{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_336","type":"collection","attributes":{"title":"Eda Edson papers, 1930/1976","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336#creator","type":"document_value","attributes":{"value":"Edson, Eda","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336#abstract_or_scope","type":"document_value","attributes":{"value":"The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_336","ead_ssi":"vifgm_repositories_2_resources_336","_root_":"vifgm_repositories_2_resources_336","_nest_parent_":"vifgm_repositories_2_resources_336","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_336.xml","title_filing_ssi":"Eda Edson papers","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"normalized_date_ssm":["1930/1976"],"normalized_title_ssm":["Eda Edson papers, 1930/1976"],"text":["Eda Edson papers, 1930/1976","C0218","/repositories/2/resources/336","New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century","There are no access restrictions.","There are also additional documents from this and other GMU FTP collections in the .","This collection is arranged alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda","English"],"collection_title_tesim":["Eda Edson papers, 1930/1976"],"collection_ssim":["Eda Edson papers, 1930/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218","/repositories/2/resources/336"],"unitid_tesim":["C0218","/repositories/2/resources/336"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edson, Eda","Edson, Eda"],"creator_ssim":["Edson, Eda","Edson, Eda"],"creator_persname_ssim":["Edson, Eda"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Edson, Eda","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eda Edson on May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"access_subjects_ssm":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and other GMU FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and other GMU FTP collections in the ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by folder title.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\""],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cd8b720d526b649a909d93db9dc2fb88\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)","Edson, Eda","Edson, Eda"],"persname_ssim":["Edson, Eda"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_336","ead_ssi":"vifgm_repositories_2_resources_336","_root_":"vifgm_repositories_2_resources_336","_nest_parent_":"vifgm_repositories_2_resources_336","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_336.xml","title_filing_ssi":"Eda Edson papers","title_ssm":["Eda Edson papers"],"title_tesim":["Eda Edson papers"],"unitdate_ssm":["1930-1976"],"unitdate_inclusive_ssm":["1930-1976"],"normalized_date_ssm":["1930/1976"],"normalized_title_ssm":["Eda Edson papers, 1930/1976"],"text":["Eda Edson papers, 1930/1976","C0218","/repositories/2/resources/336","New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century","There are no access restrictions.","There are also additional documents from this and other GMU FTP collections in the .","This collection is arranged alphabetically by folder title.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda","English"],"collection_title_tesim":["Eda Edson papers, 1930/1976"],"collection_ssim":["Eda Edson papers, 1930/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0218","/repositories/2/resources/336"],"unitid_tesim":["C0218","/repositories/2/resources/336"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edson, Eda","Edson, Eda"],"creator_ssim":["Edson, Eda","Edson, Eda"],"creator_persname_ssim":["Edson, Eda"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Edson, Eda","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eda Edson on May 30, 1976."],"access_subjects_ssim":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"access_subjects_ssm":["New Deal, 1933-1939","Theater -- United States","Performing arts","Music -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and other GMU FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and other GMU FTP collections in the ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by folder title.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e","\u003cp\u003eThe number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions \"Follow the Parade\" and \"The Black Crook.\" In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, \"Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'\"\nEdson later went on to more conducting work, and in 1953 she authored the short self help guide \"The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you.\""],"prefercite_html_tesm":["\u003cp\u003eEda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Eda Edson papers, C0218, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cd8b720d526b649a909d93db9dc2fb88\" label=\"Abstract\"\u003eThe Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)","Edson, Eda","Edson, Eda"],"persname_ssim":["Edson, Eda"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Edson, Eda"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_336"}},{"id":"vifgm_repositories_2_resources_175","type":"collection","attributes":{"title":"Japanese phonograph record collection, 1927/1932","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_175#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_175#abstract_or_scope","type":"document_value","attributes":{"value":"The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_175#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_175","ead_ssi":"vifgm_repositories_2_resources_175","_root_":"vifgm_repositories_2_resources_175","_nest_parent_":"vifgm_repositories_2_resources_175","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_175.xml","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"normalized_date_ssm":["1927/1932"],"normalized_title_ssm":["Japanese phonograph record collection, 1927/1932"],"text":["Japanese phonograph record collection, 1927/1932","C0141","/repositories/2/resources/175","Japan","Music","Music -- 20th century","Music -- Japan","Sound recordings","There are no access restrictions.","Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925","The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff.","The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Japanese phonograph record collection, 