{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Monuments","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Monuments\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":6,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_405","type":"collection","attributes":{"title":"Harold Vogel collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_405#creator","type":"document_value","attributes":{"value":"Vogel, Harold C., 1930-2011","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_405#abstract_or_scope","type":"document_value","attributes":{"value":"Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_405#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_405","ead_ssi":"vifgm_repositories_2_resources_405","_root_":"vifgm_repositories_2_resources_405","_nest_parent_":"vifgm_repositories_2_resources_405","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_405.xml","title_ssm":["Harold Vogel collection"],"title_tesim":["Harold Vogel collection"],"unitdate_ssm":["1963-1998, 1950-2014","1963-1998"],"unitdate_bulk_ssim":["1963-1998"],"unitdate_inclusive_ssm":["1963-1998, 1950-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0249","/repositories/2/resources/405"],"text":["C0249","/repositories/2/resources/405","Harold Vogel collection","Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments","There are no access restrictions.","The materials are arranged alphabetically within the following series:","Missing Title Series 1: News articles, personal, and professional papers, circa 1950s-2014 Series 2: Photographic materials, circa 1950s-1996 Series 3: Audiovisual materials, 1988-2002","Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.","Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.","The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries.","Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.","George Mason University. Libraries. Special Collections Research Center","Vogel, Harold C., 1930-2011","English \n.    "],"unitid_tesim":["C0249","/repositories/2/resources/405"],"normalized_title_ssm":["Harold Vogel collection"],"collection_title_tesim":["Harold Vogel collection"],"collection_ssim":["Harold Vogel collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Vogel, Harold C., 1930-2011"],"creator_ssim":["Vogel, Harold C., 1930-2011"],"creator_persname_ssim":["Vogel, Harold C., 1930-2011"],"creators_ssim":["Vogel, Harold C., 1930-2011"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Deborah Weitzman-Ward in May 2014."],"access_subjects_ssim":["Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments"],"access_subjects_ssm":["Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet (8 boxes)","(8 boxes)"],"extent_tesim":["3 Linear Feet (8 boxes)","(8 boxes)"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged alphabetically within the following series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: News articles, personal, and professional papers, circa 1950s-2014\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographic materials, circa 1950s-1996\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual materials, 1988-2002\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged alphabetically within the following series:","Missing Title Series 1: News articles, personal, and professional papers, circa 1950s-2014 Series 2: Photographic materials, circa 1950s-1996 Series 3: Audiovisual materials, 1988-2002"],"bioghist_html_tesm":["\u003cp\u003eArchitectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011."],"prefercite_html_tesm":["\u003cp\u003eHarold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.\u003c/p\u003e\n","\u003cp\u003eSeries 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"\u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_868eaaa6a3c0efae0001870e404008c8\" label=\"Abstract\"\u003ePapers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.\u003c/abstract\u003e"],"abstract_tesim":["Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Vogel, Harold C., 1930-2011"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Vogel, Harold C., 1930-2011"],"persname_ssim":["Vogel, Harold C., 1930-2011"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":102,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:54.262Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_405","ead_ssi":"vifgm_repositories_2_resources_405","_root_":"vifgm_repositories_2_resources_405","_nest_parent_":"vifgm_repositories_2_resources_405","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_405.xml","title_ssm":["Harold Vogel collection"],"title_tesim":["Harold Vogel collection"],"unitdate_ssm":["1963-1998, 1950-2014","1963-1998"],"unitdate_bulk_ssim":["1963-1998"],"unitdate_inclusive_ssm":["1963-1998, 1950-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0249","/repositories/2/resources/405"],"text":["C0249","/repositories/2/resources/405","Harold Vogel collection","Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments","There are no access restrictions.","The materials are arranged alphabetically within the following series:","Missing Title Series 1: News articles, personal, and professional papers, circa 1950s-2014 Series 2: Photographic materials, circa 1950s-1996 Series 3: Audiovisual materials, 1988-2002","Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.","Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.","The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries.","Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.","George Mason University. Libraries. Special Collections Research Center","Vogel, Harold C., 1930-2011","English \n.    "],"unitid_tesim":["C0249","/repositories/2/resources/405"],"normalized_title_ssm":["Harold Vogel collection"],"collection_title_tesim":["Harold Vogel collection"],"collection_ssim":["Harold Vogel collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Vogel, Harold C., 1930-2011"],"creator_ssim":["Vogel, Harold C., 1930-2011"],"creator_persname_ssim":["Vogel, Harold C., 1930-2011"],"creators_ssim":["Vogel, Harold C., 1930-2011"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Deborah Weitzman-Ward in May 2014."],"access_subjects_ssim":["Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments"],"access_subjects_ssm":["Monuments -- Washington (D.C.)","Architecture -- Conservation and restoration","Stone carving","Monuments"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet (8 boxes)","(8 boxes)"],"extent_tesim":["3 Linear Feet (8 boxes)","(8 boxes)"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged alphabetically within the following series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: News articles, personal, and professional papers, circa 1950s-2014\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographic materials, circa 1950s-1996\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual materials, 1988-2002\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged alphabetically within the following series:","Missing Title Series 1: News articles, personal, and professional papers, circa 1950s-2014 Series 2: Photographic materials, circa 1950s-1996 Series 3: Audiovisual materials, 1988-2002"],"bioghist_html_tesm":["\u003cp\u003eArchitectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Architectural sculptor Harold Vogel (1930-2011) was born in Detroit, Michigan. He spent the majority of his childhood in Germany, his parents' homeland, and was educated and served an apprenticeship as a stone carver there. Vogel became a certified Mastercraftsman in Dusseldorf, Germany in 1953. He returned to the United States in the mid-1950s, settling in the Washington, D.C., area after serving with the US Army. Vogel worked on a number of projects in the capital and the surrounding area, and he eventually formed Wood and Stone, Inc. and the Carving and Restoration Team, based in Northern Virginia. Vogel's sculpting and restoration projects over the years included work on Washington National Cathedral, the CIA memorial, the US Senate Chamber, the Marine Corps Memorial and the Lyndon B. Johnson Memorial, along with many other projects around the country and the world. He and his wife, artist Hilde Vogel-Michalik, lived in Northern Virginia until Vogel-Michalik's death in 1999. Vogel spent his last years in Front Royal, Virginia, and he died in late 2011."],"prefercite_html_tesm":["\u003cp\u003eHarold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harold Vogel collection, C0249, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Richard Smith and Elizabeth Beckman in February 2015. EAD markup completed by Elizabeth Beckman in February 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.\u003c/p\u003e\n","\u003cp\u003eSeries 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"\u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection largely documents Vogel's career as an architectural sculptor through newsclippings and magazine articles, as well as photos, negatives, slides, and VHS tapes from the various projects that he worked on. Some biographical information, such as resumes and biographical sketches, is also included. There are also a few awards and certificates given to Vogel through his professional life. The majority of the material is in English, with a few articles and pamphlets in German and Spanish.","Series 1: News articles, personal, and professional papers covers the 1950s to 2014 and includes newsclippings, magazine articles, and ephemera related to Vogel's many carving and restoration projects, including the Lyndon B. Johnson memorial, the CIA memorial, the Marine Corps memorial, and the Gerald Ford Presidential Library. His involvement in the Northern Virginia Community College Stone Carving and Restoration program is documented through articles and press releases. A few resumes and biographical sketches, as well as awards and certificates, are also included, as is a sketch for a sign that says \"Dacha Vogel.\"","Series 2: Photographic materials includes photographic prints, negatives of various sizes, and slides documenting the working process and finished products of Vogel and his companies. This includes the Gerald Ford Presidential Library, the Confederate Dead memorial, and the Yorktown Victory monument. Of particular interest are photos from the dedication of the Lyndon B. Johnson memorial, which include images of Vogel with Lady Bird Johnson and other dignitaries at the event. There are also some personal photos of Vogel's home and studio and Vogel with his dog. The materials range from the 1950s-1996.","Series 3: Audiovisual materials includes VHS tapes of Vogel and his team's work on various projects, including Arlington Cemetery Urns, the Yorktown Victory monument, and a floating sphere for Disney. There are also a number of tapes on the Barre granite industry, as well as a tape documenting aspects of Vogel's personal life. Many of the tapes are undated, but the dated tapes run from 1988-2002, with material on one of the tapes dating from 1966-1967."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Harold Vogel collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_868eaaa6a3c0efae0001870e404008c8\" label=\"Abstract\"\u003ePapers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel.\u003c/abstract\u003e"],"abstract_tesim":["Papers, newsclippings, photographs, negatives, slides, and VHS tapes documenting the work of architectural sculptor Harold Vogel."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Vogel, Harold C., 1930-2011"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Vogel, Harold C., 1930-2011"],"persname_ssim":["Vogel, Harold C., 1930-2011"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":102,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:54.262Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_405"}},{"id":"vilxw_repositories_5_resources_611","type":"collection","attributes":{"title":"Harrison Kinney Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_611#creator","type":"document_value","attributes":{"value":"Kinney, Harrison (Harrison Burton)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_611#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of typescript copies of drafts of stories and articles, some with accompanying research documents, which were written by Kinney for the New Yorker magazine, 1949 - 1954. Also included are correspondences written to Kinney's friend and former professor O. W. 'Tom' Riegel, clippings, miscellaneous papers, and one photograph of the unveiling of the United States Marine Core monument. There is a transcript of a program for an event on April 15, 1988 by the National Press Club honoring Riegel and his wife at which many Washington and Lee University alumni spoke. There are correspondences from many people, including Eleanore Roosevelt and Harry Truman, sent to him in response to an article he wrote on the origins of the phrase 'No Comment'.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_611#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_611","ead_ssi":"vilxw_repositories_5_resources_611","_root_":"vilxw_repositories_5_resources_611","_nest_parent_":"vilxw_repositories_5_resources_611","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_611.xml","title_ssm":["Harrison Kinney Papers"],"title_tesim":["Harrison Kinney Papers"],"unitdate_ssm":["1949-1945"],"unitdate_bulk_ssim":["1949-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0528","/repositories/5/resources/611"],"text":["WLU.Coll.0528","/repositories/5/resources/611","Harrison Kinney Papers","Correspondence","Journalism","Monuments","Photographs","This collection consists of typescript copies of drafts of stories and articles, some with accompanying research documents, which were written by Kinney for the New Yorker magazine, 1949 - 1954. Also included are correspondences written to Kinney's friend and former professor O. W. 'Tom' Riegel, clippings, miscellaneous papers, and one photograph of the unveiling of the United States Marine Core monument. There is a transcript of a program for an event on April 15, 1988 by the National Press Club honoring Riegel and his wife at which many Washington and Lee University alumni spoke.  There are correspondences from many people, including Eleanore Roosevelt and Harry Truman, sent to him in response to an article he wrote on the origins of the phrase 'No Comment'.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","New Yorker Magazine","National Press Club","Washington and Lee University","Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan","Riegel, O. W. (Oscar Wetherhold)","English"],"unitid_tesim":["WLU.Coll.0528","/repositories/5/resources/611"],"normalized_title_ssm":["Harrison Kinney Papers"],"collection_title_tesim":["Harrison Kinney Papers"],"collection_ssim":["Harrison Kinney Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan"],"creator_ssim":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan"],"creator_persname_ssim":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan"],"creators_ssim":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Correspondence","Journalism","Monuments","Photographs"],"access_subjects_ssm":["Correspondence","Journalism","Monuments","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2 Box"],"extent_tesim":["2 Box"],"genreform_ssim":["Photographs"],"date_range_isim":[1945,1946,1947,1948,1949],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Harrison Kinney Papers, WLU Coll. 0528, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Harrison Kinney Papers, WLU Coll. 0528, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of typescript copies of drafts of stories and articles, some with accompanying research documents, which were written by Kinney for the New Yorker magazine, 1949 - 1954. Also included are correspondences written to Kinney's friend and former professor O. W. 'Tom' Riegel, clippings, miscellaneous papers, and one photograph of the unveiling of the United States Marine Core monument. There is a transcript of a program for an event on April 15, 1988 by the National Press Club honoring Riegel and his wife at which many Washington and Lee University alumni spoke.  There are correspondences from many people, including Eleanore Roosevelt and Harry Truman, sent to him in response to an article he wrote on the origins of the phrase 'No Comment'.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of typescript copies of drafts of stories and articles, some with accompanying research documents, which were written by Kinney for the New Yorker magazine, 1949 - 1954. Also included are correspondences written to Kinney's friend and former professor O. W. 'Tom' Riegel, clippings, miscellaneous papers, and one photograph of the unveiling of the United States Marine Core monument. There is a transcript of a program for an event on April 15, 1988 by the National Press Club honoring Riegel and his wife at which many Washington and Lee University alumni spoke.  