{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":7,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_336","type":"collection","attributes":{"title":"Eda Edson papers, 1930/1976","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336#creator","type":"document_value","attributes":{"value":"Edson, Eda","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336#abstract_or_scope","type":"document_value","attributes":{"value":"The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_336","ead_ssi":"vifgm_repositories_2_resources_336","_root_":"vifgm_repositories_2_resources_336","_nest_parent_":"vifgm_repositories_2_resources_336","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_336.xml","title_filing_ssi":"Eda Edson papers","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"normalized_date_ssm":["1930/1976"],"normalized_title_ssm":["Eda Edson papers, 1930/1976"],"text":["Eda Edson papers, 1930/1976","C0218","/repositories/2/resources/336","New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century","There are no access restrictions.","There are also additional documents from this and other GMU FTP collections in the .","This collection is arranged alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. 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In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda","English"],"collection_title_tesim":["Eda Edson papers, 1930/1976"],"collection_ssim":["Eda Edson papers, 1930/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218","/repositories/2/resources/336"],"unitid_tesim":["C0218","/repositories/2/resources/336"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edson, Eda","Edson, Eda"],"creator_ssim":["Edson, Eda","Edson, Eda"],"creator_persname_ssim":["Edson, Eda"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Edson, Eda","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eda Edson on May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"access_subjects_ssm":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and other GMU FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and other GMU FTP collections in the ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by folder title.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\""],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cd8b720d526b649a909d93db9dc2fb88\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)","Edson, Eda","Edson, Eda"],"persname_ssim":["Edson, Eda"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_336","ead_ssi":"vifgm_repositories_2_resources_336","_root_":"vifgm_repositories_2_resources_336","_nest_parent_":"vifgm_repositories_2_resources_336","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_336.xml","title_filing_ssi":"Eda Edson papers","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"normalized_date_ssm":["1930/1976"],"normalized_title_ssm":["Eda Edson papers, 1930/1976"],"text":["Eda Edson papers, 1930/1976","C0218","/repositories/2/resources/336","New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century","There are no access restrictions.","There are also additional documents from this and other GMU FTP collections in the .","This collection is arranged alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda","English"],"collection_title_tesim":["Eda Edson papers, 1930/1976"],"collection_ssim":["Eda Edson papers, 1930/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218","/repositories/2/resources/336"],"unitid_tesim":["C0218","/repositories/2/resources/336"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edson, Eda","Edson, Eda"],"creator_ssim":["Edson, Eda","Edson, Eda"],"creator_persname_ssim":["Edson, Eda"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Edson, Eda","George Mason University. Libraries. 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The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\""],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. 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These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)","Edson, Eda","Edson, Eda"],"persname_ssim":["Edson, Eda"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336"}},{"id":"vifgm_repositories_2_resources_175","type":"collection","attributes":{"title":"Japanese phonograph record collection, 1927/1932","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_175#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_175#abstract_or_scope","type":"document_value","attributes":{"value":"The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_175#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_175","ead_ssi":"vifgm_repositories_2_resources_175","_root_":"vifgm_repositories_2_resources_175","_nest_parent_":"vifgm_repositories_2_resources_175","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_175.xml","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"normalized_date_ssm":["1927/1932"],"normalized_title_ssm":["Japanese phonograph record collection, 1927/1932"],"text":["Japanese phonograph record collection, 1927/1932","C0141","/repositories/2/resources/175","Japan","Music","Music -- 20th century","Music -- Japan","Sound recordings","There are no access restrictions.","Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925","The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff.","The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Japanese phonograph record collection, 1927/1932"],"collection_ssim":["Japanese phonograph record collection, 1927/1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141","/repositories/2/resources/175"],"unitid_tesim":["C0141","/repositories/2/resources/175"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Japan"],"geogname_ssim":["Japan"],"places_ssim":["Japan"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"access_subjects_ssm":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Colmbia\u003c/item\u003e\n      \u003citem\u003eSeries 2: Victor\u003c/item\u003e\n      \u003citem\u003eSeries 3: Orient\u003c/item\u003e\n      \u003citem\u003eSeries 4: Ploydor\u003c/item\u003e\n      \u003citem\u003eSeries 5: Columbia Regal\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  \u003c/p\u003e","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eJapanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Japanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. \u003c/p\u003e","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf615df7cc993c3416de9846ecbeed3\" label=\"Abstract\"\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_175","ead_ssi":"vifgm_repositories_2_resources_175","_root_":"vifgm_repositories_2_resources_175","_nest_parent_":"vifgm_repositories_2_resources_175","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_175.xml","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"normalized_date_ssm":["1927/1932"],"normalized_title_ssm":["Japanese