{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1973","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1973\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1973\u0026page=4"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":4,"limit_value":10,"offset_value":0,"total_count":38,"first_page?":true,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_2232","type":"collection","attributes":{"title":"Anna P. Sokolina Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2232#creator","type":"document_value","attributes":{"value":"Sokolina, Anna P.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2232#abstract_or_scope","type":"document_value","attributes":{"value":"Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2232#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2232","ead_ssi":"viblbv_repositories_2_resources_2232","_root_":"viblbv_repositories_2_resources_2232","_nest_parent_":"viblbv_repositories_2_resources_2232","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2232.xml","title_filing_ssi":"Sokolina, Anna P. Architectural Collection","title_ssm":["Anna P. Sokolina Architectural Collection"],"title_tesim":["Anna P. Sokolina Architectural Collection"],"unitdate_ssm":["1924-2019"],"unitdate_inclusive_ssm":["1924-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2002.051"],"text":["Ms.2002.051","Anna P. Sokolina Architectural Collection","History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)","Collection is open to research.","The collection is arranged five series, each of which is arranged in chronological order.","Anna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York. ","Since 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department. ","Sokolina has also edited a monographic anthology,  Architecture and Anthroposophy , in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio. ","The guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016.","The majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.","Brief biography, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions","Brief biography, Curriculum vitae, Lists of publications, exhibit catalogs, lectures and talks at conferences, and exhibitions","Faculty listing from website, Listings in Miami U. newsletters, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions","\"The Basic Contradictions of Postmodernism,\" August 1980","\"Metaphors of Arata Isozuki,\" 1981; \"The Search of the Origins,\" 1982; \"Ironies of Charles Moore,\" 1983","\"Hermann Henselmann,\" November-December 1987","\"Residential Construction in East Germany: The Experiments of the 1980s,\" May 1989; Book Review, February 1990; \"The Ground Floor of the City,\" July 1990; \"Ralf Niebergall,\" November 1990","\"Industrial Interpretation of Traditions: Urban Design of the 1980s in East Germany,\" Special Issue #3, 1990","\"Die Neue Freiheit\" (The New Freedom)","\"Von der Papierarchitektur zum Joint venture\" (From Paper Architecture to Joint Venture), Dec. 28, 1992","\"Die lange Krise der Architektur in Russland\" (The Long Crisis in Russian Architecture), Oct. 1992; \"Rußland nach dem Umbruch\" (Russia after the Upheaval), Oct. 1993; \"Ökologische Tendenzen in der russischen Architektur\" (The Ecological Approach in Russian Architecture), Jan. 1994","\"Die neue Freiheit: Nachgedanken zu Järna aus Moskau\" Nov. 1992; \"Jürg Spörri, Architekt, oder Nachprüfung der Vorliebe,\" July 1994","\"Paper Architects and Secret Architecture: Planning and Building in the Crisis in Russia\"","\"Russlands Architekten verbünden sich\" (Moscow's Architects Unite), Sept. 1993","\"Wohnen in Moskau\" (Living in Moscow), Feb. 1994; \"Moskau nach dem Umbruch\" (Moscow after the Upheaval), Feb. 1994; \"Ökologische Tendenzen in der Architektur\" (Ecological Trends in Architecture), Feb. 1994; \"Architektur-Galerien in Manhattan,\" (Architectural Galleries in Manhattan), June 1996","\"Paper Architecture,\" Vol. 87, No. 30.115, February 3-4, 1996","\"The Tabakman Museum,\" Vol. 3, No. 2, June 1997","\"Architecture and Anthroposophy,\" No. 21, 1997","Most of the issues have references to Sokolina's professional activities","\"Architecture and the State: Moscow Urban Concepts After Socialism,\" Vol. 2, No. 2, Autumn 2002","\"Conflicting Visions of National Perspective in Contemporary Russian Architecture\"","Review of Sokolina's book by Prof. Vladimir L. Khait; First Russian architectural publication to publish the IAWA call for submissions","\"Architecture as Collateral Damage: Was Memorials and the Rebirth of Patriotism in Soviet Russia\"; Web site description of CCCP lecture; Outline for IAWA talk with images used for illustration","\n\"The Secret Star of the Outer Space Program: Galina Balashova, First Architect of Spaceship Interiors,\" 2018\n","\n\"Expanding the Archive: Caryatides of Russian Architecture,\" 2019\n","Life to Architecture: Milka Bliznakov Academic Papers and Records of Women in Russian Architecture at the IAWA","Includes images of 20 art works by Sokolina; Exhibition Notice, \"70th Anniversary of the Great October,\" anniversary exhibition by Architect's Union of the USSR held in the People's House of Friendship, Moscow, 1987","Young Russia , March 1997;  Evgeny Mikhnov Voitenko , May 1997;  Valery Yurlov  (Sokolina co-wrote catalog), June 1997","Catalog entries for \"Journeys of the Imagination: From the Former Soviet Union to the United States\" with curators Anna Sokolina and Jennifer Cahn, 2000-2001","Correspondence with Russian women architects and with IAWA, 2002-2007; Mailing list of Russian women architects, their heirs, and architectural institutions, 2007; List of gifts to the IAWA from Russian women architects and Sokolina, 2007","Introduction to Studio Design (2 classes); Independent Studies: Alternative Architecture; Russian Art and Architecture II: From 1860 to Present; Russian Art and Architecture I: From Byzantine Period to 1860","Russian Art and Architecture I: From Byzantine Period to 1860; Russian Art and Architecture II: From 1860 to Present","The following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog  Addison  and transferred to the Rare Book Collection: ","Arkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76 "," Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'.  Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990 ","Sokolina, Anna.   Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury.  1991. (doctoral dissertation) Call number: NA1089 .S65 1991 ","Sokolina, Anna.  Stikhi (Poems) , New York: TELEX, 1998. Call number: PG3549.S63 S75 1998 ","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Sokolina, Anna P.","The materials in the collection are in English."],"unitid_tesim":["Ms.2002.051"],"normalized_title_ssm":["Anna P. Sokolina Architectural Collection"],"collection_title_tesim":["Anna P. Sokolina Architectural Collection"],"collection_ssim":["Anna P. Sokolina Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Sokolina, Anna P."],"creator_ssim":["Sokolina, Anna P."],"creator_persname_ssim":["Sokolina, Anna P."],"creators_ssim":["Sokolina, Anna P."],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Anna P. Sokolina Architectural Collection was donated to the IAWA at Special Collections in June 2002 by its creator. Additions were made to the collection in October 2003, November 2005, and October 2007."],"access_subjects_ssim":["History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)"],"access_subjects_ssm":["History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)"],"has_online_content_ssim":["false"],"extent_ssm":["5.2 Cubic Feet 6 boxes; 2 oversize folders"],"extent_tesim":["5.2 Cubic Feet 6 boxes; 2 oversize folders"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged five series, each of which is arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged five series, each of which is arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAnna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York. \u003c/p\u003e\n","\u003cp\u003eSince 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department. \u003c/p\u003e\n","\u003cp\u003eSokolina has also edited a monographic anthology, \u003ctitle render=\"italic\"\u003eArchitecture and Anthroposophy\u003c/title\u003e, in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Anna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York. ","Since 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department. ","Sokolina has also edited a monographic anthology,  Architecture and Anthroposophy , in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"prefercite_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.\u003c/p\u003e","\u003cp\u003eBrief biography, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions\u003c/p\u003e","\u003cp\u003eBrief biography, Curriculum vitae, Lists of publications, exhibit catalogs, lectures and talks at conferences, and exhibitions\u003c/p\u003e","\u003cp\u003eFaculty listing from website, Listings in Miami U. newsletters, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions\u003c/p\u003e","\u003cp\u003e\"The Basic Contradictions of Postmodernism,\" August 1980\u003c/p\u003e","\u003cp\u003e\"Metaphors of Arata Isozuki,\" 1981; \"The Search of the Origins,\" 1982; \"Ironies of Charles Moore,\" 1983\u003c/p\u003e","\u003cp\u003e\"Hermann Henselmann,\" November-December 1987\u003c/p\u003e","\u003cp\u003e\"Residential Construction in East Germany: The Experiments of the 1980s,\" May 1989; Book Review, February 1990; \"The Ground Floor of the City,\" July 1990; \"Ralf Niebergall,\" November 1990\u003c/p\u003e","\u003cp\u003e\"Industrial Interpretation of Traditions: Urban Design of the 1980s in East Germany,\" Special Issue #3, 1990\u003c/p\u003e","\u003cp\u003e\"Die Neue Freiheit\" (The New Freedom)\u003c/p\u003e","\u003cp\u003e\"Von der Papierarchitektur zum Joint venture\" (From Paper Architecture to Joint Venture), Dec. 28, 1992\u003c/p\u003e","\u003cp\u003e\"Die lange Krise der Architektur in Russland\" (The Long Crisis in Russian Architecture), Oct. 1992; \"Rußland nach dem Umbruch\" (Russia after the Upheaval), Oct. 1993; \"Ökologische Tendenzen in der russischen Architektur\" (The Ecological Approach in Russian Architecture), Jan. 1994\u003c/p\u003e","\u003cp\u003e\"Die neue Freiheit: Nachgedanken zu Järna aus Moskau\" Nov. 1992; \"Jürg Spörri, Architekt, oder Nachprüfung der Vorliebe,\" July 1994\u003c/p\u003e","\u003cp\u003e\"Paper Architects and Secret Architecture: Planning and Building in the Crisis in Russia\"\u003c/p\u003e","\u003cp\u003e\"Russlands Architekten verbünden sich\" (Moscow's Architects Unite), Sept. 1993\u003c/p\u003e","\u003cp\u003e\"Wohnen in Moskau\" (Living in Moscow), Feb. 1994; \"Moskau nach dem Umbruch\" (Moscow after the Upheaval), Feb. 1994; \"Ökologische Tendenzen in der Architektur\" (Ecological Trends in Architecture), Feb. 1994; \"Architektur-Galerien in Manhattan,\" (Architectural Galleries in Manhattan), June 1996\u003c/p\u003e","\u003cp\u003e\"Paper Architecture,\" Vol. 87, No. 30.115, February 3-4, 1996\u003c/p\u003e","\u003cp\u003e\"The Tabakman Museum,\" Vol. 3, No. 2, June 1997\u003c/p\u003e","\u003cp\u003e\"Architecture and Anthroposophy,\" No. 21, 1997\u003c/p\u003e","\u003cp\u003eMost of the issues have references to Sokolina's professional activities\u003c/p\u003e","\u003cp\u003e\"Architecture and the State: Moscow Urban Concepts After Socialism,\" Vol. 2, No. 2, Autumn 2002\u003c/p\u003e","\u003cp\u003e\"Conflicting Visions of National Perspective in Contemporary Russian Architecture\"\u003c/p\u003e","\u003cp\u003eReview of Sokolina's book by Prof. Vladimir L. Khait; First Russian architectural publication to publish the IAWA call for submissions\u003c/p\u003e","\u003cp\u003e\"Architecture as Collateral Damage: Was Memorials and the Rebirth of Patriotism in Soviet Russia\"; Web site description of CCCP lecture; Outline for IAWA talk with images used for illustration\u003c/p\u003e","\u003cp\u003e\n\"The Secret Star of the Outer Space Program: Galina Balashova, First Architect of Spaceship Interiors,\" 2018\n\u003c/p\u003e","\u003cp\u003e\n\"Expanding the Archive: Caryatides of Russian Architecture,\" 2019\n\u003c/p\u003e","\u003cp\u003e\u003ctitle renderender=\"italic\"\u003eLife to Architecture: Milka Bliznakov Academic Papers and Records of Women in Russian Architecture at the IAWA\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes images of 20 art works by Sokolina; Exhibition Notice, \"70th Anniversary of the Great October,\" anniversary exhibition by Architect's Union of the USSR held in the People's House of Friendship, Moscow, 1987\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eYoung Russia\u003c/title\u003e, March 1997; \u003ctitle render=\"italic\"\u003eEvgeny Mikhnov Voitenko\u003c/title\u003e, May 1997; \u003ctitle render=\"italic\"\u003eValery Yurlov\u003c/title\u003e (Sokolina co-wrote catalog), June 1997\u003c/p\u003e","\u003cp\u003eCatalog entries for \"Journeys of the Imagination: From the Former Soviet Union to the United States\" with curators Anna Sokolina and Jennifer Cahn, 2000-2001\u003c/p\u003e","\u003cp\u003eCorrespondence with Russian women architects and with IAWA, 2002-2007; Mailing list of Russian women architects, their heirs, and architectural institutions, 2007; List of gifts to the IAWA from Russian women architects and Sokolina, 2007\u003c/p\u003e","\u003cp\u003eIntroduction to Studio Design (2 classes); Independent Studies: Alternative Architecture; Russian Art and Architecture II: From 1860 to Present; Russian Art and Architecture I: From Byzantine Period to 1860\u003c/p\u003e","\u003cp\u003eRussian Art and Architecture I: From Byzantine Period to 1860; Russian Art and Architecture II: From 1860 to Present\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.","Brief biography, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions","Brief biography, Curriculum vitae, Lists of publications, exhibit catalogs, lectures and talks at conferences, and exhibitions","Faculty listing from website, Listings in Miami U. newsletters, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions","\"The Basic Contradictions of Postmodernism,\" August 1980","\"Metaphors of Arata Isozuki,\" 1981; \"The Search of the Origins,\" 1982; \"Ironies of Charles Moore,\" 1983","\"Hermann Henselmann,\" November-December 1987","\"Residential Construction in East Germany: The Experiments of the 1980s,\" May 1989; Book Review, February 1990; \"The Ground Floor of the City,\" July 1990; \"Ralf Niebergall,\" November 1990","\"Industrial Interpretation of Traditions: Urban Design of the 1980s in East Germany,\" Special Issue #3, 1990","\"Die Neue Freiheit\" (The New Freedom)","\"Von der Papierarchitektur zum Joint venture\" (From Paper Architecture to Joint Venture), Dec. 28, 1992","\"Die lange Krise der Architektur in Russland\" (The Long Crisis in Russian Architecture), Oct. 1992; \"Rußland nach dem Umbruch\" (Russia after the Upheaval), Oct. 1993; \"Ökologische Tendenzen in der russischen Architektur\" (The Ecological Approach in Russian Architecture), Jan. 1994","\"Die neue Freiheit: Nachgedanken zu Järna aus Moskau\" Nov. 1992; \"Jürg Spörri, Architekt, oder Nachprüfung der Vorliebe,\" July 1994","\"Paper Architects and Secret Architecture: Planning and Building in the Crisis in Russia\"","\"Russlands Architekten verbünden sich\" (Moscow's Architects Unite), Sept. 1993","\"Wohnen in Moskau\" (Living in Moscow), Feb. 1994; \"Moskau nach dem Umbruch\" (Moscow after the Upheaval), Feb. 1994; \"Ökologische Tendenzen in der Architektur\" (Ecological Trends in Architecture), Feb. 1994; \"Architektur-Galerien in Manhattan,\" (Architectural Galleries in Manhattan), June 1996","\"Paper Architecture,\" Vol. 87, No. 30.115, February 3-4, 1996","\"The Tabakman Museum,\" Vol. 3, No. 2, June 1997","\"Architecture and Anthroposophy,\" No. 21, 1997","Most of the issues have references to Sokolina's professional activities","\"Architecture and the State: Moscow Urban Concepts After Socialism,\" Vol. 2, No. 2, Autumn 2002","\"Conflicting Visions of National Perspective in Contemporary Russian Architecture\"","Review of Sokolina's book by Prof. Vladimir L. Khait; First Russian architectural publication to publish the IAWA call for submissions","\"Architecture as Collateral Damage: Was Memorials and the Rebirth of Patriotism in Soviet Russia\"; Web site description of CCCP lecture; Outline for IAWA talk with images used for illustration","\n\"The Secret Star of the Outer Space Program: Galina Balashova, First Architect of Spaceship Interiors,\" 2018\n","\n\"Expanding the Archive: Caryatides of Russian Architecture,\" 2019\n","Life to Architecture: Milka Bliznakov Academic Papers and Records of Women in Russian Architecture at the IAWA","Includes images of 20 art works by Sokolina; Exhibition Notice, \"70th Anniversary of the Great October,\" anniversary exhibition by Architect's Union of the USSR held in the People's House of Friendship, Moscow, 1987","Young Russia , March 1997;  Evgeny Mikhnov Voitenko , May 1997;  Valery Yurlov  (Sokolina co-wrote catalog), June 1997","Catalog entries for \"Journeys of the Imagination: From the Former Soviet Union to the United States\" with curators Anna Sokolina and Jennifer Cahn, 2000-2001","Correspondence with Russian women architects and with IAWA, 2002-2007; Mailing list of Russian women architects, their heirs, and architectural institutions, 2007; List of gifts to the IAWA from Russian women architects and Sokolina, 2007","Introduction to Studio Design (2 classes); Independent Studies: Alternative Architecture; Russian Art and Architecture II: From 1860 to Present; Russian Art and Architecture I: From Byzantine Period to 1860","Russian Art and Architecture I: From Byzantine Period to 1860; Russian Art and Architecture II: From 1860 to Present"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog \u003cextref href=\"http://addison.vt.edu/\" title=\"Addison\"\u003eAddison\u003c/extref\u003e and transferred to the Rare Book Collection: \u003c/p\u003e\n","\u003cp\u003eArkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76 \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003e Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'.\u003c/emph\u003e Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990 \u003c/p\u003e\n","\u003cp\u003eSokolina, Anna. \u003cemph render=\"underline\"\u003e Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury.\u003c/emph\u003e 1991. (doctoral dissertation) Call number: NA1089 .S65 1991 \u003c/p\u003e\n","\u003cp\u003eSokolina, Anna. \u003cemph render=\"underline\"\u003eStikhi (Poems)\u003c/emph\u003e, New York: TELEX, 1998. Call number: PG3549.S63 S75 1998 \u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog  Addison  and transferred to the Rare Book Collection: ","Arkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76 "," Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'.  Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990 ","Sokolina, Anna.   Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury.  1991. (doctoral dissertation) Call number: NA1089 .S65 1991 ","Sokolina, Anna.  Stikhi (Poems) , New York: TELEX, 1998. Call number: PG3549.S63 S75 1998 "],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55ca25af68e73897f58f543b9a238773\" label=\"Abstract\"\u003eAnna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.\u003c/abstract\u003e"],"abstract_tesim":["Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Sokolina, Anna P."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Sokolina, Anna P."],"persname_ssim":["Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:12:26.189Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2232","ead_ssi":"viblbv_repositories_2_resources_2232","_root_":"viblbv_repositories_2_resources_2232","_nest_parent_":"viblbv_repositories_2_resources_2232","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2232.xml","title_filing_ssi":"Sokolina, Anna P. Architectural Collection","title_ssm":["Anna P. Sokolina Architectural Collection"],"title_tesim":["Anna P. Sokolina Architectural Collection"],"unitdate_ssm":["1924-2019"],"unitdate_inclusive_ssm":["1924-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2002.051"],"text":["Ms.2002.051","Anna P. Sokolina Architectural Collection","History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)","Collection is open to research.","The collection is arranged five series, each of which is arranged in chronological order.","Anna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York. ","Since 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department. ","Sokolina has also edited a monographic anthology,  Architecture and Anthroposophy , in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio. ","The guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016.","The majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.","Brief biography, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions","Brief biography, Curriculum vitae, Lists of publications, exhibit catalogs, lectures and talks at conferences, and exhibitions","Faculty listing from website, Listings in Miami U. newsletters, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions","\"The Basic Contradictions of Postmodernism,\" August 1980","\"Metaphors of Arata Isozuki,\" 1981; \"The Search of the Origins,\" 1982; \"Ironies of Charles Moore,\" 1983","\"Hermann Henselmann,\" November-December 1987","\"Residential Construction in East Germany: The Experiments of the 1980s,\" May 1989; Book Review, February 1990; \"The Ground Floor of the City,\" July 1990; \"Ralf Niebergall,\" November 1990","\"Industrial Interpretation of Traditions: Urban Design of the 1980s in East Germany,\" Special Issue #3, 1990","\"Die Neue Freiheit\" (The New Freedom)","\"Von der Papierarchitektur zum Joint venture\" (From Paper Architecture to Joint Venture), Dec. 28, 1992","\"Die lange Krise der Architektur in Russland\" (The Long Crisis in Russian Architecture), Oct. 1992; \"Rußland nach dem Umbruch\" (Russia after the Upheaval), Oct. 1993; \"Ökologische Tendenzen in der russischen Architektur\" (The Ecological Approach in Russian Architecture), Jan. 1994","\"Die neue Freiheit: Nachgedanken zu Järna aus Moskau\" Nov. 1992; \"Jürg Spörri, Architekt, oder Nachprüfung der Vorliebe,\" July 1994","\"Paper Architects and Secret Architecture: Planning and Building in the Crisis in Russia\"","\"Russlands Architekten verbünden sich\" (Moscow's Architects Unite), Sept. 1993","\"Wohnen in Moskau\" (Living in Moscow), Feb. 1994; \"Moskau nach dem Umbruch\" (Moscow after the Upheaval), Feb. 1994; \"Ökologische Tendenzen in der Architektur\" (Ecological Trends in Architecture), Feb. 1994; \"Architektur-Galerien in Manhattan,\" (Architectural Galleries in Manhattan), June 1996","\"Paper Architecture,\" Vol. 87, No. 30.115, February 3-4, 1996","\"The Tabakman Museum,\" Vol. 3, No. 2, June 1997","\"Architecture and Anthroposophy,\" No. 21, 1997","Most of the issues have references to Sokolina's professional activities","\"Architecture and the State: Moscow Urban Concepts After Socialism,\" Vol. 2, No. 2, Autumn 2002","\"Conflicting Visions of National Perspective in Contemporary Russian Architecture\"","Review of Sokolina's book by Prof. Vladimir L. Khait; First Russian architectural publication to publish the IAWA call for submissions","\"Architecture as Collateral Damage: Was Memorials and the Rebirth of Patriotism in Soviet Russia\"; Web site description of CCCP lecture; Outline for IAWA talk with images used for illustration","\n\"The Secret Star of the Outer Space Program: Galina Balashova, First Architect of Spaceship Interiors,\" 2018\n","\n\"Expanding the Archive: Caryatides of Russian Architecture,\" 2019\n","Life to Architecture: Milka Bliznakov Academic Papers and Records of Women in Russian Architecture at the IAWA","Includes images of 20 art works by Sokolina; Exhibition Notice, \"70th Anniversary of the Great October,\" anniversary exhibition by Architect's Union of the USSR held in the People's House of Friendship, Moscow, 1987","Young Russia , March 1997;  Evgeny Mikhnov Voitenko , May 1997;  Valery Yurlov  (Sokolina co-wrote catalog), June 1997","Catalog entries for \"Journeys of the Imagination: From the Former Soviet Union to the United States\" with curators Anna Sokolina and Jennifer Cahn, 2000-2001","Correspondence with Russian women architects and with IAWA, 2002-2007; Mailing list of Russian women architects, their heirs, and architectural institutions, 2007; List of gifts to the IAWA from Russian women architects and Sokolina, 2007","Introduction to Studio Design (2 classes); Independent Studies: Alternative Architecture; Russian Art and Architecture II: From 1860 to Present; Russian Art and Architecture I: From Byzantine Period to 1860","Russian Art and Architecture I: From Byzantine Period to 1860; Russian Art and Architecture II: From 1860 to Present","The following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog  Addison  and transferred to the Rare Book Collection: ","Arkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76 "," Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'.  Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990 ","Sokolina, Anna.   Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury.  1991. (doctoral dissertation) Call number: NA1089 .S65 1991 ","Sokolina, Anna.  Stikhi (Poems) , New York: TELEX, 1998. Call number: PG3549.S63 S75 1998 ","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Sokolina, Anna P.","The materials in the collection are in English."],"unitid_tesim":["Ms.2002.051"],"normalized_title_ssm":["Anna P. Sokolina Architectural Collection"],"collection_title_tesim":["Anna P. Sokolina Architectural Collection"],"collection_ssim":["Anna P. Sokolina Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Sokolina, Anna P."],"creator_ssim":["Sokolina, Anna P."],"creator_persname_ssim":["Sokolina, Anna P."],"creators_ssim":["Sokolina, Anna P."],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Anna P. Sokolina Architectural Collection was donated to the IAWA at Special Collections in June 2002 by its creator. Additions were made to the collection in October 2003, November 2005, and October 2007."],"access_subjects_ssim":["History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)"],"access_subjects_ssm":["History of Women in Architecture","Women -- History","International Archive of Women in Architecture (IAWA)"],"has_online_content_ssim":["false"],"extent_ssm":["5.2 Cubic Feet 6 boxes; 2 oversize folders"],"extent_tesim":["5.2 Cubic Feet 6 boxes; 2 oversize folders"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged five series, each of which is arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged five series, each of which is arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAnna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York. \u003c/p\u003e\n","\u003cp\u003eSince 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department. \u003c/p\u003e\n","\u003cp\u003eSokolina has also edited a monographic anthology, \u003ctitle render=\"italic\"\u003eArchitecture and Anthroposophy\u003c/title\u003e, in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Anna Sokolina was born in St. Petersburg (Leningrad). In 1980 she received her Masters in Architecture degree from the Moscow Architectural Institute and in 1992 her Ph.D. from the Russian Academic Research Institute for the Theory of Architecture and Urban Design. In 2001, Sokolina completed the Certificate Program in Arts Administration at New York University SCPS Department of Arts, Sciences and Humanities. She interned at the Art Commission of the City of New York; the Cooper-Hewitt National Design Museum, Smithsonian Institution; and the Solomon R. Guggenheim Museum New York. ","Since 1986, Sokolina has worked on various architectural exhibitions. The first, entitled \"Concepts of Soviet Architecture 1917-1987\" held in West Berlin, was developed by the Central Academic Research Institute for the Theory of Architecture and Urban Design in partnership with the Shchusev Museum of Architecture in Moscow and the Janus Foundation in Berlin. Following the fall of the USSR, Sokolina worked on international exhibitions for the Moscow Young Architects Association. In 1992-93, she curated traveling exhibitions \"New Architectural Concepts from Moscow\" at Green Berlin Hall, Germany, and at the Ecole d'Architecture de Strasbourg, France; and in 1994, \"Art Russia\" at the Gallery Buergerhaus (City Hall) Groebenzell, Germany. Sokolina was also the curator/director of the Tabakman Museum in Hudson, NY. Her responsibilities included: the inauguration of the museum's eight galleries totaling 9,000 square feet, several permanent exhibitions and an art shop. From 1996-99 as an independent curator, Sokolina organized art exhibitions at the Steiner Foundation in Harlemville, NY, the New York Open Center in Soho, and at the American Education Center in Rego Park, NY. From 2000-2002 Sokolina was co-curator to a touring exhibition \"Journeys of the Imagination: From the former Soviet Union to the United States\" at Exhibits USA, Mid-America Arts Alliance. She volunteers for the Metropolitan Museum of Art's Education Department. ","Sokolina has also edited a monographic anthology,  Architecture and Anthroposophy , in which twenty-seven distinguished subject specialists wrote chapters on philosophically and spiritually inspired trends in organic architecture and art of the 20th century. In 2002 Sokolina started working on a collaborative non-profit project, Russian Art 1860-1940 in Western Collections, Information Database on the Internet funded by a number of donors including the S.R. Guggenheim Foundation, the Ministry of Culture of the Russian Federation, the Judith Rothschild Foundation, and Galerie Gmurzynska in Cologne. The project aims to develop a web-based bilingual database of information on Russian art to serve as a resource for educational and scholarly research, and for national and international exchange of knowledge. As of 2007, Sokolina is an assistant professor at the Architecture and Interior Design at Miami University in Ohio. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Anna P. Sokolina Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"prefercite_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Anna P. Sokolina Architectural Collection was performed in 2002. Additional materials were integrated into the collection in December 2007 and in October 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.\u003c/p\u003e","\u003cp\u003eBrief biography, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions\u003c/p\u003e","\u003cp\u003eBrief biography, Curriculum vitae, Lists of publications, exhibit catalogs, lectures and talks at conferences, and exhibitions\u003c/p\u003e","\u003cp\u003eFaculty listing from website, Listings in Miami U. newsletters, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions\u003c/p\u003e","\u003cp\u003e\"The Basic Contradictions of Postmodernism,\" August 1980\u003c/p\u003e","\u003cp\u003e\"Metaphors of Arata Isozuki,\" 1981; \"The Search of the Origins,\" 1982; \"Ironies of Charles Moore,\" 1983\u003c/p\u003e","\u003cp\u003e\"Hermann Henselmann,\" November-December 1987\u003c/p\u003e","\u003cp\u003e\"Residential Construction in East Germany: The Experiments of the 1980s,\" May 1989; Book Review, February 1990; \"The Ground Floor of the City,\" July 1990; \"Ralf Niebergall,\" November 1990\u003c/p\u003e","\u003cp\u003e\"Industrial Interpretation of Traditions: Urban Design of the 1980s in East Germany,\" Special Issue #3, 1990\u003c/p\u003e","\u003cp\u003e\"Die Neue Freiheit\" (The New Freedom)\u003c/p\u003e","\u003cp\u003e\"Von der Papierarchitektur zum Joint venture\" (From Paper Architecture to Joint Venture), Dec. 28, 1992\u003c/p\u003e","\u003cp\u003e\"Die lange Krise der Architektur in Russland\" (The Long Crisis in Russian Architecture), Oct. 1992; \"Rußland nach dem Umbruch\" (Russia after the Upheaval), Oct. 1993; \"Ökologische Tendenzen in der russischen Architektur\" (The Ecological Approach in Russian Architecture), Jan. 1994\u003c/p\u003e","\u003cp\u003e\"Die neue Freiheit: Nachgedanken zu Järna aus Moskau\" Nov. 1992; \"Jürg Spörri, Architekt, oder Nachprüfung der Vorliebe,\" July 1994\u003c/p\u003e","\u003cp\u003e\"Paper Architects and Secret Architecture: Planning and Building in the Crisis in Russia\"\u003c/p\u003e","\u003cp\u003e\"Russlands Architekten verbünden sich\" (Moscow's Architects Unite), Sept. 1993\u003c/p\u003e","\u003cp\u003e\"Wohnen in Moskau\" (Living in Moscow), Feb. 1994; \"Moskau nach dem Umbruch\" (Moscow after the Upheaval), Feb. 1994; \"Ökologische Tendenzen in der Architektur\" (Ecological Trends in Architecture), Feb. 1994; \"Architektur-Galerien in Manhattan,\" (Architectural Galleries in Manhattan), June 1996\u003c/p\u003e","\u003cp\u003e\"Paper Architecture,\" Vol. 87, No. 30.115, February 3-4, 1996\u003c/p\u003e","\u003cp\u003e\"The Tabakman Museum,\" Vol. 3, No. 2, June 1997\u003c/p\u003e","\u003cp\u003e\"Architecture and Anthroposophy,\" No. 21, 1997\u003c/p\u003e","\u003cp\u003eMost of the issues have references to Sokolina's professional activities\u003c/p\u003e","\u003cp\u003e\"Architecture and the State: Moscow Urban Concepts After Socialism,\" Vol. 2, No. 2, Autumn 2002\u003c/p\u003e","\u003cp\u003e\"Conflicting Visions of National Perspective in Contemporary Russian Architecture\"\u003c/p\u003e","\u003cp\u003eReview of Sokolina's book by Prof. Vladimir L. Khait; First Russian architectural publication to publish the IAWA call for submissions\u003c/p\u003e","\u003cp\u003e\"Architecture as Collateral Damage: Was Memorials and the Rebirth of Patriotism in Soviet Russia\"; Web site description of CCCP lecture; Outline for IAWA talk with images used for illustration\u003c/p\u003e","\u003cp\u003e\n\"The Secret Star of the Outer Space Program: Galina Balashova, First Architect of Spaceship Interiors,\" 2018\n\u003c/p\u003e","\u003cp\u003e\n\"Expanding the Archive: Caryatides of Russian Architecture,\" 2019\n\u003c/p\u003e","\u003cp\u003e\u003ctitle renderender=\"italic\"\u003eLife to Architecture: Milka Bliznakov Academic Papers and Records of Women in Russian Architecture at the IAWA\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes images of 20 art works by Sokolina; Exhibition Notice, \"70th Anniversary of the Great October,\" anniversary exhibition by Architect's Union of the USSR held in the People's House of Friendship, Moscow, 1987\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eYoung Russia\u003c/title\u003e, March 1997; \u003ctitle render=\"italic\"\u003eEvgeny Mikhnov Voitenko\u003c/title\u003e, May 1997; \u003ctitle render=\"italic\"\u003eValery Yurlov\u003c/title\u003e (Sokolina co-wrote catalog), June 1997\u003c/p\u003e","\u003cp\u003eCatalog entries for \"Journeys of the Imagination: From the Former Soviet Union to the United States\" with curators Anna Sokolina and Jennifer Cahn, 2000-2001\u003c/p\u003e","\u003cp\u003eCorrespondence with Russian women architects and with IAWA, 2002-2007; Mailing list of Russian women architects, their heirs, and architectural institutions, 2007; List of gifts to the IAWA from Russian women architects and Sokolina, 2007\u003c/p\u003e","\u003cp\u003eIntroduction to Studio Design (2 classes); Independent Studies: Alternative Architecture; Russian Art and Architecture II: From 1860 to Present; Russian Art and Architecture I: From Byzantine Period to 1860\u003c/p\u003e","\u003cp\u003eRussian Art and Architecture I: From Byzantine Period to 1860; Russian Art and Architecture II: From 1860 to Present\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The majority of the collection consists of publications written by Anna Sokolina featured in books, magazines and newspapers in Germany, Russia, and the United States. The collection also contains her professional documentation, conferences in which Sokolina participated, and some conference papers that Sokolina was invited to present. The collection also includes catalogs from exhibitions that she curated while working at various museums starting in 1997, materials related to her involvement as honorary advisor to the International Archive of Women in Architecture (IAWA), syllabi, teaching materials, dissertation, thesis, research, and artwork.","Brief biography, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions","Brief biography, Curriculum vitae, Lists of publications, exhibit catalogs, lectures and talks at conferences, and exhibitions","Faculty listing from website, Listings in Miami U. newsletters, Curriculum vitae, Lists of publications, exhibit catalogs, talks at conferences, and exhibitions","\"The Basic Contradictions of Postmodernism,\" August 1980","\"Metaphors of Arata Isozuki,\" 1981; \"The Search of the Origins,\" 1982; \"Ironies of Charles Moore,\" 1983","\"Hermann Henselmann,\" November-December 1987","\"Residential Construction in East Germany: The Experiments of the 1980s,\" May 1989; Book Review, February 1990; \"The Ground Floor of the City,\" July 1990; \"Ralf Niebergall,\" November 1990","\"Industrial Interpretation of Traditions: Urban Design of the 1980s in East Germany,\" Special Issue #3, 1990","\"Die Neue Freiheit\" (The New Freedom)","\"Von der Papierarchitektur zum Joint venture\" (From Paper Architecture to Joint Venture), Dec. 28, 1992","\"Die lange Krise der Architektur in Russland\" (The Long Crisis in Russian Architecture), Oct. 1992; \"Rußland nach dem Umbruch\" (Russia after the Upheaval), Oct. 1993; \"Ökologische Tendenzen in der russischen Architektur\" (The Ecological Approach in Russian Architecture), Jan. 1994","\"Die neue Freiheit: Nachgedanken zu Järna aus Moskau\" Nov. 1992; \"Jürg Spörri, Architekt, oder Nachprüfung der Vorliebe,\" July 1994","\"Paper Architects and Secret Architecture: Planning and Building in the Crisis in Russia\"","\"Russlands Architekten verbünden sich\" (Moscow's Architects Unite), Sept. 1993","\"Wohnen in Moskau\" (Living in Moscow), Feb. 1994; \"Moskau nach dem Umbruch\" (Moscow after the Upheaval), Feb. 1994; \"Ökologische Tendenzen in der Architektur\" (Ecological Trends in Architecture), Feb. 1994; \"Architektur-Galerien in Manhattan,\" (Architectural Galleries in Manhattan), June 1996","\"Paper Architecture,\" Vol. 87, No. 30.115, February 3-4, 1996","\"The Tabakman Museum,\" Vol. 3, No. 2, June 1997","\"Architecture and Anthroposophy,\" No. 21, 1997","Most of the issues have references to Sokolina's professional activities","\"Architecture and the State: Moscow Urban Concepts After Socialism,\" Vol. 2, No. 2, Autumn 2002","\"Conflicting Visions of National Perspective in Contemporary Russian Architecture\"","Review of Sokolina's book by Prof. Vladimir L. Khait; First Russian architectural publication to publish the IAWA call for submissions","\"Architecture as Collateral Damage: Was Memorials and the Rebirth of Patriotism in Soviet Russia\"; Web site description of CCCP lecture; Outline for IAWA talk with images used for illustration","\n\"The Secret Star of the Outer Space Program: Galina Balashova, First Architect of Spaceship Interiors,\" 2018\n","\n\"Expanding the Archive: Caryatides of Russian Architecture,\" 2019\n","Life to Architecture: Milka Bliznakov Academic Papers and Records of Women in Russian Architecture at the IAWA","Includes images of 20 art works by Sokolina; Exhibition Notice, \"70th Anniversary of the Great October,\" anniversary exhibition by Architect's Union of the USSR held in the People's House of Friendship, Moscow, 1987","Young Russia , March 1997;  Evgeny Mikhnov Voitenko , May 1997;  Valery Yurlov  (Sokolina co-wrote catalog), June 1997","Catalog entries for \"Journeys of the Imagination: From the Former Soviet Union to the United States\" with curators Anna Sokolina and Jennifer Cahn, 2000-2001","Correspondence with Russian women architects and with IAWA, 2002-2007; Mailing list of Russian women architects, their heirs, and architectural institutions, 2007; List of gifts to the IAWA from Russian women architects and Sokolina, 2007","Introduction to Studio Design (2 classes); Independent Studies: Alternative Architecture; Russian Art and Architecture II: From 1860 to Present; Russian Art and Architecture I: From Byzantine Period to 1860","Russian Art and Architecture I: From Byzantine Period to 1860; Russian Art and Architecture II: From 1860 to Present"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog \u003cextref href=\"http://addison.vt.edu/\" title=\"Addison\"\u003eAddison\u003c/extref\u003e and transferred to the Rare Book Collection: \u003c/p\u003e\n","\u003cp\u003eArkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76 \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003e Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'.