{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_336","type":"collection","attributes":{"title":"Eda Edson papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336#creator","type":"document_value","attributes":{"value":"Edson, Eda","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336#abstract_or_scope","type":"document_value","attributes":{"value":"The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_336","ead_ssi":"vifgm_repositories_2_resources_336","_root_":"vifgm_repositories_2_resources_336","_nest_parent_":"vifgm_repositories_2_resources_336","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_336.xml","title_filing_ssi":"Eda Edson papers","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218","/repositories/2/resources/336"],"text":["C0218","/repositories/2/resources/336","Eda Edson papers","New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century","There are no access restrictions.","There are also additional documents from this and other GMU FTP collections in the  .","This collection is arranged alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda","English"],"unitid_tesim":["C0218","/repositories/2/resources/336"],"normalized_title_ssm":["Eda Edson papers"],"collection_title_tesim":["Eda Edson papers"],"collection_ssim":["Eda Edson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edson, Eda","Edson, Eda"],"creator_ssim":["Edson, Eda","Edson, Eda"],"creator_persname_ssim":["Edson, Eda","Edson, Eda"],"creators_ssim":["Edson, Eda","Edson, Eda"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eda Edson on May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"access_subjects_ssm":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and other GMU FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and other GMU FTP collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e\n","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\""],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e","\u003cp\u003ePrograms for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.\u003c/p\u003e","\u003cp\u003ePrograms for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.\u003c/p\u003e","\u003cp\u003eProduction notes / script.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.\u003c/p\u003e","\u003cp\u003ePhotocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".\u003c/p\u003e","\u003cp\u003ePhotographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.\u003c/p\u003e","\u003cp\u003ePower; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.\u003c/p\u003e","\u003cp\u003eScrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.\u003c/p\u003e","\u003cp\u003eNewspaper clipping; blank greeting card; note to Edson encouraging her to write.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cd8b720d526b649a909d93db9dc2fb88\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e"],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Edson, Eda","Edson, Eda"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Edson, Eda"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T07:15:25.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_336","ead_ssi":"vifgm_repositories_2_resources_336","_root_":"vifgm_repositories_2_resources_336","_nest_parent_":"vifgm_repositories_2_resources_336","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_336.xml","title_filing_ssi":"Eda Edson papers","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218","/repositories/2/resources/336"],"text":["C0218","/repositories/2/resources/336","Eda Edson papers","New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century","There are no access restrictions.","There are also additional documents from this and other GMU FTP collections in the  .","This collection is arranged alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda","English"],"unitid_tesim":["C0218","/repositories/2/resources/336"],"normalized_title_ssm":["Eda Edson papers"],"collection_title_tesim":["Eda Edson papers"],"collection_ssim":["Eda Edson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edson, Eda","Edson, Eda"],"creator_ssim":["Edson, Eda","Edson, Eda"],"creator_persname_ssim":["Edson, Eda","Edson, Eda"],"creators_ssim":["Edson, Eda","Edson, Eda"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eda Edson on May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"access_subjects_ssm":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and other GMU FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and other GMU FTP collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e\n","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\""],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e","\u003cp\u003ePrograms for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.\u003c/p\u003e","\u003cp\u003ePrograms for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.\u003c/p\u003e","\u003cp\u003eProduction notes / script.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.\u003c/p\u003e","\u003cp\u003ePhotocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".\u003c/p\u003e","\u003cp\u003ePhotographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.\u003c/p\u003e","\u003cp\u003ePower; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.\u003c/p\u003e","\u003cp\u003eScrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.\u003c/p\u003e","\u003cp\u003eNewspaper clipping; blank greeting card; note to Edson encouraging her to write.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch;  photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.","Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.","Production notes / script.","Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.","Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars \"before and after\".","Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.","Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.","Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.","Newspaper clipping; blank greeting card; note to Edson encouraging her to write."