phonograph record collection, 1927/1932"],"text":["Japanese phonograph record collection, 1927/1932","C0141","/repositories/2/resources/175","Japan","Music","Music -- 20th century","Music -- Japan","Sound recordings","There are no access restrictions.","Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925","The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff.","The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Japanese phonograph record collection, 1927/1932"],"collection_ssim":["Japanese phonograph record collection, 1927/1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141","/repositories/2/resources/175"],"unitid_tesim":["C0141","/repositories/2/resources/175"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Japan"],"geogname_ssim":["Japan"],"places_ssim":["Japan"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"access_subjects_ssm":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Colmbia\u003c/item\u003e\n      \u003citem\u003eSeries 2: Victor\u003c/item\u003e\n      \u003citem\u003eSeries 3: Orient\u003c/item\u003e\n      \u003citem\u003eSeries 4: Ploydor\u003c/item\u003e\n      \u003citem\u003eSeries 5: Columbia Regal\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  \u003c/p\u003e","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eJapanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Japanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. \u003c/p\u003e","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf615df7cc993c3416de9846ecbeed3\" label=\"Abstract\"\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_175"}},{"id":"vifgm_repositories_2_resources_114","type":"collection","attributes":{"title":"Jeffrey Chamberlain music collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_114#creator","type":"document_value","attributes":{"value":"Chamberlain, Jeffrey","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_114#abstract_or_scope","type":"document_value","attributes":{"value":"This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_114#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_114","ead_ssi":"vifgm_repositories_2_resources_114","_root_":"vifgm_repositories_2_resources_114","_nest_parent_":"vifgm_repositories_2_resources_114","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_114.xml","title_ssm":["Jeffrey Chamberlain music collection"],"title_tesim":["Jeffrey Chamberlain music collection"],"unitdate_ssm":["circa 1908-1980s"],"unitdate_inclusive_ssm":["circa 1908-1980s"],"normalized_title_ssm":["Jeffrey Chamberlain music collection"],"text":["Jeffrey Chamberlain music collection","C0185","/repositories/2/resources/114","Popular music","Music -- 20th century","Music","Jazz","Sound recordings","Collection is open to research.","Organized by format.","Jeffrey T. Chamberlain taught French in the Department of Modern and Classical Languages at George Mason University from 1983 until his death in 2009. Originally from Bridgeport, Connecticut, he completed a bachelor's degree at the Capital University in Columbus, Ohio, in 1971, a master's degree from the University of Rhode Island in 1973 and a doctorate degree from the University of Illinois at Urbana-Champaign in 1982. His first teaching position was at the University of Louisville in Kentucky teaching French. He began his career at George Mason in 1983 as an assistant professor teaching French linguistics and Latin and became an associate professor in 1988. He also served the Department of Modern and Classical Languages as associate chair for four years and then as chair for eight years. In 2000 he was appointed university marshal by President Alan Merten and served in that capacity until 2008. Chamberlain's love for music and the French language are evident in this collection which includes vinyl records in both English and French from a variety of genres, most notably classical and popular.","Processed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in March 2011.","Special Collections and Archives also holds many other music collections including ,  and the .","This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.","George Mason University. Libraries. Special Collections Research Center","Chamberlain, Jeffrey","English"],"collection_title_tesim":["Jeffrey Chamberlain music collection"],"collection_ssim":["Jeffrey Chamberlain music collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0185","/repositories/2/resources/114"],"unitid_tesim":["C0185","/repositories/2/resources/114"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Chamberlain, Jeffrey"],"creator_ssim":["Chamberlain, Jeffrey"],"creator_persname_ssim":["Chamberlain, Jeffrey"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Chamberlain, Jeffrey","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Mary L. Bauer January 2011."],"access_subjects_ssim":["Popular music","Music -- 20th century","Music","Jazz","Sound recordings"],"access_subjects_ssm":["Popular music","Music -- 20th century","Music","Jazz","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet (17 boxes)","(17 boxes)"],"extent_tesim":["9 Linear Feet (17 boxes)","(17 boxes)"],"genreform_ssim":["Sound recordings"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized by format.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by format."],"bioghist_html_tesm":["\u003cp\u003eJeffrey T. Chamberlain taught French in the Department of Modern and Classical Languages at George Mason University from 1983 until his death in 2009. Originally from Bridgeport, Connecticut, he completed a bachelor's degree at the Capital University in Columbus, Ohio, in 1971, a master's degree from the University of Rhode Island in 1973 and a doctorate degree from the University of Illinois at Urbana-Champaign in 1982. His first teaching position was at the University of Louisville in Kentucky teaching French. He began his career at George Mason in 1983 as an assistant professor teaching French linguistics and Latin and became an associate professor in 1988. He also served the Department of Modern and Classical Languages as associate chair for four years and then as chair for eight years. In 2000 he was appointed university marshal by President Alan Merten and served in that capacity until 2008. Chamberlain's love for music and the French language are evident in this collection which includes vinyl records in both English and French from a variety of genres, most notably classical and popular.