{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1967\u0026page=3","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1967\u0026page=2","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1967\u0026page=4","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1967\u0026page=4"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":4,"limit_value":10,"offset_value":20,"total_count":33,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_2928","type":"collection","attributes":{"title":"Margaret (Peggy) Cochrane Architectural Collection,","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2928#creator","type":"document_value","attributes":{"value":"Cochrane, Margaret Ann","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2928#abstract_or_scope","type":"document_value","attributes":{"value":"Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2928#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2928","ead_ssi":"viblbv_repositories_2_resources_2928","_root_":"viblbv_repositories_2_resources_2928","_nest_parent_":"viblbv_repositories_2_resources_2928","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2928.xml","title_filing_ssi":"Cochrane, Margaret (Peggy) Architectural Collection","title_ssm":["Margaret (Peggy) Cochrane Architectural Collection,"],"title_tesim":["Margaret (Peggy) Cochrane Architectural Collection,"],"unitdate_ssm":["1951-1990"],"unitdate_inclusive_ssm":["1951-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.088"],"text":["Ms.2013.088","Margaret (Peggy) Cochrane Architectural Collection,","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)","Collection is open for research.","The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.","Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  ","Cochrane died in 2012.  ","The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.","The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.","Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.","Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.","Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann","English \n.    "],"unitid_tesim":["Ms.2013.088"],"normalized_title_ssm":["Margaret (Peggy) Cochrane Architectural Collection,"],"collection_title_tesim":["Margaret (Peggy) Cochrane Architectural Collection,"],"collection_ssim":["Margaret (Peggy) Cochrane Architectural Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Cochrane, Margaret Ann"],"creator_ssim":["Cochrane, Margaret Ann"],"creator_persname_ssim":["Cochrane, Margaret Ann"],"creators_ssim":["Cochrane, Margaret Ann"],"access_terms_ssm":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Margaret (Peggy) Cochrane Architectural Collection was donated to the International Archive of Women in Architecture by the creator in 2012."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["13.2 Cubic Feet"],"extent_tesim":["13.2 Cubic Feet"],"genreform_ssim":["Architecture (discipline)","Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous."],"bioghist_html_tesm":["\u003cp\u003eMargaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.\u003c/p\u003e\n","\u003cp\u003eSome selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  \u003c/p\u003e\n","\u003cp\u003eCochrane died in 2012.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  ","Cochrane died in 2012.  "],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_230003010333c1c3706bcba2480e705a\" label=\"Abstract\"\u003eMargaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/abstract\u003e"],"abstract_tesim":["Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Cochrane, Margaret Ann"],"language_ssim":["English \n.    "],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:16:30.532Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2928","ead_ssi":"viblbv_repositories_2_resources_2928","_root_":"viblbv_repositories_2_resources_2928","_nest_parent_":"viblbv_repositories_2_resources_2928","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2928.xml","title_filing_ssi":"Cochrane, Margaret (Peggy) Architectural Collection","title_ssm":["Margaret (Peggy) Cochrane Architectural Collection,"],"title_tesim":["Margaret (Peggy) Cochrane Architectural Collection,"],"unitdate_ssm":["1951-1990"],"unitdate_inclusive_ssm":["1951-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.088"],"text":["Ms.2013.088","Margaret (Peggy) Cochrane Architectural Collection,","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)","Collection is open for research.","The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.","Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  ","Cochrane died in 2012.  ","The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.","The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.","Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.","Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.","Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann","English \n.    "],"unitid_tesim":["Ms.2013.088"],"normalized_title_ssm":["Margaret (Peggy) Cochrane Architectural Collection,"],"collection_title_tesim":["Margaret (Peggy) Cochrane Architectural Collection,"],"collection_ssim":["Margaret (Peggy) Cochrane Architectural Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Cochrane, Margaret Ann"],"creator_ssim":["Cochrane, Margaret Ann"],"creator_persname_ssim":["Cochrane, Margaret Ann"],"creators_ssim":["Cochrane, Margaret Ann"],"access_terms_ssm":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Margaret (Peggy) Cochrane Architectural Collection was donated to the International Archive of Women in Architecture by the creator in 2012."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["13.2 Cubic Feet"],"extent_tesim":["13.2 Cubic Feet"],"genreform_ssim":["Architecture (discipline)","Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous."],"bioghist_html_tesm":["\u003cp\u003eMargaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.\u003c/p\u003e\n","\u003cp\u003eSome selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  \u003c/p\u003e\n","\u003cp\u003eCochrane died in 2012.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  ","Cochrane died in 2012.  "],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_230003010333c1c3706bcba2480e705a\" label=\"Abstract\"\u003eMargaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/abstract\u003e"],"abstract_tesim":["Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Cochrane, Margaret Ann"],"language_ssim":["English \n.    "],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:16:30.532Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2928"}},{"id":"viblbv_repositories_2_resources_2930","type":"collection","attributes":{"title":"Marie-Louise Laleyan Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#creator","type":"document_value","attributes":{"value":"Laleyan, Marie-Louise, 1935-2014","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#abstract_or_scope","type":"document_value","attributes":{"value":"Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977). Photographic record of her U.S. employment (1965-1972) is also present.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2930","ead_ssi":"viblbv_repositories_2_resources_2930","_root_":"viblbv_repositories_2_resources_2930","_nest_parent_":"viblbv_repositories_2_resources_2930","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2930.xml","title_filing_ssi":"Laleyan, Marie-Louise Architectural Collection","title_ssm":["Marie-Louise Laleyan Architectural Collection"],"title_tesim":["Marie-Louise Laleyan Architectural Collection"],"unitdate_ssm":["1961-2007"],"unitdate_inclusive_ssm":["1961-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.090"],"text":["Ms.2013.090","Marie-Louise Laleyan Architectural Collection","Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","The Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                   \nProject Index \n            \nA Summary of the Project Index is listed below.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  ","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  ","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  ","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    ","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. ","Laleyan died on January 21, 2014.      \t","Projects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects.","The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.","The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","The following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).","Drawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.","Drawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Projects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)","Negatives are available for the following projects: DB103, DB203; DB303; DOE78.  ","Negatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Slides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.  ","Slides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)","Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","English \n.    "],"unitid_tesim":["Ms.2013.090"],"normalized_title_ssm":["Marie-Louise Laleyan Architectural Collection"],"collection_title_tesim":["Marie-Louise Laleyan Architectural Collection"],"collection_ssim":["Marie-Louise Laleyan Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Laleyan, Marie-Louise, 1935-2014"],"creator_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creator_persname_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creators_ssim":["Laleyan, Marie-Louise, 1935-2014"],"access_terms_ssm":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Marie-Louise Laleyan Architectural Collection was donated to Special Collections in November 2008."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["11.3 Cubic Feet 13 boxes"],"extent_tesim":["11.3 Cubic Feet 13 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/175\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                  \u003cextref type=\"simple\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2013-090pi.xls\"\u003e\nProject Index\u003c/extref\u003e\n            \nA Summary of the Project Index is listed below.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                   \nProject Index \n            \nA Summary of the Project Index is listed below."],"bioghist_html_tesm":["\u003cp\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  \u003c/p\u003e\n","\u003cp\u003eBorn and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026amp; Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026amp; Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  \u003c/p\u003e\n","\u003cp\u003eAn active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  \u003c/p\u003e\n","\u003cp\u003eThe establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    \u003c/p\u003e\n","\u003cp\u003eIn 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. \u003c/p\u003e\n","\u003cp\u003eLaleyan died on January 21, 2014.      \t\u003c/p\u003e","\u003cp\u003eProjects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note"],"bioghist_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  ","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  ","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  ","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    ","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. ","Laleyan died on January 21, 2014.      \t","Projects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/p\u003e","\u003cp\u003eThe following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).\u003c/p\u003e","\u003cp\u003eDrawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026amp;B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.\u003c/p\u003e\n","\u003cp\u003eDrawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e","\u003cp\u003eProjects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)\u003c/p\u003e","\u003cp\u003eNegatives are available for the following projects: DB103, DB203; DB303; DOE78.  \u003c/p\u003e\n","\u003cp\u003eNegatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e","\u003cp\u003eSlides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.  \u003c/p\u003e\n","\u003cp\u003eSlides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","The following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).","Drawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.","Drawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Projects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)","Negatives are available for the following projects: DB103, DB203; DB303; DOE78.  ","Negatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Slides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.  ","Slides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. "],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e"],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English \n.    "],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:43:21.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2930","ead_ssi":"viblbv_repositories_2_resources_2930","_root_":"viblbv_repositories_2_resources_2930","_nest_parent_":"viblbv_repositories_2_resources_2930","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2930.xml","title_filing_ssi":"Laleyan, Marie-Louise Architectural Collection","title_ssm":["Marie-Louise Laleyan Architectural Collection"],"title_tesim":["Marie-Louise Laleyan Architectural Collection"],"unitdate_ssm":["1961-2007"],"unitdate_inclusive_ssm":["1961-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.090"],"text":["Ms.2013.090","Marie-Louise Laleyan Architectural Collection","Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","The Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                   \nProject Index \n            \nA Summary of the Project Index is listed below.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  ","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  ","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  ","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    ","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. ","Laleyan died on January 21, 2014.      \t","Projects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects.","The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.","The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","The following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).","Drawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.","Drawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Projects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)","Negatives are available for the following projects: DB103, DB203; DB303; DOE78.  ","Negatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Slides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.  ","Slides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)","Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","English \n.    "],"unitid_tesim":["Ms.2013.090"],"normalized_title_ssm":["Marie-Louise Laleyan Architectural Collection"],"collection_title_tesim":["Marie-Louise Laleyan Architectural Collection"],"collection_ssim":["Marie-Louise Laleyan Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Laleyan, Marie-Louise, 1935-2014"],"creator_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creator_persname_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creators_ssim":["Laleyan, Marie-Louise, 1935-2014"],"access_terms_ssm":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Marie-Louise Laleyan Architectural Collection was donated to Special Collections in November 2008."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["11.3 Cubic Feet 13 boxes"],"extent_tesim":["11.3 Cubic Feet 13 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/175\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                  \u003cextref type=\"simple\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2013-090pi.xls\"\u003e\nProject Index\u003c/extref\u003e\n            \nA Summary of the Project Index is listed below.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                   \nProject Index \n            \nA Summary of the Project Index is listed below."],"bioghist_html_tesm":["\u003cp\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  \u003c/p\u003e\n","\u003cp\u003eBorn and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026amp; Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026amp; Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  \u003c/p\u003e\n","\u003cp\u003eAn active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  \u003c/p\u003e\n","\u003cp\u003eThe establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    \u003c/p\u003e\n","\u003cp\u003eIn 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. \u003c/p\u003e\n","\u003cp\u003eLaleyan died on January 21, 2014.      \t\u003c/p\u003e","\u003cp\u003eProjects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note"],"bioghist_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  ","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  ","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  ","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    ","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. ","Laleyan died on January 21, 2014.      \t","Projects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/p\u003e","\u003cp\u003eThe following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).\u003c/p\u003e","\u003cp\u003eDrawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026amp;B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.\u003c/p\u003e\n","\u003cp\u003eDrawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e","\u003cp\u003eProjects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)\u003c/p\u003e","\u003cp\u003eNegatives are available for the following projects: DB103, DB203; DB303; DOE78.  \u003c/p\u003e\n","\u003cp\u003eNegatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e","\u003cp\u003eSlides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.  \u003c/p\u003e\n","\u003cp\u003eSlides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","The following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).","Drawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.","Drawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Projects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)","Negatives are available for the following projects: DB103, DB203; DB303; DOE78.  ","Negatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. ","Slides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.  ","Slides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. "],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e"],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English \n.    "],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:43:21.591Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2930"}},{"id":"viblbv_repositories_2_resources_2317","type":"collection","attributes":{"title":"Mary Brown Channel Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#creator","type":"document_value","attributes":{"value":"Channel, Mary Brown, 1907-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#abstract_or_scope","type":"document_value","attributes":{"value":"After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_bulk_ssim":["1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"text":["Ms.2007.030","/repositories/2/resources/2317","Mary Brown Channel Architectural Collection","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a  project index  alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. ","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. ","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. ","The  Project Index  list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" ","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. ","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the    Fall 2008 IAWA Center News , the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project,  see the Project Index for full details .","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection"],"collection_title_tesim":["Mary Brown Channel Architectural Collection"],"collection_ssim":["Mary Brown Channel Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creators_ssim":["Channel, Mary Brown, 1907-2006"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e\n","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e\n","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e","\u003cp\u003eThe \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eProject Index\u003c/a\u003e list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a  project index  alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. ","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. ","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. ","The  Project Index  list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e\n","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e\n","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e\n","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e\n","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e\n","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e\n","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e\n","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e","\u003cp\u003eThere is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note "],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" ","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. ","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eSee Project Index for full details.\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details.","See Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the    Fall 2008 IAWA Center News , the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e","\u003cp\u003eThe following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003esee the Project Index for full details\u003c/a\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project,  see the Project Index for full details ."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e\n","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e"],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:14.147Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_bulk_ssim":["1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"text":["Ms.2007.030","/repositories/2/resources/2317","Mary Brown Channel Architectural Collection","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a  project index  alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. ","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. ","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. ","The  Project Index  list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" ","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. ","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the    Fall 2008 IAWA Center News , the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project,  see the Project Index for full details .","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection"],"collection_title_tesim":["Mary Brown Channel Architectural Collection"],"collection_ssim":["Mary Brown Channel Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creators_ssim":["Channel, Mary Brown, 1907-2006"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e\n","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e\n","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e","\u003cp\u003eThe \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eProject Index\u003c/a\u003e list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a  project index  alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. ","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. ","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. ","The  Project Index  list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e\n","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e\n","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e\n","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e\n","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e\n","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e\n","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e\n","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e","\u003cp\u003eThere is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note "],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" ","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. ","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eSee Project Index for full details.