{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Etching","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Etching\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"vircu_repositories_5_resources_535","type":"collection","attributes":{"title":"Adalbert J. 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Contact the VMI Archives for additional information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Collections in the VMI Archives are made available for noncommercial educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e80ceb18452f839f42d9b2a66ce9f649\"\u003eOversized case 10\u003c/physloc\u003e\n    "],"physloc_tesim":["Oversized case 10"],"corpname_ssim":["Virginia Military Institute Archives"],"persname_ssim":["Lowry, Day"],"names_ssim":["Virginia Military Institute Archives","Lowry, Day"],"language_ssim":["English\n."],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:23:37.080Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_783","ead_ssi":"vilxv_repositories_3_resources_783","_root_":"vilxv_repositories_3_resources_783","_nest_parent_":"vilxv_repositories_3_resources_783","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_783.xml","title_ssm":["Day Lowry etchings of VMI buildings"],"title_tesim":["Day Lowry etchings of VMI buildings"],"unitdate_ssm":["1932-1940"],"unitdate_inclusive_ssm":["1932-1940"],"normalized_date_ssm":["1932/1940"],"normalized_title_ssm":["Day Lowry etchings of VMI buildings, 1932/1940"],"text":["Day Lowry etchings of VMI buildings, 1932/1940","GR.Etchings.Lowry","/repositories/3/resources/783","Etching","Prints","Artists","Preston Library","Virginia Military Institute—Buildings, structures, etc.","There are no restrictions.","Day Lowry was a Virginia artist who worked for Everett Waddey Co. in Richmond, VA. He did many views of buildings, some of which were made into copperplate etchings and reproduced on an engraving press. Some of these plates were of VMI, Colonial Williamsburg, Duke and Jamestown.","The collection copperplate etchings of VMI scenes by artist Day Lowry. These were originally sold in sets of four by the VMI Alumni Association ($2.00 per set). They included Jackson Arch, statue, and Barracks; interior of Barracks; Washington Arch; and Dress Parade. A fifth etching shows Preston Library, which was constructed in 1939.","Collections in the VMI Archives are made available for noncommercial educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Oversized case 10","Virginia Military Institute Archives","Lowry, Day","English\n."],"collection_title_tesim":["Day Lowry etchings of VMI buildings, 1932/1940"],"collection_ssim":["Day Lowry etchings of VMI buildings, 1932/1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["GR.Etchings.Lowry","/repositories/3/resources/783"],"unitid_tesim":["GR.Etchings.Lowry","/repositories/3/resources/783"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Lowry, Day"],"creator_ssim":["Lowry, Day"],"creator_persname_ssim":["Lowry, Day"],"creator_corpname_ssim":["Virginia Military Institute Archives"],"creators_ssim":["Lowry, Day","Virginia Military Institute Archives"],"access_terms_ssm":["Collections in the VMI Archives are made available for noncommercial educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Etching","Prints","Artists","Preston Library","Virginia Military Institute—Buildings, structures, etc."],"access_subjects_ssm":["Etching","Prints","Artists","Preston Library","Virginia Military Institute—Buildings, structures, etc."],"has_online_content_ssim":["false"],"extent_ssm":["23 items","1 Folder"],"extent_tesim":["23 items","1 Folder"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions."],"bioghist_html_tesm":["\u003cp\u003eDay Lowry was a Virginia artist who worked for Everett Waddey Co. in Richmond, VA. He did many views of buildings, some of which were made into copperplate etchings and reproduced on an engraving press. Some of these plates were of VMI, Colonial Williamsburg, Duke and Jamestown.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Day Lowry was a Virginia artist who worked for Everett Waddey Co. in Richmond, VA. He did many views of buildings, some of which were made into copperplate etchings and reproduced on an engraving press. Some of these plates were of VMI, Colonial Williamsburg, Duke and Jamestown."],"prefercite_html_tesm":["\u003cp\u003eDay Lowry Etchings.  Virginia Military Institute Archives.\u003c/p\u003e  "],"prefercite_tesim":["Day Lowry Etchings.  Virginia Military Institute Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection copperplate etchings of VMI scenes by artist Day Lowry. These were originally sold in sets of four by the VMI Alumni Association ($2.00 per set). They included Jackson Arch, statue, and Barracks; interior of Barracks; Washington Arch; and Dress Parade. A fifth etching shows Preston Library, which was constructed in 1939.