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jeffrey T. Chamberlain taught French in the Department of Modern and Classical Languages at George Mason University from 1983 until his death in 2009. Originally from Bridgeport, Connecticut, he completed a bachelor's degree at the Capital University in Columbus, Ohio, in 1971, a master's degree from the University of Rhode Island in 1973 and a doctorate degree from the University of Illinois at Urbana-Champaign in 1982. His first teaching position was at the University of Louisville in Kentucky teaching French. He began his career at George Mason in 1983 as an assistant professor teaching French linguistics and Latin and became an associate professor in 1988. He also served the Department of Modern and Classical Languages as associate chair for four years and then as chair for eight years. In 2000 he was appointed university marshal by President Alan Merten and served in that capacity until 2008. Chamberlain's love for music and the French language are evident in this collection which includes vinyl records in both English and French from a variety of genres, most notably classical and popular."],"prefercite_html_tesm":["\u003cp\u003eJeffrey Chamberlain music collection, Collection C0185, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Jeffrey Chamberlain music collection, Collection C0185, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in March 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other music collections including \u003cextptr show=\"new\" title=\"Sam DiBonaventura papers\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"Sophocles Papas papers\" href=\"https://aspace.gmu.edu/resources/c0052\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Edward Vitale violin music collection\" href=\"https://aspace.gmu.edu/resources/c0155\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other music collections including ,  and the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e","\u003cp\u003eThe copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0970bf7f192841155f8df3dc9d95ff40\" label=\"Abstract\"\u003eThis collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Chamberlain, Jeffrey"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Chamberlain, Jeffrey"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_114","ead_ssi":"vifgm_repositories_2_resources_114","_root_":"vifgm_repositories_2_resources_114","_nest_parent_":"vifgm_repositories_2_resources_114","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_114.xml","title_ssm":["Jeffrey Chamberlain music collection"],"title_tesim":["Jeffrey Chamberlain music collection"],"unitdate_ssm":["circa 1908-1980s"],"unitdate_inclusive_ssm":["circa 1908-1980s"],"normalized_title_ssm":["Jeffrey Chamberlain music collection"],"text":["Jeffrey Chamberlain music collection","C0185","/repositories/2/resources/114","Popular music","Music -- 20th century","Music","Jazz","Sound recordings","Collection is open to research.","Organized by format.","Jeffrey T. Chamberlain taught French in the Department of Modern and Classical Languages at George Mason University from 1983 until his death in 2009. Originally from Bridgeport, Connecticut, he completed a bachelor's degree at the Capital University in Columbus, Ohio, in 1971, a master's degree from the University of Rhode Island in 1973 and a doctorate degree from the University of Illinois at Urbana-Champaign in 1982. His first teaching position was at the University of Louisville in Kentucky teaching French. He began his career at George Mason in 1983 as an assistant professor teaching French linguistics and Latin and became an associate professor in 1988. He also served the Department of Modern and Classical Languages as associate chair for four years and then as chair for eight years. In 2000 he was appointed university marshal by President Alan Merten and served in that capacity until 2008. Chamberlain's love for music and the French language are evident in this collection which includes vinyl records in both English and French from a variety of genres, most notably classical and popular.","Processed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in March 2011.","Special Collections and Archives also holds many other music collections including ,  and the .","This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.","George Mason University. Libraries. Special Collections Research Center","Chamberlain, Jeffrey","English"],"collection_title_tesim":["Jeffrey Chamberlain music collection"],"collection_ssim":["Jeffrey Chamberlain music collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0185","/repositories/2/resources/114"],"unitid_tesim":["C0185","/repositories/2/resources/114"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Chamberlain, Jeffrey"],"creator_ssim":["Chamberlain, Jeffrey"],"creator_persname_ssim":["Chamberlain, Jeffrey"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Chamberlain, Jeffrey","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Mary L. 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Originally from Bridgeport, Connecticut, he completed a bachelor's degree at the Capital University in Columbus, Ohio, in 1971, a master's degree from the University of Rhode Island in 1973 and a doctorate degree from the University of Illinois at Urbana-Champaign in 1982. His first teaching position was at the University of Louisville in Kentucky teaching French. He began his career at George Mason in 1983 as an assistant professor teaching French linguistics and Latin and became an associate professor in 1988. He also served the Department of Modern and Classical Languages as associate chair for four years and then as chair for eight years. In 2000 he was appointed university marshal by President Alan Merten and served in that capacity until 2008. Chamberlain's love for music and the French language are evident in this collection which includes vinyl records in both English and French from a variety of genres, most notably classical and popular.