\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details.","See Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the    Fall 2008 IAWA Center News , the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e","\u003cp\u003eThe following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003esee the Project Index for full details\u003c/a\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project,  see the Project Index for full details ."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e\n","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e"],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:14.147Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317"}},{"id":"viblbv_repositories_2_resources_1835","type":"collection","attributes":{"title":"Milka T. Bliznakov Papers and Architectural Drawings","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#creator","type":"document_value","attributes":{"value":"Bliznakov, Milka T., 1927-2010","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#abstract_or_scope","type":"document_value","attributes":{"value":"Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1835","ead_ssi":"viblbv_repositories_2_resources_1835","_root_":"viblbv_repositories_2_resources_1835","_nest_parent_":"viblbv_repositories_2_resources_1835","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1835.xml","title_filing_ssi":"Bliznakov, Milka T. Papers and Architectural Drawings, ","title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"unitdate_ssm":["1946-2010"],"unitdate_inclusive_ssm":["1946-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.025"],"text":["Ms.1991.025","Milka T. Bliznakov Papers and Architectural Drawings","Blacksburg (Va.)","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff","Collection is open for research.","This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.","Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.","The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.","This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","This series includes Milka Bliznakov's biographical information, personal correspondence, travel, photographs, and other personal documents. Noteworthy objects include a video cassette on Milka Bliznakov, a stock certificate, and correspondence regarding the destruction of Croatian architecture during the Yugoslav Wars.","This series consists of correspondence, writings, presentations, associations and committees, awards, research notes, reference files, and other professional works by Milka Bliznakov. These materials reflect Milka's work as a professor and architectural historian at Virginia Tech, as well as her broader network of women in architecture through the IAWA. Other noteworthy items include Milka's portfolio of work and exhibition posters collected from events.","This series consists of faculy papers such as administrative materials, course materials, research notes, and reference files. While most of the series consists of materials from Virginia Polytechnic Institute and State University, there are some materials from the University of Colombia. The content in this series expands from 1974-1996.","This series consists of Milka Bliznakov's architectural records for various residential projects. Content in this series extends from 1946-1983.","This series consists of art and artifacts donated to the Milka Bliznakov collection. Within this series, there is a metal file cabinet containing contact information. The cabinet contains contact information of Milka's friends, family, acquaintances, and colleagues. In addition, there are two large, framed awards and a t-shaped wooden utensil for drawing purposes. One of the awards is dated in 2007, but the other awards are not dated.","Book by Dobrina Zheleva-Martins. Book paired with printed email exchange (in Bulgarian) between Bliznakov and Zheleva-Martins and Zheleva-Martins' curriculum vitae (in English), indicating that Bliznakov may have wanted to submit this to the archive as documentation of Zheleva-Martins' work.","Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N.  The Ideal Communist City . New York: Braziller, 1968. Lloyd, P. \u0026 Collie, K.  San Francisco: a guide to recent architecture . London: Ellipsis, 1997. Markelin, U. Profiles: Pioneering Women Architects from Finland . Museum of Finnish Architecture, 1983.  Use of Tradition in Russian \u0026 Soviet Architecture , guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. Brumfield, W.C. Reshaping Russian Architecture: Western Technology, Utopian Dreams . New York : Cambridge University Press, 1990.  Somaya, B., Mehta, U., \u0026 Hecar Foundation An Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000 . Mumbai : Hecar Foundation, 2000. Kuperus, M., \u0026 Meinsma, H.C. Architectes . Amsterdam: Uitgeverij Thoth, 1990. Boutelle, S.H. \u0026 Morgan, J. Julia Morgan, Architect .  New York : Abbeville Press, 1988.  Poem about Trees .  (ISBN: 9785090245890),  The American Glossary of Architectural Terms  .  Illustrated Garnsey .  La Realidad Sovietica .  Construction and Reconstruction of Towns .  Working Architectural Studios I-Design Department of the Moscow Soviet .  Working Architectural Studios II-Design Department of the Moscow Soviet .  Russian Formalism . ","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010","The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"unitid_tesim":["Ms.1991.025"],"normalized_title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"collection_title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"collection_ssim":["Milka T. Bliznakov Papers and Architectural Drawings"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"creator_ssm":["Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Bliznakov, Milka T., 1927-2010"],"creators_ssim":["Bliznakov, Milka T., 1927-2010"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka T. Bliznakov Papers and Architectural Drawings Collection was donated to the IAWA at Special Collections in 2002 by Dr. Milka Bliznakov. Additions were made to the collection by Milka Bliznakov and Donna Dunay in 2006, 2007, 2011, and 2015."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"has_online_content_ssim":["false"],"extent_ssm":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"extent_tesim":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026amp; Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance."],"bioghist_html_tesm":["\u003cp\u003eMilka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.\u003c/p\u003e\n","\u003cp\u003eDuring her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.\u003c/p\u003e\n","\u003cp\u003eMilka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.\u003c/p\u003e\n","\u003cp\u003eBliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.\u003c/p\u003e","\u003cp\u003eThis series includes Milka Bliznakov's biographical information, personal correspondence, travel, photographs, and other personal documents. Noteworthy objects include a video cassette on Milka Bliznakov, a stock certificate, and correspondence regarding the destruction of Croatian architecture during the Yugoslav Wars.\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence, writings, presentations, associations and committees, awards, research notes, reference files, and other professional works by Milka Bliznakov. These materials reflect Milka's work as a professor and architectural historian at Virginia Tech, as well as her broader network of women in architecture through the IAWA. Other noteworthy items include Milka's portfolio of work and exhibition posters collected from events.\u003c/p\u003e","\u003cp\u003eThis series consists of faculy papers such as administrative materials, course materials, research notes, and reference files. While most of the series consists of materials from Virginia Polytechnic Institute and State University, there are some materials from the University of Colombia. The content in this series expands from 1974-1996.\u003c/p\u003e","\u003cp\u003eThis series consists of Milka Bliznakov's architectural records for various residential projects. Content in this series extends from 1946-1983.\u003c/p\u003e","\u003cp\u003eThis series consists of art and artifacts donated to the Milka Bliznakov collection. Within this series, there is a metal file cabinet containing contact information. The cabinet contains contact information of Milka's friends, family, acquaintances, and colleagues. In addition, there are two large, framed awards and a t-shaped wooden utensil for drawing purposes. One of the awards is dated in 2007, but the other awards are not dated.\u003c/p\u003e","\u003cp\u003eBook by Dobrina Zheleva-Martins. Book paired with printed email exchange (in Bulgarian) between Bliznakov and Zheleva-Martins and Zheleva-Martins' curriculum vitae (in English), indicating that Bliznakov may have wanted to submit this to the archive as documentation of Zheleva-Martins' work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","This series includes Milka Bliznakov's biographical information, personal correspondence, travel, photographs, and other personal documents. Noteworthy objects include a video cassette on Milka Bliznakov, a stock certificate, and correspondence regarding the destruction of Croatian architecture during the Yugoslav Wars.","This series consists of correspondence, writings, presentations, associations and committees, awards, research notes, reference files, and other professional works by Milka Bliznakov. These materials reflect Milka's work as a professor and architectural historian at Virginia Tech, as well as her broader network of women in architecture through the IAWA. Other noteworthy items include Milka's portfolio of work and exhibition posters collected from events.","This series consists of faculy papers such as administrative materials, course materials, research notes, and reference files. While most of the series consists of materials from Virginia Polytechnic Institute and State University, there are some materials from the University of Colombia. The content in this series expands from 1974-1996.","This series consists of Milka Bliznakov's architectural records for various residential projects. Content in this series extends from 1946-1983.","This series consists of art and artifacts donated to the Milka Bliznakov collection. Within this series, there is a metal file cabinet containing contact information. The cabinet contains contact information of Milka's friends, family, acquaintances, and colleagues. In addition, there are two large, framed awards and a t-shaped wooden utensil for drawing purposes. One of the awards is dated in 2007, but the other awards are not dated.","Book by Dobrina Zheleva-Martins. Book paired with printed email exchange (in Bulgarian) between Bliznakov and Zheleva-Martins and Zheleva-Martins' curriculum vitae (in English), indicating that Bliznakov may have wanted to submit this to the archive as documentation of Zheleva-Martins' work."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\u003citem\u003eWatkins, R.N. \u003ctitle render=\"italic\"\u003eThe Ideal Communist City\u003c/title\u003e. New York: Braziller, 1968.\u003c/item\u003e\n\u003citem\u003eLloyd, P. \u0026amp; Collie, K. \u003ctitle render=\"italic\"\u003eSan Francisco: a guide to recent architecture\u003c/title\u003e. London: Ellipsis, 1997.\u003c/item\u003e \n\u003citem\u003eMarkelin, U.\u003ctitle render=\"italic\"\u003eProfiles: Pioneering Women Architects from Finland\u003c/title\u003e. Museum of Finnish Architecture, 1983. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eUse of Tradition in Russian \u0026amp; Soviet Architecture\u003c/title\u003e, guest edited by Cooke, C. \u0026amp; Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987.\u003c/item\u003e \n\u003citem\u003eBrumfield, W.C.\u003ctitle render=\"italic\"\u003eReshaping Russian Architecture: Western Technology, Utopian Dreams\u003c/title\u003e. New York : Cambridge University Press, 1990. \u003c/item\u003e \n\u003citem\u003eSomaya, B., Mehta, U., \u0026amp; Hecar Foundation\u003ctitle render=\"italic\"\u003eAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000\u003c/title\u003e. Mumbai : Hecar Foundation, 2000.\u003c/item\u003e \n\u003citem\u003eKuperus, M., \u0026amp; Meinsma, H.C.\u003ctitle render=\"italic\"\u003eArchitectes\u003c/title\u003e. Amsterdam: Uitgeverij Thoth, 1990.\u003c/item\u003e \n\u003citem\u003eBoutelle, S.H. \u0026amp; Morgan, J.