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection copperplate etchings of VMI scenes by artist Day Lowry. These were originally sold in sets of four by the VMI Alumni Association ($2.00 per set). They included Jackson Arch, statue, and Barracks; interior of Barracks; Washington Arch; and Dress Parade. A fifth etching shows Preston Library, which was constructed in 1939."],"userestrict_html_tesm":["\u003cp\u003eCollections in the VMI Archives are made available for noncommercial educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Collections in the VMI Archives are made available for noncommercial educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e80ceb18452f839f42d9b2a66ce9f649\"\u003eOversized case 10\u003c/physloc\u003e\n    "],"physloc_tesim":["Oversized case 10"],"corpname_ssim":["Virginia Military Institute Archives"],"persname_ssim":["Lowry, Day"],"names_ssim":["Virginia Military Institute Archives","Lowry, Day"],"language_ssim":["English\n."],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:23:37.080Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_783"}},{"id":"vifgm_repositories_2_resources_777","type":"collection","attributes":{"title":"Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, 1809/1820","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_777#creator","type":"document_value","attributes":{"value":"Rowlandson, Thomas, 1756-1827","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_777#abstract_or_scope","type":"document_value","attributes":{"value":"Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson taken from editions including William Combe's poems.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_777#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_777","ead_ssi":"vifgm_repositories_2_resources_777","_root_":"vifgm_repositories_2_resources_777","_nest_parent_":"vifgm_repositories_2_resources_777","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_777.xml","title_filing_ssi":"Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson","title_ssm":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson"],"title_tesim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson"],"unitdate_ssm":["circa 1809-1820"],"unitdate_inclusive_ssm":["circa 1809-1820"],"normalized_date_ssm":["1809/1820"],"normalized_title_ssm":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, 1809/1820"],"text":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, 1809/1820","C0552","/repositories/2/resources/777","Art","Etching","Satire","Picturesque, The","Illustrations","There are no access restrictions.","This is a single folder collection.","Art of the Print. n.d. \"Thomas Rowlandson - Doctor Syntax Copying the Wit of the Window The Poetical Magazine.\" Accessed June 17, 2026. https://www.artoftheprint.com/artistpages/rowlandson_thomas_doctor_syntax.htm.","\"Doctor Syntax and the Picturesque.\" n.d. With Anne Fertig and Liz Shand. Accessed June 17, 2026. https://doctorsyntaxblog.wordpress.com/.","Minneapolis Institute of Art. n.d. \"Doctor Syntax Visits a Boarding School for Young Ladies, 1820.\" Accessed June 17, 2026. https://collections.artsmia.org/art/77408/doctor-syntax-visits-a-boarding-school-for-young-ladies-thomas-rowlandson.","The Metropolitan Museum of Art. n.d. \"The Tour of Doctor Syntax In Search of the Picturesque, Eighth Edition with New Plates.\" Accessed June 17, 2026. https://www.metmuseum.org/art/collection/search/823943.","The Public Domain Review. n.d. \"The Tours of Dr Syntax (1809–1821).\" Accessed June 17, 2026. https://publicdomainreview.org/collection/dr-syntax/.","The character of Dr. Syntax first appeared in Rudolph Ackerman's \"Poetical Magazine\" in May 1809. Initially created as a series of illustrations by artist Thomas Rowlandson, the character of Dr. Syntax is often referred to as an English Don Quixote type character, designed to satirize the late 18th century trend of the \"picturesque\" and travel writing. These visual adventures were accompanied by poems written by William Combe detailing Dr. Syntax's misadventures based on the mishaps and scenarios first conceived in Rowlandson's drawings. From 1809-1811 Rowlandson and Combe published monthly serial adventures of Dr. Syntax in Ackerman's magazine under the title \"The Schoolmaster's Tour.\" In 1812 these initial poems and illustrations were published in book form under the new title Dr. Syntax in Search of the Picturesque. Two more books were published, In Search of Consolation (1820) and In Search of a Wife (1821). Dr. Syntax and his adventures were widely popular throughout both Great Britain and Europe, including Germany, France, and Denmark, and editions of \"The Tours of Dr. Syntax\" books continued to be published through the early 20th century.","Popularized by artist, Anglican cleric, and schoolmaster William Gilpin (1724-1804) the concept of the \"picturesque\" reflects a post-Enlightenment rejection of strict lines and angles and a preference for the \"rough, varied, and irregular forms of nature.\" In support of this, Gilpin encouraged travel outside of the city to more rural locations, specifically visits to medieval ruins, while also advocating for visual or written representations of these scenes that \"improved\" upon the real landscape to make them more \"picturesque.