{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Minuetto\u0026f%5Bplaces%5D%5B%5D=Paris+%28France%29","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Minuetto\u0026f%5Bplaces%5D%5B%5D=Paris+%28France%29\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Minuetto\u0026f%5Bplaces%5D%5B%5D=Paris+%28France%29\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":15,"first_page?":true,"last_page?":false}},"data":[{"id":"viumu_mackay-smith_c128","type":"Item","attributes":{"title":"Title Transcription: SEI DUETTI a Due Violini Composti da Felice Degiardino DEDICATI A Sua Altezza Reale Il Principe Enrico di Prussia OPERA SECONDA Gravées par Melle. Vandôme Prix 6.tt. A PARIS Chez L'Auteur, rüe Vaugirard, à L'hotel de Bourgogne. Madame, Boivin, rüe St. Honoré, à la Regle d'Or. Mr. le Clerc, rüe du Roule, à la Croix d'Or. Melle. Castagnierie, rüe des Prouvairs. Avec privilege du Roi., 1750","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c128#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e46194\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e46202\"\u003eAdagio2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46210\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e46230\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e46238\"\u003eAndante6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e46246\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO III\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e46266\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e46274\"\u003e\n\u003cabbr\u003eGratioso\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46284\"\u003eAllegro Presto6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO IV\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e46304\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46312\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e46320\"\u003e[Allegro: from Violino Secondo]3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO V\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e46341\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e46349\"\u003e\n\u003cabbr\u003eRondau\u003c/abbr\u003e\u003cabbr\u003eGratioso\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e46363\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO VI\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e46383\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e46391\"\u003eAdagio2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46399\"\u003e\n\u003cabbr\u003eRondau\u003c/abbr\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c128#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c128","ref_ssm":["viumu_mackay-smith_c128"],"id":"viumu_mackay-smith_c128","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SEI DUETTI a Due Violini Composti da Felice Degiardino DEDICATI A Sua Altezza Reale Il Principe Enrico di Prussia OPERA SECONDA Gravées par Melle. Vandôme Prix 6.tt. A PARIS Chez L'Auteur, rüe Vaugirard, à L'hotel de Bourgogne. Madame, Boivin, rüe St. Honoré, à la Regle d'Or. Mr. le Clerc, rüe du Roule, à la Croix d'Or. Melle. Castagnierie, rüe des Prouvairs. Avec privilege du Roi.","title_ssm":["Title Transcription: SEI DUETTI a Due Violini Composti da Felice Degiardino DEDICATI A Sua Altezza Reale Il Principe Enrico di Prussia OPERA SECONDA Gravées par Melle. Vandôme Prix 6.tt. A PARIS Chez L'Auteur, rüe Vaugirard, à L'hotel de Bourgogne. Madame, Boivin, rüe St. Honoré, à la Regle d'Or. Mr. le Clerc, rüe du Roule, à la Croix d'Or. Melle. Castagnierie, rüe des Prouvairs. Avec privilege du Roi."],"title_tesim":["Title Transcription: SEI DUETTI a Due Violini Composti da Felice Degiardino DEDICATI A Sua Altezza Reale Il Principe Enrico di Prussia OPERA SECONDA Gravées par Melle. Vandôme Prix 6.tt. A PARIS Chez L'Auteur, rüe Vaugirard, à L'hotel de Bourgogne. Madame, Boivin, rüe St. Honoré, à la Regle d'Or. Mr. le Clerc, rüe du Roule, à la Croix d'Or. Melle. Castagnierie, rüe des Prouvairs. Avec privilege du Roi."],"normalized_title_ssm":["Title Transcription: SEI DUETTI a Due Violini Composti da Felice Degiardino DEDICATI A Sua Altezza Reale Il Principe Enrico di Prussia OPERA SECONDA Gravées par Melle. Vandôme Prix 6.tt. A PARIS Chez L'Auteur, rüe Vaugirard, à L'hotel de Bourgogne. Madame, Boivin, rüe St. Honoré, à la Regle d'Or. Mr. le Clerc, rüe du Roule, à la Croix d'Or. Melle. Castagnierie, rüe des Prouvairs. Avec privilege du Roi., 1750"],"text":["Title Transcription: SEI DUETTI a Due Violini Composti da Felice Degiardino DEDICATI A Sua Altezza Reale Il Principe Enrico di Prussia OPERA SECONDA Gravées par Melle. Vandôme Prix 6.tt. A PARIS Chez L'Auteur, rüe Vaugirard, à L'hotel de Bourgogne. Madame, Boivin, rüe St. Honoré, à la Regle d'Or. Mr. le Clerc, rüe du Roule, à la Croix d'Or. Melle. Castagnierie, rüe des Prouvairs. Avec privilege du Roi., 1750","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Two parts, quarto, 249x184 (250x185): Violino Primo: Title, verso blank. Music, pp. 1-18. Violino Secondo: Title, verso blank. Music, pp. 1-16.","Croix d'Or","Règle d'Or","Giardini, Felice, 1716-1796","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Vendôme, Marie-Charlotte","Paris (France)","Minuet","Rondo","A","C","D","F","G","E","2/4","3/4","3/8","6/8","Adagio","Allegro","Allegro presto","Andante","Grazioso","Minuetto","Rondeau allegro","Rondeau grazioso","Lesure/Catalogue, p. 230.","Contents\n \n DUETTO I\n D\n \n \n Allegro\n C\n \n \n Adagio\n 2/4\n \n \n Allegro\n 2/4\n \n \n \n \n DUETTO II\n F\n \n \n Allegro\n C\n \n \n Andante\n 6/8\n \n \n Minuetto\n 3/4\n \n \n \n \n DUETTO III\n C\n \n \n Allegro\n C\n \n \n \n \n Gratioso\n \n \n 3/4\n \n \n Allegro Presto\n 6/8\n \n \n \n \n DUETTO IV\n A\n \n \n Allegro\n 2/4\n \n \n Andante\n C\n \n [Allegro: from Violino Secondo]3/8\n \n \n \n \n DUETTO V\n e\n \n \n Allegro\n C\n \n \n \n \n Rondau\n \n Gratioso\n \n \n \n C\n \n \n Allegro\n 6/8\n \n \n \n \n DUETTO VI\n G\n \n \n Allegro\n C\n \n \n Adagio\n 2/4\n \n \n \n \n RondauAllegro\n \n 2/4","M287.G91 1760"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1750"],"unitdate_other_ssim":["ca. 1750"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":458,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Two parts, quarto, 249x184 (250x185): Violino Primo: Title, verso blank. Music, pp. 1-18. Violino Secondo: Title, verso blank. Music, pp. 1-16."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"corpname_ssim":["Croix d'Or","Règle d'Or"],"persname_ssim":["Giardini, Felice, 1716-1796","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Vendôme, Marie-Charlotte"],"names_ssim":["Croix d'Or","Règle d'Or","Giardini, Felice, 1716-1796","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Vendôme, Marie-Charlotte"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Minuet","Rondo","A","C","D","F","G","E","2/4","3/4","3/8","6/8","Adagio","Allegro","Allegro presto","Andante","Grazioso","Minuetto","Rondeau allegro","Rondeau grazioso"],"access_subjects_ssm":["Minuet","Rondo","A","C","D","F","G","E","2/4","3/4","3/8","6/8","Adagio","Allegro","Allegro presto","Andante","Grazioso","Minuetto","Rondeau allegro","Rondeau grazioso"],"date_range_isim":[1750],"bibliography_html_tesm":["\u003cp\u003e\n \u003cref target=\"Lesure-Catalogue\"\u003eLesure/Catalogue\u003c/ref\u003e, p. 230.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Lesure/Catalogue, p. 230."],"scopecontent_tesim":["Contents\n \n DUETTO I\n D\n \n \n Allegro\n C\n \n \n Adagio\n 2/4\n \n \n Allegro\n 2/4\n \n \n \n \n DUETTO II\n F\n \n \n Allegro\n C\n \n \n Andante\n 6/8\n \n \n Minuetto\n 3/4\n \n \n \n \n DUETTO III\n C\n \n \n Allegro\n C\n \n \n \n \n Gratioso\n \n \n 3/4\n \n \n Allegro Presto\n 6/8\n \n \n \n \n DUETTO IV\n A\n \n \n Allegro\n 2/4\n \n \n Andante\n C\n \n [Allegro: from Violino Secondo]3/8\n \n \n \n \n DUETTO V\n e\n \n \n Allegro\n C\n \n \n \n \n Rondau\n \n Gratioso\n \n \n \n C\n \n \n Allegro\n 6/8\n \n \n \n \n DUETTO VI\n G\n \n \n Allegro\n C\n \n \n Adagio\n 2/4\n \n \n \n \n RondauAllegro\n \n 2/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM287.G91 1760\u003c/physloc\u003e\n "],"physloc_tesim":["M287.G91 1760"],"_nest_path_":"/components#127","timestamp":"2026-08-14T23:00:05.988Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e46194\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46202\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46210\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e46230\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46238\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46246\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e46266\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46274\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Grazioso\"\u003eGratioso\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46284\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro Presto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO IV\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e46304\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46312\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46320\"\u003e[\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e: from Violino Secondo]\u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO V\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e46341\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46349\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Rondeau\"\u003eRondau\u003c/abbr\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Grazioso\"\u003eGratioso\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46363\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e46383\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46391\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e46399\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Rondeau\"\u003eRondau\u003c/abbr\u003eAllegro\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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(Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c128"}},{"id":"viumu_mackay-smith_c210","type":"Item","attributes":{"title":"Title Transcription: SEI DUETTI Per Due Violini. Dal Signor Gaëtano PUGNANI OPERA XIII. Prix 3tt. 12s. À PARIS Chez FRERE Md et Graveur de Musique Passage du Saumon ET EN PROVINCE., 1776/1794","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c210#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO I\u003c/span\u003eB♭\u003cp\u003e[Z. 122]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73227\"\u003eAndante\u003cabbr\u003eGraciozo\u003c/abbr\u003e2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73238\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO II\u003c/span\u003eD\u003cp\u003e[Z. 