{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Filmmaking+%28Motion+pictures%29\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Filmmaking+%28Motion+pictures%29\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_553","type":"collection","attributes":{"title":"Alan Bowne papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_553#creator","type":"document_value","attributes":{"value":"Bowne, Alan","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_553#abstract_or_scope","type":"document_value","attributes":{"value":"The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_553#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_553","ead_ssi":"vifgm_repositories_2_resources_553","_root_":"vifgm_repositories_2_resources_553","_nest_parent_":"vifgm_repositories_2_resources_553","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_553.xml","title_ssm":["Alan Bowne papers"],"title_tesim":["Alan Bowne papers"],"unitdate_ssm":["1980-1989","circa 1964-1991"],"unitdate_bulk_ssim":["1980-1989"],"unitdate_inclusive_ssm":["circa 1964-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0319","/repositories/2/resources/553"],"text":["C0319","/repositories/2/resources/553","Alan Bowne papers","LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)","AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama","There are no access restrictions.","This collection is arranged into four series by format and then chronologically.","Series Series 1: Writings and Correspondence Series 2: Photographs and Audiovisual Materials Series 3: Additional writings Series 4: Notebooks","","","","Alan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old.","The Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access.","Processing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024.","The Special Collections Research Center holds other  performing arts collections .","Content Warning: Many of the notebooks in this collection contain graphic sexual content.","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.","Series 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Series 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Series 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.","Series 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.","R 73, C 3, S 1 \u0026 4","George Mason University. Libraries. Special Collections Research Center","Bowne, Alan","English \n.    "],"unitid_tesim":["C0319","/repositories/2/resources/553"],"normalized_title_ssm":["Alan Bowne papers"],"collection_title_tesim":["Alan Bowne papers"],"collection_ssim":["Alan Bowne papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"geogname_ssim":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"creator_ssm":["Bowne, Alan"],"creator_ssim":["Bowne, Alan"],"creator_persname_ssim":["Bowne, Alan"],"creators_ssim":["Bowne, Alan"],"places_ssim":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Barbara Hayes in January 2019. ","Additional materials donated by Broadway Play Publishing, Inc. in August 2021 and by Barabara Hayes in November 2023."],"access_subjects_ssim":["AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama"],"access_subjects_ssm":["AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"genreform_ssim":[" LGBTQ+ drama"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series by format and then chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Writings and Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs and Audiovisual Materials\u003c/item\u003e\n      \u003citem\u003eSeries 3: Additional writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Notebooks\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series by format and then chronologically.","Series Series 1: Writings and Correspondence Series 2: Photographs and Audiovisual Materials Series 3: Additional writings Series 4: Notebooks"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.nytimes.com/1989/12/02/obituaries/alan-bowne-writer-44.htm\" title=\"'Alan Bowne, Writer, 44.' The New York Times. December 2, 1989. Accessed March 8, 2019. https://www.nytimes.com/1989/12/02/obituaries/alan-bowne-writer-44.html.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.imdb.com/name/nm0101428/\" title=\"'Alane Bowne.' IMDB. Accessed March 8, 2019. https://www.imdb.com/name/nm0101428/.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.entertainment-focus.com/theatre-section/theatre-reviews/beirut-review/\" title=\"Myatt, John. 'Beirut Review.' Entertainment Focus. June 20, 2018. Accessed March 8, 2019. https://www.entertainment-focus.com/theatre-section/theatre-reviews/beirut-review/.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["","",""],"bioghist_html_tesm":["\u003cp\u003eAlan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eAlan Bowne papers, C0319, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alan Bowne papers, C0319, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts collections\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts collections ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Many of the notebooks in this collection contain graphic sexual content.\u003c/p\u003e\n","\u003cp\u003eThe Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"\u003c/p\u003e\n","\u003cp\u003eSeries 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content Warning: Many of the notebooks in this collection contain graphic sexual content.","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.","Series 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Series 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Series 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.","Series 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65859acb752c8fe372ccb76f704859f\"\u003eR 73, C 3, S 1 \u0026amp; 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 1 \u0026 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bowne, Alan"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Bowne, Alan"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":54,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:15.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_553","ead_ssi":"vifgm_repositories_2_resources_553","_root_":"vifgm_repositories_2_resources_553","_nest_parent_":"vifgm_repositories_2_resources_553","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_553.xml","title_ssm":["Alan Bowne papers"],"title_tesim":["Alan Bowne papers"],"unitdate_ssm":["1980-1989","circa 1964-1991"],"unitdate_bulk_ssim":["1980-1989"],"unitdate_inclusive_ssm":["circa 1964-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0319","/repositories/2/resources/553"],"text":["C0319","/repositories/2/resources/553","Alan Bowne papers","LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)","AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama","There are no access restrictions.","This collection is arranged into four series by format and then chronologically.","Series Series 1: Writings and Correspondence Series 2: Photographs and Audiovisual Materials Series 3: Additional writings Series 4: Notebooks","","","","Alan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old.","The Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access.","Processing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024.","The Special Collections Research Center holds other  performing arts collections .","Content Warning: Many of the notebooks in this collection contain graphic sexual content.","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.","Series 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Series 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Series 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.","Series 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.","R 73, C 3, S 1 \u0026 4","George Mason University. Libraries. Special Collections Research Center","Bowne, Alan","English \n.    "],"unitid_tesim":["C0319","/repositories/2/resources/553"],"normalized_title_ssm":["Alan Bowne papers"],"collection_title_tesim":["Alan Bowne papers"],"collection_ssim":["Alan Bowne papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"geogname_ssim":["LGBTQ+","New York (N.Y.) 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","Additional materials donated by Broadway Play Publishing, Inc. in August 2021 and by Barabara Hayes in November 2023."],"access_subjects_ssim":["AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama"],"access_subjects_ssm":["AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"genreform_ssim":[" LGBTQ+ drama"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series by format and then chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Writings and Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs and Audiovisual Materials\u003c/item\u003e\n      \u003citem\u003eSeries 3: Additional writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Notebooks\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series by format and then chronologically.","Series Series 1: Writings and Correspondence Series 2: Photographs and Audiovisual Materials Series 3: Additional writings Series 4: Notebooks"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.nytimes.com/1989/12/02/obituaries/alan-bowne-writer-44.htm\" title=\"'Alan Bowne, Writer, 44.' The New York Times. December 2, 1989. Accessed March 8, 2019. https://www.nytimes.com/1989/12/02/obituaries/alan-bowne-writer-44.html.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.imdb.com/name/nm0101428/\" title=\"'Alane Bowne.' IMDB. Accessed March 8, 2019. https://www.imdb.com/name/nm0101428/.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.entertainment-focus.com/theatre-section/theatre-reviews/beirut-review/\" title=\"Myatt, John. 'Beirut Review.' Entertainment Focus. June 20, 2018. Accessed March 8, 2019. https://www.entertainment-focus.com/theatre-section/theatre-reviews/beirut-review/.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["","",""],"bioghist_html_tesm":["\u003cp\u003eAlan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eAlan Bowne papers, C0319, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alan Bowne papers, C0319, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts collections\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts collections ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Many of the notebooks in this collection contain graphic sexual content.