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Gratioso 3/4 Allegro Presto 6/8 DUETTO IV A Allegro 2/4 Andante C [ Allegro : from Violino Secondo] 3/8 DUETTO V e Allegro C Rondau Gratioso C Allegro 6/8 DUETTO VI G Allegro C Adagio 2/4 Rondau Allegro 2/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM287.G91 1760\u003c/physloc\u003e"],"physloc_tesim":["M287.G91 1760"],"_nest_path_":"/components#127","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eDUETTO I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e46194\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. 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Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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[Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. 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Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c130#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e46824\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e46832\"\u003e\n\u003cabbr\u003eGratioso\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46842\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e46862\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46870\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46878\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e46898\"\u003eAllegro\u003cabbr\u003eStacato\u003c/abbr\u003e2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46909\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e46917\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e46937\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e46945\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e46953\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e46974\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e46982\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e46990\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e47010\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e47018\"\u003eMusette3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e47026\"\u003eGiga6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c130#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c130","ref_ssm":["viumu_mackay-smith_c130"],"id":"viumu_mackay-smith_c130","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","SEI SONATE A VIOLINO É BASSO COMPOSTE Dall Sigr. Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY.","Score, quarto, 258x190 (266x200): Title, verso blank. \"CATALOGUE des oeuvres apartenant au Sr. Moria qui Se vendent Chez lui, près la Comédie françoise au Dieu de l'Harmonie Et aux adrèsse ordinaires de Musique\", p. [1]. Music, pp. 2-25. Blank, [26]. Bound with nos. 133 and 134.","Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Giardini, Felice, 1716-1796","Bayard, Marc, d. 1782","Castagnery, Mlle. 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Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY."],"unitdate_other_ssim":["ca. 1750"],"normalized_date_ssm":["1750"],"normalized_title_ssm":["SEI SONATE A VIOLINO É BASSO COMPOSTE Dall Sigr. Felice DEGIARDINO Virtuoso di Camera di S. Mil Re di Polonia duca di Bar et: et: DEDICATE All' Merito Sublime Dell Illmo. Sigor. Conte Turpin Brigadiere dell. Armata di S. M. Cristma Colonello d'un Regimento D'ussari OPERA Ia. Prix en blanc 6tt. A PARIS Chez Monsieur Bayard, rue S. Honoré a la Regle d'Or Mr. le Clerc, rue du Roule a la Croix d'Or Mlle. Castagnierie rüe des Prouvairs Mr. Menu, a la Clef d'Or rue du Roule. AVEC PRIVILEGE DU ROY."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Score, quarto, 258x190 (266x200): Title, verso blank. \"CATALOGUE des oeuvres apartenant au Sr. Moria qui Se vendent Chez lui, près la Comédie françoise au Dieu de l'Harmonie Et aux adrèsse ordinaires de Musique\", p. [1]. Music, pp. 2-25. Blank, [26]. Bound with nos. 133 and 134."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":464,"date_range_isim":[1750],"names_ssim":["Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Giardini, Felice, 1716-1796","Bayard, Marc, d. 1782","Castagnery, Mlle. 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Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                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1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c130"}},{"id":"viumu_mackay-smith_c164","type":"Item","attributes":{"title":"SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c164#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Carcani SONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e58650\"\u003eAndanteC|\u003c/li\u003e\n\u003cli id=\"mvtd1e58658\"\u003eAllegro assai2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58666\"\u003eMinuet2/4[recte:3/4]\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Jomelli SONATA