{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1975\u0026page=3","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1975\u0026page=2","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1975\u0026page=4","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1975\u0026page=4"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":4,"limit_value":10,"offset_value":20,"total_count":38,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_2126","type":"collection","attributes":{"title":"Louise Hall Collection, 1893/1990","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2126#creator","type":"document_value","attributes":{"value":"Hall, Louise","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2126#abstract_or_scope","type":"document_value","attributes":{"value":"Louise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. 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Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8cafbef12fcf027733a87c8b6f8a172\" label=\"Abstract\"\u003eLouise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life.\u003c/abstract\u003e\n    "],"abstract_tesim":["Louise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Hall, Louise"],"names_coll_ssim":["Hall, Louise"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Hall, Louise"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2126"}},{"id":"viblbv_repositories_2_resources_2928","type":"collection","attributes":{"title":"Margaret (Peggy) Cochrane Architectural Collection, 1951/1990","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2928#creator","type":"document_value","attributes":{"value":"Cochrane, Margaret Ann","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2928#abstract_or_scope","type":"document_value","attributes":{"value":"Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2928#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2928","ead_ssi":"viblbv_repositories_2_resources_2928","_root_":"viblbv_repositories_2_resources_2928","_nest_parent_":"viblbv_repositories_2_resources_2928","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2928.xml","title_filing_ssi":"Cochrane, Margaret (Peggy) Architectural Collection","title_ssm":["Margaret (Peggy) Cochrane Architectural Collection"],"title_tesim":["Margaret (Peggy) Cochrane Architectural Collection"],"unitdate_ssm":["1951-1990"],"unitdate_inclusive_ssm":["1951-1990"],"normalized_date_ssm":["1951/1990"],"normalized_title_ssm":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"text":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990","Ms.2013.088","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)","Collection is open for research.","The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.","Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.","Cochrane died in 2012.","The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.","The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.","Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.","Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.","Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann","English\n."],"collection_title_tesim":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"collection_ssim":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.088"],"unitid_tesim":["Ms.2013.088"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Cochrane, Margaret Ann"],"creator_ssim":["Cochrane, Margaret Ann"],"creator_persname_ssim":["Cochrane, Margaret Ann"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Cochrane, Margaret Ann","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Margaret (Peggy) Cochrane Architectural Collection was donated to the International Archive of Women in Architecture by the creator in 2012."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["13.2 Cubic Feet"],"extent_tesim":["13.2 Cubic Feet"],"genreform_ssim":["Architecture (discipline)","Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous."],"bioghist_html_tesm":["\u003cp\u003eMargaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.\u003c/p\u003e","\u003cp\u003eSome selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  \u003c/p\u003e","\u003cp\u003eCochrane died in 2012.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.","Cochrane died in 2012."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  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Project drawings vary in size and detail, and most are residential projects in Southern California."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_230003010333c1c3706bcba2480e705a\" label=\"Abstract\"\u003eMargaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/abstract\u003e\n    "],"abstract_tesim":["Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Cochrane, Margaret Ann"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann"],"language_ssim":["English\n."],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:09.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2928","ead_ssi":"viblbv_repositories_2_resources_2928","_root_":"viblbv_repositories_2_resources_2928","_nest_parent_":"viblbv_repositories_2_resources_2928","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2928.xml","title_filing_ssi":"Cochrane, Margaret (Peggy) Architectural Collection","title_ssm":["Margaret (Peggy) Cochrane Architectural Collection"],"title_tesim":["Margaret (Peggy) Cochrane Architectural Collection"],"unitdate_ssm":["1951-1990"],"unitdate_inclusive_ssm":["1951-1990"],"normalized_date_ssm":["1951/1990"],"normalized_title_ssm":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"text":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990","Ms.2013.088","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)","Collection is open for research.","The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.","Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.","Cochrane died in 2012.","The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.","The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.","Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.","Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.","Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann","English\n."],"collection_title_tesim":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"collection_ssim":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.088"],"unitid_tesim":["Ms.2013.088"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Cochrane, Margaret Ann"],"creator_ssim":["Cochrane, Margaret Ann"],"creator_persname_ssim":["Cochrane, Margaret Ann"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Cochrane, Margaret Ann","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Margaret (Peggy) Cochrane Architectural Collection was donated to the International Archive of Women in Architecture by the creator in 2012."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["13.2 Cubic Feet"],"extent_tesim":["13.2 Cubic Feet"],"genreform_ssim":["Architecture (discipline)","Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous."],"bioghist_html_tesm":["\u003cp\u003eMargaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.\u003c/p\u003e","\u003cp\u003eSome selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  \u003c/p\u003e","\u003cp\u003eCochrane died in 2012.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.","Cochrane died in 2012."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_230003010333c1c3706bcba2480e705a\" label=\"Abstract\"\u003eMargaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/abstract\u003e\n    "],"abstract_tesim":["Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Cochrane, Margaret Ann"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann"],"language_ssim":["English\n."],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:09.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2928"}},{"id":"viblbv_repositories_2_resources_2930","type":"collection","attributes":{"title":"Marie-Louise Laleyan Architectural Collection, 1961/2007","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#creator","type":"document_value","attributes":{"value":"Laleyan, Marie-Louise, 1935-2014","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#abstract_or_scope","type":"document_value","attributes":{"value":"Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977). Photographic record of her U.S. employment (1965-1972) is also present.