\u003ctitle render=\"italic\"\u003eJulia Morgan, Architect\u003c/title\u003e.  New York : Abbeville Press, 1988. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003ePoem about Trees\u003c/title\u003e.  (ISBN: 9785090245890), \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe American Glossary of Architectural Terms \u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eIllustrated Garnsey\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eLa Realidad Sovietica\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eConstruction and Reconstruction of Towns\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios I-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios II-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eRussian Formalism\u003c/title\u003e. \u003c/item\u003e \u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N.  The Ideal Communist City . New York: Braziller, 1968. Lloyd, P. \u0026 Collie, K.  San Francisco: a guide to recent architecture . London: Ellipsis, 1997. Markelin, U. Profiles: Pioneering Women Architects from Finland . Museum of Finnish Architecture, 1983.  Use of Tradition in Russian \u0026 Soviet Architecture , guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. Brumfield, W.C. Reshaping Russian Architecture: Western Technology, Utopian Dreams . New York : Cambridge University Press, 1990.  Somaya, B., Mehta, U., \u0026 Hecar Foundation An Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000 . Mumbai : Hecar Foundation, 2000. Kuperus, M., \u0026 Meinsma, H.C. Architectes . Amsterdam: Uitgeverij Thoth, 1990. Boutelle, S.H. \u0026 Morgan, J. Julia Morgan, Architect .  New York : Abbeville Press, 1988.  Poem about Trees .  (ISBN: 9785090245890),  The American Glossary of Architectural Terms  .  Illustrated Garnsey .  La Realidad Sovietica .  Construction and Reconstruction of Towns .  Working Architectural Studios I-Design Department of the Moscow Soviet .  Working Architectural Studios II-Design Department of the Moscow Soviet .  Russian Formalism . "],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4904b4be35f9a287ba5ef74319f9f5c4\" label=\"Abstract\"\u003eMilka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.\u003c/abstract\u003e"],"abstract_tesim":["Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture."],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Bliznakov, Milka T., 1927-2010"],"language_ssim":["The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":542,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:10:35.028Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1835","ead_ssi":"viblbv_repositories_2_resources_1835","_root_":"viblbv_repositories_2_resources_1835","_nest_parent_":"viblbv_repositories_2_resources_1835","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1835.xml","title_filing_ssi":"Bliznakov, Milka T. Papers and Architectural Drawings, ","title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"unitdate_ssm":["1946-2010"],"unitdate_inclusive_ssm":["1946-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.025"],"text":["Ms.1991.025","Milka T. Bliznakov Papers and Architectural Drawings","Blacksburg (Va.)","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff","Collection is open for research.","This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.","Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.","The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.","This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","This series includes Milka Bliznakov's biographical information, personal correspondence, travel, photographs, and other personal documents. Noteworthy objects include a video cassette on Milka Bliznakov, a stock certificate, and correspondence regarding the destruction of Croatian architecture during the Yugoslav Wars.","This series consists of correspondence, writings, presentations, associations and committees, awards, research notes, reference files, and other professional works by Milka Bliznakov. These materials reflect Milka's work as a professor and architectural historian at Virginia Tech, as well as her broader network of women in architecture through the IAWA. Other noteworthy items include Milka's portfolio of work and exhibition posters collected from events.","This series consists of faculy papers such as administrative materials, course materials, research notes, and reference files. While most of the series consists of materials from Virginia Polytechnic Institute and State University, there are some materials from the University of Colombia. The content in this series expands from 1974-1996.","This series consists of Milka Bliznakov's architectural records for various residential projects. Content in this series extends from 1946-1983.","This series consists of art and artifacts donated to the Milka Bliznakov collection. Within this series, there is a metal file cabinet containing contact information. The cabinet contains contact information of Milka's friends, family, acquaintances, and colleagues. In addition, there are two large, framed awards and a t-shaped wooden utensil for drawing purposes. One of the awards is dated in 2007, but the other awards are not dated.","Book by Dobrina Zheleva-Martins. Book paired with printed email exchange (in Bulgarian) between Bliznakov and Zheleva-Martins and Zheleva-Martins' curriculum vitae (in English), indicating that Bliznakov may have wanted to submit this to the archive as documentation of Zheleva-Martins' work.","Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N.  The Ideal Communist City . New York: Braziller, 1968. Lloyd, P. \u0026 Collie, K.  San Francisco: a guide to recent architecture . London: Ellipsis, 1997. Markelin, U. Profiles: Pioneering Women Architects from Finland . Museum of Finnish Architecture, 1983.  Use of Tradition in Russian \u0026 Soviet Architecture , guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. Brumfield, W.C. Reshaping Russian Architecture: Western Technology, Utopian Dreams . New York : Cambridge University Press, 1990.  Somaya, B., Mehta, U., \u0026 Hecar Foundation An Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000 . Mumbai : Hecar Foundation, 2000. Kuperus, M., \u0026 Meinsma, H.C. Architectes . Amsterdam: Uitgeverij Thoth, 1990. Boutelle, S.H. \u0026 Morgan, J. Julia Morgan, Architect .  New York : Abbeville Press, 1988.  Poem about Trees .  (ISBN: 9785090245890),  The American Glossary of Architectural Terms  .  Illustrated Garnsey .  La Realidad Sovietica .  Construction and Reconstruction of Towns .  Working Architectural Studios I-Design Department of the Moscow Soviet .  Working Architectural Studios II-Design Department of the Moscow Soviet .  Russian Formalism . ","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010","The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"unitid_tesim":["Ms.1991.025"],"normalized_title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"collection_title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"collection_ssim":["Milka T. Bliznakov Papers and Architectural Drawings"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"creator_ssm":["Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Bliznakov, Milka T., 1927-2010"],"creators_ssim":["Bliznakov, Milka T., 1927-2010"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka T. Bliznakov Papers and Architectural Drawings Collection was donated to the IAWA at Special Collections in 2002 by Dr. Milka Bliznakov. Additions were made to the collection by Milka Bliznakov and Donna Dunay in 2006, 2007, 2011, and 2015."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"has_online_content_ssim":["false"],"extent_ssm":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"extent_tesim":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026amp; Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance."],"bioghist_html_tesm":["\u003cp\u003eMilka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.\u003c/p\u003e\n","\u003cp\u003eDuring her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.\u003c/p\u003e\n","\u003cp\u003eMilka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.\u003c/p\u003e\n","\u003cp\u003eBliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.\u003c/p\u003e","\u003cp\u003eThis series includes Milka Bliznakov's biographical information, personal correspondence, travel, photographs, and other personal documents. Noteworthy objects include a video cassette on Milka Bliznakov, a stock certificate, and correspondence regarding the destruction of Croatian architecture during the Yugoslav Wars.\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence, writings, presentations, associations and committees, awards, research notes, reference files, and other professional works by Milka Bliznakov. These materials reflect Milka's work as a professor and architectural historian at Virginia Tech, as well as her broader network of women in architecture through the IAWA. Other noteworthy items include Milka's portfolio of work and exhibition posters collected from events.\u003c/p\u003e","\u003cp\u003eThis series consists of faculy papers such as administrative materials, course materials, research notes, and reference files. While most of the series consists of materials from Virginia Polytechnic Institute and State University, there are some materials from the University of Colombia. The content in this series expands from 1974-1996.\u003c/p\u003e","\u003cp\u003eThis series consists of Milka Bliznakov's architectural records for various residential projects. Content in this series extends from 1946-1983.\u003c/p\u003e","\u003cp\u003eThis series consists of art and artifacts donated to the Milka Bliznakov collection. Within this series, there is a metal file cabinet containing contact information. The cabinet contains contact information of Milka's friends, family, acquaintances, and colleagues. In addition, there are two large, framed awards and a t-shaped wooden utensil for drawing purposes. One of the awards is dated in 2007, but the other awards are not dated.\u003c/p\u003e","\u003cp\u003eBook by Dobrina Zheleva-Martins. Book paired with printed email exchange (in Bulgarian) between Bliznakov and Zheleva-Martins and Zheleva-Martins' curriculum vitae (in English), indicating that Bliznakov may have wanted to submit this to the archive as documentation of Zheleva-Martins' work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","This series includes Milka Bliznakov's biographical information, personal correspondence, travel, photographs, and other personal documents. Noteworthy objects include a video cassette on Milka Bliznakov, a stock certificate, and correspondence regarding the destruction of Croatian architecture during the Yugoslav Wars.","This series consists of correspondence, writings, presentations, associations and committees, awards, research notes, reference files, and other professional works by Milka Bliznakov. These materials reflect Milka's work as a professor and architectural historian at Virginia Tech, as well as her broader network of women in architecture through the IAWA. Other noteworthy items include Milka's portfolio of work and exhibition posters collected from events.","This series consists of faculy papers such as administrative materials, course materials, research notes, and reference files. While most of the series consists of materials from Virginia Polytechnic Institute and State University, there are some materials from the University of Colombia. The content in this series expands from 1974-1996.","This series consists of Milka Bliznakov's architectural records for various residential projects. Content in this series extends from 1946-1983.","This series consists of art and artifacts donated to the Milka Bliznakov collection. Within this series, there is a metal file cabinet containing contact information. The cabinet contains contact information of Milka's friends, family, acquaintances, and colleagues. In addition, there are two large, framed awards and a t-shaped wooden utensil for drawing purposes. One of the awards is dated in 2007, but the other awards are not dated.","Book by Dobrina Zheleva-Martins. Book paired with printed email exchange (in Bulgarian) between Bliznakov and Zheleva-Martins and Zheleva-Martins' curriculum vitae (in English), indicating that Bliznakov may have wanted to submit this to the archive as documentation of Zheleva-Martins' work."