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jeffrey T. Chamberlain taught French in the Department of Modern and Classical Languages at George Mason University from 1983 until his death in 2009. Originally from Bridgeport, Connecticut, he completed a bachelor's degree at the Capital University in Columbus, Ohio, in 1971, a master's degree from the University of Rhode Island in 1973 and a doctorate degree from the University of Illinois at Urbana-Champaign in 1982. His first teaching position was at the University of Louisville in Kentucky teaching French. He began his career at George Mason in 1983 as an assistant professor teaching French linguistics and Latin and became an associate professor in 1988. He also served the Department of Modern and Classical Languages as associate chair for four years and then as chair for eight years. In 2000 he was appointed university marshal by President Alan Merten and served in that capacity until 2008. Chamberlain's love for music and the French language are evident in this collection which includes vinyl records in both English and French from a variety of genres, most notably classical and popular."],"prefercite_html_tesm":["\u003cp\u003eJeffrey Chamberlain music collection, Collection C0185, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Jeffrey Chamberlain music collection, Collection C0185, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in March 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other music collections including \u003cextptr show=\"new\" title=\"Sam DiBonaventura papers\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"Sophocles Papas papers\" href=\"https://aspace.gmu.edu/resources/c0052\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Edward Vitale violin music collection\" href=\"https://aspace.gmu.edu/resources/c0155\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other music collections including ,  and the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e","\u003cp\u003eThe copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0970bf7f192841155f8df3dc9d95ff40\" label=\"Abstract\"\u003eThis collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Chamberlain, Jeffrey"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Chamberlain, Jeffrey"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_114"}},{"id":"vifgm_repositories_2_resources_747","type":"collection","attributes":{"title":"John U. Guillory, Jr. music compositions, 1963/2012","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747#creator","type":"document_value","attributes":{"value":"Guillory, Jr., John Ural, 1940-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_747","ead_ssi":"vifgm_repositories_2_resources_747","_root_":"vifgm_repositories_2_resources_747","_nest_parent_":"vifgm_repositories_2_resources_747","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_747.xml","title_filing_ssi":"John U. Guillory, Jr. music compositions","title_ssm":["John U. Guillory, Jr. music compositions"],"title_tesim":["John U. Guillory, Jr. music compositions"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"normalized_date_ssm":["1963/2012"],"normalized_title_ssm":["John U. Guillory, Jr. music compositions, 1963/2012"],"text":["John U. Guillory, Jr. music compositions, 1963/2012","C0533","/repositories/2/resources/747","Music -- 20th century","Composition (Music)","Sheet music","There are no access restrictions.","This is a single folder collection.","The Washington Post. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.","John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at George Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the Sam di Bonaventura papers and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript.","A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013","English"],"collection_title_tesim":["John U. Guillory, Jr. music compositions, 1963/2012"],"collection_ssim":["John U. Guillory, Jr. music compositions, 1963/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0533","/repositories/2/resources/747"],"unitid_tesim":["C0533","/repositories/2/resources/747"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Guillory, Jr., John Ural, 1940-2013"],"creator_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creator_persname_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Guillory, Jr., John Ural, 1940-2013","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eleanor B. Sutter on October 9, 2020."],"access_subjects_ssim":["Music -- 20th century","Composition (Music)","Sheet music"],"access_subjects_ssm":["Music -- 20th century","Composition (Music)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Washington Post\u003c/title\u003e. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Washington Post. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html."],"bioghist_html_tesm":["\u003cp\u003eJohn Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.\u003c/p\u003e","\u003cp\u003eA physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at George Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. 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Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in April 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0070\"\u003eSam di Bonaventura papers\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Sam di Bonaventura papers and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. 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Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_064f6320cfa4d4d296b0037c2147f831\"\u003eA collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.\u003c/abstract\u003e\n    "],"abstract_tesim":["A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c24e115d52d8f065f570c3ab36557bda\"\u003eR 71, C 2, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 5"],"corpname_ssim":["George Mason University. 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Guillory, Jr. music compositions"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"normalized_date_ssm":["1963/2012"],"normalized_title_ssm":["John U. Guillory, Jr. music compositions, 1963/2012"],"text":["John U. Guillory, Jr. music compositions, 1963/2012","C0533","/repositories/2/resources/747","Music -- 20th century","Composition (Music)","Sheet music","There are no access restrictions.","This is a single folder collection.","The Washington Post. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.","John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. 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He passed away on July 28, 2013 at the age of 73.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the Sam di Bonaventura papers and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript.","A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013","English"],"collection_title_tesim":["John U. Guillory, Jr. music compositions, 1963/2012"],"collection_ssim":["John U. 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Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Washington Post. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html."],"bioghist_html_tesm":["\u003cp\u003eJohn Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. 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Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in April 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0070\"\u003eSam di Bonaventura papers\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Sam di Bonaventura papers and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. 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The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.","R 71, C 1, S 6","George Mason University. Libraries. 