1927/1932"],"collection_ssim":["Japanese phonograph record collection, 1927/1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141","/repositories/2/resources/175"],"unitid_tesim":["C0141","/repositories/2/resources/175"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Japan"],"geogname_ssim":["Japan"],"places_ssim":["Japan"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"access_subjects_ssm":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Colmbia\u003c/item\u003e\n      \u003citem\u003eSeries 2: Victor\u003c/item\u003e\n      \u003citem\u003eSeries 3: Orient\u003c/item\u003e\n      \u003citem\u003eSeries 4: Ploydor\u003c/item\u003e\n      \u003citem\u003eSeries 5: Columbia Regal\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  \u003c/p\u003e","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eJapanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Japanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. \u003c/p\u003e","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf615df7cc993c3416de9846ecbeed3\" label=\"Abstract\"\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_175","ead_ssi":"vifgm_repositories_2_resources_175","_root_":"vifgm_repositories_2_resources_175","_nest_parent_":"vifgm_repositories_2_resources_175","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_175.xml","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"normalized_date_ssm":["1927/1932"],"normalized_title_ssm":["Japanese phonograph record collection, 1927/1932"],"text":["Japanese phonograph record collection, 1927/1932","C0141","/repositories/2/resources/175","Japan","Music","Music -- 20th century","Music -- Japan","Sound recordings","There are no access restrictions.","Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925","The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff.","The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Japanese phonograph record collection, 1927/1932"],"collection_ssim":["Japanese phonograph record collection, 1927/1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141","/repositories/2/resources/175"],"unitid_tesim":["C0141","/repositories/2/resources/175"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Japan"],"geogname_ssim":["Japan"],"places_ssim":["Japan"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"access_subjects_ssm":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Colmbia\u003c/item\u003e\n      \u003citem\u003eSeries 2: Victor\u003c/item\u003e\n      \u003citem\u003eSeries 3: Orient\u003c/item\u003e\n      \u003citem\u003eSeries 4: Ploydor\u003c/item\u003e\n      \u003citem\u003eSeries 5: Columbia Regal\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  \u003c/p\u003e","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eJapanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Japanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. \u003c/p\u003e","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf615df7cc993c3416de9846ecbeed3\" label=\"Abstract\"\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_175"}},{"id":"vifgm_repositories_2_resources_673","type":"collection","attributes":{"title":"Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_673#creator","type":"document_value","attributes":{"value":"Gray, Dal (Dallas A.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_673#abstract_or_scope","type":"document_value","attributes":{"value":"Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_673#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_673","ead_ssi":"vifgm_repositories_2_resources_673","_root_":"vifgm_repositories_2_resources_673","_nest_parent_":"vifgm_repositories_2_resources_673","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_673.xml","title_ssm":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"title_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"unitdate_ssm":["circa 1919-1936"],"unitdate_inclusive_ssm":["circa 1919-1936"],"normalized_date_ssm":["1919/1936"],"normalized_title_ssm":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936"],"text":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936","C0344","/repositories/2/resources/673","Battle Creek (Mich.)","Gloucester City (N.J.)","Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence","Theare no access restrictions.","This collection was arranged into 6 folders based on subject or medium of materials.","\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940. Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.","Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.","Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.","The Special Collections Research Center also holds  and other music related collections such as the  and the","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude","English"],"collection_title_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936"],"collection_ssim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0344","/repositories/2/resources/673"],"unitid_tesim":["C0344","/repositories/2/resources/673"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"geogname_ssim":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"places_ssim":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"creator_ssm":["Gray, Dal (Dallas A.)"],"creator_ssim":["Gray, Dal (Dallas A.)"],"creator_persname_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"creators_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude","George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Ian Brabner Rare Americana by Music Librarian Steve Gerber in August 2018."],"access_subjects_ssim":["Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence"],"access_subjects_ssm":["Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1 box"],"extent_tesim":[".5 Linear Feet 1 box"],"genreform_ssim":["Personal correspondence","Correspondence"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936],"accessrestrict_html_tesm":["\u003cp\u003eTheare no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Theare no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged into 6 folders based on subject or medium of materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was arranged into 6 folders based on subject or medium of materials."],"bibliography_html_tesm":["\u003cp\u003e\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.\u003c/p\u003e","\u003cp\u003eLibrary of Congress. Copyright Office. 