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\u003citem\u003eWatkins, R.N. \u003ctitle render=\"italic\"\u003eThe Ideal Communist City\u003c/title\u003e. New York: Braziller, 1968.\u003c/item\u003e\n\u003citem\u003eLloyd, P. \u0026amp; Collie, K. \u003ctitle render=\"italic\"\u003eSan Francisco: a guide to recent architecture\u003c/title\u003e. London: Ellipsis, 1997.\u003c/item\u003e \n\u003citem\u003eMarkelin, U.\u003ctitle render=\"italic\"\u003eProfiles: Pioneering Women Architects from Finland\u003c/title\u003e. Museum of Finnish Architecture, 1983. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eUse of Tradition in Russian \u0026amp; Soviet Architecture\u003c/title\u003e, guest edited by Cooke, C. \u0026amp; Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987.\u003c/item\u003e \n\u003citem\u003eBrumfield, W.C.\u003ctitle render=\"italic\"\u003eReshaping Russian Architecture: Western Technology, Utopian Dreams\u003c/title\u003e. New York : Cambridge University Press, 1990. \u003c/item\u003e \n\u003citem\u003eSomaya, B., Mehta, U., \u0026amp; Hecar Foundation\u003ctitle render=\"italic\"\u003eAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000\u003c/title\u003e. Mumbai : Hecar Foundation, 2000.\u003c/item\u003e \n\u003citem\u003eKuperus, M., \u0026amp; Meinsma, H.C.\u003ctitle render=\"italic\"\u003eArchitectes\u003c/title\u003e. Amsterdam: Uitgeverij Thoth, 1990.\u003c/item\u003e \n\u003citem\u003eBoutelle, S.H. \u0026amp; Morgan, J.\u003ctitle render=\"italic\"\u003eJulia Morgan, Architect\u003c/title\u003e.  New York : Abbeville Press, 1988. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003ePoem about Trees\u003c/title\u003e.  (ISBN: 9785090245890), \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe American Glossary of Architectural Terms \u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eIllustrated Garnsey\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eLa Realidad Sovietica\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eConstruction and Reconstruction of Towns\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios I-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios II-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eRussian Formalism\u003c/title\u003e. \u003c/item\u003e \u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N.  The Ideal Communist City . New York: Braziller, 1968. Lloyd, P. \u0026 Collie, K.  San Francisco: a guide to recent architecture . London: Ellipsis, 1997. Markelin, U. Profiles: Pioneering Women Architects from Finland . Museum of Finnish Architecture, 1983.  Use of Tradition in Russian \u0026 Soviet Architecture , guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. Brumfield, W.C. Reshaping Russian Architecture: Western Technology, Utopian Dreams . New York : Cambridge University Press, 1990.  Somaya, B., Mehta, U., \u0026 Hecar Foundation An Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000 . Mumbai : Hecar Foundation, 2000. Kuperus, M., \u0026 Meinsma, H.C. Architectes . Amsterdam: Uitgeverij Thoth, 1990. Boutelle, S.H. \u0026 Morgan, J. Julia Morgan, Architect .  New York : Abbeville Press, 1988.  Poem about Trees .  (ISBN: 9785090245890),  The American Glossary of Architectural Terms  .  Illustrated Garnsey .  La Realidad Sovietica .  Construction and Reconstruction of Towns .  Working Architectural Studios I-Design Department of the Moscow Soviet .  Working Architectural Studios II-Design Department of the Moscow Soviet .  Russian Formalism . "],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4904b4be35f9a287ba5ef74319f9f5c4\" label=\"Abstract\"\u003eMilka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.\u003c/abstract\u003e"],"abstract_tesim":["Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture."],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Bliznakov, Milka T., 1927-2010"],"language_ssim":["The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":542,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:10:35.028Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1835"}},{"id":"viblbv_repositories_2_resources_1976","type":"collection","attributes":{"title":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1976#abstract_or_scope","type":"document_value","attributes":{"value":"The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1976#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1976","ead_ssi":"viblbv_repositories_2_resources_1976","_root_":"viblbv_repositories_2_resources_1976","_nest_parent_":"viblbv_repositories_2_resources_1976","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1976.xml","title_filing_ssi":"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993","title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.023"],"text":["Ms.1994.023","\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is  available online .","This collection is arranged by subject.","CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. ","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.","The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","Special Collections and University Archives, Virginia Tech","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.023"],"normalized_title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"collection_title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"collection_ssim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" collection was donated to Special Collections in August 1994."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes, 1 oversize"],"extent_tesim":["2 Cubic Feet 2 boxes, 1 oversize"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/items/show/4672\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is  available online ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eCARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. \u003c/p\u003e\n","\u003cp\u003eThe group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. ","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86d2ba0ef1b2b402a3db987ba3173c6d\" label=\"Abstract\"\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".\u003c/abstract\u003e"],"abstract_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:02:49.574Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1976","ead_ssi":"viblbv_repositories_2_resources_1976","_root_":"viblbv_repositories_2_resources_1976","_nest_parent_":"viblbv_repositories_2_resources_1976","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1976.xml","title_filing_ssi":"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993","title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.023"],"text":["Ms.1994.023","\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is  available online .","This collection is arranged by subject.","CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. ","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.","The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","Special Collections and University Archives, Virginia Tech","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.023"],"normalized_title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"collection_title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"collection_ssim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" collection was donated to Special Collections in August 1994."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes, 1 oversize"],"extent_tesim":["2 Cubic Feet 2 boxes, 1 oversize"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/items/show/4672\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is  available online ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eCARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. \u003c/p\u003e\n","\u003cp\u003eThe group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. ","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86d2ba0ef1b2b402a3db987ba3173c6d\" label=\"Abstract\"\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".\u003c/abstract\u003e"],"abstract_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:02:49.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1976"}},{"id":"viblbv_repositories_2_resources_2314","type":"collection","attributes":{"title":"Natalie de Blois Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#creator","type":"document_value","attributes":{"value":"De Blois, Natalie, 1921-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#abstract_or_scope","type":"document_value","attributes":{"value":"The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017"],"text":["Ms.2007.017","Natalie de Blois Architectural Collection","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.017"],"normalized_title_ssm":["Natalie de Blois Architectural Collection"],"collection_title_tesim":["Natalie de Blois Architectural Collection"],"collection_ssim":["Natalie de Blois Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creators_ssim":["De Blois, Natalie, 1921-2013"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e\n","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e\n","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e\n","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e\n","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e"],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:35:59.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017"],"text":["Ms.2007.017","Natalie de Blois Architectural Collection","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.017"],"normalized_title_ssm":["Natalie de Blois Architectural Collection"],"collection_title_tesim":["Natalie de Blois Architectural Collection"],"collection_ssim":["Natalie de Blois Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creators_ssim":["De Blois, Natalie, 1921-2013"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e\n","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e\n","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e\n","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e\n","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e"],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:35:59.218Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314"}},{"id":"viblbv_repositories_2_resources_1585","type":"collection","attributes":{"title":"Organization of Women Architects and Design Professionals Records","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1585#creator","type":"document_value","attributes":{"value":"Organization of Women Architects and Design Professionals","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1585#abstract_or_scope","type":"document_value","attributes":{"value":"The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1585#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1585","ead_ssi":"viblbv_repositories_2_resources_1585","_root_":"viblbv_repositories_2_resources_1585","_nest_parent_":"viblbv_repositories_2_resources_1585","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1585.xml","title_filing_ssi":"Organization of Women Architects and Design Professionals Records","title_ssm":["Organization of Women Architects and Design Professionals Records"],"title_tesim":["Organization of Women Architects and Design Professionals Records"],"unitdate_ssm":["1965-2005"],"unitdate_inclusive_ssm":["1965-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1988.080"],"text":["Ms.1988.080","Organization of Women Architects and Design Professionals Records","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The Organization of Women Architects and Design Professionals Records is divided into the following series: I. Administrative, 1972-2005; II. Committees and Initiatives, 1974-1986; III. Newsletters, 1972-1991; IV. Financial Records, 1975-1991; V. Alternate Media, 1971-1991; and VI. Professional Women's Organizations, Documents, Pamphlets, and Clippings, (non-OWA), 1965-1995. Each series is arranged in chronological order.","The Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.  ","The organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.  ","Over its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  ","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","-  from  Horton, Inge,  \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 ","The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.","See also  California Women in Environmental Design Records, Ms1990-059  at VT Special Collections and University Archives.","The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.","Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design","The materials in the collection are in English."],"unitid_tesim":["Ms.1988.080"],"normalized_title_ssm":["Organization of Women Architects and Design Professionals Records"],"collection_title_tesim":["Organization of Women Architects and Design Professionals Records"],"collection_ssim":["Organization of Women Architects and Design Professionals Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Organization of Women Architects and Design Professionals"],"creator_ssim":["Organization of Women Architects and Design Professionals"],"creator_corpname_ssim":["Organization of Women Architects and Design Professionals"],"creators_ssim":["Organization of Women Architects and Design Professionals"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Organization of Women Architects and Design Professionals Records were donated to Special Collections in 1988, 2003, and 2006."],"access_subjects_ssim":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["4 Cubic Feet 8 boxes"],"extent_tesim":["4 Cubic Feet 8 boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Organization of Women Architects and Design Professionals Records is divided into the following series: I. 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Each series is arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eThe Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.  \u003c/p\u003e\n","\u003cp\u003eThe organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.  \u003c/p\u003e\n","\u003cp\u003eOver its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  \u003c/p\u003e\n","\u003cp\u003eThe OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.\u003c/p\u003e\n","\u003cp\u003e- \u003cemph render=\"italic\"\u003efrom\u003c/emph\u003e Horton, Inge, \u003ca target=\"_blank\" href=\"http://owa-usa.org/newsletter/jul03.php#3\" alt=\"History of OWA\"\u003e\"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 \u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.  ","The organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.  ","Over its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  ","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","-  from  Horton, Inge,  \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 "],"odd_html_tesm":["\u003cp\u003eThe guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1792.oai_ead.xml\"\u003eCalifornia Women in Environmental Design Records, Ms1990-059\u003c/a\u003e at VT Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also  California Women in Environmental Design Records, Ms1990-059  at VT Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45c0f15d5606893955c4a883cfde82ba\" label=\"Abstract\"\u003eThe Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.\u003c/abstract\u003e"],"abstract_tesim":["The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA."],"names_coll_ssim":["California Women in Environmental Design"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:03:47.786Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1585","ead_ssi":"viblbv_repositories_2_resources_1585","_root_":"viblbv_repositories_2_resources_1585","_nest_parent_":"viblbv_repositories_2_resources_1585","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1585.xml","title_filing_ssi":"Organization of Women Architects and Design Professionals Records","title_ssm":["Organization of Women Architects and Design Professionals Records"],"title_tesim":["Organization of Women Architects and Design Professionals Records"],"unitdate_ssm":["1965-2005"],"unitdate_inclusive_ssm":["1965-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1988.080"],"text":["Ms.1988.080","Organization of Women Architects and Design Professionals Records","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The Organization of Women Architects and Design Professionals Records is divided into the following series: I. Administrative, 1972-2005; II. Committees and Initiatives, 1974-1986; III. Newsletters, 1972-1991; IV. Financial Records, 1975-1991; V. Alternate Media, 1971-1991; and VI. Professional Women's Organizations, Documents, Pamphlets, and Clippings, (non-OWA), 1965-1995. Each series is arranged in chronological order.","The Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.  ","The organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.  ","Over its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  ","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","-  from  Horton, Inge,  \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 ","The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.","See also  California Women in Environmental Design Records, Ms1990-059  at VT Special Collections and University Archives.","The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.","Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design","The materials in the collection are in English."],"unitid_tesim":["Ms.1988.080"],"normalized_title_ssm":["Organization of Women Architects and Design Professionals Records"],"collection_title_tesim":["Organization of Women Architects and Design Professionals Records"],"collection_ssim":["Organization of Women Architects and Design Professionals Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Organization of Women Architects and Design Professionals"],"creator_ssim":["Organization of Women Architects and Design Professionals"],"creator_corpname_ssim":["Organization of Women Architects and Design Professionals"],"creators_ssim":["Organization of Women Architects and Design Professionals"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Organization of Women Architects and Design Professionals Records were donated to Special Collections in 1988, 2003, and 2006."],"access_subjects_ssim":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["4 Cubic Feet 8 boxes"],"extent_tesim":["4 Cubic Feet 8 boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Organization of Women Architects and Design Professionals Records is divided into the following series: I. Administrative, 1972-2005; II. Committees and Initiatives, 1974-1986; III. Newsletters, 1972-1991; IV. Financial Records, 1975-1991; V. Alternate Media, 1971-1991; and VI. Professional Women's Organizations, Documents, Pamphlets, and Clippings, (non-OWA), 1965-1995. Each series is arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Organization of Women Architects and Design Professionals Records is divided into the following series: I. Administrative, 1972-2005; II. Committees and Initiatives, 1974-1986; III. Newsletters, 1972-1991; IV. Financial Records, 1975-1991; V. Alternate Media, 1971-1991; and VI. Professional Women's Organizations, Documents, Pamphlets, and Clippings, (non-OWA), 1965-1995. Each series is arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eThe Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.  \u003c/p\u003e\n","\u003cp\u003eThe organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.  \u003c/p\u003e\n","\u003cp\u003eOver its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  \u003c/p\u003e\n","\u003cp\u003eThe OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.\u003c/p\u003e\n","\u003cp\u003e- \u003cemph render=\"italic\"\u003efrom\u003c/emph\u003e Horton, Inge, \u003ca target=\"_blank\" href=\"http://owa-usa.org/newsletter/jul03.php#3\" alt=\"History of OWA\"\u003e\"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 \u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.  ","The organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.  ","Over its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  ","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","-  from  Horton, Inge,  \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 "],"odd_html_tesm":["\u003cp\u003eThe guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1792.oai_ead.xml\"\u003eCalifornia Women in Environmental Design Records, Ms1990-059\u003c/a\u003e at VT Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also  California Women in Environmental Design Records, Ms1990-059  at VT Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45c0f15d5606893955c4a883cfde82ba\" label=\"Abstract\"\u003eThe Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.\u003c/abstract\u003e"],"abstract_tesim":["The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA."],"names_coll_ssim":["California Women in Environmental Design"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:03:47.786Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1585"}},{"id":"viblbv_repositories_2_resources_2149","type":"collection","attributes":{"title":"Sally Waldner Bould Stan Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2149#creator","type":"document_value","attributes":{"value":"Stan, Sally Waldner Bould, b.1917","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2149#abstract_or_scope","type":"document_value","attributes":{"value":"This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2149#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2149","ead_ssi":"viblbv_repositories_2_resources_2149","_root_":"viblbv_repositories_2_resources_2149","_nest_parent_":"viblbv_repositories_2_resources_2149","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2149.xml","title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"unitdate_ssm":["1940-1997, undated"],"unitdate_inclusive_ssm":["1940-1997, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.015"],"text":["Ms.2001.015","Sally Waldner Bould Stan Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.","This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the  VT ImageBase .","The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.","This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.","Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.015"],"normalized_title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"collection_title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"collection_ssim":["Sally Waldner Bould Stan Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creators_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"extent_tesim":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Reproduction and Use"],"accessrestrict_tesim":["The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"arrangement_html_tesm":["\u003cp\u003eThe Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThis collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the \u003cextref actuate=\"onRequest\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/stb\" show=\"new\"\u003eVT ImageBase\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the  VT ImageBase ."],"odd_html_tesm":["\u003cp\u003eThe guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes."],"abstract_html_tesm":["\u003cabstract id=\"aspace_da78057b6a88b73e648a5099130cfbfd\"\u003eThis collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:21:22.107Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2149","ead_ssi":"viblbv_repositories_2_resources_2149","_root_":"viblbv_repositories_2_resources_2149","_nest_parent_":"viblbv_repositories_2_resources_2149","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2149.xml","title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"unitdate_ssm":["1940-1997, undated"],"unitdate_inclusive_ssm":["1940-1997, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.015"],"text":["Ms.2001.015","Sally Waldner Bould Stan Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.","This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the  VT ImageBase .","The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.","This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.","Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.015"],"normalized_title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"collection_title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"collection_ssim":["Sally Waldner Bould Stan Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creators_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"extent_tesim":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Reproduction and Use"],"accessrestrict_tesim":["The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"arrangement_html_tesm":["\u003cp\u003eThe Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThis collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the \u003cextref actuate=\"onRequest\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/stb\" show=\"new\"\u003eVT ImageBase\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the  VT ImageBase ."],"odd_html_tesm":["\u003cp\u003eThe guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes."],"abstract_html_tesm":["\u003cabstract id=\"aspace_da78057b6a88b73e648a5099130cfbfd\"\u003eThis collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:21:22.107Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2149"}},{"id":"viblbv_repositories_2_resources_2067","type":"collection","attributes":{"title":"Sena Sekulić-Gvozdanović Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2067#creator","type":"document_value","attributes":{"value":"Sekulić-Gvozdanović, Sena","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2067#abstract_or_scope","type":"document_value","attributes":{"value":"Sena Sekulić-Gvozdanović (d. 2002) architect in Zagreb, Republic of Croatia. She was a professor (1946-1986) and the first female Dean of Architecture (1979-1982) at the University of Zagreb. In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement. Sekulić-Gvozdanović's collection contains published and unpublished works, personal correspondence, photographs, slides, and lectures pertaining to her research concerning women in architecture. Materials range in date from 1963-2002.