There are correspondences from many people, including Eleanore Roosevelt and Harry Truman, sent to him in response to an article he wrote on the origins of the phrase 'No Comment'."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["New Yorker Magazine","National Press Club","Washington and Lee University","Riegel, O. W. (Oscar Wetherhold)"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","New Yorker Magazine","National Press Club","Washington and Lee University","Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan","Riegel, O. W. (Oscar Wetherhold)"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","New Yorker Magazine","National Press Club","Washington and Lee University"],"persname_ssim":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan","Riegel, O. W. (Oscar Wetherhold)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:51:23.517Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_611","ead_ssi":"vilxw_repositories_5_resources_611","_root_":"vilxw_repositories_5_resources_611","_nest_parent_":"vilxw_repositories_5_resources_611","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_611.xml","title_ssm":["Harrison Kinney Papers"],"title_tesim":["Harrison Kinney Papers"],"unitdate_ssm":["1949-1945"],"unitdate_bulk_ssim":["1949-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0528","/repositories/5/resources/611"],"text":["WLU.Coll.0528","/repositories/5/resources/611","Harrison Kinney Papers","Correspondence","Journalism","Monuments","Photographs","This collection consists of typescript copies of drafts of stories and articles, some with accompanying research documents, which were written by Kinney for the New Yorker magazine, 1949 - 1954. Also included are correspondences written to Kinney's friend and former professor O. W. 'Tom' Riegel, clippings, miscellaneous papers, and one photograph of the unveiling of the United States Marine Core monument. There is a transcript of a program for an event on April 15, 1988 by the National Press Club honoring Riegel and his wife at which many Washington and Lee University alumni spoke.  There are correspondences from many people, including Eleanore Roosevelt and Harry Truman, sent to him in response to an article he wrote on the origins of the phrase 'No Comment'.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","New Yorker Magazine","National Press Club","Washington and Lee University","Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan","Riegel, O. W. (Oscar Wetherhold)","English"],"unitid_tesim":["WLU.Coll.0528","/repositories/5/resources/611"],"normalized_title_ssm":["Harrison Kinney Papers"],"collection_title_tesim":["Harrison Kinney Papers"],"collection_ssim":["Harrison Kinney Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan"],"creator_ssim":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan"],"creator_persname_ssim":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan"],"creators_ssim":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Correspondence","Journalism","Monuments","Photographs"],"access_subjects_ssm":["Correspondence","Journalism","Monuments","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2 Box"],"extent_tesim":["2 Box"],"genreform_ssim":["Photographs"],"date_range_isim":[1945,1946,1947,1948,1949],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Harrison Kinney Papers, WLU Coll. 0528, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Harrison Kinney Papers, WLU Coll. 0528, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of typescript copies of drafts of stories and articles, some with accompanying research documents, which were written by Kinney for the New Yorker magazine, 1949 - 1954. Also included are correspondences written to Kinney's friend and former professor O. W. 'Tom' Riegel, clippings, miscellaneous papers, and one photograph of the unveiling of the United States Marine Core monument. There is a transcript of a program for an event on April 15, 1988 by the National Press Club honoring Riegel and his wife at which many Washington and Lee University alumni spoke.  There are correspondences from many people, including Eleanore Roosevelt and Harry Truman, sent to him in response to an article he wrote on the origins of the phrase 'No Comment'.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of typescript copies of drafts of stories and articles, some with accompanying research documents, which were written by Kinney for the New Yorker magazine, 1949 - 1954. Also included are correspondences written to Kinney's friend and former professor O. W. 'Tom' Riegel, clippings, miscellaneous papers, and one photograph of the unveiling of the United States Marine Core monument. There is a transcript of a program for an event on April 15, 1988 by the National Press Club honoring Riegel and his wife at which many Washington and Lee University alumni spoke.  There are correspondences from many people, including Eleanore Roosevelt and Harry Truman, sent to him in response to an article he wrote on the origins of the phrase 'No Comment'."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["New Yorker Magazine","National Press Club","Washington and Lee University","Riegel, O. W. (Oscar Wetherhold)"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","New Yorker Magazine","National Press Club","Washington and Lee University","Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan","Riegel, O. W. (Oscar Wetherhold)"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","New Yorker Magazine","National Press Club","Washington and Lee University"],"persname_ssim":["Kinney, Harrison (Harrison Burton)","Roosevelt, Eleanor","Truman, Harry S.","White, E. B.  (Elwyn Brooks)","Krock, Arthur","Moger, Allen Wesley","Taft, Robert A.  (Robert Alphonso)","Soglow, Otto","Perkins, Frances","Hagerty, James C. (James Campbell)","Trilling, Lionel","Adams, Samuel Hopkins","Early, Stephen T.  (Tyree)","Nevins, Allan","Riegel, O. W. (Oscar Wetherhold)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:51:23.517Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_611"}},{"id":"vilxw_repositories_5_resources_148","type":"collection","attributes":{"title":"Henry Louis Smith Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_148#creator","type":"document_value","attributes":{"value":"Smith, Henry Louis","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_148#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of papers including letters concerning Smith's retirement from both Davidson and Washington and Lee, as well as speeches, correspondence, and articles regarding Robert E. Lee, education, modern civilization, and temperance. Also includes material regarding Smith's 1921 trip to England chairing a commission to present a copy of Houdon's statue of George Washington to the British government from the Commonwealth of Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_148#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_148","ead_ssi":"vilxw_repositories_5_resources_148","_root_":"vilxw_repositories_5_resources_148","_nest_parent_":"vilxw_repositories_5_resources_148","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_148.xml","title_ssm":["Henry Louis Smith Papers"],"title_tesim":["Henry Louis Smith Papers"],"unitdate_ssm":["Inclusive 1888-1951","Bulk 1912-1940"],"unitdate_bulk_ssim":["Bulk 1912-1940"],"unitdate_inclusive_ssm":["Inclusive 1888-1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0246","/repositories/5/resources/148"],"text":["WLU.Coll.0246","/repositories/5/resources/148","Henry Louis Smith Papers","England","Temperance","Prohibition","Correspondence","Monuments","Henry Louis Smith was president of Davidson College from 1901-1912 and president of Washington and Lee University from 1912-1929.","Blue sheet prepared by Betty Kondayan (11/30/99)","This collection consists of papers including letters concerning Smith's retirement from both Davidson and Washington and Lee, as well as speeches, correspondence, and articles regarding Robert E. Lee, education, modern civilization, and temperance. Also includes material regarding Smith's 1921 trip to England chairing a commission to present a copy of Houdon's statue of George Washington to the British government from the Commonwealth of Virginia.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Davidson College","Smith, Henry Louis","Smith, O. Norris","Lee, Robert E. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Jackson Memorial Association","Jackson, Thomas Jonathan (Stonewall)"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Jackson Memorial Association"],"names_coll_ssim":["Jackson, Thomas Jonathan (Stonewall)"],"persname_ssim":["Jackson, Thomas Jonathan (Stonewall)"],"language_ssim":["The materials in this collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:51:19.744Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_71"}},{"id":"vilxw_repositories_5_resources_500","type":"collection","attributes":{"title":"Lee Memorial Association Records","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_500#creator","type":"document_value","attributes":{"value":"Lee Memorial Association","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_500#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of records related to the formation and history of the Lee Memorial Association (L.M.A.). 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Lee Memorial Association","United Daughters of the Confederacy","Lee, Robert E. 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(Robert Edward), 1807-1870","Valentine, Edward Virginius, 1838-1930"],"language_ssim":["The materials in this collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:54:06.929Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_500"}},{"id":"viu_repositories_3_resources_1835","type":"collection","attributes":{"title":"Sanjay Suchak photographs","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1835#creator","type":"document_value","attributes":{"value":"Suchak, Sanjay ","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1835#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1835#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1835","ead_ssi":"viu_repositories_3_resources_1835","_root_":"viu_repositories_3_resources_1835","_nest_parent_":"viu_repositories_3_resources_1835","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1835.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230977","title_filing_ssi":"Sanjay Suchak photographs","title_ssm":["Sanjay Suchak photographs"],"title_tesim":["Sanjay Suchak photographs"],"unitdate_ssm":["2017-2021"],"unitdate_inclusive_ssm":["2017-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835"],"text":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835","Sanjay Suchak photographs","Charlottesville (Va.)","Richmond (Va.)","Art and society","Monuments","Color photographs","This collection is open for research.","Sanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. ","His camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.","His work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. ","He has done commercial commissions for clients ranging from banks to universities to nonprofits. ","Sanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.","He is a proud member of Diversify Photo. ","His