1940. \u003cemphph\u003eCatalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940\u003c/emphph\u003e. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940. Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr."],"bioghist_html_tesm":["\u003cp\u003eDallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957."],"prefercite_html_tesm":["\u003cp\u003eLetters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds \u003cextptr show=\"new\" title=\"sheet music composed by Dal Gray,\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=creator,exact,Gray,%20Dal,AND\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=creator,exact,Gray,%20Dal\u0026amp;lang=en\u0026amp;mode=advanced\u0026amp;offset=0\"\u003e\u003c/extptr\u003e and other music related collections such as the \u003cextptr show=\"new\" title=\"Sophocles Papas papers\" href=\"https://aspace.gmu.edu/resources/c0052\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Sam di Bonaventura papers.\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds  and other music related collections such as the  and the"],"scopecontent_html_tesm":["\u003cp\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10a66a09b299109357efb75acba66035\"\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.\u003c/abstract\u003e\n    "],"abstract_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fe46729082455bc36c7834c7588c86c6\"\u003eR 71, C 1, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"names_coll_ssim":["Monmouth Music Publishing Company","Kjellin, Jack (John J.)","Lapham, Claude"],"persname_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_673","ead_ssi":"vifgm_repositories_2_resources_673","_root_":"vifgm_repositories_2_resources_673","_nest_parent_":"vifgm_repositories_2_resources_673","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_673.xml","title_ssm":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"title_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"unitdate_ssm":["circa 1919-1936"],"unitdate_inclusive_ssm":["circa 1919-1936"],"normalized_date_ssm":["1919/1936"],"normalized_title_ssm":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936"],"text":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936","C0344","/repositories/2/resources/673","Battle Creek (Mich.)","Gloucester City (N.J.)","Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence","Theare no access restrictions.","This collection was arranged into 6 folders based on subject or medium of materials.","\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940. Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.","Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.","Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.","The Special Collections Research Center also holds  and other music related collections such as the  and the","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude","English"],"collection_title_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936"],"collection_ssim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0344","/repositories/2/resources/673"],"unitid_tesim":["C0344","/repositories/2/resources/673"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"geogname_ssim":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"places_ssim":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"creator_ssm":["Gray, Dal (Dallas A.)"],"creator_ssim":["Gray, Dal (Dallas A.)"],"creator_persname_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"creators_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude","George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Ian Brabner Rare Americana by Music Librarian Steve Gerber in August 2018."],"access_subjects_ssim":["Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence"],"access_subjects_ssm":["Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1 box"],"extent_tesim":[".5 Linear Feet 1 box"],"genreform_ssim":["Personal correspondence","Correspondence"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936],"accessrestrict_html_tesm":["\u003cp\u003eTheare no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Theare no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged into 6 folders based on subject or medium of materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was arranged into 6 folders based on subject or medium of materials."],"bibliography_html_tesm":["\u003cp\u003e\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.\u003c/p\u003e","\u003cp\u003eLibrary of Congress. Copyright Office. 1940. \u003cemphph\u003eCatalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940\u003c/emphph\u003e. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940. Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr."],"bioghist_html_tesm":["\u003cp\u003eDallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957."],"prefercite_html_tesm":["\u003cp\u003eLetters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds \u003cextptr show=\"new\" title=\"sheet music composed by Dal Gray,\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=creator,exact,Gray,%20Dal,AND\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=creator,exact,Gray,%20Dal\u0026amp;lang=en\u0026amp;mode=advanced\u0026amp;offset=0\"\u003e\u003c/extptr\u003e and other music related collections such as the \u003cextptr show=\"new\" title=\"Sophocles Papas papers\" href=\"https://aspace.gmu.edu/resources/c0052\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Sam di Bonaventura papers.\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds  and other music related collections such as the  and the"],"scopecontent_html_tesm":["\u003cp\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10a66a09b299109357efb75acba66035\"\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.