II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e58690\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e58698\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58706\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Jomelli SONATA III\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e58726\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e58734\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58742\"\u003eMinuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. S. Martini SONATA IV\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e58762\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58770\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58778\"\u003eMinuet3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Jomelli SONATA V\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e58799\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e58807\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58815\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Sigr. Jomelli SONATA VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e58835\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e58843\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e58851\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c164#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c164","ref_ssm":["viumu_mackay-smith_c164"],"id":"viumu_mackay-smith_c164","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme","Three parts, quarto, 236x177 (245x186): Flauto Primo: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Flauto Secondo: Title, verso blank. Blank, [1]. Music, pp. 2-11. Blank, [12]. Pages 3-6 and 8-11 have heading: \"Flauto Sdo.\". Basso: Title, verso blank. Blank, [1]. Music, pp. 2-8.","Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Jommelli, Nicolò, 1714-1774","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Castagnery, Mlle. (Marie-Anne), 1722-1782","De Brotonne, Étienne, ca. 1707-1757","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Chinzer, Giuseppe, fl. 1745","Vendôme, Marie-Charlotte","Jommelli, Nicolò, 1714-1774","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Castagnery, Mlle. (Marie-Anne), 1722-1782","De Brotonne, Étienne, ca. 1707-1757","Le Clerc, Mr.","Le Clerc, Jean-Pantaléon, d. 1759","Chinzer, Giuseppe, fl. 1745","Vendôme, Marie-Charlotte","Paris (France)","Lyon (France)","Minuet","C","D","G","2/4","3/4","3/8","C|","Adagio","Allegro","Allegro assai","Andante","Largo","Minuet","Minuetto","BUCEM","For another edition of these works, see nos. 163 and 164 .","Contents Del Sigr. Carcani SONATA I D Andante C| Allegro assai 2/4 Minuet 2/4 [recte: 3/4 ] Del Sigr. Jomelli SONATA II G Largo C Allegro 2/4 Minuetto 3/4 Del Sigr. Jomelli SONATA III D Andante C Allegro 2/4 Minuet 3/8 Del Sigr. S. Martini SONATA IV G Andante 2/4 Allegro 2/4 Minuet 3/4 Del Sigr. Jomelli SONATA V C Largo C Allegro 2/4 Allegro 3/8 Del Sigr. Jomelli SONATA VI D Andante C Adagio 3/4 Allegro 3/8","M361.S45 1750"],"title_filing_ssi":"SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme","title_ssm":["SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. Vandôme"],"title_tesim":["SEI SONATE À Tre con due Flauti Traversieri e Basso DI DIFERENTI AUTORI. FAIT GRAVÉ PAR Mr. CHINZER Prix en blanc 6tt. A PARIS Chez Madame Boivin rüe St. Honoré à la Regle d'Or, Mr. le Clerc rüe du Roule à la Croix d'Or, Mlle. Castagneri rüe des Prouvairs, A LION Mr. De Bretonne rüe Merciere AVEC PRIVILEGE DU ROI. Gravé par Mlle. 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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               \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c164"}},{"id":"viumu_mackay-smith_c211","type":"Item","attributes":{"title":"SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. 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Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s.","Three parts, folio, 262x191 (272x203): Violino Primo: Title, verso catalogue [Johansson/French, v. 2, p. 79, Cat. No. I]. Catalogue [Johansson/French, v. 2, p. 79, Cat. No. II], p. [1]. Music, pp. 2-14. Violino Secondo: Title, [1]. Music, pp. 2-14. Basso: Same as Violino Secondo. 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Originally published in 1761, announced in Annonces, affiches et avis divers , August 17, 1761 ( Lesure/Catalogue , p. 518).","Contents TRIO I G [Z. 47] Andante C Allo. assai 2/4 Grazioso 3/8 TRIO II F [Z. 48] Adagio C Presto 2/4 Minuetto 3/4 TRIO III C [Z. 49] Andante C Presto 2/4 Grazioso 3/4 TRIO IV B♭ [Z. 50] Andante C Presto 2/4 Grazioso 3/4 TRIO V A [Z. 51] Allegro C| Grazioso 3/4 TRIO VI C [Z. 52] Andante 2/4 Allo. assai C| Minuetto 3/4 Caccia All. 6/8","M312.4.P96 1760"],"title_filing_ssi":"SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s.","title_ssm":["SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s."],"title_tesim":["SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. Prix 7tt. 4s."],"unitdate_other_ssim":["1774"],"normalized_date_ssm":["1774"],"normalized_title_ssm":["SEI TRIÒ A DUE VIOLINI, E BASSO DEDICATI A Sua Altezza Reale Il Signor. Duca di Savoia DA GAETANO PUGNANI OPERA PRIMA A PARIS Chez a Lion Mr de la Chevardiere rue du roule à la Croix d'Or Et aux adresses ordinaires. Mrs les Freres le Goux place des Cordéliers. 