119]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73264\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73272\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO III\u003c/span\u003eC\u003cp\u003e[Z. 121]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73298\"\u003eAndantino2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73306\"\u003eAllegretto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO IV\u003c/span\u003eA\u003cp\u003e[Z. 118]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73332\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73340\"\u003eAllegro\u003cabbr\u003eGraciozo\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO V\u003c/span\u003eG\u003cp\u003e[Z. 120]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73367\"\u003eAndante\u003cabbr\u003eGrasiozo\u003c/abbr\u003e2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73378\"\u003ePresto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO VI\u003c/span\u003ec\u003cp\u003e[Z. 123]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73404\"\u003eAndante con espressione2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73412\"\u003e\n\u003cabbr\u003eSpiritozo\u003c/abbr\u003e6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c210#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c210","ref_ssm":["viumu_mackay-smith_c210"],"id":"viumu_mackay-smith_c210","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SEI DUETTI Per Due Violini. Dal Signor Gaëtano PUGNANI OPERA XIII. Prix 3tt. 12s. À PARIS Chez FRERE Md et Graveur de Musique Passage du Saumon ET EN PROVINCE.","title_ssm":["Title Transcription: SEI DUETTI Per Due Violini. Dal Signor Gaëtano PUGNANI OPERA XIII. Prix 3tt. 12s. À PARIS Chez FRERE Md et Graveur de Musique Passage du Saumon ET EN PROVINCE."],"title_tesim":["Title Transcription: SEI DUETTI Per Due Violini. Dal Signor Gaëtano PUGNANI OPERA XIII. Prix 3tt. 12s. À PARIS Chez FRERE Md et Graveur de Musique Passage du Saumon ET EN PROVINCE."],"normalized_title_ssm":["Title Transcription: SEI DUETTI Per Due Violini. Dal Signor Gaëtano PUGNANI OPERA XIII. Prix 3tt. 12s. À PARIS Chez FRERE Md et Graveur de Musique Passage du Saumon ET EN PROVINCE., 1776/1794"],"text":["Title Transcription: SEI DUETTI Per Due Violini. Dal Signor Gaëtano PUGNANI OPERA XIII. Prix 3tt. 12s. À PARIS Chez FRERE Md et Graveur de Musique Passage du Saumon ET EN PROVINCE., 1776/1794","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Two parts, folio, 258x189 (266x195): Violino Primo: Title, [1]. Music, pp. 2-7. Blank, [8]. Violino Secondo: Same as Violino Primo.","Pugnani, Gaetano, 1731-1798","Frere","Paris (France)","Minuet","A","B♭","C","D","G","2/4","3/4","3/8","6/8","Allegretto","Allegro","Allegro grazioso","Andante","Andante grazioso","Andante con espressione","Andantino","Minuetto","Presto","Spiritoso","The quality of the paper and inking suggests that this publication appeared in the 1790s.","\"Chez... Saumon\" has been re-engraved over an earlier imprint which, although no longer legible, is probably that of Bignon, who had earlier published these same works, with this opus number, in the same sequence (Zschinsky, p. 99).","Contents\n \n DUETTO I\n B♭\n \n [Z. 122]\n \n \n \n Andante\n Graciozo\n \n \n 2/4\n \n \n Minuetto\n 3/4\n \n \n \n \n DUETTO II\n D\n \n [Z. 119]\n \n \n \n Andante\n 2/4\n \n \n Allegro\n 3/8\n \n \n \n \n DUETTO III\n C\n \n [Z. 121]\n \n \n \n Andantino\n 2/4\n \n \n Allegretto\n 2/4\n \n \n \n \n DUETTO IV\n A\n \n [Z. 118]\n \n \n \n Andante\n 2/4\n \n \n Allegro\n Graciozo\n \n \n 3/4\n \n \n \n \n DUETTO V\n G\n \n [Z. 120]\n \n \n \n Andante\n Grasiozo\n \n \n 2/4\n \n \n Presto\n 2/4\n \n \n \n \n DUETTO VI\n c\n \n [Z. 123]\n \n \n \n Andante con espressione\n 2/4\n \n \n \n \n Spiritozo\n \n \n 6/8","M287.P84 Op.13"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1776/1794"],"unitdate_other_ssim":["Between 1776 (the publication of Bignon's edition: see Notes, below) and 1794 (introduction of francs and centimes)"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":750,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Two parts, folio, 258x189 (266x195): Violino Primo: Title, [1]. Music, pp. 2-7. Blank, [8]. Violino Secondo: Same as Violino Primo."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"persname_ssim":["Pugnani, Gaetano, 1731-1798","Frere"],"names_ssim":["Pugnani, Gaetano, 1731-1798","Frere"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Minuet","A","B♭","C","D","G","2/4","3/4","3/8","6/8","Allegretto","Allegro","Allegro grazioso","Andante","Andante grazioso","Andante con espressione","Andantino","Minuetto","Presto","Spiritoso"],"access_subjects_ssm":["Minuet","A","B♭","C","D","G","2/4","3/4","3/8","6/8","Allegretto","Allegro","Allegro grazioso","Andante","Andante grazioso","Andante con espressione","Andantino","Minuetto","Presto","Spiritoso"],"date_range_isim":[1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794],"bibliography_html_tesm":["\u003cp\u003eThe quality of the paper and inking suggests that this publication appeared in the 1790s.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["The quality of the paper and inking suggests that this publication appeared in the 1790s."],"note_html_tesm":["\u003cp\u003e\"Chez... Saumon\" has been re-engraved over an earlier imprint which, although no longer legible, is probably that of Bignon, who had earlier published these same works, with this opus number, in the same sequence (Zschinsky, p. 99).\u003c/p\u003e\n "],"note_tesim":["\"Chez... Saumon\" has been re-engraved over an earlier imprint which, although no longer legible, is probably that of Bignon, who had earlier published these same works, with this opus number, in the same sequence (Zschinsky, p. 99)."],"scopecontent_tesim":["Contents\n \n DUETTO I\n B♭\n \n [Z. 122]\n \n \n \n Andante\n Graciozo\n \n \n 2/4\n \n \n Minuetto\n 3/4\n \n \n \n \n DUETTO II\n D\n \n [Z. 119]\n \n \n \n Andante\n 2/4\n \n \n Allegro\n 3/8\n \n \n \n \n DUETTO III\n C\n \n [Z. 121]\n \n \n \n Andantino\n 2/4\n \n \n Allegretto\n 2/4\n \n \n \n \n DUETTO IV\n A\n \n [Z. 118]\n \n \n \n Andante\n 2/4\n \n \n Allegro\n Graciozo\n \n \n 3/4\n \n \n \n \n DUETTO V\n G\n \n [Z. 120]\n \n \n \n Andante\n Grasiozo\n \n \n 2/4\n \n \n Presto\n 2/4\n \n \n \n \n DUETTO VI\n c\n \n [Z. 123]\n \n \n \n Andante con espressione\n 2/4\n \n \n \n \n Spiritozo\n \n \n 6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM287.P84 Op.13\u003c/physloc\u003e\n "],"physloc_tesim":["M287.P84 Op.13"],"_nest_path_":"/components#209","timestamp":"2026-08-14T23:00:05.988Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003cnote audience=\"external\"\u003e\n \u003cp\u003e[Z. 122]\u003c/p\u003e\n \u003c/note\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e73227\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003cemph\u003e\n \u003cabbr expan=\"Grazioso\"\u003eGraciozo\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e73238\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003cnote audience=\"external\"\u003e\n \u003cp\u003e[Z. 119]\u003c/p\u003e\n \u003c/note\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e73264\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e73272\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003cnote audience=\"external\"\u003e\n \u003cp\u003e[Z. 121]\u003c/p\u003e\n \u003c/note\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e73298\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndantino\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e73306\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO IV\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003cnote audience=\"external\"\u003e\n \u003cp\u003e[Z. 118]\u003c/p\u003e\n \u003c/note\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e73332\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e73340\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003cemph\u003e\n \u003cabbr expan=\"Grazioso\"\u003eGraciozo\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO V\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003cnote audience=\"external\"\u003e\n \u003cp\u003e[Z. 120]\u003c/p\u003e\n \u003c/note\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e73367\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003cemph\u003e\n \u003cabbr expan=\"Grazioso\"\u003eGrasiozo\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e73378\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePresto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUETTO VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n \u003cnote audience=\"external\"\u003e\n \u003cp\u003e[Z. 123]\u003c/p\u003e\n \u003c/note\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e73404\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante con espressione\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e73412\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Spiritoso\"\u003eSpiritozo\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. 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[Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c210"}},{"id":"viumu_mackay-smith_c130","type":"Item","attributes":{"title":"Title Transcription: SEI SONATE A VIOLINO É BASSO COMPOSTE Dall Sigr. Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY., 1750","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c130#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e46824\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e46832\"\u003e\n\u003cabbr\u003eGratioso\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46842\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e46862\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46870\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46878\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e46898\"\u003eAllegro\u003cabbr\u003eStacato\u003c/abbr\u003e2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46909\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e46917\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e46937\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e46945\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46953\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e46974\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e46982\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e46990\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e47010\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e47018\"\u003eMusette3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e47026\"\u003eGiga6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c130#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c130","ref_ssm":["viumu_mackay-smith_c130"],"id":"viumu_mackay-smith_c130","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SEI SONATE A VIOLINO É BASSO COMPOSTE Dall Sigr. Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY.","title_ssm":["Title Transcription: SEI SONATE A VIOLINO É BASSO COMPOSTE Dall Sigr. Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY."],"title_tesim":["Title Transcription: SEI SONATE A VIOLINO É BASSO COMPOSTE Dall Sigr. Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY."],"normalized_title_ssm":["Title Transcription: SEI SONATE A VIOLINO É BASSO COMPOSTE Dall Sigr. Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY., 1750"],"text":["Title Transcription: SEI SONATE A VIOLINO É BASSO COMPOSTE Dall Sigr. Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY., 1750","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Score, quarto, 258x190 (266x200): Title, verso blank. \"CATALOGUE des oeuvres apartenant au Sr. Moria qui Se vendent Chez lui, près la Comédie françoise au Dieu de l'Harmonie Et aux adrèsse ordinaires de Musique\", p. [1]. Music, pp. 2-25. Blank, [26]. Bound with nos. 133 and 134.","Croix d'Or","Règle d'Or","Giardini, Felice, 1716-1796","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Le Menu, Christophe, d. 1774","Paris (France)","Jig","Minuet","Musette","A","E","F","G","2/4","3/4","6/8","C","C|","Adagio","Allegro","Allegro staccato","Andante","Giga","Grazioso","Minuetto","Lesure/Catalogue, p. 230.","The catalogue is not listed inJohansson/Frenchor inDevriès-Lesure.","Contents\n \n SONATA I\n G\n \n \n Allegro\n C|\n \n \n \n \n Gratioso\n \n \n 3/4\n \n \n Minuetto\n 3/4\n \n \n \n \n SONATA II\n F\n \n \n Allegro\n 2/4\n \n \n Andante\n 3/4\n \n \n Allegro\n 6/8\n \n \n \n \n SONATA III\n e\n \n \n Allegro\n Stacato\n \n \n 2/4\n \n \n Adagio\n C\n \n \n Allegro\n 2/4\n \n \n \n \n SONATA IV\n A\n \n \n Allegro\n C\n \n \n Adagio\n 3/4\n \n \n Allegro\n 2/4\n \n \n \n \n SONATA V\n E\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 2/4\n \n \n \n \n SONATA VI\n g\n \n \n Allegro\n C\n \n \n Musette\n 3/4\n \n \n Giga\n 6/8","M312.G53 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1750"],"unitdate_other_ssim":["ca. 1750"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":464,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Score, quarto, 258x190 (266x200): Title, verso blank. \"CATALOGUE des oeuvres apartenant au Sr. Moria qui Se vendent Chez lui, près la Comédie françoise au Dieu de l'Harmonie Et aux adrèsse ordinaires de Musique\", p. [1]. Music, pp. 2-25. Blank, [26]. Bound with nos. 133 and 134."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"corpname_ssim":["Croix d'Or","Règle d'Or"],"persname_ssim":["Giardini, Felice, 1716-1796","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Le Menu, Christophe, d. 1774"],"names_ssim":["Croix d'Or","Règle d'Or","Giardini, Felice, 1716-1796","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Le Menu, Christophe, d. 1774"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Jig","Minuet","Musette","A","E","F","G","2/4","3/4","6/8","C","C|","Adagio","Allegro","Allegro staccato","Andante","Giga","Grazioso","Minuetto"],"access_subjects_ssm":["Jig","Minuet","Musette","A","E","F","G","2/4","3/4","6/8","C","C|","Adagio","Allegro","Allegro staccato","Andante","Giga","Grazioso","Minuetto"],"date_range_isim":[1750],"bibliography_html_tesm":["\u003cp\u003e\n \u003cref target=\"Lesure-Catalogue\"\u003eLesure/Catalogue\u003c/ref\u003e, p. 230.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Lesure/Catalogue, p. 230."],"note_html_tesm":["\u003cp\u003eThe catalogue is not listed in\u003cref target=\"Johansson-French\"\u003eJohansson/French\u003c/ref\u003eor in\u003cref 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type=\"mvtLabel\"\u003eGiga\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. 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Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c130"}},{"id":"viumu_mackay-smith_c164","type":"Item","attributes":{"title":"Title Transcription: SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme, 1750","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c164#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Carcani SONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e58650\"\u003eAndanteC|\u003c/li\u003e\n\u003cli id=\"mvtd1e58658\"\u003eAllegro assai2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58666\"\u003eMinuet2/4[recte:3/4]\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Jomelli SONATA II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e58690\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e58698\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58706\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Jomelli SONATA III\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e58726\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e58734\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58742\"\u003eMinuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. S. Martini SONATA IV\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e58762\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58770\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58778\"\u003eMinuet3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Jomelli SONATA V\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e58799\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e58807\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58815\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Jomelli SONATA VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e58835\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e58843\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58851\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c164#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c164","ref_ssm":["viumu_mackay-smith_c164"],"id":"viumu_mackay-smith_c164","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme","title_ssm":["Title Transcription: SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme"],"title_tesim":["Title Transcription: SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme"],"normalized_title_ssm":["Title Transcription: SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme, 1750"],"text":["Title Transcription: SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme, 1750","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, quarto, 236x177 (245x186): Flauto Primo: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Flauto Secondo: Title, verso blank. Blank, [1]. Music, pp. 2-11. Blank, [12]. Pages 3-6 and 8-11 have heading: \"Flauto Sdo.\". Basso: Title, verso blank. Blank, [1]. Music, pp. 2-8.","Croix d'Or","Règle d'Or","Jommelli, Nicolò, 1714-1774","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Castagnery, Mlle. (Marie-Anne), 1722-1782","De Brotonne, Étienne, ca. 1707-1757","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Chinzer, Giuseppe, fl. 1745","Vendôme, Marie-Charlotte","Paris (France)","Lyon (France)","Minuet","C","D","G","2/4","3/4","3/8","C|","Adagio","Allegro","Allegro assai","Andante","Largo","Minuetto","BUCEM","For another edition of these works, see nos.163and164.","Contents\n \n Del Sigr. Carcani SONATA I\n D\n \n \n Andante\n C|\n \n \n Allegro assai\n 2/4\n \n \n Minuet\n 2/4[recte:3/4]\n \n \n \n Del Sigr. Jomelli SONATA II\n G\n \n \n Largo\n C\n \n \n Allegro\n 2/4\n \n \n Minuetto\n 3/4\n \n \n \n \n Del Sigr. Jomelli SONATA III\n D\n \n \n Andante\n C\n \n \n Allegro\n 2/4\n \n \n Minuet\n 3/8\n \n \n \n \n Del Sigr. S. Martini SONATA IV\n G\n \n \n Andante\n 2/4\n \n \n Allegro\n 2/4\n \n \n Minuet\n 3/4\n \n \n \n \n Del Sigr. Jomelli SONATA V\n C\n \n \n Largo\n C\n \n \n Allegro\n 2/4\n \n \n Allegro\n 3/8\n \n \n \n \n Del Sigr. Jomelli SONATA VI\n D\n \n \n Andante\n C\n \n \n Adagio\n 3/4\n \n \n Allegro\n 3/8","M361.S45 1750"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1750"],"unitdate_other_ssim":["ca. 1750"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":588,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, quarto, 236x177 (245x186): Flauto Primo: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Flauto Secondo: Title, verso blank. Blank, [1]. Music, pp. 2-11. Blank, [12]. Pages 3-6 and 8-11 have heading: \"Flauto Sdo.\". Basso: Title, verso blank. Blank, [1]. Music, pp. 2-8."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"corpname_ssim":["Croix d'Or","Règle d'Or"],"persname_ssim":["Jommelli, Nicolò, 1714-1774","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Castagnery, Mlle. (Marie-Anne), 1722-1782","De Brotonne, Étienne, ca. 1707-1757","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Chinzer, Giuseppe, fl. 1745","Vendôme, Marie-Charlotte"],"names_ssim":["Croix d'Or","Règle d'Or","Jommelli, Nicolò, 1714-1774","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Castagnery, Mlle. (Marie-Anne), 1722-1782","De Brotonne, Étienne, ca. 1707-1757","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Chinzer, Giuseppe, fl. 1745","Vendôme, Marie-Charlotte"],"geogname_ssim":["Paris (France)","Lyon (France)"],"geogname_ssm":["Paris (France)","Lyon (France)"],"places_ssim":["Paris (France)","Lyon (France)"],"access_subjects_ssim":["Minuet","C","D","G","2/4","3/4","3/8","C|","Adagio","Allegro","Allegro assai","Andante","Largo","Minuetto"],"access_subjects_ssm":["Minuet","C","D","G","2/4","3/4","3/8","C|","Adagio","Allegro","Allegro assai","Andante","Largo","Minuetto"],"date_range_isim":[1750],"bibliography_html_tesm":["\u003cbibref type=\"simple\" href=\"BUCEM\"\u003eBUCEM\u003c/bibref\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["BUCEM"],"note_html_tesm":["\u003cp\u003eFor another edition of these works, see nos.\u003cref target=\"ms163\"\u003e163\u003c/ref\u003eand\u003cref target=\"ms164\"\u003e164\u003c/ref\u003e.