\u003c/p\u003e\n","\u003cp\u003eThe Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"\u003c/p\u003e\n","\u003cp\u003eSeries 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content Warning: Many of the notebooks in this collection contain graphic sexual content.","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.","Series 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Series 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Series 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.","Series 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65859acb752c8fe372ccb76f704859f\"\u003eR 73, C 3, S 1 \u0026amp; 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 1 \u0026 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bowne, Alan"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Bowne, Alan"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":54,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:15.553Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_553"}},{"id":"vifgm_repositories_2_resources_8","type":"collection","attributes":{"title":"Alexander Golitzen film production collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_8#creator","type":"document_value","attributes":{"value":"Golitzen, Alexander, 1908-2005","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_8#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains two original film scripts - \u003cspan\u003eColossus\u003c/span\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003cspan\u003eFreud\u003c/span\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003cspan\u003eThe Devil's Disciple.\u003c/span\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_8#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_8","ead_ssi":"vifgm_repositories_2_resources_8","_root_":"vifgm_repositories_2_resources_8","_nest_parent_":"vifgm_repositories_2_resources_8","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_8.xml","title_ssm":["Alexander Golitzen film production collection"],"title_tesim":["Alexander Golitzen film production collection"],"unitdate_ssm":["1957-1968"],"unitdate_inclusive_ssm":["1957-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0009","/repositories/2/resources/8"],"text":["C0009","/repositories/2/resources/8","Alexander Golitzen film production collection","Filmmaking (Motion pictures)","Motion picture plays","Motion pictures -- Production and direction","Motion pictures -- United States","There are no access restrictions.","Arranged by document type.","\"Alexander Golitzen - Filmography[.]\" Turner Classic Movies, accessed September 15, 2023. https://www.tcm.com/tcmdb/person/73216%7C10112/Alexander-Golitzen#filmography.","Bergan, Ronald. \"Obituary - Alexander Golitzen[.]\"  The Guardian , August 22, 2005. https://www.theguardian.com/news/2005/aug/22/guardianobituaries.film.","Fein, Esther B. \"Harold Hecht, Film Producer and a Burt Lancaster Partner[.]\"  The New York Times , May 28, 1985. https://www.nytimes.com/1985/05/28/movies/harold-hecht-film-producer-and-a-burt-lancaster-partner.html.","Fox, Margalit. \"A. Golitzen, Art Director for Many Classic Films, Dies[.]\"  The New York Times , August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html.","Alexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including  Gunsmoke  (1953),  My Man Godfrey  (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for  Foreign Correspondent  (1940),  The Phantom of the Opera  (1943),  Spartacus  (1960), amd  To Kill a Mockingbird  (1962).","Hecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include  Marty  (1955),  Sweet Smell of Success  (1957),  Separate Tables  (1958),  The Devil's Disciple  (1959), and  Birdman of Alcatraz  (1962).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023.","The Special Collections Research Center holds other collections focused on ","The Wisconsin Historical Society hold the  , which includes an interview from Golitzen.","This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.  Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.","OS R 6, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Golitzen, Alexander, 1908-2005","English \n.    "],"unitid_tesim":["C0009","/repositories/2/resources/8"],"normalized_title_ssm":["Alexander Golitzen film production collection"],"collection_title_tesim":["Alexander Golitzen film production collection"],"collection_ssim":["Alexander Golitzen film production collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Golitzen, Alexander, 1908-2005"],"creator_ssim":["Golitzen, Alexander, 1908-2005"],"creator_persname_ssim":["Golitzen, Alexander, 1908-2005"],"creators_ssim":["Golitzen, Alexander, 1908-2005"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Cynthia Garn, daughter of Alexander Golitzen, in 1989."],"access_subjects_ssim":["Filmmaking (Motion pictures)","Motion picture plays","Motion pictures -- Production and direction","Motion pictures -- United States"],"access_subjects_ssm":["Filmmaking (Motion pictures)","Motion picture plays","Motion pictures -- Production and direction","Motion pictures -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 3 boxes"],"extent_tesim":["6 Linear Feet 3 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by document type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by document type."],"bibliography_html_tesm":["\u003cp\u003e\"Alexander Golitzen - Filmography[.]\" Turner Classic Movies, accessed September 15, 2023. https://www.tcm.com/tcmdb/person/73216%7C10112/Alexander-Golitzen#filmography.\u003c/p\u003e\n","\u003cp\u003eBergan, Ronald. \"Obituary - Alexander Golitzen[.]\" \u003ctitle\u003eThe Guardian\u003c/title\u003e, August 22, 2005. https://www.theguardian.com/news/2005/aug/22/guardianobituaries.film.\u003c/p\u003e\n","\u003cp\u003eFein, Esther B. \"Harold Hecht, Film Producer and a Burt Lancaster Partner[.]\" \u003ctitle\u003eThe New York Times\u003c/title\u003e, May 28, 1985. https://www.nytimes.com/1985/05/28/movies/harold-hecht-film-producer-and-a-burt-lancaster-partner.html.\u003c/p\u003e\n","\u003cp\u003eFox, Margalit. \"A. Golitzen, Art Director for Many Classic Films, Dies[.]\" \u003ctitle\u003eThe New York Times\u003c/title\u003e, August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Alexander Golitzen - Filmography[.]\" Turner Classic Movies, accessed September 15, 2023. https://www.tcm.com/tcmdb/person/73216%7C10112/Alexander-Golitzen#filmography.","Bergan, Ronald. \"Obituary - Alexander Golitzen[.]\"  The Guardian , August 22, 2005. https://www.theguardian.com/news/2005/aug/22/guardianobituaries.film.","Fein, Esther B. \"Harold Hecht, Film Producer and a Burt Lancaster Partner[.]\"  The New York Times , May 28, 1985. https://www.nytimes.com/1985/05/28/movies/harold-hecht-film-producer-and-a-burt-lancaster-partner.html.","Fox, Margalit. \"A. Golitzen, Art Director for Many Classic Films, Dies[.]\"  The New York Times , August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html."],"bioghist_html_tesm":["\u003cp\u003eAlexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including \u003ctitle\u003eGunsmoke\u003c/title\u003e (1953), \u003ctitle\u003eMy Man Godfrey\u003c/title\u003e (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for \u003ctitle\u003eForeign Correspondent\u003c/title\u003e (1940), \u003ctitle\u003eThe Phantom of the Opera\u003c/title\u003e (1943), \u003ctitle\u003eSpartacus\u003c/title\u003e (1960), amd \u003ctitle\u003eTo Kill a Mockingbird\u003c/title\u003e (1962).\u003c/p\u003e\n","\u003cp\u003eHecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include \u003ctitle\u003eMarty\u003c/title\u003e (1955), \u003ctitle\u003eSweet Smell of Success\u003c/title\u003e (1957), \u003ctitle\u003eSeparate Tables\u003c/title\u003e (1958), \u003ctitle\u003eThe Devil's Disciple\u003c/title\u003e (1959), and \u003ctitle\u003eBirdman of Alcatraz\u003c/title\u003e (1962).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Alexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including  Gunsmoke  (1953),  My Man Godfrey  (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for  Foreign Correspondent  (1940),  The Phantom of the Opera  (1943),  Spartacus  (1960), amd  To Kill a Mockingbird  (1962).","Hecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include  Marty  (1955),  Sweet Smell of Success  (1957),  Separate Tables  (1958),  The Devil's Disciple  (1959), and  Birdman of Alcatraz  (1962)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Golitzen film production collection, C0009, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alexander Golitzen film production collection, C0009, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"filmmaking.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=film\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe Wisconsin Historical Society hold the \u003cextptr show=\"new\" title=\"Kirk Douglas papers\" href=\"https://digicoll.library.wisc.edu/cgi/f/findaid/findaid-idx?c=wiarchives;cc=wiarchives;view=text;rgn=main;didno=uw-whs-us0102an\"\u003e\u003c/extptr\u003e, which includes an interview from Golitzen.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections focused on ","The Wisconsin Historical Society hold the  , which includes an interview from Golitzen."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains two original film scripts - \u003ctitle\u003eColossus\u003c/title\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003ctitle\u003eFreud\u003c/title\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003ctitle\u003eThe Devil's Disciple.\u003c/title\u003e Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.  Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3d61847da59598de469294d3f2ebb285\" label=\"Abstract\"\u003eThis collection contains two original film scripts - \u003ctitle\u003eColossus\u003c/title\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003ctitle\u003eFreud\u003c/title\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003ctitle\u003eThe Devil's Disciple.\u003c/title\u003e\u003c/abstract\u003e"],"abstract_tesim":["This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d9bcb862e090aa3c362c7564efbed89a\"\u003eOS R 6, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["OS R 6, C 1, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Golitzen, Alexander, 1908-2005"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Golitzen, Alexander, 1908-2005"],"persname_ssim":["Golitzen, Alexander, 1908-2005"],"language_ssim":["English \n.    "],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:56.393Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_8","ead_ssi":"vifgm_repositories_2_resources_8","_root_":"vifgm_repositories_2_resources_8","_nest_parent_":"vifgm_repositories_2_resources_8","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_8.xml","title_ssm":["Alexander Golitzen film production collection"],"title_tesim":["Alexander Golitzen film production collection"],"unitdate_ssm":["1957-1968"],"unitdate_inclusive_ssm":["1957-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0009","/repositories/2/resources/8"],"text":["C0009","/repositories/2/resources/8","Alexander Golitzen film production collection","Filmmaking (Motion pictures)","Motion picture plays","Motion pictures -- Production and direction","Motion pictures -- United States","There are no access restrictions.","Arranged by document type.","\"Alexander Golitzen - Filmography[.]\" Turner Classic Movies, accessed September 15, 2023. https://www.tcm.com/tcmdb/person/73216%7C10112/Alexander-Golitzen#filmography.","Bergan, Ronald. \"Obituary - Alexander Golitzen[.]\"  The Guardian , August 22, 2005. https://www.theguardian.com/news/2005/aug/22/guardianobituaries.film.","Fein, Esther B. \"Harold Hecht, Film Producer and a Burt Lancaster Partner[.]\"  The New York Times , May 28, 1985. https://www.nytimes.com/1985/05/28/movies/harold-hecht-film-producer-and-a-burt-lancaster-partner.html.","Fox, Margalit. \"A. Golitzen, Art Director for Many Classic Films, Dies[.]\"  The New York Times , August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html.","Alexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including  Gunsmoke  (1953),  My Man Godfrey  (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for  Foreign Correspondent  (1940),  The Phantom of the Opera  (1943),  Spartacus  (1960), amd  To Kill a Mockingbird  (1962).","Hecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include  Marty  (1955),  Sweet Smell of Success  (1957),  Separate Tables  (1958),  The Devil's Disciple  (1959), and  Birdman of Alcatraz  (1962).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023.","The Special Collections Research Center holds other collections focused on ","The Wisconsin Historical Society hold the  , which includes an interview from Golitzen.","This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.  Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.","OS R 6, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Golitzen, Alexander, 1908-2005","English \n.    "],"unitid_tesim":["C0009","/repositories/2/resources/8"],"normalized_title_ssm":["Alexander Golitzen film production collection"],"collection_title_tesim":["Alexander Golitzen film production collection"],"collection_ssim":["Alexander Golitzen film production collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Golitzen, Alexander, 1908-2005"],"creator_ssim":["Golitzen, Alexander, 1908-2005"],"creator_persname_ssim":["Golitzen, Alexander, 1908-2005"],"creators_ssim":["Golitzen, Alexander, 1908-2005"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Cynthia Garn, daughter of Alexander Golitzen, in 1989."],"access_subjects_ssim":["Filmmaking (Motion pictures)","Motion picture plays","Motion pictures -- Production and direction","Motion pictures -- United States"],"access_subjects_ssm":["Filmmaking (Motion pictures)","Motion picture plays","Motion pictures -- Production and direction","Motion pictures -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 3 boxes"],"extent_tesim":["6 Linear Feet 3 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by document type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by document type."],"bibliography_html_tesm":["\u003cp\u003e\"Alexander Golitzen - Filmography[.]\" Turner Classic Movies, accessed September 15, 2023. https://www.tcm.com/tcmdb/person/73216%7C10112/Alexander-Golitzen#filmography.\u003c/p\u003e\n","\u003cp\u003eBergan, Ronald. \"Obituary - Alexander Golitzen[.]\" \u003ctitle\u003eThe Guardian\u003c/title\u003e, August 22, 2005. https://www.theguardian.com/news/2005/aug/22/guardianobituaries.film.\u003c/p\u003e\n","\u003cp\u003eFein, Esther B. \"Harold Hecht, Film Producer and a Burt Lancaster Partner[.]\" \u003ctitle\u003eThe New York Times\u003c/title\u003e, May 28, 1985. https://www.nytimes.com/1985/05/28/movies/harold-hecht-film-producer-and-a-burt-lancaster-partner.html.\u003c/p\u003e\n","\u003cp\u003eFox, Margalit. \"A. Golitzen, Art Director for Many Classic Films, Dies[.]\" \u003ctitle\u003eThe New York Times\u003c/title\u003e, August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Alexander Golitzen - Filmography[.]\" Turner Classic Movies, accessed September 15, 2023. https://www.tcm.com/tcmdb/person/73216%7C10112/Alexander-Golitzen#filmography.","Bergan, Ronald. \"Obituary - Alexander Golitzen[.]\"  The Guardian , August 22, 2005. https://www.theguardian.com/news/2005/aug/22/guardianobituaries.film.","Fein, Esther B. \"Harold Hecht, Film Producer and a Burt Lancaster Partner[.]\"  The New York Times , May 28, 1985. https://www.nytimes.com/1985/05/28/movies/harold-hecht-film-producer-and-a-burt-lancaster-partner.html.","Fox, Margalit. \"A. Golitzen, Art Director for Many Classic Films, Dies[.]\"  The New York Times , August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html."],"bioghist_html_tesm":["\u003cp\u003eAlexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including \u003ctitle\u003eGunsmoke\u003c/title\u003e (1953), \u003ctitle\u003eMy Man Godfrey\u003c/title\u003e (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for \u003ctitle\u003eForeign Correspondent\u003c/title\u003e (1940), \u003ctitle\u003eThe Phantom of the Opera\u003c/title\u003e (1943), \u003ctitle\u003eSpartacus\u003c/title\u003e (1960), amd \u003ctitle\u003eTo Kill a Mockingbird\u003c/title\u003e (1962).\u003c/p\u003e\n","\u003cp\u003eHecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include \u003ctitle\u003eMarty\u003c/title\u003e (1955), \u003ctitle\u003eSweet Smell of Success\u003c/title\u003e (1957), \u003ctitle\u003eSeparate Tables\u003c/title\u003e (1958), \u003ctitle\u003eThe Devil's Disciple\u003c/title\u003e (1959), and \u003ctitle\u003eBirdman of Alcatraz\u003c/title\u003e (1962).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Alexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including  Gunsmoke  (1953),  My Man Godfrey  (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for  Foreign Correspondent  (1940),  The Phantom of the Opera  (1943),  Spartacus  (1960), amd  To Kill a Mockingbird  (1962).","Hecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include  Marty  (1955),  Sweet Smell of Success  (1957),  Separate Tables  (1958),  The Devil's Disciple  (1959), and  Birdman of Alcatraz  (1962)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Golitzen film production collection, C0009, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alexander Golitzen film production collection, C0009, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"filmmaking.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=film\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe Wisconsin Historical Society hold the \u003cextptr show=\"new\" title=\"Kirk Douglas papers\" href=\"https://digicoll.library.wisc.edu/cgi/f/findaid/findaid-idx?c=wiarchives;cc=wiarchives;view=text;rgn=main;didno=uw-whs-us0102an\"\u003e\u003c/extptr\u003e, which includes an interview from Golitzen.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections focused on ","The Wisconsin Historical Society hold the  , which includes an interview from Golitzen."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains two original film scripts - \u003ctitle\u003eColossus\u003c/title\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003ctitle\u003eFreud\u003c/title\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003ctitle\u003eThe Devil's Disciple.\u003c/title\u003e Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.  Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3d61847da59598de469294d3f2ebb285\" label=\"Abstract\"\u003eThis collection contains two original film scripts - \u003ctitle\u003eColossus\u003c/title\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003ctitle\u003eFreud\u003c/title\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003ctitle\u003eThe Devil's Disciple.\u003c/title\u003e\u003c/abstract\u003e"],"abstract_tesim":["This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d9bcb862e090aa3c362c7564efbed89a\"\u003eOS R 6, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["OS R 6, C 1, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Golitzen, Alexander, 1908-2005"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Golitzen, Alexander, 1908-2005"],"persname_ssim":["Golitzen, Alexander, 1908-2005"],"language_ssim":["English \n.    "],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:56.393Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_8"}},{"id":"vifgm_repositories_2_resources_622","type":"collection","attributes":{"title":"Martin Cohen theater collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_622#creator","type":"document_value","attributes":{"value":"Cohen, Martin B.