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2930","ead_ssi":"viblbv_repositories_2_resources_2930","_root_":"viblbv_repositories_2_resources_2930","_nest_parent_":"viblbv_repositories_2_resources_2930","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2930.xml","title_filing_ssi":"Laleyan, Marie-Louise Architectural Collection","title_ssm":["Marie-Louise Laleyan Architectural Collection"],"title_tesim":["Marie-Louise Laleyan Architectural Collection"],"unitdate_ssm":["1961-2007"],"unitdate_inclusive_ssm":["1961-2007"],"normalized_date_ssm":["1961/2007"],"normalized_title_ssm":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"text":["Marie-Louise Laleyan Architectural Collection, 1961/2007","Ms.2013.090","Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014.","The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.","The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)","Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","English\n."],"collection_title_tesim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"collection_ssim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.090"],"unitid_tesim":["Ms.2013.090"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Laleyan, Marie-Louise, 1935-2014"],"creator_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creator_persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Marie-Louise Laleyan Architectural Collection was donated to Special Collections in November 2008."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["11.3 Cubic Feet 13 boxes"],"extent_tesim":["11.3 Cubic Feet 13 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/175\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  \u003c/p\u003e","\u003cp\u003eBorn and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026amp; Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026amp; Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  \u003c/p\u003e","\u003cp\u003eAn active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  \u003c/p\u003e","\u003cp\u003eThe establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    \u003c/p\u003e","\u003cp\u003eIn 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. \u003c/p\u003e","\u003cp\u003eLaleyan died on January 21, 2014.      \t\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e\n    "],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English\n."],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:09.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2930","ead_ssi":"viblbv_repositories_2_resources_2930","_root_":"viblbv_repositories_2_resources_2930","_nest_parent_":"viblbv_repositories_2_resources_2930","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2930.xml","title_filing_ssi":"Laleyan, Marie-Louise Architectural Collection","title_ssm":["Marie-Louise Laleyan Architectural Collection"],"title_tesim":["Marie-Louise Laleyan Architectural Collection"],"unitdate_ssm":["1961-2007"],"unitdate_inclusive_ssm":["1961-2007"],"normalized_date_ssm":["1961/2007"],"normalized_title_ssm":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"text":["Marie-Louise Laleyan Architectural Collection, 1961/2007","Ms.2013.090","Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014.","The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.","The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)","Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","English\n."],"collection_title_tesim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"collection_ssim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.090"],"unitid_tesim":["Ms.2013.090"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Laleyan, Marie-Louise, 1935-2014"],"creator_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creator_persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Marie-Louise Laleyan Architectural Collection was donated to Special Collections in November 2008."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["11.3 Cubic Feet 13 boxes"],"extent_tesim":["11.3 Cubic Feet 13 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/175\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  \u003c/p\u003e","\u003cp\u003eBorn and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026amp; Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026amp; Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  \u003c/p\u003e","\u003cp\u003eAn active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  \u003c/p\u003e","\u003cp\u003eThe establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    \u003c/p\u003e","\u003cp\u003eIn 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. \u003c/p\u003e","\u003cp\u003eLaleyan died on January 21, 2014.      \t\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e\n    "],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English\n."],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:09.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2930"}},{"id":"viblbv_repositories_2_resources_2317","type":"collection","attributes":{"title":"Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#creator","type":"document_value","attributes":{"value":"Channel, Mary Brown, 1907-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#abstract_or_scope","type":"document_value","attributes":{"value":"After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"unitdate_bulk_ssim":["1936-1950"],"normalized_date_ssm":["1936/2002, bulk 1936/1950"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"text":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","Ms.2007.030","/repositories/2/resources/2317","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"collection_title_tesim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"collection_ssim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Channel, Mary Brown, 1907-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:52.444Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"unitdate_bulk_ssim":["1936-1950"],"normalized_date_ssm":["1936/2002, bulk 1936/1950"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"text":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","Ms.2007.030","/repositories/2/resources/2317","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"collection_title_tesim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"collection_ssim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Channel, Mary Brown, 1907-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:52.444Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317"}},{"id":"viblbv_repositories_2_resources_1835","type":"collection","attributes":{"title":"Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#creator","type":"document_value","attributes":{"value":"Bliznakov, Milka T., 1927-2010","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#abstract_or_scope","type":"document_value","attributes":{"value":"Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1835","ead_ssi":"viblbv_repositories_2_resources_1835","_root_":"viblbv_repositories_2_resources_1835","_nest_parent_":"viblbv_repositories_2_resources_1835","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1835.xml","title_filing_ssi":"Bliznakov, Milka T. Papers and Architectural Drawings,","title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"unitdate_ssm":["1946-2010"],"unitdate_inclusive_ssm":["1946-2010"],"normalized_date_ssm":["1946/2010"],"normalized_title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"text":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010","Ms.1991.025","Blacksburg (Va.)","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff","Collection is open for research.","This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.","Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.","The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.","This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010","The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"collection_title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"collection_ssim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.025"],"unitid_tesim":["Ms.1991.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"creator_ssm":["Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Bliznakov, Milka T., 1927-2010","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka T. Bliznakov Papers and Architectural Drawings Collection was donated to the IAWA at Special Collections in 2002 by Dr. Milka Bliznakov. Additions were made to the collection by Milka Bliznakov and Donna Dunay in 2006, 2007, 2011, and 2015."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"has_online_content_ssim":["false"],"extent_ssm":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"extent_tesim":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026amp; Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance."],"bioghist_html_tesm":["\u003cp\u003eMilka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.\u003c/p\u003e","\u003cp\u003eDuring her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.\u003c/p\u003e","\u003cp\u003eIn 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.\u003c/p\u003e","\u003cp\u003eMilka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.\u003c/p\u003e","\u003cp\u003eBliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003eWatkins, R.N. \u003ctitle render=\"italic\"\u003eThe Ideal Communist City\u003c/title\u003e. New York: Braziller, 1968.\u003c/item\u003e\n\u003citem\u003eLloyd, P. \u0026amp; Collie, K. \u003ctitle render=\"italic\"\u003eSan Francisco: a guide to recent architecture\u003c/title\u003e. London: Ellipsis, 1997.\u003c/item\u003e \n\u003citem\u003eMarkelin, U.