\u003c/p\u003e\n "],"note_tesim":["For another edition of these works, see nos.163and164."],"scopecontent_tesim":["Contents\n \n Del Sigr. Carcani SONATA I\n D\n \n \n Andante\n C|\n \n \n Allegro assai\n 2/4\n \n \n Minuet\n 2/4[recte:3/4]\n \n \n \n Del Sigr. Jomelli SONATA II\n G\n \n \n Largo\n C\n \n \n Allegro\n 2/4\n \n \n Minuetto\n 3/4\n \n \n \n \n Del Sigr. Jomelli SONATA III\n D\n \n \n Andante\n C\n \n \n Allegro\n 2/4\n \n \n Minuet\n 3/8\n \n \n \n \n Del Sigr. S. Martini SONATA IV\n G\n \n \n Andante\n 2/4\n \n \n Allegro\n 2/4\n \n \n Minuet\n 3/4\n \n \n \n \n Del Sigr. Jomelli SONATA V\n C\n \n \n Largo\n C\n \n \n Allegro\n 2/4\n \n \n Allegro\n 3/8\n \n \n \n \n Del Sigr. Jomelli SONATA VI\n D\n \n \n Andante\n C\n \n \n Adagio\n 3/4\n \n \n Allegro\n 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM361.S45 1750\u003c/physloc\u003e\n "],"physloc_tesim":["M361.S45 1750"],"_nest_path_":"/components#163","timestamp":"2026-08-14T23:00:05.988Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eDel Sigr. Carcani SONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e58650\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58658\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro assai\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58666\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuet\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e[recte:\u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e]\u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDel Sigr. Jomelli SONATA II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e58690\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58698\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58706\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDel Sigr. Jomelli SONATA III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e58726\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58734\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58742\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuet\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDel Sigr. S. Martini SONATA IV\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e58762\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58770\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58778\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuet\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDel Sigr. Jomelli SONATA V\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e58799\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58807\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58815\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDel Sigr. Jomelli SONATA VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e58835\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58843\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e58851\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c164"}},{"id":"viumu_mackay-smith_c211","type":"Item","attributes":{"title":"Title Transcription: SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s., 1774","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c211#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO I\u003c/span\u003eG\u003cp\u003e[Z. 47]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73526\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e73534\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eassai2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73545\"\u003eGrazioso3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO II\u003c/span\u003eF\u003cp\u003e[Z. 48]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73571\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e73579\"\u003ePresto2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73587\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO III\u003c/span\u003eC\u003cp\u003e[Z. 49]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73613\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e73621\"\u003ePresto2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73629\"\u003eGrazioso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO IV\u003c/span\u003eB♭\u003cp\u003e[Z. 50]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73655\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e73663\"\u003ePresto2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73671\"\u003eGrazioso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO V\u003c/span\u003eA\u003cp\u003e[Z. 51]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73698\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e73706\"\u003eGrazioso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO VI\u003c/span\u003eC\u003cp\u003e[Z. 52]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e73732\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73740\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eassaiC|\u003c/li\u003e\n\u003cli id=\"mvtd1e73751\"\u003eMinuetto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73759\"\u003eCaccia\u003cabbr\u003eAll.\u003c/abbr\u003e6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c211#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c211","ref_ssm":["viumu_mackay-smith_c211"],"id":"viumu_mackay-smith_c211","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s.","title_ssm":["Title Transcription: SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s."],"title_tesim":["Title Transcription: SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s."],"normalized_title_ssm":["Title Transcription: SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s., 1774"],"text":["Title Transcription: SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s., 1774","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, folio, 262x191 (272x203): Violino Primo: Title, verso catalogue [Johansson/French, v. 2, p. 79, Cat. No. I]. Catalogue [Johansson/French, v. 2, p. 79, Cat. No. II], p. [1]. Music, pp. 2-14. Violino Secondo: Title, [1]. Music, pp. 2-14. Basso: Same as Violino Secondo. In lower left corner of first page of music of Violino Primo: \"Ceron Sculp:\".","Croix d'Or","Pugnani, Gaetano, 1731-1798","La Chevardière, Louis Balthazard de, 1730-1812","Ceron, Jean-Baptiste","Frères le Goux","Paris (France)","Caccia","Minuet","A","B♭","C","F","G","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro assai","Andante","Caccia allegro","Grazioso","Minuetto","Presto","Issued with catalogue of the same date. Originally published in 1761, announced in\n Annonces, affiches et avis divers\n , August 17, 1761 (Lesure/Catalogue, p. 518).","Contents\n \n TRIO I\n G\n \n [Z. 47]\n \n \n \n Andante\n C\n \n \n \n \n Allo.assai\n \n 2/4\n \n \n Grazioso\n 3/8\n \n \n \n \n TRIO II\n F\n \n [Z. 48]\n \n \n \n Adagio\n C\n \n \n Presto\n 2/4\n \n \n Minuetto\n 3/4\n \n \n \n \n TRIO III\n C\n \n [Z. 49]\n \n \n \n Andante\n C\n \n \n Presto\n 2/4\n \n \n Grazioso\n 3/4\n \n \n \n \n TRIO IV\n B♭\n \n [Z. 50]\n \n \n \n Andante\n C\n \n \n Presto\n 2/4\n \n \n Grazioso\n 3/4\n \n \n \n \n TRIO V\n A\n \n [Z. 51]\n \n \n \n Allegro\n C|\n \n \n Grazioso\n 3/4\n \n \n \n \n TRIO VI\n C\n \n [Z. 52]\n \n \n \n Andante\n 2/4\n \n \n \n \n Allo.assai\n \n C|\n \n \n Minuetto\n 3/4\n \n \n Caccia\n All.\n \n \n 6/8","M312.4.P96 1760"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1774"],"unitdate_other_ssim":["1774"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":753,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, folio, 262x191 (272x203): Violino Primo: Title, verso catalogue [Johansson/French, v. 2, p. 79, Cat. No. I]. Catalogue [Johansson/French, v. 2, p. 79, Cat. No. II], p. [1]. Music, pp. 2-14. Violino Secondo: Title, [1]. Music, pp. 2-14. Basso: Same as Violino Secondo. In lower left corner of first page of music of Violino Primo: \"Ceron Sculp:\"."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"corpname_ssim":["Croix d'Or"],"persname_ssim":["Pugnani, Gaetano, 1731-1798","La Chevardière, Louis Balthazard de, 1730-1812","Ceron, Jean-Baptiste","Frères le Goux"],"names_ssim":["Croix d'Or","Pugnani, Gaetano, 1731-1798","La Chevardière, Louis Balthazard de, 1730-1812","Ceron, Jean-Baptiste","Frères le Goux"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Caccia","Minuet","A","B♭","C","F","G","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro assai","Andante","Caccia allegro","Grazioso","Minuetto","Presto"],"access_subjects_ssm":["Caccia","Minuet","A","B♭","C","F","G","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro assai","Andante","Caccia allegro","Grazioso","Minuetto","Presto"],"date_range_isim":[1774],"bibliography_html_tesm":["\u003cp\u003eIssued with catalogue of the same date. Originally published in 1761, announced in\u003cbibref\u003e\n \u003ctitle\u003eAnnonces, affiches et avis divers\u003c/title\u003e\n \u003c/bibref\u003e, August 17, 1761 (\u003cref target=\"Lesure-Catalogue\"\u003eLesure/Catalogue\u003c/ref\u003e, p. 518).\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Issued with catalogue of the same date. Originally published in 1761, announced in\n Annonces, affiches et avis divers\n , August 17, 1761 (Lesure/Catalogue, p. 518)."],"scopecontent_tesim":["Contents\n \n TRIO I\n G\n \n [Z. 47]\n \n \n \n Andante\n C\n \n \n \n \n Allo.assai\n \n 2/4\n \n \n Grazioso\n 3/8\n \n \n \n \n TRIO II\n F\n \n [Z. 48]\n \n \n \n Adagio\n C\n \n \n Presto\n 2/4\n \n \n Minuetto\n 3/4\n \n \n \n \n TRIO III\n C\n \n [Z. 49]\n \n \n \n Andante\n C\n \n \n Presto\n 2/4\n \n \n Grazioso\n 3/4\n \n \n \n \n TRIO IV\n B♭\n \n [Z. 50]\n \n \n \n Andante\n C\n \n \n Presto\n 2/4\n \n \n Grazioso\n 3/4\n \n \n \n \n TRIO V\n A\n \n [Z. 51]\n \n \n \n Allegro\n C|\n \n \n Grazioso\n 3/4\n \n \n \n \n TRIO VI\n C\n \n [Z. 52]\n \n \n \n Andante\n 2/4\n \n \n \n \n Allo.assai\n \n C|\n \n \n Minuetto\n 3/4\n \n \n Caccia\n All.\n \n \n 6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.P96 1760\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.P96 1760"],"_nest_path_":"/components#210","timestamp":"2026-08-14T23:00:05.988Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003cnote audience=\"external\"\u003e\n \u003cp\u003e[Z. 47]\u003c/p\u003e\n \u003c/note\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e73526\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e73534\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003eassai\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e73545\"\u003e\n \u003cgenreform 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"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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(Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c211"}},{"id":"viumu_mackay-smith_c202","type":"Item","attributes":{"title":"Title Transcription: SEI TRIETTI A DUE VIOLINI e Basso DEDICATI A Monsieur Ferrand Fermiere Générale DA FERDINANDO PELLEGRINO Napolitano OPERA PRIMA Gravé par Melle. Bertin. Prix 6tt. A PARIS Aux adresses ordinaires. A LYON Chez Mr. de Brotonne, Md. ruë Merciere. AVEC PRIVILEGE DU ROY., 1753","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c202#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e71214\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e71222\"\u003eAndante3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e71230\"\u003eMinuetto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e71250\"\u003eAllegro non troppo2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e71258\"\u003eAndante Spiritoso3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e71266\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e71286\"\u003eAllegro non troppoC\u003c/li\u003e\n\u003cli id=\"mvtd1e71294\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e71302\"\u003ePresto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e71322\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e71330\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e71338\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e71359\"\u003eAllegro