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Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c211"}},{"id":"viumu_mackay-smith_c188","type":"Item","attributes":{"title":"SIX SONATES EN TRIO Pour deux Violons et Basse DÉDIÉES A Milord John lord VISCOUNT BATEMAN PAR Mr. MARTIN. ŒUVRE IER. Gravé par Melle. Laymon. Prix 6 tt. A PARIS Chez Mr. Le Clerc, rüe St. Honoré vis a vis l'Oratoire chez le Bonnetier. Mr. Le Clerc, Md. rüe du Roule à la Croix d'Or. Madame Boivin, Mde. rüe St. Honoré à la Regle d'Or. AVEC PRIVILEGE DU ROY.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c188#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e66897\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e66905\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e66913\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e66933\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e66941\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e66949\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e66969\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e66977\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e66985\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e67005\"\u003eGraveC|-AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67019\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67027\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e67048\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67056\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67064\"\u003eGiga Allegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e67084\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67092\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67100\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c188#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c188","ref_ssm":["viumu_mackay-smith_c188"],"id":"viumu_mackay-smith_c188","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","SIX SONATES EN TRIO Pour deux Violons et Basse DÉDIÉES A Milord John lord VISCOUNT BATEMAN PAR Mr. MARTIN. ŒUVRE IER. Gravé par Melle. Laymon. Prix 6 tt. A PARIS Chez Mr. Le Clerc, rüe St. Honoré vis a vis l'Oratoire chez le Bonnetier. Mr. Le Clerc, Md. rüe du Roule à la Croix d'Or. Madame Boivin, Mde. rüe St. Honoré à la Regle d'Or. AVEC PRIVILEGE DU ROY.","Three parts, quarto, 238x179 (246x184): VIOLINO PRIMO: Title, verso blank. Letter of dedication, verso blank, [i-ii]. Blank, [1]. Music, pp. 2-13. Blank, [14]. VIOLINO SECONDO: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. BASSO: Same as VIOLINO SECONDO. Bottom of first page of music of VIOLINO PRIMO SIGNED: \"F. Martin\". Bound with nos. 25, 136, 201, 202, and 235.","Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Martin, François, 1727-1757","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Mr.","Le Clerc, Charles-Nicolas, 1697-1774","Le Clerc, Jean-Pantaléon, d. 1759","Laymon, Mademoiselle, fl. 1743-1752","Martin, François, 1727-1757","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Mr.","Le Clerc, Charles-Nicolas, 1697-1774","Le Clerc, Jean-Pantaléon, d. 1759","Laymon, Mademoiselle, fl. 1743-1752","Paris (France)","Jig","Minuet","A","B♭","C","F","G","E","2/4","3/4","3/8","6/8","C|","Allegro","Andante","Giga allegro","Grave","Largo","Minuetto","Appears in Le Clerc's catalogue of 1744 ( Devriès , p. 222).","Contents SONATA I F Allegro 3/4 Andante 2/4 Allegro 3/8 SONATA II e Allegro C Andante 2/4 Allegro 3/4 SONATA III B♭ Allegro C| Largo 3/4 Allegro 3/8 SONATA IV C Grave C| - Allegro C Andante 2/4 Allegro 3/4 SONATA V A Allegro 3/4 Andante 2/4 Giga Allegro 6/8 SONATA VI G Allegro C Andante 3/4 Minuetto 3/4","M312.4.T7 1740"],"title_filing_ssi":"SIX SONATES EN TRIO Pour deux Violons et Basse DÉDIÉES A Milord John lord VISCOUNT BATEMAN PAR Mr. MARTIN. ŒUVRE IER. Gravé par Melle. Laymon. Prix 6 tt. A PARIS Chez Mr. Le Clerc, rüe St. Honoré vis a vis l'Oratoire chez le Bonnetier. 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                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1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c188"}},{"id":"viumu_mackay-smith_c98","type":"Item","attributes":{"title":"SIX SONATES EN TRIO POUR LES VIOLONS FLUTES TE BASSE CONTINUE PAR HENRY JACQUES DE CROES ŒURE VE. Gravées par Melle. Michelon. Prix 6tt SE VEND A PARIS Chez Mr. Le Clerc Md. Rue du Roule à la Croix d'Or. Mme. Boivin Mde. Rue St. Honoré à la Régle d'Or. AVEC PRIVILÉGE DU ROY.