\u003c/emph\u003e Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990 \u003c/p\u003e\n","\u003cp\u003eSokolina, Anna. \u003cemph render=\"underline\"\u003e Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury.\u003c/emph\u003e 1991. (doctoral dissertation) Call number: NA1089 .S65 1991 \u003c/p\u003e\n","\u003cp\u003eSokolina, Anna. \u003cemph render=\"underline\"\u003eStikhi (Poems)\u003c/emph\u003e, New York: TELEX, 1998. Call number: PG3549.S63 S75 1998 \u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following items - a poetry book, doctoral dissertation three books by Sokolina and two containing chapters by Sokolina - were cataloged in the on-line library catalog  Addison  and transferred to the Rare Book Collection: ","Arkhitektura Zapada. [Ocherki] Red. Kollegi'i'a: S.O. Khan-Magomedov (otv. red.) [i dr.]. [Moscow]: Stroǐizdat, 1972-1987. (Sokolina has chapter, \"Charles Moore: Theory and Practice\") Call number: NA680 .A76 "," Problemy istorii arkhitektury: tezisy dokladov : vseso'i'uzna'i'a nauchna'i'a konferen't'si'i'a, Suzdal'.  Moscow: VNIITAG Goskomarkhitektury, 1990. (Sokolina has 3-page portion, \"The Concept of Tradition in East German Architecture, 1945-1990\") Call number: NA190 .P76 1990 ","Sokolina, Anna.   Osvoenie tradi't'siǐ v arkhitekture GDR: teori'i'a i istor i'ia arkhitektury restavra't'si'ia pam'iatnikov arkhitektury.  1991. (doctoral dissertation) Call number: NA1089 .S65 1991 ","Sokolina, Anna.  Stikhi (Poems) , New York: TELEX, 1998. Call number: PG3549.S63 S75 1998 "],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55ca25af68e73897f58f543b9a238773\" label=\"Abstract\"\u003eAnna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.\u003c/abstract\u003e"],"abstract_tesim":["Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Sokolina, Anna P."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Sokolina, Anna P."],"persname_ssim":["Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:12:26.189Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2232"}},{"id":"viblbv_repositories_2_resources_2288","type":"collection","attributes":{"title":"Architectural League of New York: Archive of Women in Architecture Records","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2288#creator","type":"document_value","attributes":{"value":"Architectural League of New York","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2288#abstract_or_scope","type":"document_value","attributes":{"value":"The Architectural League of New York created the Archive of Women in Architecture Records in 1973 to gather biographical and project data about women professionals in the field of architecture and other related disciplines. This information was used to create a 1977 exhibition and the book, \u003cem\u003eWomen in American Architecture: A Historic and Contemporary Perspective,\u003c/em\u003e edited by Susana Torre.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2288#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2288","ead_ssi":"viblbv_repositories_2_resources_2288","_root_":"viblbv_repositories_2_resources_2288","_nest_parent_":"viblbv_repositories_2_resources_2288","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2288.xml","title_filing_ssi":"Architectural League of New York: Archive of Women in Architecture Records","title_ssm":["Architectural League of New York: Archive of Women in Architecture Records"],"title_tesim":["Architectural League of New York: Archive of Women in Architecture Records"],"unitdate_ssm":["1892-1976, n.d."],"unitdate_inclusive_ssm":["1892-1976, n.d."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2005.016"],"text":["Ms.2005.016","Architectural League of New York: Archive of Women in Architecture Records","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","This collection is arranged into two series. Most material is stored in legal size folders, but some oversized material is stored in a flat box (Box 4) and in oversize folders.","Series I: Records of Individuals, 1941-1976, n.d., contains material about women architects arranged alphabetically by last name. It includes some oversized architectural plans. Most of this series is undated.","Series II: General Information about Women and Architecture, 1892-1976, is arranged chronologically by date of publication.","The Architectural League of New York is a non-profit organization that sponsors exhibitions, research studies, and projects that explore ideas in architecture and related art and design fields. The ALNY promotes excellence and innovation in architecture and urbanism by broadening the knowledge of these fields and communicating the importance of architecture in public life.","In 1973 the ALNY founded the Archive of Women in Architecture as a means to gather data about the careers of women in the field of architecture and other design professions. The project was made possible with public funds from the New York State Council on the Arts and a grant from the National Endowment for the Arts, and contributions from CBS, Inc., IBM Corporation, and Harry Winston, Inc. The archive committee consisted of Susana Torre, Coordinator, Phyllis Birkby, Regi Goldberg, Marjorie Hoog, Naomi Leff, Dimon Liu, Mimi Lobell, and Marita O'Hare.","In September of that year, the Archive began a national survey to collect both biographical and project data from women working in the profession. Committee members sent a form letter to women architects describing the archive and its mission, along with both a biographical worksheet and a project worksheet. At this time, Archive committee members also collected information about women who were no longer practicing architects in 1973. From the information gathered for the Archive, a 1977 exhibition and a book, Women in American Architecture: A Historic and Contemporary Perspective, were produced. The Archive of Women in Architecture ceased to collect material after this date.","The guide to the Architectural League of New York: Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Processing, arrangement, and description of the Architectural League of New York: Archive of Women in Architecture Records commenced in June 2005 and was completed in July 2005. Minor revisions occurred in June 2006.","Additional material related to the 1977 exhibition and book  Women in American Architecture  is found in another IAWA collection, the  Susana Torre Architectural Collection, Ms1990-016 .","The Architectural League of New York: Archive of Women in Architecture Records consist mainly of copies of the form letters sent out by the Archive in 1973 and completed biographical worksheets, project worksheets, and other materials sent by women in reply to the solicitation. The form letter described the archive and its mission and was accompanied by a biographical worksheet and a project worksheet. The biographical worksheet includes information such as name, date of birth, address, telephone, education, awards, fellowships, grants, registration status, professional affiliations, work experience, areas of special interest and additional pertinent data. The project worksheet includes information such as project title, project category, project description, project data, participation in projects, and a place to list what media was submitted to the archive. Acceptable forms of project media included photos, photocopies, 35mm slides and written material not exceeding 8.5 x 11\" when folded.","The amount of information about each woman architect in this collection varies because the selection of the materials was left to the judgment of the individual who submitted them. Some folders contain only a copy of the form letter from the Archive, while others include articles written by or about women, or photographs or blueprints of projects. If the folder title indicates \"architectural projects,\" material includes an AWA project worksheet with supporting documentation of the projects, such as photos, slides or written information. If the folder title indicates \"architectural drawings,\" the folder includes some form of architectural plans that accompany supporting documentation.","The collection also includes several publications that were donated to the Archive that deal specifically with working women, women in architecture, and architectural trends. Articles and booklets were retained in the collection, while full published works were cataloged individually. Removed items are listed below under Separated Items.","Shows work by Jean Driskel, Lucille Raport, Olive Chadeayne, and Lutah Maria Riggs.","Shows work by Leslie Armstrong, Kirsten Childs, Susan Bragstad, Judith York Newman, Nancy Copely, Carol Bain, Judith Edelman, and Astra Zarina.","The following publications have been separated to the Rare Book Collection:","\nSeparated from Series I:","Curran, June.  Drawing Plans for Your Own Home . New York: McGraw-Hill, 1976. Call number NA7115 .C87 1976","Cutler, Laurence S., and Sherrie Stephens Cutler.  System Ecologic: Phase II . Cambridge, Mass., 1973. Call number TH1000.C98 S9 1973","Hosken, Fran P.  The Language of Cities . New York: Macmillan, 1972. Call number HT153 .H65 1972","Kutsenkow, F. Corinne, Florence Carr Randall, and James J. Jones.  Voices of Earth: Man's Environment . San Francisco: Leswing Communications, 1971. Call number GF48.K8 1971","Perriand, Charlotte.  Charlotte Perriand: Interior Equipment . New York: Architectural League of New York, 1997. Call number NK2004.3.P47 C43 1997","\nSeparated from Series II:","New York Cultural Center and Women in the Arts.  Women Choose Women: January 12 - February 18, 1973 . New York: New York Cultural Center, 1973. Call number N6512 .W59 1973","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Architectural League of New York created the Archive of Women in Architecture Records in 1973 to gather biographical and project data about women professionals in the field of architecture and other related disciplines. This information was used to create a 1977 exhibition and the book,  Women in American Architecture: A Historic and Contemporary Perspective,  edited by Susana Torre.","Special Collections and University Archives, Virginia Tech","Architectural League of New York","The materials in the collection are in English."],"unitid_tesim":["Ms.2005.016"],"normalized_title_ssm":["Architectural League of New York: Archive of Women in Architecture Records"],"collection_title_tesim":["Architectural League of New York: Archive of Women in Architecture Records"],"collection_ssim":["Architectural League of New York: Archive of Women in Architecture Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Architectural League of New York"],"creator_ssim":["Architectural League of New York"],"creator_corpname_ssim":["Architectural League of New York"],"creators_ssim":["Architectural League of New York"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Architectural League of New York: Archive of Women in Architecture Records were donated to the International Archive of Women in Architecture at the Special Collections in 2002."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["5.2 Cubic Feet 4 boxes and 4 oversize folders"],"extent_tesim":["5.2 Cubic Feet 4 boxes and 4 oversize folders"],"date_range_isim":[1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series. Most material is stored in legal size folders, but some oversized material is stored in a flat box (Box 4) and in oversize folders.\u003c/p\u003e\n","\u003cp\u003eSeries I: Records of Individuals, 1941-1976, n.d., contains material about women architects arranged alphabetically by last name. It includes some oversized architectural plans. Most of this series is undated.\u003c/p\u003e\n","\u003cp\u003eSeries II: General Information about Women and Architecture, 1892-1976, is arranged chronologically by date of publication.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series. Most material is stored in legal size folders, but some oversized material is stored in a flat box (Box 4) and in oversize folders.","Series I: Records of Individuals, 1941-1976, n.d., contains material about women architects arranged alphabetically by last name. It includes some oversized architectural plans. Most of this series is undated.","Series II: General Information about Women and Architecture, 1892-1976, is arranged chronologically by date of publication."],"bioghist_html_tesm":["\u003cp\u003eThe Architectural League of New York is a non-profit organization that sponsors exhibitions, research studies, and projects that explore ideas in architecture and related art and design fields. The ALNY promotes excellence and innovation in architecture and urbanism by broadening the knowledge of these fields and communicating the importance of architecture in public life.\u003c/p\u003e\n","\u003cp\u003eIn 1973 the ALNY founded the Archive of Women in Architecture as a means to gather data about the careers of women in the field of architecture and other design professions. The project was made possible with public funds from the New York State Council on the Arts and a grant from the National Endowment for the Arts, and contributions from CBS, Inc., IBM Corporation, and Harry Winston, Inc. The archive committee consisted of Susana Torre, Coordinator, Phyllis Birkby, Regi Goldberg, Marjorie Hoog, Naomi Leff, Dimon Liu, Mimi Lobell, and Marita O'Hare.\u003c/p\u003e\n","\u003cp\u003eIn September of that year, the Archive began a national survey to collect both biographical and project data from women working in the profession. Committee members sent a form letter to women architects describing the archive and its mission, along with both a biographical worksheet and a project worksheet. At this time, Archive committee members also collected information about women who were no longer practicing architects in 1973. From the information gathered for the Archive, a 1977 exhibition and a book, Women in American Architecture: A Historic and Contemporary Perspective, were produced. The Archive of Women in Architecture ceased to collect material after this date.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Architectural League of New York is a non-profit organization that sponsors exhibitions, research studies, and projects that explore ideas in architecture and related art and design fields. The ALNY promotes excellence and innovation in architecture and urbanism by broadening the knowledge of these fields and communicating the importance of architecture in public life.","In 1973 the ALNY founded the Archive of Women in Architecture as a means to gather data about the careers of women in the field of architecture and other design professions. The project was made possible with public funds from the New York State Council on the Arts and a grant from the National Endowment for the Arts, and contributions from CBS, Inc., IBM Corporation, and Harry Winston, Inc. The archive committee consisted of Susana Torre, Coordinator, Phyllis Birkby, Regi Goldberg, Marjorie Hoog, Naomi Leff, Dimon Liu, Mimi Lobell, and Marita O'Hare.","In September of that year, the Archive began a national survey to collect both biographical and project data from women working in the profession. Committee members sent a form letter to women architects describing the archive and its mission, along with both a biographical worksheet and a project worksheet. At this time, Archive committee members also collected information about women who were no longer practicing architects in 1973. From the information gathered for the Archive, a 1977 exhibition and a book, Women in American Architecture: A Historic and Contemporary Perspective, were produced. The Archive of Women in Architecture ceased to collect material after this date."],"odd_html_tesm":["\u003cp\u003eThe guide to the Architectural League of New York: Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Architectural League of New York: Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Architectural League of New York: Archive of Women in Architecture Records, Ms2005-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Architectural League of New York: Archive of Women in Architecture Records, Ms2005-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing, arrangement, and description of the Architectural League of New York: Archive of Women in Architecture Records commenced in June 2005 and was completed in July 2005. Minor revisions occurred in June 2006.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing, arrangement, and description of the Architectural League of New York: Archive of Women in Architecture Records commenced in June 2005 and was completed in July 2005. Minor revisions occurred in June 2006."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional material related to the 1977 exhibition and book \u003ctitle render=\"italic\"\u003eWomen in American Architecture\u003c/title\u003e is found in another IAWA collection, the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1750.oai_ead.xml\" title=\"Susana Torre Architectural Papers,\"\u003eSusana Torre Architectural Collection, Ms1990-016\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Additional material related to the 1977 exhibition and book  Women in American Architecture  is found in another IAWA collection, the  Susana Torre Architectural Collection, Ms1990-016 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Architectural League of New York: Archive of Women in Architecture Records consist mainly of copies of the form letters sent out by the Archive in 1973 and completed biographical worksheets, project worksheets, and other materials sent by women in reply to the solicitation. The form letter described the archive and its mission and was accompanied by a biographical worksheet and a project worksheet. The biographical worksheet includes information such as name, date of birth, address, telephone, education, awards, fellowships, grants, registration status, professional affiliations, work experience, areas of special interest and additional pertinent data. The project worksheet includes information such as project title, project category, project description, project data, participation in projects, and a place to list what media was submitted to the archive. Acceptable forms of project media included photos, photocopies, 35mm slides and written material not exceeding 8.5 x 11\" when folded.\u003c/p\u003e\n","\u003cp\u003eThe amount of information about each woman architect in this collection varies because the selection of the materials was left to the judgment of the individual who submitted them. Some folders contain only a copy of the form letter from the Archive, while others include articles written by or about women, or photographs or blueprints of projects. If the folder title indicates \"architectural projects,\" material includes an AWA project worksheet with supporting documentation of the projects, such as photos, slides or written information. If the folder title indicates \"architectural drawings,\" the folder includes some form of architectural plans that accompany supporting documentation.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes several publications that were donated to the Archive that deal specifically with working women, women in architecture, and architectural trends. Articles and booklets were retained in the collection, while full published works were cataloged individually. Removed items are listed below under Separated Items.\u003c/p\u003e","\u003cp\u003eShows work by Jean Driskel, Lucille Raport, Olive Chadeayne, and Lutah Maria Riggs.\u003c/p\u003e","\u003cp\u003eShows work by Leslie Armstrong, Kirsten Childs, Susan Bragstad, Judith York Newman, Nancy Copely, Carol Bain, Judith Edelman, and Astra Zarina.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Architectural League of New York: Archive of Women in Architecture Records consist mainly of copies of the form letters sent out by the Archive in 1973 and completed biographical worksheets, project worksheets, and other materials sent by women in reply to the solicitation. The form letter described the archive and its mission and was accompanied by a biographical worksheet and a project worksheet. The biographical worksheet includes information such as name, date of birth, address, telephone, education, awards, fellowships, grants, registration status, professional affiliations, work experience, areas of special interest and additional pertinent data. The project worksheet includes information such as project title, project category, project description, project data, participation in projects, and a place to list what media was submitted to the archive. Acceptable forms of project media included photos, photocopies, 35mm slides and written material not exceeding 8.5 x 11\" when folded.","The amount of information about each woman architect in this collection varies because the selection of the materials was left to the judgment of the individual who submitted them. Some folders contain only a copy of the form letter from the Archive, while others include articles written by or about women, or photographs or blueprints of projects. If the folder title indicates \"architectural projects,\" material includes an AWA project worksheet with supporting documentation of the projects, such as photos, slides or written information. If the folder title indicates \"architectural drawings,\" the folder includes some form of architectural plans that accompany supporting documentation.","The collection also includes several publications that were donated to the Archive that deal specifically with working women, women in architecture, and architectural trends. Articles and booklets were retained in the collection, while full published works were cataloged individually. Removed items are listed below under Separated Items.","Shows work by Jean Driskel, Lucille Raport, Olive Chadeayne, and Lutah Maria Riggs.","Shows work by Leslie Armstrong, Kirsten Childs, Susan Bragstad, Judith York Newman, Nancy Copely, Carol Bain, Judith Edelman, and Astra Zarina."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003e\nSeparated from Series I:\u003c/p\u003e\n","\u003cp\u003eCurran, June. \u003ctitle render=\"italic\"\u003eDrawing Plans for Your Own Home\u003c/title\u003e. New York: McGraw-Hill, 1976. Call number NA7115 .C87 1976\u003c/p\u003e\n","\u003cp\u003eCutler, Laurence S., and Sherrie Stephens Cutler. \u003ctitle render=\"italic\"\u003eSystem Ecologic: Phase II\u003c/title\u003e. Cambridge, Mass., 1973. Call number TH1000.C98 S9 1973\u003c/p\u003e\n","\u003cp\u003eHosken, Fran P. \u003ctitle render=\"italic\"\u003eThe Language of Cities\u003c/title\u003e. New York: Macmillan, 1972. Call number HT153 .H65 1972\u003c/p\u003e\n","\u003cp\u003eKutsenkow, F. Corinne, Florence Carr Randall, and James J. Jones. \u003ctitle render=\"italic\"\u003eVoices of Earth: Man's Environment\u003c/title\u003e. San Francisco: Leswing Communications, 1971. Call number GF48.K8 1971\u003c/p\u003e\n","\u003cp\u003ePerriand, Charlotte. \u003ctitle render=\"italic\"\u003eCharlotte Perriand: Interior Equipment\u003c/title\u003e. New York: Architectural League of New York, 1997. Call number NK2004.3.P47 C43 1997\u003c/p\u003e\n","\u003cp\u003e\nSeparated from Series II:\u003c/p\u003e\n","\u003cp\u003eNew York Cultural Center and Women in the Arts. \u003ctitle render=\"italic\"\u003eWomen Choose Women: January 12 - February 18, 1973\u003c/title\u003e. New York: New York Cultural Center, 1973. Call number N6512 .W59 1973\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Book Collection:","\nSeparated from Series I:","Curran, June.  Drawing Plans for Your Own Home . New York: McGraw-Hill, 1976. Call number NA7115 .C87 1976","Cutler, Laurence S., and Sherrie Stephens Cutler.  System Ecologic: Phase II . Cambridge, Mass., 1973. Call number TH1000.C98 S9 1973","Hosken, Fran P.  The Language of Cities . New York: Macmillan, 1972. Call number HT153 .H65 1972","Kutsenkow, F. Corinne, Florence Carr Randall, and James J. Jones.  Voices of Earth: Man's Environment . San Francisco: Leswing Communications, 1971. Call number GF48.K8 1971","Perriand, Charlotte.  Charlotte Perriand: Interior Equipment . New York: Architectural League of New York, 1997. Call number NK2004.3.P47 C43 1997","\nSeparated from Series II:","New York Cultural Center and Women in the Arts.  Women Choose Women: January 12 - February 18, 1973 . New York: New York Cultural Center, 1973. Call number N6512 .W59 1973"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_376bd988a7057fe3e3932fa5a326ae07\" label=\"Abstract\"\u003eThe Architectural League of New York created the Archive of Women in Architecture Records in 1973 to gather biographical and project data about women professionals in the field of architecture and other related disciplines. This information was used to create a 1977 exhibition and the book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture: A Historic and Contemporary Perspective,\u003c/title\u003e edited by Susana Torre.\u003c/abstract\u003e"],"abstract_tesim":["The Architectural League of New York created the Archive of Women in Architecture Records in 1973 to gather biographical and project data about women professionals in the field of architecture and other related disciplines. This information was used to create a 1977 exhibition and the book,  Women in American Architecture: A Historic and Contemporary Perspective,  edited by Susana Torre."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Architectural League of New York"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Architectural League of New York"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":222,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:24:59.152Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2288","ead_ssi":"viblbv_repositories_2_resources_2288","_root_":"viblbv_repositories_2_resources_2288","_nest_parent_":"viblbv_repositories_2_resources_2288","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2288.xml","title_filing_ssi":"Architectural League of New York: Archive of Women in Architecture Records","title_ssm":["Architectural League of New York: Archive of Women in Architecture Records"],"title_tesim":["Architectural League of New York: Archive of Women in Architecture Records"],"unitdate_ssm":["1892-1976, n.d."],"unitdate_inclusive_ssm":["1892-1976, n.d."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2005.016"],"text":["Ms.2005.016","Architectural League of New York: Archive of Women in Architecture Records","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","This collection is arranged into two series. Most material is stored in legal size folders, but some oversized material is stored in a flat box (Box 4) and in oversize folders.","Series I: Records of Individuals, 1941-1976, n.d., contains material about women architects arranged alphabetically by last name. It includes some oversized architectural plans. Most of this series is undated.","Series II: General Information about Women and Architecture, 1892-1976, is arranged chronologically by date of publication.","The Architectural League of New York is a non-profit organization that sponsors exhibitions, research studies, and projects that explore ideas in architecture and related art and design fields. The ALNY promotes excellence and innovation in architecture and urbanism by broadening the knowledge of these fields and communicating the importance of architecture in public life.","In 1973 the ALNY founded the Archive of Women in Architecture as a means to gather data about the careers of women in the field of architecture and other design professions. The project was made possible with public funds from the New York State Council on the Arts and a grant from the National Endowment for the Arts, and contributions from CBS, Inc., IBM Corporation, and Harry Winston, Inc. The archive committee consisted of Susana Torre, Coordinator, Phyllis Birkby, Regi Goldberg, Marjorie Hoog, Naomi Leff, Dimon Liu, Mimi Lobell, and Marita O'Hare.","In September of that year, the Archive began a national survey to collect both biographical and project data from women working in the profession. Committee members sent a form letter to women architects describing the archive and its mission, along with both a biographical worksheet and a project worksheet. At this time, Archive committee members also collected information about women who were no longer practicing architects in 1973. From the information gathered for the Archive, a 1977 exhibition and a book, Women in American Architecture: A Historic and Contemporary Perspective, were produced. The Archive of Women in Architecture ceased to collect material after this date.","The guide to the Architectural League of New York: Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Processing, arrangement, and description of the Architectural League of New York: Archive of Women in Architecture Records commenced in June 2005 and was completed in July 2005. Minor revisions occurred in June 2006.","Additional material related to the 1977 exhibition and book  Women in American Architecture  is found in another IAWA collection, the  Susana Torre Architectural Collection, Ms1990-016 .","The Architectural League of New York: Archive of Women in Architecture Records consist mainly of copies of the form letters sent out by the Archive in 1973 and completed biographical worksheets, project worksheets, and other materials sent by women in reply to the solicitation. The form letter described the archive and its mission and was accompanied by a biographical worksheet and a project worksheet. The biographical worksheet includes information such as name, date of birth, address, telephone, education, awards, fellowships, grants, registration status, professional affiliations, work experience, areas of special interest and additional pertinent data. The project worksheet includes information such as project title, project category, project description, project data, participation in projects, and a place to list what media was submitted to the archive. Acceptable forms of project media included photos, photocopies, 35mm slides and written material not exceeding 8.5 x 11\" when folded.","The amount of information about each woman architect in this collection varies because the selection of the materials was left to the judgment of the individual who submitted them. Some folders contain only a copy of the form letter from the Archive, while others include articles written by or about women, or photographs or blueprints of projects. If the folder title indicates \"architectural projects,\" material includes an AWA project worksheet with supporting documentation of the projects, such as photos, slides or written information. If the folder title indicates \"architectural drawings,\" the folder includes some form of architectural plans that accompany supporting documentation.","The collection also includes several publications that were donated to the Archive that deal specifically with working women, women in architecture, and architectural trends. Articles and booklets were retained in the collection, while full published works were cataloged individually. Removed items are listed below under Separated Items.","Shows work by Jean Driskel, Lucille Raport, Olive Chadeayne, and Lutah Maria Riggs.","Shows work by Leslie Armstrong, Kirsten Childs, Susan Bragstad, Judith York Newman, Nancy Copely, Carol Bain, Judith Edelman, and Astra Zarina.","The following publications have been separated to the Rare Book Collection:","\nSeparated from Series I:","Curran, June.  Drawing Plans for Your Own Home . New York: McGraw-Hill, 1976. Call number NA7115 .C87 1976","Cutler, Laurence S., and Sherrie Stephens Cutler.  System Ecologic: Phase II . Cambridge, Mass., 1973. Call number TH1000.C98 S9 1973","Hosken, Fran P.  The Language of Cities . New York: Macmillan, 1972. Call number HT153 .H65 1972","Kutsenkow, F. Corinne, Florence Carr Randall, and James J. Jones.  Voices of Earth: Man's Environment . San Francisco: Leswing Communications, 1971. Call number GF48.K8 1971","Perriand, Charlotte.  Charlotte Perriand: Interior Equipment . New York: Architectural League of New York, 1997. Call number NK2004.3.P47 C43 1997","\nSeparated from Series II:","New York Cultural Center and Women in the Arts.  Women Choose Women: January 12 - February 18, 1973 . New York: New York Cultural Center, 1973. Call number N6512 .W59 1973","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Architectural League of New York created the Archive of Women in Architecture Records in 1973 to gather biographical and project data about women professionals in the field of architecture and other related disciplines. This information was used to create a 1977 exhibition and the book,  Women in American Architecture: A Historic and Contemporary Perspective,  edited by Susana Torre.","Special Collections and University Archives, Virginia Tech","Architectural League of New York","The materials in the collection are in English."],"unitid_tesim":["Ms.2005.016"],"normalized_title_ssm":["Architectural League of New York: Archive of Women in Architecture Records"],"collection_title_tesim":["Architectural League of New York: Archive of Women in Architecture Records"],"collection_ssim":["Architectural League of New York: Archive of Women in Architecture Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Architectural League of New York"],"creator_ssim":["Architectural League of New York"],"creator_corpname_ssim":["Architectural League of New York"],"creators_ssim":["Architectural League of New York"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Architectural League of New York: Archive of Women in Architecture Records were donated to the International Archive of Women in Architecture at the Special Collections in 2002."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["5.2 Cubic Feet 4 boxes and 4 oversize folders"],"extent_tesim":["5.2 Cubic Feet 4 boxes and 4 oversize folders"],"date_range_isim":[1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series. Most material is stored in legal size folders, but some oversized material is stored in a flat box (Box 4) and in oversize folders.\u003c/p\u003e\n","\u003cp\u003eSeries I: Records of Individuals, 1941-1976, n.d., contains material about women architects arranged alphabetically by last name. It includes some oversized architectural plans. Most of this series is undated.\u003c/p\u003e\n","\u003cp\u003eSeries II: General Information about Women and Architecture, 1892-1976, is arranged chronologically by date of publication.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series. Most material is stored in legal size folders, but some oversized material is stored in a flat box (Box 4) and in oversize folders.","Series I: Records of Individuals, 1941-1976, n.d., contains material about women architects arranged alphabetically by last name. It includes some oversized architectural plans. Most of this series is undated.","Series II: General Information about Women and Architecture, 1892-1976, is arranged chronologically by date of publication."],"bioghist_html_tesm":["\u003cp\u003eThe Architectural League of New York is a non-profit organization that sponsors exhibitions, research studies, and projects that explore ideas in architecture and related art and design fields. The ALNY promotes excellence and innovation in architecture and urbanism by broadening the knowledge of these fields and communicating the importance of architecture in public life.