\"","Thomas Rowlandson was born in London, England in July 1756 or 1757. He was admitted to the Royal Academy at the age of 16 where he studied drawing between 1772-1777. In 1784, he began work as a political caricaturist and in 1809 created the character of Dr. Syntax, which would be the most high-profile work of his career. Rowlandson passed away in April 1827.","William Combe was born in Bristol, England in 1741 or 1742. The son of a wealthy merchant father, Combe was educated at Eton and attended Oxford University from 1760-1761, but spent much of his life deeply in debt due to his lavish lifestyle and excessive gambling. In 1763, Combe left England for an extended tour of Europe, and began writing professionally upon his return in 1766. In 1809 he was approached by Rudolph Ackerman to write poems to complement the Dr. Syntax illustrations created by Thomas Rowlandson. However, despite the success of this collaboration, Combe's money troubles continued throughout his life and he passed away on June 19, 1823.","Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in June 2026.","The Special Collections Research Center holds other etchings and illustrations, such as Jean-Jacques de Boissieu etching print of a country scene and \"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake.","Dr. Syntax in Search of the Picturesque","- \"The Rev. (D) Doctor Syntax\" – No publication information included","- \"Doctor Syntax, Made Free of the Cellar\" – Pub. Feb. 1, 1815 (printed at top)","- \"Doctor Syntax, Returned From His Tour\" – Pub. Feb. 1, 1815 (printed at top)","In Search of Consolation","- \"The Visit of Dr. Syntax to the Widow Hopefull at York\" – Date appears to read Feb. 1, 1820. This item has been cut unevenly across the bottom, under the image, partially obscuring or removing publication information.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson taken from editions including William Combe's poems.","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804","English"],"collection_title_tesim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, 1809/1820"],"collection_ssim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, 1809/1820"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0552","/repositories/2/resources/777"],"unitid_tesim":["C0552","/repositories/2/resources/777"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rowlandson, Thomas, 1756-1827"],"creator_ssim":["Rowlandson, Thomas, 1756-1827"],"creator_persname_ssim":["Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in March 2025."],"access_subjects_ssim":["Art","Etching","Satire","Picturesque, The","Illustrations"],"access_subjects_ssm":["Art","Etching","Satire","Picturesque, The","Illustrations"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Illustrations"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eArt of the Print. n.d. \"Thomas Rowlandson - Doctor Syntax Copying the Wit of the Window The Poetical Magazine.\" Accessed June 17, 2026. https://www.artoftheprint.com/artistpages/rowlandson_thomas_doctor_syntax.htm.\u003c/p\u003e","\u003cp\u003e\"Doctor Syntax and the Picturesque.\" n.d. With Anne Fertig and Liz Shand. Accessed June 17, 2026. https://doctorsyntaxblog.wordpress.com/.\u003c/p\u003e","\u003cp\u003eMinneapolis Institute of Art. n.d. \"Doctor Syntax Visits a Boarding School for Young Ladies, 1820.\" Accessed June 17, 2026. https://collections.artsmia.org/art/77408/doctor-syntax-visits-a-boarding-school-for-young-ladies-thomas-rowlandson.\u003c/p\u003e","\u003cp\u003eThe Metropolitan Museum of Art. n.d. \"The Tour of Doctor Syntax In Search of the Picturesque, Eighth Edition with New Plates.\" Accessed June 17, 2026. https://www.metmuseum.org/art/collection/search/823943.\u003c/p\u003e","\u003cp\u003eThe Public Domain Review. n.d. \"The Tours of Dr Syntax (1809–1821).\" Accessed June 17, 2026. https://publicdomainreview.org/collection/dr-syntax/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Art of the Print. n.d. \"Thomas Rowlandson - Doctor Syntax Copying the Wit of the Window The Poetical Magazine.\" Accessed June 17, 2026. https://www.artoftheprint.com/artistpages/rowlandson_thomas_doctor_syntax.htm.","\"Doctor Syntax and the Picturesque.\" n.d. With Anne Fertig and Liz Shand. Accessed June 17, 2026. https://doctorsyntaxblog.wordpress.com/.","Minneapolis Institute of Art. n.d. \"Doctor Syntax Visits a Boarding School for Young Ladies, 1820.\" Accessed June 17, 2026. https://collections.artsmia.org/art/77408/doctor-syntax-visits-a-boarding-school-for-young-ladies-thomas-rowlandson.","The Metropolitan Museum of Art. n.d. \"The Tour of Doctor Syntax In Search of the Picturesque, Eighth Edition with New Plates.\" Accessed June 17, 2026. https://www.metmuseum.org/art/collection/search/823943.","The Public Domain Review. n.d. \"The Tours of Dr Syntax (1809–1821).\" Accessed June 17, 2026. https://publicdomainreview.org/collection/dr-syntax/."],"bioghist_html_tesm":["\u003cp\u003eThe character of Dr. Syntax first appeared in Rudolph Ackerman's \"Poetical Magazine\" in May 1809. Initially created as a series of illustrations by artist Thomas Rowlandson, the character of Dr. Syntax is often referred to as an English Don Quixote type character, designed to satirize the late 18th century trend of the \"picturesque\" and travel writing. These visual adventures were accompanied by poems written by William Combe detailing Dr. Syntax's misadventures based on the mishaps and scenarios first conceived in Rowlandson's drawings. From 1809-1811 Rowlandson and Combe published monthly serial adventures of Dr. Syntax in Ackerman's magazine under the title \"The Schoolmaster's Tour.