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2067#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2067","ead_ssi":"viblbv_repositories_2_resources_2067","_root_":"viblbv_repositories_2_resources_2067","_nest_parent_":"viblbv_repositories_2_resources_2067","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2067.xml","title_filing_ssi":"Sekulić-Gvozdanović, Sena, Architectural Collection","title_ssm":["Sena Sekulić-Gvozdanović Architectural Collection"],"title_tesim":["Sena Sekulić-Gvozdanović Architectural Collection"],"unitdate_ssm":["1963-2002"],"unitdate_inclusive_ssm":["1963-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1998.009"],"text":["Ms.1998.009","Sena Sekulić-Gvozdanović Architectural Collection","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The collection is arranged into Series I: Personal Papers and Series II: Professional Papers, which are subdivided by type.","Sena Sekulić-Gvozdanović (d. 2002) architect of Zagreb, Republic of Croatia (former Yugoslavia).  She graduated \nfrom the Faculty of Technology, University of Zegreb, Yugoslavia in 1940.  After several years of professional work she became an architecture professor at the University of Zagreb (1946).  She attained full professor status in 1975 and became the first female Dean of Architecture (1979-1982).  Throughout her career she authored numerous works on medieval architecture and researched women's contributions to the profession.  Sekulić-Gvozdanović compiled a list of almost 3000 active women architects from the beginning of their practice to the time of her publication (1996). Sekulić-Gvozdanović was an active leader and member of the International Union of Women Architects (UIFA).  In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement.","The guide to the Sena Sekulić-Gvozdanović Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Sena Sekulić-Gvozdanović Architectural Collection was completed in February 2012.","The Sena Sekulić-Gvozdanović Architectural Collection contains publications, personal correspondence, images, and a death announcement. Along with periodical contributions, a manuscript of the unpublished English translation of her book \"Zena u arhitekturi\" (By Her Order and Design - A Search of Women in Architectural Theory and Practice) can be found here. Two pictures of her design concepts submitted for competition are available, as well as, personal photographs and slides of her work.","A series of articles by Sekulić-Gvozdanović that span all 7 issues of   Čovjek i Prostor.  All articles begin on p.20 except for the issue numbered 7 where Sekulić-Gvozdanović's article begins on p. 19.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Sena Sekulić-Gvozdanović (d. 2002) architect in Zagreb, Republic of Croatia. She was a professor (1946-1986) and the first female Dean of Architecture (1979-1982) at the University of Zagreb. In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement. Sekulić-Gvozdanović's collection contains published and unpublished works, personal correspondence, photographs, slides, and lectures pertaining to her research concerning women in architecture. Materials range in date from 1963-2002.","Special Collections and University Archives, Virginia Tech","Sekulić-Gvozdanović, Sena","The majority of material is in Croation. However, there is an unpublished English translation of her manuscript,  By Her Order and Design: A Search for Women in Architecture ."],"unitid_tesim":["Ms.1998.009"],"normalized_title_ssm":["Sena Sekulić-Gvozdanović Architectural Collection"],"collection_title_tesim":["Sena Sekulić-Gvozdanović Architectural Collection"],"collection_ssim":["Sena Sekulić-Gvozdanović Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Sekulić-Gvozdanović, Sena"],"creator_ssim":["Sekulić-Gvozdanović, Sena"],"creator_persname_ssim":["Sekulić-Gvozdanović, Sena"],"creators_ssim":["Sekulić-Gvozdanović, Sena"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections in 1998 and 2002."],"access_subjects_ssim":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into Series I: Personal Papers and Series II: Professional Papers, which are subdivided by type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into Series I: Personal Papers and Series II: Professional Papers, which are subdivided by type."],"bioghist_html_tesm":["\u003cp\u003eSena Sekulić-Gvozdanović (d. 2002) architect of Zagreb, Republic of Croatia (former Yugoslavia).  She graduated \nfrom the Faculty of Technology, University of Zegreb, Yugoslavia in 1940.  After several years of professional work she became an architecture professor at the University of Zagreb (1946).  She attained full professor status in 1975 and became the first female Dean of Architecture (1979-1982).  Throughout her career she authored numerous works on medieval architecture and researched women's contributions to the profession.  Sekulić-Gvozdanović compiled a list of almost 3000 active women architects from the beginning of their practice to the time of her publication (1996). Sekulić-Gvozdanović was an active leader and member of the International Union of Women Architects (UIFA).  In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Sena Sekulić-Gvozdanović (d. 2002) architect of Zagreb, Republic of Croatia (former Yugoslavia).  She graduated \nfrom the Faculty of Technology, University of Zegreb, Yugoslavia in 1940.  After several years of professional work she became an architecture professor at the University of Zagreb (1946).  She attained full professor status in 1975 and became the first female Dean of Architecture (1979-1982).  Throughout her career she authored numerous works on medieval architecture and researched women's contributions to the profession.  Sekulić-Gvozdanović compiled a list of almost 3000 active women architects from the beginning of their practice to the time of her publication (1996). Sekulić-Gvozdanović was an active leader and member of the International Union of Women Architects (UIFA).  In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement."],"odd_html_tesm":["\u003cp\u003eThe guide to the Sena Sekulić-Gvozdanović Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sena Sekulić-Gvozdanović Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sena Sekulić-Gvozdanović Architectural Collection, Ms1998-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sena Sekulić-Gvozdanović Architectural Collection, Ms1998-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Sena Sekulić-Gvozdanović Architectural Collection was completed in February 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Sena Sekulić-Gvozdanović Architectural Collection was completed in February 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Sena Sekulić-Gvozdanović Architectural Collection contains publications, personal correspondence, images, and a death announcement. Along with periodical contributions, a manuscript of the unpublished English translation of her book \"Zena u arhitekturi\" (By Her Order and Design - A Search of Women in Architectural Theory and Practice) can be found here. Two pictures of her design concepts submitted for competition are available, as well as, personal photographs and slides of her work.\u003c/p\u003e","\u003cp\u003eA series of articles by Sekulić-Gvozdanović that span all 7 issues of  \u003ctitle render=\"italic\"\u003eČovjek i Prostor.\u003c/title\u003e All articles begin on p.20 except for the issue numbered 7 where Sekulić-Gvozdanović's article begins on p. 19.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Sena Sekulić-Gvozdanović Architectural Collection contains publications, personal correspondence, images, and a death announcement. Along with periodical contributions, a manuscript of the unpublished English translation of her book \"Zena u arhitekturi\" (By Her Order and Design - A Search of Women in Architectural Theory and Practice) can be found here. Two pictures of her design concepts submitted for competition are available, as well as, personal photographs and slides of her work.","A series of articles by Sekulić-Gvozdanović that span all 7 issues of   Čovjek i Prostor.  All articles begin on p.20 except for the issue numbered 7 where Sekulić-Gvozdanović's article begins on p. 19."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_28a9db11113a46cb22178182cbfb463f\" label=\"Abstract\"\u003eSena Sekulić-Gvozdanović (d. 2002) architect in Zagreb, Republic of Croatia. She was a professor (1946-1986) and the first female Dean of Architecture (1979-1982) at the University of Zagreb. In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement. Sekulić-Gvozdanović's collection contains published and unpublished works, personal correspondence, photographs, slides, and lectures pertaining to her research concerning women in architecture. Materials range in date from 1963-2002.\u003c/abstract\u003e"],"abstract_tesim":["Sena Sekulić-Gvozdanović (d. 2002) architect in Zagreb, Republic of Croatia. She was a professor (1946-1986) and the first female Dean of Architecture (1979-1982) at the University of Zagreb. In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement. Sekulić-Gvozdanović's collection contains published and unpublished works, personal correspondence, photographs, slides, and lectures pertaining to her research concerning women in architecture. Materials range in date from 1963-2002."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Sekulić-Gvozdanović, Sena"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Sekulić-Gvozdanović, Sena"],"language_ssim":["The majority of material is in Croation. However, there is an unpublished English translation of her manuscript,  By Her Order and Design: A Search for Women in Architecture ."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:42.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2067","ead_ssi":"viblbv_repositories_2_resources_2067","_root_":"viblbv_repositories_2_resources_2067","_nest_parent_":"viblbv_repositories_2_resources_2067","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2067.xml","title_filing_ssi":"Sekulić-Gvozdanović, Sena, Architectural Collection","title_ssm":["Sena Sekulić-Gvozdanović Architectural Collection"],"title_tesim":["Sena Sekulić-Gvozdanović Architectural Collection"],"unitdate_ssm":["1963-2002"],"unitdate_inclusive_ssm":["1963-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1998.009"],"text":["Ms.1998.009","Sena Sekulić-Gvozdanović Architectural Collection","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The collection is arranged into Series I: Personal Papers and Series II: Professional Papers, which are subdivided by type.","Sena Sekulić-Gvozdanović (d. 2002) architect of Zagreb, Republic of Croatia (former Yugoslavia).  She graduated \nfrom the Faculty of Technology, University of Zegreb, Yugoslavia in 1940.  After several years of professional work she became an architecture professor at the University of Zagreb (1946).  