\u003c/p\u003e\n","\u003cp\u003eIn 1973 the ALNY founded the Archive of Women in Architecture as a means to gather data about the careers of women in the field of architecture and other design professions. The project was made possible with public funds from the New York State Council on the Arts and a grant from the National Endowment for the Arts, and contributions from CBS, Inc., IBM Corporation, and Harry Winston, Inc. The archive committee consisted of Susana Torre, Coordinator, Phyllis Birkby, Regi Goldberg, Marjorie Hoog, Naomi Leff, Dimon Liu, Mimi Lobell, and Marita O'Hare.\u003c/p\u003e\n","\u003cp\u003eIn September of that year, the Archive began a national survey to collect both biographical and project data from women working in the profession. Committee members sent a form letter to women architects describing the archive and its mission, along with both a biographical worksheet and a project worksheet. At this time, Archive committee members also collected information about women who were no longer practicing architects in 1973. From the information gathered for the Archive, a 1977 exhibition and a book, Women in American Architecture: A Historic and Contemporary Perspective, were produced. The Archive of Women in Architecture ceased to collect material after this date.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Architectural League of New York is a non-profit organization that sponsors exhibitions, research studies, and projects that explore ideas in architecture and related art and design fields. The ALNY promotes excellence and innovation in architecture and urbanism by broadening the knowledge of these fields and communicating the importance of architecture in public life.","In 1973 the ALNY founded the Archive of Women in Architecture as a means to gather data about the careers of women in the field of architecture and other design professions. The project was made possible with public funds from the New York State Council on the Arts and a grant from the National Endowment for the Arts, and contributions from CBS, Inc., IBM Corporation, and Harry Winston, Inc. The archive committee consisted of Susana Torre, Coordinator, Phyllis Birkby, Regi Goldberg, Marjorie Hoog, Naomi Leff, Dimon Liu, Mimi Lobell, and Marita O'Hare.","In September of that year, the Archive began a national survey to collect both biographical and project data from women working in the profession. Committee members sent a form letter to women architects describing the archive and its mission, along with both a biographical worksheet and a project worksheet. At this time, Archive committee members also collected information about women who were no longer practicing architects in 1973. From the information gathered for the Archive, a 1977 exhibition and a book, Women in American Architecture: A Historic and Contemporary Perspective, were produced. The Archive of Women in Architecture ceased to collect material after this date."],"odd_html_tesm":["\u003cp\u003eThe guide to the Architectural League of New York: Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Architectural League of New York: Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Architectural League of New York: Archive of Women in Architecture Records, Ms2005-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Architectural League of New York: Archive of Women in Architecture Records, Ms2005-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing, arrangement, and description of the Architectural League of New York: Archive of Women in Architecture Records commenced in June 2005 and was completed in July 2005. Minor revisions occurred in June 2006.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing, arrangement, and description of the Architectural League of New York: Archive of Women in Architecture Records commenced in June 2005 and was completed in July 2005. Minor revisions occurred in June 2006."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional material related to the 1977 exhibition and book \u003ctitle render=\"italic\"\u003eWomen in American Architecture\u003c/title\u003e is found in another IAWA collection, the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1750.oai_ead.xml\" title=\"Susana Torre Architectural Papers,\"\u003eSusana Torre Architectural Collection, Ms1990-016\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Additional material related to the 1977 exhibition and book  Women in American Architecture  is found in another IAWA collection, the  Susana Torre Architectural Collection, Ms1990-016 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Architectural League of New York: Archive of Women in Architecture Records consist mainly of copies of the form letters sent out by the Archive in 1973 and completed biographical worksheets, project worksheets, and other materials sent by women in reply to the solicitation. The form letter described the archive and its mission and was accompanied by a biographical worksheet and a project worksheet. The biographical worksheet includes information such as name, date of birth, address, telephone, education, awards, fellowships, grants, registration status, professional affiliations, work experience, areas of special interest and additional pertinent data. The project worksheet includes information such as project title, project category, project description, project data, participation in projects, and a place to list what media was submitted to the archive. Acceptable forms of project media included photos, photocopies, 35mm slides and written material not exceeding 8.5 x 11\" when folded.\u003c/p\u003e\n","\u003cp\u003eThe amount of information about each woman architect in this collection varies because the selection of the materials was left to the judgment of the individual who submitted them. Some folders contain only a copy of the form letter from the Archive, while others include articles written by or about women, or photographs or blueprints of projects. If the folder title indicates \"architectural projects,\" material includes an AWA project worksheet with supporting documentation of the projects, such as photos, slides or written information. If the folder title indicates \"architectural drawings,\" the folder includes some form of architectural plans that accompany supporting documentation.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes several publications that were donated to the Archive that deal specifically with working women, women in architecture, and architectural trends. Articles and booklets were retained in the collection, while full published works were cataloged individually. Removed items are listed below under Separated Items.\u003c/p\u003e","\u003cp\u003eShows work by Jean Driskel, Lucille Raport, Olive Chadeayne, and Lutah Maria Riggs.\u003c/p\u003e","\u003cp\u003eShows work by Leslie Armstrong, Kirsten Childs, Susan Bragstad, Judith York Newman, Nancy Copely, Carol Bain, Judith Edelman, and Astra Zarina.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Architectural League of New York: Archive of Women in Architecture Records consist mainly of copies of the form letters sent out by the Archive in 1973 and completed biographical worksheets, project worksheets, and other materials sent by women in reply to the solicitation. The form letter described the archive and its mission and was accompanied by a biographical worksheet and a project worksheet. The biographical worksheet includes information such as name, date of birth, address, telephone, education, awards, fellowships, grants, registration status, professional affiliations, work experience, areas of special interest and additional pertinent data. The project worksheet includes information such as project title, project category, project description, project data, participation in projects, and a place to list what media was submitted to the archive. Acceptable forms of project media included photos, photocopies, 35mm slides and written material not exceeding 8.5 x 11\" when folded.","The amount of information about each woman architect in this collection varies because the selection of the materials was left to the judgment of the individual who submitted them. Some folders contain only a copy of the form letter from the Archive, while others include articles written by or about women, or photographs or blueprints of projects. If the folder title indicates \"architectural projects,\" material includes an AWA project worksheet with supporting documentation of the projects, such as photos, slides or written information. If the folder title indicates \"architectural drawings,\" the folder includes some form of architectural plans that accompany supporting documentation.","The collection also includes several publications that were donated to the Archive that deal specifically with working women, women in architecture, and architectural trends. Articles and booklets were retained in the collection, while full published works were cataloged individually. Removed items are listed below under Separated Items.","Shows work by Jean Driskel, Lucille Raport, Olive Chadeayne, and Lutah Maria Riggs.","Shows work by Leslie Armstrong, Kirsten Childs, Susan Bragstad, Judith York Newman, Nancy Copely, Carol Bain, Judith Edelman, and Astra Zarina."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003e\nSeparated from Series I:\u003c/p\u003e\n","\u003cp\u003eCurran, June. \u003ctitle render=\"italic\"\u003eDrawing Plans for Your Own Home\u003c/title\u003e. New York: McGraw-Hill, 1976. Call number NA7115 .C87 1976\u003c/p\u003e\n","\u003cp\u003eCutler, Laurence S., and Sherrie Stephens Cutler. \u003ctitle render=\"italic\"\u003eSystem Ecologic: Phase II\u003c/title\u003e. Cambridge, Mass., 1973. Call number TH1000.C98 S9 1973\u003c/p\u003e\n","\u003cp\u003eHosken, Fran P. \u003ctitle render=\"italic\"\u003eThe Language of Cities\u003c/title\u003e. New York: Macmillan, 1972. Call number HT153 .H65 1972\u003c/p\u003e\n","\u003cp\u003eKutsenkow, F. Corinne, Florence Carr Randall, and James J. Jones. \u003ctitle render=\"italic\"\u003eVoices of Earth: Man's Environment\u003c/title\u003e. San Francisco: Leswing Communications, 1971. Call number GF48.K8 1971\u003c/p\u003e\n","\u003cp\u003ePerriand, Charlotte. \u003ctitle render=\"italic\"\u003eCharlotte Perriand: Interior Equipment\u003c/title\u003e. New York: Architectural League of New York, 1997. Call number NK2004.3.P47 C43 1997\u003c/p\u003e\n","\u003cp\u003e\nSeparated from Series II:\u003c/p\u003e\n","\u003cp\u003eNew York Cultural Center and Women in the Arts. \u003ctitle render=\"italic\"\u003eWomen Choose Women: January 12 - February 18, 1973\u003c/title\u003e. New York: New York Cultural Center, 1973. Call number N6512 .W59 1973\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Book Collection:","\nSeparated from Series I:","Curran, June.  Drawing Plans for Your Own Home . New York: McGraw-Hill, 1976. Call number NA7115 .C87 1976","Cutler, Laurence S., and Sherrie Stephens Cutler.  System Ecologic: Phase II . Cambridge, Mass., 1973. Call number TH1000.C98 S9 1973","Hosken, Fran P.  The Language of Cities . New York: Macmillan, 1972. Call number HT153 .H65 1972","Kutsenkow, F. Corinne, Florence Carr Randall, and James J. Jones.  Voices of Earth: Man's Environment . San Francisco: Leswing Communications, 1971. Call number GF48.K8 1971","Perriand, Charlotte.  Charlotte Perriand: Interior Equipment . New York: Architectural League of New York, 1997. Call number NK2004.3.P47 C43 1997","\nSeparated from Series II:","New York Cultural Center and Women in the Arts.  Women Choose Women: January 12 - February 18, 1973 . New York: New York Cultural Center, 1973. Call number N6512 .W59 1973"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_376bd988a7057fe3e3932fa5a326ae07\" label=\"Abstract\"\u003eThe Architectural League of New York created the Archive of Women in Architecture Records in 1973 to gather biographical and project data about women professionals in the field of architecture and other related disciplines. This information was used to create a 1977 exhibition and the book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture: A Historic and Contemporary Perspective,\u003c/title\u003e edited by Susana Torre.\u003c/abstract\u003e"],"abstract_tesim":["The Architectural League of New York created the Archive of Women in Architecture Records in 1973 to gather biographical and project data about women professionals in the field of architecture and other related disciplines. This information was used to create a 1977 exhibition and the book,  Women in American Architecture: A Historic and Contemporary Perspective,  edited by Susana Torre."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Architectural League of New York"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Architectural League of New York"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":222,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:24:59.152Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2288"}},{"id":"viblbv_repositories_2_resources_2089","type":"collection","attributes":{"title":"Elisabeth-Charlotte Harling Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2089#creator","type":"document_value","attributes":{"value":"Harling, Elisabeth-Charlotte, 1922-2011","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2089#abstract_or_scope","type":"document_value","attributes":{"value":"The Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2089#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2089","ead_ssi":"viblbv_repositories_2_resources_2089","_root_":"viblbv_repositories_2_resources_2089","_nest_parent_":"viblbv_repositories_2_resources_2089","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2089.xml","title_filing_ssi":"Harling, Elisabeth-Charlotte, Architectural Collection","title_ssm":["Elisabeth-Charlotte Harling Architectural Collection"],"title_tesim":["Elisabeth-Charlotte Harling Architectural Collection"],"unitdate_ssm":["1950-1998"],"unitdate_inclusive_ssm":["1950-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1999.007"],"text":["Ms.1999.007","Elisabeth-Charlotte Harling Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Germany","The collection is open for research.","This collection is arranged by subject.","Elisabeth-Charlotte Harling was born on February 2, 1922 in Osnabrueck, Germany. She earned a diploma in Interior Design from the State School of Crafts and Applied Arts in Weimar. Her course of study included three months practical experience in a cabinetmaker's shop (1941-1943). In 1944 she attended the College of Architecture and Applied Arts in Weimar for a semester of architectural studies. ","In 1944-1945, she was a teaching assistant in the history of architecture for Professor Denis Boniver in Weimar, and in 1945-1946, she worked at the British Area Works Office in Osnabrueck, gaining experience in interior design, construction supervision, and maintenance staff supervision. During 1946-1947 she worked for the architectural firm of Theo Burlage and Niebuhr in Osnabrueck, focusing on design and construction of residential and commercial buildings.","Harling returned to college in the Department of Architecture at the Technical University of Stuttgart, where she received her diploma in architecture. She traveled extensively in Europe, visiting Italy, Switzerland, France, Greece, and, England.","Harling began her professional career as an independent architect in 1953 when she designed and constructed the residence of Dr. Pante in Neuenkirchen, Germany.","In addition to designing as an independent architect, Harling was employed as architect and interior designer for several architectural firms. She has completed projects in France, Switzerland and Germany.","Harling died November 19, 2011. ","Below is a list of firms and projects.","Suter and Suter in Basel, Switzerland, 1955-1961 Tropical Institute, Basel, Switzerland Reception Pavilion of Sulzer, Winterthur, Switzerland Administrative building of Suiselectra, Basel, Switzerland","Harling also worked for Suter and Suter as interior designer on several projects: Offices for upper management of Winterthur, Paris, France Expansion of Westfalenbank, Bochum, Germany Coop Haus, Basel, Switzerland New building of Swiss Credit Institute, Basel, Switzerland Offices for upper management of Lonza, Lonza Highrise, Basel, Switzerland","Otto H. Senn in Basel, Switzerland, 1961-1968 1961 Administrative building of \"Allgemeine Treuhand,\" Basel, Switzerland 1962-1968 Library of the University Basel, Switzerland 1966-1967 Planning of a residential development of 1280 units in Oberes Murifeld-Wittingkofen near Bern, Switzerland 1968 Reorganization/reconstruction of the university library in Freiburg, Switzerland","Otto H. Senn - design competitions, 1961-1968 1962 Church Complex, Copenhagen, Denmark 1965 Stadttheater (theater) in Basel, Switzerland 1967-1968 School Im Moos, in Riehen near Basel, Switzerland","State University and Building Department in Konstanz, Germany, 1969-1984 1969-1972 Planning and design of Central Functions for a new University Library of the Konstanz University 1974-1982 Design and construction supervision of a Natural Sciences Library at the new University of Konstanz 1983-1984 Renovation of a historic administrative building in Konstanz","Independent architect 1965 Abbey St. Marie de Boulaur, Boulaur, France: reconstruction of a guesthouse of a Cistercian cloister Vianney Hospital, Ueberlingen am Bodensee, Germany: reconstruction and interior design of a chapel 1989 Convent St. Marie de Rieunette, near Carcassonne, France: Reconstruction of a destroyed Cistercian convent","Publications and Presentations 1966 article \"Notizen zum Heutigen Wohnungsbau\" (remarks on contemporary housing) in the \"Schweizer Rundschau\" 1988-1997 lectures at the Senior Center Konstanz on \"New Housing Projects for Senior Citizens in Stuttgart and Freiburg;\" \"How to Adjust a Residence for Use by Handicapped Persons,\" and \"Introduction to Auditing Courses at the University of Konstanz\"","The guide to the Elisabeth-Charlotte Harling Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Elisabeth-Charlotte Harling Architectural Collection commenced and was completed in January 2000.","Elisabeth-Charlotte Harling also has papers at the University of Stuttgart in Germany.","The Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings. Most of the text of the materials is in German or French. The collection contains 171 drawings covering 18 different projects in which Harling participated while working in cooperation with several architectural firms, the State University and Building Department in Konstanz, Germany, and as an independent architect in France. ","The drawings reflect Harling's activities as an interior designer and as an architect. The first folder contains original drawings (ink and pencil) while folders 2,3 and 4 contain printed drawings. The drawings reflect diverse projects, and include comprehensive floor plans, prospects, perspectives and several construction drawings. Additionally, several drawings document her work as interior designer.","During her career Harling participated in the realization of several important design projects while cooperating with diverse architectural offices, universities and as an independent architect. Some of these design projects are represented in the collection by drawings, publications, miscellaneous newspaper clippings, and photographs. In particular the collection contains a significant number of drawings and various related materials regarding the design of the Universitatsbibliothek in Basel, Switzerland (1962-1968). Harling participated in this architectural project while working for the architectural firm of Otto H. Senn. This design is documented with a significant number of original drawings (45), related publications, photographs of drawings and models, and newspaper clippings. Also included are several remarkable original hand colored drawings of the prospects and plans of the building.","While working for Suter and Suter, Harling helped in the design of the Swiss Credit Institute (1960) in Basel, Switzerland and in the realization of an office building for the upper management of Lonza, Lonza Highrise (1960), also in Basel. The two projects are documented in the collection through several drawings, photographs, and other miscellaneous material.","Finally, it is important to mention the drawings and related material regarding two projects that Harling developed while working with the State University and Building Department in Konstanz (Germany). As Architect in charge, she participated in the planning and design of the Central Functions for the new University Library (1969-1972) and in the design and construction supervision of the Natural Sciences Library (1974-1982) at the new University of Konstanz. The Universitatsbibliothek in Basel is represented in 45 drawings, the design for the Central Functions for a New University Library (1969-1972) of the Konstanz University in Germany in 25 drawings, and the Natural Sciences Library, 31 drawings.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings.","Special Collections and University Archives, Virginia Tech","Harling, Elisabeth-Charlotte, 1922-2011","The materials in the collection are in English."],"unitid_tesim":["Ms.1999.007"],"normalized_title_ssm":["Elisabeth-Charlotte Harling Architectural Collection"],"collection_title_tesim":["Elisabeth-Charlotte Harling Architectural Collection"],"collection_ssim":["Elisabeth-Charlotte Harling Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Harling, Elisabeth-Charlotte, 1922-2011"],"creator_ssim":["Harling, Elisabeth-Charlotte, 1922-2011"],"creator_persname_ssim":["Harling, Elisabeth-Charlotte, 1922-2011"],"creators_ssim":["Harling, Elisabeth-Charlotte, 1922-2011"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Elisabeth-Charlotte Harling Architectural Collection were donated to Special Collections in 1998."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Germany"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Germany"],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Cubic Feet 1 box, 4 oversize folders"],"extent_tesim":["5.3 Cubic Feet 1 box, 4 oversize folders"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eElisabeth-Charlotte Harling was born on February 2, 1922 in Osnabrueck, Germany. She earned a diploma in Interior Design from the State School of Crafts and Applied Arts in Weimar. Her course of study included three months practical experience in a cabinetmaker's shop (1941-1943). In 1944 she attended the College of Architecture and Applied Arts in Weimar for a semester of architectural studies. \u003c/p\u003e\n","\u003cp\u003eIn 1944-1945, she was a teaching assistant in the history of architecture for Professor Denis Boniver in Weimar, and in 1945-1946, she worked at the British Area Works Office in Osnabrueck, gaining experience in interior design, construction supervision, and maintenance staff supervision. During 1946-1947 she worked for the architectural firm of Theo Burlage and Niebuhr in Osnabrueck, focusing on design and construction of residential and commercial buildings.\u003c/p\u003e\n","\u003cp\u003eHarling returned to college in the Department of Architecture at the Technical University of Stuttgart, where she received her diploma in architecture. She traveled extensively in Europe, visiting Italy, Switzerland, France, Greece, and, England.\u003c/p\u003e\n","\u003cp\u003eHarling began her professional career as an independent architect in 1953 when she designed and constructed the residence of Dr. Pante in Neuenkirchen, Germany.\u003c/p\u003e\n","\u003cp\u003eIn addition to designing as an independent architect, Harling was employed as architect and interior designer for several architectural firms. She has completed projects in France, Switzerland and Germany.\u003c/p\u003e\n","\u003cp\u003eHarling died November 19, 2011. \u003c/p\u003e\n","\u003cp\u003eBelow is a list of firms and projects.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSuter and Suter in Basel, Switzerland, 1955-1961\u003c/head\u003e\n      \u003citem\u003eTropical Institute, Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003eReception Pavilion of Sulzer, Winterthur, Switzerland\u003c/item\u003e\n      \u003citem\u003eAdministrative building of Suiselectra, Basel, Switzerland\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eHarling also worked for Suter and Suter as interior designer on several projects:\u003c/head\u003e\n      \u003citem\u003eOffices for upper management of Winterthur, Paris, France\u003c/item\u003e\n      \u003citem\u003eExpansion of Westfalenbank, Bochum, Germany\u003c/item\u003e\n      \u003citem\u003eCoop Haus, Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003eNew building of Swiss Credit Institute, Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003eOffices for upper management of Lonza, Lonza Highrise, Basel, Switzerland\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eOtto H. Senn in Basel, Switzerland, 1961-1968\u003c/head\u003e\n      \u003citem\u003e1961 Administrative building of \"Allgemeine Treuhand,\" Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003e1962-1968 Library of the University Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003e1966-1967 Planning of a residential development of 1280 units in Oberes Murifeld-Wittingkofen near Bern, Switzerland\u003c/item\u003e\n      \u003citem\u003e1968 Reorganization/reconstruction of the university library in Freiburg, Switzerland\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eOtto H. Senn - design competitions, 1961-1968\u003c/head\u003e\n      \u003citem\u003e1962 Church Complex, Copenhagen, Denmark\u003c/item\u003e\n      \u003citem\u003e1965 Stadttheater (theater) in Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003e1967-1968 School Im Moos, in Riehen near Basel, Switzerland\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eState University and Building Department in Konstanz, Germany, 1969-1984\u003c/head\u003e\n      \u003citem\u003e1969-1972 Planning and design of Central Functions for a new University Library of the Konstanz University\u003c/item\u003e\n      \u003citem\u003e1974-1982 Design and construction supervision of a Natural Sciences Library at the new University of Konstanz\u003c/item\u003e\n      \u003citem\u003e1983-1984 Renovation of a historic administrative building in Konstanz\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eIndependent architect\u003c/head\u003e\n      \u003citem\u003e1965 Abbey St. Marie de Boulaur, Boulaur, France: reconstruction of a guesthouse of a Cistercian cloister\u003c/item\u003e\n      \u003citem\u003eVianney Hospital, Ueberlingen am Bodensee, Germany: reconstruction and interior design of a chapel\u003c/item\u003e\n      \u003citem\u003e1989 Convent St. Marie de Rieunette, near Carcassonne, France: Reconstruction of a destroyed Cistercian convent\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003ePublications and Presentations\u003c/head\u003e\n      \u003citem\u003e1966 article \"Notizen zum Heutigen Wohnungsbau\" (remarks on contemporary housing) in the \"Schweizer Rundschau\"\u003c/item\u003e\n      \u003citem\u003e1988-1997 lectures at the Senior Center Konstanz on \"New Housing Projects for Senior Citizens in Stuttgart and Freiburg;\" \"How to Adjust a Residence for Use by Handicapped Persons,\" and \"Introduction to Auditing Courses at the University of Konstanz\"\u003c/item\u003e\n    \u003c/list\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Elisabeth-Charlotte Harling was born on February 2, 1922 in Osnabrueck, Germany. She earned a diploma in Interior Design from the State School of Crafts and Applied Arts in Weimar. Her course of study included three months practical experience in a cabinetmaker's shop (1941-1943). In 1944 she attended the College of Architecture and Applied Arts in Weimar for a semester of architectural studies. ","In 1944-1945, she was a teaching assistant in the history of architecture for Professor Denis Boniver in Weimar, and in 1945-1946, she worked at the British Area Works Office in Osnabrueck, gaining experience in interior design, construction supervision, and maintenance staff supervision. During 1946-1947 she worked for the architectural firm of Theo Burlage and Niebuhr in Osnabrueck, focusing on design and construction of residential and commercial buildings.","Harling returned to college in the Department of Architecture at the Technical University of Stuttgart, where she received her diploma in architecture. She traveled extensively in Europe, visiting Italy, Switzerland, France, Greece, and, England.","Harling began her professional career as an independent architect in 1953 when she designed and constructed the residence of Dr. Pante in Neuenkirchen, Germany.","In addition to designing as an independent architect, Harling was employed as architect and interior designer for several architectural firms. She has completed projects in France, Switzerland and Germany.","Harling died November 19, 2011. ","Below is a list of firms and projects.","Suter and Suter in Basel, Switzerland, 1955-1961 Tropical Institute, Basel, Switzerland Reception Pavilion of Sulzer, Winterthur, Switzerland Administrative building of Suiselectra, Basel, Switzerland","Harling also worked for Suter and Suter as interior designer on several projects: Offices for upper management of Winterthur, Paris, France Expansion of Westfalenbank, Bochum, Germany Coop Haus, Basel, Switzerland New building of Swiss Credit Institute, Basel, Switzerland Offices for upper management of Lonza, Lonza Highrise, Basel, Switzerland","Otto H. Senn in Basel, Switzerland, 1961-1968 1961 Administrative building of \"Allgemeine Treuhand,\" Basel, Switzerland 1962-1968 Library of the University Basel, Switzerland 1966-1967 Planning of a residential development of 1280 units in Oberes Murifeld-Wittingkofen near Bern, Switzerland 1968 Reorganization/reconstruction of the university library in Freiburg, Switzerland","Otto H. Senn - design competitions, 1961-1968 1962 Church Complex, Copenhagen, Denmark 1965 Stadttheater (theater) in Basel, Switzerland 1967-1968 School Im Moos, in Riehen near Basel, Switzerland","State University and Building Department in Konstanz, Germany, 1969-1984 1969-1972 Planning and design of Central Functions for a new University Library of the Konstanz University 1974-1982 Design and construction supervision of a Natural Sciences Library at the new University of Konstanz 1983-1984 Renovation of a historic administrative building in Konstanz","Independent architect 1965 Abbey St. Marie de Boulaur, Boulaur, France: reconstruction of a guesthouse of a Cistercian cloister Vianney Hospital, Ueberlingen am Bodensee, Germany: reconstruction and interior design of a chapel 1989 Convent St. Marie de Rieunette, near Carcassonne, France: Reconstruction of a destroyed Cistercian convent","Publications and Presentations 1966 article \"Notizen zum Heutigen Wohnungsbau\" (remarks on contemporary housing) in the \"Schweizer Rundschau\" 1988-1997 lectures at the Senior Center Konstanz on \"New Housing Projects for Senior Citizens in Stuttgart and Freiburg;\" \"How to Adjust a Residence for Use by Handicapped Persons,\" and \"Introduction to Auditing Courses at the University of Konstanz\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Elisabeth-Charlotte Harling Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Elisabeth-Charlotte Harling Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Elisabeth-Charlotte Harling Architectural Collection, Ms1999-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Elisabeth-Charlotte Harling Architectural Collection, Ms1999-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Elisabeth-Charlotte Harling Architectural Collection commenced and was completed in January 2000.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Elisabeth-Charlotte Harling Architectural Collection commenced and was completed in January 2000."],"relatedmaterial_html_tesm":["\u003cp\u003eElisabeth-Charlotte Harling also has papers at the University of Stuttgart in Germany.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Elisabeth-Charlotte Harling also has papers at the University of Stuttgart in Germany."],"scopecontent_html_tesm":["\u003cp\u003eThe Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings. Most of the text of the materials is in German or French. The collection contains 171 drawings covering 18 different projects in which Harling participated while working in cooperation with several architectural firms, the State University and Building Department in Konstanz, Germany, and as an independent architect in France. \u003c/p\u003e\n","\u003cp\u003eThe drawings reflect Harling's activities as an interior designer and as an architect. The first folder contains original drawings (ink and pencil) while folders 2,3 and 4 contain printed drawings. The drawings reflect diverse projects, and include comprehensive floor plans, prospects, perspectives and several construction drawings. Additionally, several drawings document her work as interior designer.\u003c/p\u003e\n","\u003cp\u003eDuring her career Harling participated in the realization of several important design projects while cooperating with diverse architectural offices, universities and as an independent architect. Some of these design projects are represented in the collection by drawings, publications, miscellaneous newspaper clippings, and photographs. In particular the collection contains a significant number of drawings and various related materials regarding the design of the Universitatsbibliothek in Basel, Switzerland (1962-1968). Harling participated in this architectural project while working for the architectural firm of Otto H. Senn. This design is documented with a significant number of original drawings (45), related publications, photographs of drawings and models, and newspaper clippings. Also included are several remarkable original hand colored drawings of the prospects and plans of the building.\u003c/p\u003e\n","\u003cp\u003eWhile working for Suter and Suter, Harling helped in the design of the Swiss Credit Institute (1960) in Basel, Switzerland and in the realization of an office building for the upper management of Lonza, Lonza Highrise (1960), also in Basel. The two projects are documented in the collection through several drawings, photographs, and other miscellaneous material.\u003c/p\u003e\n","\u003cp\u003eFinally, it is important to mention the drawings and related material regarding two projects that Harling developed while working with the State University and Building Department in Konstanz (Germany). As Architect in charge, she participated in the planning and design of the Central Functions for the new University Library (1969-1972) and in the design and construction supervision of the Natural Sciences Library (1974-1982) at the new University of Konstanz. The Universitatsbibliothek in Basel is represented in 45 drawings, the design for the Central Functions for a New University Library (1969-1972) of the Konstanz University in Germany in 25 drawings, and the Natural Sciences Library, 31 drawings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings. Most of the text of the materials is in German or French. The collection contains 171 drawings covering 18 different projects in which Harling participated while working in cooperation with several architectural firms, the State University and Building Department in Konstanz, Germany, and as an independent architect in France. ","The drawings reflect Harling's activities as an interior designer and as an architect. The first folder contains original drawings (ink and pencil) while folders 2,3 and 4 contain printed drawings. The drawings reflect diverse projects, and include comprehensive floor plans, prospects, perspectives and several construction drawings. Additionally, several drawings document her work as interior designer.","During her career Harling participated in the realization of several important design projects while cooperating with diverse architectural offices, universities and as an independent architect. Some of these design projects are represented in the collection by drawings, publications, miscellaneous newspaper clippings, and photographs. In particular the collection contains a significant number of drawings and various related materials regarding the design of the Universitatsbibliothek in Basel, Switzerland (1962-1968). Harling participated in this architectural project while working for the architectural firm of Otto H. Senn. This design is documented with a significant number of original drawings (45), related publications, photographs of drawings and models, and newspaper clippings. Also included are several remarkable original hand colored drawings of the prospects and plans of the building.","While working for Suter and Suter, Harling helped in the design of the Swiss Credit Institute (1960) in Basel, Switzerland and in the realization of an office building for the upper management of Lonza, Lonza Highrise (1960), also in Basel. The two projects are documented in the collection through several drawings, photographs, and other miscellaneous material.","Finally, it is important to mention the drawings and related material regarding two projects that Harling developed while working with the State University and Building Department in Konstanz (Germany). As Architect in charge, she participated in the planning and design of the Central Functions for the new University Library (1969-1972) and in the design and construction supervision of the Natural Sciences Library (1974-1982) at the new University of Konstanz. The Universitatsbibliothek in Basel is represented in 45 drawings, the design for the Central Functions for a New University Library (1969-1972) of the Konstanz University in Germany in 25 drawings, and the Natural Sciences Library, 31 drawings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_364ea6c17e96107bfe6580034f9cc2d3\" label=\"Abstract\"\u003eThe Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings.\u003c/abstract\u003e"],"abstract_tesim":["The Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Harling, Elisabeth-Charlotte, 1922-2011"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Harling, Elisabeth-Charlotte, 1922-2011"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":244,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:06:26.646Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2089","ead_ssi":"viblbv_repositories_2_resources_2089","_root_":"viblbv_repositories_2_resources_2089","_nest_parent_":"viblbv_repositories_2_resources_2089","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2089.xml","title_filing_ssi":"Harling, Elisabeth-Charlotte, Architectural Collection","title_ssm":["Elisabeth-Charlotte Harling Architectural Collection"],"title_tesim":["Elisabeth-Charlotte Harling Architectural Collection"],"unitdate_ssm":["1950-1998"],"unitdate_inclusive_ssm":["1950-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1999.007"],"text":["Ms.1999.007","Elisabeth-Charlotte Harling Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Germany","The collection is open for research.","This collection is arranged by subject.","Elisabeth-Charlotte Harling was born on February 2, 1922 in Osnabrueck, Germany. She earned a diploma in Interior Design from the State School of Crafts and Applied Arts in Weimar. Her course of study included three months practical experience in a cabinetmaker's shop (1941-1943). In 1944 she attended the College of Architecture and Applied Arts in Weimar for a semester of architectural studies. ","In 1944-1945, she was a teaching assistant in the history of architecture for Professor Denis Boniver in Weimar, and in 1945-1946, she worked at the British Area Works Office in Osnabrueck, gaining experience in interior design, construction supervision, and maintenance staff supervision. During 1946-1947 she worked for the architectural firm of Theo Burlage and Niebuhr in Osnabrueck, focusing on design and construction of residential and commercial buildings.","Harling returned to college in the Department of Architecture at the Technical University of Stuttgart, where she received her diploma in architecture. She traveled extensively in Europe, visiting Italy, Switzerland, France, Greece, and, England.","Harling began her professional career as an independent architect in 1953 when she designed and constructed the residence of Dr. Pante in Neuenkirchen, Germany.","In addition to designing as an independent architect, Harling was employed as architect and interior designer for several architectural firms. She has completed projects in France, Switzerland and Germany.","Harling died November 19, 2011. ","Below is a list of firms and projects.","Suter and Suter in Basel, Switzerland, 1955-1961 Tropical Institute, Basel, Switzerland Reception Pavilion of Sulzer, Winterthur, Switzerland Administrative building of Suiselectra, Basel, Switzerland","Harling also worked for Suter and Suter as interior designer on several projects: Offices for upper management of Winterthur, Paris, France Expansion of Westfalenbank, Bochum, Germany Coop Haus, Basel, Switzerland New building of Swiss Credit Institute, Basel, Switzerland Offices for upper management of Lonza, Lonza Highrise, Basel, Switzerland","Otto H. Senn in Basel, Switzerland, 1961-1968 1961 Administrative building of \"Allgemeine Treuhand,\" Basel, Switzerland 1962-1968 Library of the University Basel, Switzerland 1966-1967 Planning of a residential development of 1280 units in Oberes Murifeld-Wittingkofen near Bern, Switzerland 1968 Reorganization/reconstruction of the university library in Freiburg, Switzerland","Otto H. Senn - design competitions, 1961-1968 1962 Church Complex, Copenhagen, Denmark 1965 Stadttheater (theater) in Basel, Switzerland 1967-1968 School Im Moos, in Riehen near Basel, Switzerland","State University and Building Department in Konstanz, Germany, 1969-1984 1969-1972 Planning and design of Central Functions for a new University Library of the Konstanz University 1974-1982 Design and construction supervision of a Natural Sciences Library at the new University of Konstanz 1983-1984 Renovation of a historic administrative building in Konstanz","Independent architect 1965 Abbey St. Marie de Boulaur, Boulaur, France: reconstruction of a guesthouse of a Cistercian cloister Vianney Hospital, Ueberlingen am Bodensee, Germany: reconstruction and interior design of a chapel 1989 Convent St. Marie de Rieunette, near Carcassonne, France: Reconstruction of a destroyed Cistercian convent","Publications and Presentations 1966 article \"Notizen zum Heutigen Wohnungsbau\" (remarks on contemporary housing) in the \"Schweizer Rundschau\" 1988-1997 lectures at the Senior Center Konstanz on \"New Housing Projects for Senior Citizens in Stuttgart and Freiburg;\" \"How to Adjust a Residence for Use by Handicapped Persons,\" and \"Introduction to Auditing Courses at the University of Konstanz\"","The guide to the Elisabeth-Charlotte Harling Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Elisabeth-Charlotte Harling Architectural Collection commenced and was completed in January 2000.","Elisabeth-Charlotte Harling also has papers at the University of Stuttgart in Germany.","The Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings. Most of the text of the materials is in German or French. The collection contains 171 drawings covering 18 different projects in which Harling participated while working in cooperation with several architectural firms, the State University and Building Department in Konstanz, Germany, and as an independent architect in France. ","The drawings reflect Harling's activities as an interior designer and as an architect. The first folder contains original drawings (ink and pencil) while folders 2,3 and 4 contain printed drawings. The drawings reflect diverse projects, and include comprehensive floor plans, prospects, perspectives and several construction drawings. Additionally, several drawings document her work as interior designer.","During her career Harling participated in the realization of several important design projects while cooperating with diverse architectural offices, universities and as an independent architect. Some of these design projects are represented in the collection by drawings, publications, miscellaneous newspaper clippings, and photographs. In particular the collection contains a significant number of drawings and various related materials regarding the design of the Universitatsbibliothek in Basel, Switzerland (1962-1968). Harling participated in this architectural project while working for the architectural firm of Otto H. Senn. This design is documented with a significant number of original drawings (45), related publications, photographs of drawings and models, and newspaper clippings. Also included are several remarkable original hand colored drawings of the prospects and plans of the building.","While working for Suter and Suter, Harling helped in the design of the Swiss Credit Institute (1960) in Basel, Switzerland and in the realization of an office building for the upper management of Lonza, Lonza Highrise (1960), also in Basel. The two projects are documented in the collection through several drawings, photographs, and other miscellaneous material.","Finally, it is important to mention the drawings and related material regarding two projects that Harling developed while working with the State University and Building Department in Konstanz (Germany). As Architect in charge, she participated in the planning and design of the Central Functions for the new University Library (1969-1972) and in the design and construction supervision of the Natural Sciences Library (1974-1982) at the new University of Konstanz. The Universitatsbibliothek in Basel is represented in 45 drawings, the design for the Central Functions for a New University Library (1969-1972) of the Konstanz University in Germany in 25 drawings, and the Natural Sciences Library, 31 drawings.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings.","Special Collections and University Archives, Virginia Tech","Harling, Elisabeth-Charlotte, 1922-2011","The materials in the collection are in English."],"unitid_tesim":["Ms.1999.007"],"normalized_title_ssm":["Elisabeth-Charlotte Harling Architectural Collection"],"collection_title_tesim":["Elisabeth-Charlotte Harling Architectural Collection"],"collection_ssim":["Elisabeth-Charlotte Harling Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Harling, Elisabeth-Charlotte, 1922-2011"],"creator_ssim":["Harling, Elisabeth-Charlotte, 1922-2011"],"creator_persname_ssim":["Harling, Elisabeth-Charlotte, 1922-2011"],"creators_ssim":["Harling, Elisabeth-Charlotte, 1922-2011"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Elisabeth-Charlotte Harling Architectural Collection were donated to Special Collections in 1998."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Germany"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Germany"],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Cubic Feet 1 box, 4 oversize folders"],"extent_tesim":["5.3 Cubic Feet 1 box, 4 oversize folders"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eElisabeth-Charlotte Harling was born on February 2, 1922 in Osnabrueck, Germany. She earned a diploma in Interior Design from the State School of Crafts and Applied Arts in Weimar. Her course of study included three months practical experience in a cabinetmaker's shop (1941-1943). In 1944 she attended the College of Architecture and Applied Arts in Weimar for a semester of architectural studies. \u003c/p\u003e\n","\u003cp\u003eIn 1944-1945, she was a teaching assistant in the history of architecture for Professor Denis Boniver in Weimar, and in 1945-1946, she worked at the British Area Works Office in Osnabrueck, gaining experience in interior design, construction supervision, and maintenance staff supervision. During 1946-1947 she worked for the architectural firm of Theo Burlage and Niebuhr in Osnabrueck, focusing on design and construction of residential and commercial buildings.\u003c/p\u003e\n","\u003cp\u003eHarling returned to college in the Department of Architecture at the Technical University of Stuttgart, where she received her diploma in architecture. She traveled extensively in Europe, visiting Italy, Switzerland, France, Greece, and, England.\u003c/p\u003e\n","\u003cp\u003eHarling began her professional career as an independent architect in 1953 when she designed and constructed the residence of Dr. Pante in Neuenkirchen, Germany.\u003c/p\u003e\n","\u003cp\u003eIn addition to designing as an independent architect, Harling was employed as architect and interior designer for several architectural firms. She has completed projects in France, Switzerland and Germany.\u003c/p\u003e\n","\u003cp\u003eHarling died November 19, 2011. \u003c/p\u003e\n","\u003cp\u003eBelow is a list of firms and projects.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSuter and Suter in Basel, Switzerland, 1955-1961\u003c/head\u003e\n      \u003citem\u003eTropical Institute, Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003eReception Pavilion of Sulzer, Winterthur, Switzerland\u003c/item\u003e\n      \u003citem\u003eAdministrative building of Suiselectra, Basel, Switzerland\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eHarling also worked for Suter and Suter as interior designer on several projects:\u003c/head\u003e\n      \u003citem\u003eOffices for upper management of Winterthur, Paris, France\u003c/item\u003e\n      \u003citem\u003eExpansion of Westfalenbank, Bochum, Germany\u003c/item\u003e\n      \u003citem\u003eCoop Haus, Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003eNew building of Swiss Credit Institute, Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003eOffices for upper management of Lonza, Lonza Highrise, Basel, Switzerland\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eOtto H. Senn in Basel, Switzerland, 1961-1968\u003c/head\u003e\n      \u003citem\u003e1961 Administrative building of \"Allgemeine Treuhand,\" Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003e1962-1968 Library of the University Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003e1966-1967 Planning of a residential development of 1280 units in Oberes Murifeld-Wittingkofen near Bern, Switzerland\u003c/item\u003e\n      \u003citem\u003e1968 Reorganization/reconstruction of the university library in Freiburg, Switzerland\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eOtto H. Senn - design competitions, 1961-1968\u003c/head\u003e\n      \u003citem\u003e1962 Church Complex, Copenhagen, Denmark\u003c/item\u003e\n      \u003citem\u003e1965 Stadttheater (theater) in Basel, Switzerland\u003c/item\u003e\n      \u003citem\u003e1967-1968 School Im Moos, in Riehen near Basel, Switzerland\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eState University and Building Department in Konstanz, Germany, 1969-1984\u003c/head\u003e\n      \u003citem\u003e1969-1972 Planning and design of Central Functions for a new University Library of the Konstanz University\u003c/item\u003e\n      \u003citem\u003e1974-1982 Design and construction supervision of a Natural Sciences Library at the new University of Konstanz\u003c/item\u003e\n      \u003citem\u003e1983-1984 Renovation of a historic administrative building in Konstanz\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eIndependent architect\u003c/head\u003e\n      \u003citem\u003e1965 Abbey St. Marie de Boulaur, Boulaur, France: reconstruction of a guesthouse of a Cistercian cloister\u003c/item\u003e\n      \u003citem\u003eVianney Hospital, Ueberlingen am Bodensee, Germany: reconstruction and interior design of a chapel\u003c/item\u003e\n      \u003citem\u003e1989 Convent St. Marie de Rieunette, near Carcassonne, France: Reconstruction of a destroyed Cistercian convent\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003ePublications and Presentations\u003c/head\u003e\n      \u003citem\u003e1966 article \"Notizen zum Heutigen Wohnungsbau\" (remarks on contemporary housing) in the \"Schweizer Rundschau\"\u003c/item\u003e\n      \u003citem\u003e1988-1997 lectures at the Senior Center Konstanz on \"New Housing Projects for Senior Citizens in Stuttgart and Freiburg;\" \"How to Adjust a Residence for Use by Handicapped Persons,\" and \"Introduction to Auditing Courses at the University of Konstanz\"\u003c/item\u003e\n    \u003c/list\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Elisabeth-Charlotte Harling was born on February 2, 1922 in Osnabrueck, Germany. She earned a diploma in Interior Design from the State School of Crafts and Applied Arts in Weimar. Her course of study included three months practical experience in a cabinetmaker's shop (1941-1943). In 1944 she attended the College of Architecture and Applied Arts in Weimar for a semester of architectural studies. ","In 1944-1945, she was a teaching assistant in the history of architecture for Professor Denis Boniver in Weimar, and in 1945-1946, she worked at the British Area Works Office in Osnabrueck, gaining experience in interior design, construction supervision, and maintenance staff supervision. During 1946-1947 she worked for the architectural firm of Theo Burlage and Niebuhr in Osnabrueck, focusing on design and construction of residential and commercial buildings.","Harling returned to college in the Department of Architecture at the Technical University of Stuttgart, where she received her diploma in architecture. She traveled extensively in Europe, visiting Italy, Switzerland, France, Greece, and, England.","Harling began her professional career as an independent architect in 1953 when she designed and constructed the residence of Dr. Pante in Neuenkirchen, Germany.","In addition to designing as an independent architect, Harling was employed as architect and interior designer for several architectural firms. She has completed projects in France, Switzerland and Germany.","Harling died November 19, 2011. ","Below is a list of firms and projects.","Suter and Suter in Basel, Switzerland, 1955-1961 Tropical Institute, Basel, Switzerland Reception Pavilion of Sulzer, Winterthur, Switzerland Administrative building of Suiselectra, Basel, Switzerland","Harling also worked for Suter and Suter as interior designer on several projects: Offices for upper management of Winterthur, Paris, France Expansion of Westfalenbank, Bochum, Germany Coop Haus, Basel, Switzerland New building of Swiss Credit Institute, Basel, Switzerland Offices for upper management of Lonza, Lonza Highrise, Basel, Switzerland","Otto H. Senn in Basel, Switzerland, 1961-1968 1961 Administrative building of \"Allgemeine Treuhand,\" Basel, Switzerland 1962-1968 Library of the University Basel, Switzerland 1966-1967 Planning of a residential development of 1280 units in Oberes Murifeld-Wittingkofen near Bern, Switzerland 1968 Reorganization/reconstruction of the university library in Freiburg, Switzerland","Otto H. Senn - design competitions, 1961-1968 1962 Church Complex, Copenhagen, Denmark 1965 Stadttheater (theater) in Basel, Switzerland 1967-1968 School Im Moos, in Riehen near Basel, Switzerland","State University and Building Department in Konstanz, Germany, 1969-1984 1969-1972 Planning and design of Central Functions for a new University Library of the Konstanz University 1974-1982 Design and construction supervision of a Natural Sciences Library at the new University of Konstanz 1983-1984 Renovation of a historic administrative building in Konstanz","Independent architect 1965 Abbey St. Marie de Boulaur, Boulaur, France: reconstruction of a guesthouse of a Cistercian cloister Vianney Hospital, Ueberlingen am Bodensee, Germany: reconstruction and interior design of a chapel 1989 Convent St. Marie de Rieunette, near Carcassonne, France: Reconstruction of a destroyed Cistercian convent","Publications and Presentations 1966 article \"Notizen zum Heutigen Wohnungsbau\" (remarks on contemporary housing) in the \"Schweizer Rundschau\" 1988-1997 lectures at the Senior Center Konstanz on \"New Housing Projects for Senior Citizens in Stuttgart and Freiburg;\" \"How to Adjust a Residence for Use by Handicapped Persons,\" and \"Introduction to Auditing Courses at the University of Konstanz\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Elisabeth-Charlotte Harling Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Elisabeth-Charlotte Harling Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Elisabeth-Charlotte Harling Architectural Collection, Ms1999-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Elisabeth-Charlotte Harling Architectural Collection, Ms1999-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Elisabeth-Charlotte Harling Architectural Collection commenced and was completed in January 2000.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Elisabeth-Charlotte Harling Architectural Collection commenced and was completed in January 2000."],"relatedmaterial_html_tesm":["\u003cp\u003eElisabeth-Charlotte Harling also has papers at the University of Stuttgart in Germany.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Elisabeth-Charlotte Harling also has papers at the University of Stuttgart in Germany."],"scopecontent_html_tesm":["\u003cp\u003eThe Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings. Most of the text of the materials is in German or French. The collection contains 171 drawings covering 18 different projects in which Harling participated while working in cooperation with several architectural firms, the State University and Building Department in Konstanz, Germany, and as an independent architect in France. \u003c/p\u003e\n","\u003cp\u003eThe drawings reflect Harling's activities as an interior designer and as an architect. The first folder contains original drawings (ink and pencil) while folders 2,3 and 4 contain printed drawings. The drawings reflect diverse projects, and include comprehensive floor plans, prospects, perspectives and several construction drawings. Additionally, several drawings document her work as interior designer.\u003c/p\u003e\n","\u003cp\u003eDuring her career Harling participated in the realization of several important design projects while cooperating with diverse architectural offices, universities and as an independent architect. Some of these design projects are represented in the collection by drawings, publications, miscellaneous newspaper clippings, and photographs. In particular the collection contains a significant number of drawings and various related materials regarding the design of the Universitatsbibliothek in Basel, Switzerland (1962-1968). Harling participated in this architectural project while working for the architectural firm of Otto H. Senn. This design is documented with a significant number of original drawings (45), related publications, photographs of drawings and models, and newspaper clippings. Also included are several remarkable original hand colored drawings of the prospects and plans of the building.\u003c/p\u003e\n","\u003cp\u003eWhile working for Suter and Suter, Harling helped in the design of the Swiss Credit Institute (1960) in Basel, Switzerland and in the realization of an office building for the upper management of Lonza, Lonza Highrise (1960), also in Basel. The two projects are documented in the collection through several drawings, photographs, and other miscellaneous material.\u003c/p\u003e\n","\u003cp\u003eFinally, it is important to mention the drawings and related material regarding two projects that Harling developed while working with the State University and Building Department in Konstanz (Germany). As Architect in charge, she participated in the planning and design of the Central Functions for the new University Library (1969-1972) and in the design and construction supervision of the Natural Sciences Library (1974-1982) at the new University of Konstanz. The Universitatsbibliothek in Basel is represented in 45 drawings, the design for the Central Functions for a New University Library (1969-1972) of the Konstanz University in Germany in 25 drawings, and the Natural Sciences Library, 31 drawings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings. Most of the text of the materials is in German or French. The collection contains 171 drawings covering 18 different projects in which Harling participated while working in cooperation with several architectural firms, the State University and Building Department in Konstanz, Germany, and as an independent architect in France. ","The drawings reflect Harling's activities as an interior designer and as an architect. The first folder contains original drawings (ink and pencil) while folders 2,3 and 4 contain printed drawings. The drawings reflect diverse projects, and include comprehensive floor plans, prospects, perspectives and several construction drawings. Additionally, several drawings document her work as interior designer.","During her career Harling participated in the realization of several important design projects while cooperating with diverse architectural offices, universities and as an independent architect. Some of these design projects are represented in the collection by drawings, publications, miscellaneous newspaper clippings, and photographs. In particular the collection contains a significant number of drawings and various related materials regarding the design of the Universitatsbibliothek in Basel, Switzerland (1962-1968). Harling participated in this architectural project while working for the architectural firm of Otto H. Senn. This design is documented with a significant number of original drawings (45), related publications, photographs of drawings and models, and newspaper clippings. Also included are several remarkable original hand colored drawings of the prospects and plans of the building.","While working for Suter and Suter, Harling helped in the design of the Swiss Credit Institute (1960) in Basel, Switzerland and in the realization of an office building for the upper management of Lonza, Lonza Highrise (1960), also in Basel. The two projects are documented in the collection through several drawings, photographs, and other miscellaneous material.","Finally, it is important to mention the drawings and related material regarding two projects that Harling developed while working with the State University and Building Department in Konstanz (Germany). As Architect in charge, she participated in the planning and design of the Central Functions for the new University Library (1969-1972) and in the design and construction supervision of the Natural Sciences Library (1974-1982) at the new University of Konstanz. The Universitatsbibliothek in Basel is represented in 45 drawings, the design for the Central Functions for a New University Library (1969-1972) of the Konstanz University in Germany in 25 drawings, and the Natural Sciences Library, 31 drawings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_364ea6c17e96107bfe6580034f9cc2d3\" label=\"Abstract\"\u003eThe Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings.\u003c/abstract\u003e"],"abstract_tesim":["The Elisabeth-Charlotte Harling Architectural Collection consists of architectural drawings, photographs, specifications, correspondence, newspaper clippings, publications, and other materials organized in two series, documents and drawings."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Harling, Elisabeth-Charlotte, 1922-2011"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Harling, Elisabeth-Charlotte, 1922-2011"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":244,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:06:26.646Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2089"}},{"id":"viblbv_repositories_2_resources_2310","type":"collection","attributes":{"title":"E. Maria Roth Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2310#creator","type":"document_value","attributes":{"value":"Roth, Maria","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2310#abstract_or_scope","type":"document_value","attributes":{"value":"The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2310#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2310","ead_ssi":"viblbv_repositories_2_resources_2310","_root_":"viblbv_repositories_2_resources_2310","_nest_parent_":"viblbv_repositories_2_resources_2310","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2310.xml","title_filing_ssi":"Roth, E. Maria, Architectural Collection","title_ssm":["E. Maria Roth Architectural Collection"],"title_tesim":["E. Maria Roth Architectural Collection"],"unitdate_ssm":["1940-2010"],"unitdate_inclusive_ssm":["1940-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.009"],"text":["Ms.2007.009","E. Maria Roth Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia","The collection is open for research.","The collection has been digitized and is available online.","The collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order.","E. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958. ","From 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York. ","During the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist. ","Roth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005. ","The guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010.","The E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century. ","Roth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy. ","The included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events. ","Roth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation. ","Pieces written as a citizen activist in Blacksburg.","Created during the Hitler era in Germany.","Map drawn by Roth based on National Geographic Magazine.","Articles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.","Includes drawings that redesign Blacksburg and other locations.","Includes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"","See also \"Press Coverage.\"","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.","Special Collections and University Archives, Virginia Tech","Roth, Maria","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.009"],"normalized_title_ssm":["E. Maria Roth Architectural Collection"],"collection_title_tesim":["E. Maria Roth Architectural Collection"],"collection_ssim":["E. Maria Roth Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Roth, Maria"],"creator_ssim":["Roth, Maria"],"creator_persname_ssim":["Roth, Maria"],"creators_ssim":["Roth, Maria"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The E. Maria Roth Architectural Collection was donated to Special Collections in 2006 and 2010."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Cubic Feet 3 boxes"],"extent_tesim":["3.6 Cubic Feet 3 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://iawa.lib.vt.edu/collection/k3579b08\"\u003eThe collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eE. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958. \u003c/p\u003e\n","\u003cp\u003eFrom 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York. \u003c/p\u003e\n","\u003cp\u003eDuring the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist. \u003c/p\u003e\n","\u003cp\u003eRoth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["E. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958. ","From 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York. ","During the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist. ","Roth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005. "],"odd_html_tesm":["\u003cp\u003eThe guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], E. Maria Roth Architectural Collection, Ms2007-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], E. Maria Roth Architectural Collection, Ms2007-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century. \u003c/p\u003e\n","\u003cp\u003eRoth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy. \u003c/p\u003e\n","\u003cp\u003eThe included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events. \u003c/p\u003e\n","\u003cp\u003eRoth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation. \u003c/p\u003e","\u003cp\u003ePieces written as a citizen activist in Blacksburg.\u003c/p\u003e","\u003cp\u003eCreated during the Hitler era in Germany.\u003c/p\u003e","\u003cp\u003eMap drawn by Roth based on National Geographic Magazine.\u003c/p\u003e","\u003cp\u003eArticles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.\u003c/p\u003e","\u003cp\u003eIncludes drawings that redesign Blacksburg and other locations.\u003c/p\u003e","\u003cp\u003eIncludes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"\u003c/p\u003e","\u003cp\u003eSee also \"Press Coverage.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note"],"scopecontent_tesim":["The E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century. ","Roth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy. ","The included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events. ","Roth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation. ","Pieces written as a citizen activist in Blacksburg.","Created during the Hitler era in Germany.","Map drawn by Roth based on National Geographic Magazine.","Articles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.","Includes drawings that redesign Blacksburg and other locations.","Includes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"","See also \"Press Coverage.\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b9836b8a7f0b2efbfc1deae6dce6d640\" label=\"Abstract\"\u003eThe E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.\u003c/abstract\u003e"],"abstract_tesim":["The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Roth, Maria"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Roth, Maria"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:38:55.901Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2310","ead_ssi":"viblbv_repositories_2_resources_2310","_root_":"viblbv_repositories_2_resources_2310","_nest_parent_":"viblbv_repositories_2_resources_2310","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2310.xml","title_filing_ssi":"Roth, E. Maria, Architectural Collection","title_ssm":["E. Maria Roth Architectural Collection"],"title_tesim":["E. Maria Roth Architectural Collection"],"unitdate_ssm":["1940-2010"],"unitdate_inclusive_ssm":["1940-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.009"],"text":["Ms.2007.009","E. Maria Roth Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia","The collection is open for research.","The collection has been digitized and is available online.","The collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order.","E. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958. ","From 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York. ","During the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist. ","Roth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005. ","The guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010.","The E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century. ","Roth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy. ","The included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events. ","Roth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation. ","Pieces written as a citizen activist in Blacksburg.","Created during the Hitler era in Germany.","Map drawn by Roth based on National Geographic Magazine.","Articles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.","Includes drawings that redesign Blacksburg and other locations.","Includes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"","See also \"Press Coverage.\"","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.","Special Collections and University Archives, Virginia Tech","Roth, Maria","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.009"],"normalized_title_ssm":["E. Maria Roth Architectural Collection"],"collection_title_tesim":["E. Maria Roth Architectural Collection"],"collection_ssim":["E. Maria Roth Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Roth, Maria"],"creator_ssim":["Roth, Maria"],"creator_persname_ssim":["Roth, Maria"],"creators_ssim":["Roth, Maria"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The E. Maria Roth Architectural Collection was donated to Special Collections in 2006 and 2010."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Cubic Feet 3 boxes"],"extent_tesim":["3.6 Cubic Feet 3 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://iawa.lib.vt.edu/collection/k3579b08\"\u003eThe collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eE. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958. \u003c/p\u003e\n","\u003cp\u003eFrom 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York. \u003c/p\u003e\n","\u003cp\u003eDuring the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist. \u003c/p\u003e\n","\u003cp\u003eRoth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["E. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958. ","From 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York. ","During the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist. ","Roth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005. "],"odd_html_tesm":["\u003cp\u003eThe guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], E. Maria Roth Architectural Collection, Ms2007-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], E. Maria Roth Architectural Collection, Ms2007-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century. \u003c/p\u003e\n","\u003cp\u003eRoth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy. \u003c/p\u003e\n","\u003cp\u003eThe included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events. \u003c/p\u003e\n","\u003cp\u003eRoth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation. \u003c/p\u003e","\u003cp\u003ePieces written as a citizen activist in Blacksburg.\u003c/p\u003e","\u003cp\u003eCreated during the Hitler era in Germany.\u003c/p\u003e","\u003cp\u003eMap drawn by Roth based on National Geographic Magazine.\u003c/p\u003e","\u003cp\u003eArticles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.\u003c/p\u003e","\u003cp\u003eIncludes drawings that redesign Blacksburg and other locations.\u003c/p\u003e","\u003cp\u003eIncludes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"\u003c/p\u003e","\u003cp\u003eSee also \"Press Coverage.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note"],"scopecontent_tesim":["The E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century. ","Roth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy. ","The included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events. ","Roth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation. ","Pieces written as a citizen activist in Blacksburg.","Created during the Hitler era in Germany.","Map drawn by Roth based on National Geographic Magazine.","Articles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.","Includes drawings that redesign Blacksburg and other locations.","Includes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"","See also \"Press Coverage.\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b9836b8a7f0b2efbfc1deae6dce6d640\" label=\"Abstract\"\u003eThe E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.