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_622#abstract_or_scope","type":"document_value","attributes":{"value":"The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_622#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_622","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_622.xml","title_filing_ssi":"Martin Cohen theater collection","title_ssm":["Martin Cohen theater collection"],"title_tesim":["Martin Cohen theater collection"],"unitdate_ssm":["1816; 1907-2017"],"unitdate_other_ssim":["1816; 1907-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0335","/repositories/2/resources/622"],"text":["C0335","/repositories/2/resources/622","Martin Cohen theater collection","Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)","There are no access restrictions.","Arranged into five series based on format.","Series Series 1: Playbills, 1936-2017 (Boxes 1-12) Series 2: Sheet Music, 1912-1969 (Boxes 12-13) Series 3: Personal Papers, 1915-1996 (Boxes 13-14) Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16) Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)","\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.","Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.","Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. ","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.","The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the  , the  , the  , and the  .","This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.","R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4","George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B.","English"],"unitid_tesim":["C0335","/repositories/2/resources/622"],"normalized_title_ssm":["Martin Cohen theater collection"],"collection_title_tesim":["Martin Cohen theater collection"],"collection_ssim":["Martin Cohen theater collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Cohen, Martin B."],"creator_ssim":["Cohen, Martin B."],"creator_persname_ssim":["Cohen, Martin B."],"creators_ssim":["Cohen, Martin B."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"acqinfo_ssim":["Donated by Randolph Lytton in 2019."],"access_subjects_ssim":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"access_subjects_ssm":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"extent_tesim":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"date_range_isim":[1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series based on format.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Playbills, 1936-2017 (Boxes 1-12)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Sheet Music, 1912-1969 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal Papers, 1915-1996 (Boxes 13-14)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series based on format.","Series Series 1: Playbills, 1936-2017 (Boxes 1-12) Series 2: Sheet Music, 1912-1969 (Boxes 12-13) Series 3: Personal Papers, 1915-1996 (Boxes 13-14) Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16) Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)"],"bibliography_html_tesm":["\u003cp\u003e\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932."],"bioghist_html_tesm":["\u003cp\u003eMartin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York."],"prefercite_html_tesm":["\u003cp\u003eMartin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Martin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. \u003c/p\u003e","\u003cp\u003eAdditional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. ","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the \u003cextptr show=\"new\" title=\"Motion picture press kit collection\" href=\"https://aspace.gmu.edu/resources/c0107\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Robert Prosky papers\" href=\"https://aspace.gmu.edu/resources/c0022\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Cynthia Garn film production collection\" href=\"https://aspace.gmu.edu/resources/c0009\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/resources/c0184\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71397d4cf7341382b248a4feea19127f\"\u003eThe Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.\u003c/abstract\u003e"],"abstract_tesim":["The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_150a304289bf6803cc620f1d42336d0e\"\u003eR 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Cohen, Martin B."],"persname_ssim":["Cohen, Martin B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_622","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_622.xml","title_filing_ssi":"Martin Cohen theater collection","title_ssm":["Martin Cohen theater collection"],"title_tesim":["Martin Cohen theater collection"],"unitdate_ssm":["1816; 1907-2017"],"unitdate_other_ssim":["1816; 1907-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0335","/repositories/2/resources/622"],"text":["C0335","/repositories/2/resources/622","Martin Cohen theater collection","Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)","There are no access restrictions.","Arranged into five series based on format.","Series Series 1: Playbills, 1936-2017 (Boxes 1-12) Series 2: Sheet Music, 1912-1969 (Boxes 12-13) Series 3: Personal Papers, 1915-1996 (Boxes 13-14) Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16) Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)","\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.","Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.","Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. ","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.","The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the  , the  , the  , and the  .","This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.","R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4","George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B.","English"],"unitid_tesim":["C0335","/repositories/2/resources/622"],"normalized_title_ssm":["Martin Cohen theater collection"],"collection_title_tesim":["Martin Cohen theater collection"],"collection_ssim":["Martin Cohen theater collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Cohen, Martin B."],"creator_ssim":["Cohen, Martin B."],"creator_persname_ssim":["Cohen, Martin B."],"creators_ssim":["Cohen, Martin B."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"acqinfo_ssim":["Donated by Randolph Lytton in 2019."],"access_subjects_ssim":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"access_subjects_ssm":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"extent_tesim":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"date_range_isim":[1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series based on format.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Playbills, 1936-2017 (Boxes 1-12)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Sheet Music, 1912-1969 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal Papers, 1915-1996 (Boxes 13-14)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series based on format.","Series Series 1: Playbills, 1936-2017 (Boxes 1-12) Series 2: Sheet Music, 1912-1969 (Boxes 12-13) Series 3: Personal Papers, 1915-1996 (Boxes 13-14) Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16) Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)"],"bibliography_html_tesm":["\u003cp\u003e\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932."],"bioghist_html_tesm":["\u003cp\u003eMartin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York."],"prefercite_html_tesm":["\u003cp\u003eMartin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Martin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. \u003c/p\u003e","\u003cp\u003eAdditional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. ","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the \u003cextptr show=\"new\" title=\"Motion picture press kit collection\" href=\"https://aspace.gmu.edu/resources/c0107\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Robert Prosky papers\" href=\"https://aspace.gmu.edu/resources/c0022\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Cynthia Garn film production collection\" href=\"https://aspace.gmu.edu/resources/c0009\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/resources/c0184\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71397d4cf7341382b248a4feea19127f\"\u003eThe Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.\u003c/abstract\u003e"],"abstract_tesim":["The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_150a304289bf6803cc620f1d42336d0e\"\u003eR 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Cohen, Martin B."],"persname_ssim":["Cohen, Martin B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_622"}},{"id":"vifgm_repositories_2_resources_61","type":"collection","attributes":{"title":"Motion picture press kit collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_61#creator","type":"document_value","attributes":{"value":"Yocom, Margaret","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_61#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits promote foreign as well as domestic films, mostly from the past two decades, and range in format from glossy, full-color booklets to packets printed out in black and white and stapled together.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_61#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_61","ead_ssi":"vifgm_repositories_2_resources_61","_root_":"vifgm_repositories_2_resources_61","_nest_parent_":"vifgm_repositories_2_resources_61","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_61.xml","title_filing_ssi":"Motion picture press kit collection","title_ssm":["Motion picture press kit collection"],"title_tesim":["Motion picture press kit collection"],"unitdate_ssm":["1968-2004"],"unitdate_inclusive_ssm":["1968-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0107","/repositories/2/resources/61"],"text":["C0107","/repositories/2/resources/61","Motion picture press kit collection","Pressbooks","Filmmaking (Motion pictures)","Motion pictures -- United States","There are no access restrictions.","This collection is arranged alphabetically by title. Oversized items are stored separately.","Series Series 1: Films, 1988-2004 (Box 1-15) Series 2: Miscellaneous, 1988-2004 (Box 15) Series 3: Oversize, 1968-2000 (Box 16)","Press kits are packets of printed material distributed to promote the release of a forthcoming film. They often include photographs along with text promoting the film and providing information on actors, directors, and producers. Press kits can range from glossy, full-color booklets to loose assemblages of photographs, slides, and stapled packets of information. Since distribution of expensive, full-color press kits is often limited to industry leaders (critics, promoters, etc.), press kits can be quite collectable, particularly for Hollywood blockbusters that have stood the test of time and successful independent features. This collection of motion picture press kits was assembled by Margaret Yocom, a George Mason University professor of folklore who has written film reviews for academic journals, and Peter C. Brunette, a GMU professor of English and film studies who served on the International Critics' Jury at the Bangkok International Film Festival.