work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.","Press:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026 Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour","Sanjay is based in Charlottesville, Virginia.","Contact:\nemail: sanjaysuchak@gmail.com","Source: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio","The Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. ","This collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. ","The prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.","Albert and Shirley Small Special Collections Library","Suchak, Sanjay ","English"],"unitid_tesim":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835"],"normalized_title_ssm":["Sanjay Suchak photographs"],"collection_title_tesim":["Sanjay Suchak photographs"],"collection_ssim":["Sanjay Suchak photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.)","Richmond (Va.)"],"geogname_ssim":["Charlottesville (Va.)","Richmond (Va.)"],"creator_ssm":["Suchak, Sanjay "],"creator_ssim":["Suchak, Sanjay "],"creator_persname_ssim":["Suchak, Sanjay "],"creators_ssim":["Suchak, Sanjay "],"places_ssim":["Charlottesville (Va.)","Richmond (Va.)"],"acqinfo_ssim":["This collection was a purchase from Monroe Gallery by the Small Special Collections Library at the University of Virginia Library on 22 May 2025."],"access_subjects_ssim":["Art and society","Monuments","Color photographs"],"access_subjects_ssm":["Art and society","Monuments","Color photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".91 Cubic Feet 1 large flat box"],"extent_tesim":[".91 Cubic Feet 1 large flat box"],"dimensions_tesim":["21 X 25 X 3 inches"],"genreform_ssim":["Color photographs"],"date_range_isim":[2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eSanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. \u003c/p\u003e\n","\u003cp\u003eHis camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.\u003c/p\u003e\n","\u003cp\u003eHis work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. \u003c/p\u003e\n","\u003cp\u003eHe has done commercial commissions for clients ranging from banks to universities to nonprofits. \u003c/p\u003e\n","\u003cp\u003eSanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.\u003c/p\u003e\n","\u003cp\u003eHe is a proud member of Diversify Photo. \u003c/p\u003e\n","\u003cp\u003eHis work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.\u003c/p\u003e\n","\u003cp\u003ePress:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026amp; Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour\u003c/p\u003e\n","\u003cp\u003eSanjay is based in Charlottesville, Virginia.\u003c/p\u003e\n","\u003cp\u003eContact:\nemail: sanjaysuchak@gmail.com\u003c/p\u003e\n","\u003cp\u003eSource: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. ","His camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.","His work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. ","He has done commercial commissions for clients ranging from banks to universities to nonprofits. ","Sanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.","He is a proud member of Diversify Photo. ","His work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.","Press:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026 Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour","Sanjay is based in Charlottesville, Virginia.","Contact:\nemail: sanjaysuchak@gmail.com","Source: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio"],"prefercite_html_tesm":["\u003cp\u003eMSS 16926, Sanjay Suchak photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16926, Sanjay Suchak photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. \u003c/p\u003e\n","\u003cp\u003eThis collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. \u003c/p\u003e\n","\u003cp\u003eThe prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  \u003c/p\u003e\n","\u003cp\u003e2. The Graduate - Robert E. Lee Statue, Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e3. Lee Overhead - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e4. The First Removal- (Removing Jackson) Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e5. Under The Watchful Eye - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. \u003c/p\u003e\n","\u003cp\u003e8. A worker's notations on the Charlottesville statue of Stonewall Jackson. \u003c/p\u003e\n","\u003cp\u003e9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. \u003c/p\u003e\n","\u003cp\u003e11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. \u003c/p\u003e\n","\u003cp\u003e12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. \u003c/p\u003e\n","\u003cp\u003e13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. \u003c/p\u003e\n","\u003cp\u003e14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). \u003c/p\u003e\n","\u003cp\u003e15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. ","This collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. ","The prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down."],"names_ssim":["Albert and Shirley Small Special Collections Library","Suchak, Sanjay "],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Suchak, Sanjay "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:51:05.883Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1835","ead_ssi":"viu_repositories_3_resources_1835","_root_":"viu_repositories_3_resources_1835","_nest_parent_":"viu_repositories_3_resources_1835","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1835.