\u003ctitle render=\"italic\"\u003eProfiles: Pioneering Women Architects from Finland\u003c/title\u003e. Museum of Finnish Architecture, 1983. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eUse of Tradition in Russian \u0026amp; Soviet Architecture\u003c/title\u003e, guest edited by Cooke, C. \u0026amp; Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987.\u003c/item\u003e \n\u003citem\u003eBrumfield, W.C.\u003ctitle render=\"italic\"\u003eReshaping Russian Architecture: Western Technology, Utopian Dreams\u003c/title\u003e. New York : Cambridge University Press, 1990. \u003c/item\u003e \n\u003citem\u003eSomaya, B., Mehta, U., \u0026amp; Hecar Foundation\u003ctitle render=\"italic\"\u003eAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000\u003c/title\u003e. Mumbai : Hecar Foundation, 2000.\u003c/item\u003e \n\u003citem\u003eKuperus, M., \u0026amp; Meinsma, H.C.\u003ctitle render=\"italic\"\u003eArchitectes\u003c/title\u003e. Amsterdam: Uitgeverij Thoth, 1990.\u003c/item\u003e \n\u003citem\u003eBoutelle, S.H. \u0026amp; Morgan, J.\u003ctitle render=\"italic\"\u003eJulia Morgan, Architect\u003c/title\u003e.  New York : Abbeville Press, 1988. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003ePoem about Trees\u003c/title\u003e.  (ISBN: 9785090245890), \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe American Glossary of Architectural Terms \u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eIllustrated Garnsey\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eLa Realidad Sovietica\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eConstruction and Reconstruction of Towns\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios I-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios II-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eRussian Formalism\u003c/title\u003e. \u003c/item\u003e \u003c/list\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4904b4be35f9a287ba5ef74319f9f5c4\" label=\"Abstract\"\u003eMilka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.\u003c/abstract\u003e\n    "],"abstract_tesim":["Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Bliznakov, Milka T., 1927-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":542,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:53.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1835","ead_ssi":"viblbv_repositories_2_resources_1835","_root_":"viblbv_repositories_2_resources_1835","_nest_parent_":"viblbv_repositories_2_resources_1835","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1835.xml","title_filing_ssi":"Bliznakov, Milka T. Papers and Architectural Drawings,","title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"unitdate_ssm":["1946-2010"],"unitdate_inclusive_ssm":["1946-2010"],"normalized_date_ssm":["1946/2010"],"normalized_title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"text":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010","Ms.1991.025","Blacksburg (Va.)","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff","Collection is open for research.","This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.","Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.","The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.","This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010","The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"collection_title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"collection_ssim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.025"],"unitid_tesim":["Ms.1991.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"creator_ssm":["Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Bliznakov, Milka T., 1927-2010","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka T. Bliznakov Papers and Architectural Drawings Collection was donated to the IAWA at Special Collections in 2002 by Dr. Milka Bliznakov. Additions were made to the collection by Milka Bliznakov and Donna Dunay in 2006, 2007, 2011, and 2015."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"has_online_content_ssim":["false"],"extent_ssm":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"extent_tesim":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026amp; Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance."],"bioghist_html_tesm":["\u003cp\u003eMilka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.\u003c/p\u003e","\u003cp\u003eDuring her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.\u003c/p\u003e","\u003cp\u003eIn 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.\u003c/p\u003e","\u003cp\u003eMilka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.\u003c/p\u003e","\u003cp\u003eBliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003eWatkins, R.N. \u003ctitle render=\"italic\"\u003eThe Ideal Communist City\u003c/title\u003e. New York: Braziller, 1968.\u003c/item\u003e\n\u003citem\u003eLloyd, P. \u0026amp; Collie, K. \u003ctitle render=\"italic\"\u003eSan Francisco: a guide to recent architecture\u003c/title\u003e. London: Ellipsis, 1997.\u003c/item\u003e \n\u003citem\u003eMarkelin, U.\u003ctitle render=\"italic\"\u003eProfiles: Pioneering Women Architects from Finland\u003c/title\u003e. Museum of Finnish Architecture, 1983. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eUse of Tradition in Russian \u0026amp; Soviet Architecture\u003c/title\u003e, guest edited by Cooke, C. \u0026amp; Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987.\u003c/item\u003e \n\u003citem\u003eBrumfield, W.C.\u003ctitle render=\"italic\"\u003eReshaping Russian Architecture: Western Technology, Utopian Dreams\u003c/title\u003e. New York : Cambridge University Press, 1990. \u003c/item\u003e \n\u003citem\u003eSomaya, B., Mehta, U., \u0026amp; Hecar Foundation\u003ctitle render=\"italic\"\u003eAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000\u003c/title\u003e. Mumbai : Hecar Foundation, 2000.\u003c/item\u003e \n\u003citem\u003eKuperus, M., \u0026amp; Meinsma, H.C.\u003ctitle render=\"italic\"\u003eArchitectes\u003c/title\u003e. Amsterdam: Uitgeverij Thoth, 1990.\u003c/item\u003e \n\u003citem\u003eBoutelle, S.H. \u0026amp; Morgan, J.\u003ctitle render=\"italic\"\u003eJulia Morgan, Architect\u003c/title\u003e.  New York : Abbeville Press, 1988. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003ePoem about Trees\u003c/title\u003e.  (ISBN: 9785090245890), \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe American Glossary of Architectural Terms \u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eIllustrated Garnsey\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eLa Realidad Sovietica\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eConstruction and Reconstruction of Towns\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios I-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios II-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eRussian Formalism\u003c/title\u003e. \u003c/item\u003e \u003c/list\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4904b4be35f9a287ba5ef74319f9f5c4\" label=\"Abstract\"\u003eMilka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.\u003c/abstract\u003e\n    "],"abstract_tesim":["Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Bliznakov, Milka T., 1927-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":542,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:53.205Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1835"}},{"id":"viblbv_repositories_2_resources_1976","type":"collection","attributes":{"title":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1976#abstract_or_scope","type":"document_value","attributes":{"value":"The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1976#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1976","ead_ssi":"viblbv_repositories_2_resources_1976","_root_":"viblbv_repositories_2_resources_1976","_nest_parent_":"viblbv_repositories_2_resources_1976","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1976.xml","title_filing_ssi":"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993","title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"normalized_date_ssm":["1934/2000"],"normalized_title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"text":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","Ms.1994.023","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","This collection is arranged by subject.","CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.","The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","Special Collections and University Archives, Virginia Tech","The materials in the collection are in English."],"collection_title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"collection_ssim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.023"],"unitid_tesim":["Ms.1994.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" collection was donated to Special Collections in August 1994."