\" In 1812 these initial poems and illustrations were published in book form under the new title \u003ctitle\u003eDr. Syntax in Search of the Picturesque\u003c/title\u003e. Two more books were published, \u003ctitle\u003eIn Search of Consolation\u003c/title\u003e (1820) and \u003ctitle\u003eIn Search of a Wife\u003c/title\u003e (1821). Dr. Syntax and his adventures were widely popular throughout both Great Britain and Europe, including Germany, France, and Denmark, and editions of \"The Tours of Dr. Syntax\" books continued to be published through the early 20th century.\u003c/p\u003e","\u003cp\u003ePopularized by artist, Anglican cleric, and schoolmaster William Gilpin (1724-1804) the concept of the \"picturesque\" reflects a post-Enlightenment rejection of strict lines and angles and a preference for the \"rough, varied, and irregular forms of nature.\" In support of this, Gilpin encouraged travel outside of the city to more rural locations, specifically visits to medieval ruins, while also advocating for visual or written representations of these scenes that \"improved\" upon the real landscape to make them more \"picturesque.\"\u003c/p\u003e","\u003cp\u003eThomas Rowlandson was born in London, England in July 1756 or 1757. He was admitted to the Royal Academy at the age of 16 where he studied drawing between 1772-1777. In 1784, he began work as a political caricaturist and in 1809 created the character of Dr. Syntax, which would be the most high-profile work of his career. Rowlandson passed away in April 1827.\u003c/p\u003e","\u003cp\u003eWilliam Combe was born in Bristol, England in 1741 or 1742. The son of a wealthy merchant father, Combe was educated at Eton and attended Oxford University from 1760-1761, but spent much of his life deeply in debt due to his lavish lifestyle and excessive gambling. In 1763, Combe left England for an extended tour of Europe, and began writing professionally upon his return in 1766. In 1809 he was approached by Rudolph Ackerman to write poems to complement the Dr. Syntax illustrations created by Thomas Rowlandson. However, despite the success of this collaboration, Combe's money troubles continued throughout his life and he passed away on June 19, 1823.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["The character of Dr. Syntax first appeared in Rudolph Ackerman's \"Poetical Magazine\" in May 1809. Initially created as a series of illustrations by artist Thomas Rowlandson, the character of Dr. Syntax is often referred to as an English Don Quixote type character, designed to satirize the late 18th century trend of the \"picturesque\" and travel writing. These visual adventures were accompanied by poems written by William Combe detailing Dr. Syntax's misadventures based on the mishaps and scenarios first conceived in Rowlandson's drawings. From 1809-1811 Rowlandson and Combe published monthly serial adventures of Dr. Syntax in Ackerman's magazine under the title \"The Schoolmaster's Tour.\" In 1812 these initial poems and illustrations were published in book form under the new title Dr. Syntax in Search of the Picturesque. Two more books were published, In Search of Consolation (1820) and In Search of a Wife (1821). Dr. Syntax and his adventures were widely popular throughout both Great Britain and Europe, including Germany, France, and Denmark, and editions of \"The Tours of Dr. Syntax\" books continued to be published through the early 20th century.","Popularized by artist, Anglican cleric, and schoolmaster William Gilpin (1724-1804) the concept of the \"picturesque\" reflects a post-Enlightenment rejection of strict lines and angles and a preference for the \"rough, varied, and irregular forms of nature.\" In support of this, Gilpin encouraged travel outside of the city to more rural locations, specifically visits to medieval ruins, while also advocating for visual or written representations of these scenes that \"improved\" upon the real landscape to make them more \"picturesque.\"","Thomas Rowlandson was born in London, England in July 1756 or 1757. He was admitted to the Royal Academy at the age of 16 where he studied drawing between 1772-1777. In 1784, he began work as a political caricaturist and in 1809 created the character of Dr. Syntax, which would be the most high-profile work of his career. Rowlandson passed away in April 1827.","William Combe was born in Bristol, England in 1741 or 1742. The son of a wealthy merchant father, Combe was educated at Eton and attended Oxford University from 1760-1761, but spent much of his life deeply in debt due to his lavish lifestyle and excessive gambling. In 1763, Combe left England for an extended tour of Europe, and began writing professionally upon his return in 1766. In 1809 he was approached by Rudolph Ackerman to write poems to complement the Dr. Syntax illustrations created by Thomas Rowlandson. However, despite the success of this collaboration, Combe's money troubles continued throughout his life and he passed away on June 19, 1823."],"prefercite_html_tesm":["\u003cp\u003eFour hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, C0552, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, C0552, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in June 2026.