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230977","title_filing_ssi":"Sanjay Suchak photographs","title_ssm":["Sanjay Suchak photographs"],"title_tesim":["Sanjay Suchak photographs"],"unitdate_ssm":["2017-2021"],"unitdate_inclusive_ssm":["2017-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835"],"text":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835","Sanjay Suchak photographs","Charlottesville (Va.)","Richmond (Va.)","Art and society","Monuments","Color photographs","This collection is open for research.","Sanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. ","His camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.","His work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. ","He has done commercial commissions for clients ranging from banks to universities to nonprofits. ","Sanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.","He is a proud member of Diversify Photo. ","His work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.","Press:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026 Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour","Sanjay is based in Charlottesville, Virginia.","Contact:\nemail: sanjaysuchak@gmail.com","Source: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio","The Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. ","This collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. ","The prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.","Albert and Shirley Small Special Collections Library","Suchak, Sanjay ","English"],"unitid_tesim":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835"],"normalized_title_ssm":["Sanjay Suchak photographs"],"collection_title_tesim":["Sanjay Suchak photographs"],"collection_ssim":["Sanjay Suchak photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.)","Richmond (Va.)"],"geogname_ssim":["Charlottesville (Va.)","Richmond (Va.)"],"creator_ssm":["Suchak, Sanjay "],"creator_ssim":["Suchak, Sanjay "],"creator_persname_ssim":["Suchak, Sanjay "],"creators_ssim":["Suchak, Sanjay "],"places_ssim":["Charlottesville (Va.)","Richmond (Va.)"],"acqinfo_ssim":["This collection was a purchase from Monroe Gallery by the Small Special Collections Library at the University of Virginia Library on 22 May 2025."],"access_subjects_ssim":["Art and society","Monuments","Color photographs"],"access_subjects_ssm":["Art and society","Monuments","Color photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".91 Cubic Feet 1 large flat box"],"extent_tesim":[".91 Cubic Feet 1 large flat box"],"dimensions_tesim":["21 X 25 X 3 inches"],"genreform_ssim":["Color photographs"],"date_range_isim":[2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eSanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. \u003c/p\u003e\n","\u003cp\u003eHis camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.\u003c/p\u003e\n","\u003cp\u003eHis work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. \u003c/p\u003e\n","\u003cp\u003eHe has done commercial commissions for clients ranging from banks to universities to nonprofits. \u003c/p\u003e\n","\u003cp\u003eSanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.\u003c/p\u003e\n","\u003cp\u003eHe is a proud member of Diversify Photo. \u003c/p\u003e\n","\u003cp\u003eHis work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.\u003c/p\u003e\n","\u003cp\u003ePress:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026amp; Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour\u003c/p\u003e\n","\u003cp\u003eSanjay is based in Charlottesville, Virginia.\u003c/p\u003e\n","\u003cp\u003eContact:\nemail: sanjaysuchak@gmail.com\u003c/p\u003e\n","\u003cp\u003eSource: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. ","His camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.","His work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. ","He has done commercial commissions for clients ranging from banks to universities to nonprofits. ","Sanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.","He is a proud member of Diversify Photo. ","His work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.","Press:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026 Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour","Sanjay is based in Charlottesville, Virginia.","Contact:\nemail: sanjaysuchak@gmail.com","Source: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio"],"prefercite_html_tesm":["\u003cp\u003eMSS 16926, Sanjay Suchak photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16926, Sanjay Suchak photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. \u003c/p\u003e\n","\u003cp\u003eThis collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. \u003c/p\u003e\n","\u003cp\u003eThe prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  \u003c/p\u003e\n","\u003cp\u003e2. The Graduate - Robert E. Lee Statue, Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e3. Lee Overhead - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e4. The First Removal- (Removing Jackson) Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e5. Under The Watchful Eye - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. \u003c/p\u003e\n","\u003cp\u003e8. A worker's notations on the Charlottesville statue of Stonewall Jackson. \u003c/p\u003e\n","\u003cp\u003e9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. \u003c/p\u003e\n","\u003cp\u003e11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. \u003c/p\u003e\n","\u003cp\u003e12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. \u003c/p\u003e\n","\u003cp\u003e13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. \u003c/p\u003e\n","\u003cp\u003e14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). \u003c/p\u003e\n","\u003cp\u003e15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. ","This collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. 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