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes, 1 oversize"],"extent_tesim":["2 Cubic Feet 2 boxes, 1 oversize"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/items/show/4672\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eCARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. \u003c/p\u003e","\u003cp\u003eThe group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86d2ba0ef1b2b402a3db987ba3173c6d\" label=\"Abstract\"\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1976","ead_ssi":"viblbv_repositories_2_resources_1976","_root_":"viblbv_repositories_2_resources_1976","_nest_parent_":"viblbv_repositories_2_resources_1976","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1976.xml","title_filing_ssi":"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993","title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"normalized_date_ssm":["1934/2000"],"normalized_title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"text":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","Ms.1994.023","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","This collection is arranged by subject.","CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.","The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","Special Collections and University Archives, Virginia Tech","The materials in the collection are in English."],"collection_title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"collection_ssim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.023"],"unitid_tesim":["Ms.1994.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" collection was donated to Special Collections in August 1994."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes, 1 oversize"],"extent_tesim":["2 Cubic Feet 2 boxes, 1 oversize"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/items/show/4672\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eCARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. \u003c/p\u003e","\u003cp\u003eThe group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86d2ba0ef1b2b402a3db987ba3173c6d\" label=\"Abstract\"\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1976"}},{"id":"viblbv_repositories_2_resources_2314","type":"collection","attributes":{"title":"Natalie de Blois Architectural Collection, 1941/2013","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#creator","type":"document_value","attributes":{"value":"De Blois, Natalie, 1921-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#abstract_or_scope","type":"document_value","attributes":{"value":"The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"normalized_date_ssm":["1941/2013"],"normalized_title_ssm":["Natalie de Blois Architectural Collection, 1941/2013"],"text":["Natalie de Blois Architectural Collection, 1941/2013","Ms.2007.017","/repositories/2/resources/2314","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"collection_title_tesim":["Natalie de Blois Architectural Collection, 1941/2013"],"collection_ssim":["Natalie de Blois Architectural Collection, 1941/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017","/repositories/2/resources/2314"],"unitid_tesim":["Ms.2007.017","/repositories/2/resources/2314"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["De Blois, Natalie, 1921-2013","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:22.775Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"normalized_date_ssm":["1941/2013"],"normalized_title_ssm":["Natalie de Blois Architectural Collection, 1941/2013"],"text":["Natalie de Blois Architectural Collection, 1941/2013","Ms.2007.017","/repositories/2/resources/2314","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"collection_title_tesim":["Natalie de Blois Architectural Collection, 1941/2013"],"collection_ssim":["Natalie de Blois Architectural Collection, 1941/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017","/repositories/2/resources/2314"],"unitid_tesim":["Ms.2007.017","/repositories/2/resources/2314"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["De Blois, Natalie, 1921-2013","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:22.775Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314"}},{"id":"viblbv_repositories_2_resources_2101","type":"collection","attributes":{"title":"Nevena Kechedzhieva Architectural Drawings, 1971/1989","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2101#creator","type":"document_value","attributes":{"value":"Kechedzhieva, Nevena Stoianova, b.1927","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2101#abstract_or_scope","type":"document_value","attributes":{"value":"Architect Nevena Kechedzhieva worked for the Bulgarian State Design Organization until 1984, and now designs for private clients. The collection contains her designs for residential and commercial projects in Bulgaria, Nigeria and Yemen from 1971 to 1989.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2101#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2101","ead_ssi":"viblbv_repositories_2_resources_2101","_root_":"viblbv_repositories_2_resources_2101","_nest_parent_":"viblbv_repositories_2_resources_2101","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2101.xml","title_filing_ssi":"Kechedzhieva, Nevena, Architectural Drawings","title_ssm":["Nevena Kechedzhieva Architectural Drawings"],"title_tesim":["Nevena Kechedzhieva Architectural Drawings"],"unitdate_ssm":["1971-1989"],"unitdate_inclusive_ssm":["1971-1989"],"normalized_date_ssm":["1971/1989"],"normalized_title_ssm":["Nevena Kechedzhieva Architectural Drawings, 1971/1989"],"text":["Nevena Kechedzhieva Architectural Drawings, 1971/1989","Ms.2000.009","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Bulgaria","Women -- History","The collection is open for research.","The drawings are grouped by project and stored by size. The smaller sketches and the translated \"Sheet Identification\" information for most of the drawings are stored in the flat box. Oversize drawings for the Sunny Coast Resort in Bulgaria are stored rolled. The rest of the drawings are stored in oversize folders.","In order to provide translation information for the Bulgarian on each sheet, all the drawings stored in oversized folders have a pencil notation on the left of the title block along the bottom edge that included the initials \"IAWA\", a letter for that set of project drawings, and the sheet number. The corresponding translation for each drawing is stored in the flat box. For example, more information about the \"Attached Houses for Three Families\" in Bulgaria in folder one, marked IAWA D1 to IAWA D8, can be found by looking at the translation sheet under that code.","Nevena Stoianova Kechedzhieva was born in 1927 in Sofia, Bulgaria. She studied architecture at Sofia Polytechnic, graduating in 1951. Thereafter, she worked for the State Design Organization, \"Glavproekt,\" until her retirement in 1984. In the late 1970s Kechedzhieva was sent to work in Cuba. She worked in Nigeria, the People's Republic of Yemen (Aden) and Mozambique in the early 1980s. Kechedzhieva is also an accomplished interior designer. Since her retirement, she has continued to design for private clients.","The guide to the Nevena Kechedzhieva Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Nevena Kechedzhieva Architectural Drawings was completed in 2000. Additional materials were integrated in March 2005.","The Nevena Kechedzhieva Architectural Drawings primarily consist of architectural drawings created by  Kechedzhieva from 1971 to 1989. It includes residential projects in Bulgaria and commercial projects in Nigeria, Yemen and Bulgaria. Undated sketches of concept plans and elevations for an unidentified multi-storey building are available. A wall unit sketch and her curriculum vitae are also included. Most of the information on the drawings is written in Bulgarian. Translated \"Sheet Identification\" information for the drawings is included in the collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Architect Nevena Kechedzhieva worked for the Bulgarian State Design Organization until 1984, and now designs for private clients. The collection contains her designs for residential and commercial projects in Bulgaria, Nigeria and Yemen from 1971 to 1989.","Special Collections and University Archives, Virginia Tech","Kechedzhieva, Nevena Stoianova, b.1927","The materials in the collection are in Bulgarian."],"collection_title_tesim":["Nevena Kechedzhieva Architectural Drawings, 1971/1989"],"collection_ssim":["Nevena Kechedzhieva Architectural Drawings, 1971/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2000.009"],"unitid_tesim":["Ms.2000.009"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Kechedzhieva, Nevena Stoianova, b.1927"],"creator_ssim":["Kechedzhieva, Nevena Stoianova, b.1927"],"creator_persname_ssim":["Kechedzhieva, Nevena Stoianova, b.1927"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Kechedzhieva, Nevena Stoianova, b.1927","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to International Archive of Woman in Architecture in Special Collections in 1998. Additional drawings were donated in 2005."