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Off. http://archive.org/details/catalogofcopyrig353libr."],"bioghist_html_tesm":["\u003cp\u003eDallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957."],"prefercite_html_tesm":["\u003cp\u003eLetters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds \u003cextptr show=\"new\" title=\"sheet music composed by Dal Gray,\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=creator,exact,Gray,%20Dal,AND\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=creator,exact,Gray,%20Dal\u0026amp;lang=en\u0026amp;mode=advanced\u0026amp;offset=0\"\u003e\u003c/extptr\u003e and other music related collections such as the \u003cextptr show=\"new\" title=\"Sophocles Papas papers\" href=\"https://aspace.gmu.edu/resources/c0052\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Sam di Bonaventura papers.\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds  and other music related collections such as the  and the"],"scopecontent_html_tesm":["\u003cp\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10a66a09b299109357efb75acba66035\"\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.\u003c/abstract\u003e\n    "],"abstract_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fe46729082455bc36c7834c7588c86c6\"\u003eR 71, C 1, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"names_coll_ssim":["Monmouth Music Publishing Company","Kjellin, Jack (John J.)","Lapham, Claude"],"persname_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_673","ead_ssi":"vifgm_repositories_2_resources_673","_root_":"vifgm_repositories_2_resources_673","_nest_parent_":"vifgm_repositories_2_resources_673","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_673.xml","title_ssm":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"title_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"unitdate_ssm":["circa 1919-1936"],"unitdate_inclusive_ssm":["circa 1919-1936"],"normalized_date_ssm":["1919/1936"],"normalized_title_ssm":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936"],"text":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936","C0344","/repositories/2/resources/673","Battle Creek (Mich.)","Gloucester City (N.J.)","Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence","Theare no access restrictions.","This collection was arranged into 6 folders based on subject or medium of materials.","\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940. Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.","Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.","Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.","The Special Collections Research Center also holds  and other music related collections such as the  and the","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude","English"],"collection_title_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936"],"collection_ssim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0344","/repositories/2/resources/673"],"unitid_tesim":["C0344","/repositories/2/resources/673"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"geogname_ssim":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"places_ssim":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"creator_ssm":["Gray, Dal (Dallas A.)"],"creator_ssim":["Gray, Dal (Dallas A.)"],"creator_persname_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"creators_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude","George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Ian Brabner Rare Americana by Music Librarian Steve Gerber in August 2018."],"access_subjects_ssim":["Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence"],"access_subjects_ssm":["Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1 box"],"extent_tesim":[".5 Linear Feet 1 box"],"genreform_ssim":["Personal correspondence","Correspondence"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936],"accessrestrict_html_tesm":["\u003cp\u003eTheare no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Theare no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged into 6 folders based on subject or medium of materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was arranged into 6 folders based on subject or medium of materials."],"bibliography_html_tesm":["\u003cp\u003e\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.\u003c/p\u003e","\u003cp\u003eLibrary of Congress. Copyright Office. 1940. \u003cemphph\u003eCatalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940\u003c/emphph\u003e. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940. Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr."],"bioghist_html_tesm":["\u003cp\u003eDallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957."],"prefercite_html_tesm":["\u003cp\u003eLetters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds \u003cextptr show=\"new\" title=\"sheet music composed by Dal Gray,\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=creator,exact,Gray,%20Dal,AND\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=creator,exact,Gray,%20Dal\u0026amp;lang=en\u0026amp;mode=advanced\u0026amp;offset=0\"\u003e\u003c/extptr\u003e and other music related collections such as the \u003cextptr show=\"new\" title=\"Sophocles Papas papers\" href=\"https://aspace.gmu.edu/resources/c0052\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Sam di Bonaventura papers.\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds  and other music related collections such as the  and the"],"scopecontent_html_tesm":["\u003cp\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10a66a09b299109357efb75acba66035\"\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.\u003c/abstract\u003e\n    "],"abstract_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fe46729082455bc36c7834c7588c86c6\"\u003eR 71, C 1, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"names_coll_ssim":["Monmouth Music Publishing Company","Kjellin, Jack (John J.)","Lapham, Claude"],"persname_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_673"}},{"id":"vifgm_repositories_2_resources_170","type":"collection","attributes":{"title":"Music, theatre, and spoken word sound recordings collection, 1949/1986","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_170","ead_ssi":"vifgm_repositories_2_resources_170","_root_":"vifgm_repositories_2_resources_170","_nest_parent_":"vifgm_repositories_2_resources_170","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_170.xml","title_ssm":["Music, theatre, and spoken word sound recordings collection"],"title_tesim":["Music, theatre, and spoken word sound recordings collection"],"unitdate_ssm":["1949-1986"],"unitdate_inclusive_ssm":["1949-1986"],"normalized_date_ssm":["1949/1986"],"normalized_title_ssm":["Music, theatre, and spoken word sound recordings collection, 1949/1986"],"text":["Music, theatre, and spoken word sound recordings collection, 