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c98#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e35643\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e35651\"\u003eAffectuoso e\u003cabbr\u003eGratioso\u003c/abbr\u003e3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e35662\"\u003eTempo di minuetto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e35682\"\u003eAllegro ma non PrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e35690\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e35698\"\u003eTempo di minuetto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e35718\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e35726\"\u003eArioso Andante3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e35734\"\u003eAllegro2\u003c/li\u003e\n\u003cli id=\"mvtd1e35742\"\u003eTempo di menuetto3\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e35762\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e35770\"\u003eAndante e cantabile2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e35778\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e35799\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e35807\"\u003e\n\u003cabbr\u003eLargetto\u003c/abbr\u003e3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e35817\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e35837\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e35845\"\u003eFuga allegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e35853\"\u003eGrave2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e35861\"\u003eAllegro3\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c98#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c98","ref_ssm":["viumu_mackay-smith_c98"],"id":"viumu_mackay-smith_c98","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","SIX SONATES EN TRIO POUR LES VIOLONS FLUTES TE BASSE CONTINUE PAR HENRY JACQUES DE CROES ŒURE VE. Gravées par Melle. Michelon. Prix 6tt SE VEND A PARIS Chez Mr. Le Clerc Md. Rue du Roule à la Croix d'Or. Mme. Boivin Mde. Rue St. Honoré à la Régle d'Or. AVEC PRIVILÉGE DU ROY.","Three parts, quarto, 258x194 (265x201): Violino Primo: Title, verso blank. Music, pp. 1-12. Blank, [13]. Music, pp. 14-16. Blank, [17]. Music, pp. 18-20. Violino Secondo: Title, verso blank. Music, pp. 1-5. Blank, [6]. Music, pp. 7-12. Blank, [13]. Music, pp. 14-16. Blank, [17]. Music, pp. 18-19. Blank, [20]. Basso: Title, [1]. Music, pp. 2-5. Blank, [6]. Music, pp. 7-16. All three title-pages signed: \"Bateman 1746\".","Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Paris (France)","Arioso","Fugue","Minuet","F","G","A","D","2","2/4","3","3/8","C","Adagio","Affectuoso e grazioso","Allegro","Allegro ma non presto","Andante e cantabile","Arioso andante","Fuga allegro","Grave","Larghetto","Largo","Tempo di menuetto","Tempo di minuetto","Le Clerc lists the composer's op. 4 in his catalogue of 1762 ( Devriès-Lesure no. 132) and op. 6 in his catalogue of 1768 (no. 133).","Contents SONATA I a Allegro 2/4 Affectuoso e Gratioso 3/8 Tempo di minuetto 3/8 SONATA II G Allegro ma non Presto C Adagio C Tempo di minuetto 3/8 SONATA III F Allegro C Arioso Andante 3/8 Allegro 2 Tempo di menuetto 3 SONATA IV g Allegro C Andante e cantabile 2/4 Allegro C SONATA V F Allegro C Largetto 3/8 Allegro C SONATA VI d Largo C Fuga allegro C Grave 2/4 Allegro 3","M312.4.C784 1700z"],"title_filing_ssi":"SIX SONATES EN TRIO POUR LES VIOLONS FLUTES TE BASSE CONTINUE PAR HENRY JACQUES DE CROES ŒURE VE. Gravées par Melle. Michelon. Prix 6tt SE VEND A PARIS Chez Mr. Le Clerc Md. Rue du Roule à la Croix d'Or. Mme. Boivin Mde. Rue St. Honoré à la Régle d'Or. AVEC PRIVILÉGE DU ROY.","title_ssm":["SIX SONATES EN TRIO POUR LES VIOLONS FLUTES TE BASSE CONTINUE PAR HENRY JACQUES DE CROES ŒURE VE. Gravées par Melle. Michelon. Prix 6tt SE VEND A PARIS Chez Mr. Le Clerc Md. Rue du Roule à la Croix d'Or. Mme. Boivin Mde. Rue St. Honoré à la Régle d'Or. AVEC PRIVILÉGE DU ROY."],"title_tesim":["SIX SONATES EN TRIO POUR LES VIOLONS FLUTES TE BASSE CONTINUE PAR HENRY JACQUES DE CROES ŒURE VE. Gravées par Melle. Michelon. Prix 6tt SE VEND A PARIS Chez Mr. Le Clerc Md. Rue du Roule à la Croix d'Or. Mme. Boivin Mde. Rue St. Honoré à la Régle d'Or. AVEC PRIVILÉGE DU ROY."],"unitdate_other_ssim":["Between 1762 and 1768"],"normalized_date_ssm":["1762/1768"],"normalized_title_ssm":["SIX SONATES EN TRIO POUR LES VIOLONS FLUTES TE BASSE CONTINUE PAR HENRY JACQUES DE CROES ŒURE VE. Gravées par Melle. Michelon. Prix 6tt SE VEND A PARIS Chez Mr. Le Clerc Md. Rue du Roule à la Croix d'Or. Mme. Boivin Mde. Rue St. Honoré à la Régle d'Or. AVEC PRIVILÉGE DU ROY."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, quarto, 258x194 (265x201): Violino Primo: Title, verso blank. Music, pp. 1-12. Blank, [13]. Music, pp. 14-16. Blank, [17]. Music, pp. 18-20. Violino Secondo: Title, verso blank. Music, pp. 1-5. Blank, [6]. Music, pp. 7-12. Blank, [13]. Music, pp. 14-16. Blank, [17]. Music, pp. 18-19. Blank, [20]. Basso: Title, [1]. Music, pp. 2-5. Blank, [6]. Music, pp. 7-16. All three title-pages signed: \"Bateman 1746\"."