She attained full professor status in 1975 and became the first female Dean of Architecture (1979-1982).  Throughout her career she authored numerous works on medieval architecture and researched women's contributions to the profession.  Sekulić-Gvozdanović compiled a list of almost 3000 active women architects from the beginning of their practice to the time of her publication (1996). Sekulić-Gvozdanović was an active leader and member of the International Union of Women Architects (UIFA).  In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement.","The guide to the Sena Sekulić-Gvozdanović Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Sena Sekulić-Gvozdanović Architectural Collection was completed in February 2012.","The Sena Sekulić-Gvozdanović Architectural Collection contains publications, personal correspondence, images, and a death announcement. Along with periodical contributions, a manuscript of the unpublished English translation of her book \"Zena u arhitekturi\" (By Her Order and Design - A Search of Women in Architectural Theory and Practice) can be found here. Two pictures of her design concepts submitted for competition are available, as well as, personal photographs and slides of her work.","A series of articles by Sekulić-Gvozdanović that span all 7 issues of   Čovjek i Prostor.  All articles begin on p.20 except for the issue numbered 7 where Sekulić-Gvozdanović's article begins on p. 19.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Sena Sekulić-Gvozdanović (d. 2002) architect in Zagreb, Republic of Croatia. She was a professor (1946-1986) and the first female Dean of Architecture (1979-1982) at the University of Zagreb. In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement. Sekulić-Gvozdanović's collection contains published and unpublished works, personal correspondence, photographs, slides, and lectures pertaining to her research concerning women in architecture. Materials range in date from 1963-2002.","Special Collections and University Archives, Virginia Tech","Sekulić-Gvozdanović, Sena","The majority of material is in Croation. However, there is an unpublished English translation of her manuscript,  By Her Order and Design: A Search for Women in Architecture ."],"unitid_tesim":["Ms.1998.009"],"normalized_title_ssm":["Sena Sekulić-Gvozdanović Architectural Collection"],"collection_title_tesim":["Sena Sekulić-Gvozdanović Architectural Collection"],"collection_ssim":["Sena Sekulić-Gvozdanović Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Sekulić-Gvozdanović, Sena"],"creator_ssim":["Sekulić-Gvozdanović, Sena"],"creator_persname_ssim":["Sekulić-Gvozdanović, Sena"],"creators_ssim":["Sekulić-Gvozdanović, Sena"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections in 1998 and 2002."],"access_subjects_ssim":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into Series I: Personal Papers and Series II: Professional Papers, which are subdivided by type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into Series I: Personal Papers and Series II: Professional Papers, which are subdivided by type."],"bioghist_html_tesm":["\u003cp\u003eSena Sekulić-Gvozdanović (d. 2002) architect of Zagreb, Republic of Croatia (former Yugoslavia).  She graduated \nfrom the Faculty of Technology, University of Zegreb, Yugoslavia in 1940.  After several years of professional work she became an architecture professor at the University of Zagreb (1946).  She attained full professor status in 1975 and became the first female Dean of Architecture (1979-1982).  Throughout her career she authored numerous works on medieval architecture and researched women's contributions to the profession.  Sekulić-Gvozdanović compiled a list of almost 3000 active women architects from the beginning of their practice to the time of her publication (1996). Sekulić-Gvozdanović was an active leader and member of the International Union of Women Architects (UIFA).  In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Sena Sekulić-Gvozdanović (d. 2002) architect of Zagreb, Republic of Croatia (former Yugoslavia).  She graduated \nfrom the Faculty of Technology, University of Zegreb, Yugoslavia in 1940.  After several years of professional work she became an architecture professor at the University of Zagreb (1946).  She attained full professor status in 1975 and became the first female Dean of Architecture (1979-1982).  Throughout her career she authored numerous works on medieval architecture and researched women's contributions to the profession.  Sekulić-Gvozdanović compiled a list of almost 3000 active women architects from the beginning of their practice to the time of her publication (1996). Sekulić-Gvozdanović was an active leader and member of the International Union of Women Architects (UIFA).  In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement."],"odd_html_tesm":["\u003cp\u003eThe guide to the Sena Sekulić-Gvozdanović Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sena Sekulić-Gvozdanović Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sena Sekulić-Gvozdanović Architectural Collection, Ms1998-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sena Sekulić-Gvozdanović Architectural Collection, Ms1998-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Sena Sekulić-Gvozdanović Architectural Collection was completed in February 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Sena Sekulić-Gvozdanović Architectural Collection was completed in February 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Sena Sekulić-Gvozdanović Architectural Collection contains publications, personal correspondence, images, and a death announcement. Along with periodical contributions, a manuscript of the unpublished English translation of her book \"Zena u arhitekturi\" (By Her Order and Design - A Search of Women in Architectural Theory and Practice) can be found here. Two pictures of her design concepts submitted for competition are available, as well as, personal photographs and slides of her work.\u003c/p\u003e","\u003cp\u003eA series of articles by Sekulić-Gvozdanović that span all 7 issues of  \u003ctitle render=\"italic\"\u003eČovjek i Prostor.\u003c/title\u003e All articles begin on p.20 except for the issue numbered 7 where Sekulić-Gvozdanović's article begins on p. 19.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Sena Sekulić-Gvozdanović Architectural Collection contains publications, personal correspondence, images, and a death announcement. Along with periodical contributions, a manuscript of the unpublished English translation of her book \"Zena u arhitekturi\" (By Her Order and Design - A Search of Women in Architectural Theory and Practice) can be found here. Two pictures of her design concepts submitted for competition are available, as well as, personal photographs and slides of her work.","A series of articles by Sekulić-Gvozdanović that span all 7 issues of   Čovjek i Prostor.  All articles begin on p.20 except for the issue numbered 7 where Sekulić-Gvozdanović's article begins on p. 19."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_28a9db11113a46cb22178182cbfb463f\" label=\"Abstract\"\u003eSena Sekulić-Gvozdanović (d. 2002) architect in Zagreb, Republic of Croatia. She was a professor (1946-1986) and the first female Dean of Architecture (1979-1982) at the University of Zagreb. In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement. Sekulić-Gvozdanović's collection contains published and unpublished works, personal correspondence, photographs, slides, and lectures pertaining to her research concerning women in architecture. Materials range in date from 1963-2002.\u003c/abstract\u003e"],"abstract_tesim":["Sena Sekulić-Gvozdanović (d. 2002) architect in Zagreb, Republic of Croatia. She was a professor (1946-1986) and the first female Dean of Architecture (1979-1982) at the University of Zagreb. In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement. Sekulić-Gvozdanović's collection contains published and unpublished works, personal correspondence, photographs, slides, and lectures pertaining to her research concerning women in architecture. Materials range in date from 1963-2002."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Sekulić-Gvozdanović, Sena"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Sekulić-Gvozdanović, Sena"],"language_ssim":["The majority of material is in Croation. However, there is an unpublished English translation of her manuscript,  By Her Order and Design: A Search for Women in Architecture ."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:42.929Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2067"}},{"id":"viblbv_repositories_2_resources_1750","type":"collection","attributes":{"title":"Susana Torre Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#creator","type":"document_value","attributes":{"value":"Torre, Susana, 1944-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#abstract_or_scope","type":"document_value","attributes":{"value":"After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_bulk_ssim":["1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"text":["Ms.1990.016","Susana Torre Architectural Collection","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. ","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. ","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"unitid_tesim":["Ms.1990.016"],"normalized_title_ssm":["Susana Torre Architectural Collection"],"collection_title_tesim":["Susana Torre Architectural Collection"],"collection_ssim":["Susana Torre Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creators_ssim":["Torre, Susana, 1944-"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e\n","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e\n","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. "],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e\n","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e\n","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e\n","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e\n","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e\n","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e\n","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e\n","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e","\u003cp\u003e1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles\u003c/p\u003e","\u003cp\u003ePictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e"],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:17:21.621Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_bulk_ssim":["1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"text":["Ms.1990.016","Susana Torre Architectural Collection","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. ","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. ","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"unitid_tesim":["Ms.1990.016"],"normalized_title_ssm":["Susana Torre Architectural Collection"],"collection_title_tesim":["Susana Torre Architectural Collection"],"collection_ssim":["Susana Torre Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creators_ssim":["Torre, Susana, 1944-"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e\n","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e\n","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. "],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e\n","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e\n","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e\n","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e\n","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e\n","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e\n","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e\n","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e","\u003cp\u003e1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles\u003c/p\u003e","\u003cp\u003ePictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e"],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:17:21.621Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1750"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":33},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1967\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1967"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22\u0026f%5Bdate_range%5D%5B%5D=1967"}},{"attributes":{"label":"Anna P. 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