record collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Japanese phonograph record collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref4\" label=\"Abstract\"\u003eThe Japanese phonograph record collection contains 15 78 rpm phonograph records mostly in sleeves with Japanese writing. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e"],"abstract_tesim":["The Japanese phonograph record collection contains 15 78 rpm phonograph records mostly in sleeves with Japanese writing. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:47:27.786Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_japaneserecords"}},{"id":"vifgm_musictheatrespokenrecordings","type":"collection","attributes":{"title":"Music, theatre, and spoken word sound recordings collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_musictheatrespokenrecordings#creator","type":"document_value","attributes":{"value":"George Mason University. Special Collections and Archives.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_musictheatrespokenrecordings#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_musictheatrespokenrecordings#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_musictheatrespokenrecordings","ead_ssi":"vifgm_musictheatrespokenrecordings","_root_":"vifgm_musictheatrespokenrecordings","_nest_parent_":"vifgm_musictheatrespokenrecordings","ead_source_url_ssi":"data/gmu/musictheatrespokenrecordings.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/musictheatrespokenrecordings.html","title_ssm":["Music, theatre, and spoken word sound recordings collection"],"title_tesim":["Music, theatre, and spoken word sound recordings collection"],"unitdate_ssm":["1949-1986"],"unitdate_inclusive_ssm":["1949-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0130"],"text":["C0130","Music, theatre, and spoken word sound recordings collection","Acting.","Folk music--United States","Great Depression","Music--20th century.","Music.","Protest songs--United States ","Live sound recordings.","Sound recordings.","There are no access restrictions.","The collection is not arranged in any specific order.","No information of donor or history is known.","Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.","Special Collections and Archives also holds the Japanese Phonograph collection.","This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings, and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry.","Several of the albums focus on content related to the Great Depression, unions, American labor, and Folk Music.","Recordings may be protected by copyright laws.","This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","George Mason University Special Collections \u0026 Archives","George Mason University. Special Collections and Archives.","English\n\t\t"],"unitid_tesim":["C0130"],"normalized_title_ssm":["Music, theatre, and spoken word sound recordings collection"],"collection_title_tesim":["Music, theatre, and spoken word sound recordings collection"],"collection_ssim":["Music, theatre, and spoken word sound recordings collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Special Collections and Archives."],"creator_ssim":["George Mason University. Special Collections and Archives."],"creator_corpname_ssim":["George Mason University. Special Collections and Archives."],"creators_ssim":["George Mason University. Special Collections and Archives."],"access_terms_ssm":["Recordings may be protected by copyright laws."],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Acting.","Folk music--United States","Great Depression","Music--20th century.","Music.","Protest songs--United States ","Live sound recordings.","Sound recordings."],"access_subjects_ssm":["Acting.","Folk music--United States","Great Depression","Music--20th century.","Music.","Protest songs--United States ","Live sound recordings.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["1.25 linear feet (4 boxes)"],"extent_tesim":["1.25 linear feet (4 boxes)"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is not arranged in any specific order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement note"],"arrangement_tesim":["The collection is not arranged in any specific order."],"bioghist_html_tesm":["\u003cp\u003eNo information of donor or history is known.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["No information of donor or history is known."],"prefercite_html_tesm":["\u003cp\u003eMusic, Theatre, and Spoken Word Sound Recordings, C0130, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Music, Theatre, and Spoken Word Sound Recordings, C0130, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Japanese Phonograph collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials note"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Japanese Phonograph collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings, and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry.\u003c/p\u003e","\u003cp\u003eSeveral of the albums focus on content related to the Great Depression, unions, American labor, and Folk Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings, and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry.","Several of the albums focus on content related to the Great Depression, unions, American labor, and Folk Music."],"userestrict_html_tesm":["\u003cp\u003eRecordings may be protected by copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Recordings may be protected by copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"ref43\" label=\"Abstract\"\u003eThis collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection."],"names_ssim":["George Mason University Special Collections \u0026 Archives","George Mason University. Special Collections and Archives."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives","George Mason University. 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