1949/1986","C0130","/repositories/2/resources/170","Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings","There are no access restrictions.","The collection is not arranged in any specific order.","No information of donor or history is known at the present time.","The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.","Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.","The Special Collections Research Center also holds the Japanese Phonograph collection.","This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry.","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","George Mason University. Libraries. Special Collections Research Center","Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616","English"],"collection_title_tesim":["Music, theatre, and spoken word sound recordings collection, 1949/1986"],"collection_ssim":["Music, theatre, and spoken word sound recordings collection, 1949/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0130","/repositories/2/resources/170"],"unitid_tesim":["C0130","/repositories/2/resources/170"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Unknown."],"access_subjects_ssim":["Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings"],"access_subjects_ssm":["Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet (4 boxes)"],"extent_tesim":["1.25 Linear Feet (4 boxes)"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is not arranged in any specific order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is not arranged in any specific order."],"bioghist_html_tesm":["\u003cp\u003eNo information of donor or history is known at the present time.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["No information of donor or history is known at the present time."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eMusic, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Music, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Japanese Phonograph collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Japanese Phonograph collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. 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This box was found unlabeled and might be associated with another collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"names_coll_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"names_ssim":["George Mason University. Libraries. 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Additional time and money may be required to access this material.","Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.","The Special Collections Research Center also holds the Japanese Phonograph collection.","This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry.","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","George Mason University. Libraries. Special Collections Research Center","Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616","English"],"collection_title_tesim":["Music, theatre, and spoken word sound recordings collection, 1949/1986"],"collection_ssim":["Music, theatre, and spoken word sound recordings collection, 1949/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0130","/repositories/2/resources/170"],"unitid_tesim":["C0130","/repositories/2/resources/170"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"creator_corpname_ssim":["George Mason University. Libraries. 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(See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Unknown."],"access_subjects_ssim":["Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings"],"access_subjects_ssm":["Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet (4 boxes)"],"extent_tesim":["1.25 Linear Feet (4 boxes)"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is not arranged in any specific order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is not arranged in any specific order."],"bioghist_html_tesm":["\u003cp\u003eNo information of donor or history is known at the present time.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["No information of donor or history is known at the present time."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eMusic, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Music, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Japanese Phonograph collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Japanese Phonograph collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry. \u003c/p\u003e","\u003cp\u003eSeveral of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry.","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_39ae137ff05e56a34bc84cd9294ad3e0\"\u003eThis collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"names_coll_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"names_ssim":["George Mason University. Libraries. 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Lee music manuscript book, 1878/1881","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_650#creator","type":"document_value","attributes":{"value":"Lee, Nellie M., 1856-1926","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_650#abstract_or_scope","type":"document_value","attributes":{"value":"A music staff notebook kept by Nellie M. Lee from January 28, 1878 - February 2, 1881. The notebook contains handwritten music, along with lyrics, composed by \"E.L. Baker,\" likely the American composer Everett L. Baker from Buffalo, New York.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_650#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_650","ead_ssi":"vifgm_repositories_2_resources_650","_root_":"vifgm_repositories_2_resources_650","_nest_parent_":"vifgm_repositories_2_resources_650","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_650.xml","title_ssm":["Nellie M. Lee music manuscript book"],"title_tesim":["Nellie M. Lee music manuscript book"],"unitdate_ssm":["January 28, 1878 - February 2, 1881"],"unitdate_inclusive_ssm":["January 28, 1878 - February 2, 1881"],"normalized_date_ssm":["1878/1881"],"normalized_title_ssm":["Nellie M. Lee music manuscript book, 1878/1881"],"text":["Nellie M. Lee music manuscript book, 1878/1881","C0411","/repositories/2/resources/650","Folk music -- United States","Music -- 20th century","There are no access restrictions.","This is a single item collection.","\"Buffalo City Directory.: Embracing a general directory of residents, a street and Avenue Directory, Climatology of Buffalo, city and county officers, societies and incorporated companies, Banks, telegraph and railroad companies, table of stamp duties, rates of postage, etc.. to which is added a business directory of Buffalo.