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":356,"date_range_isim":[1762,1763,1764,1765,1766,1767,1768],"names_ssim":["Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle."],"corpname_ssim":["Croix d'Or","Règle d'Or"],"persname_ssim":["Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle."],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Arioso","Fugue","Minuet","F","G","A","D","2","2/4","3","3/8","C","Adagio","Affectuoso e grazioso","Allegro","Allegro ma non presto","Andante e cantabile","Arioso andante","Fuga allegro","Grave","Larghetto","Largo","Tempo di menuetto","Tempo di minuetto"],"access_subjects_ssm":["Arioso","Fugue","Minuet","F","G","A","D","2","2/4","3","3/8","C","Adagio","Affectuoso e grazioso","Allegro","Allegro ma non presto","Andante e cantabile","Arioso andante","Fuga allegro","Grave","Larghetto","Largo","Tempo di menuetto","Tempo di minuetto"],"bibliography_html_tesm":["\u003cp\u003eLe Clerc lists the composer's op. 4 in his catalogue of 1762 (\u003cref target=\"Devriès-Lesure\"\u003eDevriès-Lesure\u003c/ref\u003eno. 132) and op. 6 in his catalogue of 1768 (no. 133).\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Le Clerc lists the composer's op. 4 in his catalogue of 1762 ( Devriès-Lesure no. 132) and op. 6 in his catalogue of 1768 (no. 133)."],"scopecontent_tesim":["Contents SONATA I a Allegro 2/4 Affectuoso e Gratioso 3/8 Tempo di minuetto 3/8 SONATA II G Allegro ma non Presto C Adagio C Tempo di minuetto 3/8 SONATA III F Allegro C Arioso Andante 3/8 Allegro 2 Tempo di menuetto 3 SONATA IV g Allegro C Andante e cantabile 2/4 Allegro C SONATA V F Allegro C Largetto 3/8 Allegro C SONATA VI d Largo C Fuga allegro C Grave 2/4 Allegro 3"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.C784 1700z\u003c/physloc\u003e"],"physloc_tesim":["M312.4.C784 1700z"],"_nest_path_":"/components#97","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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[Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. 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DEDIÉES À Mr. DE MARANS LE FILS. Par Mr. PAGANELLI Compositeur des Opera Italiens de S. A. S. Monseigneur le Duc Regnant de Brunswick Lunebourg. ŒUVRE PREMIER. Gravé par L. Hüe Prix 6tt. A PARIS Chez Mr. le Clerc le cadet rue St. Honoré près l'Oratoire Le Sr. le Clerc Md. rue du Roule à la Croix d'Or. Madame Boivin Mde. rue St. Honoré à ls Regle d'Or. AVEC PRIVILEGE DU ROI.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c198#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e69861\"\u003eAllegro con SpiritoC\u003c/li\u003e\n\u003cli id=\"mvtd1e69869\"\u003eAndantinoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e69877\"\u003eMinuet3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e69897\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e69905\"\u003eCantabile3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e69913\"\u003ePresto6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e69933\"\u003eStaccattoC-A CappellaC|\u003c/li\u003e\n\u003cli id=\"mvtd1e69947\"\u003eAndantino2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e69955\"\u003eMinuet3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e69975\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e69983\"\u003eRondeau Larghetto, et\u003cabbr\u003eGratioso\u003c/abbr\u003eC|\u003c/li\u003e\n\u003cli id=\"mvtd1e69994\"\u003ePresto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e70015\"\u003eAllegro assai3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e70023\"\u003eAndante ModeratoC\u003c/li\u003e\n\u003cli id=\"mvtd1e70031\"\u003ePresto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e70051\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e70059\"\u003eMezzo Adagio2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e70067\"\u003eMinuet3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c198#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c198","ref_ssm":["viumu_mackay-smith_c198"],"id":"viumu_mackay-smith_c198","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","SIX SONATES En Trio Pour une Flûte, Violon, et Basse. DEDIÉES À Mr. DE MARANS LE FILS. Par Mr. PAGANELLI Compositeur des Opera Italiens de S. A. S. Monseigneur le Duc Regnant de Brunswick Lunebourg. ŒUVRE PREMIER. Gravé par L. Hüe Prix 6tt. A PARIS Chez Mr. le Clerc le cadet rue St. Honoré près l'Oratoire Le Sr. le Clerc Md. rue du Roule à la Croix d'Or. Madame Boivin Mde. rue St. Honoré à ls Regle d'Or. AVEC PRIVILEGE DU ROI.","Three parts, quarto, 235x170 (246x180): Flauto: Title, verso blank. Letter of dedication, verso blank. [i-ii]. Catalogue [see Notes, below], p. [1]. Music, pp. 2-13. Blank, [14]. Violino: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Basso: Same as Violino. Bound with nos. 25, 136, 190, 202, and 235.","Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Le Clerc, Charles-Nicolas, 1697-1774","Le Clerc, Jean-Pantaléon, d. 1759","Hüe, L.","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Le