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Additional processing and arrangement completed by Kristen Korfitzen in 2012. Finding aid updated by Amanda Menjivar in March 2024.","The Special Collections Research Center also holds many performing arts collection, including ","This collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits range in format from glossy, full-color booklets to packets printed out in black and white and stapled together. Several press kits also include promotional photographs and color slides. The collection is divided into three series, grouping press kits, correspondence and other papers related to the film industry, and oversized promotional material together. ","Series 1 contains several hundred press kits for a variety of films, including major studio and independent releases. The press kits promote foreign as well as domestic films from the past two decades. The professionally printed materials include press kits for \"Bandit Queen,\" \"Japon,\" \"Europa,\" \"Dancer in the Dark,\" \"Brother's Keeper,\" \"The Piano,\" \"Antz,\" \"Todo Sobre Mi Madre,\" \"The English Patient,\" \"Eternity and a Day,\" \"The Road to Perdition,\" \"Muriel's Wedding,\" and \"The Straight Story.\" Some press kits include handwritten notes and reviews, along with articles published in major newspapers and trade magazines about the films. ","Series 2 contains miscellaneous documents pertaining to the movie industry. Included is \"A Guide to Self Distribution\", detailing the challenges faced by independent movie producers. Also included in this series are mailings from movie studios and schedules of upcoming releases. ","Series 3 contains oversized promotional film material. Some material is accompanied by its printed press kit. The oversized promotional items in this series include a promotional package for the film \"Barb Wire\" with a copy of the original comic book, and an original souvenir booklet produced for the release of \"2001: A Space Odyssey\n\". ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits promote foreign as well as domestic films, mostly from the past two decades, and range in format from glossy, full-color booklets to packets printed out in black and white and stapled together.","R32, C3, S4 - S6\nR32, C3, S1","George Mason University. Libraries. Special Collections Research Center","Yocom, Margaret","Brunette, Peter C, Jr.","English"],"unitid_tesim":["C0107","/repositories/2/resources/61"],"normalized_title_ssm":["Motion picture press kit collection"],"collection_title_tesim":["Motion picture press kit collection"],"collection_ssim":["Motion picture press kit collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Yocom, Margaret","Brunette, Peter C, Jr."],"creator_ssim":["Yocom, Margaret","Brunette, Peter C, Jr."],"creator_persname_ssim":["Yocom, Margaret","Brunette, Peter C, Jr."],"creators_ssim":["Yocom, Margaret","Brunette, Peter C, Jr."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Peter C. Brunette and Margaret Yocom in 1999."],"access_subjects_ssim":["Pressbooks","Filmmaking (Motion pictures)","Motion pictures -- United States"],"access_subjects_ssm":["Pressbooks","Filmmaking (Motion pictures)","Motion pictures -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet 16 boxes"],"extent_tesim":["10 Linear Feet 16 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by title. Oversized items are stored separately.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Films, 1988-2004 (Box 1-15)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Miscellaneous, 1988-2004 (Box 15)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Oversize, 1968-2000 (Box 16)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by title. Oversized items are stored separately.","Series Series 1: Films, 1988-2004 (Box 1-15) Series 2: Miscellaneous, 1988-2004 (Box 15) Series 3: Oversize, 1968-2000 (Box 16)"],"bioghist_html_tesm":["\u003cp\u003ePress kits are packets of printed material distributed to promote the release of a forthcoming film. They often include photographs along with text promoting the film and providing information on actors, directors, and producers. Press kits can range from glossy, full-color booklets to loose assemblages of photographs, slides, and stapled packets of information. Since distribution of expensive, full-color press kits is often limited to industry leaders (critics, promoters, etc.), press kits can be quite collectable, particularly for Hollywood blockbusters that have stood the test of time and successful independent features. This collection of motion picture press kits was assembled by Margaret Yocom, a George Mason University professor of folklore who has written film reviews for academic journals, and Peter C. Brunette, a GMU professor of English and film studies who served on the International Critics' Jury at the Bangkok International Film Festival.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Press kits are packets of printed material distributed to promote the release of a forthcoming film. They often include photographs along with text promoting the film and providing information on actors, directors, and producers. Press kits can range from glossy, full-color booklets to loose assemblages of photographs, slides, and stapled packets of information. Since distribution of expensive, full-color press kits is often limited to industry leaders (critics, promoters, etc.), press kits can be quite collectable, particularly for Hollywood blockbusters that have stood the test of time and successful independent features. This collection of motion picture press kits was assembled by Margaret Yocom, a George Mason University professor of folklore who has written film reviews for academic journals, and Peter C. Brunette, a GMU professor of English and film studies who served on the International Critics' Jury at the Bangkok International Film Festival."],"prefercite_html_tesm":["\u003cp\u003eMotion picture press kit collection, C0107, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Motion picture press kit collection, C0107, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Additional processing and arrangement completed by Kristen Korfitzen in 2012. Finding aid updated by Amanda Menjivar in March 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Additional processing and arrangement completed by Kristen Korfitzen in 2012. Finding aid updated by Amanda Menjivar in March 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many performing arts collection, including \u003cextptr show=\"new\" title=\"collections focused on film and filmmaking.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=film\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many performing arts collection, including "],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits range in format from glossy, full-color booklets to packets printed out in black and white and stapled together. Several press kits also include promotional photographs and color slides. The collection is divided into three series, grouping press kits, correspondence and other papers related to the film industry, and oversized promotional material together. \u003c/p\u003e\n","\u003cp\u003eSeries 1 contains several hundred press kits for a variety of films, including major studio and independent releases. The press kits promote foreign as well as domestic films from the past two decades. The professionally printed materials include press kits for \"Bandit Queen,\" \"Japon,\" \"Europa,\" \"Dancer in the Dark,\" \"Brother's Keeper,\" \"The Piano,\" \"Antz,\" \"Todo Sobre Mi Madre,\" \"The English Patient,\" \"Eternity and a Day,\" \"The Road to Perdition,\" \"Muriel's Wedding,\" and \"The Straight Story.\" Some press kits include handwritten notes and reviews, along with articles published in major newspapers and trade magazines about the films. \u003c/p\u003e\n","\u003cp\u003eSeries 2 contains miscellaneous documents pertaining to the movie industry. Included is \"A Guide to Self Distribution\", detailing the challenges faced by independent movie producers. Also included in this series are mailings from movie studios and schedules of upcoming releases. \u003c/p\u003e\n","\u003cp\u003eSeries 3 contains oversized promotional film material. Some material is accompanied by its printed press kit. The oversized promotional items in this series include a promotional package for the film \"Barb Wire\" with a copy of the original comic book, and an original souvenir booklet produced for the release of \"2001: A Space Odyssey\n\". \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits range in format from glossy, full-color booklets to packets printed out in black and white and stapled together. Several press kits also include promotional photographs and color slides. The collection is divided into three series, grouping press kits, correspondence and other papers related to the film industry, and oversized promotional material together. ","Series 1 contains several hundred press kits for a variety of films, including major studio and independent releases. The press kits promote foreign as well as domestic films from the past two decades. The professionally printed materials include press kits for \"Bandit Queen,\" \"Japon,\" \"Europa,\" \"Dancer in the Dark,\" \"Brother's Keeper,\" \"The Piano,\" \"Antz,\" \"Todo Sobre Mi Madre,\" \"The English Patient,\" \"Eternity and a Day,\" \"The Road to Perdition,\" \"Muriel's Wedding,\" and \"The Straight Story.\" Some press kits include handwritten notes and reviews, along with articles published in major newspapers and trade magazines about the films. ","Series 2 contains miscellaneous documents pertaining to the movie industry. Included is \"A Guide to Self Distribution\", detailing the challenges faced by independent movie producers. Also included in this series are mailings from movie studios and schedules of upcoming releases. ","Series 3 contains oversized promotional film material. Some material is accompanied by its printed press kit. The oversized promotional items in this series include a promotional package for the film \"Barb Wire\" with a copy of the original comic book, and an original souvenir booklet produced for the release of \"2001: A Space Odyssey\n\". "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1eef8f93beb5e1d0d4030169821fc7a7\" label=\"Abstract\"\u003eThis collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits promote foreign as well as domestic films, mostly from the past two decades, and range in format from glossy, full-color booklets to packets printed out in black and white and stapled together.