\" Buffalo N.Y.: Published by Warren, Johnson \u0026 Co. Office of the Daily Courier., 1869. Accessed July 6, 2023","\"Everett L. Baker[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/180360865/everett-l-baker.","\"History of St. Paul's church, Buffalo, N. Y., 1817 to 1888,\" 1903. Accessed July 5, 2023. https://archive.org/details/cu31924007766425/page/n13/mode/2up.","\"Nellie McGuire Lee[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/99388923/nellie-lee.","The Nellie M. Lee who kept this notebook was likely from the Buffalo, New York area, and lived from 1856-1926. As of 1869 Lee worked in the local Buffalo City public school system as an assistant. She may have been married to Elmer E. Lee.","Everett L. Baker (1829-1896), often credited as E.L. Baker, was an American composer who resided in Buffalo, New York. Baker was a prominent figure in the area, as both the head music teacher for the local school system, as well as the organist and music director at multiple churches in the area.","Processing and finding aid completed by Amanda Menjivar in July 2023.","The Special Collections Research Center holds other collections of handwritten and printed music.","and  hold sheet music by Everett L. Baker.","A music staff notebook kept by Nellie M. Lee from January 28, 1878 - February 2, 1881. The notebook contains handwritten music, along with lyrics, mostly composed by \"E.L. Baker,\" likely the American composer Everett L. Baker from Buffalo, New York. The first page in inscribed \"Nellie M. Lee Jan. 28th, 1878.\" Songs include \"Name in the Sand,\" \"Our own Sweet Thoughts to day,\" \"Fierce raged the Tempest,\" and \"The Merry Wanderer,\" among others. The notebook was only about half-used, and many of the pages are blank.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","A music staff notebook kept by Nellie M. Lee from January 28, 1878 - February 2, 1881. The notebook contains handwritten music, along with lyrics, composed by \"E.L. Baker,\" likely the American composer Everett L. Baker from Buffalo, New York.","R 72, C 3, S 4","George Mason University. Libraries. Special Collections Research Center","Lee, Nellie M., 1856-1926","Baker, Everett L., 1827-1896","English"],"collection_title_tesim":["Nellie M. Lee music manuscript book, 1878/1881"],"collection_ssim":["Nellie M. Lee music manuscript book, 1878/1881"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0411","/repositories/2/resources/650"],"unitid_tesim":["C0411","/repositories/2/resources/650"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lee, Nellie M., 1856-1926"],"creator_ssim":["Lee, Nellie M., 1856-1926"],"creator_persname_ssim":["Lee, Nellie M., 1856-1926","Baker, Everett L., 1827-1896"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Lee, Nellie M., 1856-1926","Baker, Everett L., 1827-1896","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Lynn Eaton in 2019."],"access_subjects_ssim":["Folk music -- United States","Music -- 20th century"],"access_subjects_ssm":["Folk music -- United States","Music -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":[".1 Linear Feet 1 notebook"],"extent_tesim":[".1 Linear Feet 1 notebook"],"date_range_isim":[1878,1879,1880,1881],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Buffalo City Directory.: Embracing a general directory of residents, a street and Avenue Directory, Climatology of Buffalo, city and county officers, societies and incorporated companies, Banks, telegraph and railroad companies, table of stamp duties, rates of postage, etc.. to which is added a business directory of Buffalo.\" Buffalo N.Y.: Published by Warren, Johnson \u0026amp; Co. Office of the Daily Courier., 1869. Accessed July 6, 2023 \u003cextptr show=\"new\" title=\"here.\" href=\"https://www.google.com/url?sa=t\u0026amp;rct=j\u0026amp;q=\u0026amp;esrc=s\u0026amp;source=web\u0026amp;cd=\u0026amp;cad=rja\u0026amp;uact=8\u0026amp;ved=2ahUKEwiS_5Cmj_j_AhXjMlkFHavXDGsQFnoECA8QAQ\u0026amp;url=https%3A%2F%2Fcdm16694.contentdm.oclc.org%2Fdigital%2Fapi%2Fcollection%2FVHB011%2Fid%2F15545%2Fdownload\u0026amp;usg=AOvVaw0HRDW6FnMpIVXgqShvVPNa\u0026amp;opi=89978449\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\"Everett L. Baker[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/180360865/everett-l-baker.\u003c/p\u003e","\u003cp\u003e\"History of St. Paul's church, Buffalo, N. Y., 1817 to 1888,\" 1903. Accessed July 5, 2023. https://archive.org/details/cu31924007766425/page/n13/mode/2up.\u003c/p\u003e","\u003cp\u003e\"Nellie McGuire Lee[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/99388923/nellie-lee.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Buffalo City Directory.: Embracing a general directory of residents, a street and Avenue Directory, Climatology of Buffalo, city and county officers, societies and incorporated companies, Banks, telegraph and railroad companies, table of stamp duties, rates of postage, etc.. to which is added a business directory of Buffalo.\" Buffalo N.Y.: Published by Warren, Johnson \u0026 Co. Office of the Daily Courier., 1869. Accessed July 6, 2023","\"Everett L. Baker[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/180360865/everett-l-baker.","\"History of St. Paul's church, Buffalo, N. Y., 1817 to 1888,\" 1903. Accessed July 5, 2023. https://archive.org/details/cu31924007766425/page/n13/mode/2up.","\"Nellie McGuire Lee[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/99388923/nellie-lee."],"bioghist_html_tesm":["\u003cp\u003eThe Nellie M. Lee who kept this notebook was likely from the Buffalo, New York area, and lived from 1856-1926. As of 1869 Lee worked in the local Buffalo City public school system as an assistant. She may have been married to Elmer E. Lee.\u003c/p\u003e","\u003cp\u003eEverett L. Baker (1829-1896), often credited as E.L. Baker, was an American composer who resided in Buffalo, New York. Baker was a prominent figure in the area, as both the head music teacher for the local school system, as well as the organist and music director at multiple churches in the area.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Nellie M. Lee who kept this notebook was likely from the Buffalo, New York area, and lived from 1856-1926. As of 1869 Lee worked in the local Buffalo City public school system as an assistant. She may have been married to Elmer E. Lee.","Everett L. Baker (1829-1896), often credited as E.L. Baker, was an American composer who resided in Buffalo, New York. Baker was a prominent figure in the area, as both the head music teacher for the local school system, as well as the organist and music director at multiple churches in the area."],"prefercite_html_tesm":["\u003cp\u003eNellie M. Lee music manuscript book, C0411, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Nellie M. Lee music manuscript book, C0411, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Menjivar in July 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Menjivar in July 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections of handwritten and printed music.