assai2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e71367\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e71375\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e71395\"\u003eAllegro assai3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e71403\"\u003eAndante spiritoso2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e71411\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c202#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c202","ref_ssm":["viumu_mackay-smith_c202"],"id":"viumu_mackay-smith_c202","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SEI TRIETTI A DUE VIOLINI e Basso DEDICATI A Monsieur Ferrand Fermiere Générale DA FERDINANDO PELLEGRINO Napolitano OPERA PRIMA Gravé par Melle. Bertin. Prix 6tt. A PARIS Aux adresses ordinaires. A LYON Chez Mr. de Brotonne, Md. ruë Merciere. AVEC PRIVILEGE DU ROY.","title_ssm":["Title Transcription: SEI TRIETTI A DUE VIOLINI e Basso DEDICATI A Monsieur Ferrand Fermiere Générale DA FERDINANDO PELLEGRINO Napolitano OPERA PRIMA Gravé par Melle. Bertin. Prix 6tt. A PARIS Aux adresses ordinaires. A LYON Chez Mr. de Brotonne, Md. ruë Merciere. AVEC PRIVILEGE DU ROY."],"title_tesim":["Title Transcription: SEI TRIETTI A DUE VIOLINI e Basso DEDICATI A Monsieur Ferrand Fermiere Générale DA FERDINANDO PELLEGRINO Napolitano OPERA PRIMA Gravé par Melle. Bertin. Prix 6tt. A PARIS Aux adresses ordinaires. A LYON Chez Mr. de Brotonne, Md. ruë Merciere. AVEC PRIVILEGE DU ROY."],"normalized_title_ssm":["Title Transcription: SEI TRIETTI A DUE VIOLINI e Basso DEDICATI A Monsieur Ferrand Fermiere Générale DA FERDINANDO PELLEGRINO Napolitano OPERA PRIMA Gravé par Melle. Bertin. Prix 6tt. A PARIS Aux adresses ordinaires. A LYON Chez Mr. de Brotonne, Md. ruë Merciere. AVEC PRIVILEGE DU ROY., 1753"],"text":["Title Transcription: SEI TRIETTI A DUE VIOLINI e Basso DEDICATI A Monsieur Ferrand Fermiere Générale DA FERDINANDO PELLEGRINO Napolitano OPERA PRIMA Gravé par Melle. Bertin. Prix 6tt. A PARIS Aux adresses ordinaires. A LYON Chez Mr. de Brotonne, Md. ruë Merciere. AVEC PRIVILEGE DU ROY., 1753","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, quarto, 234x177 (242x185): Violino Primo: Title, verso blank. Letter of dedication, [1]. Music, pp. 2-13. Blank, [14]. Violino Secondo: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Basso: Title, verso blank. Blank, [1]. Music, pp. 2-10.","Pellegrino, Ferdinando, ca. 1715-ca. 1766","De Brotonne, Étienne, ca. 1707-1757","Bertin, Mlle., fl. 1740-1763","Paris (France)","Lyon (France)","Minuet","B♭","C","D","F","G","2/4","3/4","3/8","Allegro","Allegro assai","Allegro non troppo","Andante","Andante spiritoso","Minuetto","Presto","Michel Brenet (\"La librairie musicale en France de 1653 à 1790, d'après les Registres de privileges,\" Sammelbände der Internationalen Musikgesellschaft, 8 [1906-1907], p. 448), cites Royal Privilege of December 11, 1753, to Pellegrino for \"des trio et autres pièces de musique instrumental\". BUCEM dates this as ca. 1765, but Brotonne was not at this address after 1757 (Devriès-Lesure, v.1, p. 162).","Contents\n \n SONATA I\n G\n \n \n Allegro\n 3/8\n \n \n Andante\n 3/8\n \n \n Minuetto\n 3/8\n \n \n \n \n SONATA II\n F\n \n \n Allegro non troppo\n 2/4\n \n \n Andante Spiritoso\n 3/8\n \n \n Minuetto\n 3/4\n \n \n \n \n SONATA III\n D\n \n \n Allegro non troppo\n C\n \n \n Andante\n C\n \n \n Presto\n 3/8\n \n \n \n \n SONATA IV\n B♭\n \n \n Allegro\n C\n \n \n Andante\n C\n \n \n Minuetto\n 3/4\n \n \n \n \n SONATA V\n C\n \n \n Allegro assai\n 2/4\n \n \n Andante\n 3/4\n \n \n Minuetto\n 3/4\n \n \n \n \n SONATA VI\n G\n \n \n Allegro assai\n 3/4\n \n \n Andante spiritoso\n 2/4\n \n \n Minuetto\n 3/4","M312.4.P42 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1753"],"unitdate_other_ssim":["ca. 1753"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":724,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, quarto, 234x177 (242x185): Violino Primo: Title, verso blank. Letter of dedication, [1]. Music, pp. 2-13. Blank, [14]. Violino Secondo: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Basso: Title, verso blank. Blank, [1]. Music, pp. 2-10."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"persname_ssim":["Pellegrino, Ferdinando, ca. 1715-ca. 1766","De Brotonne, Étienne, ca. 1707-1757","Bertin, Mlle., fl. 1740-1763"],"names_ssim":["Pellegrino, Ferdinando, ca. 1715-ca. 1766","De Brotonne, Étienne, ca. 1707-1757","Bertin, Mlle., fl. 1740-1763"],"geogname_ssim":["Paris (France)","Lyon (France)"],"geogname_ssm":["Paris (France)","Lyon (France)"],"places_ssim":["Paris (France)","Lyon (France)"],"access_subjects_ssim":["Minuet","B♭","C","D","F","G","2/4","3/4","3/8","Allegro","Allegro assai","Allegro non troppo","Andante","Andante spiritoso","Minuetto","Presto"],"access_subjects_ssm":["Minuet","B♭","C","D","F","G","2/4","3/4","3/8","Allegro","Allegro assai","Allegro non troppo","Andante","Andante spiritoso","Minuetto","Presto"],"date_range_isim":[1753],"bibliography_html_tesm":["\u003cp\u003eMichel Brenet (\"La librairie musicale en France de 1653 à 1790, d'après les Registres de privileges,\" Sammelbände der Internationalen Musikgesellschaft, 8 [1906-1907], p. 448), cites Royal Privilege of December 11, 1753, to Pellegrino for \"des trio et autres pièces de musique instrumental\". BUCEM dates this as ca. 1765, but Brotonne was not at this address after 1757 (\u003cref target=\"Devriès-Lesure\"\u003eDevriès-Lesure\u003c/ref\u003e, v.1, p. 162).\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Michel Brenet (\"La librairie musicale en France de 1653 à 1790, d'après les Registres de privileges,\" Sammelbände der Internationalen Musikgesellschaft, 8 [1906-1907], p. 448), cites Royal Privilege of December 11, 1753, to Pellegrino for \"des trio et autres pièces de musique instrumental\". BUCEM dates this as ca. 1765, but Brotonne was not at this address after 1757 (Devriès-Lesure, v.1, p. 162)."],"scopecontent_tesim":["Contents\n \n SONATA I\n G\n \n \n Allegro\n 3/8\n \n \n Andante\n 3/8\n \n \n Minuetto\n 3/8\n \n \n \n \n SONATA II\n F\n \n \n Allegro non troppo\n 2/4\n \n \n Andante Spiritoso\n 3/8\n \n \n Minuetto\n 3/4\n \n \n \n \n SONATA III\n D\n \n \n Allegro non troppo\n C\n \n \n Andante\n C\n \n \n Presto\n 3/8\n \n \n \n \n SONATA IV\n B♭\n \n \n Allegro\n C\n \n \n Andante\n C\n \n \n Minuetto\n 3/4\n \n \n \n \n SONATA V\n C\n \n \n Allegro assai\n 2/4\n \n \n Andante\n 3/4\n \n \n Minuetto\n 3/4\n \n \n \n \n SONATA VI\n G\n \n \n Allegro assai\n 3/4\n \n \n Andante spiritoso\n 2/4\n \n \n Minuetto\n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.P42 1700z\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.P42 1700z"],"_nest_path_":"/components#201","timestamp":"2026-08-14T23:00:05.988Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e71214\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e71222\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e71230\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA 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type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e71395\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro assai\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e71403\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante spiritoso\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e71411\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c202"}},{"id":"viumu_mackay-smith_c45","type":"Item","attributes":{"title":"Title Transcription: SIX DUOS Pour Violons Et Alto Dediés A Monsieur DE ZIMMERMANN Colonel d'infanterie chevalier de l'ordre Royal et Militaire de St louis Commandant de deux bataillons des gardes Suisse Par M. BRUNI Œuvre [\"2\" added in MS] Prix 7tt. 4s. A PARIS Chez le Sr. Sieber musicien rue St honôré vis à vis l'hotel D'Aligre Chez l'Apothicaire No 92 A.P.D.R., 1782/1786","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c45#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eI DUETTO\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e18156\"\u003e\n\u003cabbr\u003eCantabille\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e18166\"\u003eRondo2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eII DUETTO\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e18186\"\u003eAndantino2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e18194\"\u003eAllegretto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eIII DUETTO\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e18214\"\u003e[Allegro: from Alto]C\u003c/li\u003e\n\u003cli id=\"mvtd1e18222\"\u003eRondo2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eIV DUETTO\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e18242\"\u003e\n\u003cabbr\u003eAllo\u003c/abbr\u003e\u003cabbr\u003eBrilante\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e18255\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eV DUETTO\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e18276\"\u003eCantabileC\u003c/li\u003e\n\u003cli id=\"mvtd1e18284\"\u003eRondoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eVI DUETTO\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e18304\"\u003eAndantinoC\u003c/li\u003e\n\u003cli id=\"mvtd1e18312\"\u003eRondo6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c45#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c45","ref_ssm":["viumu_mackay-smith_c45"],"id":"viumu_mackay-smith_c45","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SIX DUOS Pour Violons Et Alto Dediés A Monsieur DE ZIMMERMANN Colonel d'infanterie chevalier de l'ordre Royal et Militaire de St louis Commandant de deux bataillons des gardes Suisse Par M. BRUNI Œuvre [\"2\" added in MS] Prix 7tt. 4s. A PARIS Chez le Sr. Sieber musicien rue St honôré vis à vis l'hotel D'Aligre Chez l'Apothicaire No 92 A.P.D.R.","title_ssm":["Title Transcription: SIX DUOS Pour Violons Et Alto Dediés A Monsieur DE ZIMMERMANN Colonel d'infanterie chevalier de l'ordre Royal et Militaire de St louis Commandant de deux bataillons des gardes Suisse Par M. BRUNI Œuvre [\"2\" added in MS] Prix 7tt. 4s. A PARIS Chez le Sr. Sieber musicien rue St honôré vis à vis l'hotel D'Aligre Chez l'Apothicaire No 92 A.P.D.R."],"title_tesim":["Title Transcription: SIX DUOS Pour Violons Et Alto Dediés A Monsieur DE ZIMMERMANN Colonel d'infanterie chevalier de l'ordre Royal et Militaire de St louis Commandant de deux bataillons des gardes Suisse Par M. BRUNI Œuvre [\"2\" added in MS] Prix 7tt. 4s. A PARIS Chez le Sr. Sieber musicien rue St honôré vis à vis l'hotel D'Aligre Chez l'Apothicaire No 92 A.P.D.R."],"normalized_title_ssm":["Title Transcription: SIX DUOS Pour Violons Et Alto Dediés A Monsieur DE ZIMMERMANN Colonel d'infanterie chevalier de l'ordre Royal et Militaire