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Bulgaria","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Bulgaria","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["1.8 Cubic Feet 2 boxes, 2 oversize folders"],"extent_tesim":["1.8 Cubic Feet 2 boxes, 2 oversize folders"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe drawings are grouped by project and stored by size. The smaller sketches and the translated \"Sheet Identification\" information for most of the drawings are stored in the flat box. Oversize drawings for the Sunny Coast Resort in Bulgaria are stored rolled. The rest of the drawings are stored in oversize folders. \u003c/p\u003e","\u003cp\u003eIn order to provide translation information for the Bulgarian on each sheet, all the drawings stored in oversized folders have a pencil notation on the left of the title block along the bottom edge that included the initials \"IAWA\", a letter for that set of project drawings, and the sheet number. The corresponding translation for each drawing is stored in the flat box. For example, more information about the \"Attached Houses for Three Families\" in Bulgaria in folder one, marked IAWA D1 to IAWA D8, can be found by looking at the translation sheet under that code. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The drawings are grouped by project and stored by size. The smaller sketches and the translated \"Sheet Identification\" information for most of the drawings are stored in the flat box. Oversize drawings for the Sunny Coast Resort in Bulgaria are stored rolled. The rest of the drawings are stored in oversize folders.","In order to provide translation information for the Bulgarian on each sheet, all the drawings stored in oversized folders have a pencil notation on the left of the title block along the bottom edge that included the initials \"IAWA\", a letter for that set of project drawings, and the sheet number. The corresponding translation for each drawing is stored in the flat box. For example, more information about the \"Attached Houses for Three Families\" in Bulgaria in folder one, marked IAWA D1 to IAWA D8, can be found by looking at the translation sheet under that code."],"bioghist_html_tesm":["\u003cp\u003eNevena Stoianova Kechedzhieva was born in 1927 in Sofia, Bulgaria. She studied architecture at Sofia Polytechnic, graduating in 1951. Thereafter, she worked for the State Design Organization, \"Glavproekt,\" until her retirement in 1984. In the late 1970s Kechedzhieva was sent to work in Cuba. She worked in Nigeria, the People's Republic of Yemen (Aden) and Mozambique in the early 1980s. Kechedzhieva is also an accomplished interior designer. Since her retirement, she has continued to design for private clients.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Nevena Stoianova Kechedzhieva was born in 1927 in Sofia, Bulgaria. She studied architecture at Sofia Polytechnic, graduating in 1951. Thereafter, she worked for the State Design Organization, \"Glavproekt,\" until her retirement in 1984. In the late 1970s Kechedzhieva was sent to work in Cuba. She worked in Nigeria, the People's Republic of Yemen (Aden) and Mozambique in the early 1980s. Kechedzhieva is also an accomplished interior designer. Since her retirement, she has continued to design for private clients."],"odd_html_tesm":["\u003cp\u003eThe guide to the Nevena Kechedzhieva Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Nevena Kechedzhieva Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Nevena Kechedzhieva Architectural Drawings, Ms2000-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Nevena Kechedzhieva Architectural Drawings, Ms2000-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Nevena Kechedzhieva Architectural Drawings was completed in 2000. Additional materials were integrated in March 2005.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Nevena Kechedzhieva Architectural Drawings was completed in 2000. Additional materials were integrated in March 2005."],"scopecontent_html_tesm":["\u003cp\u003eThe Nevena Kechedzhieva Architectural Drawings primarily consist of architectural drawings created by  Kechedzhieva from 1971 to 1989. It includes residential projects in Bulgaria and commercial projects in Nigeria, Yemen and Bulgaria. Undated sketches of concept plans and elevations for an unidentified multi-storey building are available. A wall unit sketch and her curriculum vitae are also included. Most of the information on the drawings is written in Bulgarian. Translated \"Sheet Identification\" information for the drawings is included in the collection.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Nevena Kechedzhieva Architectural Drawings primarily consist of architectural drawings created by  Kechedzhieva from 1971 to 1989. It includes residential projects in Bulgaria and commercial projects in Nigeria, Yemen and Bulgaria. Undated sketches of concept plans and elevations for an unidentified multi-storey building are available. A wall unit sketch and her curriculum vitae are also included. Most of the information on the drawings is written in Bulgarian. Translated \"Sheet Identification\" information for the drawings is included in the collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_265e50d99c83ee2462f64d50af30b42f\" label=\"Abstract\"\u003eArchitect Nevena Kechedzhieva worked for the Bulgarian State Design Organization until 1984, and now designs for private clients. The collection contains her designs for residential and commercial projects in Bulgaria, Nigeria and Yemen from 1971 to 1989.\u003c/abstract\u003e\n    "],"abstract_tesim":["Architect Nevena Kechedzhieva worked for the Bulgarian State Design Organization until 1984, and now designs for private clients. The collection contains her designs for residential and commercial projects in Bulgaria, Nigeria and Yemen from 1971 to 1989."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Kechedzhieva, Nevena Stoianova, b.1927"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Kechedzhieva, Nevena Stoianova, b.1927"],"language_ssim":["The materials in the collection are in Bulgarian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2101","ead_ssi":"viblbv_repositories_2_resources_2101","_root_":"viblbv_repositories_2_resources_2101","_nest_parent_":"viblbv_repositories_2_resources_2101","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2101.xml","title_filing_ssi":"Kechedzhieva, Nevena, Architectural Drawings","title_ssm":["Nevena Kechedzhieva Architectural Drawings"],"title_tesim":["Nevena Kechedzhieva Architectural Drawings"],"unitdate_ssm":["1971-1989"],"unitdate_inclusive_ssm":["1971-1989"],"normalized_date_ssm":["1971/1989"],"normalized_title_ssm":["Nevena Kechedzhieva Architectural Drawings, 1971/1989"],"text":["Nevena Kechedzhieva Architectural Drawings, 1971/1989","Ms.2000.009","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Bulgaria","Women -- History","The collection is open for research.","The drawings are grouped by project and stored by size. The smaller sketches and the translated \"Sheet Identification\" information for most of the drawings are stored in the flat box. Oversize drawings for the Sunny Coast Resort in Bulgaria are stored rolled. The rest of the drawings are stored in oversize folders.","In order to provide translation information for the Bulgarian on each sheet, all the drawings stored in oversized folders have a pencil notation on the left of the title block along the bottom edge that included the initials \"IAWA\", a letter for that set of project drawings, and the sheet number. The corresponding translation for each drawing is stored in the flat box. For example, more information about the \"Attached Houses for Three Families\" in Bulgaria in folder one, marked IAWA D1 to IAWA D8, can be found by looking at the translation sheet under that code.","Nevena Stoianova Kechedzhieva was born in 1927 in Sofia, Bulgaria. She studied architecture at Sofia Polytechnic, graduating in 1951. Thereafter, she worked for the State Design Organization, \"Glavproekt,\" until her retirement in 1984. In the late 1970s Kechedzhieva was sent to work in Cuba. She worked in Nigeria, the People's Republic of Yemen (Aden) and Mozambique in the early 1980s. Kechedzhieva is also an accomplished interior designer. Since her retirement, she has continued to design for private clients.","The guide to the Nevena Kechedzhieva Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Nevena Kechedzhieva Architectural Drawings was completed in 2000. Additional materials were integrated in March 2005.","The Nevena Kechedzhieva Architectural Drawings primarily consist of architectural drawings created by  Kechedzhieva from 1971 to 1989. It includes residential projects in Bulgaria and commercial projects in Nigeria, Yemen and Bulgaria. Undated sketches of concept plans and elevations for an unidentified multi-storey building are available. A wall unit sketch and her curriculum vitae are also included. Most of the information on the drawings is written in Bulgarian. Translated \"Sheet Identification\" information for the drawings is included in the collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Architect Nevena Kechedzhieva worked for the Bulgarian State Design Organization until 1984, and now designs for private clients. The collection contains her designs for residential and commercial projects in Bulgaria, Nigeria and Yemen from 1971 to 1989.","Special Collections and University Archives, Virginia Tech","Kechedzhieva, Nevena Stoianova, b.1927","The materials in the collection are in Bulgarian."],"collection_title_tesim":["Nevena Kechedzhieva Architectural Drawings, 1971/1989"],"collection_ssim":["Nevena Kechedzhieva Architectural Drawings, 1971/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2000.009"],"unitid_tesim":["Ms.2000.009"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Kechedzhieva, Nevena Stoianova, b.1927"],"creator_ssim":["Kechedzhieva, Nevena Stoianova, b.1927"],"creator_persname_ssim":["Kechedzhieva, Nevena Stoianova, b.1927"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Kechedzhieva, Nevena Stoianova, b.1927","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to International Archive of Woman in Architecture in Special Collections in 1998. Additional drawings were donated in 2005."