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits promote foreign as well as domestic films, mostly from the past two decades, and range in format from glossy, full-color booklets to packets printed out in black and white and stapled together."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68bafda2685727b38f2028cfb43b441a\"\u003eR32, C3, S4 - S6\nR32, C3, S1\u003c/physloc\u003e"],"physloc_tesim":["R32, C3, S4 - S6\nR32, C3, S1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Yocom, Margaret","Brunette, Peter C, Jr."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Yocom, Margaret","Brunette, Peter C, Jr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":408,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:19:37.184Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_61","ead_ssi":"vifgm_repositories_2_resources_61","_root_":"vifgm_repositories_2_resources_61","_nest_parent_":"vifgm_repositories_2_resources_61","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_61.xml","title_filing_ssi":"Motion picture press kit collection","title_ssm":["Motion picture press kit collection"],"title_tesim":["Motion picture press kit collection"],"unitdate_ssm":["1968-2004"],"unitdate_inclusive_ssm":["1968-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0107","/repositories/2/resources/61"],"text":["C0107","/repositories/2/resources/61","Motion picture press kit collection","Pressbooks","Filmmaking (Motion pictures)","Motion pictures -- United States","There are no access restrictions.","This collection is arranged alphabetically by title. Oversized items are stored separately.","Series Series 1: Films, 1988-2004 (Box 1-15) Series 2: Miscellaneous, 1988-2004 (Box 15) Series 3: Oversize, 1968-2000 (Box 16)","Press kits are packets of printed material distributed to promote the release of a forthcoming film. They often include photographs along with text promoting the film and providing information on actors, directors, and producers. Press kits can range from glossy, full-color booklets to loose assemblages of photographs, slides, and stapled packets of information. Since distribution of expensive, full-color press kits is often limited to industry leaders (critics, promoters, etc.), press kits can be quite collectable, particularly for Hollywood blockbusters that have stood the test of time and successful independent features. This collection of motion picture press kits was assembled by Margaret Yocom, a George Mason University professor of folklore who has written film reviews for academic journals, and Peter C. Brunette, a GMU professor of English and film studies who served on the International Critics' Jury at the Bangkok International Film Festival.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Additional processing and arrangement completed by Kristen Korfitzen in 2012. Finding aid updated by Amanda Menjivar in March 2024.","The Special Collections Research Center also holds many performing arts collection, including ","This collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits range in format from glossy, full-color booklets to packets printed out in black and white and stapled together. Several press kits also include promotional photographs and color slides. The collection is divided into three series, grouping press kits, correspondence and other papers related to the film industry, and oversized promotional material together. ","Series 1 contains several hundred press kits for a variety of films, including major studio and independent releases. The press kits promote foreign as well as domestic films from the past two decades. The professionally printed materials include press kits for \"Bandit Queen,\" \"Japon,\" \"Europa,\" \"Dancer in the Dark,\" \"Brother's Keeper,\" \"The Piano,\" \"Antz,\" \"Todo Sobre Mi Madre,\" \"The English Patient,\" \"Eternity and a Day,\" \"The Road to Perdition,\" \"Muriel's Wedding,\" and \"The Straight Story.\" Some press kits include handwritten notes and reviews, along with articles published in major newspapers and trade magazines about the films. ","Series 2 contains miscellaneous documents pertaining to the movie industry. Included is \"A Guide to Self Distribution\", detailing the challenges faced by independent movie producers. Also included in this series are mailings from movie studios and schedules of upcoming releases. ","Series 3 contains oversized promotional film material. Some material is accompanied by its printed press kit. The oversized promotional items in this series include a promotional package for the film \"Barb Wire\" with a copy of the original comic book, and an original souvenir booklet produced for the release of \"2001: A Space Odyssey\n\". ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits promote foreign as well as domestic films, mostly from the past two decades, and range in format from glossy, full-color booklets to packets printed out in black and white and stapled together.","R32, C3, S4 - S6\nR32, C3, S1","George Mason University. Libraries. Special Collections Research Center","Yocom, Margaret","Brunette, Peter C, Jr.","English"],"unitid_tesim":["C0107","/repositories/2/resources/61"],"normalized_title_ssm":["Motion picture press kit collection"],"collection_title_tesim":["Motion picture press kit collection"],"collection_ssim":["Motion picture press kit collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Yocom, Margaret","Brunette, Peter C, Jr."],"creator_ssim":["Yocom, Margaret","Brunette, Peter C, Jr."],"creator_persname_ssim":["Yocom, Margaret","Brunette, Peter C, Jr."],"creators_ssim":["Yocom, Margaret","Brunette, Peter C, Jr."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Peter C. Brunette and Margaret Yocom in 1999."],"access_subjects_ssim":["Pressbooks","Filmmaking (Motion pictures)","Motion pictures -- United States"],"access_subjects_ssm":["Pressbooks","Filmmaking (Motion pictures)","Motion pictures -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet 16 boxes"],"extent_tesim":["10 Linear Feet 16 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by title. Oversized items are stored separately.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Films, 1988-2004 (Box 1-15)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Miscellaneous, 1988-2004 (Box 15)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Oversize, 1968-2000 (Box 16)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by title. Oversized items are stored separately.","Series Series 1: Films, 1988-2004 (Box 1-15) Series 2: Miscellaneous, 1988-2004 (Box 15) Series 3: Oversize, 1968-2000 (Box 16)"],"bioghist_html_tesm":["\u003cp\u003ePress kits are packets of printed material distributed to promote the release of a forthcoming film. They often include photographs along with text promoting the film and providing information on actors, directors, and producers. Press kits can range from glossy, full-color booklets to loose assemblages of photographs, slides, and stapled packets of information. Since distribution of expensive, full-color press kits is often limited to industry leaders (critics, promoters, etc.), press kits can be quite collectable, particularly for Hollywood blockbusters that have stood the test of time and successful independent features. This collection of motion picture press kits was assembled by Margaret Yocom, a George Mason University professor of folklore who has written film reviews for academic journals, and Peter C. Brunette, a GMU professor of English and film studies who served on the International Critics' Jury at the Bangkok International Film Festival.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Press kits are packets of printed material distributed to promote the release of a forthcoming film. They often include photographs along with text promoting the film and providing information on actors, directors, and producers. Press kits can range from glossy, full-color booklets to loose assemblages of photographs, slides, and stapled packets of information. Since distribution of expensive, full-color press kits is often limited to industry leaders (critics, promoters, etc.), press kits can be quite collectable, particularly for Hollywood blockbusters that have stood the test of time and successful independent features. This collection of motion picture press kits was assembled by Margaret Yocom, a George Mason University professor of folklore who has written film reviews for academic journals, and Peter C. Brunette, a GMU professor of English and film studies who served on the International Critics' Jury at the Bangkok International Film Festival."],"prefercite_html_tesm":["\u003cp\u003eMotion picture press kit collection, C0107, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Motion picture press kit collection, C0107, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Additional processing and arrangement completed by Kristen Korfitzen in 2012. Finding aid updated by Amanda Menjivar in March 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Additional processing and arrangement completed by Kristen Korfitzen in 2012. Finding aid updated by Amanda Menjivar in March 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many performing arts collection, including \u003cextptr show=\"new\" title=\"collections focused on film and filmmaking.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=film\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many performing arts collection, including "],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits range in format from glossy, full-color booklets to packets printed out in black and white and stapled together. Several press kits also include promotional photographs and color slides. The collection is divided into three series, grouping press kits, correspondence and other papers related to the film industry, and oversized promotional material together. \u003c/p\u003e\n","\u003cp\u003eSeries 1 contains several hundred press kits for a variety of films, including major studio and independent releases. The press kits promote foreign as well as domestic films from the past two decades. The professionally printed materials include press kits for \"Bandit Queen,\" \"Japon,\" \"Europa,\" \"Dancer in the Dark,\" \"Brother's Keeper,\" \"The Piano,\" \"Antz,\" \"Todo Sobre Mi Madre,\" \"The English Patient,\" \"Eternity and a Day,\" \"The Road to Perdition,\" \"Muriel's Wedding,\" and \"The Straight Story.