de St louis Commandant de deux bataillons des gardes Suisse Par M. BRUNI Œuvre [\"2\" added in MS] Prix 7tt. 4s. A PARIS Chez le Sr. Sieber musicien rue St honôré vis à vis l'hotel D'Aligre Chez l'Apothicaire No 92 A.P.D.R., 1782/1786"],"text":["Title Transcription: SIX DUOS Pour Violons Et Alto Dediés A Monsieur DE ZIMMERMANN Colonel d'infanterie chevalier de l'ordre Royal et Militaire de St louis Commandant de deux bataillons des gardes Suisse Par M. BRUNI Œuvre [\"2\" added in MS] Prix 7tt. 4s. A PARIS Chez le Sr. Sieber musicien rue St honôré vis à vis l'hotel D'Aligre Chez l'Apothicaire No 92 A.P.D.R., 1782/1786","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Two parts, folio, 260x190 (267x197): Violino: Title, verso blank. Blank, [1]. Music, pp. 2-12. Alto: Blank, [1]. Music, pp. 2-12. Title-page signed in lower right corner: \"Sieber\".","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Paris (France)","Minuet","Rondo","B♭","C","D","E♭","F","2/4","3/4","6/8","Allegretto","Allegro","Allegro brillante","Andantino","Cantabile","Minuetto","Appears in Sieber's catalogue of 1786 (Johansson/French, facs. 112) but not of 1782 (facs. 111).","Contents\n \n I DUETTO\n E♭\n \n \n \n \n Cantabille\n \n \n C\n \n \n Rondo\n 2/4\n \n \n \n \n II DUETTO\n F\n \n \n Andantino\n 2/4\n \n \n Allegretto\n 2/4\n \n \n \n \n III DUETTO\n F\n \n [Allegro: from Alto]C\n \n \n Rondo\n 2/4\n \n \n \n \n IV DUETTO\n C\n \n \n \n \n Allo\n Brilante\n \n \n C\n \n \n Minuetto\n 3/4\n \n \n \n \n V DUETTO\n B♭\n \n \n Cantabile\n C\n \n \n Rondo\n C\n \n \n \n \n VI DUETTO\n D\n \n \n Andantino\n C\n \n \n Rondo\n 6/8","M287.B75 n.d."],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1782/1786"],"unitdate_other_ssim":["Between 1782 and 1786"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":184,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Two parts, folio, 260x190 (267x197): Violino: Title, verso blank. Blank, [1]. Music, pp. 2-12. Alto: Blank, [1]. Music, pp. 2-12. Title-page signed in lower right corner: \"Sieber\"."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"persname_ssim":["Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822"],"names_ssim":["Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Minuet","Rondo","B♭","C","D","E♭","F","2/4","3/4","6/8","Allegretto","Allegro","Allegro brillante","Andantino","Cantabile","Minuetto"],"access_subjects_ssm":["Minuet","Rondo","B♭","C","D","E♭","F","2/4","3/4","6/8","Allegretto","Allegro","Allegro brillante","Andantino","Cantabile","Minuetto"],"date_range_isim":[1782,1783,1784,1785,1786],"bibliography_html_tesm":["\u003cp\u003eAppears in Sieber's catalogue of 1786 (\u003cref target=\"Johansson-French\"\u003eJohansson/French\u003c/ref\u003e, facs. 112) but not of 1782 (facs. 111).\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Appears in Sieber's catalogue of 1786 (Johansson/French, facs. 112) but not of 1782 (facs. 111)."],"scopecontent_tesim":["Contents\n \n I DUETTO\n E♭\n \n \n \n \n Cantabille\n \n \n C\n \n \n Rondo\n 2/4\n \n \n \n \n II DUETTO\n F\n \n \n Andantino\n 2/4\n \n \n Allegretto\n 2/4\n \n \n \n \n III DUETTO\n F\n \n [Allegro: from Alto]C\n \n \n Rondo\n 2/4\n \n \n \n \n IV DUETTO\n C\n \n \n \n \n Allo\n Brilante\n \n \n C\n \n \n Minuetto\n 3/4\n \n \n \n \n V DUETTO\n B♭\n \n \n Cantabile\n C\n \n \n Rondo\n C\n \n \n \n \n VI DUETTO\n D\n \n \n Andantino\n C\n \n \n Rondo\n 6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM287.B75 n.d.\u003c/physloc\u003e\n "],"physloc_tesim":["M287.B75 n.d."],"_nest_path_":"/components#44","timestamp":"2026-08-14T23:00:05.988Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eI DUETTO\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eE♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18156\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Cantabile\"\u003eCantabille\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18166\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eRondo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eII DUETTO\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18186\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndantino\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18194\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eIII DUETTO\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18214\"\u003e[\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e: from Alto]\u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18222\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eRondo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eIV DUETTO\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18242\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo\u003c/abbr\u003e\n \u003cabbr expan=\"Brilliante\"\u003eBrilante\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18255\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eV DUETTO\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18276\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCantabile\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18284\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eRondo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eVI DUETTO\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18304\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndantino\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18312\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eRondo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. 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Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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(Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c45"}},{"id":"viumu_mackay-smith_c188","type":"Item","attributes":{"title":"Title Transcription: SIX SONATES EN TRIO Pour deux Violons et Basse DÉDIÉES A Milord John lord VISCOUNT BATEMAN PAR Mr. MARTIN. ŒUVRE IER. Gravé par Melle. Laymon. Prix 6 tt. A PARIS Chez Mr. Le Clerc, rüe St. Honoré vis a vis l'Oratoire chez le Bonnetier. Mr. Le Clerc, Md. rüe du Roule à la Croix d'Or. Madame Boivin, Mde. rüe St. Honoré à la Regle d'Or. AVEC PRIVILEGE DU ROY., 1744","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c188#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e66897\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e66905\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e66913\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e66933\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e66941\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e66949\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e66969\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e66977\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e66985\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e67005\"\u003eGraveC|-AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67019\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67027\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e67048\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67056\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67064\"\u003eGiga Allegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e67084\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67092\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67100\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c188#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c188","ref_ssm":["viumu_mackay-smith_c188"],"id":"viumu_mackay-smith_c188","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SIX SONATES EN TRIO Pour deux Violons et Basse DÉDIÉES A Milord John lord VISCOUNT BATEMAN PAR Mr. MARTIN. ŒUVRE IER. Gravé par Melle. Laymon. Prix 6 tt. A PARIS Chez Mr. Le Clerc, rüe St. Honoré vis a vis l'Oratoire chez le Bonnetier. Mr. Le Clerc, Md. rüe du Roule à la Croix d'Or. Madame Boivin, Mde. rüe St. Honoré à la Regle d'Or. AVEC PRIVILEGE DU ROY.","title_ssm":["Title Transcription: SIX SONATES EN TRIO Pour deux Violons et Basse DÉDIÉES A Milord John lord VISCOUNT BATEMAN PAR Mr. MARTIN. ŒUVRE IER. Gravé par Melle. Laymon. Prix 6 tt. A PARIS Chez Mr. Le Clerc, rüe St. Honoré vis a vis l'Oratoire chez le Bonnetier. Mr. Le Clerc, Md. rüe du Roule à la Croix d'Or. Madame Boivin, Mde. rüe St. Honoré à la Regle d'Or. AVEC PRIVILEGE DU ROY."],"title_tesim":["Title Transcription: SIX SONATES EN TRIO Pour deux Violons et Basse DÉDIÉES A Milord John lord VISCOUNT BATEMAN PAR Mr. MARTIN. ŒUVRE IER. Gravé par Melle. Laymon. Prix 6 tt. A PARIS Chez Mr. Le Clerc, rüe St. Honoré vis a vis l'Oratoire chez le Bonnetier. Mr. Le Clerc, Md. rüe du Roule à la Croix d'Or. Madame Boivin, Mde. rüe St. Honoré à la Regle d'Or. AVEC PRIVILEGE DU ROY."],"normalized_title_ssm":["Title Transcription: SIX SONATES EN TRIO Pour deux Violons et Basse DÉDIÉES A Milord John lord VISCOUNT BATEMAN PAR Mr. MARTIN. ŒUVRE IER. Gravé par Melle. Laymon. Prix 6 tt. A PARIS Chez Mr. Le Clerc, rüe St. Honoré vis a vis l'Oratoire chez le Bonnetier. Mr. Le Clerc, Md. rüe du Roule à la Croix d'Or. Madame Boivin, Mde. rüe St. Honoré à la Regle d'Or. AVEC PRIVILEGE DU ROY., 1744"],"text":["Title Transcription: SIX SONATES EN TRIO Pour deux Violons et Basse DÉDIÉES A Milord John lord VISCOUNT BATEMAN PAR Mr. MARTIN. ŒUVRE IER. Gravé par Melle. Laymon. Prix 6 tt. A PARIS Chez Mr. Le Clerc, rüe St. Honoré vis a vis l'Oratoire chez le Bonnetier. Mr. Le Clerc, Md. rüe du Roule à la Croix d'Or. Madame Boivin, Mde. rüe St. Honoré à la Regle d'Or. AVEC PRIVILEGE DU ROY., 1744","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, quarto, 238x179 (246x184): VIOLINO PRIMO: Title, verso blank. Letter of dedication, verso blank, [i-ii]. Blank, [1]. Music, pp. 2-13. Blank, [14]. VIOLINO SECONDO: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. BASSO: Same as VIOLINO SECONDO. Bottom of first page of music of VIOLINO PRIMO SIGNED: \"F. Martin\". Bound with nos. 25, 136, 201, 202, and 235.","Croix d'Or","Règle d'Or","Martin, François, 1727-1757","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Mr.","Le Clerc, Charles-Nicolas, 1697-1774","Le Clerc, Jean-Pantaléon, d. 1759","Laymon, Mademoiselle, fl. 1743-1752","Paris (France)","Jig","Minuet","A","B♭","C","F","G","E","2/4","3/4","3/8","6/8","C|","Allegro","Andante","Giga allegro","Grave","Largo","Minuetto","Appears in Le Clerc's catalogue of 1744 (Devriès, p. 222).","Contents\n \n SONATA I\n F\n \n \n Allegro\n 3/4\n \n \n Andante\n 2/4\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA II\n e\n \n \n Allegro\n C\n \n \n Andante\n 2/4\n \n \n Allegro\n 3/4\n \n \n \n \n SONATA III\n B♭\n \n \n Allegro\n C|\n \n \n Largo\n 3/4\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA IV\n C\n \n \n Grave\n C|-Allegro\n C\n \n \n Andante\n 2/4\n \n \n Allegro\n 3/4\n \n \n \n \n SONATA V\n A\n \n \n Allegro\n 3/4\n \n \n Andante\n 2/4\n \n \n Giga Allegro\n 6/8\n \n \n \n \n SONATA VI\n G\n \n \n Allegro\n C\n \n \n Andante\n 3/4\n \n \n Minuetto\n 3/4","M312.4.T7 1740"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1744"],"unitdate_other_ssim":["ca. 1744"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":672,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, quarto, 238x179 (246x184): VIOLINO PRIMO: Title, verso blank. Letter of dedication, verso blank, [i-ii]. Blank, [1]. Music, pp. 2-13. Blank, [14]. VIOLINO SECONDO: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. BASSO: Same as VIOLINO SECONDO. Bottom of first page of music of VIOLINO PRIMO SIGNED: \"F. Martin\". Bound with nos. 25, 136, 201, 202, and 235."