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cd8b720d526b649a909d93db9dc2fb88\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e"],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Edson, Eda","Edson, Eda"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Edson, Eda"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T07:15:25.591Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336"}},{"id":"vifgm_repositories_2_resources_747","type":"collection","attributes":{"title":"John U. Guillory, Jr. music compositions","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747#creator","type":"document_value","attributes":{"value":"Guillory, Jr., John Ural, 1940-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_747","ead_ssi":"vifgm_repositories_2_resources_747","_root_":"vifgm_repositories_2_resources_747","_nest_parent_":"vifgm_repositories_2_resources_747","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_747.xml","title_filing_ssi":"John U. Guillory, Jr. music compositions","title_ssm":["John U. Guillory, Jr. music compositions"],"title_tesim":["John U. Guillory, Jr. music compositions"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0533","/repositories/2/resources/747"],"text":["C0533","/repositories/2/resources/747","John U. Guillory, Jr. music compositions","Music -- 20th century","Composition (Music)","Sheet music","There are no access restrictions.","This is a single folder collection.","The Washington Post . 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.","John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the  Sam di Bonaventura papers  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript .","A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013","English \n.    "],"unitid_tesim":["C0533","/repositories/2/resources/747"],"normalized_title_ssm":["John U. Guillory, Jr. music compositions"],"collection_title_tesim":["John U. Guillory, Jr. music compositions"],"collection_ssim":["John U. Guillory, Jr. music compositions"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Guillory, Jr., John Ural, 1940-2013"],"creator_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creator_persname_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creators_ssim":["Guillory, Jr., John Ural, 1940-2013"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eleanor B. Sutter on October 9, 2020."],"access_subjects_ssim":["Music -- 20th century","Composition (Music)","Sheet music"],"access_subjects_ssm":["Music -- 20th century","Composition (Music)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Washington Post\u003c/title\u003e. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Washington Post . 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html."],"bioghist_html_tesm":["\u003cp\u003eJohn Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.\u003c/p\u003e\n","\u003cp\u003eA physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73."],"prefercite_html_tesm":["\u003cp\u003eJohn U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["John U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in April 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0070\"\u003eSam di Bonaventura papers\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  Sam di Bonaventura papers  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_064f6320cfa4d4d296b0037c2147f831\"\u003eA collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.\u003c/abstract\u003e"],"abstract_tesim":["A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c24e115d52d8f065f570c3ab36557bda\"\u003eR 71, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Guillory, Jr., John Ural, 1940-2013"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:49.802Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_747","ead_ssi":"vifgm_repositories_2_resources_747","_root_":"vifgm_repositories_2_resources_747","_nest_parent_":"vifgm_repositories_2_resources_747","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_747.xml","title_filing_ssi":"John U. Guillory, Jr. music compositions","title_ssm":["John U. Guillory, Jr. music compositions"],"title_tesim":["John U. Guillory, Jr. music compositions"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0533","/repositories/2/resources/747"],"text":["C0533","/repositories/2/resources/747","John U. Guillory, Jr. music compositions","Music -- 20th century","Composition (Music)","Sheet music","There are no access restrictions.","This is a single folder collection.","The Washington Post . 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.","John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the  Sam di Bonaventura papers  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript .","A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013","English \n.    "],"unitid_tesim":["C0533","/repositories/2/resources/747"],"normalized_title_ssm":["John U. Guillory, Jr. music compositions"],"collection_title_tesim":["John U. Guillory, Jr. music compositions"],"collection_ssim":["John U. Guillory, Jr. music compositions"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Guillory, Jr., John Ural, 1940-2013"],"creator_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creator_persname_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creators_ssim":["Guillory, Jr., John Ural, 1940-2013"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eleanor B. Sutter on October 9, 2020."],"access_subjects_ssim":["Music -- 20th century","Composition (Music)","Sheet music"],"access_subjects_ssm":["Music -- 20th century","Composition (Music)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Washington Post\u003c/title\u003e. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Washington Post . 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html."],"bioghist_html_tesm":["\u003cp\u003eJohn Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.\u003c/p\u003e\n","\u003cp\u003eA physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73."],"prefercite_html_tesm":["\u003cp\u003eJohn U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["John U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in April 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0070\"\u003eSam di Bonaventura papers\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  Sam di Bonaventura papers  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_064f6320cfa4d4d296b0037c2147f831\"\u003eA collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.