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in June 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other etchings and illustrations, such as \u003ca href=\"https://aspace.gmu.edu/resources/c0475\"\u003eJean-Jacques de Boissieu etching print of a country scene\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0475\"\u003e\"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other etchings and illustrations, such as Jean-Jacques de Boissieu etching print of a country scene and \"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake."],"scopecontent_html_tesm":["\u003ctitle\u003eDr. Syntax in Search of the Picturesque\u003c/title\u003e:\n","\u003cp\u003e- \"The Rev. (D) Doctor Syntax\" – No publication information included\u003c/p\u003e\n","\u003cp\u003e- \"Doctor Syntax, Made Free of the Cellar\" – Pub. Feb. 1, 1815 (printed at top)\u003c/p\u003e\n","\u003cp\u003e- \"Doctor Syntax, Returned From His Tour\" – Pub. Feb. 1, 1815 (printed at top)\u003c/p\u003e\nThe remaining plate originally appeared in ","\u003ctitle\u003eIn Search of Consolation\u003c/title\u003e:\n\n","\u003cp\u003e- \"The Visit of Dr. Syntax to the Widow Hopefull at York\" – Date appears to read Feb. 1, 1820. This item has been cut unevenly across the bottom, under the image, partially obscuring or removing publication information.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Dr. Syntax in Search of the Picturesque","- \"The Rev. (D) Doctor Syntax\" – No publication information included","- \"Doctor Syntax, Made Free of the Cellar\" – Pub. Feb. 1, 1815 (printed at top)","- \"Doctor Syntax, Returned From His Tour\" – Pub. Feb. 1, 1815 (printed at top)","In Search of Consolation","- \"The Visit of Dr. Syntax to the Widow Hopefull at York\" – Date appears to read Feb. 1, 1820. This item has been cut unevenly across the bottom, under the image, partially obscuring or removing publication information."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1200f20ef62787055a2c875bf7549d31\"\u003eFour hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson taken from editions including William Combe's poems.\u003c/abstract\u003e\n    "],"abstract_tesim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson taken from editions including William Combe's poems."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6a32c1ec440919a83082b028c0196bee\"\u003eR 73, C 2, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 2, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804"],"names_coll_ssim":["Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:23.237Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_777","ead_ssi":"vifgm_repositories_2_resources_777","_root_":"vifgm_repositories_2_resources_777","_nest_parent_":"vifgm_repositories_2_resources_777","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_777.xml","title_filing_ssi":"Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson","title_ssm":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson"],"title_tesim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson"],"unitdate_ssm":["circa 1809-1820"],"unitdate_inclusive_ssm":["circa 1809-1820"],"normalized_date_ssm":["1809/1820"],"normalized_title_ssm":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, 1809/1820"],"text":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, 1809/1820","C0552","/repositories/2/resources/777","Art","Etching","Satire","Picturesque, The","Illustrations","There are no access restrictions.","This is a single folder collection.","Art of the Print. n.d. \"Thomas Rowlandson - Doctor Syntax Copying the Wit of the Window The Poetical Magazine.\" Accessed June 17, 2026. https://www.artoftheprint.com/artistpages/rowlandson_thomas_doctor_syntax.htm.","\"Doctor Syntax and the Picturesque.\" n.d. With Anne Fertig and Liz Shand. Accessed June 17, 2026. https://doctorsyntaxblog.wordpress.com/.","Minneapolis Institute of Art. n.d. \"Doctor Syntax Visits a Boarding School for Young Ladies, 1820.\" Accessed June 17, 2026. https://collections.artsmia.org/art/77408/doctor-syntax-visits-a-boarding-school-for-young-ladies-thomas-rowlandson.","The Metropolitan Museum of Art. n.d. \"The Tour of Doctor Syntax In Search of the Picturesque, Eighth Edition with New Plates.\" Accessed June 17, 2026. https://www.metmuseum.org/art/collection/search/823943.","The Public Domain Review. n.d. \"The Tours of Dr Syntax (1809–1821).\" Accessed June 17, 2026. https://publicdomainreview.org/collection/dr-syntax/.","The character of Dr. Syntax first appeared in Rudolph Ackerman's \"Poetical Magazine\" in May 1809. Initially created as a series of illustrations by artist Thomas Rowlandson, the character of Dr. Syntax is often referred to as an English Don Quixote type character, designed to satirize the late 18th century trend of the \"picturesque\" and travel writing. These visual adventures were accompanied by poems written by William Combe detailing Dr. Syntax's misadventures based on the mishaps and scenarios first conceived in Rowlandson's drawings. From 1809-1811 Rowlandson and Combe published monthly serial adventures of Dr. Syntax in Ackerman's magazine under the title \"The Schoolmaster's Tour.\" In 1812 these initial poems and illustrations were published in book form under the new title Dr. Syntax in Search of the Picturesque. Two more books were published, In Search of Consolation (1820) and In Search of a Wife (1821). Dr. Syntax and his adventures were widely popular throughout both Great Britain and Europe, including Germany, France, and Denmark, and editions of \"The Tours of Dr. Syntax\" books continued to be published through the early 20th century.","Popularized by artist, Anglican cleric, and schoolmaster William Gilpin (1724-1804) the concept of the \"picturesque\" reflects a post-Enlightenment rejection of strict lines and angles and a preference for the \"rough, varied, and irregular forms of nature.