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Bulgaria","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Bulgaria","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["1.8 Cubic Feet 2 boxes, 2 oversize folders"],"extent_tesim":["1.8 Cubic Feet 2 boxes, 2 oversize folders"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe drawings are grouped by project and stored by size. The smaller sketches and the translated \"Sheet Identification\" information for most of the drawings are stored in the flat box. Oversize drawings for the Sunny Coast Resort in Bulgaria are stored rolled. The rest of the drawings are stored in oversize folders. \u003c/p\u003e","\u003cp\u003eIn order to provide translation information for the Bulgarian on each sheet, all the drawings stored in oversized folders have a pencil notation on the left of the title block along the bottom edge that included the initials \"IAWA\", a letter for that set of project drawings, and the sheet number. The corresponding translation for each drawing is stored in the flat box. For example, more information about the \"Attached Houses for Three Families\" in Bulgaria in folder one, marked IAWA D1 to IAWA D8, can be found by looking at the translation sheet under that code. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The drawings are grouped by project and stored by size. The smaller sketches and the translated \"Sheet Identification\" information for most of the drawings are stored in the flat box. Oversize drawings for the Sunny Coast Resort in Bulgaria are stored rolled. The rest of the drawings are stored in oversize folders.","In order to provide translation information for the Bulgarian on each sheet, all the drawings stored in oversized folders have a pencil notation on the left of the title block along the bottom edge that included the initials \"IAWA\", a letter for that set of project drawings, and the sheet number. The corresponding translation for each drawing is stored in the flat box. For example, more information about the \"Attached Houses for Three Families\" in Bulgaria in folder one, marked IAWA D1 to IAWA D8, can be found by looking at the translation sheet under that code."],"bioghist_html_tesm":["\u003cp\u003eNevena Stoianova Kechedzhieva was born in 1927 in Sofia, Bulgaria. She studied architecture at Sofia Polytechnic, graduating in 1951. Thereafter, she worked for the State Design Organization, \"Glavproekt,\" until her retirement in 1984. In the late 1970s Kechedzhieva was sent to work in Cuba. She worked in Nigeria, the People's Republic of Yemen (Aden) and Mozambique in the early 1980s. Kechedzhieva is also an accomplished interior designer. Since her retirement, she has continued to design for private clients.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Nevena Stoianova Kechedzhieva was born in 1927 in Sofia, Bulgaria. She studied architecture at Sofia Polytechnic, graduating in 1951. Thereafter, she worked for the State Design Organization, \"Glavproekt,\" until her retirement in 1984. In the late 1970s Kechedzhieva was sent to work in Cuba. She worked in Nigeria, the People's Republic of Yemen (Aden) and Mozambique in the early 1980s. Kechedzhieva is also an accomplished interior designer. Since her retirement, she has continued to design for private clients."],"odd_html_tesm":["\u003cp\u003eThe guide to the Nevena Kechedzhieva Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Nevena Kechedzhieva Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Nevena Kechedzhieva Architectural Drawings, Ms2000-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Nevena Kechedzhieva Architectural Drawings, Ms2000-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Nevena Kechedzhieva Architectural Drawings was completed in 2000. Additional materials were integrated in March 2005.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Nevena Kechedzhieva Architectural Drawings was completed in 2000. Additional materials were integrated in March 2005."],"scopecontent_html_tesm":["\u003cp\u003eThe Nevena Kechedzhieva Architectural Drawings primarily consist of architectural drawings created by  Kechedzhieva from 1971 to 1989. It includes residential projects in Bulgaria and commercial projects in Nigeria, Yemen and Bulgaria. Undated sketches of concept plans and elevations for an unidentified multi-storey building are available. A wall unit sketch and her curriculum vitae are also included. Most of the information on the drawings is written in Bulgarian. Translated \"Sheet Identification\" information for the drawings is included in the collection.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Nevena Kechedzhieva Architectural Drawings primarily consist of architectural drawings created by  Kechedzhieva from 1971 to 1989. It includes residential projects in Bulgaria and commercial projects in Nigeria, Yemen and Bulgaria. Undated sketches of concept plans and elevations for an unidentified multi-storey building are available. A wall unit sketch and her curriculum vitae are also included. Most of the information on the drawings is written in Bulgarian. Translated \"Sheet Identification\" information for the drawings is included in the collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_265e50d99c83ee2462f64d50af30b42f\" label=\"Abstract\"\u003eArchitect Nevena Kechedzhieva worked for the Bulgarian State Design Organization until 1984, and now designs for private clients. The collection contains her designs for residential and commercial projects in Bulgaria, Nigeria and Yemen from 1971 to 1989.\u003c/abstract\u003e\n    "],"abstract_tesim":["Architect Nevena Kechedzhieva worked for the Bulgarian State Design Organization until 1984, and now designs for private clients. The collection contains her designs for residential and commercial projects in Bulgaria, Nigeria and Yemen from 1971 to 1989."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Kechedzhieva, Nevena Stoianova, b.1927"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Kechedzhieva, Nevena Stoianova, b.1927"],"language_ssim":["The materials in the collection are in Bulgarian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2101"}},{"id":"viblbv_repositories_2_resources_1585","type":"collection","attributes":{"title":"Organization of Women Architects and Design Professionals Records, 1965/2005","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1585#creator","type":"document_value","attributes":{"value":"Organization of Women Architects and Design Professionals","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1585#abstract_or_scope","type":"document_value","attributes":{"value":"The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1585#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1585","ead_ssi":"viblbv_repositories_2_resources_1585","_root_":"viblbv_repositories_2_resources_1585","_nest_parent_":"viblbv_repositories_2_resources_1585","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1585.xml","title_filing_ssi":"Organization of Women Architects and Design Professionals Records","title_ssm":["Organization of Women Architects and Design Professionals Records"],"title_tesim":["Organization of Women Architects and Design Professionals Records"],"unitdate_ssm":["1965-2005"],"unitdate_inclusive_ssm":["1965-2005"],"normalized_date_ssm":["1965/2005"],"normalized_title_ssm":["Organization of Women Architects and Design Professionals Records, 1965/2005"],"text":["Organization of Women Architects and Design Professionals Records, 1965/2005","Ms.1988.080","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The Organization of Women Architects and Design Professionals Records is divided into the following series: I. Administrative, 1972-2005; II. Committees and Initiatives, 1974-1986; III. Newsletters, 1972-1991; IV. Financial Records, 1975-1991; V. Alternate Media, 1971-1991; and VI. Professional Women's Organizations, Documents, Pamphlets, and Clippings, (non-OWA), 1965-1995. Each series is arranged in chronological order.","The Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.","The organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.","Over its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","- from Horton, Inge, \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003","The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.","See also California Women in Environmental Design Records, Ms1990-059 at VT Special Collections and University Archives.","The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Organization of Women Architects and Design Professionals Records were donated to Special Collections in 1988, 2003, and 2006."],"access_subjects_ssim":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["4 Cubic Feet 8 boxes"],"extent_tesim":["4 Cubic Feet 8 boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Organization of Women Architects and Design Professionals Records is divided into the following series: I. 