\u003c/abstract\u003e"],"abstract_tesim":["A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c24e115d52d8f065f570c3ab36557bda\"\u003eR 71, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Guillory, Jr., John Ural, 1940-2013"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:49.802Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747"}},{"id":"vifgm_repositories_2_resources_170","type":"collection","attributes":{"title":"Music, theatre, and spoken word sound recordings collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_170","ead_ssi":"vifgm_repositories_2_resources_170","_root_":"vifgm_repositories_2_resources_170","_nest_parent_":"vifgm_repositories_2_resources_170","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_170.xml","title_ssm":["Music, theatre, and spoken word sound recordings collection"],"title_tesim":["Music, theatre, and spoken word sound recordings collection"],"unitdate_ssm":["1949-1986"],"unitdate_inclusive_ssm":["1949-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0130","/repositories/2/resources/170"],"text":["C0130","/repositories/2/resources/170","Music, theatre, and spoken word sound recordings collection","Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings","There are no access restrictions.","The collection is not arranged in any specific order.","No information of donor or history is known at the present time.","The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.","Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.","The Special Collections Research Center also holds the Japanese Phonograph collection.","This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry. ","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music. ","Preformed by Leonard Pennario.","Roy Berkeley and Tim Woodbridge","The Repertory Theater of Lincoln Center","Lorraine Hansberry","Joe Glazer","Joe Glazer","T.S. Eliot","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","George Mason University. Libraries. Special Collections Research Center","Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["C0130","/repositories/2/resources/170"],"normalized_title_ssm":["Music, theatre, and spoken word sound recordings collection"],"collection_title_tesim":["Music, theatre, and spoken word sound recordings collection"],"collection_ssim":["Music, theatre, and spoken word sound recordings collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Unknown."],"access_subjects_ssim":["Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings"],"access_subjects_ssm":["Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet (4 boxes)"],"extent_tesim":["1.25 Linear Feet (4 boxes)"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is not arranged in any specific order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is not arranged in any specific order."],"bioghist_html_tesm":["\u003cp\u003eNo information of donor or history is known at the present time.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["No information of donor or history is known at the present time."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eMusic, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Music, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Japanese Phonograph collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Japanese Phonograph collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry. \u003c/p\u003e\n","\u003cp\u003eSeveral of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music. \u003c/p\u003e","\u003cp\u003ePreformed by Leonard Pennario.\u003c/p\u003e","\u003cp\u003eRoy Berkeley and Tim Woodbridge\u003c/p\u003e","\u003cp\u003eThe Repertory Theater of Lincoln Center\u003c/p\u003e","\u003cp\u003eLorraine Hansberry\u003c/p\u003e","\u003cp\u003eJoe Glazer\u003c/p\u003e","\u003cp\u003eJoe Glazer\u003c/p\u003e","\u003cp\u003eT.S. Eliot\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry. ","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music. ","Preformed by Leonard Pennario.","Roy Berkeley and Tim Woodbridge","The Repertory Theater of Lincoln Center","Lorraine Hansberry","Joe Glazer","Joe Glazer","T.S. Eliot"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_39ae137ff05e56a34bc84cd9294ad3e0\"\u003eThis collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"persname_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-30T07:06:31.410Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_170","ead_ssi":"vifgm_repositories_2_resources_170","_root_":"vifgm_repositories_2_resources_170","_nest_parent_":"vifgm_repositories_2_resources_170","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_170.xml","title_ssm":["Music, theatre, and spoken word sound recordings collection"],"title_tesim":["Music, theatre, and spoken word sound recordings collection"],"unitdate_ssm":["1949-1986"],"unitdate_inclusive_ssm":["1949-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0130","/repositories/2/resources/170"],"text":["C0130","/repositories/2/resources/170","Music, theatre, and spoken word sound recordings collection","Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings","There are no access restrictions.","The collection is not arranged in any specific order.","No information of donor or history is known at the present time.","The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.","Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.","The Special Collections Research Center also holds the Japanese Phonograph collection.","This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry. ","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music. ","Preformed by Leonard Pennario.","Roy Berkeley and Tim Woodbridge","The Repertory Theater of Lincoln Center","Lorraine Hansberry","Joe Glazer","Joe Glazer","T.S. Eliot","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","George Mason University. Libraries. Special Collections Research Center","Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["C0130","/repositories/2/resources/170"],"normalized_title_ssm":["Music, theatre, and spoken word sound recordings collection"],"collection_title_tesim":["Music, theatre, and spoken word sound recordings collection"],"collection_ssim":["Music, theatre, and spoken word sound recordings collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Unknown."],"access_subjects_ssim":["Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings"],"access_subjects_ssm":["Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet (4 boxes)"],"extent_tesim":["1.25 Linear Feet (4 boxes)"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is not arranged in any specific order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is not arranged in any specific order."],"bioghist_html_tesm":["\u003cp\u003eNo information of donor or history is known at the present time.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["No information of donor or history is known at the present time."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eMusic, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Music, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Japanese Phonograph collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Japanese Phonograph collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry. \u003c/p\u003e\n","\u003cp\u003eSeveral of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music. \u003c/p\u003e","\u003cp\u003ePreformed by Leonard Pennario.