\u003c/abstract\u003e"],"abstract_tesim":["The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Roth, Maria"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Roth, Maria"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:38:55.901Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2310"}},{"id":"viblbv_repositories_2_resources_3514","type":"collection","attributes":{"title":"Geraldine Pontius Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3514#creator","type":"document_value","attributes":{"value":"Pontius, Geraldine","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3514#abstract_or_scope","type":"document_value","attributes":{"value":"The Geraldine Pontius Architectural Collection contains individual renderings and drawing sets for 24 projects worked on by Pontius and 3 construction drawing sets she collected while working at I.M. Pei and Partners.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3514#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3514","ead_ssi":"viblbv_repositories_2_resources_3514","_root_":"viblbv_repositories_2_resources_3514","_nest_parent_":"viblbv_repositories_2_resources_3514","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3514.xml","title_filing_ssi":"Pontius, Geraldine Architectural Collection","title_ssm":["Geraldine Pontius Architectural Collection"],"title_tesim":["Geraldine Pontius Architectural Collection"],"unitdate_ssm":["1966-1990"],"unitdate_inclusive_ssm":["1966-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2021.003"],"text":["Ms.2021.003","Geraldine Pontius Architectural Collection","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Collection is open for research.","Additional donations expected.","Items are arranged into Three series: project records (from projects Pontius worked on), other collected drawing sets (all created by I.M. Pei and Partners, collected and not worked on by Pontius, for reference or other purposes), and Personal Papers (her personal academic work, Published work, and a collection of work from Kohn Pedersen Fox). The first series is divided by architectural firm and further organized by project date. All of the documents are stored flat in map cases.","Geraldine Carol Pontius was born on January 24, 1947, in Greensburg, Pennsylvania, to parents Paul Edward and Doris Norma (née Hesselmeyer) Pontius. She studied mathematics at Barnard College, earning her Bachelor of Arts degree in 1968, an education that informed her analytical and geometric approach to design. She continued her studies at the New York Studio of Drawing, Painting, and Sculpture before obtaining a Master of Architecture from Columbia University in 1975. Her early academic projects, including the American University Library and Welfare Island Housing, demonstrated a strong command of site planning and axonometric projection that would shape her professional work.","Pontius has worked as an architect, artist, and lecturer. Early in her career, she frequently collaborated with performance artist Laurie Anderson, appearing in the 1974 film Dear Reader: How to Turn a Book into a Movie and the multimedia production United States, I–IV, which premiered at the Brooklyn Academy of Music in 1983.","As an architect, she maintained a private practice while also working as a designer and draftsperson for major firms including I.M. Pei and Partners, RTKL Associates, and Kohn Pedersen Fox Associates. Her independent projects included residential renovations, loft conversions, and commercial interiors, noted for careful spatial sequencing and detailed construction documentation. While at I.M. Pei and Partners and Kohn Pedersen Fox Associates, she contributed to large institutional and urban projects through schematic design and development studies. At RTKL Associates, she served as lead architect for a South Street Office Tower (Commerce Place) in Baltimore, overseeing the development of what became the fourth tallest skyscraper in the city. She also contributed to numerous federal and civic courthouse projects in the 1990s, reflecting her engagement with public architecture, advanced building systems, and historically sensitive design.","Her work has been featured in exhibitions and publications including Architectural Record, Progressive Architecture, Art in America, and Metropolis. In 2015, she collaborated with poet Sarah Smith on a submission to The Light Ekphrastic, which paired Smith's poem with Pontius's photographic work from the Oklahoma City National Memorial. She continues to work as a visual artist and architect, splitting her time between Baltimore and Washington, D.C.","Materials in the Geraldine Pontius Architectural Collection were arranged and described in spring of 2021.","This collection consists primarily of architectural drawings and related project documentation created by Geraldine C. Pontius during her work with I.M. Pei and Partners, Kohn Pedersen Fox Associates (KPF), RTKL Associates, Spillis Candela/Warnecke, and her independent practice. Materials include blue-line and mylar drawings, schematics, plans, elevations, sections, construction documents, renderings, notebooks, and limited printed and photographic materials.","Projects span residential, commercial, institutional, urban development, and federal courthouse work from the 1970s through the mid-1990s, including documentation related to Commerce Place and multiple county and U.S. courthouse projects. Her academic projects and select professional reference materials are also included.","Projects in this folder include ","Schematics and schedules, Artist's Loft, 10 Leonard St.,May 27, 1976 - July 26, 1976 (4 Sheets)","Schematics and schedules, Eakins/Martin Loft, Gilsey House, New York  NY, July 1, 1981 (9 sheets)","Construction drawings, schematics, details, notes and plans, Apartments for Anne Parks, 211 West 22nd St., New York City, NY,vSeptember 9, 1980 - October 26, 1980 (26 sheets)","Plans, sections, and permit drawings Ayala Medical Office 211 West 22nd St., New York, NY, April 6, 1981 – May 11, 1981 (2 Sheets)","Plan and partial electrical layout, 533 Greenwich St., New York, NY          March 13, 1978 (1 sheet)","Projects in this folder include:","Schematic drawings, elevations, sections, perspectives, and design alternates (Danola Residence feature), Danola Residence, Larchmont, NY,[July–November 1982] (56 sheets) ","Plans and sections, 30 West 26th St., 12th Floor (Geraldine C Pontius Office Renovation), New York, NY, c. April 1981 (4 sheets)","Existing plans and preliminary drawings, Weiner Residence, New York, NY, January 29, 1987 (9 sheets)","Alteration plans, Unidentified residence, 507 W. 111 St., Apt. 2,August 6, 1983 - December 8, 1983 (5 sheets)","Projects in this folder include:","Bid set, Midtown Gourmet, One Penn Plaza Lobby, Midtown Candy Company, Inc., 500 E 83rd St., New York City, NY, March 24, 1987 (15 sheets)","Plans, Pearman Renovation, 575 Park Ave., Apt. 1503, New York City, NY, October 23, 1987 - December 2, 1987 (1 sheet) ","Schematics, Bergman Residence, 29-35 W 90 St., Apts. 9F and 9G, New York City, NY, March 22, 1988 - June 1, 1989 (2 sheets)","Projects in this folder include:","Bid set, Sarut, Inc., Store, Offices, and Showroom, 107 Horatio St., New York City, NY, August 16, 1988 - April 4, 1989 (9 sheets) ","Axonometric section and floor plan, Barricini Shop, New York, NY, April 1, 1988 (2 Sheets)","Floor plan, Sarut Offices and Showroom, New York, NY, August 12, 1988 (1 sheets) ","Plans, Hwong Residence, 148 W 23rd St., New York City, NY, September 13, 1988 (1 Sheet) ","Elevation, plans, and sections, Ziegler Residence Foyer and Stair, 9 Jones St., New York, NY, December 1988 (8 sheets)","Plans and notes, Ceppos and Rambaud Residence, 366 W 11th St., Apt. 10F, New York City, NY, December 7, 1988 - March 3, 1989 (1 Sheet) ","Zoning Study and Diagram, Acosta and Gamba Townhouses, 451 Union St., Brooklyn, NY, December 22, 1988 (7 sheets)","Cabinet shop drawings and interior detailing, Glenn Partition, New York, NY,January 26, 1989 (7 sheet) ","Schematics, Sullivan Residence, 822 Madison Ave., Third Floor, New York City, NY, March 27, 1989 (1 sheets) ","Plans and sections, Incitti Residence, New York, NY, March 15, 1989 – July 28, 1989 (42 Sheets)","Measured drawing, Unidentified residence, 277 West End Ave., Apt. 10C, undated (1 sheets) ","Site plans and housing calculations, Pueblo Nuevo (Housing Association Study), New York, NY,[undated] (2 Sheets)","Floor plans, Loft Conversion, 100 Houston St., New York, NY, [undated] (1 Sheet)","Projects In The Folder Include","Design development drawing set, Wilson Residence, Annandale, NJ              August 16, 1974 (13 Sheets)","Plans, site plans, and elevations, Highway 31 Commercial Center, Clinton, NJ, October 18, 1974 (3 sheets)","Plans and elevations, Lamendola's Farmhouse, Clearfield, PA, [1975] (3 sheets)","Bathroom plans and reflected ceiling plan, Hunter's Rest,January 20, 1975 (3 sheets)","sectional drawings, News Stand Competition (Briggs Koshido and Pontius, Finalist Team), August 8, 1988 (1 sheets)","Massing plans, sections, and shaping sketches, 900 North Michigan Ave., Chicago, IL,[1989] (7 sheets)","Plans and elevations, Moose Mountain Farm, July 15, 1996 (2 sheets)","Kitchen plan and sections, Marilyn Pontius Kitchen                                                February 1987 (4 sheets)","Permission to publish material from the Geraldine Pontius Architectural Collection must be obtained from Special Collections and University Archives, Virginia Tech. Ms. Pontius requests that anyone wishing to reproduce these materials do so under the terms of a CC-BY-NC-ND 4.0 Creative Commons license, i.e., they must only use images for non-commercial purposes, derivatives are prohibited, and they must properly attribute them. Copyright for the collected I.M. Pei drawing sets was not transferred to the archives, and any right to reproduce these images must be sought from the originating firm.","The Geraldine Pontius Architectural Collection contains individual renderings and drawing sets for 24 projects worked on by Pontius and 3 construction drawing sets she collected while working at I.M. Pei and Partners.","Special Collections and University Archives, Virginia Tech","Pontius, Geraldine","English \n.    "],"unitid_tesim":["Ms.2021.003"],"normalized_title_ssm":["Geraldine Pontius Architectural Collection"],"collection_title_tesim":["Geraldine Pontius Architectural Collection"],"collection_ssim":["Geraldine Pontius Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Pontius, Geraldine"],"creator_ssim":["Pontius, Geraldine"],"creator_persname_ssim":["Pontius, Geraldine"],"creators_ssim":["Pontius, Geraldine"],"access_terms_ssm":["Permission to publish material from the Geraldine Pontius Architectural Collection must be obtained from Special Collections and University Archives, Virginia Tech. Ms. Pontius requests that anyone wishing to reproduce these materials do so under the terms of a CC-BY-NC-ND 4.0 Creative Commons license, i.e., they must only use images for non-commercial purposes, derivatives are prohibited, and they must properly attribute them. Copyright for the collected I.M. Pei drawing sets was not transferred to the archives, and any right to reproduce these images must be sought from the originating firm."],"acqinfo_ssim":["The Geraldine Pontius Architectural Collection was donated to the International Archive of Women in Architecture in late 2020."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Cubic Feet 19 oversize folders"],"extent_tesim":["1.75 Cubic Feet 19 oversize folders"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eAdditional donations expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additional donations expected."],"arrangement_html_tesm":["\u003cp\u003eItems are arranged into Three series: project records (from projects Pontius worked on), other collected drawing sets (all created by I.M. Pei and Partners, collected and not worked on by Pontius, for reference or other purposes), and Personal Papers (her personal academic work, Published work, and a collection of work from Kohn Pedersen Fox). The first series is divided by architectural firm and further organized by project date. All of the documents are stored flat in map cases.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Items are arranged into Three series: project records (from projects Pontius worked on), other collected drawing sets (all created by I.M. Pei and Partners, collected and not worked on by Pontius, for reference or other purposes), and Personal Papers (her personal academic work, Published work, and a collection of work from Kohn Pedersen Fox). The first series is divided by architectural firm and further organized by project date. All of the documents are stored flat in map cases."],"bioghist_html_tesm":["\u003cp\u003eGeraldine Carol Pontius was born on January 24, 1947, in Greensburg, Pennsylvania, to parents Paul Edward and Doris Norma (née Hesselmeyer) Pontius. She studied mathematics at Barnard College, earning her Bachelor of Arts degree in 1968, an education that informed her analytical and geometric approach to design. She continued her studies at the New York Studio of Drawing, Painting, and Sculpture before obtaining a Master of Architecture from Columbia University in 1975. Her early academic projects, including the American University Library and Welfare Island Housing, demonstrated a strong command of site planning and axonometric projection that would shape her professional work.\u003c/p\u003e\n","\u003cp\u003ePontius has worked as an architect, artist, and lecturer. Early in her career, she frequently collaborated with performance artist Laurie Anderson, appearing in the 1974 film Dear Reader: How to Turn a Book into a Movie and the multimedia production United States, I–IV, which premiered at the Brooklyn Academy of Music in 1983.\u003c/p\u003e\n","\u003cp\u003eAs an architect, she maintained a private practice while also working as a designer and draftsperson for major firms including I.M. Pei and Partners, RTKL Associates, and Kohn Pedersen Fox Associates. Her independent projects included residential renovations, loft conversions, and commercial interiors, noted for careful spatial sequencing and detailed construction documentation. While at I.M. Pei and Partners and Kohn Pedersen Fox Associates, she contributed to large institutional and urban projects through schematic design and development studies. At RTKL Associates, she served as lead architect for a South Street Office Tower (Commerce Place) in Baltimore, overseeing the development of what became the fourth tallest skyscraper in the city. She also contributed to numerous federal and civic courthouse projects in the 1990s, reflecting her engagement with public architecture, advanced building systems, and historically sensitive design.\u003c/p\u003e\n","\u003cp\u003eHer work has been featured in exhibitions and publications including Architectural Record, Progressive Architecture, Art in America, and Metropolis. In 2015, she collaborated with poet Sarah Smith on a submission to The Light Ekphrastic, which paired Smith's poem with Pontius's photographic work from the Oklahoma City National Memorial. She continues to work as a visual artist and architect, splitting her time between Baltimore and Washington, D.C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Geraldine Carol Pontius was born on January 24, 1947, in Greensburg, Pennsylvania, to parents Paul Edward and Doris Norma (née Hesselmeyer) Pontius. She studied mathematics at Barnard College, earning her Bachelor of Arts degree in 1968, an education that informed her analytical and geometric approach to design. She continued her studies at the New York Studio of Drawing, Painting, and Sculpture before obtaining a Master of Architecture from Columbia University in 1975. Her early academic projects, including the American University Library and Welfare Island Housing, demonstrated a strong command of site planning and axonometric projection that would shape her professional work.","Pontius has worked as an architect, artist, and lecturer. Early in her career, she frequently collaborated with performance artist Laurie Anderson, appearing in the 1974 film Dear Reader: How to Turn a Book into a Movie and the multimedia production United States, I–IV, which premiered at the Brooklyn Academy of Music in 1983.","As an architect, she maintained a private practice while also working as a designer and draftsperson for major firms including I.M. Pei and Partners, RTKL Associates, and Kohn Pedersen Fox Associates. Her independent projects included residential renovations, loft conversions, and commercial interiors, noted for careful spatial sequencing and detailed construction documentation. While at I.M. Pei and Partners and Kohn Pedersen Fox Associates, she contributed to large institutional and urban projects through schematic design and development studies. At RTKL Associates, she served as lead architect for a South Street Office Tower (Commerce Place) in Baltimore, overseeing the development of what became the fourth tallest skyscraper in the city. She also contributed to numerous federal and civic courthouse projects in the 1990s, reflecting her engagement with public architecture, advanced building systems, and historically sensitive design.","Her work has been featured in exhibitions and publications including Architectural Record, Progressive Architecture, Art in America, and Metropolis. In 2015, she collaborated with poet Sarah Smith on a submission to The Light Ekphrastic, which paired Smith's poem with Pontius's photographic work from the Oklahoma City National Memorial. She continues to work as a visual artist and architect, splitting her time between Baltimore and Washington, D.C."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Geraldine Pontius Architectural Collection, Ms2021-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Geraldine Pontius Architectural Collection, Ms2021-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eMaterials in the Geraldine Pontius Architectural Collection were arranged and described in spring of 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials in the Geraldine Pontius Architectural Collection were arranged and described in spring of 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists primarily of architectural drawings and related project documentation created by Geraldine C. Pontius during her work with I.M. Pei and Partners, Kohn Pedersen Fox Associates (KPF), RTKL Associates, Spillis Candela/Warnecke, and her independent practice. Materials include blue-line and mylar drawings, schematics, plans, elevations, sections, construction documents, renderings, notebooks, and limited printed and photographic materials.\u003c/p\u003e\n","\u003cp\u003eProjects span residential, commercial, institutional, urban development, and federal courthouse work from the 1970s through the mid-1990s, including documentation related to Commerce Place and multiple county and U.S. courthouse projects. Her academic projects and select professional reference materials are also included.\u003c/p\u003e","\u003cp\u003eProjects in this folder include \u003c/p\u003e","\u003cp\u003eSchematics and schedules, Artist's Loft, 10 Leonard St.,May 27, 1976 - July 26, 1976 (4 Sheets)\u003c/p\u003e","\u003cp\u003eSchematics and schedules, Eakins/Martin Loft, Gilsey House, New York  NY, July 1, 1981 (9 sheets)\u003c/p\u003e","\u003cp\u003eConstruction drawings, schematics, details, notes and plans, Apartments for Anne Parks, 211 West 22nd St., New York City, NY,vSeptember 9, 1980 - October 26, 1980 (26 sheets)\u003c/p\u003e","\u003cp\u003ePlans, sections, and permit drawings Ayala Medical Office 211 West 22nd St., New York, NY, April 6, 1981 – May 11, 1981 (2 Sheets)\u003c/p\u003e","\u003cp\u003ePlan and partial electrical layout, 533 Greenwich St., New York, NY          March 13, 1978 (1 sheet)\u003c/p\u003e","\u003cp\u003eProjects in this folder include:\u003c/p\u003e","\u003cp\u003eSchematic drawings, elevations, sections, perspectives, and design alternates (Danola Residence feature), Danola Residence, Larchmont, NY,[July–November 1982] (56 sheets) \u003c/p\u003e","\u003cp\u003ePlans and sections, 30 West 26th St., 12th Floor (Geraldine C Pontius Office Renovation), New York, NY, c. April 1981 (4 sheets)\u003c/p\u003e","\u003cp\u003eExisting plans and preliminary drawings, Weiner Residence, New York, NY, January 29, 1987 (9 sheets)\u003c/p\u003e","\u003cp\u003eAlteration plans, Unidentified residence, 507 W. 111 St., Apt. 2,August 6, 1983 - December 8, 1983 (5 sheets)\u003c/p\u003e","\u003cp\u003eProjects in this folder include:\u003c/p\u003e","\u003cp\u003eBid set, Midtown Gourmet, One Penn Plaza Lobby, Midtown Candy Company, Inc., 500 E 83rd St., New York City, NY, March 24, 1987 (15 sheets)\u003c/p\u003e","\u003cp\u003ePlans, Pearman Renovation, 575 Park Ave., Apt. 1503, New York City, NY, October 23, 1987 - December 2, 1987 (1 sheet) \u003c/p\u003e","\u003cp\u003eSchematics, Bergman Residence, 29-35 W 90 St., Apts. 9F and 9G, New York City, NY, March 22, 1988 - June 1, 1989 (2 sheets)\u003c/p\u003e","\u003cp\u003eProjects in this folder include:\u003c/p\u003e","\u003cp\u003eBid set, Sarut, Inc., Store, Offices, and Showroom, 107 Horatio St., New York City, NY, August 16, 1988 - April 4, 1989 (9 sheets) \u003c/p\u003e","\u003cp\u003eAxonometric section and floor plan, Barricini Shop, New York, NY, April 1, 1988 (2 Sheets)\u003c/p\u003e","\u003cp\u003eFloor plan, Sarut Offices and Showroom, New York, NY, August 12, 1988 (1 sheets) \u003c/p\u003e","\u003cp\u003ePlans, Hwong Residence, 148 W 23rd St., New York City, NY, September 13, 1988 (1 Sheet) \u003c/p\u003e","\u003cp\u003eElevation, plans, and sections, Ziegler Residence Foyer and Stair, 9 Jones St., New York, NY, December 1988 (8 sheets)\u003c/p\u003e","\u003cp\u003ePlans and notes, Ceppos and Rambaud Residence, 366 W 11th St., Apt. 10F, New York City, NY, December 7, 1988 - March 3, 1989 (1 Sheet) \u003c/p\u003e","\u003cp\u003eZoning Study and Diagram, Acosta and Gamba Townhouses, 451 Union St., Brooklyn, NY, December 22, 1988 (7 sheets)\u003c/p\u003e","\u003cp\u003eCabinet shop drawings and interior detailing, Glenn Partition, New York, NY,January 26, 1989 (7 sheet) \u003c/p\u003e","\u003cp\u003eSchematics, Sullivan Residence, 822 Madison Ave., Third Floor, New York City, NY, March 27, 1989 (1 sheets) \u003c/p\u003e","\u003cp\u003ePlans and sections, Incitti Residence, New York, NY, March 15, 1989 – July 28, 1989 (42 Sheets)\u003c/p\u003e","\u003cp\u003eMeasured drawing, Unidentified residence, 277 West End Ave., Apt. 10C, undated (1 sheets) \u003c/p\u003e","\u003cp\u003eSite plans and housing calculations, Pueblo Nuevo (Housing Association Study), New York, NY,[undated] (2 Sheets)\u003c/p\u003e","\u003cp\u003eFloor plans, Loft Conversion, 100 Houston St., New York, NY, [undated] (1 Sheet)\u003c/p\u003e","\u003cp\u003eProjects In The Folder Include\u003c/p\u003e","\u003cp\u003eDesign development drawing set, Wilson Residence, Annandale, NJ              August 16, 1974 (13 Sheets)\u003c/p\u003e","\u003cp\u003ePlans, site plans, and elevations, Highway 31 Commercial Center, Clinton, NJ, October 18, 1974 (3 sheets)\u003c/p\u003e","\u003cp\u003ePlans and elevations, Lamendola's Farmhouse, Clearfield, PA, [1975] (3 sheets)\u003c/p\u003e","\u003cp\u003eBathroom plans and reflected ceiling plan, Hunter's Rest,January 20, 1975 (3 sheets)\u003c/p\u003e","\u003cp\u003esectional drawings, News Stand Competition (Briggs Koshido and Pontius, Finalist Team), August 8, 1988 (1 sheets)\u003c/p\u003e","\u003cp\u003eMassing plans, sections, and shaping sketches, 900 North Michigan Ave., Chicago, IL,[1989] (7 sheets)\u003c/p\u003e","\u003cp\u003ePlans and elevations, Moose Mountain Farm, July 15, 1996 (2 sheets)\u003c/p\u003e","\u003cp\u003eKitchen plan and sections, Marilyn Pontius Kitchen                                                February 1987 (4 sheets)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists primarily of architectural drawings and related project documentation created by Geraldine C. Pontius during her work with I.M. Pei and Partners, Kohn Pedersen Fox Associates (KPF), RTKL Associates, Spillis Candela/Warnecke, and her independent practice. Materials include blue-line and mylar drawings, schematics, plans, elevations, sections, construction documents, renderings, notebooks, and limited printed and photographic materials.","Projects span residential, commercial, institutional, urban development, and federal courthouse work from the 1970s through the mid-1990s, including documentation related to Commerce Place and multiple county and U.S. courthouse projects. Her academic projects and select professional reference materials are also included.","Projects in this folder include ","Schematics and schedules, Artist's Loft, 10 Leonard St.,May 27, 1976 - July 26, 1976 (4 Sheets)","Schematics and schedules, Eakins/Martin Loft, Gilsey House, New York  NY, July 1, 1981 (9 sheets)","Construction drawings, schematics, details, notes and plans, Apartments for Anne Parks, 211 West 22nd St., New York City, NY,vSeptember 9, 1980 - October 26, 1980 (26 sheets)","Plans, sections, and permit drawings Ayala Medical Office 211 West 22nd St., New York, NY, April 6, 1981 – May 11, 1981 (2 Sheets)","Plan and partial electrical layout, 533 Greenwich St., New York, NY          March 13, 1978 (1 sheet)","Projects in this folder include:","Schematic drawings, elevations, sections, perspectives, and design alternates (Danola Residence feature), Danola Residence, Larchmont, NY,[July–November 1982] (56 sheets) ","Plans and sections, 30 West 26th St., 12th Floor (Geraldine C Pontius Office Renovation), New York, NY, c. April 1981 (4 sheets)","Existing plans and preliminary drawings, Weiner Residence, New York, NY, January 29, 1987 (9 sheets)","Alteration plans, Unidentified residence, 507 W. 111 St., Apt. 2,August 6, 1983 - December 8, 1983 (5 sheets)","Projects in this folder include:","Bid set, Midtown Gourmet, One Penn Plaza Lobby, Midtown Candy Company, Inc., 500 E 83rd St., New York City, NY, March 24, 1987 (15 sheets)","Plans, Pearman Renovation, 575 Park Ave., Apt. 1503, New York City, NY, October 23, 1987 - December 2, 1987 (1 sheet) ","Schematics, Bergman Residence, 29-35 W 90 St., Apts. 9F and 9G, New York City, NY, March 22, 1988 - June 1, 1989 (2 sheets)","Projects in this folder include:","Bid set, Sarut, Inc., Store, Offices, and Showroom, 107 Horatio St., New York City, NY, August 16, 1988 - April 4, 1989 (9 sheets) ","Axonometric section and floor plan, Barricini Shop, New York, NY, April 1, 1988 (2 Sheets)","Floor plan, Sarut Offices and Showroom, New York, NY, August 12, 1988 (1 sheets) ","Plans, Hwong Residence, 148 W 23rd St., New York City, NY, September 13, 1988 (1 Sheet) ","Elevation, plans, and sections, Ziegler Residence Foyer and Stair, 9 Jones St., New York, NY, December 1988 (8 sheets)","Plans and notes, Ceppos and Rambaud Residence, 366 W 11th St., Apt. 10F, New York City, NY, December 7, 1988 - March 3, 1989 (1 Sheet) ","Zoning Study and Diagram, Acosta and Gamba Townhouses, 451 Union St., Brooklyn, NY, December 22, 1988 (7 sheets)","Cabinet shop drawings and interior detailing, Glenn Partition, New York, NY,January 26, 1989 (7 sheet) ","Schematics, Sullivan Residence, 822 Madison Ave., Third Floor, New York City, NY, March 27, 1989 (1 sheets) ","Plans and sections, Incitti Residence, New York, NY, March 15, 1989 – July 28, 1989 (42 Sheets)","Measured drawing, Unidentified residence, 277 West End Ave., Apt. 10C, undated (1 sheets) ","Site plans and housing calculations, Pueblo Nuevo (Housing Association Study), New York, NY,[undated] (2 Sheets)","Floor plans, Loft Conversion, 100 Houston St., New York, NY, [undated] (1 Sheet)","Projects In The Folder Include","Design development drawing set, Wilson Residence, Annandale, NJ              August 16, 1974 (13 Sheets)","Plans, site plans, and elevations, Highway 31 Commercial Center, Clinton, NJ, October 18, 1974 (3 sheets)","Plans and elevations, Lamendola's Farmhouse, Clearfield, PA, [1975] (3 sheets)","Bathroom plans and reflected ceiling plan, Hunter's Rest,January 20, 1975 (3 sheets)","sectional drawings, News Stand Competition (Briggs Koshido and Pontius, Finalist Team), August 8, 1988 (1 sheets)","Massing plans, sections, and shaping sketches, 900 North Michigan Ave., Chicago, IL,[1989] (7 sheets)","Plans and elevations, Moose Mountain Farm, July 15, 1996 (2 sheets)","Kitchen plan and sections, Marilyn Pontius Kitchen                                                February 1987 (4 sheets)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Geraldine Pontius Architectural Collection must be obtained from Special Collections and University Archives, Virginia Tech. Ms. Pontius requests that anyone wishing to reproduce these materials do so under the terms of a CC-BY-NC-ND 4.0 Creative Commons license, i.e., they must only use images for non-commercial purposes, derivatives are prohibited, and they must properly attribute them. Copyright for the collected I.M. Pei drawing sets was not transferred to the archives, and any right to reproduce these images must be sought from the originating firm.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Geraldine Pontius Architectural Collection must be obtained from Special Collections and University Archives, Virginia Tech. Ms. Pontius requests that anyone wishing to reproduce these materials do so under the terms of a CC-BY-NC-ND 4.0 Creative Commons license, i.e., they must only use images for non-commercial purposes, derivatives are prohibited, and they must properly attribute them. Copyright for the collected I.M. Pei drawing sets was not transferred to the archives, and any right to reproduce these images must be sought from the originating firm."],"abstract_html_tesm":["\u003cabstract id=\"aspace_60523036c89a6bbba1cfcdaf5184cda6\"\u003eThe Geraldine Pontius Architectural Collection contains individual renderings and drawing sets for 24 projects worked on by Pontius and 3 construction drawing sets she collected while working at I.M. Pei and Partners.\u003c/abstract\u003e"],"abstract_tesim":["The Geraldine Pontius Architectural Collection contains individual renderings and drawing sets for 24 projects worked on by Pontius and 3 construction drawing sets she collected while working at I.M. Pei and Partners."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Pontius, Geraldine"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Pontius, Geraldine"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:16:47.557Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3514","ead_ssi":"viblbv_repositories_2_resources_3514","_root_":"viblbv_repositories_2_resources_3514","_nest_parent_":"viblbv_repositories_2_resources_3514","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3514.xml","title_filing_ssi":"Pontius, Geraldine Architectural Collection","title_ssm":["Geraldine Pontius Architectural Collection"],"title_tesim":["Geraldine Pontius Architectural Collection"],"unitdate_ssm":["1966-1990"],"unitdate_inclusive_ssm":["1966-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2021.003"],"text":["Ms.2021.003","Geraldine Pontius Architectural Collection","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Collection is open for research.","Additional donations expected.","Items are arranged into Three series: project records (from projects Pontius worked on), other collected drawing sets (all created by I.M. Pei and Partners, collected and not worked on by Pontius, for reference or other purposes), and Personal Papers (her personal academic work, Published work, and a collection of work from Kohn Pedersen Fox). The first series is divided by architectural firm and further organized by project date. All of the documents are stored flat in map cases.","Geraldine Carol Pontius was born on January 24, 1947, in Greensburg, Pennsylvania, to parents Paul Edward and Doris Norma (née Hesselmeyer) Pontius. She studied mathematics at Barnard College, earning her Bachelor of Arts degree in 1968, an education that informed her analytical and geometric approach to design. She continued her studies at the New York Studio of Drawing, Painting, and Sculpture before obtaining a Master of Architecture from Columbia University in 1975. Her early academic projects, including the American University Library and Welfare Island Housing, demonstrated a strong command of site planning and axonometric projection that would shape her professional work.","Pontius has worked as an architect, artist, and lecturer. Early in her career, she frequently collaborated with performance artist Laurie Anderson, appearing in the 1974 film Dear Reader: How to Turn a Book into a Movie and the multimedia production United States, I–IV, which premiered at the Brooklyn Academy of Music in 1983.","As an architect, she maintained a private practice while also working as a designer and draftsperson for major firms including I.M. Pei and Partners, RTKL Associates, and Kohn Pedersen Fox Associates. Her independent projects included residential renovations, loft conversions, and commercial interiors, noted for careful spatial sequencing and detailed construction documentation. While at I.M. Pei and Partners and Kohn Pedersen Fox Associates, she contributed to large institutional and urban projects through schematic design and development studies. At RTKL Associates, she served as lead architect for a South Street Office Tower (Commerce Place) in Baltimore, overseeing the development of what became the fourth tallest skyscraper in the city. She also contributed to numerous federal and civic courthouse projects in the 1990s, reflecting her engagement with public architecture, advanced building systems, and historically sensitive design.","Her work has been featured in exhibitions and publications including Architectural Record, Progressive Architecture, Art in America, and Metropolis. In 2015, she collaborated with poet Sarah Smith on a submission to The Light Ekphrastic, which paired Smith's poem with Pontius's photographic work from the Oklahoma City National Memorial. She continues to work as a visual artist and architect, splitting her time between Baltimore and Washington, D.C.","Materials in the Geraldine Pontius Architectural Collection were arranged and described in spring of 2021.","This collection consists primarily of architectural drawings and related project documentation created by Geraldine C. Pontius during her work with I.M. Pei and Partners, Kohn Pedersen Fox Associates (KPF), RTKL Associates, Spillis Candela/Warnecke, and her independent practice. Materials include blue-line and mylar drawings, schematics, plans, elevations, sections, construction documents, renderings, notebooks, and limited printed and photographic materials.","Projects span residential, commercial, institutional, urban development, and federal courthouse work from the 1970s through the mid-1990s, including documentation related to Commerce Place and multiple county and U.S. courthouse projects. Her academic projects and select professional reference materials are also included.","Projects in this folder include ","Schematics and schedules, Artist's Loft, 10 Leonard St.,May 27, 1976 - July 26, 1976 (4 Sheets)","Schematics and schedules, Eakins/Martin Loft, Gilsey House, New York  NY, July 1, 1981 (9 sheets)","Construction drawings, schematics, details, notes and plans, Apartments for Anne Parks, 211 West 22nd St., New York City, NY,vSeptember 9, 1980 - October 26, 1980 (26 sheets)","Plans, sections, and permit drawings Ayala Medical Office 211 West 22nd St., New York, NY, April 6, 1981 – May 11, 1981 (2 Sheets)","Plan and partial electrical layout, 533 Greenwich St., New York, NY          March 13, 1978 (1 sheet)","Projects in this folder include:","Schematic drawings, elevations, sections, perspectives, and design alternates (Danola Residence feature), Danola Residence, Larchmont, NY,[July–November 1982] (56 sheets) ","Plans and sections, 30 West 26th St., 12th Floor (Geraldine C Pontius Office Renovation), New York, NY, c. April 1981 (4 sheets)","Existing plans and preliminary drawings, Weiner Residence, New York, NY, January 29, 1987 (9 sheets)","Alteration plans, Unidentified residence, 507 W. 111 St., Apt. 2,August 6, 1983 - December 8, 1983 (5 sheets)","Projects in this folder include:","Bid set, Midtown Gourmet, One Penn Plaza Lobby, Midtown Candy Company, Inc., 500 E 83rd St., New York City, NY, March 24, 1987 (15 sheets)","Plans, Pearman Renovation, 575 Park Ave., Apt. 1503, New York City, NY, October 23, 1987 - December 2, 1987 (1 sheet) ","Schematics, Bergman Residence, 29-35 W 90 St., Apts. 9F and 9G, New York City, NY, March 22, 1988 - June 1, 1989 (2 sheets)","Projects in this folder include:","Bid set, Sarut, Inc., Store, Offices, and Showroom, 107 Horatio St., New York City, NY, August 16, 1988 - April 4, 1989 (9 sheets) ","Axonometric section and floor plan, Barricini Shop, New York, NY, April 1, 1988 (2 Sheets)","Floor plan, Sarut Offices and Showroom, New York, NY, August 12, 1988 (1 sheets) ","Plans, Hwong Residence, 148 W 23rd St., New York City, NY, September 13, 1988 (1 Sheet) ","Elevation, plans, and sections, Ziegler Residence Foyer and Stair, 9 Jones St., New York, NY, December 1988 (8 sheets)","Plans and notes, Ceppos and Rambaud Residence, 366 W 11th St., Apt. 10F, New York City, NY, December 7, 1988 - March 3, 1989 (1 Sheet) ","Zoning Study and Diagram, Acosta and Gamba Townhouses, 451 Union St., Brooklyn, NY, December 22, 1988 (7 sheets)","Cabinet shop drawings and interior detailing, Glenn Partition, New York, NY,January 26, 1989 (7 sheet) ","Schematics, Sullivan Residence, 822 Madison Ave., Third Floor, New York City, NY, March 27, 1989 (1 sheets) ","Plans and sections, Incitti Residence, New York, NY, March 15, 1989 – July 28, 1989 (42 Sheets)","Measured drawing, Unidentified residence, 277 West End Ave., Apt. 10C, undated (1 sheets) ","Site plans and housing calculations, Pueblo Nuevo (Housing Association Study), New York, NY,[undated] (2 Sheets)","Floor plans, Loft Conversion, 100 Houston St., New York, NY, [undated] (1 Sheet)","Projects In The Folder Include","Design development drawing set, Wilson Residence, Annandale, NJ              August 16, 1974 (13 Sheets)","Plans, site plans, and elevations, Highway 31 Commercial Center, Clinton, NJ, October 18, 1974 (3 sheets)","Plans and elevations, Lamendola's Farmhouse, Clearfield, PA, [1975] (3 sheets)","Bathroom plans and reflected ceiling plan, Hunter's Rest,January 20, 1975 (3 sheets)","sectional drawings, News Stand Competition (Briggs Koshido and Pontius, Finalist Team), August 8, 1988 (1 sheets)","Massing plans, sections, and shaping sketches, 900 North Michigan Ave., Chicago, IL,[1989] (7 sheets)","Plans and elevations, Moose Mountain Farm, July 15, 1996 (2 sheets)","Kitchen plan and sections, Marilyn Pontius Kitchen                                                February 1987 (4 sheets)","Permission to publish material from the Geraldine Pontius Architectural Collection must be obtained from Special Collections and University Archives, Virginia Tech. Ms. Pontius requests that anyone wishing to reproduce these materials do so under the terms of a CC-BY-NC-ND 4.0 Creative Commons license, i.e., they must only use images for non-commercial purposes, derivatives are prohibited, and they must properly attribute them. Copyright for the collected I.M. Pei drawing sets was not transferred to the archives, and any right to reproduce these images must be sought from the originating firm.","The Geraldine Pontius Architectural Collection contains individual renderings and drawing sets for 24 projects worked on by Pontius and 3 construction drawing sets she collected while working at I.M. Pei and Partners.","Special Collections and University Archives, Virginia Tech","Pontius, Geraldine","English \n.    "],"unitid_tesim":["Ms.2021.003"],"normalized_title_ssm":["Geraldine Pontius Architectural Collection"],"collection_title_tesim":["Geraldine Pontius Architectural Collection"],"collection_ssim":["Geraldine Pontius Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Pontius, Geraldine"],"creator_ssim":["Pontius, Geraldine"],"creator_persname_ssim":["Pontius, Geraldine"],"creators_ssim":["Pontius, Geraldine"],"access_terms_ssm":["Permission to publish material from the Geraldine Pontius Architectural Collection must be obtained from Special Collections and University Archives, Virginia Tech. Ms. Pontius requests that anyone wishing to reproduce these materials do so under the terms of a CC-BY-NC-ND 4.0 Creative Commons license, i.e., they must only use images for non-commercial purposes, derivatives are prohibited, and they must properly attribute them. Copyright for the collected I.M. Pei drawing sets was not transferred to the archives, and any right to reproduce these images must be sought from the originating firm."],"acqinfo_ssim":["The Geraldine Pontius Architectural Collection was donated to the International Archive of Women in Architecture in late 2020."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Cubic Feet 19 oversize folders"],"extent_tesim":["1.75 Cubic Feet 19 oversize folders"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eAdditional donations expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additional donations expected."],"arrangement_html_tesm":["\u003cp\u003eItems are arranged into Three series: project records (from projects Pontius worked on), other collected drawing sets (all created by I.M. Pei and Partners, collected and not worked on by Pontius, for reference or other purposes), and Personal Papers (her personal academic work, Published work, and a collection of work from Kohn Pedersen Fox). The first series is divided by architectural firm and further organized by project date. All of the documents are stored flat in map cases.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Items are arranged into Three series: project records (from projects Pontius worked on), other collected drawing sets (all created by I.M. Pei and Partners, collected and not worked on by Pontius, for reference or other purposes), and Personal Papers (her personal academic work, Published work, and a collection of work from Kohn Pedersen Fox). The first series is divided by architectural firm and further organized by project date. All of the documents are stored flat in map cases."],"bioghist_html_tesm":["\u003cp\u003eGeraldine Carol Pontius was born on January 24, 1947, in Greensburg, Pennsylvania, to parents Paul Edward and Doris Norma (née Hesselmeyer) Pontius. She studied mathematics at Barnard College, earning her Bachelor of Arts degree in 1968, an education that informed her analytical and geometric approach to design. She continued her studies at the New York Studio of Drawing, Painting, and Sculpture before obtaining a Master of Architecture from Columbia University in 1975. Her early academic projects, including the American University Library and Welfare Island Housing, demonstrated a strong command of site planning and axonometric projection that would shape her professional work.\u003c/p\u003e\n","\u003cp\u003ePontius has worked as an architect, artist, and lecturer. Early in her career, she frequently collaborated with performance artist Laurie Anderson, appearing in the 1974 film Dear Reader: How to Turn a Book into a Movie and the multimedia production United States, I–IV, which premiered at the Brooklyn Academy of Music in 1983.\u003c/p\u003e\n","\u003cp\u003eAs an architect, she maintained a private practice while also working as a designer and draftsperson for major firms including I.M. Pei and Partners, RTKL Associates, and Kohn Pedersen Fox Associates. Her independent projects included residential renovations, loft conversions, and commercial interiors, noted for careful spatial sequencing and detailed construction documentation. While at I.M. Pei and Partners and Kohn Pedersen Fox Associates, she contributed to large institutional and urban projects through schematic design and development studies. At RTKL Associates, she served as lead architect for a South Street Office Tower (Commerce Place) in Baltimore, overseeing the development of what became the fourth tallest skyscraper in the city. She also contributed to numerous federal and civic courthouse projects in the 1990s, reflecting her engagement with public architecture, advanced building systems, and historically sensitive design.\u003c/p\u003e\n","\u003cp\u003eHer work has been featured in exhibitions and publications including Architectural Record, Progressive Architecture, Art in America, and Metropolis. In 2015, she collaborated with poet Sarah Smith on a submission to The Light Ekphrastic, which paired Smith's poem with Pontius's photographic work from the Oklahoma City National Memorial. She continues to work as a visual artist and architect, splitting her time between Baltimore and Washington, D.C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Geraldine Carol Pontius was born on January 24, 1947, in Greensburg, Pennsylvania, to parents Paul Edward and Doris Norma (née Hesselmeyer) Pontius. She studied mathematics at Barnard College, earning her Bachelor of Arts degree in 1968, an education that informed her analytical and geometric approach to design. She continued her studies at the New York Studio of Drawing, Painting, and Sculpture before obtaining a Master of Architecture from Columbia University in 1975. Her early academic projects, including the American University Library and Welfare Island Housing, demonstrated a strong command of site planning and axonometric projection that would shape her professional work.","Pontius has worked as an architect, artist, and lecturer. Early in her career, she frequently collaborated with performance artist Laurie Anderson, appearing in the 1974 film Dear Reader: How to Turn a Book into a Movie and the multimedia production United States, I–IV, which premiered at the Brooklyn Academy of Music in 1983.","As an architect, she maintained a private practice while also working as a designer and draftsperson for major firms including I.M. Pei and Partners, RTKL Associates, and Kohn Pedersen Fox Associates. Her independent projects included residential renovations, loft conversions, and commercial interiors, noted for careful spatial sequencing and detailed construction documentation. While at I.M. Pei and Partners and Kohn Pedersen Fox Associates, she contributed to large institutional and urban projects through schematic design and development studies. At RTKL Associates, she served as lead architect for a South Street Office Tower (Commerce Place) in Baltimore, overseeing the development of what became the fourth tallest skyscraper in the city. She also contributed to numerous federal and civic courthouse projects in the 1990s, reflecting her engagement with public architecture, advanced building systems, and historically sensitive design.","Her work has been featured in exhibitions and publications including Architectural Record, Progressive Architecture, Art in America, and Metropolis. In 2015, she collaborated with poet Sarah Smith on a submission to The Light Ekphrastic, which paired Smith's poem with Pontius's photographic work from the Oklahoma City National Memorial. She continues to work as a visual artist and architect, splitting her time between Baltimore and Washington, D.C."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Geraldine Pontius Architectural Collection, Ms2021-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Geraldine Pontius Architectural Collection, Ms2021-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eMaterials in the Geraldine Pontius Architectural Collection were arranged and described in spring of 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials in the Geraldine Pontius Architectural Collection were arranged and described in spring of 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists primarily of architectural drawings and related project documentation created by Geraldine C. Pontius during her work with I.M. Pei and Partners, Kohn Pedersen Fox Associates (KPF), RTKL Associates, Spillis Candela/Warnecke, and her independent practice. Materials include blue-line and mylar drawings, schematics, plans, elevations, sections, construction documents, renderings, notebooks, and limited printed and photographic materials.\u003c/p\u003e\n","\u003cp\u003eProjects span residential, commercial, institutional, urban development, and federal courthouse work from the 1970s through the mid-1990s, including documentation related to Commerce Place and multiple county and U.S. courthouse projects. Her academic projects and select professional reference materials are also included.\u003c/p\u003e","\u003cp\u003eProjects in this folder include \u003c/p\u003e","\u003cp\u003eSchematics and schedules, Artist's Loft, 10 Leonard St.,May 27, 1976 - July 26, 1976 (4 Sheets)\u003c/p\u003e","\u003cp\u003eSchematics and schedules, Eakins/Martin Loft, Gilsey House, New York  NY, July 1, 1981 (9 sheets)\u003c/p\u003e","\u003cp\u003eConstruction drawings, schematics, details, notes and plans, Apartments for Anne Parks, 211 West 22nd St., New York City, NY,vSeptember 9, 1980 - October 26, 1980 (26 sheets)\u003c/p\u003e","\u003cp\u003ePlans, sections, and permit drawings Ayala Medical Office 211 West 22nd St., New York, NY, April 6, 1981 – May 11, 1981 (2 Sheets)\u003c/p\u003e","\u003cp\u003ePlan and partial electrical layout, 533 Greenwich St., New York, NY          March 13, 1978 (1 sheet)\u003c/p\u003e","\u003cp\u003eProjects in this folder include:\u003c/p\u003e","\u003cp\u003eSchematic drawings, elevations, sections, perspectives, and design alternates (Danola Residence feature), Danola Residence, Larchmont, NY,[July–November 1982] (56 sheets) \u003c/p\u003e","\u003cp\u003ePlans and sections, 30 West 26th St., 12th Floor (Geraldine C Pontius Office Renovation), New York, NY, c. April 1981 (4 sheets)\u003c/p\u003e","\u003cp\u003eExisting plans and preliminary drawings, Weiner Residence, New York, NY, January 29, 1987 (9 sheets)\u003c/p\u003e","\u003cp\u003eAlteration plans, Unidentified residence, 507 W. 111 St., Apt. 2,August 6, 1983 - December 8, 1983 (5 sheets)\u003c/p\u003e","\u003cp\u003eProjects in this folder include:\u003c/p\u003e","\u003cp\u003eBid set, Midtown Gourmet, One Penn Plaza Lobby, Midtown Candy Company, Inc., 500 E 83rd St., New York City, NY, March 24, 1987 (15 sheets)\u003c/p\u003e","\u003cp\u003ePlans, Pearman Renovation, 575 Park Ave., Apt. 1503, New York City, NY, October 23, 1987 - December 2, 1987 (1 sheet) \u003c/p\u003e","\u003cp\u003eSchematics, Bergman Residence, 29-35 W 90 St., Apts. 9F and 9G, New York City, NY, March 22, 1988 - June 1, 1989 (2 sheets)\u003c/p\u003e","\u003cp\u003eProjects in this folder include:\u003c/p\u003e","\u003cp\u003eBid set, Sarut, Inc., Store, Offices, and Showroom, 107 Horatio St., New York City, NY, August 16, 1988 - April 4, 1989 (9 sheets) \u003c/p\u003e","\u003cp\u003eAxonometric section and floor plan, Barricini Shop, New York, NY, April 1, 1988 (2 Sheets)\u003c/p\u003e","\u003cp\u003eFloor plan, Sarut Offices and Showroom, New York, NY, August 12, 1988 (1 sheets) \u003c/p\u003e","\u003cp\u003ePlans, Hwong Residence, 148 W 23rd St., New York City, NY, September 13, 1988 (1 Sheet) \u003c/p\u003e","\u003cp\u003eElevation, plans, and sections, Ziegler Residence Foyer and Stair, 9 Jones St., New York, NY, December 1988 (8 sheets)\u003c/p\u003e","\u003cp\u003ePlans and notes, Ceppos and Rambaud Residence, 366 W 11th St., Apt. 10F, New York City, NY, December 7, 1988 - March 3, 1989 (1 Sheet) \u003c/p\u003e","\u003cp\u003eZoning Study and Diagram, Acosta and Gamba Townhouses, 451 Union St., Brooklyn, NY, December 22, 1988 (7 sheets)\u003c/p\u003e","\u003cp\u003eCabinet shop drawings and interior detailing, Glenn Partition, New York, NY,January 26, 1989 (7 sheet) \u003c/p\u003e","\u003cp\u003eSchematics, Sullivan Residence, 822 Madison Ave., Third Floor, New York City, NY, March 27, 1989 (1 sheets) \u003c/p\u003e","\u003cp\u003ePlans and sections, Incitti Residence, New York, NY, March 15, 1989 – July 28, 1989 (42 Sheets)\u003c/p\u003e","\u003cp\u003eMeasured drawing, Unidentified residence, 277 West End Ave., Apt. 10C, undated (1 sheets) \u003c/p\u003e","\u003cp\u003eSite plans and housing calculations, Pueblo Nuevo (Housing Association Study), New York, NY,[undated] (2 Sheets)\u003c/p\u003e","\u003cp\u003eFloor plans, Loft Conversion, 100 Houston St., New York, NY, [undated] (1 Sheet)\u003c/p\u003e","\u003cp\u003eProjects In The Folder Include\u003c/p\u003e","\u003cp\u003eDesign development drawing set, Wilson Residence, Annandale, NJ              August 16, 1974 (13 Sheets)\u003c/p\u003e","\u003cp\u003ePlans, site plans, and elevations, Highway 31 Commercial Center, Clinton, NJ, October 18, 1974 (3 sheets)\u003c/p\u003e","\u003cp\u003ePlans and elevations, Lamendola's Farmhouse, Clearfield, PA, [1975] (3 sheets)\u003c/p\u003e","\u003cp\u003eBathroom plans and reflected ceiling plan, Hunter's Rest,January 20, 1975 (3 sheets)\u003c/p\u003e","\u003cp\u003esectional drawings, News Stand Competition (Briggs Koshido and Pontius, Finalist Team), August 8, 1988 (1 sheets)\u003c/p\u003e","\u003cp\u003eMassing plans, sections, and shaping sketches, 900 North Michigan Ave., Chicago, IL,[1989] (7 sheets)\u003c/p\u003e","\u003cp\u003ePlans and elevations, Moose Mountain Farm, July 15, 1996 (2 sheets)\u003c/p\u003e","\u003cp\u003eKitchen plan and sections, Marilyn Pontius Kitchen                                                February 1987 (4 sheets)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists primarily of architectural drawings and related project documentation created by Geraldine C. Pontius during her work with I.M. Pei and Partners, Kohn Pedersen Fox Associates (KPF), RTKL Associates, Spillis Candela/Warnecke, and her independent practice. Materials include blue-line and mylar drawings, schematics, plans, elevations, sections, construction documents, renderings, notebooks, and limited printed and photographic materials.","Projects span residential, commercial, institutional, urban development, and federal courthouse work from the 1970s through the mid-1990s, including documentation related to Commerce Place and multiple county and U.S. courthouse projects. Her academic projects and select professional reference materials are also included.","Projects in this folder include ","Schematics and schedules, Artist's Loft, 10 Leonard St.,May 27, 1976 - July 26, 1976 (4 Sheets)","Schematics and schedules, Eakins/Martin Loft, Gilsey House, New York  NY, July 1, 1981 (9 sheets)","Construction drawings, schematics, details, notes and plans, Apartments for Anne Parks, 211 West 22nd St., New York City, NY,vSeptember 9, 1980 - October 26, 1980 (26 sheets)","Plans, sections, and permit drawings Ayala Medical Office 211 West 22nd St., New York, NY, April 6, 1981 – May 11, 1981 (2 Sheets)","Plan and partial electrical layout, 533 Greenwich St., New York, NY          March 13, 1978 (1 sheet)","Projects in this folder include:","Schematic drawings, elevations, sections, perspectives, and design alternates (Danola Residence feature), Danola Residence, Larchmont, NY,[July–November 1982] (56 sheets) ","Plans and sections, 30 West 26th St., 12th Floor (Geraldine C Pontius Office Renovation), New York, NY, c. April 1981 (4 sheets)","Existing plans and preliminary drawings, Weiner Residence, New York, NY, January 29, 1987 (9 sheets)","Alteration plans, Unidentified residence, 507 W. 111 St., Apt. 2,August 6, 1983 - December 8, 1983 (5 sheets)","Projects in this folder include:","Bid set, Midtown Gourmet, One Penn Plaza Lobby, Midtown Candy Company, Inc., 500 E 83rd St., New York City, NY, March 24, 1987 (15 sheets)","Plans, Pearman Renovation, 575 Park Ave., Apt. 1503, New York City, NY, October 23, 1987 - December 2, 1987 (1 sheet) ","Schematics, Bergman Residence, 29-35 W 90 St., Apts. 9F and 9G, New York City, NY, March 22, 1988 - June 1, 1989 (2 sheets)","Projects in this folder include:","Bid set, Sarut, Inc., Store, Offices, and Showroom, 107 Horatio St., New York City, NY, August 16, 1988 - April 4, 1989 (9 sheets) ","Axonometric section and floor plan, Barricini Shop, New York, NY, April 1, 1988 (2 Sheets)","Floor plan, Sarut Offices and Showroom, New York, NY, August 12, 1988 (1 sheets) ","Plans, Hwong Residence, 148 W 23rd St., New York City, NY, September 13, 1988 (1 Sheet) ","Elevation, plans, and sections, Ziegler Residence Foyer and Stair, 9 Jones St., New York, NY, December 1988 (8 sheets)","Plans and notes, Ceppos and Rambaud Residence, 366 W 11th St., Apt. 10F, New York City, NY, December 7, 1988 - March 3, 1989 (1 Sheet) ","Zoning Study and Diagram, Acosta and Gamba Townhouses, 451 Union St., Brooklyn, NY, December 22, 1988 (7 sheets)","Cabinet shop drawings and interior detailing, Glenn Partition, New York, NY,January 26, 1989 (7 sheet) ","Schematics, Sullivan Residence, 822 Madison Ave., Third Floor, New York City, NY, March 27, 1989 (1 sheets) ","Plans and sections, Incitti Residence, New York, NY, March 15, 1989 – July 28, 1989 (42 Sheets)","Measured drawing, Unidentified residence, 277 West End Ave., Apt. 10C, undated (1 sheets) ","Site plans and housing calculations, Pueblo Nuevo (Housing Association Study), New York, NY,[undated] (2 Sheets)","Floor plans, Loft Conversion, 100 Houston St., New York, NY, [undated] (1 Sheet)","Projects In The Folder Include","Design development drawing set, Wilson Residence, Annandale, NJ              August 16, 1974 (13 Sheets)","Plans, site plans, and elevations, Highway 31 Commercial Center, Clinton, NJ, October 18, 1974 (3 sheets)","Plans and elevations, Lamendola's Farmhouse, Clearfield, PA, [1975] (3 sheets)","Bathroom plans and reflected ceiling plan, Hunter's Rest,January 20, 1975 (3 sheets)","sectional drawings, News Stand Competition (Briggs Koshido and Pontius, Finalist Team), August 8, 1988 (1 sheets)","Massing plans, sections, and shaping sketches, 900 North Michigan Ave., Chicago, IL,[1989] (7 sheets)","Plans and elevations, Moose Mountain Farm, July 15, 1996 (2 sheets)","Kitchen plan and sections, Marilyn Pontius Kitchen                                                February 1987 (4 sheets)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Geraldine Pontius Architectural Collection must be obtained from Special Collections and University Archives, Virginia Tech. Ms. Pontius requests that anyone wishing to reproduce these materials do so under the terms of a CC-BY-NC-ND 4.0 Creative Commons license, i.e., they must only use images for non-commercial purposes, derivatives are prohibited, and they must properly attribute them. Copyright for the collected I.M. Pei drawing sets was not transferred to the archives, and any right to reproduce these images must be sought from the originating firm.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Geraldine Pontius Architectural Collection must be obtained from Special Collections and University Archives, Virginia Tech. Ms. Pontius requests that anyone wishing to reproduce these materials do so under the terms of a CC-BY-NC-ND 4.0 Creative Commons license, i.e., they must only use images for non-commercial purposes, derivatives are prohibited, and they must properly attribute them. Copyright for the collected I.M. Pei drawing sets was not transferred to the archives, and any right to reproduce these images must be sought from the originating firm."],"abstract_html_tesm":["\u003cabstract id=\"aspace_60523036c89a6bbba1cfcdaf5184cda6\"\u003eThe Geraldine Pontius Architectural Collection contains individual renderings and drawing sets for 24 projects worked on by Pontius and 3 construction drawing sets she collected while working at I.M. Pei and Partners.\u003c/abstract\u003e"],"abstract_tesim":["The Geraldine Pontius Architectural Collection contains individual renderings and drawing sets for 24 projects worked on by Pontius and 3 construction drawing sets she collected while working at I.M. Pei and Partners."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Pontius, Geraldine"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Pontius, Geraldine"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:16:47.557Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3514"}},{"id":"viblbv_repositories_2_resources_4178","type":"collection","attributes":{"title":"H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4178#creator","type":"document_value","attributes":{"value":"Steinmesch, H. May, 1893-1979","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4178#abstract_or_scope","type":"document_value","attributes":{"value":"Henrietta May Steinmesch was born in St. Louis, Missouri, in 1893. After graduating from the University of Washington in St. Louis, she worked on local governmental and residential projects; during World War II she worked for the Army of Engineers and Air Force, drafting maps and plotting airfields. In 1943, she moved West to California, where she remained until her death in 1979. Materials in the collection consist of watercolors, sketches, block prints, photographs, taped interviews, clippings, and several architectural drawings.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4178#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4178","ead_ssi":"viblbv_repositories_2_resources_4178","_root_":"viblbv_repositories_2_resources_4178","_nest_parent_":"viblbv_repositories_2_resources_4178","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4178.xml","title_filing_ssi":"Steinmesch, H. May","title_ssm":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"title_tesim":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"unitdate_ssm":["1915-1975"],"unitdate_inclusive_ssm":["1915-1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2023.122"],"text":["Ms.2023.122","H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)","Association for Women in Architecture (U.S.)","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- California","The collection is open for research.","Some of this collection has been digitized and is available online.","The H. May Steinmesch papers are organized into the three following series: Personal papers, Professional papers, and Project records. Items are arranged chronologically within series and sub-series.","(Henrietta) May Steinmesch was born on May 9, 1893, to parents Henry Steinmesch and Adelaide Caldwell, in St. Louis, Missouri. She received a B.S. in Architecture from the University of Washington in St. Louis in 1916. Following her graduation, she worked for the St. Louis City Planning Commission until 1923 as a draftsperson, designer, and delineator. Throughout the 1920s and 1930s she strung together several jobs, teaching drafting and interior design courses, working for St. Louis firms, and building a small business around private interior design commissions and consultations. ","During World War II, Steinmesch worked for the U.S. Army of Engineers and Air Force; her work included plotting airfields and teaching drafting and map-making skills to naval officers. After requesting to be discharged in 1943, she went to work for the Western division of the United Services Organization, where she stayed until 1946, after which, she worked for various firms and agencies in California until her retirement in 1958. ","In 1915, while Steinmesch was still at the University of Washington she founded an undergraduate organization for women studying architecture called \"La Confrerie Alongive.\" Later, Steinmesch, along with the other women studying at UW, organized with women in programs at the Universities of Minnesota, Texas, and California. In 1922, the four chapters formed a national organization called Alpha Alpha Gamma, for which Steinmesch served as president from 1928 to 1930. Alpha Alpha Gamma eventually became the Association for Women in Architecture (AWA) in 1948. Although AWA later dissolved as a national organization, its California chapter remains active as a professional organization, now called the Association for Women in Architecture and Design, or AWA+D.","H. May Steinmesch passed away on May 21, 1979.","The guide to the H. May Steinmesch Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the H. May Steinmesch Papers was completed in May 2024.","The Steinmesch papers are comprised of photographs, clippings and printed material related to Alpha Alpha Gamma (later the Association for Women in Architecture), personal artwork, watercolors, sketches, rug patterns and designs, three audiocassette tapes of an oral history interview conducted in 1975, additional biographical documentation, and some limited project drawings for the St. Louis City Planning Commission.","Oral history interviews with Steinmesch, conducted by Dorothy Harrison, over two days in February and April 1975; recorded on three tapes. Harrison was also an active member and former president of AWA.","These tapes have been digitized and transcribed. Please contact Special Collections and University Archives to discuss access options.","Many patterns and designs appear to be for client Jenny Davida Johnson. Media include watercolors, pen, pencil, and diazo copies.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Henrietta May Steinmesch was born in St. Louis, Missouri, in 1893. After graduating from the University of Washington in St. Louis, she worked on local governmental and residential projects; during World War II she worked for the Army of Engineers and Air Force, drafting maps and plotting airfields. In 1943, she moved West to California, where she remained until her death in 1979. Materials in the collection consist of watercolors, sketches, block prints, photographs, taped interviews, clippings, and several architectural drawings.","Special Collections and University Archives, Virginia Tech","Steinmesch, H. May, 1893-1979","Materials are in English."],"unitid_tesim":["Ms.2023.122"],"normalized_title_ssm":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"collection_title_tesim":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"collection_ssim":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Association for Women in Architecture (U.S.)"],"geogname_ssim":["Association for Women in Architecture (U.S.)"],"creator_ssm":["Steinmesch, H. May, 1893-1979"],"creator_ssim":["Steinmesch, H. May, 1893-1979"],"creator_persname_ssim":["Steinmesch, H. May, 1893-1979"],"creators_ssim":["Steinmesch, H. May, 1893-1979"],"places_ssim":["Association for Women in Architecture (U.S.)"],"access_terms_ssm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Materials were transferred to Special Collections and University Archives in August 2023."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- California"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- California"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Cubic Feet"],"extent_tesim":["2.5 Cubic Feet"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/361\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe H. May Steinmesch papers are organized into the three following series: Personal papers, Professional papers, and Project records. Items are arranged chronologically within series and sub-series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The H. May Steinmesch papers are organized into the three following series: Personal papers, Professional papers, and Project records. Items are arranged chronologically within series and sub-series."],"bioghist_html_tesm":["\u003cp\u003e(Henrietta) May Steinmesch was born on May 9, 1893, to parents Henry Steinmesch and Adelaide Caldwell, in St. Louis, Missouri. She received a B.S. in Architecture from the University of Washington in St. Louis in 1916. Following her graduation, she worked for the St. Louis City Planning Commission until 1923 as a draftsperson, designer, and delineator. Throughout the 1920s and 1930s she strung together several jobs, teaching drafting and interior design courses, working for St. Louis firms, and building a small business around private interior design commissions and consultations. \u003c/p\u003e\n","\u003cp\u003eDuring World War II, Steinmesch worked for the U.S. Army of Engineers and Air Force; her work included plotting airfields and teaching drafting and map-making skills to naval officers. After requesting to be discharged in 1943, she went to work for the Western division of the United Services Organization, where she stayed until 1946, after which, she worked for various firms and agencies in California until her retirement in 1958. \u003c/p\u003e\n","\u003cp\u003eIn 1915, while Steinmesch was still at the University of Washington she founded an undergraduate organization for women studying architecture called \"La Confrerie Alongive.\" Later, Steinmesch, along with the other women studying at UW, organized with women in programs at the Universities of Minnesota, Texas, and California. In 1922, the four chapters formed a national organization called Alpha Alpha Gamma, for which Steinmesch served as president from 1928 to 1930. Alpha Alpha Gamma eventually became the Association for Women in Architecture (AWA) in 1948. Although AWA later dissolved as a national organization, its California chapter remains active as a professional organization, now called the Association for Women in Architecture and Design, or AWA+D.\u003c/p\u003e\n","\u003cp\u003eH. May Steinmesch passed away on May 21, 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["(Henrietta) May Steinmesch was born on May 9, 1893, to parents Henry Steinmesch and Adelaide Caldwell, in St. Louis, Missouri. She received a B.S. in Architecture from the University of Washington in St. Louis in 1916. Following her graduation, she worked for the St. Louis City Planning Commission until 1923 as a draftsperson, designer, and delineator. Throughout the 1920s and 1930s she strung together several jobs, teaching drafting and interior design courses, working for St. Louis firms, and building a small business around private interior design commissions and consultations. ","During World War II, Steinmesch worked for the U.S. Army of Engineers and Air Force; her work included plotting airfields and teaching drafting and map-making skills to naval officers. After requesting to be discharged in 1943, she went to work for the Western division of the United Services Organization, where she stayed until 1946, after which, she worked for various firms and agencies in California until her retirement in 1958. ","In 1915, while Steinmesch was still at the University of Washington she founded an undergraduate organization for women studying architecture called \"La Confrerie Alongive.\" Later, Steinmesch, along with the other women studying at UW, organized with women in programs at the Universities of Minnesota, Texas, and California. In 1922, the four chapters formed a national organization called Alpha Alpha Gamma, for which Steinmesch served as president from 1928 to 1930. Alpha Alpha Gamma eventually became the Association for Women in Architecture (AWA) in 1948. Although AWA later dissolved as a national organization, its California chapter remains active as a professional organization, now called the Association for Women in Architecture and Design, or AWA+D.","H. May Steinmesch passed away on May 21, 1979."],"odd_html_tesm":["\u003cp\u003eThe guide to the H. May Steinmesch Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the H. May Steinmesch Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], H. May Steinmesch Papers, 1915-1975, Ms2023-122, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], H. May Steinmesch Papers, 1915-1975, Ms2023-122, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the H. May Steinmesch Papers was completed in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the H. May Steinmesch Papers was completed in May 2024."],"scopecontent_html_tesm":["\u003cp\u003eThe Steinmesch papers are comprised of photographs, clippings and printed material related to Alpha Alpha Gamma (later the Association for Women in Architecture), personal artwork, watercolors, sketches, rug patterns and designs, three audiocassette tapes of an oral history interview conducted in 1975, additional biographical documentation, and some limited project drawings for the St. Louis City Planning Commission.\u003c/p\u003e","\u003cp\u003eOral history interviews with Steinmesch, conducted by Dorothy Harrison, over two days in February and April 1975; recorded on three tapes. Harrison was also an active member and former president of AWA.\u003c/p\u003e\n","\u003cp\u003eThese tapes have been digitized and transcribed. Please contact Special Collections and University Archives to discuss access options.\u003c/p\u003e","\u003cp\u003eMany patterns and designs appear to be for client Jenny Davida Johnson. Media include watercolors, pen, pencil, and diazo copies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Steinmesch papers are comprised of photographs, clippings and printed material related to Alpha Alpha Gamma (later the Association for Women in Architecture), personal artwork, watercolors, sketches, rug patterns and designs, three audiocassette tapes of an oral history interview conducted in 1975, additional biographical documentation, and some limited project drawings for the St. Louis City Planning Commission.","Oral history interviews with Steinmesch, conducted by Dorothy Harrison, over two days in February and April 1975; recorded on three tapes. Harrison was also an active member and former president of AWA.","These tapes have been digitized and transcribed. Please contact Special Collections and University Archives to discuss access options.","Many patterns and designs appear to be for client Jenny Davida Johnson. Media include watercolors, pen, pencil, and diazo copies."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_78b3f8de7b4289177efe7dbe1d88fbb7\" label=\"Abstract\"\u003eHenrietta May Steinmesch was born in St. Louis, Missouri, in 1893. After graduating from the University of Washington in St. Louis, she worked on local governmental and residential projects; during World War II she worked for the Army of Engineers and Air Force, drafting maps and plotting airfields. In 1943, she moved West to California, where she remained until her death in 1979. Materials in the collection consist of watercolors, sketches, block prints, photographs, taped interviews, clippings, and several architectural drawings.\u003c/abstract\u003e"],"abstract_tesim":["Henrietta May Steinmesch was born in St. Louis, Missouri, in 1893. After graduating from the University of Washington in St. Louis, she worked on local governmental and residential projects; during World War II she worked for the Army of Engineers and Air Force, drafting maps and plotting airfields. In 1943, she moved West to California, where she remained until her death in 1979. Materials in the collection consist of watercolors, sketches, block prints, photographs, taped interviews, clippings, and several architectural drawings."