\" In support of this, Gilpin encouraged travel outside of the city to more rural locations, specifically visits to medieval ruins, while also advocating for visual or written representations of these scenes that \"improved\" upon the real landscape to make them more \"picturesque.\"","Thomas Rowlandson was born in London, England in July 1756 or 1757. He was admitted to the Royal Academy at the age of 16 where he studied drawing between 1772-1777. In 1784, he began work as a political caricaturist and in 1809 created the character of Dr. Syntax, which would be the most high-profile work of his career. Rowlandson passed away in April 1827.","William Combe was born in Bristol, England in 1741 or 1742. The son of a wealthy merchant father, Combe was educated at Eton and attended Oxford University from 1760-1761, but spent much of his life deeply in debt due to his lavish lifestyle and excessive gambling. In 1763, Combe left England for an extended tour of Europe, and began writing professionally upon his return in 1766. In 1809 he was approached by Rudolph Ackerman to write poems to complement the Dr. Syntax illustrations created by Thomas Rowlandson. However, despite the success of this collaboration, Combe's money troubles continued throughout his life and he passed away on June 19, 1823.","Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in June 2026.","The Special Collections Research Center holds other etchings and illustrations, such as Jean-Jacques de Boissieu etching print of a country scene and \"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake.","Dr. Syntax in Search of the Picturesque","- \"The Rev. (D) Doctor Syntax\" – No publication information included","- \"Doctor Syntax, Made Free of the Cellar\" – Pub. Feb. 1, 1815 (printed at top)","- \"Doctor Syntax, Returned From His Tour\" – Pub. Feb. 1, 1815 (printed at top)","In Search of Consolation","- \"The Visit of Dr. Syntax to the Widow Hopefull at York\" – Date appears to read Feb. 1, 1820. This item has been cut unevenly across the bottom, under the image, partially obscuring or removing publication information.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson taken from editions including William Combe's poems.","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804","English"],"collection_title_tesim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, 1809/1820"],"collection_ssim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, 1809/1820"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0552","/repositories/2/resources/777"],"unitid_tesim":["C0552","/repositories/2/resources/777"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rowlandson, Thomas, 1756-1827"],"creator_ssim":["Rowlandson, Thomas, 1756-1827"],"creator_persname_ssim":["Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in March 2025."],"access_subjects_ssim":["Art","Etching","Satire","Picturesque, The","Illustrations"],"access_subjects_ssm":["Art","Etching","Satire","Picturesque, The","Illustrations"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Illustrations"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eArt of the Print. n.d. \"Thomas Rowlandson - Doctor Syntax Copying the Wit of the Window The Poetical Magazine.\" Accessed June 17, 2026. https://www.artoftheprint.com/artistpages/rowlandson_thomas_doctor_syntax.htm.\u003c/p\u003e","\u003cp\u003e\"Doctor Syntax and the Picturesque.\" n.d. With Anne Fertig and Liz Shand. Accessed June 17, 2026. https://doctorsyntaxblog.wordpress.com/.\u003c/p\u003e","\u003cp\u003eMinneapolis Institute of Art. n.d. \"Doctor Syntax Visits a Boarding School for Young Ladies, 1820.\" Accessed June 17, 2026. https://collections.artsmia.org/art/77408/doctor-syntax-visits-a-boarding-school-for-young-ladies-thomas-rowlandson.\u003c/p\u003e","\u003cp\u003eThe Metropolitan Museum of Art. n.d. \"The Tour of Doctor Syntax In Search of the Picturesque, Eighth Edition with New Plates.\" Accessed June 17, 2026. https://www.metmuseum.org/art/collection/search/823943.\u003c/p\u003e","\u003cp\u003eThe Public Domain Review. n.d. \"The Tours of Dr Syntax (1809–1821).\" Accessed June 17, 2026. https://publicdomainreview.org/collection/dr-syntax/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Art of the Print. n.d. \"Thomas Rowlandson - Doctor Syntax Copying the Wit of the Window The Poetical Magazine.\" Accessed June 17, 2026. https://www.artoftheprint.com/artistpages/rowlandson_thomas_doctor_syntax.htm.","\"Doctor Syntax and the Picturesque.\" n.d. With Anne Fertig and Liz Shand. Accessed June 17, 2026. https://doctorsyntaxblog.wordpress.com/.","Minneapolis Institute of Art. n.d. \"Doctor Syntax Visits a Boarding School for Young Ladies, 1820.\" Accessed June 17, 2026. https://collections.artsmia.org/art/77408/doctor-syntax-visits-a-boarding-school-for-young-ladies-thomas-rowlandson.","The Metropolitan Museum of Art. n.d. \"The Tour of Doctor Syntax In Search of the Picturesque, Eighth Edition with New Plates.\" Accessed June 17, 2026. https://www.metmuseum.org/art/collection/search/823943.","The Public Domain Review. n.d. \"The Tours of Dr Syntax (1809–1821).