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"corpname_ssim":["Croix d'Or","Règle d'Or"],"persname_ssim":["Martin, François, 1727-1757","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Mr.","Le Clerc, Charles-Nicolas, 1697-1774","Le Clerc, Jean-Pantaléon, d. 1759","Laymon, Mademoiselle, fl. 1743-1752"],"names_ssim":["Croix d'Or","Règle d'Or","Martin, François, 1727-1757","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Mr.","Le Clerc, Charles-Nicolas, 1697-1774","Le Clerc, Jean-Pantaléon, d. 1759","Laymon, Mademoiselle, fl. 1743-1752"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Jig","Minuet","A","B♭","C","F","G","E","2/4","3/4","3/8","6/8","C|","Allegro","Andante","Giga allegro","Grave","Largo","Minuetto"],"access_subjects_ssm":["Jig","Minuet","A","B♭","C","F","G","E","2/4","3/4","3/8","6/8","C|","Allegro","Andante","Giga allegro","Grave","Largo","Minuetto"],"date_range_isim":[1744],"bibliography_html_tesm":["\u003cp\u003eAppears in Le Clerc's catalogue of 1744 (\u003cref target=\"Devriès\"\u003eDevriès\u003c/ref\u003e, p. 222).\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Appears in Le Clerc's catalogue of 1744 (Devriès, p. 222)."],"scopecontent_tesim":["Contents\n \n SONATA I\n F\n \n \n Allegro\n 3/4\n \n \n Andante\n 2/4\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA II\n e\n \n \n Allegro\n C\n \n \n Andante\n 2/4\n \n \n Allegro\n 3/4\n \n \n \n \n SONATA III\n B♭\n \n \n Allegro\n C|\n \n \n Largo\n 3/4\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA IV\n C\n \n \n Grave\n C|-Allegro\n C\n \n \n Andante\n 2/4\n \n \n Allegro\n 3/4\n \n \n \n \n SONATA V\n A\n \n \n Allegro\n 3/4\n \n \n Andante\n 2/4\n \n \n Giga Allegro\n 6/8\n \n \n \n \n SONATA VI\n G\n \n \n Allegro\n C\n \n \n Andante\n 3/4\n \n \n Minuetto\n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.T7 1740\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.T7 1740"],"_nest_path_":"/components#187","timestamp":"2026-08-14T23:00:05.988Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem 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type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA IV\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e67005\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e-\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67019\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67027\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA V\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e67048\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67056\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67064\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e67084\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67092\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67100\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c188"}},{"id":"viumu_mackay-smith_c23","type":"Item","attributes":{"title":"Title Transcription: SIX SONATES en Trio Pour deux Violons e Violoncello, COMPOSÉE Par Messieurs BEZZOSSI Ordinaires de la Musique du Roy de Sardaigne. Fait gravé par Mr. CANAVASSE. Prix 7tt. en blanc Se Vend à Paris Chés Mr. CANAVASSE Cadet au Petit Luxembourg Chés S.A.S. Madame la Princesse de Carignan. Mr. Castagnery Marchand Luthier à l'Hotel de Soissons; \u0026 Mr. Guersant Marchand Luthier près de la Comédie Françoise. Avec Privilége du ROY. Gravé Par Melle. Estien., 1739","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c23#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e10125\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e10133\"\u003eAllegro AssaiC\u003c/li\u003e\n\u003cli id=\"mvtd1e10141\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO II\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e10161\"\u003eAndante6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e10169\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e10177\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO III\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e10197\"\u003eAndante3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e10205\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e10213\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO IV\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e10233\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e10241\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e10249\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO V\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e10270\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e10278\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e10286\"\u003eAllegretto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO VI\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e10306\"\u003eAndante3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e10314\"\u003eAllegro AssaiC|\u003c/li\u003e\n\u003cli id=\"mvtd1e10322\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c23#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c23","ref_ssm":["viumu_mackay-smith_c23"],"id":"viumu_mackay-smith_c23","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SIX SONATES en Trio Pour deux Violons e Violoncello, COMPOSÉE Par Messieurs BEZZOSSI Ordinaires de la Musique du Roy de Sardaigne. Fait gravé par Mr. CANAVASSE. Prix 7tt. en blanc Se Vend à Paris Chés Mr. CANAVASSE Cadet au Petit Luxembourg Chés S.A.S. Madame la Princesse de Carignan. Mr. Castagnery Marchand Luthier à l'Hotel de Soissons; \u0026 Mr. Guersant Marchand Luthier près de la Comédie Françoise. Avec Privilége du ROY. Gravé Par Melle. Estien.","title_ssm":["Title Transcription: SIX SONATES en Trio Pour deux Violons e Violoncello, COMPOSÉE Par Messieurs BEZZOSSI Ordinaires de la Musique du Roy de Sardaigne. Fait gravé par Mr. CANAVASSE. Prix 7tt. en blanc Se Vend à Paris Chés Mr. CANAVASSE Cadet au Petit Luxembourg Chés S.A.S. Madame la Princesse de Carignan. Mr. Castagnery Marchand Luthier à l'Hotel de Soissons; \u0026 Mr. Guersant Marchand Luthier près de la Comédie Françoise. Avec Privilége du ROY. Gravé Par Melle. Estien."],"title_tesim":["Title Transcription: SIX SONATES en Trio Pour deux Violons e Violoncello, COMPOSÉE Par Messieurs BEZZOSSI Ordinaires de la Musique du Roy de Sardaigne. Fait gravé par Mr. CANAVASSE. Prix 7tt. en blanc Se Vend à Paris Chés Mr. CANAVASSE Cadet au Petit Luxembourg Chés S.A.S. Madame la Princesse de Carignan. Mr. Castagnery Marchand Luthier à l'Hotel de Soissons; \u0026 Mr. Guersant Marchand Luthier près de la Comédie Françoise. Avec Privilége du ROY. Gravé Par Melle. Estien."],"normalized_title_ssm":["Title Transcription: SIX SONATES en Trio Pour deux Violons e Violoncello, COMPOSÉE Par Messieurs BEZZOSSI Ordinaires de la Musique du Roy de Sardaigne. Fait gravé par Mr. CANAVASSE. Prix 7tt. en blanc Se Vend à Paris Chés Mr. CANAVASSE Cadet au Petit Luxembourg Chés S.A.S. Madame la Princesse de Carignan. Mr. Castagnery Marchand Luthier à l'Hotel de Soissons; \u0026 Mr. Guersant Marchand Luthier près de la Comédie Françoise. Avec Privilége du ROY. Gravé Par Melle. Estien., 1739"],"text":["Title Transcription: SIX SONATES en Trio Pour deux Violons e Violoncello, COMPOSÉE Par Messieurs BEZZOSSI Ordinaires de la Musique du Roy de Sardaigne. Fait gravé par Mr. CANAVASSE. Prix 7tt. en blanc Se Vend à Paris Chés Mr. CANAVASSE Cadet au Petit Luxembourg Chés S.A.S. Madame la Princesse de Carignan. Mr. Castagnery Marchand Luthier à l'Hotel de Soissons; \u0026 Mr. Guersant Marchand Luthier près de la Comédie Françoise. Avec Privilége du ROY. Gravé Par Melle. Estien., 1739","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, quarto, 239x179 (248x187): Violino Primo: Title, [1]. Music, pp. 2-13. Blank, [14]. Violino Secondo: Same as Violino Primo. Basso: Title, [1]. Music, pp. 2-13. Letter of royal privilege, dated \"3. Avril 1739\" and signed \"Langlois syndic.\", [14]. Title-page of Violino Primo signed in lower right corner: \"Canavas\". Bound with nos. 136, 190, 201, 202, and 236.","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Paris (France)","Minuet","A","B♭","C","F","G","2/4","3/4","3/8","6/8","C|","Adagio","Allegretto","Allegro","Allegro assai","Andante","Minuetto","Letter of royal privilege. 1739 is the only date given for Canavasse byHopkinson, p. 21.","RISM identifies this set as the work of Alessandro, Girolamo (1704-1778), and Antonio (1714-1781) Besozzi.","Contents\n \n TRIO I\n G\n \n \n Adagio\n C\n \n \n Allegro Assai\n C\n \n \n Allegro\n 3/8\n \n \n \n \n TRIO II\n B♭\n \n \n Andante\n 6/8\n \n \n Allegro\n 2/4\n \n \n Allegro\n 3/8\n \n \n \n \n TRIO III\n F\n \n \n Andante\n 3/8\n \n \n Allegro\n C|\n \n \n Minuetto\n 3/4\n \n \n \n \n TRIO IV\n c\n \n \n Andante\n 2/4\n \n \n Allegro\n 2/4\n \n \n Allegro\n 3/4\n \n \n \n \n TRIO V\n A\n \n \n Adagio\n C\n \n \n Allegro\n 2/4\n \n \n Allegretto\n 3/4\n \n \n \n \n TRIO VI\n C\n \n \n Andante\n 3/8\n \n \n Allegro Assai\n C|\n \n \n Minuetto\n 3/4","M312.4.T7 1740"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1739"],"unitdate_other_ssim":["1739"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":98,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, quarto, 239x179 (248x187): Violino Primo: Title, [1]. Music, pp. 2-13. Blank, [14]. Violino Secondo: Same as Violino Primo. Basso: Title, [1]. Music, pp. 2-13. Letter of royal privilege, dated \"3. Avril 1739\" and signed \"Langlois syndic.\", [14]. Title-page of Violino Primo signed in lower right corner: \"Canavas\". Bound with nos. 136, 190, 201, 202, and 236."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["[]"],"persname_ssim":["Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle."],"names_ssim":["Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle."],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Minuet","A","B♭","C","F","G","2/4","3/4","3/8","6/8","C|","Adagio","Allegretto","Allegro","Allegro assai","Andante","Minuetto"],"access_subjects_ssm":["Minuet","A","B♭","C","F","G","2/4","3/4","3/8","6/8","C|","Adagio","Allegretto","Allegro","Allegro assai","Andante","Minuetto"],"date_range_isim":[1739],"bibliography_html_tesm":["\u003cp\u003eLetter of royal privilege. 