\u003c/p\u003e","\u003cp\u003e\u003cextptr show=\"new\" title=\"Brown University\" href=\"https://repository.library.brown.edu/studio/item/bdr:16627/\"\u003e\u003c/extptr\u003e and \u003cextptr show=\"new\" title=\"Johns Hopkins University\" href=\"https://levysheetmusic.mse.jhu.edu/collection/127/120\"\u003e\u003c/extptr\u003e hold sheet music by Everett L. Baker.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections of handwritten and printed music.","and  hold sheet music by Everett L. Baker."],"scopecontent_html_tesm":["\u003cp\u003eA music staff notebook kept by Nellie M. Lee from January 28, 1878 - February 2, 1881. The notebook contains handwritten music, along with lyrics, mostly composed by \"E.L. Baker,\" likely the American composer Everett L. Baker from Buffalo, New York. The first page in inscribed \"Nellie M. Lee Jan. 28th, 1878.\" Songs include \"Name in the Sand,\" \"Our own Sweet Thoughts to day,\" \"Fierce raged the Tempest,\" and \"The Merry Wanderer,\" among others. The notebook was only about half-used, and many of the pages are blank.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A music staff notebook kept by Nellie M. Lee from January 28, 1878 - February 2, 1881. The notebook contains handwritten music, along with lyrics, mostly composed by \"E.L. Baker,\" likely the American composer Everett L. Baker from Buffalo, New York. The first page in inscribed \"Nellie M. Lee Jan. 28th, 1878.\" Songs include \"Name in the Sand,\" \"Our own Sweet Thoughts to day,\" \"Fierce raged the Tempest,\" and \"The Merry Wanderer,\" among others. The notebook was only about half-used, and many of the pages are blank."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. 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Baker from Buffalo, New York."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_267baf7e324ad28f5c2969dce8ba2314\"\u003eR 72, C 3, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Lee, Nellie M., 1856-1926","Baker, Everett L., 1827-1896"],"names_coll_ssim":["Baker, Everett L., 1827-1896"],"names_ssim":["George Mason University. Libraries. 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Office of the Daily Courier., 1869. Accessed July 6, 2023 \u003cextptr show=\"new\" title=\"here.\" href=\"https://www.google.com/url?sa=t\u0026amp;rct=j\u0026amp;q=\u0026amp;esrc=s\u0026amp;source=web\u0026amp;cd=\u0026amp;cad=rja\u0026amp;uact=8\u0026amp;ved=2ahUKEwiS_5Cmj_j_AhXjMlkFHavXDGsQFnoECA8QAQ\u0026amp;url=https%3A%2F%2Fcdm16694.contentdm.oclc.org%2Fdigital%2Fapi%2Fcollection%2FVHB011%2Fid%2F15545%2Fdownload\u0026amp;usg=AOvVaw0HRDW6FnMpIVXgqShvVPNa\u0026amp;opi=89978449\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\"Everett L. Baker[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/180360865/everett-l-baker.\u003c/p\u003e","\u003cp\u003e\"History of St. Paul's church, Buffalo, N. Y., 1817 to 1888,\" 1903. Accessed July 5, 2023. https://archive.org/details/cu31924007766425/page/n13/mode/2up.\u003c/p\u003e","\u003cp\u003e\"Nellie McGuire Lee[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/99388923/nellie-lee.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Buffalo City Directory.: Embracing a general directory of residents, a street and Avenue Directory, Climatology of Buffalo, city and county officers, societies and incorporated companies, Banks, telegraph and railroad companies, table of stamp duties, rates of postage, etc.. to which is added a business directory of Buffalo.\" Buffalo N.Y.: Published by Warren, Johnson \u0026 Co. Office of the Daily Courier., 1869. Accessed July 6, 2023","\"Everett L. Baker[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/180360865/everett-l-baker.","\"History of St. Paul's church, Buffalo, N. Y., 1817 to 1888,\" 1903. Accessed July 5, 2023. https://archive.org/details/cu31924007766425/page/n13/mode/2up.","\"Nellie McGuire Lee[.]\" Find A Grave, accessed July 5, 2023. https://www.findagrave.com/memorial/99388923/nellie-lee."],"bioghist_html_tesm":["\u003cp\u003eThe Nellie M. Lee who kept this notebook was likely from the Buffalo, New York area, and lived from 1856-1926. As of 1869 Lee worked in the local Buffalo City public school system as an assistant. She may have been married to Elmer E. Lee.\u003c/p\u003e","\u003cp\u003eEverett L. Baker (1829-1896), often credited as E.L. Baker, was an American composer who resided in Buffalo, New York. Baker was a prominent figure in the area, as both the head music teacher for the local school system, as well as the organist and music director at multiple churches in the area.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Nellie M. 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Lee music manuscript book, C0411, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Menjivar in July 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Menjivar in July 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections of handwritten and printed music.\u003c/p\u003e","\u003cp\u003e\u003cextptr show=\"new\" title=\"Brown University\" href=\"https://repository.library.brown.edu/studio/item/bdr:16627/\"\u003e\u003c/extptr\u003e and \u003cextptr show=\"new\" title=\"Johns Hopkins University\" href=\"https://levysheetmusic.mse.jhu.edu/collection/127/120\"\u003e\u003c/extptr\u003e hold sheet music by Everett L. Baker.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections of handwritten and printed music.","and  hold sheet music by Everett L. Baker."],"scopecontent_html_tesm":["\u003cp\u003eA music staff notebook kept by Nellie M. Lee from January 28, 1878 - February 2, 1881. The notebook contains handwritten music, along with lyrics, mostly composed by \"E.L. Baker,\" likely the American composer Everett L. Baker from Buffalo, New York. The first page in inscribed \"Nellie M. Lee Jan. 28th, 1878.\" Songs include \"Name in the Sand,\" \"Our own Sweet Thoughts to day,\" \"Fierce raged the Tempest,\" and \"The Merry Wanderer,\" among others. The notebook was only about half-used, and many of the pages are blank.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A music staff notebook kept by Nellie M. Lee from January 28, 1878 - February 2, 1881. The notebook contains handwritten music, along with lyrics, mostly composed by \"E.L. Baker,\" likely the American composer Everett L. Baker from Buffalo, New York. The first page in inscribed \"Nellie M. Lee Jan. 28th, 1878.\" Songs include \"Name in the Sand,\" \"Our own Sweet Thoughts to day,\" \"Fierce raged the Tempest,\" and \"The Merry Wanderer,\" among others. The notebook was only about half-used, and many of the pages are blank."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. 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