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Each series is arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eThe Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.  \u003c/p\u003e","\u003cp\u003eThe organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  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Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.","The organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.","Over its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","- from Horton, Inge, \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003"],"odd_html_tesm":["\u003cp\u003eThe guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1792.oai_ead.xml\"\u003eCalifornia Women in Environmental Design Records, Ms1990-059\u003c/a\u003e at VT Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also California Women in Environmental Design Records, Ms1990-059 at VT Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45c0f15d5606893955c4a883cfde82ba\" label=\"Abstract\"\u003eThe Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"names_coll_ssim":["California Women in Environmental Design"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:40.347Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1585","ead_ssi":"viblbv_repositories_2_resources_1585","_root_":"viblbv_repositories_2_resources_1585","_nest_parent_":"viblbv_repositories_2_resources_1585","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1585.xml","title_filing_ssi":"Organization of Women Architects and Design Professionals Records","title_ssm":["Organization of Women Architects and Design Professionals Records"],"title_tesim":["Organization of Women Architects and Design Professionals Records"],"unitdate_ssm":["1965-2005"],"unitdate_inclusive_ssm":["1965-2005"],"normalized_date_ssm":["1965/2005"],"normalized_title_ssm":["Organization of Women Architects and Design Professionals Records, 1965/2005"],"text":["Organization of Women Architects and Design Professionals Records, 1965/2005","Ms.1988.080","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The Organization of Women Architects and Design Professionals Records is divided into the following series: I. Administrative, 1972-2005; II. Committees and Initiatives, 1974-1986; III. Newsletters, 1972-1991; IV. Financial Records, 1975-1991; V. Alternate Media, 1971-1991; and VI. Professional Women's Organizations, Documents, Pamphlets, and Clippings, (non-OWA), 1965-1995. Each series is arranged in chronological order.","The Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.","The organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.","Over its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","- from Horton, Inge, \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003","The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.","See also California Women in Environmental Design Records, Ms1990-059 at VT Special Collections and University Archives.","The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Organization of Women Architects and Design Professionals Records were donated to Special Collections in 1988, 2003, and 2006."],"access_subjects_ssim":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["4 Cubic Feet 8 boxes"],"extent_tesim":["4 Cubic Feet 8 boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Organization of Women Architects and Design Professionals Records is divided into the following series: I. 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It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","- from Horton, Inge, \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003"],"odd_html_tesm":["\u003cp\u003eThe guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1792.oai_ead.xml\"\u003eCalifornia Women in Environmental Design Records, Ms1990-059\u003c/a\u003e at VT Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also California Women in Environmental Design Records, Ms1990-059 at VT Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45c0f15d5606893955c4a883cfde82ba\" label=\"Abstract\"\u003eThe Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"names_coll_ssim":["California Women in Environmental Design"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:40.347Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1585"}},{"id":"viblbv_repositories_2_resources_4376","type":"collection","attributes":{"title":"Reiko Tomita Architectural Collection, 1970-2019, 1970/2019","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4376#abstract_or_scope","type":"document_value","attributes":{"value":"The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4376#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4376","ead_ssi":"viblbv_repositories_2_resources_4376","_root_":"viblbv_repositories_2_resources_4376","_nest_parent_":"viblbv_repositories_2_resources_4376","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4376.xml","title_filing_ssi":"Tomita, Reiko Architectural Collection","title_ssm":["Reiko Tomita Architectural Collection, 1970-2019"],"title_tesim":["Reiko Tomita Architectural Collection, 1970-2019"],"unitdate_ssm":["1970-2019, undated"],"unitdate_inclusive_ssm":["1970-2019, undated"],"normalized_date_ssm":["1970/2019"],"normalized_title_ssm":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"text":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019","Ms.2025.034","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches","The collection is open for research.","Materials in this collection are arranged into two series:","I. Personal and biographical materials","II. Project designs","Items are arranged chronologically by creation date in their respective series.","Reiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.","Tomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).","From 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.","Reiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.","On her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:","Domo Celakanto (1974) [residential]","Domo Arabeska (1974) [residential]","Domo Kinyana (1992) [residential]","Shinshukan Community Center (1980) [public/institutional]","Nago City Hall (1981) [public/institutional]","Kasahara Elementary School (1982) [educational]","Taiwan Iiran County Hall (1997) [public/institutional]","Kutaniyaki Porcelain Museum (2001) [public/institutional]","Tsuyama Archives of Western Learning (2009) [public/institutional]","The guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025.","The Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton.","The towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends.","Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.","Special Collections and University Archives, Virginia Tech","Japanese\n."],"collection_title_tesim":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"collection_ssim":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.034"],"unitid_tesim":["Ms.2025.034"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Collection was donated to Special Collections and University Archives by Reiko Tomita via IAWA Board Member Junko Matsukawa in March 2025."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 2 oversize folders of materials"],"extent_tesim":["0.2 Cubic Feet 2 oversize folders of materials"],"genreform_ssim":["Sketches"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in this collection are arranged into two series:\u003c/p\u003e \n","\u003cp\u003eI. Personal and biographical materials\u003c/p\u003e\n","\u003cp\u003eII. Project designs\u003c/p\u003e\n","\u003cp\u003eItems are arranged chronologically by creation date in their respective series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in this collection are arranged into two series:","I. Personal and biographical materials","II. Project designs","Items are arranged chronologically by creation date in their respective series."],"bioghist_html_tesm":["\u003cp\u003eReiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.