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Steinmesch, H. May, 1893-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Steinmesch, H. May, 1893-1979"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:23:16.922Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4178","ead_ssi":"viblbv_repositories_2_resources_4178","_root_":"viblbv_repositories_2_resources_4178","_nest_parent_":"viblbv_repositories_2_resources_4178","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4178.xml","title_filing_ssi":"Steinmesch, H. May","title_ssm":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"title_tesim":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"unitdate_ssm":["1915-1975"],"unitdate_inclusive_ssm":["1915-1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2023.122"],"text":["Ms.2023.122","H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)","Association for Women in Architecture (U.S.)","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- California","The collection is open for research.","Some of this collection has been digitized and is available online.","The H. May Steinmesch papers are organized into the three following series: Personal papers, Professional papers, and Project records. Items are arranged chronologically within series and sub-series.","(Henrietta) May Steinmesch was born on May 9, 1893, to parents Henry Steinmesch and Adelaide Caldwell, in St. Louis, Missouri. She received a B.S. in Architecture from the University of Washington in St. Louis in 1916. Following her graduation, she worked for the St. Louis City Planning Commission until 1923 as a draftsperson, designer, and delineator. Throughout the 1920s and 1930s she strung together several jobs, teaching drafting and interior design courses, working for St. Louis firms, and building a small business around private interior design commissions and consultations. ","During World War II, Steinmesch worked for the U.S. Army of Engineers and Air Force; her work included plotting airfields and teaching drafting and map-making skills to naval officers. After requesting to be discharged in 1943, she went to work for the Western division of the United Services Organization, where she stayed until 1946, after which, she worked for various firms and agencies in California until her retirement in 1958. ","In 1915, while Steinmesch was still at the University of Washington she founded an undergraduate organization for women studying architecture called \"La Confrerie Alongive.\" Later, Steinmesch, along with the other women studying at UW, organized with women in programs at the Universities of Minnesota, Texas, and California. In 1922, the four chapters formed a national organization called Alpha Alpha Gamma, for which Steinmesch served as president from 1928 to 1930. Alpha Alpha Gamma eventually became the Association for Women in Architecture (AWA) in 1948. Although AWA later dissolved as a national organization, its California chapter remains active as a professional organization, now called the Association for Women in Architecture and Design, or AWA+D.","H. May Steinmesch passed away on May 21, 1979.","The guide to the H. May Steinmesch Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the H. May Steinmesch Papers was completed in May 2024.","The Steinmesch papers are comprised of photographs, clippings and printed material related to Alpha Alpha Gamma (later the Association for Women in Architecture), personal artwork, watercolors, sketches, rug patterns and designs, three audiocassette tapes of an oral history interview conducted in 1975, additional biographical documentation, and some limited project drawings for the St. Louis City Planning Commission.","Oral history interviews with Steinmesch, conducted by Dorothy Harrison, over two days in February and April 1975; recorded on three tapes. Harrison was also an active member and former president of AWA.","These tapes have been digitized and transcribed. Please contact Special Collections and University Archives to discuss access options.","Many patterns and designs appear to be for client Jenny Davida Johnson. Media include watercolors, pen, pencil, and diazo copies.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Henrietta May Steinmesch was born in St. Louis, Missouri, in 1893. After graduating from the University of Washington in St. Louis, she worked on local governmental and residential projects; during World War II she worked for the Army of Engineers and Air Force, drafting maps and plotting airfields. In 1943, she moved West to California, where she remained until her death in 1979. Materials in the collection consist of watercolors, sketches, block prints, photographs, taped interviews, clippings, and several architectural drawings.","Special Collections and University Archives, Virginia Tech","Steinmesch, H. May, 1893-1979","Materials are in English."],"unitid_tesim":["Ms.2023.122"],"normalized_title_ssm":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"collection_title_tesim":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"collection_ssim":["H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950)"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Association for Women in Architecture (U.S.)"],"geogname_ssim":["Association for Women in Architecture (U.S.)"],"creator_ssm":["Steinmesch, H. May, 1893-1979"],"creator_ssim":["Steinmesch, H. May, 1893-1979"],"creator_persname_ssim":["Steinmesch, H. May, 1893-1979"],"creators_ssim":["Steinmesch, H. May, 1893-1979"],"places_ssim":["Association for Women in Architecture (U.S.)"],"access_terms_ssm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Materials were transferred to Special Collections and University Archives in August 2023."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- California"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- California"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Cubic Feet"],"extent_tesim":["2.5 Cubic Feet"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/361\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe H. May Steinmesch papers are organized into the three following series: Personal papers, Professional papers, and Project records. Items are arranged chronologically within series and sub-series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The H. May Steinmesch papers are organized into the three following series: Personal papers, Professional papers, and Project records. Items are arranged chronologically within series and sub-series."],"bioghist_html_tesm":["\u003cp\u003e(Henrietta) May Steinmesch was born on May 9, 1893, to parents Henry Steinmesch and Adelaide Caldwell, in St. Louis, Missouri. She received a B.S. in Architecture from the University of Washington in St. Louis in 1916. Following her graduation, she worked for the St. Louis City Planning Commission until 1923 as a draftsperson, designer, and delineator. Throughout the 1920s and 1930s she strung together several jobs, teaching drafting and interior design courses, working for St. Louis firms, and building a small business around private interior design commissions and consultations. \u003c/p\u003e\n","\u003cp\u003eDuring World War II, Steinmesch worked for the U.S. Army of Engineers and Air Force; her work included plotting airfields and teaching drafting and map-making skills to naval officers. After requesting to be discharged in 1943, she went to work for the Western division of the United Services Organization, where she stayed until 1946, after which, she worked for various firms and agencies in California until her retirement in 1958. \u003c/p\u003e\n","\u003cp\u003eIn 1915, while Steinmesch was still at the University of Washington she founded an undergraduate organization for women studying architecture called \"La Confrerie Alongive.\" Later, Steinmesch, along with the other women studying at UW, organized with women in programs at the Universities of Minnesota, Texas, and California. In 1922, the four chapters formed a national organization called Alpha Alpha Gamma, for which Steinmesch served as president from 1928 to 1930. Alpha Alpha Gamma eventually became the Association for Women in Architecture (AWA) in 1948. Although AWA later dissolved as a national organization, its California chapter remains active as a professional organization, now called the Association for Women in Architecture and Design, or AWA+D.\u003c/p\u003e\n","\u003cp\u003eH. May Steinmesch passed away on May 21, 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["(Henrietta) May Steinmesch was born on May 9, 1893, to parents Henry Steinmesch and Adelaide Caldwell, in St. Louis, Missouri. She received a B.S. in Architecture from the University of Washington in St. Louis in 1916. Following her graduation, she worked for the St. Louis City Planning Commission until 1923 as a draftsperson, designer, and delineator. Throughout the 1920s and 1930s she strung together several jobs, teaching drafting and interior design courses, working for St. Louis firms, and building a small business around private interior design commissions and consultations. ","During World War II, Steinmesch worked for the U.S. Army of Engineers and Air Force; her work included plotting airfields and teaching drafting and map-making skills to naval officers. After requesting to be discharged in 1943, she went to work for the Western division of the United Services Organization, where she stayed until 1946, after which, she worked for various firms and agencies in California until her retirement in 1958. ","In 1915, while Steinmesch was still at the University of Washington she founded an undergraduate organization for women studying architecture called \"La Confrerie Alongive.\" Later, Steinmesch, along with the other women studying at UW, organized with women in programs at the Universities of Minnesota, Texas, and California. In 1922, the four chapters formed a national organization called Alpha Alpha Gamma, for which Steinmesch served as president from 1928 to 1930. Alpha Alpha Gamma eventually became the Association for Women in Architecture (AWA) in 1948. Although AWA later dissolved as a national organization, its California chapter remains active as a professional organization, now called the Association for Women in Architecture and Design, or AWA+D.","H. May Steinmesch passed away on May 21, 1979."],"odd_html_tesm":["\u003cp\u003eThe guide to the H. May Steinmesch Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the H. May Steinmesch Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], H. May Steinmesch Papers, 1915-1975, Ms2023-122, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], H. May Steinmesch Papers, 1915-1975, Ms2023-122, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the H. May Steinmesch Papers was completed in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the H. May Steinmesch Papers was completed in May 2024."],"scopecontent_html_tesm":["\u003cp\u003eThe Steinmesch papers are comprised of photographs, clippings and printed material related to Alpha Alpha Gamma (later the Association for Women in Architecture), personal artwork, watercolors, sketches, rug patterns and designs, three audiocassette tapes of an oral history interview conducted in 1975, additional biographical documentation, and some limited project drawings for the St. Louis City Planning Commission.\u003c/p\u003e","\u003cp\u003eOral history interviews with Steinmesch, conducted by Dorothy Harrison, over two days in February and April 1975; recorded on three tapes. Harrison was also an active member and former president of AWA.\u003c/p\u003e\n","\u003cp\u003eThese tapes have been digitized and transcribed. Please contact Special Collections and University Archives to discuss access options.\u003c/p\u003e","\u003cp\u003eMany patterns and designs appear to be for client Jenny Davida Johnson. Media include watercolors, pen, pencil, and diazo copies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Steinmesch papers are comprised of photographs, clippings and printed material related to Alpha Alpha Gamma (later the Association for Women in Architecture), personal artwork, watercolors, sketches, rug patterns and designs, three audiocassette tapes of an oral history interview conducted in 1975, additional biographical documentation, and some limited project drawings for the St. Louis City Planning Commission.","Oral history interviews with Steinmesch, conducted by Dorothy Harrison, over two days in February and April 1975; recorded on three tapes. Harrison was also an active member and former president of AWA.","These tapes have been digitized and transcribed. Please contact Special Collections and University Archives to discuss access options.","Many patterns and designs appear to be for client Jenny Davida Johnson. Media include watercolors, pen, pencil, and diazo copies."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_78b3f8de7b4289177efe7dbe1d88fbb7\" label=\"Abstract\"\u003eHenrietta May Steinmesch was born in St. Louis, Missouri, in 1893. After graduating from the University of Washington in St. Louis, she worked on local governmental and residential projects; during World War II she worked for the Army of Engineers and Air Force, drafting maps and plotting airfields. In 1943, she moved West to California, where she remained until her death in 1979. Materials in the collection consist of watercolors, sketches, block prints, photographs, taped interviews, clippings, and several architectural drawings.\u003c/abstract\u003e"],"abstract_tesim":["Henrietta May Steinmesch was born in St. Louis, Missouri, in 1893. After graduating from the University of Washington in St. Louis, she worked on local governmental and residential projects; during World War II she worked for the Army of Engineers and Air Force, drafting maps and plotting airfields. In 1943, she moved West to California, where she remained until her death in 1979. Materials in the collection consist of watercolors, sketches, block prints, photographs, taped interviews, clippings, and several architectural drawings."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Steinmesch, H. May, 1893-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Steinmesch, H. May, 1893-1979"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:23:16.922Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4178"}},{"id":"viblbv_repositories_2_resources_1426","type":"collection","attributes":{"title":"IAWA: International Archive of Women in Architecture Records","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1426#creator","type":"document_value","attributes":{"value":"Dunay, Donna","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1426#abstract_or_scope","type":"document_value","attributes":{"value":"The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The International Archive of Women in Architecture records were donated to Special Collections in 1998 and 1999 by Dr. Bliznakov. 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"],"bioghist_html_tesm":["\u003cp\u003eThe International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. 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Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_745241fcc75f9e00e6d68a138b3b77f4\" label=\"Abstract\"\u003eThe records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence.\u003c/abstract\u003e"],"abstract_tesim":["The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:14.147Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1426","ead_ssi":"viblbv_repositories_2_resources_1426","_root_":"viblbv_repositories_2_resources_1426","_nest_parent_":"viblbv_repositories_2_resources_1426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1426.xml","title_filing_ssi":"IAWA: International Archive of Women in Architecture Records","title_ssm":["IAWA: International Archive of Women in Architecture Records"],"title_tesim":["IAWA: International Archive of Women in Architecture Records"],"unitdate_ssm":["1967-2013","1985-2008"],"unitdate_bulk_ssim":["1985-2008"],"unitdate_inclusive_ssm":["1967-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1985.021"],"text":["Ms.1985.021","IAWA: International Archive of Women in Architecture Records","Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged into three series: ","Series I. Founding Files, 1985-1996","Series II. IAWA Center Files, 1967-2011 (bulk 1985-2008)","Series III. Archivist Files, 1973-2007 (bulk 1985-2007)","The series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership.  ","The International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. 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Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The International Archive of Women in Architecture records were donated to Special Collections in 1998 and 1999 by Dr. Bliznakov. 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The IAWA collects this information to fill serious gaps in the availability of primary research materials for architectural, women's history, and social history research."],"odd_html_tesm":["\u003cp\u003eThe guide to the International Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the International Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Archive of Women in Architecture Records, 1967-2013 (bulk dates 1985-2008), Ms1985-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Archive of Women in Architecture Records, 1967-2013 (bulk dates 1985-2008), Ms1985-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the International Archive of Women in Architecture was completed in November 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the International Archive of Women in Architecture was completed in November 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \u003ca actuate=\"onRequest\" title=\"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center, selected exhibit panels, 2010.\" show=\"new\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_2714.xml\"\u003e\"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels, Ms2011-075\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See  \"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels, Ms2011-075 , also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe International Archive of Women in Architecture records encompass the founding of and day-to-day operations of the organization. Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The International Archive of Women in Architecture records encompass the founding of and day-to-day operations of the organization. Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_745241fcc75f9e00e6d68a138b3b77f4\" label=\"Abstract\"\u003eThe records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence.\u003c/abstract\u003e"],"abstract_tesim":["The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:14.147Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1426"}},{"id":"viblbv_repositories_2_resources_1798","type":"collection","attributes":{"title":"Inge Horton Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798#creator","type":"document_value","attributes":{"value":"Horton, Inge S.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798#abstract_or_scope","type":"document_value","attributes":{"value":"Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1798","ead_ssi":"viblbv_repositories_2_resources_1798","_root_":"viblbv_repositories_2_resources_1798","_nest_parent_":"viblbv_repositories_2_resources_1798","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1798.xml","title_filing_ssi":"Horton, Inge, Architectural Collection","title_ssm":["Inge Horton Architectural Collection"],"title_tesim":["Inge Horton Architectural Collection"],"unitdate_ssm":["1964-1999"],"unitdate_inclusive_ssm":["1964-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.065"],"text":["Ms.1990.065","Inge Horton Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","The collection is open for research.","The collection is arranged by material type.","Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.","The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.","Special Collections and University Archives, Virginia Tech","Horton, Inge S.","The materials in the collection are in English and German."],"unitid_tesim":["Ms.1990.065"],"normalized_title_ssm":["Inge Horton Architectural Collection"],"collection_title_tesim":["Inge Horton Architectural Collection"],"collection_ssim":["Inge Horton Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Horton, Inge S."],"creator_ssim":["Horton, Inge S."],"creator_persname_ssim":["Horton, Inge S."],"creators_ssim":["Horton, Inge S."],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Inge Horton Architectural Collection was donated to Special Collections in 1990."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["9.3 Cubic Feet 8 boxes"],"extent_tesim":["9.3 Cubic Feet 8 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eBorn in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.\u003c/p\u003e\n","\u003cp\u003eShe has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).\u003c/p\u003e\n","\u003cp\u003eHer publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description "],"odd_tesim":["The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efeedd0489853594ec017840c3f0497f\" label=\"Abstract\"\u003eInge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.\u003c/abstract\u003e"],"abstract_tesim":["Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Horton, Inge S."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Horton, Inge S."],"language_ssim":["The materials in the collection are in English and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":320,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:12:54.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1798","ead_ssi":"viblbv_repositories_2_resources_1798","_root_":"viblbv_repositories_2_resources_1798","_nest_parent_":"viblbv_repositories_2_resources_1798","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1798.xml","title_filing_ssi":"Horton, Inge, Architectural Collection","title_ssm":["Inge Horton Architectural Collection"],"title_tesim":["Inge Horton Architectural Collection"],"unitdate_ssm":["1964-1999"],"unitdate_inclusive_ssm":["1964-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.065"],"text":["Ms.1990.065","Inge Horton Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","The collection is open for research.","The collection is arranged by material type.","Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.","The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.","Special Collections and University Archives, Virginia Tech","Horton, Inge S.","The materials in the collection are in English and German."],"unitid_tesim":["Ms.1990.065"],"normalized_title_ssm":["Inge Horton Architectural Collection"],"collection_title_tesim":["Inge Horton Architectural Collection"],"collection_ssim":["Inge Horton Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Horton, Inge S."],"creator_ssim":["Horton, Inge S."],"creator_persname_ssim":["Horton, Inge S."],"creators_ssim":["Horton, Inge S."],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Inge Horton Architectural Collection was donated to Special Collections in 1990."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["9.3 Cubic Feet 8 boxes"],"extent_tesim":["9.3 Cubic Feet 8 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eBorn in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.\u003c/p\u003e\n","\u003cp\u003eShe has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).\u003c/p\u003e\n","\u003cp\u003eHer publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description "],"odd_tesim":["The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efeedd0489853594ec017840c3f0497f\" label=\"Abstract\"\u003eInge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.\u003c/abstract\u003e"],"abstract_tesim":["Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Horton, Inge S."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Horton, Inge S."],"language_ssim":["The materials in the collection are in English and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":320,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:12:54.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798"}},{"id":"viblbv_repositories_2_resources_2076","type":"collection","attributes":{"title":"Jean Linden Young Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2076#creator","type":"document_value","attributes":{"value":"Young, Jean Linden","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2076#abstract_or_scope","type":"document_value","attributes":{"value":"Jean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She became a registered architect of Washington state in 1955 and established her own private practice in 1976. Her designs were almost all private residences, apartment buildings, and small commercial structures in the Seattle area. The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2076#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2076","ead_ssi":"viblbv_repositories_2_resources_2076","_root_":"viblbv_repositories_2_resources_2076","_nest_parent_":"viblbv_repositories_2_resources_2076","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2076.xml","title_filing_ssi":"Young, Jean Linden, Papers","title_ssm":["Jean Linden Young Papers"],"title_tesim":["Jean Linden Young Papers"],"unitdate_ssm":["1945-1997"],"unitdate_inclusive_ssm":["1945-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1998.022"],"text":["Ms.1998.022","Jean Linden Young Papers","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Washington (State)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","Jean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She was educated at Wayne University (1944-1946) and the University of Illinois (B.S. Arch., 1947). She was an architectural design and illustrating instructor at the University of Kentucky (1948-1949) and a draftsperson and designer for Brock \u0026 Johnson, Architects, in Lexington, Kentucky (1948-1949). In 1948 she married Clayton Young and they moved to Seattle, Washington, in 1949. Their three children were born in 1953 (Deborah), 1954 (Lance), and 1957 (Sharon). ","Jean Linden Young and her husband established a joint practice, Clayton \u0026 Jean Young and Associates Architects, in Seattle in 1954, which lasted until 1975. After their divorce in 1976 Jean Young established her own private practice. Her designs were almost all private residences, apartment buildings, and small commercial structures, in the Seattle area. She became a registered architect of Washington state in 1955.","Young was active in many architectural organizations, particularly those that promoted the place of women in the profession. As a member of the American Institute of Architects she served on the Task Force on Women in Architectural Profession (1972-1976) and the Scholarship Committee (member, 1976-1980; chair, 1980).","Young served as a member of the Board of Architectural Registration of Washington State (member 1974-1979; chair 1978-1979), and as a member of the Citizen's Advisory Committee to the [Washington] State Senate on Financial Institutions (1974-1975). Young served on the Mayor's Small business Task Force (1984) and was appointed by the Mayor to two terms on the Seattle Design Commission (1979-1980, 1981-1982). She was also appointed to the panel of Arbitrators for the American Arbitration Association (1974). From 1985 to 1989, Young served on the King County Landmarks Commission. She also did graduate studies at the University of Washington (1974-1975). ","Jean Linden Young died on May 25, 1997, in Seattle.","The guide to the Jean Linden Young Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Jean Linden Young Papers was completed in January and February 1999.","The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Jean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She became a registered architect of Washington state in 1955 and established her own private practice in 1976. Her designs were almost all private residences, apartment buildings, and small commercial structures in the Seattle area. The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area.","Special Collections and University Archives, Virginia Tech","Young, Jean Linden","The materials in the collection are in English."],"unitid_tesim":["Ms.1998.022"],"normalized_title_ssm":["Jean Linden Young Papers"],"collection_title_tesim":["Jean Linden Young Papers"],"collection_ssim":["Jean Linden Young Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Young, Jean Linden"],"creator_ssim":["Young, Jean Linden"],"creator_persname_ssim":["Young, Jean Linden"],"creators_ssim":["Young, Jean Linden"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Jean Linden Young Papers were donated to Special Collections in December 1998."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Washington (State)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Washington (State)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Cubic Feet 4 boxes"],"extent_tesim":["1.5 Cubic Feet 4 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/166\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eJean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She was educated at Wayne University (1944-1946) and the University of Illinois (B.S. Arch., 1947). She was an architectural design and illustrating instructor at the University of Kentucky (1948-1949) and a draftsperson and designer for Brock \u0026amp; Johnson, Architects, in Lexington, Kentucky (1948-1949). In 1948 she married Clayton Young and they moved to Seattle, Washington, in 1949. Their three children were born in 1953 (Deborah), 1954 (Lance), and 1957 (Sharon). \u003c/p\u003e\n","\u003cp\u003eJean Linden Young and her husband established a joint practice, Clayton \u0026amp; Jean Young and Associates Architects, in Seattle in 1954, which lasted until 1975. After their divorce in 1976 Jean Young established her own private practice. Her designs were almost all private residences, apartment buildings, and small commercial structures, in the Seattle area. She became a registered architect of Washington state in 1955.\u003c/p\u003e\n","\u003cp\u003eYoung was active in many architectural organizations, particularly those that promoted the place of women in the profession. As a member of the American Institute of Architects she served on the Task Force on Women in Architectural Profession (1972-1976) and the Scholarship Committee (member, 1976-1980; chair, 1980).\u003c/p\u003e\n","\u003cp\u003eYoung served as a member of the Board of Architectural Registration of Washington State (member 1974-1979; chair 1978-1979), and as a member of the Citizen's Advisory Committee to the [Washington] State Senate on Financial Institutions (1974-1975). Young served on the Mayor's Small business Task Force (1984) and was appointed by the Mayor to two terms on the Seattle Design Commission (1979-1980, 1981-1982). She was also appointed to the panel of Arbitrators for the American Arbitration Association (1974). From 1985 to 1989, Young served on the King County Landmarks Commission. She also did graduate studies at the University of Washington (1974-1975). \u003c/p\u003e\n","\u003cp\u003eJean Linden Young died on May 25, 1997, in Seattle.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She was educated at Wayne University (1944-1946) and the University of Illinois (B.S. Arch., 1947). She was an architectural design and illustrating instructor at the University of Kentucky (1948-1949) and a draftsperson and designer for Brock \u0026 Johnson, Architects, in Lexington, Kentucky (1948-1949). In 1948 she married Clayton Young and they moved to Seattle, Washington, in 1949. Their three children were born in 1953 (Deborah), 1954 (Lance), and 1957 (Sharon). ","Jean Linden Young and her husband established a joint practice, Clayton \u0026 Jean Young and Associates Architects, in Seattle in 1954, which lasted until 1975. After their divorce in 1976 Jean Young established her own private practice. Her designs were almost all private residences, apartment buildings, and small commercial structures, in the Seattle area. She became a registered architect of Washington state in 1955.","Young was active in many architectural organizations, particularly those that promoted the place of women in the profession. As a member of the American Institute of Architects she served on the Task Force on Women in Architectural Profession (1972-1976) and the Scholarship Committee (member, 1976-1980; chair, 1980).","Young served as a member of the Board of Architectural Registration of Washington State (member 1974-1979; chair 1978-1979), and as a member of the Citizen's Advisory Committee to the [Washington] State Senate on Financial Institutions (1974-1975). Young served on the Mayor's Small business Task Force (1984) and was appointed by the Mayor to two terms on the Seattle Design Commission (1979-1980, 1981-1982). She was also appointed to the panel of Arbitrators for the American Arbitration Association (1974). From 1985 to 1989, Young served on the King County Landmarks Commission. She also did graduate studies at the University of Washington (1974-1975). ","Jean Linden Young died on May 25, 1997, in Seattle."],"odd_html_tesm":["\u003cp\u003eThe guide to the Jean Linden Young Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Jean Linden Young Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Jean Linden Young Papers, Ms1998-022, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Jean Linden Young Papers, Ms1998-022, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Jean Linden Young Papers was completed in January and February 1999.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Jean Linden Young Papers was completed in January and February 1999."],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_463382c51e7b5be2ada3593dfabfc251\" label=\"Abstract\"\u003eJean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She became a registered architect of Washington state in 1955 and established her own private practice in 1976. Her designs were almost all private residences, apartment buildings, and small commercial structures in the Seattle area. The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area.\u003c/abstract\u003e"],"abstract_tesim":["Jean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She became a registered architect of Washington state in 1955 and established her own private practice in 1976. Her designs were almost all private residences, apartment buildings, and small commercial structures in the Seattle area. The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Young, Jean Linden"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Young, Jean Linden"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:00.952Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2076","ead_ssi":"viblbv_repositories_2_resources_2076","_root_":"viblbv_repositories_2_resources_2076","_nest_parent_":"viblbv_repositories_2_resources_2076","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2076.xml","title_filing_ssi":"Young, Jean Linden, Papers","title_ssm":["Jean Linden Young Papers"],"title_tesim":["Jean Linden Young Papers"],"unitdate_ssm":["1945-1997"],"unitdate_inclusive_ssm":["1945-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1998.022"],"text":["Ms.1998.022","Jean Linden Young Papers","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Washington (State)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","Jean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She was educated at Wayne University (1944-1946) and the University of Illinois (B.S. Arch., 1947). She was an architectural design and illustrating instructor at the University of Kentucky (1948-1949) and a draftsperson and designer for Brock \u0026 Johnson, Architects, in Lexington, Kentucky (1948-1949). In 1948 she married Clayton Young and they moved to Seattle, Washington, in 1949. Their three children were born in 1953 (Deborah), 1954 (Lance), and 1957 (Sharon). ","Jean Linden Young and her husband established a joint practice, Clayton \u0026 Jean Young and Associates Architects, in Seattle in 1954, which lasted until 1975. After their divorce in 1976 Jean Young established her own private practice. Her designs were almost all private residences, apartment buildings, and small commercial structures, in the Seattle area. She became a registered architect of Washington state in 1955.","Young was active in many architectural organizations, particularly those that promoted the place of women in the profession. As a member of the American Institute of Architects she served on the Task Force on Women in Architectural Profession (1972-1976) and the Scholarship Committee (member, 1976-1980; chair, 1980).","Young served as a member of the Board of Architectural Registration of Washington State (member 1974-1979; chair 1978-1979), and as a member of the Citizen's Advisory Committee to the [Washington] State Senate on Financial Institutions (1974-1975). Young served on the Mayor's Small business Task Force (1984) and was appointed by the Mayor to two terms on the Seattle Design Commission (1979-1980, 1981-1982). She was also appointed to the panel of Arbitrators for the American Arbitration Association (1974). From 1985 to 1989, Young served on the King County Landmarks Commission. She also did graduate studies at the University of Washington (1974-1975). ","Jean Linden Young died on May 25, 1997, in Seattle.","The guide to the Jean Linden Young Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Jean Linden Young Papers was completed in January and February 1999.","The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Jean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She became a registered architect of Washington state in 1955 and established her own private practice in 1976. Her designs were almost all private residences, apartment buildings, and small commercial structures in the Seattle area. The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area.","Special Collections and University Archives, Virginia Tech","Young, Jean Linden","The materials in the collection are in English."],"unitid_tesim":["Ms.1998.022"],"normalized_title_ssm":["Jean Linden Young Papers"],"collection_title_tesim":["Jean Linden Young Papers"],"collection_ssim":["Jean Linden Young Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Young, Jean Linden"],"creator_ssim":["Young, Jean Linden"],"creator_persname_ssim":["Young, Jean Linden"],"creators_ssim":["Young, Jean Linden"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Jean Linden Young Papers were donated to Special Collections in December 1998."