\" Some press kits include handwritten notes and reviews, along with articles published in major newspapers and trade magazines about the films. \u003c/p\u003e\n","\u003cp\u003eSeries 2 contains miscellaneous documents pertaining to the movie industry. Included is \"A Guide to Self Distribution\", detailing the challenges faced by independent movie producers. Also included in this series are mailings from movie studios and schedules of upcoming releases. \u003c/p\u003e\n","\u003cp\u003eSeries 3 contains oversized promotional film material. Some material is accompanied by its printed press kit. The oversized promotional items in this series include a promotional package for the film \"Barb Wire\" with a copy of the original comic book, and an original souvenir booklet produced for the release of \"2001: A Space Odyssey\n\". \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits range in format from glossy, full-color booklets to packets printed out in black and white and stapled together. Several press kits also include promotional photographs and color slides. The collection is divided into three series, grouping press kits, correspondence and other papers related to the film industry, and oversized promotional material together. ","Series 1 contains several hundred press kits for a variety of films, including major studio and independent releases. The press kits promote foreign as well as domestic films from the past two decades. The professionally printed materials include press kits for \"Bandit Queen,\" \"Japon,\" \"Europa,\" \"Dancer in the Dark,\" \"Brother's Keeper,\" \"The Piano,\" \"Antz,\" \"Todo Sobre Mi Madre,\" \"The English Patient,\" \"Eternity and a Day,\" \"The Road to Perdition,\" \"Muriel's Wedding,\" and \"The Straight Story.\" Some press kits include handwritten notes and reviews, along with articles published in major newspapers and trade magazines about the films. ","Series 2 contains miscellaneous documents pertaining to the movie industry. Included is \"A Guide to Self Distribution\", detailing the challenges faced by independent movie producers. Also included in this series are mailings from movie studios and schedules of upcoming releases. ","Series 3 contains oversized promotional film material. Some material is accompanied by its printed press kit. The oversized promotional items in this series include a promotional package for the film \"Barb Wire\" with a copy of the original comic book, and an original souvenir booklet produced for the release of \"2001: A Space Odyssey\n\". "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1eef8f93beb5e1d0d4030169821fc7a7\" label=\"Abstract\"\u003eThis collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits promote foreign as well as domestic films, mostly from the past two decades, and range in format from glossy, full-color booklets to packets printed out in black and white and stapled together.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains hundreds of motion picture press kits donated by George Mason University English professors Peter Brunette, Jr. and Margaret R. Yocom. The press kits promote foreign as well as domestic films, mostly from the past two decades, and range in format from glossy, full-color booklets to packets printed out in black and white and stapled together."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68bafda2685727b38f2028cfb43b441a\"\u003eR32, C3, S4 - S6\nR32, C3, S1\u003c/physloc\u003e"],"physloc_tesim":["R32, C3, S4 - S6\nR32, C3, S1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Yocom, Margaret","Brunette, Peter C, Jr."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Yocom, Margaret","Brunette, Peter C, Jr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":408,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:19:37.184Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_61"}},{"id":"vifgm_repositories_2_resources_662","type":"collection","attributes":{"title":"Silent film and early Hollywood ephemera collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_662#abstract_or_scope","type":"document_value","attributes":{"value":"Content warning: Racist language, content, and imagery. Pamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_662#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_662","ead_ssi":"vifgm_repositories_2_resources_662","_root_":"vifgm_repositories_2_resources_662","_nest_parent_":"vifgm_repositories_2_resources_662","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_662.xml","title_ssm":["Silent film and early Hollywood ephemera collection"],"title_tesim":["Silent film and early Hollywood ephemera collection"],"unitdate_ssm":["1915 - 1939"],"unitdate_inclusive_ssm":["1915 - 1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0337","/repositories/2/resources/662"],"text":["C0337","/repositories/2/resources/662","Silent film and early Hollywood ephemera collection","Filmmaking (Motion pictures)","Silent films","There are no access restrictions.","Arranged chronologically and then alphabetically by title.","Cook, D. A. and Sklar, . Robert. \"history of film.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/art/history-of-the-motion-picture.","\"Douglas Fairbanks at Triangle Motion Picture Company[.]\" Obscure Hollywood. Accessed January 27, 2023. https://obscurehollywood.net/douglas-fairbanks-triangle-fine-arts.html.","The silent film era lasted from 1910 - 1927 and was marked by the advent of narrative motion pictures. By the 1920s, the motion picture industry was fully formed, with \"movie stars\" and studios becoming household names. The incorporation of sound into film, also known as \"talkies,\" occurred in 1927, setting the path for future cinema.","Fine Arts Film Company, also known as Triangle Fine Arts, was a film production company owned by D.W. Griffith, Thomas H. Ince, and Mack Sennett. The company was split into thirds and run by each individual, with Triangle Fine Arts run by Griffith. The studio produced dozens of films during its existence. Griffith was the director of  The Birth of a Nation , a racist, white supremacist film that greatly impacted the trajectory of filmmaking.","Processing and finding aid completed by Amanda Menjivar in January 2023.","The Special Collections Research Center holds other materials on motion pictures and filmmaking.","Content warning: Racist language, content, and imagery.","Pamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939. The majority of the collection consists of promotional pamphlets which were used as programs for films shown at Cota Theatre (location unknown). There are also booklets and programs that were distributed by various production companies to promote their films, most notably Triangle Fine Arts, more widely known as Fine Arts Film Company.","For materials created 1925 and earlier: Public Domain, no known restrictions.","For materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Content warning: Racist language, content, and imagery.\n\nPamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939.","R 72, C 3, S 4","George Mason University. Libraries. Special Collections Research Center","Gish, Lillian, 1893-1993","English \n.    "],"unitid_tesim":["C0337","/repositories/2/resources/662"],"normalized_title_ssm":["Silent film and early Hollywood ephemera collection"],"collection_title_tesim":["Silent film and early Hollywood ephemera collection"],"collection_ssim":["Silent film and early Hollywood ephemera collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["For materials created 1925 and earlier: Public Domain, no known restrictions.","For materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Filmmaking (Motion pictures)","Silent films"],"access_subjects_ssm":["Filmmaking (Motion pictures)","Silent films"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically and then alphabetically by title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically and then alphabetically by title."],"bibliography_html_tesm":["\u003cp\u003eCook, D. A. and Sklar, . Robert. \"history of film.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/art/history-of-the-motion-picture.\u003c/p\u003e\n","\u003cp\u003e\"Douglas Fairbanks at Triangle Motion Picture Company[.]\" Obscure Hollywood. Accessed January 27, 2023. https://obscurehollywood.net/douglas-fairbanks-triangle-fine-arts.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Cook, D. A. and Sklar, . Robert. \"history of film.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/art/history-of-the-motion-picture.","\"Douglas Fairbanks at Triangle Motion Picture Company[.]\" Obscure Hollywood. Accessed January 27, 2023. https://obscurehollywood.net/douglas-fairbanks-triangle-fine-arts.html."],"bioghist_html_tesm":["\u003cp\u003eThe silent film era lasted from 1910 - 1927 and was marked by the advent of narrative motion pictures. By the 1920s, the motion picture industry was fully formed, with \"movie stars\" and studios becoming household names. The incorporation of sound into film, also known as \"talkies,\" occurred in 1927, setting the path for future cinema.\u003c/p\u003e\n","\u003cp\u003eFine Arts Film Company, also known as Triangle Fine Arts, was a film production company owned by D.W. Griffith, Thomas H. Ince, and Mack Sennett. The company was split into thirds and run by each individual, with Triangle Fine Arts run by Griffith. The studio produced dozens of films during its existence. Griffith was the director of \u003ctitle\u003eThe Birth of a Nation\u003c/title\u003e, a racist, white supremacist film that greatly impacted the trajectory of filmmaking.