\" Accessed June 17, 2026. https://publicdomainreview.org/collection/dr-syntax/."],"bioghist_html_tesm":["\u003cp\u003eThe character of Dr. Syntax first appeared in Rudolph Ackerman's \"Poetical Magazine\" in May 1809. Initially created as a series of illustrations by artist Thomas Rowlandson, the character of Dr. Syntax is often referred to as an English Don Quixote type character, designed to satirize the late 18th century trend of the \"picturesque\" and travel writing. These visual adventures were accompanied by poems written by William Combe detailing Dr. Syntax's misadventures based on the mishaps and scenarios first conceived in Rowlandson's drawings. From 1809-1811 Rowlandson and Combe published monthly serial adventures of Dr. Syntax in Ackerman's magazine under the title \"The Schoolmaster's Tour.\" In 1812 these initial poems and illustrations were published in book form under the new title \u003ctitle\u003eDr. Syntax in Search of the Picturesque\u003c/title\u003e. Two more books were published, \u003ctitle\u003eIn Search of Consolation\u003c/title\u003e (1820) and \u003ctitle\u003eIn Search of a Wife\u003c/title\u003e (1821). Dr. Syntax and his adventures were widely popular throughout both Great Britain and Europe, including Germany, France, and Denmark, and editions of \"The Tours of Dr. Syntax\" books continued to be published through the early 20th century.\u003c/p\u003e","\u003cp\u003ePopularized by artist, Anglican cleric, and schoolmaster William Gilpin (1724-1804) the concept of the \"picturesque\" reflects a post-Enlightenment rejection of strict lines and angles and a preference for the \"rough, varied, and irregular forms of nature.\" In support of this, Gilpin encouraged travel outside of the city to more rural locations, specifically visits to medieval ruins, while also advocating for visual or written representations of these scenes that \"improved\" upon the real landscape to make them more \"picturesque.\"\u003c/p\u003e","\u003cp\u003eThomas Rowlandson was born in London, England in July 1756 or 1757. He was admitted to the Royal Academy at the age of 16 where he studied drawing between 1772-1777. In 1784, he began work as a political caricaturist and in 1809 created the character of Dr. Syntax, which would be the most high-profile work of his career. Rowlandson passed away in April 1827.\u003c/p\u003e","\u003cp\u003eWilliam Combe was born in Bristol, England in 1741 or 1742. The son of a wealthy merchant father, Combe was educated at Eton and attended Oxford University from 1760-1761, but spent much of his life deeply in debt due to his lavish lifestyle and excessive gambling. In 1763, Combe left England for an extended tour of Europe, and began writing professionally upon his return in 1766. In 1809 he was approached by Rudolph Ackerman to write poems to complement the Dr. Syntax illustrations created by Thomas Rowlandson. However, despite the success of this collaboration, Combe's money troubles continued throughout his life and he passed away on June 19, 1823.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["The character of Dr. Syntax first appeared in Rudolph Ackerman's \"Poetical Magazine\" in May 1809. Initially created as a series of illustrations by artist Thomas Rowlandson, the character of Dr. Syntax is often referred to as an English Don Quixote type character, designed to satirize the late 18th century trend of the \"picturesque\" and travel writing. These visual adventures were accompanied by poems written by William Combe detailing Dr. Syntax's misadventures based on the mishaps and scenarios first conceived in Rowlandson's drawings. From 1809-1811 Rowlandson and Combe published monthly serial adventures of Dr. Syntax in Ackerman's magazine under the title \"The Schoolmaster's Tour.\" In 1812 these initial poems and illustrations were published in book form under the new title Dr. Syntax in Search of the Picturesque. Two more books were published, In Search of Consolation (1820) and In Search of a Wife (1821). Dr. Syntax and his adventures were widely popular throughout both Great Britain and Europe, including Germany, France, and Denmark, and editions of \"The Tours of Dr. Syntax\" books continued to be published through the early 20th century.","Popularized by artist, Anglican cleric, and schoolmaster William Gilpin (1724-1804) the concept of the \"picturesque\" reflects a post-Enlightenment rejection of strict lines and angles and a preference for the \"rough, varied, and irregular forms of nature.\" In support of this, Gilpin encouraged travel outside of the city to more rural locations, specifically visits to medieval ruins, while also advocating for visual or written representations of these scenes that \"improved\" upon the real landscape to make them more \"picturesque.\"","Thomas Rowlandson was born in London, England in July 1756 or 1757. He was admitted to the Royal Academy at the age of 16 where he studied drawing between 1772-1777. In 1784, he began work as a political caricaturist and in 1809 created the character of Dr. Syntax, which would be the most high-profile work of his career. Rowlandson passed away in April 1827.","William Combe was born in Bristol, England in 1741 or 1742. The son of a wealthy merchant father, Combe was educated at Eton and attended Oxford University from 1760-1761, but spent much of his life deeply in debt due to his lavish lifestyle and excessive gambling. In 1763, Combe left England for an extended tour of Europe, and began writing professionally upon his return in 1766. In 1809 he was approached by Rudolph Ackerman to write poems to complement the Dr. Syntax illustrations created by Thomas Rowlandson. However, despite the success of this collaboration, Combe's money troubles continued throughout his life and he passed away on June 19, 1823."],"prefercite_html_tesm":["\u003cp\u003eFour hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, C0552, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson, C0552, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in June 2026.