{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+Manuscripts","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+Manuscripts\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"wvmturhc_repositories_2_resources_3915","type":"collection","attributes":{"title":"John Beall, Professor of Music, Papers","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#creator","type":"document_value","attributes":{"value":"Beall, John, 1942-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"text":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","John Beall, Professor of Music, Papers","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Beall, John, 1942-","English \n.    "],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"normalized_title_ssm":["John Beall, Professor of Music, Papers"],"collection_title_tesim":["John Beall, Professor of Music, Papers"],"collection_ssim":["John Beall, Professor of Music, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creators_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e\n","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e\n","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e\n","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e\n","\u003cp\u003eList of Works:\u003c/p\u003e\n","\u003cp\u003eLarge Ensembles:\u003c/p\u003e\n","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e\n","\u003cp\u003eChoral/Vocal:\u003c/p\u003e\n","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e\n","\u003cp\u003eKeyboard:\u003c/p\u003e\n","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e\n","\u003cp\u003eList of Recorded Works:\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e\n","\u003cp\u003ePiano Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"persname_ssim":["Beall, John, 1942-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":442,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:22:49.024Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"text":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","John Beall, Professor of Music, Papers","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Beall, John, 1942-","English \n.    "],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"normalized_title_ssm":["John Beall, Professor of Music, Papers"],"collection_title_tesim":["John Beall, Professor of Music, Papers"],"collection_ssim":["John Beall, Professor of Music, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creators_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e\n","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e\n","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e\n","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e\n","\u003cp\u003eList of Works:\u003c/p\u003e\n","\u003cp\u003eLarge Ensembles:\u003c/p\u003e\n","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e\n","\u003cp\u003eChoral/Vocal:\u003c/p\u003e\n","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e\n","\u003cp\u003eKeyboard:\u003c/p\u003e\n","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e\n","\u003cp\u003eList of Recorded Works:\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e\n","\u003cp\u003ePiano Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"persname_ssim":["Beall, John, 1942-"],"language_ssim":["English \n.    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