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Washington (State)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- Washington (State)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Cubic Feet 4 boxes"],"extent_tesim":["1.5 Cubic Feet 4 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/166\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eJean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She was educated at Wayne University (1944-1946) and the University of Illinois (B.S. Arch., 1947). She was an architectural design and illustrating instructor at the University of Kentucky (1948-1949) and a draftsperson and designer for Brock \u0026amp; Johnson, Architects, in Lexington, Kentucky (1948-1949). In 1948 she married Clayton Young and they moved to Seattle, Washington, in 1949. Their three children were born in 1953 (Deborah), 1954 (Lance), and 1957 (Sharon). \u003c/p\u003e\n","\u003cp\u003eJean Linden Young and her husband established a joint practice, Clayton \u0026amp; Jean Young and Associates Architects, in Seattle in 1954, which lasted until 1975. After their divorce in 1976 Jean Young established her own private practice. Her designs were almost all private residences, apartment buildings, and small commercial structures, in the Seattle area. She became a registered architect of Washington state in 1955.\u003c/p\u003e\n","\u003cp\u003eYoung was active in many architectural organizations, particularly those that promoted the place of women in the profession. As a member of the American Institute of Architects she served on the Task Force on Women in Architectural Profession (1972-1976) and the Scholarship Committee (member, 1976-1980; chair, 1980).\u003c/p\u003e\n","\u003cp\u003eYoung served as a member of the Board of Architectural Registration of Washington State (member 1974-1979; chair 1978-1979), and as a member of the Citizen's Advisory Committee to the [Washington] State Senate on Financial Institutions (1974-1975). Young served on the Mayor's Small business Task Force (1984) and was appointed by the Mayor to two terms on the Seattle Design Commission (1979-1980, 1981-1982). She was also appointed to the panel of Arbitrators for the American Arbitration Association (1974). From 1985 to 1989, Young served on the King County Landmarks Commission. She also did graduate studies at the University of Washington (1974-1975). \u003c/p\u003e\n","\u003cp\u003eJean Linden Young died on May 25, 1997, in Seattle.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She was educated at Wayne University (1944-1946) and the University of Illinois (B.S. Arch., 1947). She was an architectural design and illustrating instructor at the University of Kentucky (1948-1949) and a draftsperson and designer for Brock \u0026 Johnson, Architects, in Lexington, Kentucky (1948-1949). In 1948 she married Clayton Young and they moved to Seattle, Washington, in 1949. Their three children were born in 1953 (Deborah), 1954 (Lance), and 1957 (Sharon). ","Jean Linden Young and her husband established a joint practice, Clayton \u0026 Jean Young and Associates Architects, in Seattle in 1954, which lasted until 1975. After their divorce in 1976 Jean Young established her own private practice. Her designs were almost all private residences, apartment buildings, and small commercial structures, in the Seattle area. She became a registered architect of Washington state in 1955.","Young was active in many architectural organizations, particularly those that promoted the place of women in the profession. As a member of the American Institute of Architects she served on the Task Force on Women in Architectural Profession (1972-1976) and the Scholarship Committee (member, 1976-1980; chair, 1980).","Young served as a member of the Board of Architectural Registration of Washington State (member 1974-1979; chair 1978-1979), and as a member of the Citizen's Advisory Committee to the [Washington] State Senate on Financial Institutions (1974-1975). Young served on the Mayor's Small business Task Force (1984) and was appointed by the Mayor to two terms on the Seattle Design Commission (1979-1980, 1981-1982). She was also appointed to the panel of Arbitrators for the American Arbitration Association (1974). From 1985 to 1989, Young served on the King County Landmarks Commission. She also did graduate studies at the University of Washington (1974-1975). ","Jean Linden Young died on May 25, 1997, in Seattle."],"odd_html_tesm":["\u003cp\u003eThe guide to the Jean Linden Young Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Jean Linden Young Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Jean Linden Young Papers, Ms1998-022, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Jean Linden Young Papers, Ms1998-022, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Jean Linden Young Papers was completed in January and February 1999.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Jean Linden Young Papers was completed in January and February 1999."],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_463382c51e7b5be2ada3593dfabfc251\" label=\"Abstract\"\u003eJean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She became a registered architect of Washington state in 1955 and established her own private practice in 1976. Her designs were almost all private residences, apartment buildings, and small commercial structures in the Seattle area. The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area.\u003c/abstract\u003e"],"abstract_tesim":["Jean Alice Linden was born in Detroit, Michigan, on February 15, 1922. She became a registered architect of Washington state in 1955 and established her own private practice in 1976. Her designs were almost all private residences, apartment buildings, and small commercial structures in the Seattle area. The Jean Linden Young Papers consist of materials created and collected by Young during her lifetime. They include notes written as an instructor at the University of Kentucky, newspaper articles about her and her husband's architectural projects and accomplishments, information about her tenure as Secretary General of the UIFA, personal and professional correspondence, certificates of accomplishment, photographs and sketches of buildings she designed or renovated, exhibit boards, and literature about architecture in the Seattle area."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Young, Jean Linden"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Young, Jean Linden"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:00.952Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2076"}},{"id":"viblbv_repositories_2_resources_2173","type":"collection","attributes":{"title":"Joan Wood Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2173#creator","type":"document_value","attributes":{"value":"Wood, Joan","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2173#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. The later addition contains paper records, photographic materials, and design records for 73 named clients in the Boston area.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2173#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2173","ead_ssi":"viblbv_repositories_2_resources_2173","_root_":"viblbv_repositories_2_resources_2173","_nest_parent_":"viblbv_repositories_2_resources_2173","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2173.xml","title_filing_ssi":"Joan Wood Architectural Collection","title_ssm":["Joan Wood Architectural Collection"],"title_tesim":["Joan Wood Architectural Collection"],"unitdate_ssm":["1953-2000"],"unitdate_inclusive_ssm":["1953-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.039"],"text":["Ms.2001.039","Joan Wood Architectural Collection","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","History of Women in Architecture","Architectural drawings (visual works)","Collection is open for research.","The Joan Wood Architectural Collection is organized into two series: Biographical Information and Project Drawings. Project records are ordered alphabetically by client last name, with a few exceptions ordered by street number/address where no client name is given. Project photographs corresponding to a drawing file are stored separately with the other manuscript material.","The Joan Wood Architectural Accession is organized into the series: Personal Papers, Professional Papers, Office Records, and Project Records. The series are recorded chronologically with a project index. ","Pictures corresponding to L'espalier are stored with biographical files in seperate sleeve","Variant name: Klawans, Joan.","Joan Wood, née Klawans, received her Bachelor of Arts degree from the University of Chicago and a Bachelor of Architecture degree from M.I.T. in 1960. Following graduation, Wood established her own firm, Joan Wood Architects, in Boston in 1962. Most of the firm's work can be found in New England and is primarily residential, with some commercial and institutional work. Joan Wood Architects is now owned by her son and has since been renamed to \"Rose-Wood Architects.\" Wood's most notable work includes: Lodging House for the Working Homeless in Dorchester, the South End Community Health Center in Boston, and the \"Ice House\" in New Hampshire. Wood was a board member and vice-chair of the Commonwealth of Massachusetts Design Selection Board, an alternate on the Boston Zoning Board of Appeals, building committee member and design review committee member for numerous urban projects and institutions, and was featured in the AIA Women in Architecture traveling exhibit and Boston Society for Architecture's (BSA) Women in Architecture exhibits yearly from 1987.","Joan Wood and Henry Wood III, had a jointly owned architecture firm called 'Wood and Wood', which operated in the mid 1960s and 70s.","Joan Wood Associates was established in 1962","The Guide to the Joan Wood Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Joan Wood Architectural Collection began in July 2023 and was completed in October 2023.","See also: Box 16, folder 94, \"Many More: Women in Architecture, 1978-1988,\" Exhibit Files and Panels.  Finding aid  available online.","This collection contains personal papers and biographical materials, professional papers, office records, and project records. Personal papers include student work and thesis work. Professional papers include slides of Wood's exhibits and lectures for the AIA. Office records include color slides and portfolio sheets for Joan Wood Associates. Project records include project notes, photographic materials, paper records, and drawings organized by client name.","Folder includes a paper written by Wright and Wright and Joan Wood on a thermal design for the Coolidge-Beverly project no. 77102. Attached to the paper are an AIA 'Better Living' Form and Award from 1981","Some clients listed in this series do not have corresponding paper records, and some only have accompanying photogrpahic materials.","Box 22 and 23 are partially processed, and there are some photographic materials that exist for client projects which do not have corresponding paper records. Clients include the Malcom Residence, the Walsh Residence at Adams St., a Bent St. in East Cambridge MA, Children's Art Center U.S.E.S., the JWA offices, the Slavet Loft project, and one of the Doerfer projects, no. 77109.","Referred to as C-B and C-thermal in notes and document shorthand. See II. Professional Papers- Solar-Thermal Addition for more.","Carpenter-Warren is used to distinguish between Carpenter-Durham. Warren is the street name.","Consulted with 'Jane Bernstein Associates' on this project.","Also called Melrose Apartments","The Kuhn Residence is at the same address as the Doerfer Residence at 985 Memorial Dr, Unit 303.","Kept as one project unit rather than separating because 96102 and 96106 are stages 1 and 2 of the project.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. The later addition contains paper records, photographic materials, and design records for 73 named clients in the Boston area.","Special Collections and University Archives, Virginia Tech","Wood, Joan","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.039"],"normalized_title_ssm":["Joan Wood Architectural Collection"],"collection_title_tesim":["Joan Wood Architectural Collection"],"collection_ssim":["Joan Wood Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wood, Joan"],"creator_ssim":["Wood, Joan"],"creator_persname_ssim":["Wood, Joan"],"creators_ssim":["Wood, Joan"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Riosaria Piomelli donated one folder of biographical material in 2000. A large additional donation was made in 2011 by Joan Wood's estate."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","History of Women in Architecture","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","History of Women in Architecture","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["7.92 Cubic Feet 1 half-document box and 15 telescoping boxes.","9.27 Cubic Feet 7 boxes and 6 oversized folders"],"extent_tesim":["7.92 Cubic Feet 1 half-document box and 15 telescoping boxes.","9.27 Cubic Feet 7 boxes and 6 oversized folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Joan Wood Architectural Collection is organized into two series: Biographical Information and Project Drawings. Project records are ordered alphabetically by client last name, with a few exceptions ordered by street number/address where no client name is given. Project photographs corresponding to a drawing file are stored separately with the other manuscript material.\u003c/p\u003e\n","\u003cp\u003eThe Joan Wood Architectural Accession is organized into the series: Personal Papers, Professional Papers, Office Records, and Project Records. The series are recorded chronologically with a project index. \u003c/p\u003e","\u003cp\u003ePictures corresponding to L'espalier are stored with biographical files in seperate sleeve\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The Joan Wood Architectural Collection is organized into two series: Biographical Information and Project Drawings. Project records are ordered alphabetically by client last name, with a few exceptions ordered by street number/address where no client name is given. Project photographs corresponding to a drawing file are stored separately with the other manuscript material.","The Joan Wood Architectural Accession is organized into the series: Personal Papers, Professional Papers, Office Records, and Project Records. The series are recorded chronologically with a project index. ","Pictures corresponding to L'espalier are stored with biographical files in seperate sleeve"],"bibliography_html_tesm":["\u003cp\u003eVariant name: Klawans, Joan.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Variant name: Klawans, Joan."],"bioghist_html_tesm":["\u003cp\u003eJoan Wood, née Klawans, received her Bachelor of Arts degree from the University of Chicago and a Bachelor of Architecture degree from M.I.T. in 1960. Following graduation, Wood established her own firm, Joan Wood Architects, in Boston in 1962. Most of the firm's work can be found in New England and is primarily residential, with some commercial and institutional work. Joan Wood Architects is now owned by her son and has since been renamed to \"Rose-Wood Architects.\" Wood's most notable work includes: Lodging House for the Working Homeless in Dorchester, the South End Community Health Center in Boston, and the \"Ice House\" in New Hampshire. Wood was a board member and vice-chair of the Commonwealth of Massachusetts Design Selection Board, an alternate on the Boston Zoning Board of Appeals, building committee member and design review committee member for numerous urban projects and institutions, and was featured in the AIA Women in Architecture traveling exhibit and Boston Society for Architecture's (BSA) Women in Architecture exhibits yearly from 1987.\u003c/p\u003e","\u003cp\u003eJoan Wood and Henry Wood III, had a jointly owned architecture firm called 'Wood and Wood', which operated in the mid 1960s and 70s.\u003c/p\u003e","\u003cp\u003eJoan Wood Associates was established in 1962\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Joan Wood, née Klawans, received her Bachelor of Arts degree from the University of Chicago and a Bachelor of Architecture degree from M.I.T. in 1960. Following graduation, Wood established her own firm, Joan Wood Architects, in Boston in 1962. Most of the firm's work can be found in New England and is primarily residential, with some commercial and institutional work. Joan Wood Architects is now owned by her son and has since been renamed to \"Rose-Wood Architects.\" Wood's most notable work includes: Lodging House for the Working Homeless in Dorchester, the South End Community Health Center in Boston, and the \"Ice House\" in New Hampshire. Wood was a board member and vice-chair of the Commonwealth of Massachusetts Design Selection Board, an alternate on the Boston Zoning Board of Appeals, building committee member and design review committee member for numerous urban projects and institutions, and was featured in the AIA Women in Architecture traveling exhibit and Boston Society for Architecture's (BSA) Women in Architecture exhibits yearly from 1987.","Joan Wood and Henry Wood III, had a jointly owned architecture firm called 'Wood and Wood', which operated in the mid 1960s and 70s.","Joan Wood Associates was established in 1962"],"odd_html_tesm":["\u003cp\u003eThe Guide to the Joan Wood Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The Guide to the Joan Wood Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Joan Wood Architectural Collection, Ms2001-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Joan Wood Architectural Collection, Ms2001-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Joan Wood Architectural Collection began in July 2023 and was completed in October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Joan Wood Architectural Collection began in July 2023 and was completed in October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: Box 16, folder 94, \"Many More: Women in Architecture, 1978-1988,\" Exhibit Files and Panels. \u003cextref href=\"https://aspace.lib.vt.edu/repositories/2/resources/2124\" title=\"Finding aid\"\u003eFinding aid\u003c/extref\u003e available online.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["See also: Box 16, folder 94, \"Many More: Women in Architecture, 1978-1988,\" Exhibit Files and Panels.  Finding aid  available online."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains personal papers and biographical materials, professional papers, office records, and project records. Personal papers include student work and thesis work. Professional papers include slides of Wood's exhibits and lectures for the AIA. Office records include color slides and portfolio sheets for Joan Wood Associates. Project records include project notes, photographic materials, paper records, and drawings organized by client name.\u003c/p\u003e","\u003cp\u003eFolder includes a paper written by Wright and Wright and Joan Wood on a thermal design for the Coolidge-Beverly project no. 77102. Attached to the paper are an AIA 'Better Living' Form and Award from 1981\u003c/p\u003e","\u003cp\u003eSome clients listed in this series do not have corresponding paper records, and some only have accompanying photogrpahic materials.\u003c/p\u003e","\u003cp\u003eBox 22 and 23 are partially processed, and there are some photographic materials that exist for client projects which do not have corresponding paper records. Clients include the Malcom Residence, the Walsh Residence at Adams St., a Bent St. in East Cambridge MA, Children's Art Center U.S.E.S., the JWA offices, the Slavet Loft project, and one of the Doerfer projects, no. 77109.\u003c/p\u003e","\u003cp\u003eReferred to as C-B and C-thermal in notes and document shorthand. See II. Professional Papers- Solar-Thermal Addition for more.\u003c/p\u003e","\u003cp\u003eCarpenter-Warren is used to distinguish between Carpenter-Durham. Warren is the street name.\u003c/p\u003e","\u003cp\u003eConsulted with 'Jane Bernstein Associates' on this project.\u003c/p\u003e","\u003cp\u003eAlso called Melrose Apartments\u003c/p\u003e","\u003cp\u003eThe Kuhn Residence is at the same address as the Doerfer Residence at 985 Memorial Dr, Unit 303.\u003c/p\u003e","\u003cp\u003eKept as one project unit rather than separating because 96102 and 96106 are stages 1 and 2 of the project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains personal papers and biographical materials, professional papers, office records, and project records. Personal papers include student work and thesis work. Professional papers include slides of Wood's exhibits and lectures for the AIA. Office records include color slides and portfolio sheets for Joan Wood Associates. Project records include project notes, photographic materials, paper records, and drawings organized by client name.","Folder includes a paper written by Wright and Wright and Joan Wood on a thermal design for the Coolidge-Beverly project no. 77102. Attached to the paper are an AIA 'Better Living' Form and Award from 1981","Some clients listed in this series do not have corresponding paper records, and some only have accompanying photogrpahic materials.","Box 22 and 23 are partially processed, and there are some photographic materials that exist for client projects which do not have corresponding paper records. Clients include the Malcom Residence, the Walsh Residence at Adams St., a Bent St. in East Cambridge MA, Children's Art Center U.S.E.S., the JWA offices, the Slavet Loft project, and one of the Doerfer projects, no. 77109.","Referred to as C-B and C-thermal in notes and document shorthand. See II. Professional Papers- Solar-Thermal Addition for more.","Carpenter-Warren is used to distinguish between Carpenter-Durham. Warren is the street name.","Consulted with 'Jane Bernstein Associates' on this project.","Also called Melrose Apartments","The Kuhn Residence is at the same address as the Doerfer Residence at 985 Memorial Dr, Unit 303.","Kept as one project unit rather than separating because 96102 and 96106 are stages 1 and 2 of the project."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71d26fa4571a2777c3259a1a894d1619\"\u003eThis collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. The later addition contains paper records, photographic materials, and design records for 73 named clients in the Boston area.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. The later addition contains paper records, photographic materials, and design records for 73 named clients in the Boston area."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wood, Joan"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wood, Joan"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":279,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:51.534Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2173","ead_ssi":"viblbv_repositories_2_resources_2173","_root_":"viblbv_repositories_2_resources_2173","_nest_parent_":"viblbv_repositories_2_resources_2173","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2173.xml","title_filing_ssi":"Joan Wood Architectural Collection","title_ssm":["Joan Wood Architectural Collection"],"title_tesim":["Joan Wood Architectural Collection"],"unitdate_ssm":["1953-2000"],"unitdate_inclusive_ssm":["1953-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.039"],"text":["Ms.2001.039","Joan Wood Architectural Collection","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","History of Women in Architecture","Architectural drawings (visual works)","Collection is open for research.","The Joan Wood Architectural Collection is organized into two series: Biographical Information and Project Drawings. Project records are ordered alphabetically by client last name, with a few exceptions ordered by street number/address where no client name is given. Project photographs corresponding to a drawing file are stored separately with the other manuscript material.","The Joan Wood Architectural Accession is organized into the series: Personal Papers, Professional Papers, Office Records, and Project Records. The series are recorded chronologically with a project index. ","Pictures corresponding to L'espalier are stored with biographical files in seperate sleeve","Variant name: Klawans, Joan.","Joan Wood, née Klawans, received her Bachelor of Arts degree from the University of Chicago and a Bachelor of Architecture degree from M.I.T. in 1960. Following graduation, Wood established her own firm, Joan Wood Architects, in Boston in 1962. Most of the firm's work can be found in New England and is primarily residential, with some commercial and institutional work. Joan Wood Architects is now owned by her son and has since been renamed to \"Rose-Wood Architects.\" Wood's most notable work includes: Lodging House for the Working Homeless in Dorchester, the South End Community Health Center in Boston, and the \"Ice House\" in New Hampshire. Wood was a board member and vice-chair of the Commonwealth of Massachusetts Design Selection Board, an alternate on the Boston Zoning Board of Appeals, building committee member and design review committee member for numerous urban projects and institutions, and was featured in the AIA Women in Architecture traveling exhibit and Boston Society for Architecture's (BSA) Women in Architecture exhibits yearly from 1987.","Joan Wood and Henry Wood III, had a jointly owned architecture firm called 'Wood and Wood', which operated in the mid 1960s and 70s.","Joan Wood Associates was established in 1962","The Guide to the Joan Wood Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Joan Wood Architectural Collection began in July 2023 and was completed in October 2023.","See also: Box 16, folder 94, \"Many More: Women in Architecture, 1978-1988,\" Exhibit Files and Panels.  Finding aid  available online.","This collection contains personal papers and biographical materials, professional papers, office records, and project records. Personal papers include student work and thesis work. Professional papers include slides of Wood's exhibits and lectures for the AIA. Office records include color slides and portfolio sheets for Joan Wood Associates. Project records include project notes, photographic materials, paper records, and drawings organized by client name.","Folder includes a paper written by Wright and Wright and Joan Wood on a thermal design for the Coolidge-Beverly project no. 77102. Attached to the paper are an AIA 'Better Living' Form and Award from 1981","Some clients listed in this series do not have corresponding paper records, and some only have accompanying photogrpahic materials.","Box 22 and 23 are partially processed, and there are some photographic materials that exist for client projects which do not have corresponding paper records. Clients include the Malcom Residence, the Walsh Residence at Adams St., a Bent St. in East Cambridge MA, Children's Art Center U.S.E.S., the JWA offices, the Slavet Loft project, and one of the Doerfer projects, no. 77109.","Referred to as C-B and C-thermal in notes and document shorthand. See II. Professional Papers- Solar-Thermal Addition for more.","Carpenter-Warren is used to distinguish between Carpenter-Durham. Warren is the street name.","Consulted with 'Jane Bernstein Associates' on this project.","Also called Melrose Apartments","The Kuhn Residence is at the same address as the Doerfer Residence at 985 Memorial Dr, Unit 303.","Kept as one project unit rather than separating because 96102 and 96106 are stages 1 and 2 of the project.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. The later addition contains paper records, photographic materials, and design records for 73 named clients in the Boston area.","Special Collections and University Archives, Virginia Tech","Wood, Joan","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.039"],"normalized_title_ssm":["Joan Wood Architectural Collection"],"collection_title_tesim":["Joan Wood Architectural Collection"],"collection_ssim":["Joan Wood Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wood, Joan"],"creator_ssim":["Wood, Joan"],"creator_persname_ssim":["Wood, Joan"],"creators_ssim":["Wood, Joan"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Riosaria Piomelli donated one folder of biographical material in 2000. A large additional donation was made in 2011 by Joan Wood's estate."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","History of Women in Architecture","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","History of Women in Architecture","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["7.92 Cubic Feet 1 half-document box and 15 telescoping boxes.","9.27 Cubic Feet 7 boxes and 6 oversized folders"],"extent_tesim":["7.92 Cubic Feet 1 half-document box and 15 telescoping boxes.","9.27 Cubic Feet 7 boxes and 6 oversized folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Joan Wood Architectural Collection is organized into two series: Biographical Information and Project Drawings. Project records are ordered alphabetically by client last name, with a few exceptions ordered by street number/address where no client name is given. Project photographs corresponding to a drawing file are stored separately with the other manuscript material.\u003c/p\u003e\n","\u003cp\u003eThe Joan Wood Architectural Accession is organized into the series: Personal Papers, Professional Papers, Office Records, and Project Records. The series are recorded chronologically with a project index. \u003c/p\u003e","\u003cp\u003ePictures corresponding to L'espalier are stored with biographical files in seperate sleeve\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The Joan Wood Architectural Collection is organized into two series: Biographical Information and Project Drawings. Project records are ordered alphabetically by client last name, with a few exceptions ordered by street number/address where no client name is given. Project photographs corresponding to a drawing file are stored separately with the other manuscript material.","The Joan Wood Architectural Accession is organized into the series: Personal Papers, Professional Papers, Office Records, and Project Records. The series are recorded chronologically with a project index. ","Pictures corresponding to L'espalier are stored with biographical files in seperate sleeve"],"bibliography_html_tesm":["\u003cp\u003eVariant name: Klawans, Joan.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Variant name: Klawans, Joan."],"bioghist_html_tesm":["\u003cp\u003eJoan Wood, née Klawans, received her Bachelor of Arts degree from the University of Chicago and a Bachelor of Architecture degree from M.I.T. in 1960. Following graduation, Wood established her own firm, Joan Wood Architects, in Boston in 1962. Most of the firm's work can be found in New England and is primarily residential, with some commercial and institutional work. Joan Wood Architects is now owned by her son and has since been renamed to \"Rose-Wood Architects.\" Wood's most notable work includes: Lodging House for the Working Homeless in Dorchester, the South End Community Health Center in Boston, and the \"Ice House\" in New Hampshire. Wood was a board member and vice-chair of the Commonwealth of Massachusetts Design Selection Board, an alternate on the Boston Zoning Board of Appeals, building committee member and design review committee member for numerous urban projects and institutions, and was featured in the AIA Women in Architecture traveling exhibit and Boston Society for Architecture's (BSA) Women in Architecture exhibits yearly from 1987.\u003c/p\u003e","\u003cp\u003eJoan Wood and Henry Wood III, had a jointly owned architecture firm called 'Wood and Wood', which operated in the mid 1960s and 70s.\u003c/p\u003e","\u003cp\u003eJoan Wood Associates was established in 1962\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Joan Wood, née Klawans, received her Bachelor of Arts degree from the University of Chicago and a Bachelor of Architecture degree from M.I.T. in 1960. Following graduation, Wood established her own firm, Joan Wood Architects, in Boston in 1962. Most of the firm's work can be found in New England and is primarily residential, with some commercial and institutional work. Joan Wood Architects is now owned by her son and has since been renamed to \"Rose-Wood Architects.\" Wood's most notable work includes: Lodging House for the Working Homeless in Dorchester, the South End Community Health Center in Boston, and the \"Ice House\" in New Hampshire. Wood was a board member and vice-chair of the Commonwealth of Massachusetts Design Selection Board, an alternate on the Boston Zoning Board of Appeals, building committee member and design review committee member for numerous urban projects and institutions, and was featured in the AIA Women in Architecture traveling exhibit and Boston Society for Architecture's (BSA) Women in Architecture exhibits yearly from 1987.","Joan Wood and Henry Wood III, had a jointly owned architecture firm called 'Wood and Wood', which operated in the mid 1960s and 70s.","Joan Wood Associates was established in 1962"],"odd_html_tesm":["\u003cp\u003eThe Guide to the Joan Wood Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The Guide to the Joan Wood Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Joan Wood Architectural Collection, Ms2001-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Joan Wood Architectural Collection, Ms2001-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Joan Wood Architectural Collection began in July 2023 and was completed in October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Joan Wood Architectural Collection began in July 2023 and was completed in October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: Box 16, folder 94, \"Many More: Women in Architecture, 1978-1988,\" Exhibit Files and Panels. \u003cextref href=\"https://aspace.lib.vt.edu/repositories/2/resources/2124\" title=\"Finding aid\"\u003eFinding aid\u003c/extref\u003e available online.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["See also: Box 16, folder 94, \"Many More: Women in Architecture, 1978-1988,\" Exhibit Files and Panels.  Finding aid  available online."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains personal papers and biographical materials, professional papers, office records, and project records. Personal papers include student work and thesis work. Professional papers include slides of Wood's exhibits and lectures for the AIA. Office records include color slides and portfolio sheets for Joan Wood Associates. Project records include project notes, photographic materials, paper records, and drawings organized by client name.\u003c/p\u003e","\u003cp\u003eFolder includes a paper written by Wright and Wright and Joan Wood on a thermal design for the Coolidge-Beverly project no. 77102. Attached to the paper are an AIA 'Better Living' Form and Award from 1981\u003c/p\u003e","\u003cp\u003eSome clients listed in this series do not have corresponding paper records, and some only have accompanying photogrpahic materials.\u003c/p\u003e","\u003cp\u003eBox 22 and 23 are partially processed, and there are some photographic materials that exist for client projects which do not have corresponding paper records. Clients include the Malcom Residence, the Walsh Residence at Adams St., a Bent St. in East Cambridge MA, Children's Art Center U.S.E.S., the JWA offices, the Slavet Loft project, and one of the Doerfer projects, no. 77109.\u003c/p\u003e","\u003cp\u003eReferred to as C-B and C-thermal in notes and document shorthand. See II. Professional Papers- Solar-Thermal Addition for more.\u003c/p\u003e","\u003cp\u003eCarpenter-Warren is used to distinguish between Carpenter-Durham. Warren is the street name.\u003c/p\u003e","\u003cp\u003eConsulted with 'Jane Bernstein Associates' on this project.\u003c/p\u003e","\u003cp\u003eAlso called Melrose Apartments\u003c/p\u003e","\u003cp\u003eThe Kuhn Residence is at the same address as the Doerfer Residence at 985 Memorial Dr, Unit 303.\u003c/p\u003e","\u003cp\u003eKept as one project unit rather than separating because 96102 and 96106 are stages 1 and 2 of the project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains personal papers and biographical materials, professional papers, office records, and project records. Personal papers include student work and thesis work. Professional papers include slides of Wood's exhibits and lectures for the AIA. Office records include color slides and portfolio sheets for Joan Wood Associates. Project records include project notes, photographic materials, paper records, and drawings organized by client name.","Folder includes a paper written by Wright and Wright and Joan Wood on a thermal design for the Coolidge-Beverly project no. 77102. Attached to the paper are an AIA 'Better Living' Form and Award from 1981","Some clients listed in this series do not have corresponding paper records, and some only have accompanying photogrpahic materials.","Box 22 and 23 are partially processed, and there are some photographic materials that exist for client projects which do not have corresponding paper records. Clients include the Malcom Residence, the Walsh Residence at Adams St., a Bent St. in East Cambridge MA, Children's Art Center U.S.E.S., the JWA offices, the Slavet Loft project, and one of the Doerfer projects, no. 77109.","Referred to as C-B and C-thermal in notes and document shorthand. See II. Professional Papers- Solar-Thermal Addition for more.","Carpenter-Warren is used to distinguish between Carpenter-Durham. Warren is the street name.","Consulted with 'Jane Bernstein Associates' on this project.","Also called Melrose Apartments","The Kuhn Residence is at the same address as the Doerfer Residence at 985 Memorial Dr, Unit 303.","Kept as one project unit rather than separating because 96102 and 96106 are stages 1 and 2 of the project."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71d26fa4571a2777c3259a1a894d1619\"\u003eThis collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. The later addition contains paper records, photographic materials, and design records for 73 named clients in the Boston area.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. 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