\u003c/abstract\u003e\n    "],"abstract_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fe46729082455bc36c7834c7588c86c6\"\u003eR 71, C 1, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"names_coll_ssim":["Monmouth Music Publishing Company","Kjellin, Jack (John J.)","Lapham, Claude"],"persname_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_673"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Eda Edson papers, 1930/1976","value":"Eda Edson papers, 1930/1976","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcollection%5D%5B%5D=Eda+Edson+papers%2C+1930%2F1976\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Japanese phonograph record collection, 1927/1932","value":"Japanese phonograph record collection, 1927/1932","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcollection%5D%5B%5D=Japanese+phonograph+record+collection%2C+1927%2F1932\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936","value":"Letters to music lyricist and publisher Dallas \"Dal\" Gray, 1919/1936","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcollection%5D%5B%5D=Letters+to+music+lyricist+and+publisher+Dallas+%22Dal%22+Gray%2C+1919%2F1936\u0026f%5Bdate_range%5D%5B%5D=1932"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1919","value":"1919","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1919"}},{"attributes":{"label":"1920","value":"1920","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1920"}},{"attributes":{"label":"1921","value":"1921","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1921"}},{"attributes":{"label":"1922","value":"1922","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1922"}},{"attributes":{"label":"1923","value":"1923","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1923"}},{"attributes":{"label":"1924","value":"1924","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1924"}},{"attributes":{"label":"1925","value":"1925","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1925"}},{"attributes":{"label":"1926","value":"1926","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1926"}},{"attributes":{"label":"1927","value":"1927","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1927"}},{"attributes":{"label":"1928","value":"1928","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1928"}},{"attributes":{"label":"1929","value":"1929","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bdate_range%5D%5B%5D=1929"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Edson, Eda","value":"Edson, Eda","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcreators%5D%5B%5D=Edson%2C+Eda\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"George Mason University. Libraries. Special Collections Research Center","value":"George Mason University. Libraries. Special Collections Research Center","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcreators%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Gray, Dal (Dallas A.)","value":"Gray, Dal (Dallas A.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bcreators%5D%5B%5D=Gray%2C+Dal+%28Dallas+A.%29\u0026f%5Bdate_range%5D%5B%5D=1932"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Edson, Eda","value":"Edson, Eda","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bnames%5D%5B%5D=Edson%2C+Eda"}},{"attributes":{"label":"Federal Theatre Project (U.S.)","value":"Federal Theatre Project (U.S.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bnames%5D%5B%5D=Federal+Theatre+Project+%28U.S.%29"}},{"attributes":{"label":"George Mason University. Libraries. Special Collections Research Center","value":"George Mason University. Libraries. Special Collections Research Center","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bnames%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center"}},{"attributes":{"label":"Gray, Dal (Dallas A.)","value":"Gray, Dal (Dallas A.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bnames%5D%5B%5D=Gray%2C+Dal+%28Dallas+A.%29"}},{"attributes":{"label":"Kjellin, Jack (John J.)","value":"Kjellin, Jack (John J.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bnames%5D%5B%5D=Kjellin%2C+Jack+%28John+J.%29"}},{"attributes":{"label":"Lapham, Claude","value":"Lapham, Claude","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bnames%5D%5B%5D=Lapham%2C+Claude"}},{"attributes":{"label":"Monmouth Music Publishing Company","value":"Monmouth Music Publishing Company","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bnames%5D%5B%5D=Monmouth+Music+Publishing+Company"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Battle Creek (Mich.)","value":"Battle Creek (Mich.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bplaces%5D%5B%5D=Battle+Creek+%28Mich.%29"}},{"attributes":{"label":"Gloucester City (N.J.)","value":"Gloucester City (N.J.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bplaces%5D%5B%5D=Gloucester+City+%28N.J.%29"}},{"attributes":{"label":"Japan","value":"Japan","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Bplaces%5D%5B%5D=Japan"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Correspondence","value":"Correspondence","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Lyric writing (Popular music)","value":"Lyric writing (Popular music)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Lyric+writing+%28Popular+music%29\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Music","value":"Music","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Music -- 20th century","value":"Music -- 20th century","hits":3},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Music -- Japan","value":"Music -- Japan","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Music+--+Japan\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"New Deal, 1933-1939","value":"New Deal, 1933-1939","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=New+Deal%2C+1933-1939\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Performing arts","value":"Performing arts","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Performing+arts\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Personal correspondence","value":"Personal correspondence","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Personal+correspondence\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Popular music","value":"Popular music","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Popular+music\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Popular music -- Writing and publishing","value":"Popular music -- Writing and publishing","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Popular+music+--+Writing+and+publishing\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"Sound recordings","value":"Sound recordings","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1932"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026f%5Blevel%5D%5B%5D=Collection"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1932\u0026sort=title_sort+desc"}}]}