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The silent film era lasted from 1910 - 1927 and was marked by the advent of narrative motion pictures. By the 1920s, the motion picture industry was fully formed, with \"movie stars\" and studios becoming household names. The incorporation of sound into film, also known as \"talkies,\" occurred in 1927, setting the path for future cinema.","Fine Arts Film Company, also known as Triangle Fine Arts, was a film production company owned by D.W. Griffith, Thomas H. Ince, and Mack Sennett. The company was split into thirds and run by each individual, with Triangle Fine Arts run by Griffith. The studio produced dozens of films during its existence. Griffith was the director of  The Birth of a Nation , a racist, white supremacist film that greatly impacted the trajectory of filmmaking."],"prefercite_html_tesm":["\u003cp\u003eSilent film and early Hollywood ephemera collection, C0337, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Silent film and early Hollywood ephemera collection, C0337, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Menjivar in January 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Menjivar in January 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other materials on motion pictures and filmmaking.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other materials on motion pictures and filmmaking."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: Racist language, content, and imagery.\u003c/p\u003e\n","\u003cp\u003ePamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939. The majority of the collection consists of promotional pamphlets which were used as programs for films shown at Cota Theatre (location unknown). There are also booklets and programs that were distributed by various production companies to promote their films, most notably Triangle Fine Arts, more widely known as Fine Arts Film Company.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: Racist language, content, and imagery.","Pamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939. The majority of the collection consists of promotional pamphlets which were used as programs for films shown at Cota Theatre (location unknown). There are also booklets and programs that were distributed by various production companies to promote their films, most notably Triangle Fine Arts, more widely known as Fine Arts Film Company."],"userestrict_html_tesm":["\u003cp\u003eFor materials created 1925 and earlier: Public Domain, no known restrictions.\u003c/p\u003e\n","\u003cp\u003eFor materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["For materials created 1925 and earlier: Public Domain, no known restrictions.","For materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_2901c86b538d38ee52c9bfa3c09178bf\"\u003eContent warning: Racist language, content, and imagery.\n\nPamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: Racist language, content, and imagery.\n\nPamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fca30b5e9937f1768fb7f8af4c98420a\"\u003eR 72, C 3, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Gish, Lillian, 1893-1993"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Gish, Lillian, 1893-1993"],"persname_ssim":["Gish, Lillian, 1893-1993"],"language_ssim":["English \n.    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A. and Sklar, . Robert. \"history of film.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/art/history-of-the-motion-picture.","\"Douglas Fairbanks at Triangle Motion Picture Company[.]\" Obscure Hollywood. Accessed January 27, 2023. https://obscurehollywood.net/douglas-fairbanks-triangle-fine-arts.html.","The silent film era lasted from 1910 - 1927 and was marked by the advent of narrative motion pictures. By the 1920s, the motion picture industry was fully formed, with \"movie stars\" and studios becoming household names. The incorporation of sound into film, also known as \"talkies,\" occurred in 1927, setting the path for future cinema.","Fine Arts Film Company, also known as Triangle Fine Arts, was a film production company owned by D.W. Griffith, Thomas H. Ince, and Mack Sennett. The company was split into thirds and run by each individual, with Triangle Fine Arts run by Griffith. The studio produced dozens of films during its existence. Griffith was the director of  The Birth of a Nation , a racist, white supremacist film that greatly impacted the trajectory of filmmaking.","Processing and finding aid completed by Amanda Menjivar in January 2023.","The Special Collections Research Center holds other materials on motion pictures and filmmaking.","Content warning: Racist language, content, and imagery.","Pamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939. The majority of the collection consists of promotional pamphlets which were used as programs for films shown at Cota Theatre (location unknown). There are also booklets and programs that were distributed by various production companies to promote their films, most notably Triangle Fine Arts, more widely known as Fine Arts Film Company.","For materials created 1925 and earlier: Public Domain, no known restrictions.","For materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Content warning: Racist language, content, and imagery.\n\nPamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939.","R 72, C 3, S 4","George Mason University. Libraries. Special Collections Research Center","Gish, Lillian, 1893-1993","English \n.    "],"unitid_tesim":["C0337","/repositories/2/resources/662"],"normalized_title_ssm":["Silent film and early Hollywood ephemera collection"],"collection_title_tesim":["Silent film and early Hollywood ephemera collection"],"collection_ssim":["Silent film and early Hollywood ephemera collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["For materials created 1925 and earlier: Public Domain, no known restrictions.","For materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Filmmaking (Motion pictures)","Silent films"],"access_subjects_ssm":["Filmmaking (Motion pictures)","Silent films"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically and then alphabetically by title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically and then alphabetically by title."],"bibliography_html_tesm":["\u003cp\u003eCook, D. A. and Sklar, . Robert. \"history of film.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/art/history-of-the-motion-picture.\u003c/p\u003e\n","\u003cp\u003e\"Douglas Fairbanks at Triangle Motion Picture Company[.]\" Obscure Hollywood. Accessed January 27, 2023. https://obscurehollywood.net/douglas-fairbanks-triangle-fine-arts.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Cook, D. A. and Sklar, . Robert. \"history of film.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/art/history-of-the-motion-picture.","\"Douglas Fairbanks at Triangle Motion Picture Company[.]\" Obscure Hollywood. Accessed January 27, 2023. https://obscurehollywood.net/douglas-fairbanks-triangle-fine-arts.html."],"bioghist_html_tesm":["\u003cp\u003eThe silent film era lasted from 1910 - 1927 and was marked by the advent of narrative motion pictures. By the 1920s, the motion picture industry was fully formed, with \"movie stars\" and studios becoming household names. The incorporation of sound into film, also known as \"talkies,\" occurred in 1927, setting the path for future cinema.\u003c/p\u003e\n","\u003cp\u003eFine Arts Film Company, also known as Triangle Fine Arts, was a film production company owned by D.W. Griffith, Thomas H. Ince, and Mack Sennett. The company was split into thirds and run by each individual, with Triangle Fine Arts run by Griffith. The studio produced dozens of films during its existence. Griffith was the director of \u003ctitle\u003eThe Birth of a Nation\u003c/title\u003e, a racist, white supremacist film that greatly impacted the trajectory of filmmaking.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The silent film era lasted from 1910 - 1927 and was marked by the advent of narrative motion pictures. By the 1920s, the motion picture industry was fully formed, with \"movie stars\" and studios becoming household names. The incorporation of sound into film, also known as \"talkies,\" occurred in 1927, setting the path for future cinema.","Fine Arts Film Company, also known as Triangle Fine Arts, was a film production company owned by D.W. Griffith, Thomas H. Ince, and Mack Sennett. The company was split into thirds and run by each individual, with Triangle Fine Arts run by Griffith. The studio produced dozens of films during its existence. Griffith was the director of  The Birth of a Nation , a racist, white supremacist film that greatly impacted the trajectory of filmmaking."],"prefercite_html_tesm":["\u003cp\u003eSilent film and early Hollywood ephemera collection, C0337, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Silent film and early Hollywood ephemera collection, C0337, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Menjivar in January 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Menjivar in January 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other materials on motion pictures and filmmaking.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other materials on motion pictures and filmmaking."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: Racist language, content, and imagery.\u003c/p\u003e\n","\u003cp\u003ePamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939. 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There are also booklets and programs that were distributed by various production companies to promote their films, most notably Triangle Fine Arts, more widely known as Fine Arts Film Company."],"userestrict_html_tesm":["\u003cp\u003eFor materials created 1925 and earlier: Public Domain, no known restrictions.\u003c/p\u003e\n","\u003cp\u003eFor materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["For materials created 1925 and earlier: Public Domain, no known restrictions.","For materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_2901c86b538d38ee52c9bfa3c09178bf\"\u003eContent warning: Racist language, content, and imagery.\n\nPamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: Racist language, content, and imagery.\n\nPamphlets, booklets, and programs promoting silent and early Hollywood films, created 1915 - 1939."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fca30b5e9937f1768fb7f8af4c98420a\"\u003eR 72, C 3, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 4"],"names_ssim":["George Mason University. 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