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in June 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other etchings and illustrations, such as \u003ca href=\"https://aspace.gmu.edu/resources/c0475\"\u003eJean-Jacques de Boissieu etching print of a country scene\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0475\"\u003e\"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other etchings and illustrations, such as Jean-Jacques de Boissieu etching print of a country scene and \"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake."],"scopecontent_html_tesm":["\u003ctitle\u003eDr. Syntax in Search of the Picturesque\u003c/title\u003e:\n","\u003cp\u003e- \"The Rev. (D) Doctor Syntax\" – No publication information included\u003c/p\u003e\n","\u003cp\u003e- \"Doctor Syntax, Made Free of the Cellar\" – Pub. Feb. 1, 1815 (printed at top)\u003c/p\u003e\n","\u003cp\u003e- \"Doctor Syntax, Returned From His Tour\" – Pub. Feb. 1, 1815 (printed at top)\u003c/p\u003e\nThe remaining plate originally appeared in ","\u003ctitle\u003eIn Search of Consolation\u003c/title\u003e:\n\n","\u003cp\u003e- \"The Visit of Dr. Syntax to the Widow Hopefull at York\" – Date appears to read Feb. 1, 1820. This item has been cut unevenly across the bottom, under the image, partially obscuring or removing publication information.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Dr. Syntax in Search of the Picturesque","- \"The Rev. (D) Doctor Syntax\" – No publication information included","- \"Doctor Syntax, Made Free of the Cellar\" – Pub. Feb. 1, 1815 (printed at top)","- \"Doctor Syntax, Returned From His Tour\" – Pub. Feb. 1, 1815 (printed at top)","In Search of Consolation","- \"The Visit of Dr. Syntax to the Widow Hopefull at York\" – Date appears to read Feb. 1, 1820. This item has been cut unevenly across the bottom, under the image, partially obscuring or removing publication information."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1200f20ef62787055a2c875bf7549d31\"\u003eFour hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson taken from editions including William Combe's poems.\u003c/abstract\u003e\n    "],"abstract_tesim":["Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson taken from editions including William Combe's poems."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6a32c1ec440919a83082b028c0196bee\"\u003eR 73, C 2, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 2, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804"],"names_coll_ssim":["Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rowlandson, Thomas, 1756-1827","Ackermann, Rudolph, 1764-1834","Combe, William, 1742-1823","Gilpin, William, 1724-1804"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:23.237Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_777"}},{"id":"vifgm_repositories_2_resources_544","type":"collection","attributes":{"title":"Jean-Jacques de Boissieu etching print of a country scene, 1773","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_544#creator","type":"document_value","attributes":{"value":"Boissieu, Jean-Jacques de, 1736-1810","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_544#abstract_or_scope","type":"document_value","attributes":{"value":"Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_544#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_544","ead_ssi":"vifgm_repositories_2_resources_544","_root_":"vifgm_repositories_2_resources_544","_nest_parent_":"vifgm_repositories_2_resources_544","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_544.xml","title_ssm":["Jean-Jacques de Boissieu etching print of a country scene"],"title_tesim":["Jean-Jacques de Boissieu etching print of a country scene"],"unitdate_ssm":["1773"],"unitdate_other_ssim":["1773"],"normalized_date_ssm":["1773"],"normalized_title_ssm":["Jean-Jacques de Boissieu etching print of a country scene, 1773"],"text":["Jean-Jacques de Boissieu etching print of a country scene, 1773","C0475","/repositories/2/resources/544","Art","Domestic life","Etching","There are no access restrictions.","This is a single item collection.","Del Re, Sonia. \"'The French Rembrandt': Etcher Jean-Jacques de Boissieu.\" National Gallery of Canada, May 29, 2020. https://www.gallery.ca/magazine/your-collection/the-french-rembrandt-etcher-jean-jacques-de-boissieu.","\"Jean-Jacques de Boissieu.\" The J. Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/.","Jean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds other prints from the 18th century of various methods.","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. The artist's initials and date appear in the bottom left corner.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu.","R 72, C 3, S 1","George Mason University. Libraries. 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