1739 is the only date given for Canavasse by\u003cref target=\"Hopkinson\"\u003eHopkinson\u003c/ref\u003e, p. 21.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Letter of royal privilege. 1739 is the only date given for Canavasse byHopkinson, p. 21."],"note_html_tesm":["\u003cp\u003eRISM identifies this set as the work of Alessandro, Girolamo (1704-1778), and Antonio (1714-1781) Besozzi.\u003c/p\u003e\n ","\u003cp\u003e\u003c/p\u003e\n "],"note_tesim":["RISM identifies this set as the work of Alessandro, Girolamo (1704-1778), and Antonio (1714-1781) Besozzi."],"scopecontent_tesim":["Contents\n \n TRIO I\n G\n \n \n Adagio\n C\n \n \n Allegro Assai\n C\n \n \n Allegro\n 3/8\n \n \n \n \n TRIO II\n B♭\n \n \n Andante\n 6/8\n \n \n Allegro\n 2/4\n \n \n Allegro\n 3/8\n \n \n \n \n TRIO III\n F\n \n \n Andante\n 3/8\n \n \n Allegro\n C|\n \n \n Minuetto\n 3/4\n \n \n \n \n TRIO IV\n c\n \n \n Andante\n 2/4\n \n \n Allegro\n 2/4\n \n \n Allegro\n 3/4\n \n \n \n \n TRIO V\n A\n \n \n Adagio\n C\n \n \n Allegro\n 2/4\n \n \n Allegretto\n 3/4\n \n \n \n \n TRIO VI\n C\n \n \n Andante\n 3/8\n \n \n Allegro Assai\n C|\n \n \n Minuetto\n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.T7 1740\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.T7 1740"],"_nest_path_":"/components#22","timestamp":"2026-08-14T23:00:05.988Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e10125\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e10133\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro Assai\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e10141\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e10161\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e10169\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem 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type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e10278\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e10286\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e10306\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e10314\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro Assai\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e10322\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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(Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c23"}},{"id":"viumu_mackay-smith_c93","type":"Item","attributes":{"title":"Title Transcription: SIX SONATES POUR LE VIOLON Avec la Basse Continue DéDIéES A Son Altesse Sérénissime Monseigneur CHARLES THEODORE Comte Palatin du Rhin, archi Trésorier et Electeur du St. Empire, Duc de Baviere, juliers Cleves et Berg-op-Zoom, Comte de Veldentz, Sponheim, de la MarcK et de Ravensperg, Seigneur de Ravenstein, \u0026c. \u0026c. COMPOSE'ES PAR GUILLAUME CRAMER Musicien de la Chambre de S.A.E. Palatine Prix 7tt. 4s. Oeuvre IIe. A PARIS Chez Madame Berault Mde. de Musique rue de la Comédie franco, ise faubourg St. Germain au Dieu de l'Harmonie Et aux adresses ordinaires de Musique A.P.D.R, 1775","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c93#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e34421\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e34429\"\u003eAdagio2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e34437\"\u003eAndante\u003cabbr\u003egratioso\u003c/abbr\u003eCon\u003cabbr\u003eVariationi\u003c/abbr\u003e2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e34461\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e34469\"\u003eAdagioC|\u003c/li\u003e\n\u003cli id=\"mvtd1e34477\"\u003eTempo di Minuetto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e34497\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e34505\"\u003eAdagio2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e34513\"\u003eMinuetto Con\u003cabbr\u003eVariationi\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e34533\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e34541\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e34549\"\u003eTempo di Minuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e34570\"\u003eAllegro Moderato2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e34578\"\u003eAdagio2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e34586\"\u003eTempo di Minuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e34606\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e34614\"\u003eAdagio2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e34622\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c93#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c93","ref_ssm":["viumu_mackay-smith_c93"],"id":"viumu_mackay-smith_c93","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SIX SONATES POUR LE VIOLON Avec la Basse Continue DéDIéES A Son Altesse Sérénissime Monseigneur CHARLES THEODORE Comte Palatin du Rhin, archi Trésorier et Electeur du St. Empire, Duc de Baviere, juliers Cleves et Berg-op-Zoom, Comte de Veldentz, Sponheim, de la MarcK et de Ravensperg, Seigneur de Ravenstein, \u0026c. \u0026c. COMPOSE'ES PAR GUILLAUME CRAMER Musicien de la Chambre de S.A.E. Palatine Prix 7tt. 4s. Oeuvre IIe. A PARIS Chez Madame Berault Mde. de Musique rue de la Comédie franco,ise faubourg St. Germain au Dieu de l'Harmonie Et aux adresses ordinaires de Musique A.P.D.R","title_ssm":["Title Transcription: SIX SONATES POUR LE VIOLON Avec la Basse Continue DéDIéES A Son Altesse Sérénissime Monseigneur CHARLES THEODORE Comte Palatin du Rhin, archi Trésorier et Electeur du St. Empire, Duc de Baviere, juliers Cleves et Berg-op-Zoom, Comte de Veldentz, Sponheim, de la MarcK et de Ravensperg, Seigneur de Ravenstein, \u0026c. \u0026c. COMPOSE'ES PAR GUILLAUME CRAMER Musicien de la Chambre de S.A.E. Palatine Prix 7tt. 4s. Oeuvre IIe. A PARIS Chez Madame Berault Mde. de Musique rue de la Comédie franco, ise faubourg St. Germain au Dieu de l'Harmonie Et aux adresses ordinaires de Musique A.P.D.R"],"title_tesim":["Title Transcription: SIX SONATES POUR LE VIOLON Avec la Basse Continue DéDIéES A Son Altesse Sérénissime Monseigneur CHARLES THEODORE Comte Palatin du Rhin, archi Trésorier et Electeur du St. Empire, Duc de Baviere, juliers Cleves et Berg-op-Zoom, Comte de Veldentz, Sponheim, de la MarcK et de Ravensperg, Seigneur de Ravenstein, \u0026c. \u0026c. COMPOSE'ES PAR GUILLAUME CRAMER Musicien de la Chambre de S.A.E. Palatine Prix 7tt. 4s. Oeuvre IIe. A PARIS Chez Madame Berault Mde. de Musique rue de la Comédie franco, ise faubourg St. Germain au Dieu de l'Harmonie Et aux adresses ordinaires de Musique A.P.D.R"],"normalized_title_ssm":["Title Transcription: SIX SONATES POUR LE VIOLON Avec la Basse Continue DéDIéES A Son Altesse Sérénissime Monseigneur CHARLES THEODORE Comte Palatin du Rhin, archi Trésorier et Electeur du St. Empire, Duc de Baviere, juliers Cleves et Berg-op-Zoom, Comte de Veldentz, Sponheim, de la MarcK et de Ravensperg, Seigneur de Ravenstein, \u0026c. \u0026c. COMPOSE'ES PAR GUILLAUME CRAMER Musicien de la Chambre de S.A.E. Palatine Prix 7tt. 4s. Oeuvre IIe. A PARIS Chez Madame Berault Mde. de Musique rue de la Comédie franco, ise faubourg St. Germain au Dieu de l'Harmonie Et aux adresses ordinaires de Musique A.P.D.R, 1775"],"text":["Title Transcription: SIX SONATES POUR LE VIOLON Avec la Basse Continue DéDIéES A Son Altesse Sérénissime Monseigneur CHARLES THEODORE Comte Palatin du Rhin, archi Trésorier et Electeur du St. Empire, Duc de Baviere, juliers Cleves et Berg-op-Zoom, Comte de Veldentz, Sponheim, de la MarcK et de Ravensperg, Seigneur de Ravenstein, \u0026c. \u0026c. COMPOSE'ES PAR GUILLAUME CRAMER Musicien de la Chambre de S.A.E. Palatine Prix 7tt. 4s. Oeuvre IIe. A PARIS Chez Madame Berault Mde. de Musique rue de la Comédie franco, ise faubourg St. Germain au Dieu de l'Harmonie Et aux adresses ordinaires de Musique A.P.D.R, 1775","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Score, quarto, 284x209 (290x215): Title, verso blank. Catalogue [Devriès-Lesure no. 9], [1]. Music, pp. 2-7. Blank, [8]. Music, pp. 9-22. Blank, [23]. Music, pp. 24-28. Blank, [29]. Music, pp. 30-39. Blank, [40].","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Paris (France)","Minuet","Variations","B♭","C","D","F","G","2/4","3/4","3/8","C|","Adagio","Allegro","Allegro moderato","Andante grazioso con variazioni","Minuetto","Minuetto con variazioni","Tempo di minuetto","Issued with catalogue of the same date. Originally published between 1769 and 1773, appearing in Berault's catalogue of 1773 (Devriès-Lesureno. 7) but not of 1769 (no. 6).","Contents\n \n SONATA I\n D\n \n \n Allegro\n C\n \n \n Adagio\n 2/4\n \n \n Andante\n gratioso\n Con\n Variationi\n \n \n 2/4\n \n \n \n \n SONATA II\n F\n \n \n Allegro\n 2/4\n \n \n Adagio\n C|\n \n \n Tempo di Minuetto\n 3/8\n \n \n \n \n SONATA III\n G\n \n \n Allegro\n 2/4\n \n \n Adagio\n 2/4\n \n \n Minuetto Con\n Variationi\n \n \n 3/4\n \n \n \n \n SONATA IV\n C\n \n \n Allegro\n C\n \n \n Adagio\n 3/4\n \n \n Tempo di Minuetto\n 3/4\n \n \n \n \n SONATA V\n B♭\n \n \n Allegro Moderato\n 2/4\n \n \n Adagio\n 2/4\n \n \n Tempo di Minuetto\n 3/4\n \n \n \n \n SONATA VI\n D\n \n \n Allegro\n 3/4\n \n \n Adagio\n 2/4\n \n \n Minuetto\n 3/4","M219.C82 1770"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1775"],"unitdate_other_ssim":["1775"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":342,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Score, quarto, 284x209 (290x215): Title, verso blank. Catalogue [Devriès-Lesure no. 9], [1]. Music, pp. 2-7. Blank, [8]. Music, pp. 9-22. Blank, [23]. Music, pp. 24-28. Blank, [29]. Music, pp. 30-39. 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Originally published between 1769 and 1773, appearing in Berault's catalogue of 1773 (\u003cref target=\"Devriès-Lesure\"\u003eDevriès-Lesure\u003c/ref\u003eno. 7) but not of 1769 (no. 6).\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Issued with catalogue of the same date. 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1689/1827","mackay-smith","There are no restrictions.","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","[]","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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(Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"access_terms_ssm":["[]"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"prefercite_html_tesm":["\u003cp\u003e[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["[Title], [Date]. Small Special Collections Library, University of Virginia, Charlottesville, Va."],"userestrict_html_tesm":["\u003cp\u003e[]\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["[]"],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. 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