Clerc, Charles-Nicolas, 1697-1774","Le Clerc, Jean-Pantaléon, d. 1759","Hüe, L.","Paris (France)","Minuet","Rondo","A","C","D","G","E","2/4","3/4","3/8","6/8","C|","A cappella","Allegro","Allegro assai","Allegro con spirito","Andante moderato","Andantino","Cantabile","Mezzo adagio","Minuet","Presto","Rondeau larghetto et grazioso","Staccatto","Appears in Le Clerc's catalogue of the same date ( Devriès , p. 235) and issued with catalogue of the same date (see Notes, below).","The catalogue is not listed in Devriès but falls between Le Clerc's catalogue no. 2 (issued December 1740) and no. 3 (issued between 1741 and September 1742).","","Contents SONATA I D Allegro con Spirito C Andantino C| Minuet 3/4 SONATA II a Allegro C Cantabile 3/4 Presto 6/8 SONATA III G Staccatto C - A Cappella C| Andantino 2/4 Minuet 3/4 SONATA IV C Allegro C| Rondeau Larghetto, et Gratioso C| Presto 3/8 SONATA V e Allegro assai 3/8 Andante Moderato C Presto 2/4 SONATA VI A Allegro C Mezzo Adagio 2/4 Minuet 3/4","M312.4.T7 1740"],"title_filing_ssi":"SIX SONATES En Trio Pour une Flûte, Violon, et Basse. DEDIÉES À Mr. DE MARANS LE FILS. Par Mr. PAGANELLI Compositeur des Opera Italiens de S. A. S. Monseigneur le Duc Regnant de Brunswick Lunebourg. ŒUVRE PREMIER. Gravé par L. Hüe Prix 6tt. A PARIS Chez Mr. le Clerc le cadet rue St. Honoré près l'Oratoire Le Sr. le Clerc Md. rue du Roule à la Croix d'Or. Madame Boivin Mde. rue St. Honoré à ls Regle d'Or. AVEC PRIVILEGE DU ROI.","title_ssm":["SIX SONATES En Trio Pour une Flûte, Violon, et Basse. DEDIÉES À Mr. DE MARANS LE FILS. Par Mr. PAGANELLI Compositeur des Opera Italiens de S. A. S. Monseigneur le Duc Regnant de Brunswick Lunebourg. ŒUVRE PREMIER. Gravé par L. Hüe Prix 6tt. A PARIS Chez Mr. le Clerc le cadet rue St. Honoré près l'Oratoire Le Sr. le Clerc Md. rue du Roule à la Croix d'Or. Madame Boivin Mde. rue St. Honoré à ls Regle d'Or. AVEC PRIVILEGE DU ROI."],"title_tesim":["SIX SONATES En Trio Pour une Flûte, Violon, et Basse. DEDIÉES À Mr. DE MARANS LE FILS. Par Mr. PAGANELLI Compositeur des Opera Italiens de S. A. S. Monseigneur le Duc Regnant de Brunswick Lunebourg. ŒUVRE PREMIER. Gravé par L. Hüe Prix 6tt. A PARIS Chez Mr. le Clerc le cadet rue St. Honoré près l'Oratoire Le Sr. le Clerc Md. rue du Roule à la Croix d'Or. Madame Boivin Mde. rue St. Honoré à ls Regle d'Or. AVEC PRIVILEGE DU ROI."],"unitdate_other_ssim":["ca. 1741-1742"],"normalized_date_ssm":["1741/1742"],"normalized_title_ssm":["SIX SONATES En Trio Pour une Flûte, Violon, et Basse. DEDIÉES À Mr. DE MARANS LE FILS. Par Mr. PAGANELLI Compositeur des Opera Italiens de S. A. S. Monseigneur le Duc Regnant de Brunswick Lunebourg. ŒUVRE PREMIER. Gravé par L. Hüe Prix 6tt. A PARIS Chez Mr. le Clerc le cadet rue St. Honoré près l'Oratoire Le Sr. le Clerc Md. rue du Roule à la Croix d'Or. Madame Boivin Mde. rue St. Honoré à ls Regle d'Or. AVEC PRIVILEGE DU ROI."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, quarto, 235x170 (246x180): Flauto: Title, verso blank. Letter of dedication, verso blank. [i-ii]. Catalogue [see Notes, below], p. [1]. Music, pp. 2-13. Blank, [14]. Violino: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Basso: Same as Violino. Bound with nos. 25, 136, 190, 202, and 235."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":711,"date_range_isim":[1741,1742],"names_ssim":["Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Boivin, Mme. 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c198"}},{"id":"viumu_mackay-smith_c104","type":"Item","attributes":{"title":"SIX SONATES POUR Le Violoncelle OU Violon et Basse DÉDIÉES A Son Altesse Sérénissime Monseigneur LE PRINCE DE CONTY COMPOSÉES PAR MR DUPORT De la Musique de son Altesse. Mis au jour par MR. DE LA CHEVARDIERE. Gravé par Madme. Oger. Prix 7tt. 4s. A PARIS Chez Mr. De la Chevardiere Md. de Musique du Roi, ruë du Roule à la Croix d'Or, Et aux adresses ordinaires de Musique. 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AVEC PRIVILEGE DU ROI.","title_ssm":["SIX SONATES POUR Le Violoncelle OU Violon et Basse DÉDIÉES A Son Altesse Sérénissime Monseigneur LE PRINCE DE CONTY COMPOSÉES PAR MR DUPORT De la Musique de son Altesse. Mis au jour par MR. DE LA CHEVARDIERE. Gravé par Madme. Oger. Prix 7tt. 4s. A PARIS Chez Mr. De la Chevardiere Md. de Musique du Roi, ruë du Roule à la Croix d'Or, Et aux adresses ordinaires de Musique. AVEC PRIVILEGE DU ROI."],"title_tesim":["SIX SONATES POUR Le Violoncelle OU Violon et Basse DÉDIÉES A Son Altesse Sérénissime Monseigneur LE PRINCE DE CONTY COMPOSÉES PAR MR DUPORT De la Musique de son Altesse. Mis au jour par MR. DE LA CHEVARDIERE. Gravé par Madme. Oger. Prix 7tt. 4s. A PARIS Chez Mr. De la Chevardiere Md. de Musique du Roi, ruë du Roule à la Croix d'Or, Et aux adresses ordinaires de Musique. 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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[Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. 