\u003c/p\u003e","\u003cp\u003eRoy Berkeley and Tim Woodbridge\u003c/p\u003e","\u003cp\u003eThe Repertory Theater of Lincoln Center\u003c/p\u003e","\u003cp\u003eLorraine Hansberry\u003c/p\u003e","\u003cp\u003eJoe Glazer\u003c/p\u003e","\u003cp\u003eJoe Glazer\u003c/p\u003e","\u003cp\u003eT.S. Eliot\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry. ","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music. ","Preformed by Leonard Pennario.","Roy Berkeley and Tim Woodbridge","The Repertory Theater of Lincoln Center","Lorraine Hansberry","Joe Glazer","Joe Glazer","T.S. Eliot"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_39ae137ff05e56a34bc84cd9294ad3e0\"\u003eThis collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"persname_ssim":["Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-30T07:06:31.410Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Eda Edson papers","value":"Eda Edson papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcollection%5D%5B%5D=Eda+Edson+papers\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"John U. Guillory, Jr. music compositions","value":"John U. Guillory, Jr. music compositions","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcollection%5D%5B%5D=John+U.+Guillory%2C+Jr.+music+compositions\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Music, theatre, and spoken word sound recordings collection","value":"Music, theatre, and spoken word sound recordings collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcollection%5D%5B%5D=Music%2C+theatre%2C+and+spoken+word+sound+recordings+collection\u0026f%5Bdate_range%5D%5B%5D=1974"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1930","value":"1930","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1930"}},{"attributes":{"label":"1931","value":"1931","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1931"}},{"attributes":{"label":"1932","value":"1932","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"1933","value":"1933","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1933"}},{"attributes":{"label":"1934","value":"1934","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1934"}},{"attributes":{"label":"1935","value":"1935","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1935"}},{"attributes":{"label":"1936","value":"1936","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"1937","value":"1937","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1937"}},{"attributes":{"label":"1938","value":"1938","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1938"}},{"attributes":{"label":"1939","value":"1939","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1939"}},{"attributes":{"label":"1940","value":"1940","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1940"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Edson, Eda","value":"Edson, Eda","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcreators%5D%5B%5D=Edson%2C+Eda\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"George Mason University. Libraries. Special Collections Research Center","value":"George Mason University. Libraries. Special Collections Research Center","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcreators%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Guillory, Jr., John Ural, 1940-2013","value":"Guillory, Jr., John Ural, 1940-2013","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcreators%5D%5B%5D=Guillory%2C+Jr.%2C+John+Ural%2C+1940-2013\u0026f%5Bdate_range%5D%5B%5D=1974"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Edson, Eda","value":"Edson, Eda","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=Edson%2C+Eda"}},{"attributes":{"label":"Federal Theatre Project (U.S.)","value":"Federal Theatre Project (U.S.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=Federal+Theatre+Project+%28U.S.%29"}},{"attributes":{"label":"George Mason University. Libraries. Special Collections Research Center","value":"George Mason University. Libraries. Special Collections Research Center","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center"}},{"attributes":{"label":"Guillory, Jr., John Ural, 1940-2013","value":"Guillory, Jr., John Ural, 1940-2013","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=Guillory%2C+Jr.%2C+John+Ural%2C+1940-2013"}},{"attributes":{"label":"Hansberry, Lorraine, 1930-1965","value":"Hansberry, Lorraine, 1930-1965","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=Hansberry%2C+Lorraine%2C+1930-1965"}},{"attributes":{"label":"Miller, Arthur, 1915-2005","value":"Miller, Arthur, 1915-2005","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=Miller%2C+Arthur%2C+1915-2005"}},{"attributes":{"label":"Shakespeare, William, 1564-1616","value":"Shakespeare, William, 1564-1616","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=Shakespeare%2C+William%2C+1564-1616"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Acting","value":"Acting","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Acting\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Composition (Music)","value":"Composition (Music)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Composition+%28Music%29\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Depressions -- 1929","value":"Depressions -- 1929","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Depressions+--+1929\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Drama","value":"Drama","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Drama\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Folk music -- United States","value":"Folk music -- United States","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Folk+music+--+United+States\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Labor unions","value":"Labor unions","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Labor+unions\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Literature","value":"Literature","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Literature\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Live sound recordings","value":"Live sound recordings","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Live+sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Music","value":"Music","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Music -- 20th century","value":"Music -- 20th century","hits":3},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Musical Theater","value":"Musical Theater","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Musical+Theater\u0026f%5Bdate_range%5D%5B%5D=1974"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Collection"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1974\u0026sort=title_sort+desc"}}]}