\u003c/p\u003e\n","\u003cp\u003eTomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).\u003c/p\u003e\n","\u003cp\u003eFrom 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.\u003c/p\u003e\n","\u003cp\u003eReiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.\u003c/p\u003e \n","\u003cp\u003eOn her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:\u003c/p\u003e\n","\u003cp\u003eDomo Celakanto (1974) [residential]\u003c/p\u003e\n","\u003cp\u003eDomo Arabeska (1974) [residential]\u003c/p\u003e\n","\u003cp\u003eDomo Kinyana (1992) [residential]\u003c/p\u003e\n","\u003cp\u003eShinshukan Community Center (1980) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eNago City Hall (1981) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eKasahara Elementary School (1982) [educational]\u003c/p\u003e\n","\u003cp\u003eTaiwan Iiran County Hall (1997) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eKutaniyaki Porcelain Museum (2001) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eTsuyama Archives of Western Learning (2009) [public/institutional]\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Reiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.","Tomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).","From 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.","Reiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.","On her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:","Domo Celakanto (1974) [residential]","Domo Arabeska (1974) [residential]","Domo Kinyana (1992) [residential]","Shinshukan Community Center (1980) [public/institutional]","Nago City Hall (1981) [public/institutional]","Kasahara Elementary School (1982) [educational]","Taiwan Iiran County Hall (1997) [public/institutional]","Kutaniyaki Porcelain Museum (2001) [public/institutional]","Tsuyama Archives of Western Learning (2009) [public/institutional]"],"odd_html_tesm":["\u003cp\u003eThe guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Reiko Tomita Architectural Collection, 1970-2019, Ms2025-034, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Reiko Tomita Architectural Collection, 1970-2019, Ms2025-034, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton. \u003c/p\u003e","\u003cp\u003eThe towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton.","The towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_311658b30849a11c8327f5c1c2768e1b\" label=\"Abstract\"\u003eThe Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["Japanese\n."],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:07.246Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4376","ead_ssi":"viblbv_repositories_2_resources_4376","_root_":"viblbv_repositories_2_resources_4376","_nest_parent_":"viblbv_repositories_2_resources_4376","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4376.xml","title_filing_ssi":"Tomita, Reiko Architectural Collection","title_ssm":["Reiko Tomita Architectural Collection, 1970-2019"],"title_tesim":["Reiko Tomita Architectural Collection, 1970-2019"],"unitdate_ssm":["1970-2019, undated"],"unitdate_inclusive_ssm":["1970-2019, undated"],"normalized_date_ssm":["1970/2019"],"normalized_title_ssm":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"text":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019","Ms.2025.034","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches","The collection is open for research.","Materials in this collection are arranged into two series:","I. Personal and biographical materials","II. Project designs","Items are arranged chronologically by creation date in their respective series.","Reiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.","Tomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).","From 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.","Reiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.","On her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:","Domo Celakanto (1974) [residential]","Domo Arabeska (1974) [residential]","Domo Kinyana (1992) [residential]","Shinshukan Community Center (1980) [public/institutional]","Nago City Hall (1981) [public/institutional]","Kasahara Elementary School (1982) [educational]","Taiwan Iiran County Hall (1997) [public/institutional]","Kutaniyaki Porcelain Museum (2001) [public/institutional]","Tsuyama Archives of Western Learning (2009) [public/institutional]","The guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025.","The Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton.","The towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends.","Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.","Special Collections and University Archives, Virginia Tech","Japanese\n."],"collection_title_tesim":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"collection_ssim":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.034"],"unitid_tesim":["Ms.2025.034"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Collection was donated to Special Collections and University Archives by Reiko Tomita via IAWA Board Member Junko Matsukawa in March 2025."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 2 oversize folders of materials"],"extent_tesim":["0.2 Cubic Feet 2 oversize folders of materials"],"genreform_ssim":["Sketches"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in this collection are arranged into two series:\u003c/p\u003e \n","\u003cp\u003eI. Personal and biographical materials\u003c/p\u003e\n","\u003cp\u003eII. Project designs\u003c/p\u003e\n","\u003cp\u003eItems are arranged chronologically by creation date in their respective series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in this collection are arranged into two series:","I. Personal and biographical materials","II. Project designs","Items are arranged chronologically by creation date in their respective series."],"bioghist_html_tesm":["\u003cp\u003eReiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.\u003c/p\u003e\n","\u003cp\u003eTomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).\u003c/p\u003e\n","\u003cp\u003eFrom 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.\u003c/p\u003e\n","\u003cp\u003eReiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.\u003c/p\u003e \n","\u003cp\u003eOn her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:\u003c/p\u003e\n","\u003cp\u003eDomo Celakanto (1974) [residential]\u003c/p\u003e\n","\u003cp\u003eDomo Arabeska (1974) [residential]\u003c/p\u003e\n","\u003cp\u003eDomo Kinyana (1992) [residential]\u003c/p\u003e\n","\u003cp\u003eShinshukan Community Center (1980) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eNago City Hall (1981) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eKasahara Elementary School (1982) [educational]\u003c/p\u003e\n","\u003cp\u003eTaiwan Iiran County Hall (1997) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eKutaniyaki Porcelain Museum (2001) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eTsuyama Archives of Western Learning (2009) [public/institutional]\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Reiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.","Tomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).","From 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.","Reiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.","On her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:","Domo Celakanto (1974) [residential]","Domo Arabeska (1974) [residential]","Domo Kinyana (1992) [residential]","Shinshukan Community Center (1980) [public/institutional]","Nago City Hall (1981) [public/institutional]","Kasahara Elementary School (1982) [educational]","Taiwan Iiran County Hall (1997) [public/institutional]","Kutaniyaki Porcelain Museum (2001) [public/institutional]","Tsuyama Archives of Western Learning (2009) [public/institutional]"],"odd_html_tesm":["\u003cp\u003eThe guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Reiko Tomita Architectural Collection, 1970-2019, Ms2025-034, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Reiko Tomita Architectural Collection, 1970-2019, Ms2025-034, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton. \u003c/p\u003e","\u003cp\u003eThe towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton.","The towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_311658b30849a11c8327f5c1c2768e1b\" label=\"Abstract\"\u003eThe Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["Japanese\n."],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:07.246Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4376"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":38},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1975\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1975"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22%2C+1934%2F2000\u0026f%5Bdate_range%5D%5B%5D=1975"}},{"attributes":{"label":"Anna P. 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