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DEDICATA al ALTEZZA REALE di FREDERICO Principe di Wallia Et Elettorale di Brunswik. da GIUSEPPE SAN MARTINI. MILANESE. OPERA PRIMA. Gravé par Labassée. Prix 6tt. A PARIS CHEZ Mr. Le Clerc le Cadet rue St. Honoré vis a vis l'Oratoire Chés le Bonnetier au Second. Le Sr. Le Clerc Marchand rue du Roule a la Croix d'Or. Madame Boivin Marchande rue St. Honoré a la Regle d'Or. Avec Privilege du Roy.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c231#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e79055\"\u003eAndante StacatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79063\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e79071\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e79079\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e79099\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e79107\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e79115\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79123\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e79143\"\u003eAndante ed Amoroso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79151\"\u003eAllegro AssaiC\u003c/li\u003e\n\u003cli id=\"mvtd1e79159\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e79167\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e79187\"\u003eSpiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79195\"\u003eAndante12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e79203\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e79224\"\u003eAndante AffettuosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79232\"\u003eAllegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e79240\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79248\"\u003eMinuet Allegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e79268\"\u003e\n\u003cabbr\u003eCon spirito\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e79278\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79286\"\u003eAndante è\u003cabbr\u003eStacato\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79297\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c231#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c231","ref_ssm":["viumu_mackay-smith_c231"],"id":"viumu_mackay-smith_c231","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","VI SONATE A TRE Due Flauti col Basso. DEDICATA al ALTEZZA REALE di FREDERICO Principe di Wallia Et Elettorale di Brunswik. da GIUSEPPE SAN MARTINI. MILANESE. OPERA PRIMA. Gravé par Labassée. Prix 6tt. A PARIS CHEZ Mr. Le Clerc le Cadet rue St. Honoré vis a vis l'Oratoire Chés le Bonnetier au Second. Le Sr. Le Clerc Marchand rue du Roule a la Croix d'Or. Madame Boivin Marchande rue St. Honoré a la Regle d'Or. Avec Privilege du Roy.","Three parts, quarto, 250x179 (258x183): Flauto Traversiere Primo: Title, verso blank. Catalogue [see Notes, below], p. [1]. Music, pp. 2-15. Blank, [16]. Flauto Traversiere Secondo: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Basso: Title, verso blank. Blank, [1]. Music, pp. 2-14. Bound with nos. 25, 136, 190, 201, 202, and 235.","Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Le Clerc, Le Sr.","Le Clerc, le cadet","Le Clerc, Jean-Pantaléon, d. 1759","Le Clerc, Charles-Nicolas, 1697-1774","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Labassée, Mme.","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Le Clerc, Le Sr.","Le Clerc, le cadet","Le Clerc, Jean-Pantaléon, d. 1759","Le Clerc, Charles-Nicolas, 1697-1774","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Labassée, Mme.","Paris (France)","Minuet","C","D","G","B","12/8","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro assai","Andante","Andante affettuoso","Andante stacato","Andante ed amoroso","Andante è staccato","Con spirito","Minuet allegro","Spiritoso","Issued with catalogue of the same date (see Notes, below). Originally published in 1740, announced in Mercure de France, December, 1740 ( Lesure/Catalogue , p. 562.); also appears in Le Clerc's catalogue of 1740 ( Devriès , p. 250).","The catalogue is not listed in Devriès but falls between Le Clerc's catalogue no. 4 (issued August 1743) and no. 5 (issued 1744).","Contents SONATA I D Andante Stacato C Allegro C Adagio C Allegro 3/4 SONATA II G Andante C Allegro 3/8 Adagio 3/4 Allegro C| SONATA III C Andante ed Amoroso 3/4 Allegro Assai C Adagio C Allegro 3/4 SONATA IV G Spiritoso C Andante 12/8 Allegro 3/4 SONATA V c Andante Affettuoso C Allegro 6/8 Andante 3/4 Minuet Allegro 3/8 SONATA VI b Con spirito C Allegro 2/4 Andante è Stacato 3/4 Allegro C|","M312.4.T7 1740"],"title_filing_ssi":"VI SONATE A TRE Due Flauti col Basso. DEDICATA al ALTEZZA REALE di FREDERICO Principe di Wallia Et Elettorale di Brunswik. da GIUSEPPE SAN MARTINI. MILANESE. OPERA PRIMA. Gravé par Labassée. Prix 6tt. A PARIS CHEZ Mr. Le Clerc le Cadet rue St. Honoré vis a vis l'Oratoire Chés le Bonnetier au Second. Le Sr. Le Clerc Marchand rue du Roule a la Croix d'Or. Madame Boivin Marchande rue St. Honoré a la Regle d'Or. Avec Privilege du Roy.","title_ssm":["VI SONATE A TRE Due Flauti col Basso. DEDICATA al ALTEZZA REALE di FREDERICO Principe di Wallia Et Elettorale di Brunswik. da GIUSEPPE SAN MARTINI. MILANESE. OPERA PRIMA. Gravé par Labassée. Prix 6tt. A PARIS CHEZ Mr. Le Clerc le Cadet rue St. Honoré vis a vis l'Oratoire Chés le Bonnetier au Second. Le Sr. Le Clerc Marchand rue du Roule a la Croix d'Or. Madame Boivin Marchande rue St. Honoré a la Regle d'Or. Avec Privilege du Roy."],"title_tesim":["VI SONATE A TRE Due Flauti col Basso. DEDICATA al ALTEZZA REALE di FREDERICO Principe di Wallia Et Elettorale di Brunswik. da GIUSEPPE SAN MARTINI. MILANESE. OPERA PRIMA. Gravé par Labassée. Prix 6tt. A PARIS CHEZ Mr. Le Clerc le Cadet rue St. Honoré vis a vis l'Oratoire Chés le Bonnetier au Second. Le Sr. Le Clerc Marchand rue du Roule a la Croix d'Or. Madame Boivin Marchande rue St. Honoré a la Regle d'Or. Avec Privilege du Roy."],"unitdate_other_ssim":["1743 or 1744"],"normalized_date_ssm":["1743/1744"],"normalized_title_ssm":["VI SONATE A TRE Due Flauti col Basso. DEDICATA al ALTEZZA REALE di FREDERICO Principe di Wallia Et Elettorale di Brunswik. da GIUSEPPE SAN MARTINI. MILANESE. OPERA PRIMA. Gravé par Labassée. Prix 6tt. A PARIS CHEZ Mr. Le Clerc le Cadet rue St. Honoré vis a vis l'Oratoire Chés le Bonnetier au Second. Le Sr. Le Clerc Marchand rue du Roule a la Croix d'Or. Madame Boivin Marchande rue St. Honoré a la Regle d'Or. Avec Privilege du Roy."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, quarto, 250x179 (258x183): Flauto Traversiere Primo: Title, verso blank. Catalogue [see Notes, below], p. [1]. Music, pp. 2-15. Blank, [16]. Flauto Traversiere Secondo: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Basso: Title, verso blank. Blank, [1]. Music, pp. 2-14. Bound with nos. 25, 136, 190, 201, 202, and 235."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":823,"date_range_isim":[1743,1744],"names_ssim":["Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Le Clerc, Le Sr.","Le Clerc, le cadet","Le Clerc, Jean-Pantaléon, d. 1759","Le Clerc, Charles-Nicolas, 1697-1774","Boivin, Mme. 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(Elisabeth-Catherine Ballard), d. 1776","Labassée, Mme."],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Minuet","C","D","G","B","12/8","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro assai","Andante","Andante affettuoso","Andante stacato","Andante ed amoroso","Andante è staccato","Con spirito","Minuet allegro","Spiritoso"],"access_subjects_ssm":["Minuet","C","D","G","B","12/8","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro assai","Andante","Andante affettuoso","Andante stacato","Andante ed amoroso","Andante è staccato","Con spirito","Minuet allegro","Spiritoso"],"bibliography_html_tesm":["\u003cp\u003eIssued with catalogue of the same date (see Notes, below). 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Originally published in 1740, announced in Mercure de France, December, 1740 ( Lesure/Catalogue , p. 562.); also appears in Le Clerc's catalogue of 1740 ( Devriès , p. 250)."],"note_html_tesm":["\u003cp\u003eThe catalogue is not listed in Devriès but falls between Le Clerc's catalogue no. 4 (issued August 1743) and no. 5 (issued 1744).\u003c/p\u003e"],"note_tesim":["The catalogue is not listed in Devriès but falls between Le Clerc's catalogue no. 4 (issued August 1743) and no. 5 (issued 1744)."],"scopecontent_tesim":["Contents SONATA I D Andante Stacato C Allegro C Adagio C Allegro 3/4 SONATA II G Andante C Allegro 3/8 Adagio 3/4 Allegro C| SONATA III C Andante ed Amoroso 3/4 Allegro Assai C Adagio C Allegro 3/4 SONATA IV G Spiritoso C Andante 12/8 Allegro 3/4 SONATA V c Andante Affettuoso C Allegro 6/8 Andante 3/4 Minuet Allegro 3/8 SONATA VI b Con spirito C Allegro 2/4 Andante è Stacato 3/4 Allegro C|"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.T7 1740\u003c/physloc\u003e"],"physloc_tesim":["M312.4.T7 1740"],"_nest_path_":"/components#230","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e79055\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante Stacato\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79063\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform 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type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e79143\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante ed Amoroso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79151\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro Assai\u003c/genreform\u003e\n                           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      \u003citem id=\"mvtd1e79297\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Alexander Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         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